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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. THE WORK HOUSE, BRIGHTON, SUSSEX - NIGHT The Gas lamps light up the snow strewn streets as the whiteout continues in this quiet seaside town. INT. BRIGHTON WORK HOUSE - NIGHT The workhouse Matron, MICHELLE JOHNSON (52) is wrapping a
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INT. BRIGHTON TO LONDON TRAIN CARRIAGE - DAY A half-dressed, AMOROUS COUPLE makes out on the floor of the train carriage. AMOROUS MAN What if someone sees us?
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EXT. THE GEORGE - DAY Marshall and Arthur Newton are eating breakfast on the terrace as Lilly and Xing arrive. Xing puts down her camera as the WAITER takes an order. 4.
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INT. OLD BAILEY, CELLS - DAY A FEMALE GUARD shows Marshall and Newton to a small, dingy cell where they will interview SANDRA EVERETT (24). MARSHALL This is not acceptable. There must
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EXT. OLD BAILEY, COURTROOM - DAY. Marshall sits on counsel's benches along from Aarav Singh. Judge Booth is watching Sandra Everett shaking in the dock. JUDGE BOOTH Bring in the jury.
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INT. CHANCERY LANE, OLD CURIOSITY SHOP - DAY Marshall enters having seen something in the window he likes. Aladdin himself would have chosen this to be his dwelling. MR BEAGLE is inspecting his glass cases under which lays a treasure trove of gold, platinum, and precious stones.
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EXT. VICTORIA STATION, LONDON - DAY Marshall, Gill, and Druit have tickets to travel to Brighton. CHARLIE GILL I am returning to the High Court to settle that defamation case so you
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INT. LONDON TO BRIGHTON TRAIN, FIRST-CLASS CARRIAGE - DAY As the train gets underway, Druit reiterates his views. 14. MONTAGUE DRUIT This Russian flu is a bloody hoax.
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INT. BARINGS HALL - ANTE ROOM - NIGHT The host is SIR GORDON CUMMINGS and he welcomes the guests in the palatial entrance hall. SERVANTS serve drinks as guests descend the grand staircase. First up are HRH Prince Edward and his son Prince “Eddy”.
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EXT. BARINGS HALL, COURTYARD - NIGHT Bernie Lawless pulls up in a carriage and hurriedly takes his bag from the rear and goes inside. 16. INT. BARINGS HALL, GAMING ROOM - NIGHT
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INT. BARINGS HALL, GAMING ROOM, ROULETTE TABLE - NIGHT Prince Eddy is having a decent run of luck encouraged by Druit. PRINCE EDDY I said to Somerset, there is no
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INT. LEWES PRISON, INTERVIEW ROOM - DAY Sabina Tilley is chaperoned by a Mrs.. IRENE SHIMWELL. SABINA TILLEY The circumstances of my downfall are not uncommon. Imagine a girl.
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INT. LEWES PRISON, INTERVIEW ROOM - DAY Sabina is crying. MARSHALL You loved and cared for those infants and meant them no harm.
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INT. MIDDLE TEMPLE HALL - NIGHT Dining alone in Middle Temple Marshall is happily surprised to be approached by Forest Fulton, Arthur Newton, Bernie Lawless, and the eminent SIR CHARLES HALL. QC. BERNIE LAWLESS
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EXT. HOUSE OF LORDS ROOF TERRACE - DAY Marshall is with Lords Northcliffe and Labouchere. Abberline is inbound. LORD NORTHCLIFFE We wanted to speak to you privately
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INT. SCOTLAND YARD INCIDENT ROOM - DAY Abberline is pacing and not in a good way. Lilly Fortune and Lord Northcliffe arrive on cue. INSPECTOR ABBERLINE Thank you for coming. Two more
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EXT. FLEUR-DE-LIS CLUB, POLICE CARRIAGE - NIGHT Abberline hears the cheers outside as he steps down. The Police paddy Wagons are in place and POLICEMEN are now holding ladders up towards the windows of the Fleur De Lis. EXT. FLEUR DE LIS CLUB, CLEVELAND STREET - NIGHT
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EXT. FLEUR DE LIS, LADDER, BEDROOM FLOOR - NIGHT UNIFORMED POLICE ascend the ladders to get to the rooms. 27. They peer inside to gather evidence of sex crimes. INT. FLEUR-DE-LIS CLUB, BEDROOM FLOOR - NIGHT
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EXT. FLEUR-DE-LIS CLUB, LIVESTOCK QUARTERS - NIGHT Abberline takes a lamp and goes to the rear of the property. It is where carriages are parked and various coachmen are smoking and gossiping about the raid. A door opens and a YOUNG GIRL sticks her head out. She is
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INT. FLEUR-DE-LIS CLUB, UPPER CORRIDOR - NIGHT Police Officers are now bringing OLDER MEN downstairs under “soft” arrest. The prostitutes they were with are in cuffs. 30. Newton sees Charles Hammond strike a POLICEMAN, bloodying his
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EXT. FLEUR-DE-LIS CLUB - NIGHT Abberline escorts Charles Hammond off the premises and places him alongside other prisoners in a Paddy Wagon. Marshall watches as police wagons move off. Newton speaks to Judas Fox and Somerset's driver.
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INT. THREE TEMPLE GARDENS CHAMBERS - CLERKS ROOMS - NIGHT Marshall approaches Bernie Lawless. MARSHALL Bernie, I need some cash. Family emergency.
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EXT. KINGS BENCH WALK - NIGHT Marshall is wandering down to Wilton’s to get drunk. He has had enough of today. Druit’s carriage sits outside his chambers. His driver is called DEVIZES.
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EXT. FITZROVIA BOARDING HOUSE - NIGHT Druit looks down from his carriage as Marshall waits for the door to be answered. Hermione Grandt opens the door. She is in a dressing gown. 34.
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EXT. WHITFIELD STREET, FITZROVIA - NIGHT From the POV of an UNSEEN OBSERVER, we see Ethel walking through the empty, rain-swept streets carrying an umbrella. The Unseen Observer moves quickly towards Ethel when she is about to turn into Newman’s Yard to get to Charlotte Street.
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INT. SUSSEX DAILY NEWS, EDITORS OFFICE - DAY. Marshall is looking for help from editor CHRISTIAN INFIELD. MARSHALL I am here to ask you to consider setting up a public defence fund
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INT. BRIGHTON ASSIZES, COURTROOM - DAY The courtroom is noisy and packed to the rafters. Lilly Fortune and Xing Fu are in the press box. USHER All those concerned in Crown -v-
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INT. BRIGHTON ASSIZES, ENTRANCE HALL - DAY Lilly has caught up with Inspector Munn and is trying to get an interview. LILLY FORTUNE It sounded to me like you now
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EXT. THE GRAND HOTEL TERRACE, BRIGHTON - NIGHT Marshall, Lilly, Newton, and Gill have finished dinner. Newton lights Marshall’s cigar. 42. LILLY FORTUNE
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INT. BRIGHTON ASSIZES, COURTROOM - DAY Mrs. Shimwell is giving evidence against Tilley. FOREST FULTON Did you think that Tilley was embarrassed by her pregnancy?
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EXT. BRIGHTON ASSIZES, ENTRANCE HALL - DAY Marshall speaks with the editor of the Sussex Daily News. MARSHALL Thank you for providing a lifeline for the poor in murder trials.
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INT. THE SAVOY, DINING ROOM - NIGHT Dinner for Marshall, Lilly, Northcliffe, and Druit. Northcliffe is angry with Marshall. LORD NORTHCLIFFE (raised voice)
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EXT. WILTON'S MUSIC HALL - NIGHT Druit's carriage pulls up into the parking area. Marshall helps Lilly down as Druit exits the other side. MONTAGUE DRUIT I feel the tension draining away.
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INT. WILTON'S MUSIC HALL, SNUG BAR - NIGHT Marshall is surprised to see the elusive Lord Somerset sitting by the stage with a girl - ROSE HANWAY (15). LILLY FORTUNE Doesn’t Abberline still have
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INT. WILTON'S MUSIC HALL, SNUG BAR - NIGHT MARSHALL Nice to see Druit is so protective of Mary Kelly. LILLY FORTUNE
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INT. WILTON'S MUSIC HALL, CONCERT ROOM - NIGHT Ethel, Hermione, Charles Hammond, and Count de Ponthieu are watching the show. Marshall sees Ethel and walks over. Ethel looks up and is flush red at seeing him in this place.
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EXT. WILTON’S MUSIC HALL, MAIN STREET - NIGHT The terrified Mary Jane Kelly - runs for her life down a gas- lit street still damp from a downpour. EXT. BLACK TWO HORSE CARRIAGE, WHITECHAPEL - NIGHT The coach is almost upon Mary Kelly.
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EXT. ALLEYWAY, WHITECHAPEL - NIGHT The Unseen Adversary has emerged at a crossroad in the alleyway by Mitre Square. He realises he is now alone. His breath crystallises in the cold air as he looks around for any clue as to where his quarry has gone.
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INT. ETHEL'S LODGINGS, FITZROVIA - DAY COUNT DE PONTHIEU It is impossible. You must know that for God’s sake? A distraught Ethel is confused.
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INT. DOCTOR LAERMANN’S SURGERY, ENTRANCE HALL - DAY A brass plaque announces “Doctor Laermann, gynaecologist”. HERMIONE GRANDT Doctor Laermann, this is Ethel. She needs one of your lady procedures.
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INT. THREE TEMPLE GARDENS, CLERKS ROOM - DAY Lawless is arranging briefs when Hermione Grandt rushes in. 57. HERMIONE GRANDT I must see Marshall. Is he here?
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EXT. SEVEN KINGS BENCH WALK - NIGHT Abberline and his men kick down the front door and enter. Sergeant Cunningham has a snub-nosed revolver in one hand and a lamp in the other. He takes point. SERGEANT CUNNINGHAM

Marshall's Law - Ep Six

In Victorian-era London, a barrister defends a young woman accused of infanticide, uncovering a web of corruption, abuse, and a serial killer known as 'Jack the Ripper'.

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Overview

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Unique Selling Point

This script stands out for its historical context, blending real-life legal challenges with fictional narratives, particularly focusing on women's rights and societal judgments. It offers a unique perspective on the legal system of the time, making it relevant for audiences interested in both historical dramas and social justice themes.

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Claude
 Recommend
GPT4
 Recommend
Story Facts
Genres:
Drama 60% Crime 40% Thriller 30% Horror 15% Romance 10%

Setting: Late 19th century, specifically during the winter of 1888-1889, Brighton and London, England

Themes: Justice and Injustice, Social Inequality and Class Divide, The Corruption of Power, The Nature of Truth and Deception, The Burden of Secrets, The Shadow of the Past

Conflict & Stakes: The central conflict revolves around Sabina Tilley's trial for infanticide, with her life and reputation at stake, while Marshall navigates personal and professional challenges amidst a backdrop of societal issues and crime.

Mood: Tense and somber, with moments of desperation and urgency.

Standout Features:

  • Unique Hook: The intertwining of a historical legal case with personal stories of trauma and societal judgment.
  • Plot Twist: The revelation of Sabina's tragic past and the circumstances leading to her desperate actions.
  • Distinctive Setting: The contrast between the opulence of Victorian society and the grim realities faced by the marginalized.
  • Innovative Ideas: Exploration of themes like infanticide and societal judgment through a historical lens.

Comparable Scripts: The Crucible, The Nightingale, The Handmaid's Tale, Atonement, The Trial, The Lovely Bones, The Fall of the House of Usher, The Killing of a Sacred Deer, The Girl with the Dragon Tattoo, The Color Purple

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Overall Score: 7.36
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