Black panther
Wakanda faces an imminent threat of war from Namor, and a group of military-types venture into the seas to find vibranium.
See other logline suggestionsOverview
Unique Selling Point
AI Verdict & Suggestions
This rating is from a single AI engine based on structure, character, tone, and emotional engagement.
Hover over verdict cards for Executive Summaries
Consider
Story Facts
Genres: Science, Fiction, Drama, Action, Thriller, Adventure, Sci-Fi, Superhero, Fantasy, espionage
Setting: Provide the time period, Provide the location
Themes: Death and Loss, Redemption, Technology, Betrayal, Family and Heritage, Responsibility, Culture Clash, Overcoming Adversity
Conflict & Stakes: Provide a summary of the primary conflicts and stakes in the story
Mood: Provide a description of the overall mood or tone of the screenplay
Standout Features:
- Unique Hook: Provide a description of the unique hook in the screenplay
- Major Twist: Provide a description of the major twist in the screenplay
- Distinctive Setting: Provide a description of the distinctive setting in the screenplay
- Innovative Idea: Provide a description of the innovative idea in the screenplay
- Unique Character: Provide a description of the unique character in the screenplay
- Genre Blend: Provide a description of the genre blend in the screenplay
Comparable Scripts: Black Panther, Iron Man 3, Aquaman, Avengers: Age of Ultron, Wonder Woman 1984, Avatar, The Lion King, Batman Begins
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Pass / Consider / Recommend Analysis
Gemini
Executive Summary
- Strong and complex female characters who drive the narrative and exhibit a range of emotions and motivations. high ( Scene general )
- Exploration of relevant themes such as grief, legacy, isolationism vs. globalization, and the consequences of colonialism. high ( Scene general )
- Namor's backstory is compelling and provides a strong foundation for his motivations and conflict with Wakanda. high ( Scene 114-116 )
- The action sequences are well-choreographed and visually engaging, showcasing the unique abilities of both the Wakandans and the Talocanil. medium ( Scene general )
- Shuri's internal conflict and journey as she grapples with grief, anger, and the responsibility of the Black Panther mantle is emotionally resonant. high ( Scene 51, 222 )
- The pacing is uneven, with some scenes feeling rushed and others dragging, particularly in the second act. medium ( Scene general )
- Riri Williams, while having potential, feels underdeveloped and her motivations for helping Wakanda could be explored further. medium ( Scene general )
- The political landscape of Wakanda after T'Challa's death and the power dynamics within the Tribal Council could be explored in more depth. low ( Scene general )
- The resolution of the conflict between Wakanda and Talocan feels somewhat abrupt and could benefit from a more nuanced exploration of the long-term implications of their alliance. medium ( Scene general )
- The portrayal of the Talocanil, while visually striking, could benefit from further exploration of their culture and individual characters beyond Namor and Namora. low ( Scene general )
- Further exploration of the emotional impact of Ramonda's death on Shuri and the other characters. high ( Scene general )
- More scenes showcasing the daily lives and culture of the Talocanil to deepen audience understanding of their society. low ( Scene general )
- A deeper dive into the moral and ethical implications of using vibranium as a weapon and the potential consequences of its global proliferation. medium ( Scene general )
- The revelation of M'Baku's promise to T'Challa to protect and advise Shuri adds depth to his character and their relationship. medium ( Scene 208 )
- The use of technology and innovation by both Wakanda and Talocan is a significant element that drives the plot and action sequences. high ( Scene general )
- Okoye's decision to leave the Dora Milaje and forge her own path is a powerful moment of character development. medium ( Scene 306 )
- The revelation of T'Challa's son and his connection to both Wakanda and Haiti adds an intriguing layer to the story's conclusion and potential future narratives. high ( Scene 306 )
Screenplay Insights:
Characters: 7.8, The screenplay effectively utilizes character development to drive the narrative and create emotional engagement. Characters undergo significant transformations, and their motivations and conflicts are well-explored. However, there is room for refinement in enhancing character complexity and ensuring consistent character growth throughout the story. See More
Premise: 7.6, The screenplay presents a compelling premise that sets up an intriguing conflict between Wakanda and Talocan, driven by the characters' motivations and the search for vibranium. However, it could benefit from further refining the narrative to enhance its clarity and audience engagement, particularly in the execution and depth of the conflict resolution. See More
Structure: 8.3, The screenplay exhibits a sturdy narrative structure and effectively balances its multiple plotlines, showcasing the clash between Wakanda and Talocan, while exploring themes of grief, legacy, and the responsibility of leadership. The screenplay deftly handles the task of balancing character arcs with the advancement of the central conflict, resulting in a compelling and engaging storyline. While the pacing remains steady throughout, there are moments where the plot could benefit from refinement to elevate the tension and emotional impact. See More
Theme: 8.3, The screenplay adeptly explores themes of identity, legacy, and the clash between tradition and progress through its well-developed characters and engaging narrative. While some areas could be refined to enhance thematic depth, the screenplay holds promise for delivering a thought-provoking and emotionally resonant experience. See More
Visual Impact: 7.8, "Black Panther: Wakanda Forever" presents a richly imagined and visually captivating cinematic experience. The screenplay's imagery is characterized by its vivid and evocative descriptions of the vibrant Afro-futuristic world of Wakanda and its captivating underwater counterpart, Talocan. See More
Emotional Impact: 7.9, The screenplay elicits a range of emotions, with its strengths lying in the depth of emotional responses it evokes. However, there are opportunities to enhance the emotional depth and resonance by delving deeper into the characters' internal conflicts and exploring their motivations and backstories. See More
Conflict: 7.4, The screenplay effectively presents conflict and stakes, although there are areas where they could be further enhanced to deepen tension and elevate audience engagement. The central conflict between Wakanda and Talocan is clear and compelling, with personal stakes that drive the characters' actions and decisions. However, some subplots lack the same level of significance and integration, potentially diluting the overall impact of the conflict. See More
Originality: 8.2, The screenplay displays an impressive level of originality and creativity in its blend of Afro-futuristic elements with a superhero narrative. The film's focus on Wakanda's distinct culture, its seamless integration of mythology, technology, and action sequences sets it apart from typical superhero films. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
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Character Shuri
Description Shuri's character arc shows inconsistency. Initially, she is portrayed as a tech-focused individual who dismisses tradition and spirituality. However, after T'Challa's death, she becomes more open to rituals and even attempts to recreate the Heart-Shaped Herb. This shift seems abrupt and not fully justified by the narrative.
( Scene 1 Scene 2 Scene 9 Scene 50 ) -
Character Okoye
Description Okoye's fierce loyalty and dedication to the throne seem to waver after being stripped of her rank. Her willingness to disobey the Queen's orders and assist Shuri appears out of character for someone who previously upheld tradition and authority with unwavering commitment.
( Scene 50 Scene 96 ) -
Character M’Baku
Description M’Baku's initial aggression and desire for war with Namor change after learning about the Talocanil's history and potential godlike status. His sudden advocacy for peace and understanding seems inconsistent with his previous warlike demeanor.
( Scene 50 Scene 224 )
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Description The discovery of vibranium outside Wakanda contradicts established lore and raises questions about the origins and properties of the metal. This inconsistency challenges the previously established uniqueness of Wakanda's vibranium source.
( Scene 11 ) -
Description The Talocanil's ability to control marine life and their advanced underwater technology seem incongruous with their isolation and lack of interaction with the surface world. The source of their knowledge and technological advancements remains unexplained.
( Scene 16 )
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Description The attack on the Mali Outreach Center and the subsequent evidence linking it to the French government seem contrived and serve as a convenient plot device to raise tensions and justify Wakanda's isolationist stance.
( Scene 5 ) -
Description The sudden appearance of the downed surveillance aircraft and its convenient role in clearing a path for Shuri and Okoye's escape feel like a Deus ex machina, an unlikely event that resolves a seemingly impossible situation.
( Scene 91 )
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Description The casual and humorous tone of some of Shuri and Riri's dialogue, particularly during tense situations, can feel out of place and detract from the seriousness of the threats they face.
( Scene 9 Scene 53 (C53) )
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Element Chase sequences
( Scene 53 Scene 16 )
Suggestion The multiple chase sequences, while exciting, could be streamlined to maintain narrative momentum and avoid repetition. Consider combining elements or focusing on the unique aspects of each chase. -
Element Wakanda's isolationist stance
( Scene 6 Scene 50 )
Suggestion The repeated justifications for Wakanda's isolationist policy could be consolidated to avoid redundancy. Explore alternative ways to convey this information, such as through character interactions or subtle world-building details.
Shuri - Score: 86/100
Role
Protagonist
Character Analysis Overview
Okoye - Score: 84/100
Role
Protagonist
Character Analysis Overview
Ramonda - Score: 81/100
Character Analysis Overview
Namor - Score: 84/100
Role
Antagonist
Character Analysis Overview
Riri - Score: 81/100
Character Analysis Overview
Nakia - Score: 82/100
Role
Protagonist
Character Analysis Overview
Aneka - Score: 64/100
Character Analysis Overview
Ross - Score: 70/100
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation |
|---|---|---|
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Death and Loss
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King T'Challa's death, mourning, and grieving are prominent throughout the screenplay.
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The theme of death and loss is about coming to terms with the loss of loved ones and accepting the inevitability of death, coping with grief, and moving on. |
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Redemption
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Aneka seeks redemption after her past actions, and Namor offers it to her.
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The theme of redemption deals with the idea of making amends for past misdeeds and finding a way to make up for past mistakes. |
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Technology
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Shuri's development of new technology and the creation of a new Black Panther are central to the plot of the screenplay.
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The theme of technology is about innovation, scientific progress, and the impact of technology on society. |
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Betrayal
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Ross's ties to Wakanda are revealed, and he is placed under arrest. Namor violates an agreement and is held accountable.
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The theme of betrayal explores the idea of trust and loyalty and the consequences of breaking them. |
|
Family and Heritage
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Shuri and Nakia's relationship with Toussaint and the revelation of his identity as Prince T'Challa are significant to the plot.
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The theme of family and heritage deals with the importance of relationships with family and cultural heritage, including traditions, customs, and ancestry. |
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Responsibility
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Shuri assumes the responsibility of developing new technology, creating a new Black Panther, and leading an attack on Namor.
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The theme of responsibility explores the ethical and moral obligations that come with power, leadership, and authority. |
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Culture Clash
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Multiple instances of tension arise between different cultures: Wakandan, American, Haitian, Mayan, and Atlantean.
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The theme of culture clash deals with the clashes that occur between different cultures as a result of misunderstandings or differences in values, beliefs, or customs. |
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Overcoming Adversity
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The characters face multiple obstacles and challenges, including the death of a loved one, hostage situations, betrayal, and attacks on their city.
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The theme of overcoming adversity is about persevering through difficult circumstances and coming out stronger on the other side. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
| 1 - Last Chance | "Urgent" | 9 | 9 | 9 | 8 | 8 | 9 | 11 | 10 | 10 | 7 | ||
| 2 - T'Challa's Funeral | "somber" | 7 | 6 | 7 | 7 | 5 | 6 | 6 | 6 | 7 | 6 | ||
| 3 - UN Ambush | "Tense" | 8 | 8 | 7 | 8 | 6 | 9 | 9 | 8 | 7 | 8 | ||
| 4 - Hostage Crisis and Diplomatic Tensions | "Intense" | 9 | 8 | 9 | 9 | 7 | 10 | 10 | 10 | 8 | 8 | ||
| 5 - Deep-Sea Disaster | "intense" | 9 | 8 | 9 | 7 | 4 | 10 | 10 | 9 | 9 | 6 | ||
| 6 - Talocanil Invasion at Sea | "intense" | 7 | 6 | 8 | 7 | 4 | 9 | 10 | 9 | 8 | 6 | ||
| 7 - Attacks and Explosions | "Tense" | 8 | 9 | 8 | 7 | 4 | 9 | 10 | 9 | 7 | 6 | ||
| 8 - Shuri and Ramonda's Conversation | "Tense" | 9 | 9 | 8 | 10 | 4 | 6 | 4 | 7 | 8 | 9 | ||
| 9 - Grief and Rituals | "Emotional" | 9 | 8 | 7 | 10 | 8 | 7 | 7 | 8 | 10 | 9 | ||
| 10 - Namor Brings a Threat to Wakanda | "Tense" | 9 | 8 | 9 | 9 | 6 | 10 | 10 | 9 | 7 | 8 | ||
| 11 - Tribal Council Meeting | "Serious" | 9 | 9 | 10 | 9 | 5 | 8 | 10 | 8 | 7 | 9 | ||
| 12 - The Vibranium Detector | "Serious" | 7 | 8 | 7 | 7 | 4 | 6 | 6 | 7 | 5 | 7 | ||
| 13 - Finding the Scientist | "Tense" | 8 | 9 | 9 | 7 | 6 | 8 | 7 | 9 | 6 | 8 | ||
| 14 - Riri's Garage Raid | "Tense" | 9 | 8 | 9 | 8 | 7 | 10 | 10 | 9 | 7 | 9 | ||
| 15 - Escape from Riri's Garage | "Tense" | 9 | 8 | 9 | 8 | 6 | 9 | 10 | 9 | 6 | 7 | ||
| 16 - Escape from Cambridge | "intense" | 9 | 8 | 9 | 8 | 5 | 10 | 10 | 9 | 7 | 7 | ||
| 17 - Escape from Cambridge | "Intense" | 8 | 7 | 8 | 8 | 5 | 9 | 10 | 9 | 6 | 6 | ||
| 18 - High-Flying Rescue | "Intense" | 9 | 8 | 9 | 9 | 7 | 9 | 10 | 9 | 8 | 7 | ||
| 19 - Bridge Battle | "Intense" | 9 | 8 | 9 | 10 | 8 | 10 | 11 | 9 | 9 | 7 | ||
| 20 - Escape from Cambridge | "intense" | 8 | 9 | 8 | 8 | 7 | 10 | 10 | 9 | 8 | 7 | ||
| 21 - Okoye Loses Everything | "tense" | 8 | 8 | 9 | 7 | 8 | 9 | 10 | 9 | 10 | 9 | ||
| 22 - In Pursuit of Wakandans | "tense" | 8 | 8 | 9 | 8 | 6 | 9 | 9 | 8 | 6 | 8 | ||
| 23 - Rescue Mission | "tense" | 8 | 8 | 8 | 7 | 5 | 7 | 9 | 9 | 6 | 8 | ||
| 24 - Ramonda's Ultimatum | "intense" | 9 | 8 | 9 | 9 | 7 | 10 | 11 | 9 | 9 | 8 | ||
| 25 - untitled | null | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | ||
| 26 - Captives and Culture | "Tense" | 8 | 8 | 7 | 8 | 6 | 9 | 8 | 7 | 7 | 7 | ||
| 27 - Namor's Custody | "Tense" | 7 | 8 | 8 | 6 | 5 | 7 | 6 | 7 | 5 | 6 | ||
| 28 - Namor's Origin Story | "Serious" | 8 | 9 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | ||
| 29 - Namor's Duty | "Serious" | 8 | 9 | 8 | 8 | 6 | 7 | 9 | 8 | 7 | 9 | ||
| 30 - Revelations in Talocan | "Hopeful" | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 8 | 9 | 7 | ||
| 31 - Infiltrating the NSA Facility | "Suspenseful" | 8 | 7 | 8 | 7 | 2 | 9 | 9 | 8 | 5 | 7 | ||
| 32 - Retrieving the Thumb Drive | "Suspenseful" | 7 | 6 | 7 | 7 | 3 | 5 | 6 | 7 | 4 | 6 | ||
| 33 - Mission to Talocan | "intrigue" | 8 | 7 | 8 | 7 | 4 | 6 | 6 | 8 | 5 | 7 | ||
| 34 - Alliances and Ultimatums | "Serious" | 8 | 9 | 8 | 8 | 7 | 9 | 10 | 8 | 7 | 8 | ||
| 35 - Escape from the Talocanil Cave | "Tense" | 9 | 8 | 9 | 9 | 7 | 10 | 10 | 9 | 8 | 8 | ||
| 36 - Return to Wakanda | "Tense" | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 9 | 7 | 7 | ||
| 37 - Namor's Betrayal | "Tense" | 9 | 9 | 9 | 8 | 7 | 10 | 11 | 10 | 8 | 9 | ||
| 38 - Threats and Escapes | "Tense" | 9 | 8 | 9 | 8 | 7 | 9 | 10 | 9 | 8 | 8 | ||
| 39 - Under Attack | "tense" | 9 | 8 | 9 | 9 | 8 | 10 | 10 | 9 | 8 | 9 | ||
| 40 - Attack on the Golden City | "Tense" | 9 | 8 | 9 | 8 | 6 | 10 | 10 | 9 | 8 | 7 | ||
| 41 - Under Attack | "Tense" | 8 | 7 | 9 | 7 | 6 | 9 | 10 | 8 | 6 | 6 | ||
| 42 - Namor Attacks | "Intense" | 9 | 8 | 9 | 9 | 6 | 10 | 10 | 9 | 8 | 7 | ||
| 43 - Namor Attacks | "Tense" | 8 | 10 | 8 | 7 | 6 | 10 | 10 | 9 | 7 | 6 | ||
| 44 - Shuri's Grief | "emotional" | 8 | 7 | 8 | 9 | 9 | 7 | 7 | 6 | 10 | 8 | ||
| 45 - Mourning and Decision Making | "Somber" | 8 | 7 | 8 | 9 | 7 | 6 | 5 | 6 | 9 | 7 | ||
| 46 - Tribal Council Meeting and Okoye's Offer | "Serious" | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 8 | ||
| 47 - Shuri's Call with Ross | "serious" | 8 | 8 | 9 | 8 | 6 | 7 | 8 | 8 | 7 | 8 | ||
| 48 - Building A Plan | "serious" | 8 | 8 | 9 | 8 | 7 | 9 | 9 | 8 | 7 | 8 | ||
| 49 - Shuri's Revenge Plan | "Intense" | 9 | 8 | 9 | 9 | 7 | 8 | 9 | 9 | 8 | 8 | ||
| 50 - The Heart-Shaped Herb | "Serious" | 9 | 8 | 9 | 9 | 7 | 7 | 9 | 8 | 8 | 8 | ||
| 51 - Revelation in the Ancestral Plane | "Tense" | 9 | 8 | 9 | 10 | 8 | 10 | 10 | 9 | 9 | 9 | ||
| 52 - The Return of the Black Panther | "Intense" | 9 | 8 | 9 | 10 | 7 | 7 | 7 | 9 | 8 | 9 | ||
| 53 - The Plan to Fight Namor | "serious" | 9 | 8 | 8 | 9 | 8 | 9 | 10 | 9 | 9 | 9 | ||
| 54 - Pre-Battle Preparations | "Serious" | 8 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 7 | 8 | ||
| 55 - The Battle with Namor | "Tense" | 9 | 8 | 9 | 9 | 6 | 10 | 10 | 9 | 7 | 8 | ||
| 56 - The Black Panther vs. Namor | "Intense" | 9 | 8 | 9 | 9 | 7 | 10 | 10 | 9 | 7 | 8 | ||
| 57 - Ambush and Capture of Namor | "Intense" | 8 | 9 | 8 | 7 | 6 | 9 | 10 | 8 | 6 | 7 | ||
| 58 - Midnight Angels Strike Back | "Tense" | 8 | 7 | 8 | 7 | 5 | 8 | 10 | 9 | 6 | 6 | ||
| 59 - The Battle For Survival | "intense" | 9 | 8 | 9 | 10 | 6 | 10 | 10 | 8 | 8 | 7 | ||
| 60 - The Battle for Wakanda | "Intense" | 9 | 9 | 9 | 9 | 9 | 10 | 10 | 9 | 10 | 8 | ||
| 61 - Confrontation and Yield | "tense" | 9 | 8 | 9 | 9 | 7 | 10 | 10 | 9 | 8 | 8 | ||
| 62 - Val confronts Ross | "Tense" | 9 | 8 | 9 | 9 | 7 | 9 | 10 | 9 | 8 | 10 | ||
| 63 - Van Attack and Namor's Lair | "Intense" | 9 | 8 | 9 | 8 | 6 | 10 | 9 | 9 | 8 | 7 | ||
| 64 - Repentance and Redemption | "Reflective" | 7 | 8 | 6 | 8 | 7 | 5 | 4 | 6 | 6 | 8 | ||
| 65 - The Throne Challenge | "Tense" | 8 | 8 | 7 | 8 | 3 | 9 | 7 | 6 | 6 | 7 | ||
| 66 - Farewell and New Beginnings | "emotional" | 9 | 8 | 7 | 9 | 8 | 5 | 4 | 7 | 10 | 8 | ||
| 67 - Family Secrets Revealed | "Emotional" | 9 | 7 | 6 | 9 | 7 | 2 | 3 | 5 | 10 | 8 | ||
Scene 1 - Last Chance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - T'Challa's Funeral
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - UN Ambush
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Hostage Crisis and Diplomatic Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Deep-Sea Disaster
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Talocanil Invasion at Sea
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Attacks and Explosions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Shuri and Ramonda's Conversation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Grief and Rituals
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Namor Brings a Threat to Wakanda
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Tribal Council Meeting
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - The Vibranium Detector
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Finding the Scientist
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Riri's Garage Raid
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Escape from Riri's Garage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Escape from Cambridge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Escape from Cambridge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - High-Flying Rescue
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Bridge Battle
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Escape from Cambridge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Okoye Loses Everything
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - In Pursuit of Wakandans
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Rescue Mission
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Ramonda's Ultimatum
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 -
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Captives and Culture
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Namor's Custody
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Namor's Origin Story
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Namor's Duty
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Revelations in Talocan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Infiltrating the NSA Facility
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Retrieving the Thumb Drive
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Mission to Talocan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Alliances and Ultimatums
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Escape from the Talocanil Cave
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Return to Wakanda
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Namor's Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Threats and Escapes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Under Attack
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Attack on the Golden City
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Under Attack
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Namor Attacks
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 43 - Namor Attacks
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 44 - Shuri's Grief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 45 - Mourning and Decision Making
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 46 - Tribal Council Meeting and Okoye's Offer
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 47 - Shuri's Call with Ross
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 48 - Building A Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 49 - Shuri's Revenge Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 50 - The Heart-Shaped Herb
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 51 - Revelation in the Ancestral Plane
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 52 - The Return of the Black Panther
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 53 - The Plan to Fight Namor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 54 - Pre-Battle Preparations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 55 - The Battle with Namor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 56 - The Black Panther vs. Namor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 57 - Ambush and Capture of Namor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 58 - Midnight Angels Strike Back
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 59 - The Battle For Survival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 60 - The Battle for Wakanda
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 61 - Confrontation and Yield
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 62 - Val confronts Ross
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 63 - Van Attack and Namor's Lair
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 64 - Repentance and Redemption
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 65 - The Throne Challenge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 66 - Farewell and New Beginnings
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 67 - Family Secrets Revealed
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Death of a Main Character | King T'Challa dies, leaving a void in Wakanda that needs to be filled | One of the most common tropes in screenwriting where a beloved character dies, which creates a sense of loss and emotional turmoil in the audience. This trope has been used in multiple movies and TV shows including Game of Thrones where multiple main characters die throughout the series. |
| Hostage Situation | Mercenaries take the Mali Outreach Center hostage, demanding access to vibranium | A plot device where a group of people are held hostage, creating a sense of urgency and danger. This trope is commonly used in crime and action thrillers, one example of which would be Die Hard where John McClane battles a group of terrorists who have taken hostages in a building |
| Secret Organization/Conspiracy | The government is suspicious of Wakanda's technology and wants to investigate it | A plot device that involves a secret organization or conspiracy, which usually works behind the scenes and operates outside the law. This trope has been used in multiple movies and TV shows including the Bourne series where the main character tries to uncover a conspiracy within the CIA. |
| Redemption Arc | Namor offers Aneka redemption | A character who initially starts off as a villain but later redeems themselves by performing a heroic act or by working to make things right. This trope is commonly used in superhero movies and TV shows, one example of which would be Loki, who starts as a villain in the Marvel Cinematic Universe but later redeems himself. |
| Revenge Plot | Shuri contemplates revenge against Namor | A plot device that involves a character seeking revenge against someone who has wronged them. This trope has been used in multiple movies and TV shows including Kill Bill where the main character seeks revenge against the people who wronged her. |
| Chosen One | Shuri and her team work on developing a new Black Panther successor | A plot device where a character is chosen to fulfill a specific destiny or mission. This trope is commonly used in fantasy and sci-fi movies and TV shows, one example of which would be Harry Potter where he is chosen to defeat Voldemort and save the wizarding world. |
| Family Reunion | Shuri meets her nephew, Prince T'Challa, and forms an emotional connection with him | A plot device where family members who have been separated from each other for a long time are reunited. This trope is commonly used in dramas and comedies, one example of which would be the movie Coco where a boy is reunited with his deceased family members during the Day of the Dead festival. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 52 | M'Baku: THE BLACK PANTHER LIVES!!!! |
| 56 | Shuri: I am the spirit of a murdered queen, the wrath of a wounded nation, I am the Black Panther! And I am here for retribution. |
| 37 | Namor: We will match bloodshed with bloodshed. |
| 24 | Namor: If you try to find us...I will kill the Princess, and then I will come to Wakanda and kill you. Do you understand? |
| 5 | Dr. Graham: We lost them! GODDAMN IT. |
Some Loglines to consider:
| Array ( [0] => Wakanda faces an imminent threat of war from Namor, and a group of military-types venture into the seas to find vibranium. [1] => Queen Ramonda takes the reins of Wakanda's vibranium policy while defending against a mercenary attack on a Mali outreach center. [2] => Shuri becomes the Black Panther again and strategizes to weaken Namor through dehydration, leading to his capture. [3] => A tragedy strikes as Wakandan forces foil attacks to safeguard their vibranium mines and the kingdom. [4] => Ross is taken into custody as Shuri nostalgically remembers T'Challa while bidding Okoye farewell. ) |
| After the death of her brother, Princess Shuri must confront a powerful underwater civilization and its leader, Namor, who threatens Wakanda and the world. |
| Grieving the loss of her family, Shuri grapples with her identity and the legacy of the Black Panther as she faces a new enemy with access to vibranium. |
| Wakanda's isolationist policies are challenged when an underwater nation emerges, forcing Shuri to decide between tradition and global engagement. |
| A young MIT student's invention leads to a clash between Wakanda and a hidden underwater civilization, forcing Shuri to become the Black Panther and protect her nation. |
| Shuri must overcome her grief and embrace the mantle of the Black Panther to prevent a devastating war between Wakanda and the underwater kingdom of Talocan. |
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