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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 INT. DERELICT HOUSE – DAY <<COLOUR SEQUENCE>> 1 A POLAROID PHOTOGRAPH, clasped between finger and thumb: a crude, crime scene flash picture of a MAN’S BODY lying on a decaying wooden floor, a BLOODY MESS where his head should be.
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4 INT. DERELICT BUILDING — DAY <<COLOUR SEQUENCE>> 4 Leonard stands in the dimly-lit, decaying former hallway. He pulls a stack of POLAROID PHOTOGRAPHS out of his pocket and leafs through them as Teddy starts walking towards him. Leonard finds a photo showing Teddy with a shit-eating grin
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5 INT. MOTEL ROOM 21 – DAY ##BLACK AND WHITE SEQUENCE## 5 Leonard lies on the queen-sized bed. He lifts his head. LEONARD (V.O.) So you’re in some motel room... He gets up, surveys the room as if for the first time. He
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14 INT. MOTEL ROOM 21 – DAY ##BLACK AND WHITE SEQUENCE## 14 Leonard, in boxer shorts and plaid work shirt, rips the note from his thigh. The note says “SHAVE”. 15 INT. MOTEL ROOM 21 BATHROOM – DAY ##BLACK AND WHITE 15 SEQUENCE##
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22 INT. MOTEL ROOM 21 – DAY ##BLACK AND WHITE SEQUENCE## 22 Leonard, in his boxers and plaid work shirt, shaving foam on thigh, drops his disposable razor and cautiously picks up the RINGING PHONE. (CONTINUED)
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25 INT. LEONARD’S APARTMENT – DAY <<COLOUR SEQUENCE>> 25 Random images of a woman (30’s, black hair, plain). Jump cuts of details: a smile, eating, tucking her hair behind her ear, pulling on a pair of trousers, watching TV, shouting in anger. Sitting on the edge of the bed in her underwear, she
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35 EXT. ROAD – DAY <<COLOUR SEQUENCE>> 35 The Jaguar speeds along. 36 EXT. THE CITY GRILL ON MAIN STREET – DAY <<COLOUR SEQUENCE>> 36 Leonard checks the restaurant name against the note. He gets out his Polaroids, FLIPPING through them until he finds the
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41 INT. JANKIS HOUSE FRONT HALL - DAY ##BLACK AND WHITE 41 SEQUENCE## Mrs. Jankis opens the front door to Leonard. Leonard shakes hands with Sammy, who smiles at him in apparent recognition. LEONARD (V.0.)
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45 EXT. DISCOUNT INN - DAY <<COLOUR SEQUENCE>> 45 The Jaguar pulls up. Leonard gets out and heads to the office. 46 INT. DISCOUNT INN OFFICE - DAY <<COLOUR SEQUENCE>> 46 Leonard enters. Burt is behind the counter reading a
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51 EXT. MAIN STREET — DAY <<COLOUR SEQUENCE>> 51 The Jaguar pulls up to a red light. Suddenly Teddy is banging on the window. TEDDY Lenny! I thought you’d gone for good.
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58 INT. NATALIE’S BEDROOM - NIGHT <<COLOUR SEQUENCE>> 58 Natalie, eyes closed, has her head on Leonard’s chest. He is shirtless, lying on top of the covers. (CONTINUED) MEMENTO Pink Revisions - 9/7/99
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65 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## 65 Leonard, talking on the phone, empties the white paper bag onto the bed beside him: Two cheap BALL-POINT PENS, SCOTCH TAPE, a pack of NEEDLES, and a FILE CARD. (CONTINUED)
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68 INT./EXT. DODD’S MOTEL – DAY <<COLOUR SEQUENCE>> 68 INSERT LEONARD’S P.O.V.: A FISH-EYE TEDDY, grinning and waving. 69 INT. DODD’S MOTEL – DAY <<COLOUR SEQUENCE>> 69 Leonard looks around, trying to think. Teddy KNOCKS harder.
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70 EXT. DODD’S MOTEL – DAY <<COLOUR SEQUENCE>> 70 Teddy exits the room, glances around, motions for Leonard and Dodd to follow. Dodd is cleaned up and unbound, Leonard is pressed up right behind him. The three of them descend to the parking lot.
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75 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## 75 Leonard (boxers, bandaged arm) talks on the phone as he takes a NEEDLE and tapes it to the BALL-POINT PEN. (CONTINUED) MEMENTO Pink Revisions - 9/7/99
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78 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## 78 Leonard (boxers, bandaged arm) crooks his neck to hold the * phone. In his hands is the PEN with the NEEDLE taped to it. Leonard wiggles the needle, then applies more tape. CUT TO:
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88 INT. MOTEL ROOM 21 – DAY ##BLACK AND WHITE SEQUENCE## 88 Leonard looks at the INK-COVERED NEEDLE. Leonard consults the FILE CARD. It has a HANDWRITTEN MESSAGE: “TATTOO: ACCESS TO DRUGS” CUT TO:
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101 INT. LEONARD’S APARTMENT BATHROOM – NIGHT <<COLOUR SEQUENCE>>101 TREMBLING, SHALLOW-FOCUS EXTREME CLOSE UPS: A glass bottle SHATTERS against a tiled floor, bath salts and glass spreading out over the black and white tiles. 102 INT. MOTEL ROOM 304 – NIGHT <<COLOUR SEQUENCE>> 102
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111 EXT. DISCOUNT INN - DAY <<COLOUR SEQUENCE>> 111 Leonard pulls up in the Jaguar, checks the name against a NOTE written on a BEER MAT, and heads into the office. Leonard comes out of the office, gets a sports bag from the Jaguar, then takes a Polaroid of the entrance and heads for
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113 INT. DISCOUNT INN ROOM 304 - NIGHT <<COLOUR SEQUENCE>> 113 The lights are off. The Blonde and Leonard are lying side by side in bed. The Blonde checks to see that Leonard is asleep, then slips out of bed. She grabs her purse then opens the bathroom door.
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116 EXT. DISCOUNT INN - DAY <<COLOUR SEQUENCE>> 116 Leonard pulls up in his Jaguar, checks the name of the motel against the note written on the BEER MAT, then heads into the office to check in. Leonard comes out of the office, takes a Polaroid of the
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119 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## 119 LEONARD She seemed to leave happy. I thought I’d helped her. Leonard puts the NEEDLE/PEN down, and wipes blood from his new,
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121 EXT. NATALIE’S HOUSE - DAY <<COLOUR SEQUENCE>> 121 The Jaguar’s CAR ALARM is sounding. Leonard exits Natalie’s house, walks to his Jaguar and gets in, silencing the alarm. TEDDY (O.S.)
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124 INT. MOTEL ROOM 21 - DAY <<BLACK AND WHITE SEQUENCE>> 124 Leonard lies on the bed, in jeans, topless. He reaches for the ringing phone with his left arm. As his hand reaches the receiver Leonard reads the tattoo on his arm which says: * “NEVER ANSWER THE PHONE”
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127 INT. LEONARD’S APARTMENT BEDROOM - NIGHT <<COLOUR SEQUENCE>> 127 Leonard opens his eyes. He slides his hand over to the empty space on the bed beside him, feeling the sheet. LEONARD (V.0.) Her side of the bed was cold. She’d been *
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131 INT. MOTEL ROOM 21 – DAY ##BLACK AND WHITE SEQUENCE## 131 * There is a KNOCK at the door. Leonard PULLS ON HIS LONG- SLEEVED PLAID WORK SHIRT, goes to the door and opens it. Burt is standing there. BURT
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137 INT. JAGUAR PARKED IN FERDY’S BAR PARKING LOT - DAY <<COLOUR 137* SEQUENCE>> Leonard sits, studying his Polaroids. A metallic howl makes * him glance up and he sees the lid of a dumpster BANG SHUT. He * puts his Polaroids in his pocket and examines the beer mat *
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140 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## 140 Leonard, holding the Polaroid of himself, stares at the ringing * phone. He picks up the receiver. * LEONARD * (anxious) *
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C140 INT. MOTEL ROOM 21 - DAY ##BLACK AND WHITE SEQUENCE## C140 Leonard talks on the phone, worried. * LEONARD * No, Officer, but with my condition, you * don’t know anything... you feel angry, *
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143 INT. CROWDED DAY ROOM OF A NURSING HOME - DAY ##BLACK AND 143 WHITE SEQUENCE## Sammy sits watching other patients and nursing staff pass by. (LEONARD TO SUBSTITUTE) He looks at each one with a fresh look of expectant recognition.
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149 INT.CURTAINED CUBICLE - TATTOO PARLOR - DAY - MOMENTS LATER 149 <<COLOUR SEQUENCE>> The buzzing of the tattoo needle stops. Leonard looks down at his thigh. It says: “FACT 6. CAR LICENSE: SG13 7IU”
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151 INT. CURTAINED CUBICLE - TATTOO PARLOR - DAY - CONTINUOUS 151 <<COLOUR SEQUENCE>> Leonard drops the plastic bag and takes his jacket off. He feels something in the pocket, sticks his hand in and pulls * out a charred Polaroid photograph. *
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154 EXT. DISCOUNT INN - DAY ##BLACK AND WHITE SEQUENCE## 154 Leonard exits and heads to the Motel office. 155 INT. DISCOUNT INN OFFICE - DAY ##BLACK AND WHITE SEQUENCE## 155 The BELL CHIMES as Leonard enters. Burt is behind the counter. A MAN stands by the free coffee. The Man TURNS *
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162 INT. LEONARD’S APARTMENT BATHROOM – NIGHT ##BLACK AND WHITE 162 SEQUENCE## Leonard’s wife, head wrapped in a water-beaded clear plastic shower curtain, THRASHING around, GASPING for breath. 163 INT. DERELICT BUILDING – DAY - ##BLACK AND WHITE SEQUENCE## 163
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174 INT. DERELICT BUILDING — DAY - CONTINUOUS <<COLOUR SEQUENCE>>174 Leonard pushes Teddy out of the basement. TEDDY I think you’ve got the wrong idea - Leonard GRABS Teddy.
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175 INT. LEONARD’S APARTMENT - DAY <<COLOUR SEQUENCE>> 175 Leonard’s Wife sitting on the edge of the bed. She feels a sharp pain, and turns to Leonard (just as we have seen before). LEONARD’S WIFE
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179 EXT. DERELICT BUILDING - DAY - CONTINUOUS <<COLOUR SEOUENCE>>179 Leonard, in BEIGE SUIT and BLUE SHIRT, comes out into the daylight, THROWS Teddy’s CAR KEYS into some bushes then heads to his PICKUP TRUCK and climbs in. Teddy goes to look for his keys in the bushes.
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181 INT. JAGUAR – DAY <<COLOUR SEQUENCE>> 181 Leonard starts the engine. Through the rear-view mirror, Leonard stares at Teddy’s retreating form. Thinking. Leonard PULLS OUT onto the road. 182 INT./EXT. THE ROAD BACK INTO TOWN – DAY <<COLOUR SEQUENCE>> 182
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The toothbrush has already been treated to a smudge of white paste. The tap is of the push-button variety—a dose of water with each nudge. Earl pushes the brush into his cheek and fiddles it back and forth while he opens the medicine cabinet. The shelves are stocked with single-serving packages of vitamins, aspirin, antidiuretics. The mouthwash is also
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You know I'm right. You know there's a lot of work to do. It may seem impossible, but I'm sure if we all do our part, we'll figure something out. But you don't have much time. You've only got about ten minutes, in fact. Then it starts all over again. So do something with the time you've got.
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The noise and the pain are both coming from a gun in the man's hand—a gun with a needle where the barrel should be. The needle is digging into the fleshy underside of Earl's forearm, leaving a trail of puffy letters behind it. Earl tries to rearrange himself to get a better view, to read the
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Everybody is waiting for the end to come, but what if it already passed us by? What if the final joke of Judgment Day was that it had already come and gone and we were none the wiser? Apocalypse arrives quietly; the chosen are herded off to heaven, and the rest of us, the ones who failed the test, just keep on going, oblivious. Dead already,

Memento

A man with short-term memory loss uses tattoos and notes to hunt for his wife's killer, but his fragmented memories and unreliable allies lead him down a dark and twisted path.

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Overview

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Unique Selling Point

Delve into a captivating cinematic experience that unravels the enigmatic world of "Amnesia," where the boundaries of memory, identity, and morality blur. Witness an immersive journey through fragmented narratives, cryptic clues, and unsettling encounters as you accompany Leonard, a man haunted by amnesia, on his relentless pursuit of truth amidst a web of deception. Join this unconventional thriller as it explores the profound depths of the human psyche, questioning what is real and what is fabricated, leaving you captivated and grappling with its lingering echoes long after the credits roll.

AI Verdict & Suggestions

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Gemini
 Recommend
GPT4
 Recommend
Story Facts

Genres: Thriller, Mystery, Drama, Crime, Action

Setting: Present, Various locations, including a motel, a tattoo parlor, and an abandoned building.

Themes: Memory and Identity, Violence and Revenge, Love and Loss, Trust and Betrayal

Conflict & Stakes: Leonard's struggle to find the man who killed his wife, while dealing with his anterograde amnesia and questioning his reality and relationships.

Mood: Dark, suspenseful, and introspective.

Standout Features:

  • Unique Hook: Anterograde amnesia as a central plot device.
  • Plot Twist: The revelation that Leonard is the one who killed his wife.
  • Unique Characters: Leonard Shelby, a complex and unreliable protagonist with a unique perspective on the world.
  • Genre Blend: Neo-noir, psychological thriller, and character study.

Comparable Scripts: Memento, The Bourne Identity, Identity, The Following, The Killing, Gone Girl, Sharp Objects, True Detective, The Wire, Breaking Bad

Script Level Analysis

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Overall Score: 8.35
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Writer Exec

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