Hors de prix
Executive Summary
Pass/Consider/Recommend/Highly Recommend
This changed recently. Ratings are subjective. So you get two engines' ratings to compare.
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Overview
Genres: drama, romance
Setting: Not specified, Not specified
Overview: The screenplay demonstrates strong character development, emotional depth, and thematic exploration. However, it lacks originality and innovative storytelling elements, which could limit its marketability.
Themes: Betrayal and Infidelity, Emotional Disappointment and Loneliness, Self-Discovery and Independence, Guilt and Consequences, Relationship Dynamics and Change, Finding Joy and Redemption
Conflict and Stakes: Not provided in the given text
Comparable Scripts:
Market Analysis
Budget Estimate:Not provided in the given text
Target Audience Demographics: Not provided in the given text
Marketability: Not provided in the given text
Not provided in the given text
Not provided in the given text
Profit Potential: Not provided in the given text
Scene Level Percentiles
Emotions Elicited Percentiles
Robert McKee: "The audience doesn’t go to the movies to see plot; they go to feel emotion, to be moved."
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Memorable Lines:
- Jacques: But you took three hours to get ready too. (Scene 2)
- Irène: Qu’est ce que vous faites ? (Scene 3)
- Irène: Fais quelque chose. Jean... JEAN ! (Scene 7)
- Irène: Quatre jours! (Scene 15)
- Irène: En fait, tu es un prince. (Scene 25)
Story Shape
Emotions Elicited
Engine: Gemini
Screenplay Rating:
Consider
Executive Summary
Hors de prix is a witty and entertaining screenplay with a strong female lead and a glamorous setting. However, the pacing could be improved, and some character motivations and the ending require further development. Exploring the ethical dimensions of the story and adding depth to the supporting characters would enhance the screenplay's overall impact.
Strengths
- The screenplay excels in its witty and sharp dialogue, creating a consistent tone of lighthearted cynicism and amusement. high
- The character of Irène is well-developed, showcasing her cunning, ambition, and vulnerability as she navigates the world of luxury and relationships. high
- The screenplay's setting in luxurious hotels and high-society events adds a layer of escapism and glamour, enhancing the overall appeal of the story. medium
- The romantic tension between Irène and Jean is palpable, creating a compelling dynamic that keeps the audience engaged. medium ( Scene 31 Scene 66 Scene 70 )
- Jean's transformation from a submissive pushover to a manipulative individual is an interesting character arc, adding depth to the story. medium ( Scene 75 Scene 81 )
Areas of Improvement
- The pacing of the screenplay could be improved, particularly in the middle section where the repetition of shopping sprees and hotel encounters slightly slows down the momentum. high
- Jean's motivations and backstory could be further explored to provide a deeper understanding of his actions and choices. medium
- The ending feels somewhat abrupt, leaving the future of Irène and Jean's relationship unclear and lacking a definitive resolution. medium ( Scene 114 Scene 115 )
MissingElements
- The screenplay could benefit from exploring the ethical implications of Irène and Jean's actions, adding a layer of complexity and moral ambiguity. medium
- The supporting characters, such as Jacques and Madeleine, could be given more depth and development to enhance the richness of the story. low
NotablePoints
- The use of recurring motifs, such as the cocktail umbrellas and the phrase "hors de prix," effectively reinforces the themes of materialism and value. medium
- The screenplay's humor often stems from the absurdity of the situations and the characters' self-delusion, creating a unique comedic style. medium
Engine: Claude
Screenplay Rating:
Consider
Executive Summary
Hors de prix is a well-crafted, character-driven screenplay that explores the complexities of relationships, class, and personal growth. While the opening sequences could be tightened, the screenplay effectively builds tension and emotional investment in the central characters, particularly the evolving dynamic between Jean, Irène, and Madeleine. The screenplay's notable strengths include its well-developed character arcs, engaging narrative moments, and a satisfying conclusion. Areas for improvement include a more cohesive thematic focus and further development of some subplot elements. Overall, the screenplay presents a compelling and entertaining story that would likely resonate with audiences.
Strengths
- The screenplay opens with a strong introduction to the main characters, Irène and Jacques, establishing their dynamic and setting the stage for the central conflict. high ( Scene 7 (INT . SOIR / SUITE LUXUEUSE / SALLE DE BAIN) )
- The screenplay effectively builds the relationship between Jean and Irène through a series of engaging scenes that explore their growing attraction and connection. high ( Scene 11 (INT . SOIR / BAR) Scene 12 (INT / NUIT . ASCENSEUR) Scene 13 (INT / NUIT . PALIER) Scene 14 (INT / NUIT . CHAMBRE) )
- The screenplay effectively weaves in humorous and lighthearted moments, such as Jean's interactions with Gilles over the phone, that provide a nice balance to the more dramatic elements. medium ( Scene 19 (INT / JOUR . RESTAURANT DE L'HOTEL) Scene 20 (INT / SOIR . TOILETTES DU RESTAURANT DE L'HOTEL) )
- The screenplay effectively explores the complexities of the relationships between the characters, particularly the evolving dynamic between Jean, Irène, and Madeleine. high ( Scene 23 (EXT / JOUR . PLAGE) Scene 24 (INT / JOUR . SALON DE BEAUTE) Scene 25 (INT / JOUR . SUITE GILLES/IRENE) )
- The screenplay builds to a satisfying conclusion, with the characters' journeys coming to a meaningful resolution. high ( Scene 26 (EXT / SOIR . HOTEL / SUITE JACQUES) Scene 27 (INT / NUIT . COULOIR DE L'HOTEL / SUITE JEAN) Scene 28 (AUTOROUTE / PETIT MATIN) )
Areas of Improvement
- The opening sequence of the screenplay could be tightened and streamlined to better establish the central conflict and characters more efficiently. medium ( Scene 1 (EXT.JOUR / RUE) Scene 2 (INT . JOUR / BIJOUTERIE) Scene 3 (INT . JOUR / MAGASIN DE VÊTEMENTS) Scene 4 (INT . JOUR / MAGASIN DE CHAUSSURES) Scene 5 (EXT . JOUR / PATIO D'UN HOTEL DE LUXE) Scene 6 (EXT . JOUR -/ JARDIN DE L'HOTEL) )
- The screenplay could benefit from a more consistent and compelling narrative structure, as the transitions between some of the early scenes feel abrupt at times. medium ( Scene 8 (INT . SOIR / BAR DE L'HOTEL) Scene 9 (INT NUIT / BAR DE L'HOTEL) Scene 10 (INT / NUIT . ASCENSEUR) )
- The subplot involving Mme Contini could be further developed and integrated more seamlessly into the overall narrative. low ( Scene 22 (INT / JOUR . SUITE MME CONTINI) )
MissingElements
- The screenplay could benefit from a more clearly defined central theme or message that ties the various plot elements and character arcs together in a more cohesive way. medium
- While the characters are well-developed, the screenplay could explore their motivations and internal conflicts in greater depth to further enhance their complexity and emotional resonance. medium
NotablePoints
- The scene in the salon of beauty is a standout, as it effectively captures the growing tension and shifting dynamics between the characters. high ( Scene 17 (INT / JOUR . SALON DE BEAUTE) )
- The scene in Irène and Gilles' suite is a well-crafted moment of character development, revealing deeper layers of Irène's motivations and emotional state. high ( Scene 21 (INT / SOIR . SUITE IRENE / GILLES) )
- The final sequence on the highway is a poignant and bittersweet conclusion, leaving the audience with a sense of hope and possibility for the characters. high ( Scene 28 (AUTOROUTE / PETIT MATIN) )
Screenplay Insights:
Characters: 7.5, The screenplay's character development is fairly effective, with some notable strengths but also areas that could be refined to enhance the audience's connection to the characters. The relationships between the characters are well-established and believable, and their motivations are clear. However, some of the characters could benefit from greater depth and complexity to make them more relatable and emotionally engaging. See More
Premise: 7.5, The screenplay establishes a reasonably compelling and clear premise, but there are some areas that could be enhanced to strengthen its originality, clarity, and potential audience engagement. See More
Structure: 7.5, The screenplay exhibits a compelling narrative structure, with its three-act structure lending clarity and logical progression to the story. The plot is engaging, and tension effectively builds throughout the scenes. However, the resolutions of some subplots feel abrupt, impacting the overall satisfaction of the narrative. With a focus on refining these elements, the screenplay can enhance its impact and emotional resonance. See More
Theme: 7.5, The screenplay effectively explores themes of loneliness, regret, and the search for connection, but it could benefit from a clearer articulation of its messages and a more nuanced portrayal of its characters. See More
Visual Impact: 9.25, The screenplay provides a solid foundation for visual storytelling, effectively capturing the emotional atmosphere and character dynamics through its visual descriptions. The portrayal of intimate moments between characters is particularly strong, creating a sense of closeness and vulnerability. See More
Emotional Impact: 7.5, This screenplay elicits strong emotional responses through its themes of love, betrayal, and self-discovery. While it effectively depicts emotional turmoil and showcases compelling character development, the depth and impact of the emotional journey could be enhanced by expanding on the characters' inner conflicts and motivations, exploring the consequences of their actions more thoroughly, and incorporating a wider range of emotional experiences. See More
Conflict: 7.5, The screenplay presents a compelling conflict between Irène, Jean, and Jacques, exploring themes of betrayal and emotional disappointment. While the conflict is clear and the stakes are personal, the resolution could be further developed to enhance audience satisfaction and narrative tension. See More
Originality: 6.50, This screenplay showcases a complex and emotionally charged narrative with well-developed characters. However, despite its strengths in character development and dialogue, the story lacks originality and fails to push creative boundaries in terms of plot or narrative structure. See More
Premise: 7.5, The screenplay establishes a reasonably compelling and clear premise, but there are some areas that could be enhanced to strengthen its originality, clarity, and potential audience engagement. See More
Structure: 7.5, The screenplay exhibits a compelling narrative structure, with its three-act structure lending clarity and logical progression to the story. The plot is engaging, and tension effectively builds throughout the scenes. However, the resolutions of some subplots feel abrupt, impacting the overall satisfaction of the narrative. With a focus on refining these elements, the screenplay can enhance its impact and emotional resonance. See More
Theme: 7.5, The screenplay effectively explores themes of loneliness, regret, and the search for connection, but it could benefit from a clearer articulation of its messages and a more nuanced portrayal of its characters. See More
Visual Impact: 9.25, The screenplay provides a solid foundation for visual storytelling, effectively capturing the emotional atmosphere and character dynamics through its visual descriptions. The portrayal of intimate moments between characters is particularly strong, creating a sense of closeness and vulnerability. See More
Emotional Impact: 7.5, This screenplay elicits strong emotional responses through its themes of love, betrayal, and self-discovery. While it effectively depicts emotional turmoil and showcases compelling character development, the depth and impact of the emotional journey could be enhanced by expanding on the characters' inner conflicts and motivations, exploring the consequences of their actions more thoroughly, and incorporating a wider range of emotional experiences. See More
Conflict: 7.5, The screenplay presents a compelling conflict between Irène, Jean, and Jacques, exploring themes of betrayal and emotional disappointment. While the conflict is clear and the stakes are personal, the resolution could be further developed to enhance audience satisfaction and narrative tension. See More
Originality: 6.50, This screenplay showcases a complex and emotionally charged narrative with well-developed characters. However, despite its strengths in character development and dialogue, the story lacks originality and fails to push creative boundaries in terms of plot or narrative structure. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- A young man walking through a luxurious beach town with a pack of dogs catches the attention of a woman who mistakes him for a dog walker. Meanwhile, the young man rushes off to complete various purchases using a gold credit card. He eventually arrives at a fancy hotel and encounters the woman again, who is now talking to her own dog. Later, in a hotel suite, the young man unpacks his purchases while the woman tries on the earrings he bought.
- Irene discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive on her birthday and tries to help him. Later, feeling disappointed, she sits alone in the room. In a separate scene, Jean is exhausted from his work and agrees to do the closing shift at the hotel bar.
- Irène discovers Jean in their hotel room with another woman, leading to a confrontation and Irène's ultimate departure. She then goes to a train station, where she changes and stores her luggage in a locker.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive on her birthday and tries to help him. Later, feeling disappointed, she sits alone in the room. In a separate scene, Jean is exhausted from his work and agrees to do the closing shift at the hotel bar.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. She goes to a train station to change and store her luggage in a locker.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. She goes to a train station to change and store her luggage in a locker.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave.
- Irène discovers Jean with another woman, leading to a confrontation. She then goes shopping with Jean and his friend, Madeleine.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She then tries to teach him how to be charming and seductive. However, their intimacy is interrupted by a persistent alarm on Jean's watch. Irène becomes frustrated with Jean's inability to prioritize their time together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman, leading to a confrontation. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She decides to leave and sends Jean to retrieve her belongings from the hotel. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She decides to leave and sends Jean to retrieve her belongings from the hotel. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman, confronts him, and decides to leave. Later, Jean goes shopping with Madeleine.
- Irène discovers Jean with another woman in their hotel room, confronts him, and decides to leave. Later, Jean and Madeleine go shopping together.
CharacterInconsistencies
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Character Irène
Description Irène's motivations and actions seem to shift abruptly. Initially, she appears driven by a desire for a luxurious lifestyle and stability, even willing to marry Jacques for it. However, she later abandons this goal for a passionate romance with Jean, despite his financial instability. While people can change, the transition lacks a clear catalyst or internal conflict, making it feel somewhat inconsistent.
( Scene 7 Scene 32 ) -
Character Jean
Description Jean's transformation from a timid and insecure employee to a confident and assertive individual happens quickly without a convincing arc. The shift is primarily triggered by material possessions and Irène's guidance, rather than a genuine internal growth or realization. This makes his newfound confidence feel slightly unearned and out of character.
( Scene 11 Scene 34 )
StoryInconsistencies
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Description The consequences of Jean's credit card fraud are inconsistently portrayed. Initially, the hotel takes immediate action, involving the police and demanding payment. However, later, Jean seems to freely use the card for luxury purchases without any repercussions. This inconsistency creates a logical gap in the story's internal logic and raises questions about the hotel's security measures and financial practices.
( Scene 54 Scene 76 )
PlotHoles
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Description After spending the night with Irène, Jean manages to leave the suite unnoticed despite the presence of security and staff in a high-end hotel. While it's possible he could have slipped out, the ease with which he does so stretches believability and feels like a convenient plot device to avoid complications.
( Scene 16 ) -
Description It remains unclear how Irène is able to afford a luxurious hotel room after being abandoned by Gilles. While the script hints at her resourcefulness, the source of her sudden financial independence is never explained, leaving a gap in the narrative logic.
( Scene 106 )
DialogueAuthenticity
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Description The dialogue during intimate moments between Jean and Irène often feels overly theatrical and expository. The characters engage in lengthy monologues and poetic declarations that seem unnatural and out of place in the context of a passionate encounter. This stylized dialogue may detract from the authenticity and emotional impact of these scenes.
( Scene 31 Scene 44 )
Redundancies
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Element Scenes of Irène attracting wealthy men
( Scene 38 Scene 110 )
Suggestion While these scenes showcase Irène's skills and determination, they become somewhat repetitive as the story progresses. Consider streamlining or combining these scenes to maintain narrative momentum and avoid redundancy. -
Element Jean's internal struggle with morality
( Scene 51 Scene 75 )
Suggestion Jean's moments of reflection on his actions and the ethical implications of his choices could be consolidated. Explore alternative ways to convey his internal conflict without explicitly stating his thoughts and feelings.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Jacques | Throughout the movie, Jacques goes through a transformation from a drunk and unresponsive character to someone who acknowledges the consequences of his actions. He starts off dismissive of Irène's concerns on her birthday, showing no understanding of the effect his drinking has on their relationship. As the story progresses, Jacques becomes even more unresponsive and dismissive, pushing Irène further away. However, during a confrontation with Jean, Jacques notices Irène's emotional state and becomes persistent in trying to understand what is bothering her. This leads Jacques to confront his own alcohol addiction and the damage it has caused. In the end, Jacques starts on the journey to recovery, showing remorse and a genuine desire to change his ways. | The character arc for Jacques is well-developed and has good potential. It effectively portrays his initial state of denial and apathy, followed by a realization of the consequences of his actions. However, there could be more specific and impactful moments throughout the movie that highlight his transformation. The overall progression feels a bit rushed and could benefit from more nuanced scenes that delve deeper into Jacques' struggles with his addiction. | To improve the character arc, consider incorporating scenes that depict Jacques hitting rock bottom, perhaps losing something dear to him or having a significant confrontation that forces him to fully acknowledge the impact of his drinking. Additionally, explore moments of introspection and vulnerability for Jacques, where he opens up about his own struggles and seeks help from others. This will allow for a more authentic and relatable portrayal of his journey towards recovery. |
| Jean | Jean starts as a tired and overworked hotel employee who takes on various tasks and agrees to work the closing shift. He then becomes intrigued by Irène and is torn between his desires and his commitment to her. He betrays Irène, leading to her disappointment and anger, and experiences a significant change in this scene, realizing the consequences of his choices. He loses Irène and is left feeling devastated. He becomes a remorseful and apologetic man, willing to make amends with Irène. He is caught in a love triangle, struggling with decision-making and facing the consequences of his actions. He has a moment of truth when Irène discovers his infidelity, but eventually shows his willingness to help Irène in her plan to deal with their past. | The character arc for Jean is well developed and shows his transformation from a tired and trapped employee to a conflicted and guilt-ridden character. However, the arc could be further improved by delving deeper into Jean's internal struggles and emotions. There are moments in the movie where Jean's motives and presence are unclear, leading to confusion for the audience. Additionally, more exploration of Jean's journey of self-discovery and growth could add depth to his character arc. | To improve the character arc for Jean, consider adding more scenes that showcase his internal struggles and conflicting emotions. This will help the audience better understand his motivations and decisions throughout the movie. Additionally, provide clearer explanations and context for Jean's actions in certain scenes to avoid confusion. Further exploration of Jean's journey of self-discovery and growth could provide a more satisfying resolution to his character arc. |
| Irène | Throughout the screenplay, Irène goes through a character arc of discovering her partner's infidelity and learning to assert her independence. At the beginning, she is shown as disappointed and hurt, seeking solace at a hotel bar on her birthday. However, when she meets Jean and witnesses his willingness to help her, she becomes intrigued and starts to see the potential for connection and excitement. As the story progresses, Irène tries to reach out and help Jacques but is met with dismissal, further fueling her desire for meaningful connection. In a crucial turning point, Irène decides to leave and embark on her own journey of self-discovery, asserting her independence. She confronts Jean about his infidelity, showing her determination and self-respect. Ultimately, Irène makes the decision to leave him and find her own happiness. | The character arc of Irène is compelling and effectively portrays her journey of discovering her partner's infidelity and asserting her independence. However, one suggestion for improvement would be to further explore the emotional depth of Irène's character. While the screenplay mentions her vulnerability and disappointment, it would be beneficial to delve deeper into her emotional turmoil and the impact of the betrayal on her. This would allow the audience to connect with her on a deeper level and empathize with her journey. | To improve the character arc of Irène, consider adding more scenes or moments that showcase her internal struggle and emotional transformation. Show her processing the betrayal and the range of emotions she experiences, such as anger, sadness, and confusion. Additionally, providing more insights into Irène's past and her previous desires for connection and excitement would add depth to her character. This could be achieved through flashbacks or dialogue that reveals her previous experiences and how they have shaped her current mindset. Overall, by further exploring Irène's emotional journey, her character arc can become even more relatable and impactful to the audience. |
| Madeleine | Madeleine starts off as a supportive friend of Jean's, accompanying him while shopping and showing concern for him. However, as she becomes aware of Jean's affair with Irène, she becomes confrontational and jealous. Madeleine is deeply hurt by Jean's behavior, leading to a rift in their relationship. Despite her initial anger, Madeleine eventually helps Jean redeem himself after his betrayal of Irène, showing her supportive nature once again. However, when Madeleine becomes Jean's new love interest after Irène leaves, her character's personality is not well-established. In the end, upset and hurt by Jean's actions, Madeleine decides to end their relationship. | The character arc of Madeleine is overall well-defined and interesting. It shows her evolving emotions and reactions to Jean's actions. However, the transition from being Jean's supportive friend to his new love interest is not fully explored, leaving her character's personality unclear in that moment. Additionally, the decision to end the relationship at the end feels somewhat abrupt and could benefit from more buildup and emotional exploration. | To improve the character arc, it would be beneficial to further develop Madeleine's character when she becomes Jean's new love interest. This can be done by providing more scenes or dialogue that showcase her personality and dynamic with Jean. Additionally, the decision to end the relationship could be strengthened by adding more buildup and emotional exploration, allowing the audience to better understand Madeleine's perspective and the impact of Jean's actions on her. |
| Theme | Theme Details | Themee Explanation |
|---|---|---|
| Betrayal and Infidelity | Irène discovers Jean with another woman in their hotel room, leading to confrontations, disappointment, and her decision to leave. | The theme of betrayal and infidelity is a significant theme in the screenplay. It drives the conflict and ultimately leads to the end of Irène and Jean's relationship. |
| Emotional Disappointment and Loneliness | Irène confronts Jacques about his heavy drinking and is disappointed when he dismisses her concerns. She is also left feeling alone after Jacques falls into a coma and when she discovers Jean with another woman. | The theme of emotional disappointment and loneliness is prevalent throughout the screenplay. Through various scenes, characters experience the pain of unmet expectations, abandonment, and deceit, highlighting the complex emotions they navigate. |
| Self-Discovery and Independence | Irène decides to leave Jean and embark on her own journey after discovering his betrayal. She also sets out on a scooter with Jean in the final scene, symbolizing a new chapter of self-discovery and independence. | The theme of self-discovery and independence is showcased as Irène makes the brave decision to leave a relationship that no longer serves her. This theme emphasizes personal growth and the pursuit of individuality. |
| Guilt and Consequences | Jean feels guilty about his infidelity and faces the consequences of his actions when Irène discovers him with another woman. Irène also steals money from her companion's wallet, showing the consequences of her own actions. | The theme of guilt and consequences explores the moral repercussions that characters face as a result of their choices. Jean and Irène both experience guilt and face the consequences of their actions, highlighting the weight of their decisions. |
| Relationship Dynamics and Change | The screenplay portrays the dynamics and changes within relationships, such as the deterioration of Irène and Jacques' relationship due to his drinking, the betrayal and end of Irène and Jean's relationship, and the shifting dynamics between Jean and Madeleine. | The theme of relationship dynamics and change explores the complexities and evolution of relationships. It highlights how relationships can be tested, broken, and transformed, showcasing the impact of individuals' actions on their interpersonal connections. |
| Finding Joy and Redemption | Amidst the turmoil and disappointment, some characters find moments of joy and redemption, such as Irene accepting Jean's cocktail to cheer her up and Jean attempting to reconcile and explain himself to Irène. | The theme of finding joy and redemption amidst adversity showcases the resilience of characters in finding moments of happiness and working towards redemption. It provides hopeful and uplifting elements in the midst of challenging situations. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
| 1 - HORS DE PRIX | "light-hearted" | 7 | 8 | 7 | 6 | 4 | 4 | 5 | 7 | 5 | 6 | ||
| 2 - The Revelation | "dramatic" | 8 | 9 | 8 | 7 | 6 | 7 | 6 | 8 | 8 | 8 | ||
| 3 - Irène's Disappointment | "bittersweet" | 7 | 6 | 7 | 8 | 5 | 4 | 3 | 6 | 7 | 7 | ||
| 4 - Irène's Disappointment | "Melancholy" | 8 | 7 | 7 | 8 | 6 | 6 | 6 | 7 | 9 | 7 | ||
| 5 - Lost Love | "Melancholic" | 8 | 7 | 8 | 8 | 6 | 6 | 6 | 7 | 9 | 7 | ||
| 6 - Disappointment and Betrayal | "Emotional" | 9 | 8 | 9 | 7 | 8 | 6 | 6 | 8 | 9 | 9 | ||
| 7 - Betrayal and Rejection | "Tense" | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 7 | ||
| 8 - Disappointment and Confrontation | "Dramatic" | 7 | 7 | 7 | 7 | 6 | 6 | 6 | 7 | 8 | 7 | ||
| 9 - Disappointment and Miscommunication | "Tense" | 7 | 8 | 7 | 7 | 6 | 6 | 6 | 7 | 7 | 6 | ||
| 10 - Confrontation and Departure | "intense" | 8 | 7 | 9 | 7 | 7 | 9 | 10 | 9 | 10 | 8 | ||
| 11 - Confrontation and Departure | "Tense" | 9 | 8 | 9 | 8 | 8 | 9 | 10 | 9 | 9 | 7 | ||
| 12 - Irène's Departure | "Emotional" | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 10 | 7 | ||
| 13 - Confrontation and Departure | "Tense" | 9 | 7 | 8 | 9 | 6 | 9 | 7 | 9 | 9 | 8 | ||
| 14 - Confrontation and Shopping | "Tense" | 8 | 7 | 9 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | ||
| 15 - Confrontation and Revelations | "Tense" | 8 | 7 | 9 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | ||
| 16 - Confrontation and Decision | "tense" | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 7 | 6 | ||
| 17 - Irène's Revelation | "Emotional" | 7 | 7 | 8 | 6 | 6 | 8 | 7 | 8 | 9 | 7 | ||
| 18 - Confrontation and Uncertainty | "tense" | 8 | 7 | 8 | 7 | 6 | 9 | 7 | 9 | 6 | 8 | ||
| 19 - Confrontation and Revelation | "Tense" | 9 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 9 | 8 | ||
| 20 - Irène's Discovery | "Tense" | 7 | 8 | 7 | 7 | 7 | 9 | 7 | 8 | 8 | 6 | ||
| 21 - Confrontation and Reflection | "Emotional, Reflective" | 8 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | ||
| 22 - Betrayal and Redemption | "Dramatic" | 9 | 8 | 9 | 9 | 6 | 7 | 7 | 8 | 9 | 8 | ||
| 23 - Confrontation and Departure | "Emotional" | 7 | 7 | 8 | 7 | 6 | 8 | 7 | 8 | 9 | 7 | ||
| 24 - Betrayal and Redemption | "intense, emotional" | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | ||
| 25 - Confrontation and Decision | "Tense, emotional" | 8 | 7 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 7 | ||
| 26 - Confrontation and Betrayal | "dramatic" | 8 | 7 | 9 | 8 | 6 | 9 | 7 | 8 | 8 | 7 | ||
| 27 - Confrontation and Departure | "Emotional" | 10 | 9 | 10 | 10 | 8 | 9 | 10 | 9 | 10 | 8 | ||
| 28 - Irène's Discovery | "Dramatic" | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 8 | 9 | 7 | ||
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Strong emotional moments between Irene and Jacques
- Interesting dynamic between Irene and Jean at the hotel bar
- Detailed character development, emotional depth in dialogue
- Strong emotional impact, well-developed characters, and realistic dialogue
- Tense confrontation, emotional impact, character development
Scene Weaknesses
- Lack of clear resolution for Irene and Jacques' relationship
- Some scenes feel disconnected from the overall story
- Limited external conflict, slow pacing
- Lack of significant plot development and low conflict level
- Lack of memorable dialogue, some scenes feel unnecessary
Suggestions
- Provide a clear resolution for Irene and Jacques' relationship to avoid leaving loose ends.
- Ensure that all scenes are directly related to the overall story and contribute to the plot.
- Introduce more external conflict and increase the stakes to keep the pacing engaging.
- Focus on developing a strong and significant plot to drive the story forward.
- Work on crafting memorable dialogue that enhances character dynamics and adds depth to the scenes.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between the Emotional Impact score and the Overall Grade score (0.88). This suggests that scenes with higher emotional impact tend to receive higher overall grades. |
| Correlation between Conflict and Dialogue | There is a moderate positive correlation between the Conflict score and the Dialogue score (0.59). This indicates that scenes with higher levels of conflict also tend to have more engaging and impactful dialogue. |
| Correlation between High Stakes and Emotional Impact | There is a moderate positive correlation between the High Stakes score and the Emotional Impact score (0.61). This suggests that scenes with higher stakes tend to evoke stronger emotional reactions. |
| Correlation between Character Changes and Move Story Forward | There is a strong positive correlation between the Character Changes score and the Move Story Forward score (0.87). This implies that scenes in which character changes occur also tend to play a significant role in advancing the story. |
| Correlation between Tone and Emotional Impact | There is a moderate positive correlation between the Tone score and the Emotional Impact score (0.55). This indicates that scenes with specific tones, such as emotional or tense, often generate a stronger emotional response. |
| Correlation between Concept and Plot | There is a high positive correlation between the Concept score and the Plot score (0.81). This suggests that scenes with well-developed concepts also tend to have a strong and cohesive plot. |
| Correlation between Characters and Dialogue | There is a high positive correlation between the Characters score and the Dialogue score (0.79). This implies that scenes with well-developed characters often feature impactful and engaging dialogue. |
| Correlation between Overall Grade and Move Story Forward | There is a strong positive correlation between the Overall Grade score and the Move Story Forward score (0.82). This indicates that scenes that effectively move the story forward tend to receive higher overall grades. |
| Correlation between Emotional Impact and Character Changes | There is a strong positive correlation between the Emotional Impact score and the Character Changes score (0.84). This suggests that scenes with a significant emotional impact often coincide with significant character changes. |
| Correlation between Emotional Impact and Dialogue | There is a strong positive correlation between the Emotional Impact score and the Dialogue score (0.83). This indicates that scenes with a strong emotional impact often feature impactful and meaningful dialogue. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|
Memorable lines in the script:
Some Loglines to consider:
| Irène's birthday takes a sour turn when she finds her partner drunk and unresponsive in their hotel room, sparking a series of events that shake their relationship. |
| Exhausted hotel employee Jean agrees to cover the closing shift at the bar, setting off a chain of events that will have unexpected consequences for both him and Irène. |
| A confrontation between Irène and another woman leads to a life-altering decision for Irène, forcing her to confront the truth about her failing relationship. |
| As Irène decides to leave, the dynamics between Jean and Madeleine, his friend, take an unexpected turn, leading to unforeseen turmoil. |
| A pivotal moment occurs when Irène discovers Jean with another woman, changing the course of their relationship and leaving Irène feeling betrayed and alone. |
Help & FAQ
Frequently Asked Questions
Start with the executive summary to get a bird's eye view.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
Click on the Print Analysis link in the left menu. You can then print to PDF or save it as PDF.
Click the Scene Analysis link on the left menu. Next to each scene title you can click "improve". In the improve page you can select any scene from your script to work on.
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SceneProv is a game that helps you improve your craft.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
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Feature Request
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Engine: Gemini
Consider
Explanation: Hors de prix is a witty and entertaining screenplay with a strong female lead and a glamorous setting. However, the pacing could be improved, and some character motivations and the ending require further development. Exploring the ethical dimensions of the story and adding depth to the supporting characters would enhance the screenplay's overall impact.
Engine: Claude
Consider
Explanation: Hors de prix is a well-crafted, character-driven screenplay that explores the complexities of relationships, class, and personal growth. While the opening sequences could be tightened, the screenplay effectively builds tension and emotional investment in the central characters, particularly the evolving dynamic between Jean, Irène, and Madeleine. The screenplay's notable strengths include its well-developed character arcs, engaging narrative moments, and a satisfying conclusion. Areas for improvement include a more cohesive thematic focus and further development of some subplot elements. Overall, the screenplay presents a compelling and entertaining story that would likely resonate with audiences.