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Scene Map 25
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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TRUE BLOOD "Strange Love" by Alan Ball revised 11/12/06
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INT. GRABBIT QUICK - CONTINUOUS - NIGHT. CLOSE ON A PORTABLE TV SCREEN: ANDERSON COOPER is interviewing a pale, conservative-looking SPOKESWOMAN. The more she looks like Ann Coulter, the better. Media-savvy, she speaks rapidly, with authority. SUPERIMPOSED beneath them,
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INT. MERLOTTE’S - DINING ROOM - CONTINUOUS - NIGHT. The MUSIC and CONVERSATION are LOUD as we MOVE THROUGH THE PREDOMINANTLY WHITE CROWD of rural Louisiana folk. We FIND a thirtyish MAN, a few pounds overweight, sitting with his WIFE and TEENAGE SON. As we MOVE TOWARD HIM, he looks up at us and
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INT. SUPER SAVE-A-BUNCH - SHREVEPORT - NIGHT. A WAL-MART type warehouse store. TARA THORNTON (26), wearing a royal blue SMOCK over her jeans and tank top, leans against a column, bored. Tara is African-American, smart, impatient and beautiful - but she’ll be damned if she’ll let you see
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INT. TARA’S MERCEDES - CONTINUOUS - NIGHT. INSIDE Tara’s meticulously maintained 1985 MERCEDES-BENZ 280. Tara drives, pissed, “OVER YOU (BUMP MIX)” by Vallejo blaring on her STEREO. TARA
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INT. MERLOTTE’S - SERVICE ALLEY/KITCHEN - CONTINUOUS - NIGHT. MOVING THROUGH THE KITCHEN, PAST ARLENE, on her cell phone, sneaking a smoke: ARLENE Honey, if Rene tells you you’re too
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INT. MAUDETTE’S APARTMENT - AT THE SAME TIME - NIGHT. CLOSE ON A TV SCREEN: MTV’s “NEXT.” WIDE ANGLE. MAUDETTE PICKENS, a trashy-looking young woman of 26, lays naked on her vinyl sofa, as a naked athletic MAN kneels before her, his back to us, his face buried between
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INT. MERLOTTE’S - NIGHT. Tara sits at the bar, depressed, nursing a MARGARITA. Sam is making drinks for Sookie, who waits at the service area. TARA My life sucks.
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INT. MAUDETTE’S APARTMENT - NIGHT. FROM BEHIND THE COUCH: Jason and Maudette’s bare backs are visible; she’s draped on his shoulder. FLOATING UP we can see ON THE TELEVISION they’re watching: Maudette is naked, HER HANDS BOUND to a large HOOK in the ceiling above her, as a
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INT. MERLOTTE’S - DINING ROOM - MOMENTS LATER - NIGHT. The Rattrays seems to be doing their best to seduce Bill. DENISE - I mean, people have always discriminated against me -
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INT. MAUDETTE’S APARTMENT - AT THE SAME TIME - NIGHT. Maudette stands, her hands once again bound to the hook in the ceiling above her, as Jason fucks her from behind. He’s excited, definitely into this. JASON
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EXT. MERLOTTE’S - PARKING LOT - CONTINUOUS - NIGHT. Mack struggles, unable to get the chain from around his neck. Denise stands and moves toward Sookie, livid. DENISE This is not your business, you
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EXT. WOODS - CONTINUOUS - NIGHT. Sookie has to take a couple of moments to catch her breath. Bill moves, brings his now unbound wrists up to his chest, smoke trailing from them. Whatever he’s been through, it’s obviously still painful.
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EXT. MERLOTTE’S - PARKING LOT - CONTINUOUS - NIGHT. Sookie emerges from the woods, a little worse for wear. Looking up, she spots Sam stands in the parking lot, worried; he’s obviously been looking for her. When he sees her, his face is flooded with
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INT. MERLOTTE’S - LATER - NIGHT. The place has thinned out considerably. We HEAR “I SHOULD GET UP” by Teddy Thompson. Tara is still behind the bar. Sam comes out of the kitchen, joins her.
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INT. SOOKIE’S HONDA CIVIC - NIGHT. THROUGH THE WINDSHIELD: We’re driving down a TWO LANE ROAD through the woods, illuminated only by HEADLIGHTS, just like at the beginning. We HEAR “SWEET AFTON” by Nickel Creek. ON SOOKIE, driving, turning the events of the night over in
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EXT. OLD STACKHOUSE PLACE - DAY. SAME ANGLE: Sookie’s head drops down on the back of a folding ALUMINUM CHAISE. She’s in a white strapless two-piece bathing suit, coated in suntan lotion. She settles in, lets out a long contented sigh. “DYNAMITE” by Brenda Lee plays on the
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INT. OLD STACKHOUSE PLACE - KITCHEN - LATER - DAY. Sookie and Jason are seated at the table, eating CHICKEN- FRIED STEAK, MASHED POTATOES and BEANS. Drinking ICED TEA in old-fashioned tall glasses. We can HEAR ADELE CHATTING ON THE PHONE in another room.
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EXT. ROAD WORK SITE - DAY. ORANGE CONES, DETOUR SIGNS. ROAD WORKERS in DAYGLO ORANGE VESTS go about the work of repaving yet another TWO-LANE COUNTY ROAD. A variety of headwear: PLASTIC HELMETS, wide- brimmed STRAW HATS, a couple of DOO-RAGS. A STEAM ROLLER
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EXT. ROAD WORK SITE - CONTINUOUS - DAY. Jason squints at Andy and Bud as they approach him. JASON (nods) Sheriff Dearborne. Andy.
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INT. HIGH SCHOOL CORRIDOR - 1999 (FLASHBACK) - DAY. 17-YEAR-OLD SOOKIE walks down the hall by herself, her shoulders hunched over, trying to be invisible. Three popular CHEERLEADERS stand at their lockers. As Sookie passes them, she glances over at
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INT. MERLOTTE’S - BAR - CONTINUOUS TARA is behind the bar, in jeans and a tank top, as usual. She consults her MIXING GUIDE as she makes drinks. Lafayette emerges from the kitchen. He’s wearing makeup again, color coordinated with the form-fitting GREEN LACE SHIRT he wears
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INT. MERLOTTE’S - DINING ROOM - MOMENTS LATER - NIGHT. Arlene is curled up with Rene Lenier on one side of a booth; Hoyt Fortenberry sits across from them. They’re all a little drunk. As Arlene empties a pitcher of beer in Rene’s mug: TRUE BLOOD - Episode #101 "Strange Love" - 11/12/06 - 58.
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INT. MERLOTTE’S - SAM’S OFFICE - MOMENTS LATER - NIGHT. Sam pulls Sookie inside, shuts the door and turns to her, angry. SAM Sookie, you are being a very stupid
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EXT. MERLOTTE’S - LATER - NIGHT. Only a handful of cars in the parking lot. The NEON BEER SIGNS in the windows GO OUT. ANGLE ON THE EMPLOYEE DOOR IN THE BACK, as it opens and Sookie emerges with her purse. Expecting to find Bill...

True Blood

In a Louisiana town, a telepathic waitress rescues a 166-year-old vampire from danger who changes her life.

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Overview

Poster
Unique Selling Point

This captivating supernatural drama weaves a tapestry of intrigue, romance, and suspense, set amidst the allure of a small-town Louisiana backdrop. The unique ability of protagonist Sookie to hear the thoughts of those around her adds a layer of depth and intimacy to the narrative. This USP will resonate with audiences seeking a blend of supernatural elements, relatable characters, and a voice that is both sharp and engaging. Fans of vampire lore and those seeking a fresh take on the genre will be drawn to this series, which explores complex themes of acceptance, prejudice, and the nature of identity.

AI Verdict & Suggestions

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Hover over verdict cards for Executive Summaries

Claude
 Consider
GPT4
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Story Facts

Genres: Drama, Fantasy, Romance, Mystery, Horror, Comedy, Thriller, Supernatural, Crime

Setting: Contemporary, Northern Louisiana

Themes: Love and Relationships, Identity and Self-Discovery, The Supernatural and the Unknown

Conflict & Stakes: The primary conflicts revolve around Sookie's interactions with vampires, her protective instincts towards her family and friends, and the dangers she faces in a supernatural world.

Mood: Dark, mysterious, and romantic

Standout Features:

  • Supernatural Romance: The intriguing romance between Sookie and Bill, set against a backdrop of supernatural elements.
  • Mystery and Intrigue: The unfolding mysteries and secrets surrounding the characters and their connections.
  • Character Dynamics: The complex relationships and conflicts between the characters, adding depth to the story.
  • Dark and Atmospheric Setting: The eerie and mysterious atmosphere of Northern Louisiana, enhancing the supernatural elements.
  • Genre Blending: The seamless blend of romance, mystery, drama, and supernatural elements, appealing to a diverse audience.

Comparable Scripts: True Blood, The Vampire Diaries, Buffy the Vampire Slayer, Twilight, The Originals, Teen Wolf, Shadowhunters, The Mortal Instruments, The Vampire Academy, Vampire Knight, Rosario + Vampire, Dance in the Vampire Bund

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.80
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.