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Scene Map 39
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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Her by Spike Jonze WGA Registration #: 1500375 No portion of this script may be performed, reproduced, or used by any means, or quoted or
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EXT. LOS ANGELES STREET - DUSK Slightly in the future, the city’s been developed even more with massive office, apartment and mall complexes. It’s a city designed for comfort and ease. The LA basin is more crowded and dense, resembling Shanghai, with buildings as far
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INT. THEODORE’S CURRENT BEDROOM - NIGHT - PRESENT DAY Theodore opens his eyes, unable to sleep. He just lays there. He reaches for his earpiece and puts it in. THEODORE Go to chat rooms. Standard search.
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INT. SUBWAY STATION - MORNING Theodore exits the train, walks through the station full of commuters, gets on a moving platform. Going through a tunnel, the walls are hundred foot long screens advertising a new product. He notices people stopped, watching the ad. We hear
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INT. THEODORE’S HOME OFFICE - NIGHT Theodore sits at his desk that houses a futuristic, large screen computer monitor. The OS box is open, with warranties and paperwork spilling out. He’s leafing through the papers. He glances at his monitor, it says: Installation 98%
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INT. THEODORE’S OFFICE - DAY Theodore sits, staring at a letter he’s written on the screen, concerned. He puts his earpiece in, pushes a button. SAMANTHA Good morning, Theodore.
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INT. THEODORE’S APARTMENT ELEVATOR - EVENING - CONTINUOUS CHARLES (proselytizing) By juicing the fruits, you lose all the fibers, and that’s what your
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INT. THEODORE’S APARTMENT - EVENING Theodore’s playing the video game, his device propped on the table next to him. His avatar circles through caves. THEODORE We’re not doing well. I’ve been
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INT. AMY’S APARTMENT - LATE AFTERNOON Theodore is sitting on Amy’s couch. AMY It’s not where it should be, where it’s going to be.
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INT. APARTMENT BUILDING HALLYWAY - CONTINUOUS THEODORE So what did he say? SAMANTHA He’s checking in again to see if
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INT. THEODORE’S BEDROOM - PRE-DAWN Theodore wakes up from a dream, groggy and uneasy. He looks around, catching his breath. After a beat he knows he’s not going to be able to go back to sleep, so he puts his earpiece in and taps a button.
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EXT. OUTDOOR MALL - NIGHT They walk through the crowd. Close on Theodore with his eyes closed. SAMANTHA Keep walking.
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EXT. PUBLIC PROMENADE - NIGHT Theodore walks slowly, eating his pizza. He and Samantha are watching a couple with two kids sitting at a table, talking and laughing. THEODORE
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INT. ASIAN-FUSION RESTAURANT - LATER They’re both pretty drunk now. There are lots of food dishes and drinks on the table. THEODORE So I’m trying to get this little
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INT. THEODORE’S BEDROOM - NIGHT Theodore is in boxers and a t-shirt, still drunk, but his head is starting to hurt, too. He takes aspirin and drinks some water and lays down. After a beat he reaches for his earpiece and puts it in. He pushes a button on his device.
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INT. THEODORE’S HOME OFFICE - MORNING (LATER) Theodore stands in the doorway, fully dressed. He takes a moment before he walks over and wakes up his computer. SAMANTHA Hey, how’s it going?
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EXT. BEACH - DAY They walk through the sun-bathing crowd, looking for a place to sit. The camera studies all the people we pass. Many close up details of arms, shoulders, feet, butts, intercut with the lens on Theodore’s device, protruding from his pocket.
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INT. THEODORE’S OFFICE - DAY Theodore is dictating a love letter. On the screen there’s an image of a couple with an arrow to the man saying “Roberto - I’m so happy he’s in my life. I just want him to know.” THEODORE
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INT. AMY’S APARTMENT - DUSK Amy and Theodore sit, talking somberly. AMY I cannot believe after eight years how petty the argument was that
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INT. MARK LEWMAN’S HOUSE - DAY Theodore is talking to Samantha. (CONTINUED) Her pg. 56 CONTINUED:
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INT. AMY’S OFFICE - DAYTIME Close on a video game on a screen. There’s a mom rushing to get her kids fed, getting points deducted for feeding them sugar cereal and non-organic eggs. Cut out to reveal Theodore playing the game as Amy eats lunch at an editing console.
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EXT. CITY - LATE AFTERNOON Theodore is carrying his work bag, walking through the city full of other commuters. He’s got a skip in his step. He has his earpiece in, talking to Samantha. THEODORE
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EXT. RESTAURANT PATIO - DAY (LATER) Theodore and Catherine are eating and talking. THEODORE So are you happy with the new book? CATHERINE
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INT. THEODORE’S OFFICE - DAY Theodore is sitting at his desk, not working. He sees Samantha calling him, takes a moment, then answers. (CONTINUED) Her pg. 67
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INT. THEODORE’S OFFICE - EVENING Everyone has gone. Theodore walks through the empty office into the reception area. He scans and drops his letters into the outgoing mailbox. Paul is at his reception desk with a young, pretty, sophisticated girl sitting on his lap.
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INT. THEODORE’S BEDROOM - LATE AT NIGHT Theodore is awake in bed. His device lights up, silently. It’s Samantha calling him. He picks it up. THEODORE Hey.
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INT. THEODORE'S APARTMENT - NIGHT Theodore sits on the sofa alone, waiting. Dressed up, hair brushed, his device in his shirt pocket with lens facing out. There's a knock at the door. He answers it. ISABELLA stands there with a demure smile, wearing a tasteful, sexy dress.
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INT. THEODORE’S BEDROOM - NIGHT (CONTINUOUS) Theodore stands behind Isabella. (CONTINUED) Her pg. 75 CONTINUED:
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EXT. STREET - NIGHT Theodore walks to the street and hails a lone cab. He opens the door for Isabella. She hands him his jacket and gets in the backseat. SAMANTHA
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EXT. CITY STREET - NIGHT Theodore walks through the streets, confused, upset, muttering, angry at himself. INT. AMY’S OFFICE - NIGHT Amy’s sitting at her desk, but turned away from her edit
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INT. PERFECT MOM OFFICE - NIGHT Wide shot. Theodore walks through the office, still deep in thought. Behind him is a wall-size billboard ad for the “Be Perfect” video game series. He takes out his device, sits at an empty desk, pushes a button. A tone connects him.
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EXT. CATALINA BLUFF - LATE AFTERNOON Theodore and Paul are walking along a bluff in Catalina, overlooking the ocean. (CONTINUED) Her pg. 86
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INT. BULLET TRAIN - DAY They are in a futuristic train, going through the mountains, listening to a song and looking out the window. Warm, soft afternoon light dapples Theodore’s face. SAMANTHA
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INT. CABIN IN THE SNOWY FOREST - NIGHT He’s sitting inside. There’s a fire going. He’s playing a quiet song on the guitar. Samantha starts humming along. He starts humming with her. THEODORE
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INT. CABIN IN THE SNOWY FOREST - MORNING Theodore wakes up. He gets out of bed, looks around and puts his earpiece in. THEODORE Hey, good morning.
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INT. THEODORE’S BEDROOM - NIGHT Theodore is sound asleep. His device chimes loudly, waking him up. Half-asleep he puts his earpiece in. THEODORE (groggy)
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EXT. SUBWAY STATION - DAY As he is going down the subway steps, Samantha calls him. SAMANTHA Hey there. He stops in his tracks.
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INT. THEODORE’S BATHROOM - MORNING Theodore stands in the shower, under the water, thinking. INT. THEODORE’S APARTMENT LOBBY - DAY The elevator doors open. Close on Theodore exiting elevator. He checks his mail. There’s a package from Crown Point Press.
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INT. THEODORE’S APARTMENT - NIGHT Theodore stands in the middle of the room. He looks out at the city not knowing what to do. He walks around his apartment looking at all of his stuff. INT. THEODORE’S APARTMENT BUILDING HALLWAY - DAWN

Her

What would happen if you fall in love with an AI?

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Overview

Poster
Unique Selling Point

The screenplay's unique selling proposition lies in its innovative premise of a romantic relationship between a human and an AI, which challenges traditional notions of love and companionship. It resonates with contemporary audiences by addressing themes of loneliness, identity, and the impact of technology on human relationships, making it a compelling narrative that feels both relevant and futuristic.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
GPT4
 Highly Recommend
Story Facts
Genres:
Drama 55% Romance 45% Science Fiction 40% Comedy 25%

Setting: Slightly futuristic, likely set in the near future, Primarily in a futuristic Los Angeles, with various settings including Theodore's apartment, office, and public spaces like malls and subway stations.

Themes: Love and Relationships, Technology and Humanity, Self-Discovery and Growth, The Nature of Intimacy, Loneliness and Isolation

Conflict & Stakes: Theodore's struggle with loneliness and emotional connection, particularly in his relationship with Samantha, while dealing with the unresolved feelings from his past marriage to Catherine.

Mood: Melancholic and introspective, with moments of warmth and humor.

Standout Features:

  • Unique Hook: A romantic relationship between a human and an AI, exploring the complexities of love and connection.
  • Innovative Idea: The integration of technology into personal relationships, raising questions about emotional authenticity.
  • Character Depth: Theodore's emotional journey and introspection provide a rich narrative that resonates with audiences.
  • Distinctive Setting: A slightly futuristic Los Angeles that reflects both a bustling urban life and personal isolation.

Comparable Scripts: Her (2013), Eternal Sunshine of the Spotless Mind (2004), Lost in Translation (2003), Ex Machina (2014), The One I Love (2014), Black Mirror: Be Right Back (2013), The Science of Sleep (2006), A.I. Artificial Intelligence (2001), 500 Days of Summer (2009)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.17
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.