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Scene Map 51
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. POLISH VILLAGE - FLASHBACK - DAY A picturesque European village, quaint and charming. We follow a pretty young TEENAGE GIRL down the street. FX: RUDKI, POLAND. OCTOBER 1, 1984 Suddenly the girl stops, alarmed, clutching her stomach.
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EXT. POLISH VILLAGE - NIGHT Night has fallen. A violent thunderstorm rips through the heavens. Rain sleeting down. Throughout the village, nervous TOWNSPEOPLE huddle in groups, whispering, sharing gossip. INT. POLISH HOME - NIGHT
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EXT. POLISH VILLAGE - NIGHT A mob forms. The villagers are scared. Demanding answers. TITLE CARD: “None of the women showed any prior signs of pregnancy.” The mob surrounds the house. Suddenly they are struck by a
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INT. CONCERT HALL - NIGHT New York. A darkened concert hall. A beautiful young woman takes the stage, violin in hand. She begins to play. TITLE CARD: 30 YEARS LATER This is VANYA. Like all our main characters, she is in her
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EXT. SUBURBAN NEIGHBORHOOD - NIGHT A quiet suburban neighborhood. We zero in on a specific house. The back door has been broken. Glass everywhere. Through the living room window, we see the FAMILY, seated in the center of the room, bound and gagged.
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INT. RAVE CLUB - NIGHT A rave in Amsterdam. Pulsing lights, sweaty bodies. Vanya’s violin solo BLENDING SEAMLESSLY with the pulsing electronic music. We DRIFT through the club-- Rising past the spiral staircase--
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INT. CONCERT HALL - NIGHT Now the MONTAGE picks up speed, INTERCUTTING at will-- Vanya launches into a feverish violin solo, the bow moving almost too fast to see. INT. SUBURBAN HOUSE - NIGHT
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EXT. CHATEAU MARMONT PATIO - NIGHT Allison sits at a table, surrounding by people but somehow still alone. Everyone else is laughing, drinking, enjoying being young and famous. Allison just stares straight ahead. One of her assistants leans in, whispers something in her
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INT. CONCERT HALL - NIGHT We return to Vanya, still playing her heart out. As we PAN AROUND HER, the cell phone in her back pocket suddenly LIGHTS UP, vibrating. Her concentration breaks; she plays the wrong note. The solo
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EXT. STREETS OF NEW YORK - NIGHT Vanya hurries down the sidewalk, violin case in hand. Suddenly she stops short, staring at a STOREFRONT TELEVISION. The screen shows a picture of a DISTINGUISHED OLDER MAN wearing a gleaming SILVER MONOCLE. The news crawl reads
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EXT. COUNTRY ROAD - DAY A taxi winds its way down a series of twisting gravel roads. Dense forest on all sides. Vanya sits in the back of the taxi, gazing out the window. Her mind a million miles away. EXT. UMBRELLA ACADEMY - GROUNDS - DAY
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INT. MANSION - GRAND HALL - MOMENTS LATER Once upon a time this was a magical place, a wonderland of cutting-edge technology and strange archeological artifacts gathered from around the globe. But Hargreeves spent the last decade of his life alone, and the once-great manor has fallen
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INT. MANSION - HARGREEVES’ ROOM - DAY Hargreeves’ bedroom, chilly and austere. Luther runs his hand along a FAINT INDENTATION left in the mattress. The spot where his father slept for the last 30 years. Luther’s body is hidden beneath a massive OVERCOAT that does
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INT. MANSION - LIBRARY - DAY Vanya enters Hargreeves’ library. She scans the wall-to- ceiling shelves, searching for a specific title. To her surprise, she actually finds the book: “Extra Ordinary: My Life as Number Seven,” by Vanya Hargreeves. The
15
INT. MANSION - CORRIDOR - MOMENTS LATER Vanya and Pogo pause before a FRAMED PORTRAIT on the wall. It shows the young boy we met earlier in the story. The placard at the bottom of the painting reads NUMBER FIVE. VANYA
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INT. MANSION - TROPHY ROOM - SAME TIME Meanwhile, Allison enters a cavernous room filled with UMBRELLA ACADEMY MEMORABILIA. Posters and news clippings of their exploits. Merchandised toys and costumes. Allison turns in a slow circle. Her gaze falls on--
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INT. MANSION - DINING ROOM - SHORT TIME LATER Diego, Vanya, Klaus, and Allison are seated at the long dining table. Luther enters, moves to the head of the table. DIEGO Can we hurry this along?
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INT. MANSION - TRAINING ROOM - FLASHBACK We follow Hargreeves as he prowls the Academy TRAINING ROOM. A futuristic cross between NASA’s Jet Propulsion Laboratory and the X-Men’s Danger Room. We pass an exercise area, where YOUNG LUTHER is effortlessly
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INT. MANSION - TRAINING ROOM - CORRIDOR - CONTINUOUS We follow Hargreeves down a narrow corridor, past a series of individual training rooms. (Think racquetball courts, modified with floor-to-ceiling bulletproof shielding.) Inside the first court, a group of frightened-looking ARMED
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INT. MANSION - SITTING ROOM - DAY A CERAMIC URN is opened. It’s filled with CREMATED ASHES. Klaus dips his hand into the urn, lets the ashes spill through his fingertips. Glances around the room. KLAUS
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INT. MANSION - HARGREEVES’ OFFICE - DAY The walls of Hargreeves’ office are covered with hunting trophies. Some we recognize--elephant, bear, rhino--and some we do not. Some don’t look like they came from this planet. Luther sits behind a massive mahogany desk, ransacking the
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INT. MANSION - VANYA’S ROOM - SAME TIME Vanya sits on her childhood bed, surrounded by dolls and stuffed animals. The room hasn’t changed in twenty years. The overhead lights begin to FLICKER. We hear a RATTLE-- An old SILVER LOCKET on the table has begun to VIBRATE. As
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EXT. UMBRELLA ACADEMY - GROUNDS - SAME TIME Diego bursts out of the mansion. Pogo follows close behind. A BLAZING ELECTROMAGNETIC DISTURBANCE hovers just above the driveway, hissing and crackling like a fireball. The air around them is alive, ripped by gale force WINDS.
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INT. MANSION - KITCHEN - AFTERNOON Number Five enters the kitchen, heads straight for the fridge. The others follow him, still hopelessly confused. LUTHER What are you doing?
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INT. MANSION - NUMBER FIVE’S ROOM - SHORT TIME LATER Vanya goes looking for Number Five, finds him standing in his old bedroom, staring at his old toys and books, forlorn. NUMBER FIVE He kept all my things.
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INT. MANSION - HARGREEVES’ OFFICE - AFTERNOON Allison enters her father’s old office. Luther is studying the AUTOPSY REPORT that Diego stole from the coroner. We glimpse EVIDENCE PHOTOS of Reginald Hargreeves lying dead in his bed, hands clasped peacefully across his chest. It’s
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INT. MANSION - CORRIDOR - CONTINUOUS Allison follows Luther out of the office. ALLISON Then what? Why do you even care? Luther spins around. CRUNCH. Puts his fist through the
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INT. MANSION - GRAND BALLROOM - SAME TIME Meanwhile, Diego saunters down a different corridor. He pauses outside the grand ballroom. His jaw drops. The ballroom is filled with FLOATING CLOTHES. Men’s suits and women’s dresses, all performing a slow, elaborate BALLROOM
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EXT. UMBRELLA ACADEMY - SUNDOWN One by one, the siblings emerge from the mansion. Single- file, they start across the field. EXT. UMBRELLA ACADEMY - GROUNDS - MOMENTS LATER The funeral takes place beneath a towering elm tree. All six
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EXT. FOREST - SAME TIME Deep in the forest, figures are moving. We catch flashes of ORANGE-AND-BLACK BODY ARMOR. Leather boots tromping through mud. Sunlight glinting off FUTURISTIC WEAPONRY. Slowly, the figures emerge from the underbrush. Each is
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EXT. CITY STREET - DAY - FLASHBACK Another FLASHBACK. A quartet of NINETIES YUPPIES--two guys, two girls--clown their way down the sidewalk. This looks like the intro to your typical 90’s sitcom. They reach a BANK. One of the guys holds the door open for
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INT. BANK - DAY - FLASHBACK Hours later. The bank is under siege. We follow a ROBBER #4 as he patrols the floor, AK-47 in hand. Various CUSTOMERS and BANK EMPLOYEES huddle on the floor, sobbing, terrified. We approach ROBBER #1, currently in the process of losing his
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EXT. CITY STREET - MOMENTS LATER - FLASHBACK Hostages flee the bank. They are met in the street by the POLICE PRESENCE surrounding the building. From inside the bank, we hear a DULL IMPACT. Several windows explode, showering the street with glass.
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EXT. CITY STREET - SAME TIME - FLASHBACK Police, hostages, and TV camera crews all watch, astounded, as the bank doors open and the rescuers emerge... They’re children. Little kids wearing domino masks. Young Luther surveys the scene, beaming with pride.
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EXT. OUTSIDE ACADEMY GATE - SUNDOWN Dusk. The sky bathed in hues of purple and blue. Vanya stands by the road, checking her phone. Behind her, the security gate creaks open and Pogo emerges. VANYA
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INT. MANSION - NIGHT The siblings have retreated to adjacent rooms. Luther is slumped in the darkened sitting room. Number Five is scouring the kitchen for some instant coffee. Klaus floats above him, staring raptly at his fingers, stoned out of his gourd.
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EXT. UMBRELLA ACADEMY - NIGHT Diego climbs behind the wheel of his BLACK ‘72 CUTLASS SUPREME CONVERTIBLE. He slams the door. As he starts the car, Klaus LEVITATES into frame and settles into the passenger seat. He smiles brightly at Diego.
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INT. MANSION - KITCHEN / SITTING ROOM - SAME TIME Number Five angrily slams the pantry door. NUMBER FIVE Pogo, for the love of Christ, tell me there’s coffee somewhere.
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INT. MANSION - GARAGE - MOMENTS LATER Number Five hits the lights, revealing a garage stacked with CLASSIC CARS. Jay Leno would be jealous. He climbs behind the wheel of the Bentley. Attaches a WOOD BLOCK to his right shoe to reach the pedals.
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EXT. UMBRELLA ACADEMY - ROOFTOP - NIGHT Allison climbs out her bedroom window onto the sloped roof. She finds Luther, sitting alone, gazing up at the stars. He holds up the EYE OF ANUBIS GEM, stares through it, breaking the sky into a prism of competing constellations.
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INT. MANSION - BEDROOM - MOMENTS LATER Allison gathers her luggage, starts for the door. Her gaze falls on an old PHOTOGRAPH of the Umbrella Academy in its prime. Seven smiling children, grinning and laughing. She gazes at the image. Perhaps remembering how different
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INT. ALL-NIGHT DINER - CONTINUOUS The diner is mostly deserted: a handful of CUSTOMERS, a tired- looking WAITRESS, a FRY COOK behind the grill. Number Five sits at the counter, signals for the Waitress. NUMBER FIVE
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EXT. ALL-NIGHT DINER - CONTINUOUS WHUMP! A dull explosion lights up the interior of the diner. Debris rains across the parking lot. INT. ALL-NIGHT DINER - CONTINUOUS In a matter of seconds, the entire diner has been reduced to
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EXT. ALL-NIGHT DINER - CONTINUOUS BLINK! Number Five reappears in the diner’s parking lot, skidding to a stop. He looks around wildly. But the alleyway is empty. Skull Face is already gone. Number Five turns in a slow, helpless circle. He can feel the
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EXT. PRESS CONFERENCE - DAY - FLASHBACK Our final FLASHBACK of the episode: The hostage situation has ended. Reginald Hargreeves holds an impromptu press conference outside the bank. The costumed children--minus Vanya, of course--are lined up behind him.
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INT. MANSION - HARGREEVES’ OFFICE - NIGHT Luther sits alone in the darkened office. He spins the EYE OF ANUBIS ruby, watches it clatter across the desk. Suddenly he senses a change. Glances up sharply. Allison stands in the doorway. Wearing her BLACK DOMINO MASK.
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INT. MANSION BASEMENT - MOMENTS LATER Luther opens the door to the basement storage room. Inside we see CRUMBLING STATUES, scrap-metal AUTOMATONS, piles of ancient UMBRELLA ACADEMY MERCHANDISE. Allison follows him into the room, baffled.
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INT. CONCERT HALL - NIGHT The same New York City concert hall we visited in the prologue. Several JUDGES sit in the balcony, little more than dim silhouettes. A YOUNG MAN plays the violin onstage. The young man finishes his solo, bows stiffly. The lead judge
49
EXT. WATERFRONT - NIGHT Diego stands at the end of a rickety wooden pier, the waters of the Hudson lapping against the dock. His convertible is parked in the background, Klaus in the passenger seat. Diego stares into the water, his expression conflicted.
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INT. VANYA’S APARTMENT - LATE NIGHT Vanya returns to her cozy little apartment, still on a high after the best audition of her entire life. She places her violin on the shelf. Hangs up her coat. Turns on the light. Revealing NUMBER FIVE, calmly drinking a cup of coffee at her
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EXT. POST-APOCALYPTIC LANDSCAPE - DAY Number Five wanders through a DESERTED CITY. There are BODIES EVERYWHERE, desiccated, little more than skeletons. They’re strewn on the sidewalk, slumped behind the wheel of their cars, collapsed in their chairs at an outdoor cafe.

The Umbrella Academy

In the aftermath of their father's death, the estranged members of the Umbrella Academy, a group of adopted siblings with extraordinary abilities, must reunite to uncover the truth behind his mysterious demise and prevent an impending apocalyptic threat.

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Overview

Poster
Unique Selling Point

The unique selling proposition of 'The Umbrella Academy' lies in its unconventional approach to the superhero genre, focusing on the dysfunctional family dynamics of adopted siblings with extraordinary abilities. The blend of dark humor, emotional depth, and a mysterious overarching plot about their father's death and its implications sets it apart from typical superhero narratives, appealing to audiences looking for character-driven stories with a mix of action and drama.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Sci-Fi, Action, Thriller, Mystery, Science Fiction, Fantasy, Family, Comedy, Superhero, Adventure, Crime, Music, Post-Apocalyptic

Setting: 1984 and present day, A Polish village, New York City, Amsterdam, and a mansion known as the Umbrella Academy

Themes: Dysfunctional Family Dynamics, The Search for Identity and Belonging, The Legacy of Trauma and Abuse, The Nature of Family and Love, The Burden of Extraordinary Abilities, Mystery and Intrigue Surrounding the Father's Death

Conflict & Stakes: The siblings grapple with their father's mysterious death, their own fractured relationships, and the looming threat of a post-apocalyptic future.

Mood: Tense and introspective, with moments of dark humor and emotional depth.

Standout Features:

  • Unique Hook: The story revolves around a dysfunctional family of superheroes dealing with their father's death and their own powers.
  • Major Twist: The revelation of Number Five's time-traveling experiences and the implications of his knowledge about the apocalypse.
  • Distinctive Setting: The juxtaposition of a quaint Polish village with the high-tech Umbrella Academy mansion creates a unique backdrop.
  • Innovative Ideas: The integration of supernatural abilities with real-world issues like family dynamics and personal struggles.
  • Unique Characters: Each sibling has distinct powers and personalities, contributing to the overall narrative complexity.

Comparable Scripts: The Umbrella Academy, The Handmaid's Tale, The Giver, Children of Men, The Secret Garden, The Babadook, The Witch, The Virgin Suicides, The Others

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.25
Story Critique
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Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

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Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
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Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
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Memorable Lines
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World Building
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Correlations
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Loglines
Presents logline variations based on theme, genre, and hook.