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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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2 EXT. LOADING DOCK - DAY 2 Huge snowflakes drift down out of an icy sky that is the color of steel. WORKMEN load pallets of Wonka candy onto waiting trucks. It's hard to say what time it is, exactly: there’s no sun to
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5 INT. THE LITTLE HOUSE - NIGHT 5 Flakes of snow drift in through cracks in the roof, falling down on Charlie, who is doing his homework at the kitchen table. Ever-practical, he opens an umbrella for protection and keeps right on working.
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9 INT. WONKA CANDY STORE - DAY [TWENTY YEARS AGO] 9 CLOSE ON Grandpa Joe. He’s 76, but still looks just as old. As we PULL OUT, we reveal that he’s working the main counter. The tiny store is overflowing with candy, filling the glass cases and every shelf around.
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11 INT. GRANDPARENTS’ BEDROOM - NIGHT 11 Grandpa Joe continues telling his story to Charlie. (CONTINUED) 9. 11 CONTINUED: 11
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14 EXT. DELHI, INDIA - DAY [FIFTEEN YEARS AGO] 14 Wonka’s hand smooths out the blueprints for a massive structure, complete with curvy onion domes and twisted columns. He’s talking to PRINCE PONDICHERRY. WONKA’S VOICE
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17 INT. PALACE BEDROOM - DAY [FIFTEEN YEARS AGO] 17 The Prince and his lovely PRINCESS are reclining on chocolate divans, eating packaged Wonka candies when a brown DRIP lands on the Prince’s forehead. He wipes it off, and smiles
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A23 INT. CHARLIE’S LOFT - DAY A23 Charlie climbs up into his little bed, which is set up in the rafters of the tiny, sway-backed house. The sloped ceiling is covered with fanciful sketches of Wonka’s factory, and flattened wrappers from the few Wonka bars Charlie’s eaten.
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26 EXT. WONKA FACTORY GATES - DAY 26 A TELEVISION REPORTER does a live feed, reading from the proclamation. (Like all the technology we encounter, the camera and microphone feel somewhat vintage.) TELEVISION REPORTER
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30 INT. GERMAN SAUSAGE SHOP - DAY 30 AUGUSTUS GLOOP (9) is so enormously fat he looks as though he has been blown up with a powerful pump. Great flabby folds of fat bulge out from every part of his body. His face resembles a monstrous ball of dough with two small greedy
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40 INT. COUNTRY MANSION - DAY 40 VERUCA SALT (9) stands atop a grand piano, waving the Golden Ticket above her head as she grins from ear to ear. She’s delighted to have so many PHOTOGRAPHERS snapping her picture. VERUCA
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46 EXT. STREET CORNER NEWSTAND - DAY 46 A BUSINESSMAN holds the morning paper up to read the inside. On the front page, the headlines scream: TWO GOLDEN TICKETS FOUND Only one ticket left
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52 INT. THE GRANDPARENTS’ BEDROOM - DAY 52 GRANDMA JOSEPHINE What a beastly girl. GRANDMA GEORGINA Despicable!
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55 INT. GRANDPARENTS’ BEDROOM - DAY 55 GRANDPA GEORGE Well, it’s a good thing you’re going to a CHOCOLATE FACTORY, you ungrateful little...
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58 INT. THE GRANDPARENTS’ BEDROOM - DAY 58 Grandpa Joe is awake. The other three SNORE loudly. Seeing that the coast is clear, Grandpa Joe beckons Charlie to come here. Charlie tiptoes over and stands beside the bed. The old man
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60 EXT. FACTORY GATES - DUSK 60 Charlie stands motionless outside the Wonka gates. He takes deep, swallowing breaths as though he's trying to eat the smell itself. He gets a few odd looks from PASSERSBY, but doesn’t care.
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62 INT. SHOP - DUSK 62 Charlie lays the damp ten-dollar bill on the counter. CHARLIE One Wonka Whipple-Scrumptious Fudgemallow Delight, please.
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63 EXT. THE SHOP - DUSK 63 The shopkeeper kneels down and looks Charlie in the eye. SHOPKEEPER Don't let anybody have it! Take it straight home, before you lose it!
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67 INT. BEAUREGARDE LIVINGROOM - DAY [PAST] 67 Violet reads the ticket aloud to the REPORTERS. VIOLET I, Willy Wonka, will conduct you around the factory myself, showing
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72 EXT. FACTORY GATES - DAY 72 The sun shines brightly on the morning of the big day, but the ground is still white with snow and the air is very cold. POLICEMEN with arms linked try to hold back the enormous CROWDS of people who have gathered to watch the five lucky
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75 INT. FACTORY LOBBY - DAY 75 The lobby is completely empty, just as it’s been for decades. WONKA Yes, now. Throw your coats anywhere.
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76 INT. THE LONG HALL - DAY 76 Far away in the distance, from the heart of the great factory, comes a muffled ROAR of energy as though some monstrous gigantic machine were spinning its wheels at breakneck speed.
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77 INT. THE CHOCOLATE ROOM - DAY 77 We PULL BACK from stunned faces, young and old, as they overlook a quite amazing sight. Even jaded Mike Teavee has to admit this is incredible. In front of them stretches A LOVELY VALLEY.
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79 EXT. THE JUNGLES OF LOOMPALAND - DAY [PAST] 79 We PUSH THROUGH the absurdly dense forests of this sub- tropical wilderness. By the FEROCIOUS ANIMAL CALLS we hear, we know this is quite a dangerous place. Yet Willy Wonka himself is bravely hacking his way through
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82 INT. THE CHOCOLATE ROOM - DAY 82 In a meadow by the river, nine of the visitors listen to Wonka’s story. WONKA The cocoa bean happens to be the
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89 INT. THE RIVER DOCK - DAY 89 In the distance, a steamy fog rises up from the great warm chocolate river. Out of the mist appears a most fantastic pink boat. Built like a Viking ship of old, it looks to be made of
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90 EXT. PICKWICKET AVENUE - NIGHT [THIRTY YEARS AGO] 90 All along this street of narrow row houses, packs of CHILDREN in Halloween costumes go door-to-door. We focus on one group of GHOSTS, WITCHES and MONSTERS as they climb the steps up to a doorway. The littlest witch stands on tip-toes to reach
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96 INT. THE INVENTING ROOM - DAY 96 The place is like a witch's kitchen: black metal pots BOIL and BUBBLE on huge stoves, kettles HISS, pan SIZZLE, strange iron machines CLANK and SPUTTER. Wearing his inventing smock, Wonka hops through the saucepans
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100 INT. ANOTHER HALLWAY - DAY 100 Walking just as briskly as ever, Wonka leads the remaining party to a new section of the factory. He’s wearing another new outfit. There are doors every twenty feet or so along the corridor
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101 INT. SQUARE CANDY ROOM - DAY 101 Wonka leads the group up to a long table with rows and rows of small white square-shaped candies. The candies look very much like sugar cubes -- except that each of them has a funny little pink face painted on one side.
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102 INT. WONKA FAMILY LIVING ROOM - DAY [THIRTY YEARS AGO] 102 Still wearing his draconian headgear, Little Willy sweeps the ashes out of the fireplace, dumping them into a bucket. As he finishes, he notices a piece of silvery foil caught in the grate.
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110 INT. FACTORY HALLWAY - DAY 110 Wonka is back to his senses, leading the visitors around a new corner. WONKA These are all the additions and
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114 INT. THE GREAT GLASS ELEVATOR - DAY 114 The doors slide open, revealing what’s left of the visitors: Charlie and Grandpa Joe, Mike Teavee and his father, and Wonka himself. He’s fixing the cuffs on another new outfit. WONKA
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116 INT. CANDY CANE ROOM - DAY 116 This room is one of the busiest and NOISIEST we’ve entered, with dozens of Oompa-Loompa carrying racks of candy along various levels of platforms. Wonka leads the group out of the elevator. He walks
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117 INT. WONKA FAMILY LIVING ROOM - DAY [THIRTY YEARS AGO] 117 It was actually Dr. Wonka who said the line. We’ve entered in the middle of an argument between Little Willy and his father. (CONTINUED)
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124 INT. THE GREAT GLASS ELEVATOR - DAY 124 As the doors shut, Wonka reaches for a button high up on the glass ceiling of the elevator. Charlie and Grandpa Joe both crane their necks to read what is says on the little label beside the button.
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127 EXT. ABOVE THE FACTORY / THE TOWN - DAY 127 Sunshine pours through the glass roof. In five seconds, they are flying a thousand feet up in the sky, hovering over the factory and over the very town itself which lay spread out below them like a picture postcard.
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129 INT. THE ELEVATOR - DAY 129 Wonka turns to Charlie. WONKA Now, where did you live? CHARLIE
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A132 INT. FACTORY BARBER SHOP - DAY [PAST] A132 Wonka sits in a barber chair, doodling on a sketchpad while OOMPA-BARBER SNIPS away. (The barber is on a ladder.) Brushing the hair away as it falls on his paper, Wonka notices something strange.
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132 EXT. THE LITTLE HOUSE - [THE NEXT] DAY 132 Father and Mother are up on the roof, hammering new shingles in place. Charlie is on the ground, pulling nails from old boards to re-use. Most of the snow has melted. NARRATOR (V.O.)
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141 EXT. TRAIN STATION / SHOE SHINE BOOTH - DAY 141 Charlie finishes up ONE MAN’S shoes, taking his tip. CHARLIE Thank you. Charlie moves down to the next man waiting, who is already up
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142 EXT. A GIANT FIELD - DAY 142 Charlie and Wonka walk away from the glass elevator, which is parked in the middle of a vast meadow. They walk up to the only building in sight, a NARROW ROW HOUSE
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145 INT. THE LITTLE HOUSE - DUSK 145 Charlie and Wonka come in through the front door, shaking the snow off their jackets. The whole family is there, getting ready for dinner. CHARLIE

Charlie and The Choclate Factory

A kind-hearted boy from a poor family wins a golden ticket to tour the mysterious chocolate factory of the eccentric Willy Wonka, embarking on a fantastical adventure filled with wonder and temptation.

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Overview

Poster
Unique Selling Point

Step into a world of pure imagination, where the whimsical and wonderful collide in a vibrant tapestry of storytelling. "Charlie and the Chocolate Factory" captivates with its unique blend of fantastical adventure, heartwarming family moments, and thought-provoking themes that resonate with audiences of all ages. Experience the magic of Willy Wonka's chocolate paradise, where every twist and turn reveals a fresh perspective on the power of dreams, the value of kindness, and the importance of embracing the extraordinary. This captivating tale, infused with the author's distinct voice, transports readers to a realm where anything is possible and the boundaries of reality joyfully blur, leaving an unforgettable impression long after the final page is turned.

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Story Facts

Genres: Fantasy, Adventure, Family, Comedy, Drama, Musical

Setting: Present day, Wonka's chocolate factory and surrounding town

Themes: The Power of Imagination and Dreams, The Importance of Family, The Dangers of Greed and Selfishness, The Value of Hard Work and Determination, The Role of Mentorship and Guidance, The Importance of Empathy and Understanding

Conflict & Stakes: Charlie's quest to find a golden ticket and win a tour of the chocolate factory, and Wonka's search for an heir to his business.

Mood: Whimsical and lighthearted, with a touch of darkness and danger.

Standout Features:

  • Unique Hook: The film's unique and imaginative setting, which includes a chocolate river, a giant waterfall, and edible trees.
  • Plot Twist: The revelation that Willy Wonka is actually Charlie's father.
  • Distinctive Setting: The film's use of bright colors and夸张的服装设计
  • Innovative Ideas: The film's use of stop-motion animation to create the Oompa-Loompas.
  • Unique Characters: The film's memorable and eccentric characters, such as Willy Wonka, Grandpa Joe, and Augustus Gloop.
  • Genre Blend: The film's unique blend of fantasy, adventure, and comedy.

Comparable Scripts: Charlie and the Chocolate Factory (2005), Willy Wonka & the Chocolate Factory (1971), The BFG (2016), Matilda (1996), Alice in Wonderland (2010), The Wizard of Oz (1939), Hook (1991)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.20
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.