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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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INT. ROMY AND JACOB’S APARTMENT- BEDROOM NIGHT Close on: a woman’s face, ROMY (49). Pure ecstasy. She holds her breath, lets go and and starts to orgasm. The camera reveals her husband JACOB (58, warm, handsome) who is laying underneath her and climaxes at the same time. He is in heaven
2
INT. AUTOMATED WAREHOUSE-DAY An overhead shot of a fully automated warehouse. Robots are driving over a system of rails and magnetic tape, picking and placing products in thousands of boxes. It is as if we are looking inside Romy’s head.
3
INT. ROMY AND JACOB’S APARTMENT- KITCHEN EARLY MORNING Classical music is playing. Before anyone wakes up, Romy sets the breakfast table perfectly. She is wearing an apron. Carefully, she prepares lunch boxes. She sits down to write little notes for her daughters. She hides them in their
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EXT. BUSY STREET IN MIDTOWN NEW YORK DAY Romy walks down a very busy street. Suddenly, someone starts to scream. People rush towards her. Anxious, she looks up to see what they are running from. A barking DOG with wild eyes runs towards her. People try to get away. Someone hides
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EXT. / INT. OFFICE BUILDING ENTRANCE/ LOBBY- DAY Romy rushes in. Someone is hanging decorations on a large, beautiful Christmas tree. ESME, Romy’s assistant (25), comes running. INT. OFFICE BUILDING HALLWAY / MEETING ROOM DAY
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INT. OFFICE BUILDING ROMY'S OFFICE DAY Esme knocks on the door and pops her head in. Romy jumps up and tries to fix her hair. ROMY (smiling)
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INT. OFFICE BUILDING 6TH FLOOR NIGHT The group of interns are getting a tour of the building. Everyone is talking over each other. Tom and Esme explain how the internship works and point out different area’s of the office. Esme hands out bags with welcome packages. Samuel
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INT. OFFICE BUILDING ELEVATOR- DAY The next morning, Romy walks into the elevator. A group of men in suits look at her. ARI Good Morning Mrs. Mathis.
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INT. ROMY AND JACOB'S APARTMENT BEDROOM- NIGHT In the dark, in bed, Romy watches business news on her phone. Jacob turns towards her and gently touches her shoulder. JACOB I want to see you.
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INT. OFFICE BUILDING PRESS ROOM- DAY Close on Romy, she looks straight into the camera. ROMY Being a CEO is- being a collaborator- a nurturer. I see
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INT. OFFICE BUILDING 6TH FLOOR - END OF DAY The office Christmas party. Music is playing. Everyone is having a good time. Romy and Esme welcome Jacob and the children. Isabel feels awkward in her girly dress. Nora is comfortably wearing a princess dress. Immediately, they are
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EXT. OFFICE BUILDING TERRACE-NIGHT In her coat, Romy is alone smoking a cigarette. Suddenly Samuel appears. SAMUEL Do you have a lighter?
13
INT. ROMY AND JACOB'S APARTMENT KITCHEN- NIGHT Later that night- At home Jacob eats from a tub of Greek vanilla yoghurt. The Hedda Gabler script in front of him. Romy is typing on her phone. JACOB
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INT. OFFICE BUILDING HALLWAY - DAY The next morning- it’s Saturday. Romy, with her coat on, looks around. A caterer wheels out a cart of glassware. A deflated balloon on the floor. The office is empty. A cleaner is vacuuming. Romy takes a water from the fridge when out of
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INT. REMEDY PLACE-DAY Close up of Romy’s face. A needle is penetrating her upper lip. Romy gets Botox and fillers. It hurts but she doesn't mind. DOCTOR
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INT. EMDR THERAPY CLINIC/ UNDEFINED SPACES - DAY Close on Romy’s face with headphones on. We hear the sound of Audio Bilateral stimulation moving from our left ear to our right. Up close we see her eyes move from left to right, following a light-bar. Her wrists are stimulated every few
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INT. ROMY AND JACOB'S APARTMENT- LIVING ROOM- DAY Through the lens of the photographer we see the family posing for their yearly Christmas card picture next to their tastefully decorated Christmas tree. A perfect American nuclear family except for the fact that Nora is wearing her
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INT. OFFICE BUILDING ELEVATOR DAY Monday morning; Romy walks into the elevator trying to hide a small bruise caused by the fillers. The bruise is covered by concealer, which makes it look worse. Self-conscious she touches it.
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INT. OFFICE BUILDING ROMY'S OFFICE- NIGHT Esme is applying more concealer to Romy’s bruise. ROMY Who decided that I’m part of that mentor program by the way?
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EXT. NEW YORK CITY- EARLY MORNING. From high above, the sun rises over the skyline. INT. OFFICE BASEMENT HALLWAY- DAY Romy walks along the empty hallway, towards basement meeting room.
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EXT. UPSTATE HOUSE - DAY From high in the sky, the camera slowly moves in on the perfect family (Romy, Jacob, Isabel and Nora). They walk towards their perfect family home. The lights are on inside, lit up like a doll’s house.
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EXT. UPSTATE HOUSE SWIMMING POOL- DAY With a net Romy tries to fish a small dead skunk out of the pool. Isabel comes to help her, trying to connect to Romy. They manage to hoist the dead animal onto the edge. ROMY
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INT. OFFICE BUILDING MEETING ROOM/ BULLPEN -DAY Full screen: a video on proper conduct in the workplace. Samuel and some other interns make notes. Through the glass wall, he sees Romy speaking to her team next to a big monitor that plays a video of the warehouses. Esme stands next to
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INT. THEATER- DAY BANG! Loud shots are fired straight at the camera. HEDDA (SCARLETT) (loud, with joy) This is what comes of sneaking in
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INT. LUXURIOUS BAR MIDTOWN- NIGHT A bar filled with loud business men in suits. Romy walks in with Hazel, Tom and Robert. They pass a group of interns and young employees. Samuel looks at Romy as she walks by. Romy ignores him. Surprised to see Romy entering the bar, Esme
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INT. LUXURIOUS BAR MIDTOWN- NIGHT LATER- The bar is totally empty. Romy pays the bill. The group of interns, including Esme, have left. Suddenly Samuel walks out of the men’s room. He doesn’t look at Romy but when he walks past her he whispers in her ear.
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INT. THEATRE- OPENING NIGHT The curtains are closed. The last few people walk out. An usher picks up playbills. Romy sits alone in her dress, staring at the empty stage. She looks around, unsure where to go.
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INT. CHEAP HOTEL ROOM- NIGHT Romy enters the worn out room. She looks around. The walls are painted red. She notices a stain on the carpet. ROMY Hello?
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INT/EXT. MONTAGE - VARIOUS Never Tear Us Apart continues to play while we see Samuel and Romy’s connection deepen in the office and outside of it. - INT. OFFICE LOBBY: Romy walks past the lit up Christmas tree.
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– INT. ROMY’S PRIVATE OFFICE BATHROOM: Samuel and Romy kiss passionately. He pushes her up against the wall, his hand around her neck. -INT. OFFICE CONFERENCE ROOM: Romy holds court in a meeting, surrounded by men in suits. She looks up as Samuel walks by.
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- INT. OFFICE KITCHEN: Samuel enters. Romy sees him in the reflection of the window. He comes up behind her, and takes a coffee cup form the shelf. To her surprise, he lets it slide out of his hands. The cup breaks into pieces on the floor. He looks at the shards and at her.
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INT. UPSTATE HOUSE- BEDROOM- NIGHT In the bedroom Romy and Jacob, sit under the bed sheet like two children. They speak in hushed voices about their daughter and her girlfriend. The tone is playful and happy. ROMY
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EXT./ INT. UPSTATE HOUSE HALLWAYS/ DINING ROOM-DAY We follow Romy as she enters the house carrying a fancy shopping bag. While walking, she takes off her coat in front of the mirror. She is wearing a revealing new dress, a stark contrast to her usual work suits. Suddenly she hears Samuel’s
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INT. /EXT. UPSTATE CAR/ PARKING LOT TRAIN STATION- LATE AFTERNOON The car is parked. Romy and Samuel sit in silence. SAMUEL They’re so nice- You’re family-
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INT. AUTOMATED WAREHOUSE- DAY Overhead shot of a fully automated warehouse. Robots are moving faster and faster, picking and placing products in endless amounts of boxes and containers while business radio is playing louder and louder.
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EXT. OFFICE BUILDING ROOF DAY High up, on top of the building, Romy finds Samuel. Smoking a cigaret, he looks out over the city. It’s snowing. Cautious, she walks towards him. ROMY
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INT. ROMY AND JACOB'S APARTMENT- BEDROOM- NIGHT In bed, Romy is glued her phone, waiting for Samuel to call or text. Sensing her distance, Jacob tries to initiate sex. He wants to comfort and kiss her, to make love to her. JACOB
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EXT. STREETS OF NEW YORK- NIGHT In the middle of the night she walks through the dark streets of the city. She is wearing Ugg boots. A coat over her nightgown. INT. THE NINES BAR- NIGHT.
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INT. ROMY AND JACOB'S APARTMENT- KITCHEN DAY In the early morning, Romy and Jacob stand in the kitchen. A tense silence between them. Jacob is on his way out but lingers. JACOB
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INT. OFFICE BUILDING WINDOWLESS BASEMENT ROOM- DAY Romy sits at the small table. Her hair is messy. Her palms are sweaty. Anxious, she stares at the door. Her heart is beating too fast. She lays her hand on her chest to calm herself down. After a while, Samuel enters. Quickly, she gets
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INT. LUXURIOUS HOTEL ROOM DAY The presidential suite. A long hallway with doors leading to the many different beautiful, luxurious rooms. Romy stands in front of a golden mirror and checks her reflection. A knock on the door. She starts walking towards it.
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INT. JACOB AND ROMY’S APARTMENT LIVING ROOM-DAY Overhead shot of Nora spinning in her red dress. Loud music is playing. She is dancing the tarantella. Nora dances wildly. Beautiful. Animalistic. Out of control. Romy sits on the sofa and stares at her daughter.
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INT. ROMY AND JACOB'S APARTMENT- KITCHEN- DAY Romy is doing the dishes. Samuel enters. ROMY (whispers) What are you doing?
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INT. OFFICE BUILDING ROMY'S OFFICE- DAY Romy stands at the window, she looks down on the city. Esme knocks on the door. White Production Draft (10/31/23) 68. ROMY
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EXT./ INT. CITY STREETS/ HIGHWAY- UBER BLACK CAR NIGHT Romy looks out of the window while the car drives out of the city. She watches the Christmas decorations transition into the highway. As the car drives through a deserted area, Romy speaks to Jacob on the phone. The house music continues to
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EXT. WAREHOUSE RAVE- NIGHT The Uber drops Romy in the abandoned parking lot. Hesitant she gets out of the car.The music is loud and fast. Young people are smoking cigarettes outside. A boy stares at her. For a moment, Romy wants to turn around but the car is gone.
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INT. WAREHOUSE LABYRINTH STAIRCASES/ HALLWAYS- NIGHT Samuel drags Romy through a labyrinth of hallways. He has her hand firmly in his, she almost trips. Both their pupils are big. INT. WAREHOUSE SMALL ABANDONED ROOM - NIGHT
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INT. ROMY AND JACOB'S APARTMENT- KITCHEN- NIGHT As quiet as she can, Romy walks into the dark living room, her hair a mess. Startled, Romy stares at Isabel, who sits on the sofa. Romy looks like a creature from the wild. ROMY
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INT. ROMY AND JACOB'S APARTMENT- KITCHEN DAY Trying to hide her anxiety, Romy is making pancakes for breakfast. Classical music playing. Everyone is rushing to get out of the door on time. Nora in a raincoat and her dance costume, Isabel, wearing a soccer outfit, keeps a close eye
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INT. ROMY AND JACOB'S APARTMENT-KITCHEN- DAY Alone, Esme hugs Romy. Long. In her wet coat, Esme sits on the white, expensive sofa. She looks at the photos on the wall of Romy and Jacob with famous actors and political figures. Nervous, Romy stares at her.
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INT. ROMY AND JACOB'S APARTMENT- LIVING ROOM- DAY Later- Romy sits on the sofa in the living room, waiting. Jacob walks in. She doesn’t dare to look at him. She takes a sip of water. JACOB
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EXT. COUNTRY ROADS- NIGHT From above we see Romy’s car make it’s way to their upstate house. EXT. UPSTATE HOUSE- NIGHT A slow push in on the exterior of the house. Lights behind
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EXT. UPSTATE HOUSE SWIMMING POOL-NIGHT She walks up to the pool. Samuel keeps swimming. ROMY You have to leave. You have to go! He reaches out his hand, as if he wants her to help him out
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INT. UPSTATE HOUSE STUDY/ HALLWAY/ LIVING ROOM -NIGHT At the fireplace Samuel and Romy sit wrapped in thick blankets, opposite each other. With her finger she moves back and forward in front of his face (her version of EMDR). He follows her finger with his eyes. He smiles.
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INT. OFFICE BUILDING PRESS ROOM DAY Close on Esme’s face in front of a green screen with the Tensile logo behind her. She looks straight at us as she is giving a speech for the company. At the bottom of the screen we read: Esme Smith, Junior leadership coordinator.
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INT. UPSTATE HOUSE BEDROOM- DAY With her clothes on, Romy lays awake on the big bed. She holds Nora’s teddy bear. Dirty dishes scattered around her. A burning cigarette in her hand. Romy’s laptop next to her. White Production Draft (10/31/23) 86.
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EXT. UPSTATE HOUSE SWIMMING POOL DAY Wrapped in a blanket, Romy stands at the edge of the pool. She stares into the water. She smokes. ESME O.S. If we dare to let go of expectation
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INT. UPSTATE HOUSE- LIVING ROOM- EARLY MORNING Time has passed. The house is a total mess. Romy is sleeping on the sofa. Dirty plates with cigarette butts and half empty glasses everywhere. The door opens. ESME O.S.
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EXT. NEW YORK CITY STREETS- DAY Weeks later. A worker takes down some Christmas decorations. INT. OFFICE BUILDING ROMY'S OFFICE-DAY Romy is working on her laptop. Without knocking, Mr. Missel walks into Romy’s office.
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EXT. NEW YORK CITY MORNING A series of images: Buildings in the mist. Slowly the skies clear. An overhead shot of trees in Central Park. It’s Spring. An insect crawling out of the dirt. Birds. Rats. Squirrels.

baby girl

A high-powered CEO's carefully constructed life unravels when a chance encounter with a young intern ignites repressed desires and forces her to confront her traumatic past.

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Overview

Poster
Unique Selling Point

What sets 'Baby Girl' apart is its unflinching examination of a woman's internal conflict between societal expectations and personal desires. The screenplay delves into taboo subjects with sensitivity and nuance, making it a compelling piece for audiences interested in character-driven narratives that challenge traditional gender roles.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Gemini
 Consider
Claude
 Recommend
GPT4
 Consider
Story Facts

Genres: Drama, Romance, Family, Thriller, Comedy, Sci-Fi, Erotic, Business, Psychological, Psychological Thriller

Setting: Contemporary, New York City and an upstate house

Themes: The Complexity of Female Desire and Identity, The Illusion of Perfection and the Pursuit of Control, The Dynamics of Power, Intimacy, and Consent in Relationships, The Tension Between Personal and Professional Life, The Exploration of Trauma and Healing

Conflict & Stakes: Romy's internal struggle between her professional ambitions and personal desires, leading to tensions in her marriage and her relationships with Samuel and her family.

Mood: Introspective and tense, with moments of warmth and vulnerability.

Standout Features:

  • Unique Hook: The duality of Romy's life as a powerful CEO juxtaposed with her personal vulnerabilities and desires.
  • Plot Twist: Romy's unexpected romantic involvement with Samuel, which complicates her already strained marriage.
  • Innovative Ideas: Exploration of modern relationships through the lens of a working mother balancing career and family.
  • Distinctive Settings: The contrast between the bustling city life of New York and the serene yet isolating upstate house.

Comparable Scripts: The Affair, Mad Men, Fifty Shades of Grey, The Hours, Her, Little Fires Everywhere, Eternal Sunshine of the Spotless Mind, The End of the Affair, Normal People

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 7.83
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
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Loglines
Presents logline variations based on theme, genre, and hook.