Schindler's List
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: Drama, War, Historical
Setting: The screenplay is set during World War II, primarily in Cracow, Poland, and later in Brinnlitz, Czechoslovakia., The story takes place in various locations including hotels, nightclubs, apartments, factories, ghettos, and concentration camps.
Overview: The screenplay for 'Schindler's List' exhibits exceptional quality with strong character development, compelling conflict, and a powerful emotional core. The narrative effectively explores themes of humanity, morality, and redemption against the backdrop of the Holocaust. While the screenplay demonstrates strengths in various aspects, opportunities exist to enhance pacing, deepen character development for certain secondary characters, and further diversify the emotional experiences conveyed.
Themes: Power and Corruption, Resistance and Survival, Humanity and Compassion, Ethics and Morality, Injustice and Oppression
Conflict and Stakes: The primary conflict in this story is the struggle between good and evil during the Holocaust, with the stakes being the lives of over a thousand Jewish workers who are at risk of being killed in concentration camps.
Overall Mood: The overall mood of the screenplay is somber and reflective, with moments of tension and hope.
Mood/Tone at Key Scenes:
- Scene 1: The mood in this scene is mysterious and tense as Schindler attracts attention and the lieutenant becomes curious about him.
Standout Features:
- True Story: Based on the true story of Oskar Schindler's efforts to save Jewish lives during the Holocaust.
- Powerful Performances : The screenplay offers opportunities for actors to deliver powerful and emotionally charged performances.
- Historical Significance : The screenplay explores an important chapter in history and sheds light on the heroism and atrocities of the Holocaust.
Comparable Scripts:
Market Analysis
Budget Estimate:$50-70 million
Target Audience Demographics: Adults aged 25-54, fans of historical dramas and war films
Marketability: The screenplay is based on a true story and has received critical acclaim, making it highly marketable to a wide adult audience.
The screenplay explores important themes and features compelling characters, which will attract audiences looking for thought-provoking dramas.
The screenplay has the potential to generate awards buzz and attract a diverse audience due to its historical significance and emotional impact.
Profit Potential: High, due to the strong appeal of the story, critical acclaim, and potential for award recognition.
Scene Level Percentiles
Writer's Voice
Summary:The writer's voice is characterized by descriptive and atmospheric language, sharp and impactful dialogue, and a focus on power dynamics and moral ambiguity. The narrative descriptions create vivid imagery and set the tone and atmosphere of each scene. The dialogue reflects the motivations and emotions of the characters, while also exploring complex themes and conflicts. The writer's voice adds depth and complexity to the screenplay, emphasizing the moral dilemmas and transformations of the characters.
Best representation: Scene 1 - A Business Proposition. This scene is the best representation of the writer's voice because it showcases the descriptive and atmospheric language, sharp and impactful dialogue, and focus on power dynamics and moral ambiguity that are characteristic of the writer's style. The narrative description sets the tone and atmosphere of the scene, while the dialogue reflects the power dynamics and manipulation of the characters. The writer's voice adds depth and complexity to the scene, emphasizing the conflicting values and moral dilemmas faced by the protagonist.
Memorable Lines:
- Schindler: I could've got more... (Scene 40)
- Amon Goeth: Today is history and you are a part of it. (Scene 15)
- Schindler: All I have is Jews. (Scene 19)
- Schindler: There’s no way I could have known this before, but there was always something missing. In every business I tried, I see now it wasn’t me that was failing, it was this thing, this missing thing. Even if I’d known what it was, there’s nothing I could have done about it, because you can’t create this sort of thing. And it makes all the difference in the world between success and failure. (Scene 8)
- Schindler: I’m a member of the Nazi party. I’m a munitions manufacturer. I’m a profiteer of slave labor, I’m a criminal. At midnight, you will be free and I will be hunted. (Scene 39)
Writing Style:
The writing style of the entire screenplay is characterized by a blend of sharp and impactful dialogue, exploration of complex moral dilemmas, and the creation of tension and suspense through dialogue and unexpected conflicts.
Style Similarities:
- Quentin Tarantino
- Aaron Sorkin
Story Shape
Emotions Elicited
Engine: Gemini
Highly Recommend
Executive Summary
Schindler's List is a powerful and moving screenplay that masterfully portrays the horrors of the Holocaust and the triumph of the human spirit. Its complex characters, effective use of visuals, and sharp dialogue create an unforgettable cinematic experience.
- Schindler's character is complex and compelling, evolving from a war profiteer to a selfless savior. His arc is portrayed with nuance and depth. high ( Scene 3 Scene general )
- The screenplay masterfully juxtaposes the horrors of the Holocaust with moments of humanity and hope, creating a powerful emotional impact. high
- The use of black and white and color effectively highlights key moments and themes, adding a layer of visual storytelling. medium ( Scene 15 Scene 99 Scene general )
- Dialogue is sharp and realistic, revealing character motivations and the complex dynamics of the time. medium
- Goeth serves as a chilling counterpoint to Schindler, embodying the banality of evil and highlighting the choices individuals make in extreme circumstances. high ( Scene 74 Scene 137 Scene general )
- Emilie Schindler's character could be further developed to explore her motivations and reactions to Oskar's actions. medium
- The pacing in the middle section could be tightened to maintain momentum during the factory establishment phase. low
- Stern's role as Schindler's conscience and accomplice is crucial, and his quiet heroism adds depth to the narrative. high ( Scene 22 Scene 188 )
- The girl in the red coat serves as a powerful symbol of innocence amidst the horrors, reminding viewers of the human cost of war. high ( Scene 89 Scene 161 )
Engine: Claude
Recommend
Executive Summary
Schindler's List is a powerful and well-crafted screenplay that chronicles the transformative journey of Oskar Schindler, a German businessman who becomes an unlikely savior of over a thousand Jews during the Holocaust. The screenplay effectively balances the harrowing historical events with the complex moral and emotional arcs of its characters, delivering a compelling and impactful narrative. While there are a few areas that could benefit from further development, the screenplay's strengths, particularly in its characterization, visual storytelling, and exploration of moral ambiguity, make it a strong candidate for adaptation.
- The screenplay establishes a strong central character in Oskar Schindler, who is well-defined and multifaceted. His introduction in the nightclub scene and his first interaction with Stern showcase his charismatic yet morally ambiguous nature, setting the stage for his complex journey. high ( Scene 1 (3) Scene 2 (6) )
- The screenplay's portrayal of the Plaszow forced labor camp and the liquidation of the Krakow ghetto are harrowing and emotionally impactful, providing a visceral depiction of the horrors of the Holocaust. high ( Scene 14 (74) Scene 15 (85) )
- The screenplay effectively shows Schindler's moral transformation, as he transitions from a self-serving profiteer to a man driven to save as many lives as possible, culminating in the powerful final sequence in Brinnlitz. high ( Scene 30 (186) Scene 31 (198) )
- The scene where Schindler confronts Stern about the growing number of people on the list could be further developed to explore the tension and ethical dilemma more deeply. The dialogue feels a bit rushed, and there may be an opportunity to delve into the characters' motivations and the stakes in a more nuanced way. medium ( Scene 22 (136) )
- The sequence depicting the deportation of the women and children to Auschwitz feels a bit abrupt and could benefit from more emotional beat and character development. Expanding on the individual stories and reactions could heighten the impact of these harrowing events. medium ( Scene 26 (163) Scene 26 (166) )
- The screenplay could benefit from additional development of the secondary characters, such as Max Redlicht and the other Jewish businessmen, to provide a more well-rounded understanding of the community in Krakow and the various ways they are impacted by the Nazi occupation. medium ( Scene 4 (12) Scene 4 (13) )
- The screenplay effectively explores the complex relationships and power dynamics between Schindler, Goeth, and the other Nazi officials, highlighting the moral ambiguity and the ways in which they use and manipulate one another. high ( Scene 19 (124) Scene 23 (148) )
- The final sequence, in which Schindler is overwhelmed by guilt and remorse for not doing more, is a powerful and emotionally resonant conclusion that captures the complexities of his character and the larger themes of the story. high ( Scene 37 (255) )
Screenplay Insights:
Premise: 8.75, The screenplay's premise is intriguing and has the potential to engage the audience with its complex characters and exploration of a morally challenging historical period. However, the premise could be improved by enhancing its clarity and refining the narrative's focus to fully capitalize on its potential. See More
Structure: 8.50, The screenplay exhibits strengths in plot development and narrative structure, effectively engaging the audience with its clear, coherent, and compelling story. However, there are areas where revisions could enhance the screenplay's complexity and pacing to elevate its storytelling potential. See More
Theme: 7.75, The screenplay effectively conveys its themes and messages through a compelling narrative and well-developed characters. It explores the complexities of human nature, the horrors of war, and the power of compassion and resilience. However, there are areas where the themes could be refined to enhance their impact and resonance with the audience. See More
Visual Impact: 8.5, The screenplay's visual imagery effectively captures the somber and intense atmosphere of the Holocaust through vivid descriptions of the characters, settings, and events. The use of visual symbols and motifs adds depth and meaning to the narrative, highlighting the struggle between good and evil and the human capacity for both cruelty and compassion. See More
Emotional Impact: 8.25, The screenplay possesses a strong emotional core, particularly in its portrayal of Schindler's transformation from a self-centered businessman to a compassionate savior. The emotional depth is further enhanced by the complex and nuanced character relationships and the portrayal of the Holocaust's horrors and its impact on the characters, amplifying the emotional journey and creating a sense of urgency and despair. However, there is room for improvement in diversifying the emotional experiences conveyed and in developing more transformative emotional arcs for the characters. These enhancements could elevate the screenplay's emotional impact, leaving a lasting impression on the audience. See More
Conflict: 8.75, The screenplay effectively presents conflict and stakes, engaging the audience through powerful dynamics and mounting tension. Yet, there are opportunities to deepen the impact of conflict and heighten the stakes to captivate the audience further. See More
Originality: 7.5, The screenplay demonstrates originality in its depiction of Schindler's transformation from a war profiteer to a savior. The film's Holocaust setting is familiar, but the focus on Schindler's journey and his complex relationship with power and morality is unique. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In this scene, Oskar Schindler prepares himself in a run-down hotel room before going to a nightclub in Cracow, Poland. At the nightclub, he attracts the attention of a curious SS officer who sends his subordinate to find out who Schindler is. However, Schindler cleverly diverts their attention by inviting the officer and his girlfriend to join his table. They enjoy drinks and caviar together, and Schindler ensures everyone has a good time. The scene ends with a flashbulb capturing a moment of Schindler surrounded by his new friends, smiling urbanely.
- In this scene, Oskar Schindler meets Itzhak Stern in Stern's apartment to discuss a potential business opportunity. Schindler offers Stern a drink and proposes buying a company that Stern did the books for. They talk about the potential to make other products and Schindler suggests using Jewish investors. However, Stern informs Schindler that Jews can no longer own businesses. Schindler proposes a plan where he would own the company and pay the investors back in product. Stern remains skeptical, and the scene ends with silence.
- In this scene, a mason is seen troweling mortar onto a brick as a crew of brick-layers erects a wall. Meanwhile, a young man named Poldek Pfefferberg crosses a street and enters St. Mary's cathedral, where he discusses a broken shoe polish container with Goldberg. The scene then shifts to a hotel, where Pfefferberg negotiates fees and commissions with a desk clerk. Schindler enters the hotel and compliments Pfefferberg's shirt, leading to a conversation about purchasing shirts. Pfefferberg overcharges Schindler and takes his measurements for the shirts.
- In this scene, Oberfuhrer Scherner and his daughter dance at a wedding reception while guests eat and drink. Czurda explains how the SS profits from Jewish train fares, creating tension. Schindler, focused on Ingrid, interrupts his conversation to present two horses as a wedding gift. The scene ends with a photograph being taken of Schindler with the bride and groom.
- In this scene, a suitcase is thrown out of a window, revealing families on a forced exodus into the ghetto. Goldberg assists the Gestapo in deciding who enters the ghetto, while Pfefferberg confronts him about his new role. The scene then shifts to an apartment building in the ghetto, where Orthodox and liberal Jews wait for the single bathroom. In another apartment, Schindler negotiates a business deal with some businessmen. The conflicts arise when Pfefferberg questions Goldberg and when the businessmen doubt Schindler's trustworthiness, but both are resolved. The emotional tone is tense and somber, reflecting the situation. The scene ends with the businessmen agreeing to Schindler's offer.
- In this scene, Schindler learns that the SS rate for Jewish skilled labor is lower than what he would pay a Pole. He questions why he should hire Poles if they cost more. Meanwhile, a teacher is denied essential worker status but later obtains it with Stern's help. The scene also shows machines starting up in the factory, Schindler in an empty apartment, and later the same apartment filled with SS officers and a Polish girl. The conflict arises when Schindler realizes the payment system for Jewish workers and expresses his preference for hiring Poles. The teacher's conflict is resolved when Stern helps him obtain essential worker status. The scene ends with Schindler and Scherner agreeing on a gesture and deciding not to discuss it further.
- In this scene, Schindler is seen signing Armaments contracts in his office while a big 'F' is hoisted up the building outside. Klonowska, a Polish girl, is introduced to her desk outside Schindler's office. On the factory floor, flames ignite in a furnace and machines start up. In Cracow, Schindler's black Mercedes is revealed as a garage door opens. Stern affixes blue stickers to work cards in Peace Square. Inside the factory, Jewish laborers work on producing kitchenware. Schindler invites Stern into his office for a conversation and pours drinks for both of them. The scene then cuts to Schindler's apartment where Klonowska is seen leaving in a hurry. Schindler serves coffee to his wife, Emilie, and they briefly discuss Klonowska.
- Schindler and Emilie enjoy a romantic evening together, receiving special attention at a restaurant and dancing at a nightclub. Schindler reveals to Emilie that war has been the missing element in his success. In his apartment, Emilie asks if she should stay, but Schindler's response is unclear. Eventually, Emilie departs on a train. The scene concludes with Schindler confronting a foreman about a worker overloading a truck, leaving the conflict unresolved.
- Pfefferberg and Schindler confront an investor who broke their deal in a ghetto storefront. Schindler threatens the investor, mentioning the consequences for his family. They leave and discuss personal matters. In Schindler's factory, workers have lunch while Schindler reviews a report with his accountant. An old man, Lowenstein, interrupts and thanks Schindler for saving his life. Schindler is uncomfortable and wants him to leave. The scene ends with Schindler trying to eat his meal, feeling uneasy.
- In this scene, Schindler and Stern witness a group of workers being marched past the ghetto gate under armed guard. They then confront SS contact Herman Toffel about the workers shoveling snow, but the conflict remains unresolved. Schindler presents a business proposal to German businessmen Kuhnpast and Hohne, but they refuse, leading to frustration and rejection.
- In this scene, Pfefferberg wipes a smudge off a car while workers remove the letters of a radiator sign at Kuhnpast's Radiator Factory. Technicians make adjustments to presses and test firing ovens. Stern speaks with an elderly couple at the Ghetto Employment Office. In the DEF Front Office, Schindler surprises Klonowska with a poodle before being interrupted by two Gestapo men. Schindler quickly writes down names and is later questioned by a Gestapo clerk at the SS Headquarters. He is arrested, bribes a guard for vodka and pajamas in his cell, and is released the next morning, escorted out by the Gestapo clerk.
- Schindler arrives at the factory and asks the SS officer to return the ledgers to his office. He tries to get a Jewish laborer to retrieve the ledgers, but the man ignores him. Later, Schindler is approached by a nervous figure in the shadows and they have a quick conversation. Schindler and Klonowska then arrive at the Prokocim Depot in Cracow, where Schindler sees the human and cattle cars. He calls out for Itzhak Stern and is told that Stern is on the list and cannot be taken off. Schindler questions the clerk, writes down his name, and the clerk calls over a sergeant who also confirms Stern's presence on the list. Schindler writes down the sergeant's name and walks away. The clerk and sergeant join Schindler in calling out for Stern, and he is eventually found and released from the train. Schindler signs some forms and the train pulls away. Stern apologizes for leaving his work card at home, but Schindler is angry and walks away. Stern follows him and they pass an area with luggage that has been left behind. The scene ends with Schindler and Stern walking away from the train, with Schindler visibly angry.
- In this scene, a group of Jewish jewelers are forced to sort and grade jewelry under SS guard, including gold teeth smeared with blood. Meanwhile, Untersturmfuhrer Amon Goeth tours the ghetto in a staff car and receives a briefing on the different sections of the ghetto. The tone is somber and tense, with the jewelers facing oppression and the staff car cruising through the ghetto. The scene ends with the staff car continuing its drive through the ghetto.
- At the Plaszow forced labor site, Goeth surveys the construction and renovation happening. He becomes angry when a woman argues with his man about the foundation of a barracks. Goeth orders the woman to be shot and then instructs the workers to follow her instructions. The scene ends with Goeth walking away after ordering the workers to rebuild the barracks.
- In this scene, stable boys lead horses into the pre-dawn light at the stables while Ingrid and Schindler share cognac. Untersturmfuhrer Goeth addresses his troops in the park, and a young boy joins the Jewish Ghetto Police. Ingrid and Schindler ride their horses towards a wood as Goeth speaks about the history of Jewish Cracow. The scene ends with Schindler and Ingrid reaching a hilltop clearing and admiring the view of Cracow.
- In this scene, the Sonderkommandos jump down from the last truck in the ghetto as families are forcefully evacuated from their apartments. Those who resist are shot. The people are herded into lines without regard to family ties. Amidst the chaos, Schindler notices a small girl in red at the rear of one of the columns. Guided by a Waffen SS man, she moves past a pile of executed bodies, unnoticed by the SS. Shots explode behind her as she climbs into an empty apartment and hides under a bed. The scene ends with the small girl in red hidden, but the conflict remains unresolved.
- In this scene at Plaszow quarry camp, workers load quarry rock onto trolleys under Ukrainian guard while Goeth randomly shoots at them. Inside Goeth's bedroom, a woman groans at the sound of the shots. Schindler's Mercedes drives through the camp, passing various buildings and a man labeled as a 'potato thief.' The scene then shifts to Goeth's villa where Goeth, Hujar, Bosch, Madritsch, and Schindler sit at a patio table. Hujar discusses the benefits of moving factories to Plaszow, but Schindler shows disinterest. Goeth watches Schindler with amusement. The scene ends with Goeth and Schindler engaging in light banter about Schindler's suit.
- In this tense and confrontational scene, Goeth and Schindler discuss their careers, the absence of workers, the financial implications, and the possibility of Schindler having his own sub-camp. Schindler expresses frustration about losing money, while Goeth mentions the need to make examples occasionally. Schindler asks Goeth to make things easier for him, and the scene ends with Goeth's shrug indicating his consideration of the request.
- In this scene, an SS surveyor measures a field and places a flag in the ground while laborers work on constructing a watchtower and installing barbed wire fencing. Schindler signs checks for building supplies and pays for them a second time. SS architects review blueprints. Schindler and an SS officer have a conversation about keeping everyone in line. 500 Plaszow prisoners are marched back onto the grounds of D.E.F. factory, where the workers notice armed guards and Schindler entertaining an SS officer. The scene ends with the workers in the factory noticing the increased security measures.
- In this tense and confrontational scene at Goeth's villa, the Rosner brothers play music while Leo John asks Schindler for help with his aunt's orphanage. Schindler agrees to assist and questions if Leo's aunt runs an orphanage. Leo mentions that she can sell what she can't use, which diminishes Schindler's tolerance for him. Later, Goeth's girl approaches Schindler and they have a conversation. Schindler confronts Goeth about holding back Stern, and they agree to talk later. Schindler then meets Stern outside, giving him valuable items. Before the scene cuts to a different location, Stern starts to tell Schindler something.
- In this scene, Goeth walks through the crowded metalworks, interacting with workers and observing their production. He tests Rabbi Levartov's ability to make hinges quickly and then proceeds to torture him. Schindler questions Goeth's long story about hinges and later Rabbi Levartov thanks Schindler. Goeth shoots a worker for stealing a chicken and a boy confesses. Schindler signs for supplies and agrees to bring someone over. The scene ends with Schindler being distracted by a grateful boy and a mechanic accidentally damaging Goeth's car. Meanwhile, a nervous young woman tries to see Schindler but is denied access and gets dressed up in an apartment in Cracow.
- Schindler waits for Miss Krause in his office where they have a tense conversation. Miss Krause reveals her true identity and asks Schindler to bring her parents to his factory, but he refuses and threatens her. In the next scene, Schindler confronts Stern about the dangerous situation and expresses his concerns. The conflicts between Miss Krause and Schindler, as well as Schindler's concerns, remain unresolved.
- Schindler and Goeth have a conversation on the balcony about the difference between power and justice. Later, Goeth interacts with a stable boy and a worker in his villa. The conflict arises when Goeth confronts the worker about stains in his bathtub, but it is resolved when Goeth decides to pardon the worker instead of shooting him. The scene ends with Goeth feeling stupid and unable to truly feel the power he desires.
- In this scene, a worker is shot at by Goeth outside his villa. Schindler and Stern discuss Goeth's stealing and the potential consequences. Stern's concerns are dismissed by Goldberg. Trucks are unloaded with supplies for the phantom prisoners. Schindler and Stern discuss the possibility of being sent to another camp. Schindler offers to talk to Goeth. Schindler meets with SS officers Toffel and Scherner in a nightclub, defending Goeth's stealing, leading to a tense exchange.
- In this scene, the workers in the factory debate who will go upstairs to thank Schindler on his birthday. Upstairs, Schindler celebrates his birthday with friends and lovers, receiving congratulations and embraces from SS men. A Jewish girl timidly approaches Schindler and wishes him a happy birthday. Schindler kisses her on the mouth and asks her to thank the workers for him. The scene then transitions to the Appellplatz in Plaszow, where preparations are being made for a sorting process to separate the healthy from the unhealthy prisoners. Mila Pfefferberg appeals to Amon Goeth to spare him from the process, and Goeth allows him to be exempted along with his wife.
- In this scene at the depot in Plaszow, the prisoners in the cattle cars suffer from the heat and desperately ask for water. Children are separated from their parents, leading to a brawl. Guards search for children while a small girl in red runs to a wooden structure. Meanwhile, Schindler arrives and talks to Goeth about the shipment of Hungarians. Schindler suggests using fire trucks to hose down the cars and bring hope to the prisoners. The fire trucks arrive and water is sprayed on the cars. Schindler proposes using longer hoses from D.E.F. to reach the cars at the end. Food is unloaded from the trucks and Schindler pushes sausages through the slats. Goeth initially finds it amusing but slowly realizes the gravity of the situation. The scene ends with the water raining down on the last car and Goeth slowly realizing the gravity of the situation.
- Schindler is arrested by the Gestapo and taken to Montelupich Prison. He is stripped of his belongings and led through a claustrophobic tunnel to a cell. In the cell, he confesses to his cellmate that he violated the Race and Resettlement Act by kissing a Jewish girl.
- In this scene, Amon Goeth fails to justify his actions to an SS colonel, leading to a realization of his error. Meanwhile, at Goeth's villa, the Rosner brothers repeatedly play a melancholy song for a thin gray SS officer who eventually shoots himself in the head.
- In this scene, Schindler argues with an SS officer and refuses to accept papers. His workers are then marched out of the factory under heavy guard. Schindler drives off and later arrives at a forest where bodies are being exhumed. He has a conversation with Goeth about the situation and the upcoming transport to Auschwitz. The scene then shifts to Schindler staring at his deserted factory, his empty apartment, and finally crossing the Poland/Czechoslovakia border. He arrives in Brinnlitz and is recognized by old friends. Schindler checks into a hotel and later goes to a bar where he socializes with the locals. The scene ends with Schindler in a hotel room, smoking and looking out the window at night.
- In this scene, Schindler reveals to his accountant, Stern, that he is buying the workers and it is costing him a fortune. Stern is overwhelmed by this revelation. Schindler instructs Stern to give Goeth the list of names and tells him that he has to go back to Brinnlitz. Later, Schindler addresses a large assembly in Brinnlitz, denying rumors of bringing Jewish criminals into his home. The scene ends with Goeth signing Schindler's list of workers at his villa in Plaszow.
- In this tense and chaotic scene, Goldberg adds names to Schindler's List while taking bribes from prisoners. Schindler signs papers at the Brinnlitz factory site. A train full of prisoners departs for Auschwitz. Schindler is attacked by his friend and Pfefferberg attacks Goldberg when asked for diamonds. Clerks sort prisoners into different lines at the Plaszow depot, with women being sent to Auschwitz and men to Brinnlitz. The conflicts remain unresolved as Schindler's friend escapes, Goldberg evades Pfefferberg, and the scene ends with the separation of the prisoners.
- Schindler comes out of his office and informs Stern that they are in Auschwitz. Gestapo men intercept Schindler and inform him about Goeth's arrest. Schindler reluctantly agrees to talk to them. Meanwhile, a young doctor selects women for the death chambers, but feigns ignorance when one woman mentions they are Schindler Jews. The scene ends with the doctor continuing to select women for the death chambers.
- In this scene, Amon Goeth waits in a dank cell while Schindler testifies before investigators. The workers in Schindler's factory struggle to operate the machines, and Mila witnesses skeletal figures taking their soup. Schindler negotiates with Auschwitz Commandant Rudolf Hoss to save the women on his list, who are marked with red paint and loaded onto cattle cars. Schindler discovers that their children have been brought to the train yard and tries to save them, explaining the importance of their skills to a guard.
- In this scene at the Brinnlitz camp and factory, Schindler leads a procession of women, children, guards, and workers towards the factory. The men at the perimeter notice the women covered in blood or paint. Inside the factory, the machines are silent but the people are reunited. Schindler addresses the guards, explaining the consequences of killing a worker without cause and forbidding interference with production. He offers schnapps as a gesture of gratitude. Schindler walks through the factory, checking on the workers and making adjustments to the machines. He interacts with a worker who messes up the machine settings and surprises Levartov, a rabbi, by inviting him to his office to prepare for the Sabbath.
- In this scene at the Brinnlitz camp, Levartov recites Kiddush to the workers while the guards in the barracks become distracted by distant Yiddish singing. Liepold hears the singing while typing a letter, and Emilie Schindler opens her apartment door to find her estranged husband, Schindler, asking her to work for him. They have a conversation at the kitchen table where Schindler expresses his desire for them to spend time together at work. The scene ends with Emilie's silence, leaving the outcome uncertain and the tension between them unresolved.
- In this scene, Schindler introduces his wife Emilie to his accountant Itzhak Stern. Schindler reveals that Emilie has offered to work in the clinic, although her role is unclear. Later, Schindler brings a broken radio to Pfefferberg in the machine shop, who easily fixes it. Workers gather around the radio in the barracks to listen to a broadcast about an Eastern offensive by Allied Russian forces. In the clinic, Schindler and Emilie sort prescription glasses while Stern comes in to talk to Schindler. The scene ends with Schindler putting the new glasses on Stern's face and looking around the clinic, eventually focusing on Emilie.
- In this scene, Schindler and Stern discuss a complaint from the Armaments Board about the failed quality-control tests of their artillery shells. Schindler dismisses the problem and suggests buying shells from elsewhere to pass them off as their own. Stern is worried about the consequences and rumors of Schindler miscalibrating the machines. Schindler eventually agrees to call around and buy shells. The scene then shifts to Commandant Liepold holding a gun to a terrified boy's head, and Schindler intervenes. Schindler discovers that the boy accidentally caused a machine to explode and orders him to be taken away. Later, Schindler asks Police Chief Rasch for guns to defend his factory. The scene ends with Stern finding Schindler and a stenographer in a water tank, and Stern asks if Schindler has any hidden money.
- In this scene, Schindler and the others discover a pile of frozen corpses in an abandoned boxcar. Schindler is shocked and later discusses the burial of the victims with a priest. Workers in the factory build coffins, which are loaded onto carts and taken to a cemetery. The main conflict is resolved when the priest agrees to allow the victims to be buried in the cemetery. The scene ends with Schindler and Stern observing Amon Goeth's arrival at the camp.
- In this scene, Amon Goeth, a Nazi officer, visits the Brinnlitz factory with Oskar Schindler. Schindler shows Goeth his uniforms and medals, and they share cognac and stories. Goeth is spit on by a worker, but realizes he has no power in the factory. Schindler leads Goeth away, and the scene shifts to the guards' barracks and the workers' barracks where they listen to the radio. Schindler confronts Liepold about bringing the guards into the factory. The scene ends with Schindler gathering all the workers and guards on the factory floor to announce the unconditional surrender of Germany and their freedom.
- In this scene at the Brinnlitz camp, Schindler and Emilie prepare to leave as all twelve hundred workers stand in the dark. Stern and Levartov present Schindler with a letter and a ring from the workers. Overwhelmed with guilt, Schindler breaks down in tears, expressing regret for not saving more lives. Stern tries to console him, emphasizing the lives he did save. Schindler rips off the swastika from his lapel and offers it to Stern as a symbol of his remorse. Despite leaving the camp, Schindler's grief remains evident as he and Emilie drive away.
- In this scene at the Brinnlitz camp, a panzer tank emerges from the forest and fires a shell randomly before retreating. Czech partisans offer the workers their freedom, but they choose to stay until the Russians arrive. SS officers arrive and are confronted by armed Jews, but they fill their tanks with gasoline and leave. The scene ends with a lone Russian officer on horseback arriving and informing the workers that they have been liberated.
- In this scene, a great moving crowd of twelve hundred people crosses the land between the camp and the town. The scene then cuts to Oskar Schindler in Frankfurt, living alone in a modest apartment. Poldek Pfefferberg visits Schindler and invites him to have dinner with some people. Schindler agrees and goes to get his coat. The scene ends with Schindler and Pfefferberg leaving together.
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Character Oskar Schindler
Description Schindler's transformation from opportunistic businessman to selfless savior is abrupt and lacks a clear catalyst. His motivations shift from self-interest to altruism without sufficient exploration of his internal struggle or a gradual evolution of his character.
( Scene 1 (3) Scene 3 (10) Scene 5 (18) Scene 22 (135) ) -
Character Amon Goeth
Description Goeth's character oscillates between sadistic cruelty and moments of unexpected leniency. While his capricious nature is established, the lack of deeper psychological exploration makes these shifts feel inconsistent and at times convenient for plot purposes.
( Scene 17 (104) Scene 23 (137) Scene 24 (140) )
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Description The reason for Schindler's arrest is unclear and inconsistently portrayed. Initially, it's attributed to kissing a Jewish girl, but later, Goeth's defense suggests it's related to black market dealings. This ambiguity creates confusion regarding the true cause and the severity of the charges against Schindler.
( Scene 27 (165) Scene 28 (172) )
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Description The film glosses over the logistical challenges of transporting and relocating hundreds of workers and their families from Plaszow to Brinnlitz. The process appears seamless, without addressing potential obstacles such as transportation, supplies, and resistance from authorities.
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Description The dialogue at times feels anachronistic, with characters using modern colloquialisms and expressions that wouldn't be typical of the time period and setting.
( Scene 9 (45) Scene 21 (122) )
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Element Scenes of Schindler looking down on the factory floor
( Scene 6 (20) Scene 7 (27) Scene 8 (34) Scene 9 (48) Scene 17 (103) Scene 19 (116) Scene 29 (176) )
Suggestion While these scenes effectively convey Schindler's sense of ownership and control, their repetition could be reduced to maintain impact without becoming redundant. Selecting key moments for this visual motif would strengthen its significance.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Oskar Schindler | Oskar Schindler's character arc in the screenplay is one of profound transformation. He starts as a self-centered businessman driven by power and influence. However, as he witnesses the atrocities of the war and the suffering of Jewish prisoners, he begins to question his own actions and gradually becomes a compassionate savior. His guilt and remorse for not doing more to save lives weigh heavily on him, leading to a complete shift in his priorities and values. By the end of the film, Schindler is willing to risk everything to save as many lives as possible, showcasing his selflessness and redemption. | The character arc of Oskar Schindler is well-developed and compelling. However, to further enhance the impact of his transformation, it would be beneficial to provide more specific moments or events that trigger his change of heart. This could include showcasing his initial indifference towards the plight of Jewish prisoners and gradually exposing him to the horrors of the Holocaust. Additionally, exploring the internal struggles and conflicts he faces during his transformation would add depth to his character arc. | To improve the character arc, consider incorporating scenes that highlight Schindler's initial lack of empathy or awareness towards the suffering of Jewish prisoners. Show his gradual realization of the magnitude of the atrocities and the moral dilemmas he faces. This could be achieved through interactions with individual prisoners or witnessing specific acts of violence. Additionally, delve deeper into Schindler's internal struggles and conflicts, showcasing his journey from a self-centered opportunist to a selfless savior. This could be done through introspective monologues or conversations with other characters who challenge his beliefs and actions. |
Itzhak Stern | Itzhak Stern starts off as a skeptical and cautious accountant, concerned about the well-being of the Jewish community. As the story progresses, he becomes more resourceful and pragmatic, understanding the risks faced by Jewish businessmen. He serves as a voice of reason and support for Schindler, and his gratitude for Schindler's actions deepens. By the end of the feature, Stern fully recognizes the impact of Schindler's efforts and the lives he has saved, becoming an unwavering confidant and advocate for Schindler's cause. | The character arc for Itzhak Stern is well-developed and shows growth and transformation. However, it would be beneficial to provide more specific examples or scenes that highlight Stern's evolution throughout the feature. This would help to further engage the audience and create a stronger emotional connection with the character. | To improve the character arc, consider adding scenes where Itzhak Stern actively takes risks or makes difficult decisions to protect the Jewish community. Show moments where he confronts his skepticism and becomes more proactive in supporting Schindler's plan. Additionally, explore his personal journey and internal struggles, such as the emotional toll of witnessing the atrocities and the weight of responsibility he feels as an accountant. This will add depth and complexity to his character, making his transformation even more impactful. |
Schindler | Schindler's character arc in the screenplay is a journey from a profit-driven businessman to a compassionate savior. He starts off as a wealthy and self-centered individual, motivated by financial gain. However, as he witnesses the suffering of the Jewish workers and becomes more aware of the gravity of the Holocaust, he undergoes a transformation. Schindler's empathy and moral conscience grow, leading him to risk his own safety and use his influence to save as many lives as possible. His arc culminates in his realization of the importance of human life and his determination to make a difference. | The character arc for Schindler is well-developed and compelling. It effectively portrays his transformation from a profit-driven businessman to a compassionate savior. However, one suggestion for improvement would be to further explore the internal conflict and struggles that Schindler faces throughout his journey. While the descriptions touch on his moral responsibility and empathy, delving deeper into his emotional turmoil and the challenges he faces in reconciling his actions with his initial motivations would add more depth to his character arc. | To improve the character arc, consider adding scenes or moments that highlight Schindler's internal conflict and the difficult choices he has to make. Show his struggle to balance his financial interests with his growing empathy for the Jewish workers. Additionally, explore the consequences of his actions and the toll it takes on him emotionally. This will further emphasize the complexity of his character and make his transformation even more impactful. |
Stern | Stern starts as a knowledgeable and pragmatic accountant, providing important information and serving as a moral compass for Schindler. As the story progresses, he becomes a trusted advisor and ally, supporting and persuading Schindler in his efforts to save Jewish lives. Stern's gratitude and admiration for Schindler deepen as he realizes the gravity of the situation and witnesses Schindler's selflessness. He becomes more concerned about the potential consequences of their actions and tries to advise Schindler against unnecessary risks. Despite his caution, Stern remains loyal and deeply moved by Schindler's actions, ultimately becoming a key figure in protecting the workers. | The character arc for Stern is well-developed and consistent throughout the screenplay. However, it could benefit from further exploration of his internal struggles and emotional journey. While Stern's pragmatism and caution are clear, delving deeper into his personal conflicts and the impact of his experiences could add more depth to his character. | To improve the character arc for Stern, consider incorporating moments of vulnerability and internal conflict. Show how his experiences and witnessing Schindler's actions affect him emotionally. Explore his personal sacrifices and the toll it takes on him, highlighting the internal struggle between pragmatism and compassion. Additionally, consider giving Stern a defining moment where he takes a significant risk or makes a difficult decision that showcases his growth and transformation throughout the story. |
Emilie | Emilie's character arc in the screenplay begins with her initial discomfort and unease with Klonowska's presence in their apartment. As the story progresses, Emilie's understanding of Schindler deepens, and she becomes more perceptive and observant of his struggles. She goes through a period of inner turmoil, unsure about whether to accept Schindler's offer to reconnect. However, her love for him ultimately triumphs, and she decides to support his efforts to save Jewish lives. This leads to her working in the clinic alongside Schindler, demonstrating her commitment to helping others. Throughout the feature, Emilie's character arc showcases her growth from a reserved and practical woman to a strong and independent individual who embraces her own agency and makes compassionate choices. | The character arc for Emilie is well-developed and showcases her growth and resilience. However, it would be beneficial to provide more specific details about her inner struggles and conflicts, especially during the period of estrangement from Schindler. This would allow the audience to connect more deeply with Emilie's journey and understand the complexities of her emotions. Additionally, exploring her relationship with Klonowska further could add depth to her character and provide additional layers of conflict and growth. | To improve the character arc, consider adding scenes or moments that delve into Emilie's internal struggles during the period of estrangement from Schindler. Show her grappling with her love for him and the challenges of their relationship. Additionally, explore her interactions with Klonowska and how they impact her decision-making process. This could create more tension and complexity in Emilie's character arc, allowing for a richer and more nuanced portrayal of her journey. |
Amon Goeth | Amon Goeth's character arc in the screenplay begins with his introduction as a menacing SS officer, proud of his role in the Holocaust. He is cold, ruthless, and willing to kill for even the slightest disagreement. As the story progresses, his sadistic nature becomes more pronounced, and he takes greater pleasure in exerting power over others. However, towards the climax of the film, Amon Goeth starts to show glimpses of inner conflict and doubt. He begins to question the morality of his actions and the ideology he represents. This internal struggle ultimately leads to his downfall, as he is unable to reconcile his sadistic nature with his growing conscience. In the end, Amon Goeth meets a tragic fate, serving as a symbol of the destructive power of unchecked authority. | The character arc of Amon Goeth is well-developed and effectively portrays his descent into darkness and eventual internal conflict. However, to further enhance the impact of his arc, it would be beneficial to provide more insight into his background and motivations. Understanding the factors that shaped his sadistic nature and exploring his personal journey leading up to his role in the Holocaust would add depth and complexity to his character. Additionally, incorporating moments of vulnerability or humanity, even if fleeting, could create a more nuanced portrayal of Amon Goeth and make his internal struggle more relatable to the audience. | To improve the character arc of Amon Goeth, consider adding flashback scenes or dialogue that shed light on his past experiences and the influences that shaped his sadistic nature. This could include exploring his upbringing, his indoctrination into the Nazi ideology, or any traumatic events that may have contributed to his cruelty. Additionally, incorporating moments of vulnerability or internal conflict, such as showing him grappling with guilt or questioning his actions, would make his character more multi-dimensional. These additions would provide a deeper understanding of Amon Goeth's journey and make his eventual internal conflict and downfall more impactful. |
Goeth | Goeth starts off as a ruthless and power-hungry character, reveling in his authority and finding pleasure in the suffering of others. However, as the story progresses, he begins to question his actions and the consequences of his choices. He becomes confused and powerless when the workers and Schindler defy him, leading to a fall from grace. This realization causes him to experience a moral conflict, torn between his attraction to Jewish women and his loyalty to the Nazi ideology. Ultimately, Goeth's arc culminates in a moment of vulnerability and self-reflection, as he realizes his lack of control and the corrupt nature of his actions. | The character arc for Goeth is well-developed and provides a compelling journey for the character. However, it could benefit from further exploration of his internal struggles and the catalysts for his moral conflict. Additionally, the arc could be strengthened by showing more gradual changes in Goeth's behavior and mindset, rather than a sudden fall from grace. This would allow for a more nuanced portrayal of his transformation. | To improve the character arc, consider incorporating more scenes that delve into Goeth's internal struggles and the factors that contribute to his moral conflict. Show moments of doubt and hesitation, as well as instances where he grapples with his attraction to Jewish women and the conflicting ideologies. Additionally, consider adding more gradual changes in Goeth's behavior and mindset, allowing the audience to witness his transformation in a more nuanced and believable way. This could involve showing small acts of kindness or empathy that gradually chip away at his sadistic nature, leading to a more impactful and satisfying character arc. |
Theme | Theme Details | Themee Explanation | ||||||||||||
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Power and Corruption | The screenplay explores the theme of power and corruption through the characters of Amon Goeth and his abuse of power as an SS officer. It also examines the corrupt practices within the Nazi regime, such as stealing and profiting from Jewish labor. | Power and corruption is the most prominent theme in the screenplay, as it drives the actions of several characters and serves as a critique of the Nazi regime. | ||||||||||||
Strengthening Power and Corruption:
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Resistance and Survival | The screenplay depicts the resistance and survival efforts of the Jewish workers in Schindler's factory, as well as the actions of the Czech partisans. It explores their determination to survive and fight against oppression. | Resistance and survival is a significant theme in the screenplay, showcasing the strength and resilience of individuals in the face of extreme adversity. | ||||||||||||
Humanity and Compassion | The screenplay highlights acts of humanity and compassion, particularly through Oskar Schindler's efforts to save Jewish lives. It also explores the compassion shown by other characters, such as Itzhak Stern and the workers in the factory. | Humanity and compassion is a recurring theme in the screenplay, emphasizing the capacity for individuals to show empathy and kindness even in the darkest times. | ||||||||||||
Ethics and Morality | The screenplay raises ethical and moral questions, such as the choices faced by Oskar Schindler in deciding to save Jewish lives. It also examines the moral dilemmas faced by other characters, including the SS officers and the workers in the factory. | Ethics and morality play a significant role in the screenplay, exploring the complexities of decision-making and the consequences of one's actions. | ||||||||||||
Injustice and Oppression | The screenplay portrays the injustice and oppression faced by the Jewish population under the Nazi regime. It depicts the discrimination, violence, and dehumanization they experienced in the ghettos and concentration camps. | Injustice and oppression is a prevalent theme in the screenplay, shedding light on the atrocities committed during the Holocaust and the systemic oppression of a targeted group. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goals evolved throughout the script as he navigated the complex social dynamics of the war, including establishing his reputation, gaining influence, and earning financial success. |
External Goals | The protagonist's external goals evolved as he faced various challenges, including socializing and networking, negotiating business deals, ensuring the success of his factory, and saving as many Jewish lives as possible. |
Philosophical Conflict | The overarching philosophical conflict is the clash between self-interest and moral responsibility, as the protagonist balances his desire for power, wealth, and success with his belief in the value of human life and his responsibility to protect and save Jewish workers from the Holocaust. |
Character Development Contribution: The protagonist's goals and the philosophical conflict challenge his beliefs, values, and worldview, forcing him to confront his own actions, make difficult choices, and ultimately evolve into a compassionate and heroic figure.
Narrative Structure Contribution: The protagonist's evolving goals and the overarching philosophical conflict provide a narrative structure that propels the story forward, creates tension and suspense, and brings depth and complexity to the plot.
Thematic Depth Contribution: The goals and philosophical conflict contribute to the thematic depth of the screenplay by exploring themes of power, morality, humanity, salvation, and redemption in the context of the Holocaust.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Schindler's Nightclub Encounter | Dark, Intense, Suspenseful | 9 | 8 | 8 | 9 | 9 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 9 | 8 | |
2 - A Business Proposition | Serious, Tense, Intense, Mysterious | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 7 | 7 | 7 | 8 | 9 | 7 | 7 | 9 | 9 | 8 | 9 | 8 | |
3 - Black Market Deals and Shirt Measurements | Tense, Serious, Conversational | 8 | 7 | 7 | 7 | 8 | 6 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 6 | 9 | 8 | 8 | 9 | 9 | |
4 - A Wedding Gift | Serious, Tense, Tragic | 9 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 10 | 7 | 9 | 8 | 9 | 8 | |
5 - Forced Exodus and Negotiations | Serious, Tense, Melancholic | 8 | 7 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 9 | 8 | |
6 - Schindler's Dilemma | Serious, Tense, Informative | 8 | 7 | 7 | 9 | 8 | 8 | 8 | 7 | 6 | 8 | 6 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | |
7 - Schindler's Business and Personal Interactions | Serious, Reflective, Proud | 9 | 8 | 7 | 6 | 8 | 6 | 8 | 7 | 6 | 7 | 5 | 8 | 6 | 6 | 7 | 7 | 8 | 9 | 8 | |
8 - A Night Out and Uncertain Goodbyes | Serious, Intimate, Reflective | 9 | 8 | 7 | 6 | 9 | 8 | 8 | 7 | 5 | 8 | 6 | 6 | 7 | 8 | 8 | 9 | 8 | 9 | 8 | |
9 - Confrontation and Gratitude | Tense, Serious, Confrontational | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | |
10 - Frustration and Rejection | Tense, Serious, Frustrated | 8 | 7 | 8 | 6 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 7 | 9 | 9 | 8 | 9 | 8 | |
11 - Arrest and Release | Tense, Serious, Confrontational, Defiant | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | |
12 - Schindler's Attempt to Save Stern | Tense, Serious, Confrontational | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 8 | 9 | 9 | 9 | 8 | |
13 - Sorting Jewelry and Touring the Ghetto | Tense, Serious, Melancholic | 9 | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 7 | 8 | 7 | 10 | 7 | 9 | 8 | 9 | 9 | |
14 - Brutal Order | Tense, Dark, Disturbing | 9 | 8 | 7 | 6 | 9 | 7 | 8 | 7 | 9 | 9 | 10 | 8 | 8 | 10 | 7 | 9 | 8 | 9 | 8 | |
15 - Dawn in Cracow | Tense, Serious, Dark | 9 | 8 | 7 | 7 | 7 | 6 | 8 | 7 | 7 | 9 | 9 | 7 | 8 | 8 | 6 | 9 | 8 | 9 | 9 | |
16 - The Violent Evacuation | Dark, Intense, Grim | 9 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 10 | 8 | 7 | 10 | 6 | 9 | 8 | 9 | 8 | |
17 - Tension and Amusement at Plaszow Quarry Camp | Tense, Dark, Serious | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 9 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
18 - Duty and Financial Opportunity | Tense, Serious, Confrontational, Reflective | 9 | 8 | 7 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 7 | 7 | 9 | 10 | 8 | 8 | 9 | 9 | |
19 - Increasing Security Measures | Tense, Dark, Serious | 9 | 8 | 9 | 6 | 9 | 8 | 7 | 8 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
20 - Schindler Helps Leo and Confronts Goeth | Tense, Dark, Serious, Sarcastic | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | |
21 - Sadistic Behavior and Distractions | Tense, Suspenseful, Dramatic | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | |
22 - Refusal and Concerns | Tense, Depressing, Cold | 9 | 8 | 8 | 6 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 8 | |
23 - Power and Justice | Intense, Tense, Dramatic | 9 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 9 | 8 | |
24 - Tense Confrontation and Stealing Allegations | Tense, Serious, Intense | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | |
25 - Schindler's Birthday Celebration and the Sorting Process | Tense, Dramatic, Serious | 8 | 7 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 8 | 6 | 7 | 8 | 6 | 7 | 9 | 9 | 9 | 8 | |
26 - Desperate Prisoners and Schindler's Proposal | Tense, Cruel, Hopeful | 9 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 9 | 8 | |
27 - Arrest and Confession | Tense, Serious, Dramatic | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 9 | |
28 - Failed Justification and Tragic Melancholy | Tense, Melancholic, Serious | 9 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | 7 | 10 | 8 | 8 | 8 | 9 | 9 | |
29 - Schindler's Descent | Tense, Grim, Melancholic | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
30 - Schindler's Secret Deal | Serious, Tense, Emotional | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 10 | 8 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
31 - Chaos and Conflict at Plaszow | Serious, Dark, Tense | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 10 | 10 | 8 | 10 | 8 | 9 | 8 | 9 | 8 | |
32 - Schindler Confronted by Gestapo and Doctor's Deception | Tense, Serious, Hopeless | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 9 | 9 | 8 | |
33 - Saving Lives and Desperate Negotiations | Tense, Serious, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 10 | 9 | 9 | 10 | 8 | 10 | 9 | 9 | 8 | |
34 - Schindler Asserts Authority and Shows Compassion | Serious, Hopeful, Tense | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 9 | 8 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
35 - Longing and Tension in the Brinnlitz Camp | Tense, Emotional, Reflective | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 6 | 6 | 7 | 7 | 7 | 10 | 8 | 9 | 8 | 9 | 9 | |
36 - Schindler Introduces Emilie and Stern, Radio Fixed, Hopeful News | Tense, Hopeful, Serious | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 6 | 6 | 6 | 7 | 9 | 5 | 9 | 8 | 7 | 8 | 9 | 8 | |
37 - Schindler's Intervention | Serious, Tense, Determined | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 8 | 8 | 10 | 9 | 7 | 10 | 7 | 8 | 9 | 9 | 8 | |
38 - Burial of the Victims | Somber, Reflective, Resolute | 9 | 8 | 7 | 7 | 8 | 9 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 10 | 7 | 9 | 9 | 9 | 9 | |
39 - Amon Goeth's Visit to the Brinnlitz Factory | Tense, Serious, Reflective | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 10 | 9 | 9 | 9 | 9 | 8 | |
40 - Schindler's Regret | Guilt, Regret, Emotional, Reflective | 9 | 8 | 7 | 9 | 9 | 9 | 9 | 8 | 5 | 8 | 9 | 7 | 7 | 10 | 8 | 10 | 9 | 9 | 8 | |
41 - Liberation at Brinnlitz | Shocking, Hopeful, Somber | 9 | 8 | 8 | 6 | 9 | 8 | 8 | 7 | 6 | 7 | 8 | 9 | 7 | 10 | 7 | 9 | 8 | 9 | 8 | |
42 - A Dinner Invitation | Reflective, Hopeful, Bittersweet | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 7 | 4 | 6 | 6 | 7 | 7 | 10 | 8 | 8 | 8 | 9 | 9 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Powerful emotional impact, Compelling concept, Strong character development
- Engaging dialogue, Realistic portrayal of historical context, Tense atmosphere
- Effective portrayal of the dire situation of Jews in the ghetto, Compelling concept of using business to save lives, Strong dialogue and character dynamics
- Powerful portrayal of the Holocaust atrocities, Strong character development for Amon Goeth, Emotionally impactful scene
- Effective contrast between Schindler's lifestyle and the ghetto, Compelling character development for Schindler, Revealing dialogue about the SS's exploitation
Scene Weaknesses
- Limited emotional impact, Lack of significant character development
- Lack of strong emotional impact
- Limited character development, Lack of exploration of the theme
- Limited plot progression
- Limited external conflict
Suggestions
- Focus on increasing emotional impact throughout the screenplay by exploring the characters' inner lives and increasing their stakes in the story.
- Work on improving the dialogue to deepen the characters' relationships and conflicts, as well as to sharpen their personalities for a more memorable impact on the audience.
- Consider expanding the external conflict to increase cinematic tension and create more opportunities for character development and growth.
- Make sure to explore the themes of the story more deeply and consistently throughout the screenplay to give it greater resonance with audiences.
- Work on creating more well-rounded and dynamic characters, with believable motivations and behaviors that drive the narrative forward, while remaining true to their individual personalities and backstories.
- Physical environment: The physical environment in the screenplay is described as dismal, with cheap furniture, faded curtains, and peeling wallpaper. There are also specific locations such as Cracow, a construction site, a ghetto, a factory, and various other settings.
- Culture: The cultural elements present in the screenplay include the presence of different social groups such as SS officers, Polish cops, gangsters, girls, and entrepreneurs. There is also a division between Jews and non-Jews, as well as the presence of Jewish armbands and the black market.
- Society: The societal structure in the screenplay is influenced by the circumstance of war, with people from different backgrounds thrown together in the same space. There is a hierarchy of power and authority, with SS officers and guards exerting control over the Jewish population. Discrimination and oppression against Jews are prevalent.
- Technology: The technological aspect in the screenplay is represented by the use of radios, cars, trains, machines, typewriters, and other equipment. These technological elements play a role in transportation, communication, and industrial production.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a sense of tension, fear, oppression, and the struggle for survival. The characters are influenced by the societal structure and power dynamics, leading to moral dilemmas, acts of resistance, and attempts to save lives.
- Narrative contribution: The world elements in the screenplay contribute to the narrative by creating a vivid and immersive setting that reflects the historical context of World War II and the Holocaust. The physical environment, cultural elements, societal structure, and technology provide a backdrop for the characters' journeys, conflicts, and relationships.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth by exploring themes of power, oppression, discrimination, resistance, and the capacity for humanity in the face of darkness. The physical environment, cultural elements, societal structure, and technology serve as symbols and metaphors for these themes, adding depth and complexity to the story.
Voice Analysis | |
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Summary: | The writer's voice is characterized by descriptive and atmospheric language, sharp and impactful dialogue, and a focus on power dynamics and moral ambiguity. The narrative descriptions create vivid imagery and set the tone and atmosphere of each scene. The dialogue reflects the motivations and emotions of the characters, while also exploring complex themes and conflicts. The writer's voice adds depth and complexity to the screenplay, emphasizing the moral dilemmas and transformations of the characters. |
Voice Contribution | The writer's voice contributes to the script by creating a sense of tension, intrigue, and moral ambiguity. The descriptive and atmospheric language sets the mood and atmosphere of each scene, while the sharp and impactful dialogue reflects the power dynamics and emotional depth of the characters. The writer's voice adds depth and complexity to the screenplay, emphasizing the conflicting values and moral dilemmas faced by the characters. |
Best Representation Scene | 1 - Schindler's Nightclub Encounter |
Best Scene Explanation | This scene is the best representation of the writer's voice because it showcases the descriptive and atmospheric language, sharp and impactful dialogue, and focus on power dynamics and moral ambiguity that are characteristic of the writer's style. The narrative description sets the tone and atmosphere of the scene, while the dialogue reflects the power dynamics and manipulation of the characters. The writer's voice adds depth and complexity to the scene, emphasizing the conflicting values and moral dilemmas faced by the protagonist. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
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Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher Emotional Impact tend to have higher Overall Grades. |
Correlation between Conflict and High Stakes | There is a strong positive correlation between Conflict and High Stakes in this screenplay. Scenes with higher Conflict tend to have higher High Stakes. |
Correlation between Character Changes and Dialogue | There is a moderate positive correlation between Character Changes and Dialogue in this screenplay. Scenes with more Character Changes tend to have more Dialogue. |
Correlation between Tone and Emotional Impact | There is a weak positive correlation between Tone and Emotional Impact in this screenplay. Scenes with darker or more intense tones tend to have slightly higher Emotional Impact. |
Correlation between Concept and Plot | There is a weak positive correlation between Concept and Plot in this screenplay. Scenes with stronger concepts tend to have slightly more developed plots. |
Writer's Craft Overall Analysis
The writer demonstrates a strong command of language, character development, and scene construction. The scenes effectively set up the narratives and engage the audience through their unique voice and originality.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
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Book | Story by Robert McKee | This book provides insights and techniques for developing compelling characters, engaging plots, and effective storytelling. It can enhance the writer's craft in crafting impactful scenes, refining dialogue, and exploring philosophical conflicts. |
Course | Screenwriting Masterclass with Aaron Sorkin | This course offers valuable lessons and insights from a renowned screenwriter known for his engaging dialogue and complex characters. It can help the writer further develop their skills in crafting compelling and impactful scenes. |
Exercise | Write a scene with conflicting moral choicesPractice In SceneProv | Practicing writing scenes with conflicting moral choices can help the writer further explore and develop the philosophical conflicts present in their work. This exercise will enhance their ability to create tension and complexity in their scenes. |
Exercise | Write a scene with only visual storytelling, no dialoguePractice In SceneProv | This exercise can help the writer explore different ways of conveying emotions and advancing the narrative through visual cues and actions. It will enhance their skills in creating visual impact and engaging the audience without relying on dialogue. |
Exercise | Write a scene with conflicting valuesPractice In SceneProv | Practicing writing scenes with conflicting values can help the writer further explore and develop the philosophical conflicts present in their work. This exercise will enhance their ability to create tension and complexity in their scenes. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Mysterious Stranger | Oskar Schindler attracts the attention of a lieutenant who sends his sergeant to find out who he is. | The Mysterious Stranger trope is a common storytelling device where a character with unknown motives or background enters the story and intrigues other characters. |
Reluctant Hero | Oskar Schindler initially proposes a plan to use Jewish investors to own a company and pay them back in product, but Itzhak Stern is skeptical. | The Reluctant Hero trope is often used to create conflict and tension in a story. The hero is hesitant to take on their heroic role and may need convincing or face internal struggles before fully embracing their destiny. |
Establishing Shot | The scene starts with a mason troweling mortar onto a brick as the image drains of color. Meanwhile, a crew of brick-layers is erecting a wall where a street once ran unimpeded. | An Establishing Shot is a common technique used in film and television to establish the setting or location of a scene. |
Fish out of Water | Oskar Schindler enters a nightclub in Cracow and observes the clientele, including SS officers, Polish cops, gangsters, and girls. | The Fish out of Water trope is often used to create humor or tension by placing a character in a situation or environment they are unfamiliar with. |
Generous Boss | Schindler continues to entertain his guests and ensure everyone is having a good time. | The Generous Boss trope is often used to portray a character in a position of power who goes above and beyond to take care of their employees or subordinates. |
Forbidden Love | Schindler interrupts his conversation with Ingrid to take the reins of two horses and present them to the bride and groom as a wedding gift. A photographer takes a picture of Schindler with the couple. | The Forbidden Love trope is often used to create dramatic tension by depicting a romantic relationship that is socially or morally prohibited. |
Ghetto Life | The scene transitions to the ghetto gate where Goldberg, now a policeman, assists the Gestapo in deciding who enters the ghetto. Pfefferberg confronts Goldberg before entering the ghetto. | The Ghetto Life trope is often used to depict the struggles, hardships, and daily life of people living in a ghetto or confined area. |
Ethical Dilemma | Schindler learns from Stern that the standard SS rate for Jewish skilled labor is lower than what he would pay a Pole. Schindler questions why he should hire Poles if they cost more. | The Ethical Dilemma trope is often used to explore moral conflicts faced by characters when they have to make difficult choices between two or more conflicting values or principles. |
Redemption Arc | Schindler is uncomfortable when an old man, Lowenstein, thanks him for giving him a job and saving his life. | The Redemption Arc trope is often used to depict a character's journey from a morally compromised or flawed state to one of redemption and personal growth. |
Heroic Sacrifice | Schindler confronts a foreman about a worker who has been loading too much weight onto a truck. | The Heroic Sacrifice trope is often used to create a dramatic and emotional climax by having a character willingly give up their own well-being or life for the greater good or to save others. |
Memorable lines in the script:
Scene Number | Line |
---|---|
40 | Schindler: I could've got more... |
15 | Amon Goeth: Today is history and you are a part of it. |
19 | Schindler: All I have is Jews. |
8 | Schindler: There’s no way I could have known this before, but there was always something missing. In every business I tried, I see now it wasn’t me that was failing, it was this thing, this missing thing. Even if I’d known what it was, there’s nothing I could have done about it, because you can’t create this sort of thing. And it makes all the difference in the world between success and failure. |
39 | Schindler: I’m a member of the Nazi party. I’m a munitions manufacturer. I’m a profiteer of slave labor, I’m a criminal. At midnight, you will be free and I will be hunted. |
Some Loglines to consider:
Amidst the horrors of the Holocaust, a German businessman risks everything to save the lives of over a thousand Jews by employing them in his factory. |
A war profiteer's conscience is awakened, leading him on a path of redemption as he transforms his factory into a sanctuary for Jews during World War II. |
As the Nazi regime tightens its grip on Poland, a cynical businessman's life takes an unexpected turn when he becomes an unlikely hero to hundreds of persecuted Jews. |
Based on a true story, Schindler's List explores the complex moral choices individuals face during wartime and the power of one person to make a difference. |
The haunting journey of Oskar Schindler, from Nazi party member to savior of over a thousand souls, as he confronts the depths of human cruelty and the resilience of the human spirit. |
In the midst of the Holocaust, a German businessman, Oskar Schindler, uses his factory and connections to the Nazi party to save the lives of over a thousand Jews, becoming an unlikely savior in the face of unspeakable horrors. |
A wealthy German industrialist is transformed by the horrors of the Holocaust, leading him to risk everything to protect his Jewish workers from the Nazi death camps. |
Caught between his desire for profit and his growing conscience, a German businessman must confront his own moral complicity as he seeks to rescue his Jewish workers from the Nazi extermination of the Jews. |
Schindler's List follows the extraordinary true story of a German businessman who becomes a reluctant hero, using his wealth and influence to save the lives of over a thousand Jews during the Holocaust. |
In the darkest hours of World War II, a German businessman embarks on a perilous journey to save his Jewish workers from the Nazi death camps, grappling with his own moral contradictions along the way. |
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Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
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Engine: Gemini
Highly Recommend
Explanation: Schindler's List is a powerful and moving screenplay that masterfully portrays the horrors of the Holocaust and the triumph of the human spirit. Its complex characters, effective use of visuals, and sharp dialogue create an unforgettable cinematic experience.
Engine: Claude
Recommend
Explanation: Schindler's List is a powerful and well-crafted screenplay that chronicles the transformative journey of Oskar Schindler, a German businessman who becomes an unlikely savior of over a thousand Jews during the Holocaust. The screenplay effectively balances the harrowing historical events with the complex moral and emotional arcs of its characters, delivering a compelling and impactful narrative. While there are a few areas that could benefit from further development, the screenplay's strengths, particularly in its characterization, visual storytelling, and exploration of moral ambiguity, make it a strong candidate for adaptation.