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Scene Map 36
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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F O R Y O U R C O N S I D E R A T I O N BEST ORIGINAL SCREENPLAY Written by Alejandro G. Iñárritu Nicolás Giacobone
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3 INT. STAGE - THEATER - CONTINUOUS 3 ...the stage. Suddenly we are in the midst of an Americana style kitchen. Around the kitchen table sit Lesley (35), plain and no nonsense, her simple hairstyle and makeup can't hide how attractive she
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4 INT. HALLWAY - THEATER - CONTINUOUS 4 ...they walk through the corridor. JAKE Where are you going? We’ll have the understudy ready to rehearse in five--
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5 INT. RIGGAN'S DRESSING ROOM - THEATER - CONTINUOUS 5 ...his dressing room and tries to shut the door. Jake, still in the corridor, stops it with his foot. JAKE (Sticking his head in.)
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6 INT. HALLWAY - THEATER - CONTINUOUS 6 ...the hallway and as Jake makes a left turn, Annie enters from the right. JAKE Annie, turn the work lights on and get me a
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8 INT. HALLWAY - THEATER - CONTINUOUS 8 ...advance through the hallways. MIKE I'm Mike Shiner, by the way. SAM
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9 INT. COSTUME DEPARTMENT - THEATER - CONTINUOUS 9 ...Larry stressing out while he works on a costume. He turns to see Mike standing there. Sam stands against the wall, focused on her cell phone. LARRY
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10 INT. HALLWAY - THEATER - CONTINUOUS 10 ...through the hallway. He walks by Jake and Riggan who are mid conversation. We stay with them. RIGGAN (O.S.) I don’t care, sign it.
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11 INT. BACKSTAGE - THEATER - EVENING 11 ...we go through the stage door. We scan the backstage area to see the stagehands ready to do their jobs. We can feel the electricity of a first preview. On stage part of the kitchen set from before is visible. Annie
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12 INT. STAGE - THEATER - CONTINUOUS 12 ...where Mike goes to refill his glass with the last of the real gin. Riggan snatches the bottle out of his hands and gulps the rest, straight from the bottle. RIGGAN
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13 INT. HALLWAY - THEATER - CONTINUOUS 13 ...the hallway. Jake chases him. RIGGAN I want him gone. JAKE
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14 INT. RIGGAN'S DRESSING ROOM - THEATER - CONTINUOUS 14 ...his dressing room. He goes into the bathroom and quickly washes his face. SYLVIA (O.S.) What the hell was going on up there?
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15 INT. HALLWAY - THEATER - CONTINUOUS 15 ...the hallway. BIRDMAN (V.O.) Where are we goin'? RIGGAN
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17 INT. RUM HOUSE - CONTINUOUS 17 ...The Rum House. Mike stands at the bar, the bartender already pouring two whiskeys. MIKE (To bartender.)
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19 INT. HALLWAY - THEATER - LATER 19 ...the theater hallway. Riggan walks through the quiet corridor, until he arrives at... 20 INT. GREEN ROOM - THEATER - CONTINUOUS 20 ...the Green Room. Sam sits listlessly, drawing some lines
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21 INT. HALLWAY - THEATRE - CONTINUOUS 21 ...as he slowly walks until he disappears into the darkness of the corridor. We keep moving forward until we end up... 10/29/14 / 51. A21 INT. BACKSTAGE - THEATRE - EVENING A21
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22 INT. STAGE - THEATER - CONTINUOUS 22 ...music through the transition. It remains dark. MIKE Let's really do this. Let's fuck. LESLEY
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24 INT. STAGE - THEATER - CONTINUOUS 24 ...reposition some scenery for the curtain call. The camera carries us to the other side of the stage, where Mike and Lesley are in a heated exchange... MIKE
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INT. LESLEY AND LAURA'S DRESSING ROOM - THEATER - CONTINUOUS ...the dressing room and closes the door. Lesley proceeds to smash everything on her dressing table. Then she looks in the mirror holding a hairbrush. LESLEY
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29 EXT. ROOFTOP - THEATER - CONTINUOUS 29 ...a rooftop. The Marquis' of the other theaters glowing with the street lamps, a classic Broadway view. Mike is surprised to find Sam sitting on the cornice of the building, a good fifty feet above 45th street. He goes next to
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30 INT. RIGGAN'S DRESSING ROOM - THEATER - DAY 30 ...Riggan siting with his feet on the window frame, staring at a manila envelope in his hands that reads... "R, MALIBU REFINANCE DOCS. SIGN AND SEND ASAP. J." Riggan sighs and props the letter up against the mirror.
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32 INT. MIKE'S DRESSING ROOM - THEATER - CONTINUOUS 32 ...discovering Mike lying in a sun bed. His arm is sticking out of it, holding on to a copy of Borges's 'Labyrinths'. Riggan yanks the sun bed open. Mike is asleep, wearing tiny sun goggles. Riggan slams the lid down on him.
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34 INT. RIGGAN'S DRESSING ROOM - THEATER - CONTINUOUS 34 ...Riggan slams the door shut and paces in a rage. He glares at a make-up box on the table and, points his finger at it, and sends it flying across the room. BIRDMAN (V.O.)
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35 INT. HALLWAY - THEATER - CONTINUOUS 35 ...and now, from his view, we see Riggan yelling at the shadow. RIGGAN Fuck you! Fuck you! He picks up a chair and throws it down. He then picks up the
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38 EXT. ROOFTOP - THEATER - DUSK 38 ...the rooftop. He finds Sam standing on the cornice, looking at the street. MIKE For fuck's sake, just jump already.
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40 INT. ABOVE STAGE - THEATER - CONTINUOUS 40 ...the "grid" above stage where the lights are located. We can see, below us, the empty seats of the auditorium and the kitchen set. MIKE
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41 EXT. AN ALLEY WAY - OUTSIDE THE THEATER - CONTINUOUS 41 ...the alley. Down at the end, we can see the tourists making their way about the streets. Riggan lights the cigarette and leans back against the stage door trying to calm himself. RIGGAN
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44 INT. AUDITORIUM - THEATER - CONTINUOUS 44 ...the theater. Riggan stands in the back among the audience. He sees the "rain" falling on the stage. The "Motel" sign is lit. Mike and Lesley are in bed, for the motel scene, waiting for the knock on the door. With nothing else to do, Riggan
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46 INT. RIGGAN'S DRESSING ROOM - THEATER - CONTINUOUS 46 ...his dressing room. He puts on a robe. He walks to his refrigerator without acknowledging Sam who is sitting on the couch, scribbling her dashes on the toilet paper once again. Riggan takes out a plastic container of bologna and a jar of
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47 INT. HALLWAY - THEATER - CONTINUOUS 47 ...the hallway. As he passes by Mike’s door he can hear Sam and Mike. They’re trying to be as quiet as possible, but we can hear them flirting and laughing. He pauses for a moment but continues on. After a few seconds,
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49 EXT. STREET - CONTINUOUS 49 ...the street, where he walks through the theater district. Tired. Drunk. Empty. Neon lights all around him. A crazy, old homeless man passes by in the opposite direction shouting furiously. Riggan keeps walking until he arrives at a bench,
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51 EXT. THEATER - CONTINUOUS 51 ...he finally lands on 45th street and calmly approaches the theater. An Usher acknowledges him with a look of surprise. USHER Mr. Thomson. I think you forgot to--
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52 INT. RIGGAN'S DRESSING ROOM - THEATER - EVENING 52 ... that the room is full of roses and cards. Riggan lies on the sofa, hugging a cushion. He is wearing the long wig and mustache for the motel scene. Sylvia appears in the doorway.
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53 INT. HALLWAY - THEATER - CONTINUOUS 53 ...the hallway. He paces deliberately, gun in hand. A technician goes by in the opposite direction. TECHNICIAN Break a leg, Mr. Thomson.
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INT. ROOM - HOSPITAL - CONTINUOUS ...a room. Jake peers in. Riggan lies on a bed, the bandages on his nose cover most of his face. Sylvia is looking out the window. JAKE
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INT. BATHROOM - ROOM - HOSPITAL - CONTINUOUS ...the bathroom. He stands before the mirror. He stares at his reflection for a few seconds, and slowly begins to remove the bandages. We can see that Riggan’s nose has been reconstructed. It is a crooked, incomplete nose, like the one

Birdman

A washed-up superhero actor, struggling to regain his artistic credibility, must confront his inner demons and the challenges of his past as he prepares to star in a Broadway play, blurring the lines between reality and his alter ego, Birdman.

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Overview

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Unique Selling Point

Get ready for a theatrical experience unlike any other as "Birdman" takes you on a wild and introspective journey through the mind of a washed-up actor grappling with his fading fame, troubled relationships, and the haunting voice of his former iconic superhero character. This captivating screenplay combines elements of dark comedy, surrealism, and psychological drama to deliver a unique and thought-provoking exploration of identity, ambition, and the elusive nature of success. Step into the chaotic world of theater, where the boundaries between reality and fantasy blur, and prepare to witness an unforgettable tale of a man confronting his inner demons, seeking redemption, and ultimately discovering a profound sense of self-acceptance.

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Claude
 Recommend
GPT4
 Highly Recommend
Story Facts
Genres:
Drama 60% Comedy 25% Fantasy 15% Romance 10%

Setting: Present Day, New York City

Themes: The Struggle for Relevance and Legacy, The Fragility of the Ego and the Illusion of Control, The Complexities of Family Relationships, The Nature of Art and Authenticity

Conflict & Stakes: Riggan's struggle with his fading career, his strained relationship with his daughter, and his own mental health issues. The stakes are high as Riggan's career and personal life are on the line.

Mood: Intense, introspective, and darkly comic

Standout Features:

  • Unique Hook: The film's unique blend of drama, comedy, and fantasy.
  • Plot Twist: Mike's true character and his motives for joining the production.
  • Performance: The outstanding performance by Michael Keaton as Riggan Thomson.
  • Cinematography: The film's innovative and visually stunning cinematography.

Comparable Scripts: Sunset Boulevard, Network, The Wrestler, Birdman of Alcatraz, Taxi Driver, The Elephant Man, King Lear, All About Eve, The Shining, The Master

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Overall Score: 8.10
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