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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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WEDDING RUN Written by Danny King Email: [email protected] FADE IN:
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INT. MR. RICHIE'S LIVING ROOM. NEW YORK - NIGHT Richie, innocent face, half naked, with a towel around his waist, on a video call with Preeti. SUPER: 44 Hours earlier MR. RICHIE
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INT. CHANDU'S HOUSE. KITCHEN - NIGHT Chandu rushes down the stairs, his mom, SUNDARI[44] and his sister KAM[17] are preparing dinner. CHANDU Ma? Mr. Richie called me to fix his
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EXT. MR. RICHIE'S HOUSE FRONT - NIGHT Chandu parks his mini motor bike, strolls to the door, knocks. CHANDU Mr. Richie?
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INT. STAFF ROOM - AFTERNOON Jacob, head down, bolts in. Richie seated, sweaty face, with his phone in his ears, signing papers, few students standing in front of his desk. MR. RICHIE
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INT. EMPTY STUDENTS RESTROOM - AFTER NOON Chandu bolts in. Richie strolls, straight face. CHANDU Hey sorry for that, must have called you to a private place at
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INT. CLASS ROOM - EVENING Darkness. Little light coming from the hallway. Richie seated on a chair, looks dizzy, slowly opens his eyes. MR. RICHIE Guys? Hello?
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INT. MR. RICHIE'S LIVING ROOM. FLASHBACK - LAST NIGHT Chandu stands near the door. CHANDU Mr. Richie I fixed your router it'll work now.. And I'm leaving,
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EXT. MR. RICHIE'S HOUSE FRONT. FLASHBACK - NIGHT Richie and Chandu waiting outside. Richie is unsteady, Greg arrives in a black crew van, no cast in his arms. CHANDU Hey Greg, thanks for coming.
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INT. CLASS ROOM. PRESENT - EVENING MR. RICHIE Oh that explains the chest pain. Chandu stares at Richie. MR. RICHIE (CONT'D)
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INT. CLASS ROOM. PRESENT - EVENING Chandu sits on a desk. MR. JACOB -And now we are executing it. MR. RICHIE
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INT. SCHOOL HALLWAY - EVENING Chandu, Jacob and Greg, in a circle. CHANDU Ok, Mr. Jacob you stay with him, don't come out, Greg got the school
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INT./EXT. CREW VAN. PREETI'S HOUSE FRONT - EVENING Jacob with binoculars, looking inside the house. MR. JACOB I see them, lot of them, ooo wait there is Mr. Henry, and also Mr.
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EXT. PREETI'S HOUSE FRONT - EVENING Greg reaches the house, rings the door bell. Jacob gets there, pulls Greg back, both starts to fight, they hear door lock getting picked, both stops fighting. Door opens. An elderly stout Punjabi man, SHUKLA SINGH[58],
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INT. PREETI'S HOUSE LIVING ROOM - EVENING Jacob and Greg get seated on the couch, surrounded by more than 50 INDIANS staring at them. MR. JACOB (To Greg, in low voice)
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INT. PREETI'S HOUSE. UPSTAIRS - EVENING Jacob walks, opens every room, finally finds Preeti's photos in a room. MR. JACOB Oh baby, Jayboy is here.
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EXT. PREETI'S HOUSE FRONT - EVENING Shukla and family members chase Jacob. SHUKLA Hey whitey! Stop! INT./EXT. CREW VAN - EVENING
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INT. CLASS ROOM - EVENING Richie is still tied in the chair. Chandu sitting on a desk. MR. RICHIE You just called, and they agreed? That doesn't seem right. I asked to
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INT. CLASS ROOM - EVENING Chandu opens the door. Jacob carrying Preeti enters. MR. RICHIE Oh my god, Preeti?! Get this off me! Chandu?!
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EXT. HIGH SCHOOL. BACK - EVENING Richie comes out, runs towards the convertible, sees Frank seated inside. MR. RICHIE Frank?! Where is my girlfriend?
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EXT. PREETI'S HOUSE FRONT - EVENING A Black SUV, car door opens BHAGAT[55] a fit Indian muscular man with blue turban in his head, with a gruff baritone voice to the PEOPLE standing outside. BHAGAT
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INT. SCHOOL CANTEEN - NIGHT Richie and Jacob hand over snacks to the abducted girls. All are seated on a bench. Jacob smiles at Anjali, the girl he kidnapped. MR. JACOB
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EXT. HIGH SCHOOL FRONT - NIGHT Richie sees Chandu standing out, on a phone call. MR. RICHIE Hey Chandu! Chandu with the phone in his ear, turns around.
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INT. SCHOOL HALLWAY - NIGHT Chandu, Richie and Jacob seated like ducks. Anjali and Deepti standing, car lights hits their face. CHANDU Ok Jacob, you leave now. If they
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INT. SCHOOL HALLWAY - NIGHT Richie looks out through the glass. MR. RICHIE What is happening in the name of nigga?
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EXT. HIGH SCHOOL FRONT - NIGHT Shukla turns behind, raises his hands, a GIANT INDIAN MAN comes forward, stands near Greg. SHUKLA (In megaphone)
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INT. SCHOOL HALLWAY - NIGHT MR. RICHIE This is not good, I'm going out. CHANDU No no no no--
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INT. SCHOOL HALLWAY - NIGHT Chandu, tazed by Richie, shaking, his mouth dances. EXT. HIGH SCHOOL FRONT - NIGHT Shukla, in his toes. SHUKLA
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INT. SCHOOL HALLWAY - NIGHT Greg and Richie get inside, holds the door close, the Indian men pushes the door. Richie and Greg face turn red, struggles. MR. RICHIE
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INT./EXT. CONVERTIBLE - NIGHT Loud music still on, Jacob parks the car in Preeti's house backyard. MR. JACOB Here we are! Safe and sound!
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EXT. A MYSTERIOUS WHITE VOID - HALLUCINATION Bright lights, white floor. Chandu laying down, eyes closed, naked. Barbie girl playing far away. Chandu's eyes opens, gets up. A geometric triangle mirror appears in front. Song is now
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EXT. ALLEY - NIGHT Chandu screaming- ahh, standing naked, shedding tears, looks at his hand, a lot of hairs. Vomits. Chandu looks up, sees a happy naked HOMELESS guy in the middle, to the left and right are Greg and Richie
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EXT. TIMES SQUARE NY - NIGHT Chandu, Richie and Greg are running through a crowded platform. MR. RICHIE We should get to the road.
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INT./EXT. CHANDU'S DAD CAR - NIGHT Nagesh, on wheels staring, Sundari in front busy on her phone, behind is Kam and also Preeti, eyes out, looking at him. Chandu sees Preeti. Sundari realizes green light is on.
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EXT. CENTRAL PARK ROAD - NIGHT Richie, Chandu and Greg still running. MR. RICHIE How far? CHANDU
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INT. NEW YORK POLICE PRECINCT - MOMENTS LATER Bill gives them towels to cover their body. BILL Here you go soft and tidy. CHANDU
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INT. MR. JACOB'S HUGE APARTMENT - NIGHT Door opens. Jacob and Anjali, kissing wildly, enters. He removes his shirt, puts her on the tile floor. ANJALI I'm with a Royal family member.
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INT. NEWYORK POLICE PRECINCT EVIDENCE ROOM - NIGHT Bill takes them out to a room, gives them a box full of clothes named "EVIDENCE". MR. RICHIE Are you sure we can use this?
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INT. NEW YORK POLICE PRECINCT. HALL - NIGHT Richie, Chandu and Greg sitting orderly in a couch, handcuffed to each other. Bill grabs his walkie talkie and smiles. BILL
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INT. NEW YORK POLICE PRECINCT CELL - NIGHT Greg opens the cell, puts Preeti inside and closes the cell, stands by it. GREG (To the drawing)
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INT. NEWYORK POLICE PRECINCT HALL - NIGHT Cops carry Bhagat to the couch with Preeti holding his hands, Shukla stands near Bhagat. MEDICS are treating him. SHUKLA (To Richie)
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INT. NEWYORK POLICE PRECINCT CELL - NIGHT Greg looking at the weird girl drawing. GREG Who drew you? Wow look at your face, that face, seeing you makes
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INT. MR. JACOB'S APARTMENT ELEVATOR - NIGHT Moving up. Chandu and Richie stand still, Greg lifts up his long skirt up to his belly. CHANDU Are your balls going to sing?
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INT. MR. JACOB'S APARTMENT KITCHEN Everyone stands surrounding the table, with phone in the middle. Jacob is not confident, nodding no. SHUKLA (V.O.) (Over phone)
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EXT. PREETI'S HOUSE FRONT - NIGHT Richie and Chandu standing outside the crew van, Greg in driver seat. No sign of Jacob and Anjali. CHANDU Greg, no matter what happens inside
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INT. SHUKLA'S ROOM - CONTINUOUS Richie sees so many people in that room sleeping on the floor. Richie finds Shukla in a recliner sleeping, he signs Chandu to freeze, then Richie moves forward. Chandu stands in one leg balancing, Richie gets near Shukla
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INT. PREETI'S HOUSE UPSTAIRS - CONTINUOUS Richie and Chandu climb the stairs, reach Preeti's room. Richie takes the key, goes to open, Chandu sees a shadow of a STOUT MAN coming up the stairs. As the man comes up, Chandu pulls Richie back to the opposite
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INT. PREETI'S ROOM - CONTINUOUS Richie gets near Preeti's bed, sees her awake, in an Indian wedding attire with mehandi applied in her hand, crying, Richie slowly reaches her. MR. RICHIE
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EXT. PREETI'S HOUSE FRONT - NIGHT Richie, Preeti and Chandu gets out of the house standing in the lawn. Richie gets Preeti's finger, puts the ring. CHANDU That was easy, we should have tried
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EXT. MR. JACOB'S APARTMENT PARKING LOT - NIGHT With the loud siren, tires screeching, the crew van enters, stops at a corner. Everyone gets out of it. Preeti sees Jacob and Anjali waiting outside, waving at them.
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INT./EXT. CONVERTIBLE. FREEWAY - DAWN Sun is rising, convertible cruising fast. Brisk wind flowing through them, Greg's skirt is up to his belly. MR. RICHIE (Shouts)
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EXT. BEACH WEDDING RECEPTION - CONTINUOUS All reaches in hurry, dirty face. Richie, stands on the ceremony area with his best man Jacob, followed by Chandu, to the other side are Anjali and Kam. Reception area mostly populated with storm troopers and other
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EXT. BEACH WEDDING PARTY - NIGHT Party music, lights and booze. Everyone dancing in joy. Richie and Preeti, Jacob and Anjali paired up dancing, Greg is doing worm dance move with his orgy pants. Chandu is talking with his father.
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EXT. WEDDING RECEPTION AREA - NIGHT Preeti reaches, sees a STRANGER in the dark walking out. PREETI Papa? The stranger stops.
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EXT. BEACH SEA SHORE - NIGHT Everyone seated around having beer, in a bon fire, chatting. CHANDU Ok, Mr. Richie our episode is coming to an end.
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EXT. BEACH SEA SHORE. PRESENT - NIGHT Richie jaw dropped. MR. RICHIE Oh fuck-ady fuck, that's the shit he saved me from?
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EXT. WEDDING RECEPTION AREA - NIGHT Everyone head down, there is Greg, sleeping stomach down on the floor, his ass is exposed. MR. RICHIE Should we bury or cremate?
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INT. PREETI'S HOUSE LIVING ROOM - DAY Preeti, with a stethoscope, leaves. Bhagat from behind. BHAGAT You have to work on Sundays? Preeti turns around.
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INT. CHANDU'S ROOM - DAY Chandu laid on his bed, Nagesh standing in front. CHANDU Ok, I'll help you, but I want unlimited wifi, and also a motor
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EXT. HIGH SCHOOL FRONT - NIGHT Chandu with a phone in his ears. CHANDU (Over phone) Yes, Anjali and Deepti, Dad? Calm

Wedding Run

When a young woman is forced into an arranged marriage, her boyfriend and a group of eccentric friends embark on a wild, cross-country adventure to rescue her and stop the wedding.

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Overview

Poster
Unique Selling Point

The unique selling proposition of 'Wedding Run' lies in its humorous yet poignant exploration of cross-cultural relationships and the absurdities of modern love. The screenplay combines relatable character struggles with outrageous comedic situations, appealing to audiences who appreciate both humor and heartfelt storytelling. Its blend of cultural references and comedic elements sets it apart from typical romantic comedies, making it a compelling choice for viewers seeking both laughter and depth.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Consider
GPT4
 Recommend
Story Facts

Genres: Comedy, Drama, Action, Romance, Thriller, Crime, Family Drama, Surreal

Setting: Contemporary, Los Angeles and New York City

Themes: Love and Relationships, Friendship and Loyalty, Cultural Identity and Expectations, Chaos and Absurdity, Coming of Age

Conflict & Stakes: Richie and his friends' struggle to rescue Preeti from an arranged marriage, with personal relationships and family honor at stake.

Mood: Comedic and chaotic, with moments of tension and romance.

Standout Features:

  • Unique Hook: The blend of a wedding run with comedic chaos and cultural expectations creates a unique narrative.
  • Plot Twist: The mistaken identity and chaotic rescue attempts lead to unexpected and humorous outcomes.
  • Distinctive Setting: The contrast between urban settings in New York and Los Angeles adds depth to the story.
  • Innovative Ideas: The use of absurd humor to tackle serious themes like family loyalty and personal freedom.

Comparable Scripts: Superbad, The Hangover, American Pie, Crazy Rich Asians, The 40-Year-Old Virgin, Step Brothers, Pineapple Express, Bridesmaids, Ferris Bueller's Day Off

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.20
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
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Loglines
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