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Scene Map 39
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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SCREAM by Kevin Williamson FADE IN: ON A RINGING TELEPHONE
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INT. KITCHEN Popcorn sizzles in a pot on the stove. Casey covers it with a lid, reaching for the portable phone. CASEY Hello.
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CASEY My boyfriend will be here any second and he'll be pissed when I tell him... MAN I thought you didn't have a boyfriend.
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A SCREAM erupts from the bottom of her soul as Casey collapse on the floor... nearly passing out. CLOSE ON her face... pale and ghostly white. She SOBS. MAN Final question. Are you ready?
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INT. FOYER Back in the house. MOTHER Where is she? FATHER
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INT. BEDROOM Sid SCREAMS... pulling away from the figure... breaking free, falling back onto the floor. VOICE (O.S.) Hey... it's just me.
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INT. SIDNEY'S BEDROOM – EARLY MORNING CLOSE ON SIDNEY snuggling her pillow, sleeping peacefully when... THE RADIO ALARM BLASTS from the night table loud enough to wake the dead. Sidney bolts up. DISC JOCKEY
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INT. PRINCIPAL'S OFFICE The room is at capacity... wall to wall with police, and the likes. Some sit, stand, lean... SHERIFF BURKE, a round man in his fifties, wipes the stress from his face.
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EXT. SCHOOL COURTYARD – LATER Students sit at outdoor tables eating lunch. Crowded at one table is the "gang". This consists of Sidney, Billy and Tatum. Next to Tatum, sits her boyfriend STUART, with his arm draped across her back. He's a Billy wannabe. Almost the jock, almost
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INT. BEDROOM – LATER Sidney is on the telephone. SIDNEY (into phone) You sure I can stay over? My dad won't be
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INT. LIVING ROOM – LATER The clock on the end table reads 7:15 PM. Sidney is fast asleep on the couch. The phone RINGS. Sidney leaps up grabbing the portable phone. TATUM
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INT. UPSTAIRS LANDING The Figure leaps at Sidney taking hold of her foot, she grabs madly at the wall... her hands grasp a framed painting, a quiet country home, subdued colors, done in oils-she rips it from the wall swinging it behind her...
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EXT. FRONT YARD – MINUTES LATER The yard is a whirlwind of activity. An ambulance, squad cars, cops everywhere... CLOSE ON BILLY'S FACE As it SMASHES against the hood of a police car. His hands are
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INT. SHERIFF'S OFFICE Billy sits opposite Sheriff Burke. Next to Billy, sits his father, HANK LOOMIS, an older version of Billy. SHERIFF BURKE What are you doing with a cellular
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INT. TATUM'S BEDROOM – LATER A spacious bedroom. Typical. Tatum and Sidney lay on the bed. They both wear night shirts. TATUM God, I loved it. "I'll send you a copy."
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INT. KITCHEN – MORNING Sidney and Tatum sit at the kitchen table, dressed and ready for school as Mama Riley serves up breakfast. A small television sits on the counter BLARING. Dewey, in uniform, stands near the door, talking on the phone.
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EXT. NEWSVAN – STREET Sidney, puts her head down, hiding her face... avoiding other reporters as she makes her way to... Gale who sits in the open door, checking her face in a mirror. Makeup tries hard to hide Sid's handwork-a swollen black and blue
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EXT. SCHOOL CAMPUS – SECONDS LATER Tatum and Sidney make their way across campus. TATUM Just relax. You're at school now. No one can get you here.
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INT. CORRIDOR – SECONDS LATER With first period underway, the halls have cleared. One or two struggling students can be seen rushing to class. Sidney moves quickly down the hall, rounding a corner, running smack into...
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INT. GIRL'S BATHROOM Large and spacious. Closed bathroom stalls line one wall facing a row of sinks and a huge mirror. Sidney enters as TWO GIRLS tinkle and talk – each from their respective stalls. GIRL #1
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EXT. SCHOOL STREET – MINUTES LATER Dewey's patrol jeep is parked in front of the school. He stands in the open driver's door talking on the radio. SHERIFF BURKE (from radio)
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INT. SCHOOL CORRIDOR – SECONDS LATER School is clearing out. The halls have begun to empty as Tatum escorts Sidney down the hallway. TATUM It was just some sick fuck having a laugh.
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EXT. TATUM'S HOUSE – AFTERNOON – LATER The late afternoon sun is quickly disappearing. Tatum and Sidney rock on the front porch looking out into the small town neighborhood. Dewey's patrol jeep is parked in the driveway.
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INT. BLOCKBUSTER – CONTINUOUS You typical Blockbuster – huge and crowded. Randy, in his Blockbuster get up, is busy reshelving returns when Stu appears – knocking the videos out of his hand. STU
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EXT. PATROL JEEP – CONTINUOUS They pile out of the jeep. Dewey heads for the station. DEWEY I'll just be a few minutes. Don't go far. The girls take off for the local supermarket that sits across the
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EXT. SUPERMARKET Sid pushes the cart out of the glass door with Tatum riding it. The Ghost Masked Figure is nowhere to be found. SIDNEY What do you think about when you're having
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INT. NEWSVAN Kenny and Gale move around inside the van. Kenny hovers over a control panel complete with video monitors. KENNY What's the plan?
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INT. LIVING ROOM – FEW MINUTES LATER The party is going strong. Ten maybe fifteen people stand, sit, lean. Some crowd around the floor in front of the television. Randy is taking a vote. RANDY
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INT. GARAGE The kitchen door opens and light floods the darkened garage. Tatum stands in the doorway searching for a light switch. She finds a button and hits it. BRRRRMMM! The electric garage door starts to rise. Wrong switch. She hits it again and it closes.
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INT. FOYER – MINUTES LATER It's getting late and SOME KIDS leave through the front door, muttering, "parents and curfew", etc. The door hangs open wide. Sid moves to close it when... . Billy appears in a classic fake scare.
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INT. LIVING ROOM – MINUTES LATER The camera sits on the book shelf lodged between two knickknacks, completely inconspicuous. The CAMERA WIDENS to reveal several TEENS watching the TV. The horror diehards. TEEN #1
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INT. NEWSVAN – MINUTES LATER Kenny is barely watching the monitor, he reached boredom some time ago. He finds a bag of Cheetos and chows down when he hears SCREAMING from outside. He peers out the window to see the last of the PARTY KIDS pile into two cars and race off down the road.
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EXT. DARK ROAD – CONTINUOUS A long, deserted country road. In the distance, a single flashlight beams ahead, the only light in the black night. Gale and Dewey can be heard. GALE
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EXT. FRONT DOOR – CONTINUOUS Gale, hanging tough, approaches the front door, unable to hear Sidney's SCREAMS three floors up. Gale reaches for the door just as she hears LOUD, HORRIBLE SHRIEKS from just inside. She backs away.
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EXT. FRONT OF JEEP ANGLE through front windshield. Sidney RANTING into the police band. She doesn't see the... GHOST FIGURE open the tailgate door of the jeep and slowly crawl in behind her.
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INT. LIVING ROOM / FOYER Sid locks and bolts the door. From the other side she can hear Randy SCREAMING. RANDY NO, SID. OPEN UP. PLEASE... HE'S GONE
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Sidney looks to her dad, sees the tears in his eyes. She looks back to Billy, unflinching...a determined look on her face. SIDNEY Why did you kill my mother? BILLY
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Billy lunges at Gale, but she holds steady. Billy and Stu eye each other. BILLY She can't get both of us. STU
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INT. LIVING ROOM – CONTINUOUS Billy and Stu lay face up, head to head. Sid and Gale move over them, staring down. Randy joins them. RANDY Sid, you found me out... I'm a virgin. And

scream

A teenage girl is targeted by a violent killer who is harassing her with threatening phone calls and she must work with her friends and a police officer to stop the killer before they strike again.

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Claude
 Recommend
GPT4
 Consider
Story Facts

Genres: Horror, Thriller, Mystery, Teen, Drama, Romance

Themes: Terror and Suspense, The Power of Fear, The Importance of Trust

Comparable Scripts: Scream 2, I Know What You Did Last Summer, Urban Legend, The Faculty, Final Destination, Halloween, Friday the 13th, Psycho, The Silence of the Lambs, Seven

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Overall Score: 7.50
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