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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 EXT. WOODS - HALSINGLAND - DAY 1 Hälsingland, North Sweden. We cycle through a series of beautifully composed midday landscapes. None of them feature people or human habitation. A spare Swedish LULLABY plays over this quiet montage. This
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5 INT. KITCHEN - MINUTES LATER 5 Dani stands in the kitchen, mid-phone conversation. FRAUGHT. She paces when she’s not speaking. DANI It’s just in his tone - you can hear
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7 INT. GARAGE - MINNESOTA - NIGHT 7 The house from the beginning (scene 2). Two CARS are parked. Their engines hum quietly. A FIREFIGHTER opens one car’s door and turns OFF the ignition. We now reveal that the end of a GARDENING HOSE has been
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15 INT. LYFT CAR (MOVING) - NIGHT 15 Dani sits in the back seat of a Lyft car. Christian sits in the front passenger seat. Dani’s eyes are BUSY with nagging, paranoid thoughts. Christian, very tense, turns to look back at Dani. He forces
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17 INT. MARK & JOSH’S APARTMENT - DAY 17 Mark & Josh’s apartment is essentially a stoner’s den crossed with a serious anthropologist’s home. Ironic posters (a portrait of Ronald Reagan, etc.) are countered by posters of James George Frazer and Claude Lévi-Strauss. There are
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18 INT. AIRPLANE LAVATORY (IN FLIGHT) - DAY - 2 WEEKS LATER 18 Dani has entered an airplane’s lavatory, stifling an oncoming deluge. After shutting the door behind her, she BREAKS DOWN in a fit of violent SOBS. 19 INT. AIRPLANE (IN FLIGHT) - MINUTES LATER 19
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24 EXT. ROAD - TWO HOURS LATER 24 Pelle drives under an anti-immigration BANNER (in Swedish) before passing a sign announcing that they have arrived in Hälsingland. PELLE
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25A EXT. MEADOW - MINUTES LATER 25A Dani sits on the grass with Christian and Pelle. Mark is off to the side, stabbing at an ANT COLONY with a stick. Josh paces nearby. His stomach TURNS audibly. JOSH
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26 INT. OUTHOUSE - CONTINUOUS 26 The interior of the outhouse is pitch-dark. We hear Dani fumbling for a box of MATCHES. After rummaging, she STRIKES one match, and for the moment of the SPARK, we vaguely see TERRI (Dani’s sister, duct tape over her mouth) in the dark
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29 EXT. WOODS - SAME TIME 29 Dani paces in the woods. Muffled techno drones in the distance. DANI Hello?!... HELLO??!!
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29A EXT. LARGE GRASSY MEADOW - WOODS - HOURS LATER 29A CLOSE-UP OF DANI’S SLEEPING FACE. In the distance: a faint, barely discernible melody. It sounds like a flute. A HAND reaches into frame to nudge Dani. She stirs awake.
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31A EXT. HÄRGA FARMSTEAD - MINUTES LATER 31A A group of TEENAGERS (all dressed in bright, formal garb) emerge from a kitchen. They carry PLATES OF FOOD (lamb and blood pudding) and BEER. They begin by serving the elders. Dani sees that one of the teens is carrying an ornate platter
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32 INT. BATHROOM - DAY 32 A beautiful, long-haired girl (16) stands before a mirror, anxiously fussing with her hair. She needs it to look perfect. This is MAJA. 33 EXT. HÅRGA FARMSTEAD - MINUTES LATER 33
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34 EXT. HÅRGA FIELD - MINUTES LATER 34 The dance is over, although separate groups are still dancing and playing in the BG. Pelle is now leading our group on a TOUR. (Ingemar, Connie and Simon have joined along.) We track alongside.
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35 INT. THE MAIN HOUSE - MINUTES LATER 35 Josh leads our group through the two-storied interior of the huge, barn-shaped house. There is a large, square HOLE in the floor of the second story (so both stories are visible to each other). On both floors, the walls are lined with BEDS.
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38 EXT. VILLAGE - “NIGHT” 38 A high angle wide of the village. Almost everyone, save for some stragglers, are inside. The sun is low, looking like evening (but we are past midnight). 38A INT. THE MAIN HOUSE - SAME TIME 38A
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43B EXT. FARMSTEAD - MID MEAL - MINUTES LATER 43B Everyone has finished eating. Another HUSH falls awkwardly over the procession. Silence, save for the wailing baby. Mark, half-asleep, confusedly looks around. He sees the Pretty Brunette (from earlier) SMILING at him. Caught off
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45 EXT. VALLEY - MINUTES LATER 45 The community has gathered on the rocky valley. Tall CLIFFS loom imposingly. The baby cries in the BG. Our group stands to the side, along with Simon, Connie and Ingemar. Christian turns to DANI, who looks extremely uneasy.
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48 EXT. FIELD - DAY 48 Everyone is walking back from the beach. JOSH rushes feverishly toward the Main House. Christian’s eyes are trained on him as he moves to Dani, who looks destroyed. CHRISTIAN
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51 EXT. FARMSTEAD - CONTINUOUS 51 Christian emerges from the Main House, extremely tense. Near the door, a very pale SIMON smokes a cigarette with Connie. Mark stands with them, stunned. MARK
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51A EXT. FIRE PIT - “EVENING” 51A The corpses of Ylva and Dan are carried (by Hårgan men) to the everlasting fire pit. They are lowered carefully onto the flames. Hårgans stand soberly about, respectful. 52 EXT. MEADOW - “EVENING” 52
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59 EXT. FIELD - MINUTES LATER 59 Dani has pulled Christian to a secluded spot. She is very high-strung. In the b.g., the Hårgas’ WATER POWER PLANT is visible. DANI
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60 INT. THE MAIN HOUSE - “NIGHT” 60 People are closing the shutters, bringing the Main House into darkness. Dani enters with sunken eyes. Christian’s already in bed. Staring at him, Dani walks to JOSH. (She is pulling at her neck
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67 EXT. ANIMAL SACRIFICE HILL - DAY 67 CU of a COW’S HEAD being pushed through a hole in a PILLORY. We ZOOM OUT of this to find that the pillory has additional holes (extending beyond both sides of the cow’s), and additional animals’ heads are being pushed through them.
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70 EXT. ANIMAL SACRIFICE HILL - SAME TIME 70 The ceremony has ended. Simon and Connie stand frozen, traumatized. Simon is visibly DISTRAUGHT. He stares up at the top of the HILL, where the blood-drained animals are now being taken from the pillory.
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70A EXT. MAIN HOUSE 70A She arrives at the MAIN HOUSE. Dani and Pelle are standing outside. They watch her storm past. DANI CONNIE Are you okay, Connie? (not stopping)
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76 EXT. FARMSTEAD - MINUTES LATER 76 Dani walks idly around, thinking about her exchange with Pelle (and about Simon leaving Connie). She holds the herb pouch that Pelle gave to her. As the gears turn in her head, her attention falls on...
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77A INT. KITCHEN - EVENING 77A Five seconds earlier. Dani is taking pies out of the oven, but then the same distant scream from the last scene makes her HALT. 78 *OMITTED* 78
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83 INT. THE MAIN HOUSE - “NIGHT” 83 Everybody is climbing into bed. Josh’s eyes, however, are BUSY. He’s thinking intensely about something. Dani sneaks up on him. DANI
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88 INT. THE MAIN HOUSE - MORNING 88 Outside, the ROOSTER crows. People stir awake in their beds. Josh’s bed is EMPTY. As is Mark’s. SALMON Revisions (9/17/2018) 90
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90 EXT. FIELD - DAY 90 ECU of a BRIGHT YELLOW-GREEN PASTE. It’s being MASHED vigorously in a bowl. The paste is made of ground-up flowers. A fat SCOOP of the paste is dropped into a LARGE GLASS JUG OF SPRING WATER (perched on a table). The paste is STIRRED
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92 INT. SMALL WHITE HOUSE - SMALL ROOM - SIV’S HOUSE - SAME TIME 92 Christian sits in a small wooden chair in the empty LIVING ROOM. The walls are completely covered in RUNIC MURAL ART. Christian lingers on a particularly striking ILLUSTRATION (painted in the wall’s center) in which a BEAR is being
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94 EXT. SMALL WHITE HOUSE - MINUTES LATER 94 Christian emerges from the house in a daze. We track back with him. His eyes are fraught as he wrestles with the moral quandary. But as he continues to walk/think, a vague SMILE sneaks onto his face.
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95E EXT. FIELD - MAYPOLE 95E Now, only Dani and two other women are in the running. One of these is Karin. The other is a good-natured brunette. They each dance separately, no longer holding hands. The brunette’s legs are clearly less stable than Dani’s or
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95G EXT. FIELD - DINING AREA - LATER 95G The crowd arrives at today’s DINING AREA. In a LUSH FIELD, the tabletops are made of MIRRORS, and they are all queued up to form a long, straight line. At the head of the table is a HUGE CHAIR (more like a throne)
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95H EXT. FIELD - DINING AREA - MINUTES LATER 95H Everyone is finished (although there’s a smaller number of women at the table now). Siv RISES. All eyes go respectfully to her. SIV
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101 EXT. WHEAT FIELD - SAME TIME 101 The women pulling the carriage have slowed to a STOP. Dani is directed by Hanna to step out. Hanna holds the flaming * torch over a small HOLE in the ground. Dani is instructed * to hold the torch by its handle (just above where Hanna *
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104 EXT. CATTLE HOUSE - SAME TIME 104 The sun is less intense now. It is nearing twilight. The carriage rests near the barn. Dani, holding a torch, * proceeds to bless the livestock. Hanna sings. 105 INT. TEMPLE - SAME TIME 105
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110 INT. TEMPLE - SAME TIME 110 The ceremony has nearly reached its apogee. The singing has peaked, and Christian is thrusting faster and harder than before. Maja, eyes still closed, is in a state of absolute EUPHORIA. She moans in ecstasy, and the room has filled with
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113 EXT. STAGE - NEXT DAY 113 A TIGHT CLOSE-UP of Christian’s sleeping face. His lip is slightly contorted, and his chin is chapped with dried saliva. A HAND enters frame to gently SLAP Christian awake. His eyelids do not open on their own.
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114 EXT. FIELD - EVENING 114 CU of a WHEEL rolling across the grass. Tracking alongside this, we tilt up to reveal that it belongs to a WHEELBARROW. Lying in the wheelbarrow is CONNIE’S CORPSE. It is soaking wet and its flesh is grossly distended (from being left
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119 EXT. FIELD - SAME TIME 119 The torch-men exit the house. Inside, the fire has begun to spread along the platform. The music rises as the fire picks up. The SINGING, which wavers in trembling anticipation, has not yet found harmony.

Midsommar

A young woman's grief spirals out of control when she travels to Sweden with her boyfriend, only to find herself at the mercy of a terrifying and ancient cult.

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Overview

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Unique Selling Point

The screenplay's unique selling proposition lies in its ability to intertwine psychological horror with cultural commentary, presenting a narrative that is both unsettling and thought-provoking. The vivid depiction of rituals and the transformation of the protagonist, Dani, into a figure of power within a foreign culture, sets it apart from typical horror narratives, making it compelling for audiences interested in deeper psychological themes and cultural explorations.

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Gemini
 Highly Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Horror, Mystery, Thriller, Psychological Thriller, Psychological, Relationship, Romance, Psychological Horror

Setting: Present day, The Hårga farmstead, a remote village in Sweden

Themes: Grief and Loss, Isolation and Connection, Cultural Rituals and Belonging, Manipulation and Control, Mental Health and Breakdown

Conflict & Stakes: Dani and Christian's journey into the dark secrets of the Hårgan community, where they are increasingly caught in a web of ritualistic violence and their own moral dilemmas, with their lives and relationship at stake.

Mood: Dark, suspenseful, and unsettling, with a surreal and ritualistic undercurrent.

Standout Features:

  • Unique Hook: The unsettling and disturbing depiction of a secluded community with dark secrets and ritualistic practices. The film draws inspiration from folk horror, using elements of paganism and folklore to create a uniquely unsettling atmosphere.
  • Plot Twist: The revelation of the true nature of the Hårgan community and their disturbing rituals, including the sacrifice of individuals and animals. The film gradually reveals the horrors of this community, building tension and suspense, and ultimately culminating in a shocking climax.
  • Distinctive Setting: The remote and visually striking Hårgan farmstead in Sweden, which serves as the backdrop for the story and adds a layer of visual intrigue and atmosphere.
  • Unique Characters: The characters are complex and morally ambiguous, each with their own motivations and desires. The film explores the complexities of human nature, questioning the boundaries between good and evil.
  • Genre Blend: The film blends elements of horror, psychological thriller, and arthouse cinema, creating a unique and disturbing experience for the audience. It uses visual and narrative techniques inspired by folk horror and cult cinema, which adds a layer of originality to the story.
  • Innovative Idea: The film's exploration of cultural clashes, the power of rituals, and the darkness within human nature, combined with the striking visuals and unsettling atmosphere, offers a unique and thought-provoking experience.

Comparable Scripts: Midsommar (2019), The Wicker Man (1973), The Ritual (2017), Hereditary (2018), The Village (2004), The Blair Witch Project (1999), The Witch (2015)

Script Level Analysis

Writer Exec

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Overall Score: 7.20
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