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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. CARIBBEAN SEA - DAY A gray, impenetrable wall of fog. From somewhere comes the FAINT SOUND of a LITTLE GIRL'S VOICE, singing, slow tempo, almost under her breath: YOUNG ELIZABETH (O.S.)
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INT. GOVERNOR'S MANSION - ELIZABETH'S BEDROOM -- and then snap open again, startled wide with fear. But this is no longer twelve-year-old Elizabeth on the stern of the Dauntless; this is twenty-year-old Elizabeth, lying in bed in the dark.
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INT. GOVERNOR'S MANSION - FOYER - DAY The caller, dressed in rough clothing, stands in the foyer, looking very out of place, and knowing it. He holds a long presentation case. He polishes the toes of his boots on the back of his calves, but it doesn't help.
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EXT. GOVERNOR'S MANSION - DAY Swann follows Elizabeth out the door. WILL Good day. He watches as she is helped aboard a carriage by the driver.
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EXT. PORT ROYAL - DOCKS - DAY Smoothly and with no wasted movement, Jack hauls down the sail, stows it, guides the dory alongside a dock. The HARBORMASTER, a long ledger tucked under his arm, is there to catch the line and help Jack tie up.
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EXT. PORT ROYAL - NAVY DOCK - DAY Two sailors on sentry duty, MURTOGG and MULLROY, take advantage of what little shade there is on the dock. But when Jack saunters up, they are immediately on alert. MURTOGG
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EXT. FORT CHARLES - DAY Elizabeth, pale and perspiring, fans herself weakly, oblivious to the music and chatter. NORRINGTON May I have a moment?
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EXT. PORT ROYAL - NAVY DOCKS - DAY Jack reacts, pushes Murtogg aside to see -- Elizabeth plummets from the top of the cliff. It seems to take her a long to reach the sea -- Elizabeth hits the water, narrowly missing the sharp rocks.
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EXT. PORT ROYAL - OCEAN - DAY UNDERWATER: the medallion hangs below Elizabeth's unmoving form -- and then Jack is there. He wraps an arm around her and makes for the surface. ON THE SURFACE,
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EXT. PORT ROYAL - TOWN - ALLEY - DAY The fog creeps through, casting an eerie twilight pall. An armed search party moves along the street. They glance down an alley -- On the far side is another search party. The men nod to each
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EXT. PORT ROYAL - NIGHT The thick fog blankets the entire bay now, and the town. The only structure visible is Fort Charles, high on the bluff, like a tall ship sailing a sea of grey. Above the Fort is a clear black sky sprinkled with stars. A
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EXT. FORT CHARLES - PARAPETS - NIGHT A noose hangs from a gallows in the courtyard. Norrington and Swann walk along the far wall. SWANN Has my daughter given you an answer
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INT. GOVERNOR'S MANSION - ELIZABETH'S BEDROOM - NIGHT Elizabeth looks out a window at the scene below: even through the fog, multiple fires are visible, and ships burn in the harbor. Shouts and cries of pain. Cannon fire ECHOES. She notices movement directly below her window: two SHADOWY
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INT. DINING ROOM - NIGHT Elizabeth slams the double doors shut, throws the bolts. The interior shutters are closed over the windows. Above the fireplace are two crossed swords. Elizabeth climbs on the firebox; she grabs one of the swords
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INT. KITCHEN - NIGHT >From behind the door of the dumbwaiter comes a CRASH, and a cloud of dust. The door slides open, and Elizabeth clambers out. Her head is cut, she is streaked with dirt, and can barely stand. She leans over the table, trying to recover.
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INT. FORT CHARLES - CELL BLOCK - NIGHT The wall of the cells EXPLODES inward. Jack pulls himself out from under the rubble. Moonlight spills in through the gaping hole created by the cannon ball. Beyond it: freedom. But it is centered on the other cell. The part of Jack's
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EXT. PORT ROYAL - NIGHT Amid the thunder of cannon fire, a longboat slips through the fog. Elizabeth sits in the prow. Columns of water from the cannon balls geyser up around the boat. The fog parts. Elizabeth looks up to see --
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EXT. PORT ROYAL - HARBOR - PRE-DAWN As the Black Pearl turns out to sea, Elizabeth is led back along the deck to the captain's cabin. The fog starts to dissipate, turning to light mist; through it, the Black Pearl makes for the scarlet glow of dawn.
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INT. FORT CHARLES - JAIL CELLS - MORNING Jack strains, trying to budge one of the bars. Even with the damage from the cannon ball, it won't move. He hears the sound of the door latch -- The door opens, and Will slips in. Looks around. Jack
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EXT. PORT ROYAL - DOCKS - MORNING The Jolly Mon, four inches of water in the bottom, squats low in the water, heeled to one side, creeking on its lines. JACK (O.S.) Ah, now there's a lovely sight!
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EXT. PORT ROYAL - MORNING The Jolly Mon bobs its way across the bay, dwarfed against the H.M.S. Dauntless. Will holds a stay line with iron fists. WILL
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EXT. DAUNTLESS - STERN - MORNING Sailors make their way down a rope ladder, crowd onto the Jolly Mon. Will pushes hard against the windlass, to no avail ... the anchor is too heavy for one man. Jack notices. JACK
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EXT. PORT ROYAL - DOCK - DAY Norrington moves along, concentrating on a manifest. Alongside him is Governor Swann, who glances over -- Sees the tiny Jolly Mon headed toward them, riding low in the water, overloaded with sailors. Beyond that, the
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EXT. H.M.S. DAUNTLESS - DAY Out in the open sea, Jack leans on the wheel, relaxed; not much sailing to do with a following wind. Will looks back -- WILL They're coming!
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EXT. H.M.S. DAUNTLESS - DAY Norrington emerges from a gangway -- and sees his other ship moving away. NORRINGTON Sailors! Back to the Interceptor!
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EXT. CARIBBEAN SEA - EVENING -- with the fat white moon riding just above the horizon. Suddenly, the edge of a black sail cuts into the foreground, accompanied by the ROAR of the wind and the SNAP of canvas -- INT. BLACK PEARL - CAPTAIN'S CABIN - EVENING
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EXT. BLACK PEARL - MAIN DECK - NIGHT -- Elizabeth comes to a dead stop. She stares, her jaw working, trying to scream but unable to -- The pirate crew works at their stations, coiling lines, navigating the ship, swabbing decks -- but where the
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EXT. INTERCEPTOR - MAIN DECK - DAY Will sharpens his sword with a whetstone: shhhk -- shhhk ... JACK For a man whose made an industry of avoiding boats, you're a quick
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EXT. TORTUGA - DAY A dank and dirty port, where the tides seem to have swept together the sum of the Caribbean -- pirates, privateers, prostitutes, theives, and drunkards. With its cantered, rotting docks, weatherbeaten buildings,
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EXT. FAITHFUL BRIDE - REAR - DAY A drunken man lays in the mud, having a friendly conversation with two pigs. He wears an old tattered Navy jacket. A sudden SPRAY OF WATER splashes across his face, revealing:
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EXT. TORTUGA - DOCK - LATER - DAY On the docks, a disheveled, motley and weather-beaten group of about a dozen swabs stand in a ragged line-up. GIBBS Feast your eyes, Cap'n. All of 'em
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INT. BLACK PEARL - CAPTAIN'S CABIN - DAY The sound of RAIN pounds down on the deck above -- then suddenly stops. Elizabeth moves to the stern windows, looks out at the rolling sea below -- no escape there. She hears the sound of a VOICE calling, gazes up, wondering -
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EXT. CARIBBEAN SEA - DAY The Interceptor, on open waters, glorious, her white sails set wing-to-wing. EXT. H.M.S. INTERCEPTOR - DAY CLOSE ON: Jack's compass, cradled in both hands. Jack leans
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EXT. ISLA DE MUERTA - CAVE ENTRANCE - EVENING On Barbossa, face upturned. No expression in his eyes. Around him a group of pirates, Elizabeth among them, stand as still as stones, in front of a dark cave opening. Their faces look upward, their total lack of movement
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INT. CAVES - UNDERWATER LAGOON - NIGHT -- the longboat takes a harrowing drop over a short waterfall ... but then lands safely in a gorgeous underwater lagoon, floats lazily toward a sandy shore. JACK
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INT. ISLA DE MUERTA - SMALL CAVERN - NIGHT Behind them, loose coins from their slide come down in an avalanche, sealing the entrance. Elizabeth jumps up, silver platter in hand, ready to swing -- Jack catches her before she can do any damage. They
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INT. ISLA DE MUERTA - NIGHT The three climb up a dark crevasse that leads out onto the island. Will takes Elizabeth's hand, helps her. WILL I'm glad we got here in time.
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EXT. ISLA DE MUERTA - NIGHT Jack stands before Barbossa, surrounded by pirates. Jack has a wide smile on his face -- and Barbossa doesn't like it. BARBOSSA I'm inclined to kill you now, Jack
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EXT. INTERCEPTOR - DAY At full sail, headed out to sea. Gibbs glances at Elizabeth and Will, talking alone on the forecastle -- shakes his head. GIBBS
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EXT. CARIBBEAN OCEAN - DAY Miles of blue water. The Interceptor tacks, leaving a long white wake. The Black Pearl matches it -- gaining. EXT. BLACK PEARL - DAY Barbossa and Pintel eye the Interceptor, two hounds chasing
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INT. BLACK PEARL - BRIG - DAY Jack sees what he can out the porthole. In the cell with him is Twigg, acting as a guard. JACK Don't hit my ship! I mean, kill
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EXT. BLACK PEARL - MAIN DECK - DAY The top masts of the H.M.S. Interceptor sink into the smooth crystal waters of the Caribbean -- -- as Will and Elizabeth, held by pirates, are brought before Barbossa -- and see that Jack stands beside him,
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EXT. CARIBBEAN SEA - DAY The Black Pearl lies at anchor, closer now to the islet. EXT. BLACK PEARL - MAIN DECK - DAY Jack, wrists still bound, stands in the classic 'walking the plank' pose. Elizabeth is next in line. Pirates crowd the
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EXT. ISLET - BEACH - DAY CLOSE ON: The surf line. Elizabeth's feet leave prints in the sand ... and then meet up with matching footprints she made earlier, going in the same direction. She has walked all the way around the island.
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EXT. ISLET - BEACH - LATER - NIGHT The middle of the night. A fire BLAZES. Jack and Elizabeth are roaring drunk, arm in arm, singing the song all the way up to the stars -- JACK/ELIZABETH
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EXT. ISLET - BEACH - MORNING CLOSE ON -- JACK'S FACE, dead asleep, lying in the sunlight. His nose twitches. A bit of SMOKE drifts by. His nose twitches again. His eyes open. Jack GROANS and sits up. He rubs his head, looks over --
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EXT. H.M.S. DAUNTLESS - MAIN DECK - DAY Norrington gives Elizabeth a hand disembarking from the raised longboat. NORRINGTON Elizabeth, I'm relieved you're
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INT. THE BLACK PEARL - BRIG - DAY Pintel enters the cell. It appears empty -- but that's because Will is hanging from the rafters, trying to shove up the ceiling planks with his legs. PINTEL
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EXT. H.M.S. DAUNTLESS - MAIN DECK - EVENING Jack goes to the rail and waits, pretending to look out at the sea. Elizabeth, dressed in sailor's clothes to excellent effect, joins him. ELIZABETH
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EXT. ISLA DE MUERTA - CAVE ENTRANCE - EVENING Torches are lit. Barbossa leads Will, guarded by Pintel and a band of pirates, into the caves. INT. H.M.S. DAUNTLESS - MAIN DECK - NIGHT A longboat is prepared to be lowered over the side. Jack
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INT. DAUNTLESS - CAPTAIN'S QUARTERS - NIGHT Elizabeth looks out the Captain's small porthole -- sees boats laden with Navy men headed for shore. She turns away from the porthole, wishing there was something she could do. Suddenly there is a flutter at the
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INT. CAVES - NIGHT Jack leads Will out of a narrow passage -- and stops, staring. Will is a few steps behind. WILL Are you certain this is the right
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EXT. LAGOON - UNDERWATER - NIGHT Moonlight shines down into the shallow waters, brightening coral, sparkling over the rippled sand floor. Suddenly all the fish SCATTER. Briefly, the waters are empty.
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EXT. LAGOON - DAUNTLESS - NIGHT Two SAILORS, alert and vigilant, stare out toward shore. The island reveals nothing but blackness. There is a scurrying sound -- bones scraping against wood -- and the sailors JUMP. They listen, intently -- nothing.
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EXT. ISLA DE MUERTA - BEACH - NIGHT Gillette crouches, running low behind a line of rocks. He reports to Norrington: GILLETTE All the men in place, sir. Ready
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EXT. LAGOON - NIGHT It's the Black Pearl, manned by Gibbs, AnaMaria and Cotton, and captained by Elizabeth, coming around the point, cannons blazing -- EXT. ISLA DE MUERTA - BEACH - NIGHT
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EXT. ISLA DE MUERTA - BEACH - NIGHT Murtogg FIRES a pistol at a pirate. The pirate is hit, screams in pain, and crumples to the ground. Mullroy runs through another pirate with a sword. The pirates react to the sight, and quickly realize their
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EXT. ISLA DE MUERTA - BEACH - NIGHT - LATER Jack, Will and Norrington gather together on the beach. Elizabeth calls out: ELIZABETH You're all right!
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EXT. PORT ROYAL - FORT CHARLES - DAY Close on: Will's face, stoic, staring forward. He stands straight and unmoving. Around him are members of the Royal Navy, standing before for a group of witnesses from town. It is the courtyard on top of Fort Charles. A trial is
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EXT. BLACK PEARL - STERN DECK - DAY Jack monkeys down the rigging. AnaMaria is at the wheel. ANAMARIA Capatin Sparrow -- the Black Pearl is yours!

Pirates of the Caribbean

A charming rogue pirate must team up with a blacksmith and a strong-willed woman to rescue her from cursed pirates.

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Overview

Poster
Unique Selling Point

The unique selling proposition of this screenplay lies in its fresh and humorous take on the pirate genre, blending traditional swashbuckling elements with modern character development and witty dialogue. The dynamic between Jack Sparrow and Elizabeth Swann offers a compelling exploration of freedom, identity, and moral ambiguity, appealing to both adventure seekers and character-driven story enthusiasts.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Gemini
 Highly Recommend
Claude
 Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Adventure, Action, Fantasy, Drama, Romance, Comedy

Setting: Early 18th century, Caribbean Sea, specifically Port Royal and Isla de Muerta

Themes: Freedom vs. Societal Constraints, Love and Loyalty, The Corrupting Influence of Greed, Fate and Destiny, Appearances vs. Reality

Conflict & Stakes: The struggle between pirates and the British Navy, with Elizabeth's safety and Will's rescue at stake, as well as Jack's quest to reclaim his ship.

Mood: Adventurous and whimsical, with moments of tension and humor.

Standout Features:

  • Unique Hook: The cursed crew of the Black Pearl, who cannot enjoy the spoils of their plunder.
  • Plot Twist: Jack Sparrow's true motivations and alliances are revealed throughout the story.
  • Distinctive Setting: The vibrant and treacherous Caribbean Sea, filled with islands, ships, and pirate lore.
  • Innovative Ideas: The incorporation of supernatural elements like curses and ghostly pirates.
  • Unique Characters: A diverse cast of characters, each with their own motivations and backstories.

Comparable Scripts: Pirates of the Caribbean: The Curse of the Black Pearl, Treasure Island, The Princess Bride, The Goonies, The Count of Monte Cristo, Hook, The Muppet Treasure Island, The Three Musketeers, The Adventures of Tintin

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.38
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.