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Scene Map 40
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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SPY KIDS CASTORAF1 SCREE11PLA"I ll"i ROBERl
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MOM (V.O.) But unexpectedly honorable. And it made her realize that years of working with detached emotions had taken its toll. She wears a confused expression as she floats through the
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MOM (V.O.) And for that one perfect moment, everything seemed like it would be okay. But then •• The wind picks up. Decorations knocked over. A Typhoon?
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Dad turns to her slowly. She kisses him. MOM Don't worry. They thought I made it up. He nods. The TV set turns back into a giant computer screen. MOM
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Felix pulls out his stopwatch. FELIX You gotta run the gauntlet, first. Carmen sighs. They both thunder back up the stairs and begin climbing over the railing. Carmen LEAPS onto a high set of
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Juni chews slowly,- swishing pancakes around in his mouth. Carmen stabs a piece and swishes it. CARMEN Pecans. JUNI
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FELIX -they're not sure. Dad stares at a faxed foto of Donnagon. DAD Call headquarters.
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We push in on a South American mountain top castle. Up to the warped window where TV host and technology developer MR FLOOP stands, looking out at his view of the world. Floop's right hand, MINION, stands nearby. This is the largest most decorative room of the castle.
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FLOOP Oh, they won't all look like this. Lisp is flipped expertly, landing again with a THUD. The one responsible is A ROBOTIC GIRL. This is Y-63985. Lisp double takes, recognizing her.
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DAD This'll be a good test for the Third Brain. MOM Ahhh ••• the truth reveals itself. DAD
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Mom hits the scann~r and gives it an eye sweep. MOM Clear. DAD Hold on.
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FELIX It means something's happened to your parents and I have to take you to a safehouse. CARMEN
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FELIX Take off without me. The back packs will help you. use them. The doors are kicked in behind Felix. FELIX
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FLOOP Not at first. It's interesting, Cortez is the only person I've ever encountered that didn't have a weakness. But times change. And now, he has three.
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CARMEN Somewhat sure? Still red. CARMEN (whispered)
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Mom and Dad exchange a look, then step down into their seats. == Script Fly.com== SK CAST DR.AFT 8.7.99 43. 18 INT - SAFEHQUSE - PAY 18 Carmen rummages through Felix's bag, pulls out Felix's locator. A coordinate is highlighted with two blinking dots.
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Juni resigns to the lunch box. CARMEN I think it's up to us. You with me? JUNI With you what?
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FLOOP Interesting. How do you find it? DAD You don't have to. The Third Brain is controlled by the Second Brain. The
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The agents open the empty cupboards, then click a switch. The Cupboards flip around, revealing TONS of FOOD. JO'NI Heyl Where'd you find that? Another agent hits a switch and the Fridge is suddenly full.
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CARMEN Not really. He never talked about it. GRAOENKO Think hard. CARMEN
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Carmen is hanging from the ceiling like an acrobat as the Shapes try and stack furniture to get at her. CARMEN I'm toast. Come back. Juni crashes into a giant billboard for CHANGO SODA, leaving
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DAD That our children were alone in the Safehouse. And they couldn't figure out how to get at the food. And they were forced to eat freeze dry products.
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Floop can't take his eyes off the monitor, staring at his disaster of a show. FLOOP All this HARDWARE we're dealing with is getting in the way of my creative
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Carmen extends a thin cable from her all purpose wristwatch and connects it to the key slot of the lunch box. She hits a few key options and the watch readout spins like a slot machine. The watch beeps and the lunch box lock clicks open. There's a single LOLLIPOP with a note: "LOVE, MOM."
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He points to her bracelet. Juni stands and Scans the playground. Two children stand motionless at the edge of the park. Looking right at them. Carmen removes the bracelet. The underside blinks. He snatches the bracelet away.
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FELIX You should have seen it before the surgery. Floop repairs the blemish on his clay sculpture. Smoothing out the ragged features. We show Felix. His scar is gone.
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CARMEN we can't. SK CAST DRAFT 8.7.99 7L == Script Fly.com== Store Manager lets it sink in. Looks back up at the kids.
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MACHETE Your father and I haven't spoken to each other much. At all, really. For 5 years. JONI Why not?
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Dad is deep in thought. DAD I lost my father to this business. Dad removes his dangling moustache. MOM
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FLOOP I don't believe in this anymore, Minion. I don't think I ever did. MINION Explain.
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CARMEN Felix was useless. They captured him immediately. It was only Juni and I. Dad is stung. He looks up at the solemn Minion, who dangles the watch.
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Minion motions for Dad to sit in the THINKER THRONE. Minion places the watch in front of him. MINION Before we can even discuss the terms of your rel~ase, I expect you to give me
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. JUNI Stop calling me names. CARMEN Or what? JUNI
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JONI I thought MR FLOOP was a genius. Someone creative and artistic. You're just MEAN and GREEDY. FLOOP
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JUNI So Minion is the evil one. FLOOP Yes, but I will be blamed. You have every right to be disappointed in me. I am.
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Minion epins around again. There is JUNI, standing with his arms crossed. JUNI (in Floop's voice) Right here.
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Minion begins to TRANSFORM. Grotesquely misshapen, he is able to BURST FROM HIS BONDS from his sheer size. He stumbles out of the room. We don't see his face. 50 INT - CONTROL ROOM - DAY 50 The family bursts into the control room, and find FLOOP
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ARGONAUT It's a chip your father added to my brain slot in conjunction with my own robotic AI unit. Then he then sent me to the safehouse for safekeeping.
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Suddenly, SOMEONE COMES CRASHING THROUGH THE WINDOW, taking GRADENKO TO THE GROUND as she FIRES, BLASTING the MONITOR to BITS. We see the FIGURE rise. It's MACHETE. He SMASHES the gadget. He looks up and sees FLOOP, whose eyes BUG. MACHETE
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MACHETE See you Sunday, Dad smiles. CARMEN Do you know what your show needs?

Spy kids

When their parents, a pair of retired secret agents, are kidnapped, two young siblings must use their wits and the gadgets from their family's spy past to rescue them and stop a diabolical plot.

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Overview

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Unique Selling Point

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Story Facts

Genres: Action, Adventure, Comedy, Family, Romance, Thriller, Science, Fiction, Spy, Fantasy

Setting: Present day, New York City

Themes: Spy Work and Espionage, Family Bonds and Love, Creativity and Invention, Heroism and Bravery, Technology and Innovation

Conflict & Stakes: John's struggle to prove his innocence and uncover the truth behind the crime, risking his career and reputation

Mood: Tense and suspenseful

Standout Features:

  • Plot Twist: Unexpected revelation about the true culprit behind the crime
  • Unique Characters: Complex and morally ambiguous characters that challenge audience expectations
  • Innovative Setting: New York City backdrop adds depth and authenticity to the story

Comparable Scripts: The Incredibles, Agent Cody Banks, The Spy Next Door, Kim Possible, The Man from U.N.C.L.E.

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.25
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.