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Scene Map 27
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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A QUIET PLACE Screenplay by Bryan Woods & Scott Beck and John Krasinski Story by
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6 INT. GENERAL STORE - FRONT - LATE AFTERNOON 6 The father gently puts the box on the ground and pulls back the pieces of thick quilt to reveal that all the contents are actually wrapped in it. 4.
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10 EXT. BRIDGE - LATE AFTERNOON 10 From the ground we look up at an old and rusted bridge towering over us eerily... the sand path continues across it. WE TRACK WITH THE FAMILY as they walk across the bridge... There are minor creaks underneath the sand.
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12 INT. TRUCK - LATE AFTERNOON 12 CLOSE UP PROFILE of a steering wheel in the foreground. A weathered CHEVY emblem reflects the fire orange sky in the background. HANDS come into frame and gently grip the steering wheel.
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18 INT. BARN - SAFE ROOM - SUNSET 18 WE NOW SEE MARCUS has descended a makeshift stairwell into... A small excavated room illuminated by work lights. Lodged up against the walls and across the ceiling are wooden beams. In between each beam are varying stages of an elaborate
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22 INT. BARN - TABLE - NIGHT 22 The family sits down together for dinner... around an old workbench. Their heads bowed in prayer, after a moment EVELYN lifts her head and they begin to eat. There are no plates. The food sits on various children’s plastic
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26 INT. FARMHOUSE - BASEMENT - NIGHT 26 WE SLOWLY PULL BACK from THAT SAME SHOT of the FARMHOUSE and reveal... a plastic frame... A red light... buttons. We realize this image is being viewed... on a small monitor. CCTV FOOTAGE... from A SECURITY CAMERA.
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27 INT. FARMHOUSE - BASEMENT - STEPS - NIGHT 27 WE ARE OVER the warmly, lit from above, stairwell with LEE at his work station in the background as... Delicate bare feet touch down softly, and deliberately on the steps... Like a child knowing where to step so they don’t
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35 EXT. FARMHOUSE - DAY 35 CLOSE ON REGAN... as she is placed down onto the sand path. A HAND COVERS HER MOUTH! AS REGAN spins around we see... LEE kneeling in front of her. LEE (SIGNING)
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38 INT. BARN - REGAN’S ROOM - DAY 38 REGAN enters... And throws the hearing aid her father made her onto the dirt floor. This is the first time we have seen her bedroom. It is sparse. A hay bale covered in bed sheets... a small crate with a neat pile of books inside and
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43 EXT. RIVER - LATE AFTERNOON 43 An immediate and jarring sound of water rushes in as we are: TIGHT ON MOVING WATER over rocks. [NOTE: THE SOUND WILL CONTINUE THROUGHOUT THE ENTIRETY OF THIS SCENE]
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47 EXT. ROAD - LATE AFTERNOON 47 WE MOVE SLOWLY ALONG A ROAD, PANNING DOWN from gargantuan trees... until we finally reveal... REGAN walking towards camera. Suddenly coming into frame all around her is... THE BRIDGE.
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51 EXT. WOODS - LATE AFTERNOON 51 LEE and MARCUS appear through an oddly beautiful exit from the woods and begin walking along a path. PROFILE on LEE as we see the tall thin trees of a swamp behind him.
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53 INT. FARMHOUSE - BASEMENT - LATE AFTERNOON 53 WE ARE LOW looking up the basement stairs as suddenly... EVELYN appears in the narrow doorway and grabs hold of the wall, still carrying the children’s mirror. She takes a moment and then begins to descend the exposed stairs with the
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60 INT. FARMHOUSE - BASEMENT - DUSK 60 ON EVELYN as she quickly slides in behind a large boiler. We can see the basement stairs in the background. EVELYN squeezes her eyes shut... and begins murmuring to herself... THE NONDESCRIPT SOUND IS SLIGHTLY LOUDER... A
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63 INT. FARMHOUSE - UPSTAIRS BATHROOM - DUSK 63 FROM ABOVE we see EVELYN enter the room carrying the thick blankets from the stairs and turns on the bathroom light... spots of blood smear on the floor. ON EVELYN as she slowly gets into the bathtub. Tears fall
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71 EXT. CORNFIELD - NIGHT 71 WE HOLD ON THE TOPS OF THE DENSE CORN, the creature like silhouette of the giant watering device looming... as the last of a series of bottle rockets fire into the darkening night sky.
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74 EXT. FARMHOUSE - NIGHT 74 WE ARE WIDE on the FARMHOUSE. The RED CHRISTMAS lights sway gently in the now calm night air. After a long quiet moment... LEE appears at the doorway. He carries EVELYN in his arms...
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77 INT. BARN - SAFE ROOM - NIGHT 77 Silence... The frame filled with a dark brown... Time has passed. Then... WE TRAVEL DOWN from the dirt ceiling... past a hook on the wooden support beam... to a clear plastic IV BAG hanging...
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79 INT. BARN - NIGHT 79 WE ARE ON THE FAMILIAR image of the interior of the BARN. Suddenly, the mattress on the ground... moves. Then... LEE’s head slowly arises from underground. LEE stands to see their barn... their life has been tossed
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82 EXT. CORNFIELD - NIGHT 82 From black... a flashlight slices into frame, illuminating the looming corn stalks on either side as WE MOVE SLOWLY along a thin sand path that cuts through the dense corn. LEE walks into frame.
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89 INT. SILO - GRAIN PILE - NIGHT 89 MARCUS ferociously claws at the grain where his sister once was when suddenly... HE BEGINS TO MOVE! MARCUS looks back across the mountain and sees that the corn
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95 INT. FARMHOUSE - BASEMENT - DAWN 95 WE ARE OVER THE STAIRS looking through the basement to the monitors. Suddenly... A dripping wet foot steps into frame... and then another as...
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110 EXT. TRUCK - DAWN 110 WE ARE CLOSE ON LEE as he registers this miraculous sight of his daughter and watch... AS THE MOST JOYFUL SMILE EXPLODES ACROSS HIS FACE! LEE breathes heavily... taking in this new information...
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119 INT. FARMHOUSE - BASEMENT STAIRS - DAWN 119 WE LOOK DIRECTLY up the basement stairs toward the warm hallway at the top. Suddenly... EVELYN steps into frame carrying MARCUS, and rushes down the stairs and into the basement.
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120 INT. BASEMENT - DAWN 120 WE ARE ON THE STAIRS as REGAN’s feet step down into frame. As REGAN reaches the basement floor, she pauses a moment, still looking at her feet... and then slowly turns. EVELYN picks the baby out from a box and grabs MARCUS tight.
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WE ARE ON MARCUS who’s sweat has indeed made it to his chin... THEN FALLS. WE FOLLOW THE SWEAT... AS IT HITS THE BABY... THE BABY BEGINS TO CRY!!!! THE CREATURE SUDDENLY WHIRLS AWAY FROM REGAN TOWARD THE TANKS

A Quiet Place

In a world where sound is deadly, one family fights to survive against all odds.

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Overview

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Unique Selling Point

AI Verdict & Suggestions

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Gemini
 Recommend
Claude
 Recommend
Story Facts

Genres: Thriller, Drama, post-apocalyptic, horror, Post-Apocalyptic, Sci-Fi, science, fiction, Horror, Science, Fiction, drama, action, survival

Setting: Present day, A small town in the Midwest

Conflict & Stakes: None provided

Mood: None provided

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.00
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Emotional Analysis

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Goals and Philosophical Conflict
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Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
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Scene Analysis

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Writer Exec

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Unique Voice
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Writer's Craft
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Memorable Lines
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Tropes
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World Building
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Correlations
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Loglines
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