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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
INT. TAXI CAB - MOVING - DAY Rain falls on the rear window of a taxi parked in the taxi zone of the Charles de Gualle Airport. Aside from the incessant tapping of rain on the roof of the cab we hear the sounds of the airport: the almost monotonic
2
INT. HOTEL - HALL - DAY A long, empty hallway of a moderately priced hotel. From around a corner comes a BELLBOY carrying Zed's one bag. Zed is right behind him. They come up to room 6A and the bellboy unlocks the door.
3
INT. HOTEL ROOM - LATER - DAY Zed's bed, while still made, looks like it's been slept in. Sitting on it is the ripped open air freight package. Inside of it is a black steel briefcase. The shower is on and from the look of things Zed is in it.
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INT. ZED'S ROOM - NIGHT Zed is asleep. Zoey is asleep in his arms. There is a knocking at the door. Zed opens his eyes. The knock becomes a pound.
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INT. HOTEL ROOM - BATHROOM - NIGHT Eric walks up to the shower and knocks on the door. Zoey is obviously surprised to see him. ERIC (in French with English
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EXT. BOULEVARD SAINT MICHEL - NIGHT The McDonalds on the corner of Boulevard Saint Michel and Rue Soufflot is bustling. Eric's Citroen screeches around the corner on it's way past the Pantheon and into the heart of the fifth Arrondissment.
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INT. ERIC'S FLAT - OUTER STAIRWELL - NIGHT Eric and Zed walk up the stairs to the fifth floor where Eric's flat is. On the top landing there is a dead cat laying. Zed and Eric notice the cat as Eric is opening the door.
8
INT. ERIC'S FLAT - KITCHEN - NIGHT The kitchen is an absolute pig stye. Dishes are piled up in the sink and on the counter. Oliver grabs a glass that has some old beer in it and empties it. He scratches some filth off of it and pours some beer
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INT. ERIC'S FLAT - BEDROOM - NIGHT Eric's bed has probably never been made. In fact, this room looks a lot like Quentin Tarantino's old apartment. But, there is a certain order to all this chaos. Eric pulls out a 25.
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INT. ERIC'S FLAT - BATHROOM - NIGHT EXTREME CLOSE ON: Eric making heroin. The heroin powder is put into a spoon with some lemon squeezed into it, then a little bit of tap water. Huddled around Eric are Francois, Ricardo, and Oliver.
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INT. ERIC'S FLAT - LIVING ROOM - NIGHT In the meantime, Zed is sitting on the couch with Claude and 30. Jean. Claude is rolling a hash and tobacco cigarette. Jean is chopping up some powder heroin on the glass of a small
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INT. ERIC'S CAR - MOVING - NIGHT Ricardo is racing Eric's car through the streets of Paris 32. weaving in and out of traffic. Next to him is Oliver, and in the back seat is Zed and Eric. They're giving the very
13
EXT. PARIS STREET - NIGHT The two cars are franticly racing through traffic. INT. JEAN'S CAR - MOVING - NIGHT Jean is very intent on beating them to whatever location it is they're going to.
14
INT. CELLAR - NIGHT Eric, Zed, Francois, Ricardo, Jean, Claude, and Oliver are all walking down some dank stone steps into a cellar. 35. Somewhere crazy Raymond Scott Toy Jazz music is playing.
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EXT. BOULEVARD SAINT MICHEL - NIGHT The McDonalds on the corner of Boulevard Saint Michel and Rue Soufflot is bustling. Eric's Citroen screeches around the corner on it's way past the Pantheon and into the heart of the fifth Arrondissment.
16
INT. ERIC'S FLAT - OUTER STAIRWELL - NIGHT Eric and Zed walk up the stairs to the fifth floor where Eric's flat is. On the top landing there is a dead cat laying. Zed and Eric notice the cat as Eric is opening the door.
17
INT. ERIC'S FLAT - KITCHEN - NIGHT The kitchen is an absolute pig stye. Dishes are piled up in the sink and on the counter. Oliver grabs a glass that has some old beer in it and empties it. He scratches some filth off of it and pours some beer
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INT. ERIC'S FLAT - BEDROOM - NIGHT Eric's bed has probably never been made. In fact, this room looks a lot like Quentin Tarantino's old apartment. But, there is a certain order to all this chaos. Eric pulls out a blueprint and spreads it out over the bed.
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INT. ERIC'S FLAT - BATHROOM - NIGHT EXTREME CLOSE ON: Eric making heroin. The heroin powder is put into a spoon with some lemon squeezed into it, then a little bit of tap water. Huddled around Eric are Francois, Ricardo, and Oliver.
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INT. ERIC'S FLAT - LIVING ROOM - NIGHT In the meantime, Zed is sitting on the couch with Claude and Jean. Claude is rolling a hash and tobacco cigarette. Jean is chopping up some powder heroin on the glass of a small picture.
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INT. ERIC'S CAR - MOVING - NIGHT Ricardo is racing Eric's car through the streets of Paris weaving in and out of traffic. Next to him is Oliver, and in the back seat is Zed and Eric. They're giving the very stoned Zed a whirlwind tour of the sights.
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EXT. PARIS STREET - NIGHT The two cars are franticly racing through traffic. INT. JEAN'S CAR - MOVING - NIGHT Jean is very intent on beating them to whatever location it is they're going to.
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INT. CELLAR - NIGHT Eric, Zed, Francois, Ricardo, Jean, Claude, and Oliver are all walking down some dank stone steps into a cellar. Somewhere crazy Raymond Scott Toy Jazz music is playing. An old wine cellar has been converted into a Toy Jazz club.
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EXT. BANK - DAY EXTREME CLOSE ON: The door to the bank. Francois puts a sign on the door that reads: [Closed for Bastille Day]. CUT TO:
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INT. BANK - RESERVE VAULT AREA - DAY They're herding the men through the hall. BANK MANAGER (to the sub lobby teller) [Vault locked?]
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INT. BANK - RESERVE VAULT AREA - DAY They enter and Eric walks up to a bathroom door. ZED Eric. It's just that we've gone from being thieves to murderers.
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INT. BANK - VAULT ANTECHAMBER - DAY Zed opens up his steel briefcase. Inside of it are all sorts of electronic gear and tools. He takes out a tape measure and some callipers and measures out a point on the vault door. He marks the point with a
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INT. BANK - VAULT ANTECHAMBER - DAY Zed looks up hearing the commotion. Eric comes running out of the bathroom and into the storage/elevator area. ERIC
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INT. BANK - RESERVE VAULT AREA - DAY As Eric walks down the stairs and through the reserve vault area a look of intense concentration washes over his face. You can see that a trillion calculations are being made in his brain...the question is: are there any answers?
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INT. BANK - STORAGE/ELEVATOR AREA - DAY Instead of walking upstairs, Zed finds the fuse box right in the next room. ZED Hold on. Here she is.
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INT. BANK - POSEIDON VAULT - DAY Zed goes to the gated passage which isn't much more than a window in one upper side of the vault, but it's enough to get him into the main vault. Eric is right behind him.
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INT. BANK - LOBBY - DAY Francois, Claude, and Jean are forcing customers to drag dead bodies into a cube. The room shakes and everyone looks toward the hall that leads to the stairs. The hostages, whose nerves are already shot, start crying.
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INT. CALIBER VAULT - DAY The main vault looks like what a vault would look like if it were blown up from the inside. On the floor is the still smoldering body of the security guard. The room is 84.
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INT. BANK - REAR STAIRS TO LOBBY - DAY Eric is whistling while he walks, he pauses to perform a quick magic trick, then he continues. INT. RESERVE VAULT AREA - DAY Eric walks into the reserve vault area.
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INT. BANK - CALIBER VAULT - DAY Zed is sweating as he works away at the back of the door. He glances over what he's done and makes a calculation on a calculator. Then, there is a groaning sound.
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INT. BANK - CALIBER VAULT - DAY Zed takes the dolly and starts wheeling the platen of gold out. Oliver helps him. OLIVER This is unbelievable. Look at all
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INT. BANK - FREIGHT ELEVATOR - DAY Zed is waiting for the elevator to arrive. ZED Do we have a covering of some kind? OLIVER
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INT. BANK - FREIGHT ELEVATOR - DAY Eric caresses his hand across the bars of gold. ERIC (to himself) [Smoother and more giving than the
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INT. BANK - SUB LOBBY - DAY Zoe walks up the stairs out, not only are they locked but a cloud of tear gas is pouring into the downstairs sub lobby. Suddenly, Zed stumbles in. Zed is like a zombie. Then he notices Zoe in the stairwell.
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INT. BANK - REAR STAIRS TO LOBBY - DAY Zoey peeks up the stairs just in time to see Oliver bolt for the stairs. OLIVER (to police)
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INT. BANK - RESERVE VAULT AREA- DAY They rush out toward the stairs. ERIC Did you see how she ran? Did you see how she ran? She doesn't care
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INT. BANK - LOBBY - DAY Zoey and Zed, bandaged up, are being aided by all of the French policemen as they walk through the bank. Smoke is still clearing, but the bodies of customers and bank robbers alike litter the area.

KILLING ZOE

When a skilled safecracker is recruited by his old friend to participate in a bank heist in Paris, he becomes entangled in a complex relationship with a young artist and escort who is caught up in the dangerous plan.

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Overview

Poster
Unique Selling Point

Delve into a gripping and action-packed crime thriller that transcends boundaries. "Last Tango in Paris" is a cinematic masterpiece that blends high-stakes heists, complex characters, and an immersive multicultural experience. Immerse yourself in the vibrant streets of Paris as American Zed gets entangled with the enigmatic Eric and his crew of eccentric criminals. Follow their treacherous journey as they plan and execute a daring bank robbery, navigating moral dilemmas, betrayals, and explosive confrontations. Prepare for a sensory overload as the screenplay masterfully weaves together cultural nuances, from Senegalese taxi drivers to vibrant jazz clubs, creating a backdrop that pulsates with life and authenticity. Each character is meticulously crafted, their unique perspectives and motivations driving the narrative forward like a relentless force. Experience a fresh and captivating storytelling style that defies conventions. Prepare for rapid-fire dialogue, gritty realism, and unpredictable plot twists that will keep you on the edge of your seat. This is not just a heist movie; it's a thrilling exploration of loyalty, betrayal, and the human condition. "Last Tango in Paris" is a cinematic experience that will linger in your thoughts long after the credits roll. Its unique tapestry of crime, culture, and compelling characters will leave you yearning for more. Prepare for a cinematic journey that will redefine your expectations of the genre, showcasing an unparalleled storytelling voice that captivates and resonates.

AI Verdict & Suggestions

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Hover over verdict cards for Executive Summaries

Claude
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Story Facts

Genres: Drama, Crime, Thriller, Comedy, Romance, Friendship, Drug, Action

Setting: Contemporary, Paris, France

Themes: Chaos and Violence, Love and Relationships, Identity and Belonging, Power and Corruption, Art and Culture

Conflict & Stakes: Zed and Eric's conflict over Zoey's loyalties, as well as the increasing danger of their heist and the potential consequences for their lives.

Mood: Dark and suspenseful, with moments of violence and humor

Standout Features:

  • Unique Hook: A bank heist movie set in Paris with a diverse cast of characters and a unique blend of violence and romance.
  • Major Twist: The revelation that Eric is HIV-positive and has been taking unnecessary risks.
  • Distinctive Setting: The film's depiction of Paris as a dangerous and unforgiving city.
  • Genre Blend: The film's unique blend of crime thriller and romance.
  • Unique Character: The character of Eric, a complex and contradictory figure who is both charming and ruthless.

Comparable Scripts: Reservoir Dogs, The Killing, Heat, Le Cercle Rouge, The Town, The French Connection, The Departed, The Wire, Zero Dark Thirty, The Wire

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.80
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.