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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. SUBURBAN - NIGHT ANDRE, 29, an African-American man walks down the sidewalk talking on his phone. ANDRE Hey. I’m trying to figure out what
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INT. APARTMENT BUILDING - ELEVATOR Rose rides in the elevator. The doors open. INT. APARTMENT BUILDING - HALLWAY - MORNING Rose walks down the hallway with her hands full. She has two coffees and two bags of pastries. Chris opens the door. Rose
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INT. CITY APARTMENT - LIVING ROOM - DAY Chris and Rose stand by the front door about to leave. Rose blows Sid a kiss. 7. ROSE
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EXT. AIRPORT - DEPARTURES TERMINAL - DAY ROD WILLIAMS, 26, African American, a stocky TSA agent smokes a cigarette and hides it from arriving passengers. His cell phone rings. ROD
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EXT. RURAL ROAD. CONTINUOUS The deer is propelled into the woods like a pinwheel. The car screeches to a halt. The passenger’s side mirror swings dangling off it’s mount. Chris and Rose breathe hard for a few moments of shock.
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EXT. RURAL ROAD - DAY Bird’s eye view. The car winds through a thickly wooded road. INT. ROSE’S CAR - AFTERNOON Chris sits in the passenger’s seat deep in thought. He watches Rose with a new pride. Rose notices.
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INT. ARMITAGE HOME - FOYER - CONTINUOUS The interior is homey and eccentric; worldly and interesting. DEAN (to Rose and Chris) How was the ride in?
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INT. ARMITAGE UPSTAIRS HALLWAY - DAY Rose and Chris take their bags upstairs. INT. ARMITAGE HOUSE - ROSE’S BEDROOM - DAY Rose’s old room is a cross between a young-minded teenage girl... (a stuffed lion, ballerina music box etc) and a
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INT. ARMITAGE HOUSE - HALLWAY - DAY Dean and Chris continue their walk-through. The kitchen is homey and pristine. It has a distinctly grandmotherly vibe. 21. GEORGINA (30), African American, stands in the middle of the
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EXT. OUTDOOR PATIO - DAY Dean, Missy, Chris and Rose sit with iced teas. Missy stirs sugar into hers. Walter mows in the distance. Dean views pictures on Chris’ camera. DEAN
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INT. ARMITAGE DINING ROOM - LATER/NIGHT Everyone but Rose laughs. She holds her face in embarrassment. Dean pours the remainder of a bottle of wine into Chris’ glass. Their meal is done and they are tipsy.
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EXT. THE ESTATE. NIGHT Full moon. CRICKETS. INT. ROSE’S BEDROOM - NIGHT Chris lays in Rose’s bed looking at Rose’s computer. Rose brushes her teeth in the bathroom. She says something
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EXT. ARMITAGE ESTATE - NIGHT All the lights are off in the house. Crickets chirp. INT. ROSE’S BEDROOM - LATER Rose sleeps, but Chris is wide awake. There’s a buzz in his ear. He smacks his own head and sits up. A stuffed lion seems
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INT. MISSY’S OFFICE - NIGHT Georgina Missy and Chris sit across from each other. Georgina pouring tea pot. MISSY I’ve got it Georgina.
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FLASHBACK - INT. SMALL APARTMENT - NIGHT Close on 11 year old Chris’ hands scratches the bed post nervously. MISSY (V.O.) Tell me when you find it.
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FLASHBACK - INT. SMALL APARTMENT - NIGHT 11-year-old Chris scratches through the wood on his bed, splintering a piece of the wood off. He watches TV from his bed next to some action figures. Chris looks at a telephone. MISSY (V.O.)
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INT. MISSY’S OFFICE. CONTINUOUS Missy stands. She walks towards Chris’ motionless body and looks down at him through his own eyes. INT. DARKNESS - CONTINUOUS Chris looks up in the darkness. Missy comes towards him until
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INT. ROSE’S BEDROOM - DAY Chris enters as Rose finishes blow drying her hair. He’s worked up. ROSE Hi. Where have you been?
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EXT. BACKYARD - NOON The party is in full swing. The 30 or so guests mingle excitedly. They are all white except for one Japanese man. A few play horse shoes. Georgina places Hors d’oeuvres. Rose and Chris walk through the party.
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EXT. BACKYARD - LATER Chris and Rose speak to NELSON DEETS, 82, who’s smiles in a wheelchair with an oxygen mask, and LISA DEETS, 54, a loose- lipped trophy wife smiles at Chris in a predatory manner. She has a Dutch accent.
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EXT. BACKYARD - MOMENTS LATER The man stands by the bar and makes himself a Martini. Chris approaches him. CHRIS It’s good to see another brother
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EXT. BACKYARD - MOMENTS LATER Chris comes looking for Rose. He is more creeped out and agitated. Dean projects over the crowd. DEAN Hello!
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EXT. GAZEBO. DAY. During Dean’s speech, Chris wanders away from the group. JIM Ignorance... Chris hadn’t seen Jim Hudson, the blind man, who sits in
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EXT. BACKYARD - LATER Chris and Rose play badminton against Jeremy and Derrick. Chris is actually having fun. He swings big but misses the shuttlecock. JEREMY
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INT. ARMITAGE HOUSE - KITCHEN - DAY Chris walks through the kitchen. INT. ARMITAGE LIVING ROOM - DAY Chris slips past several small groups of guests mingling. He goes up the stairs to the second floor.
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INT. CHRIS’ APARTMENT - DAY Rod lies on the couch with Sid watching TV. ROD Oh, they got you on display? INTERCUT WITH:
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EXT. BACKYARD - AFTERNOON Chris walks back into the back yard where Dean entertains seven people Chris hasn’t met. They turn as Chris approaches smiling eagerly. They all seem to share a private joke. DEAN
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INT. LIVING ROOM - AFTERNOON Rose sits on the couch arms crossed. Chris comforts her but is clearly traumatized. A few other concerned guests mill around. Dean enters and CLEARS HIS THROAT. Everyone gives him their attention.
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EXT. THE WOODS - AFTERNOON Rose and Chris walk by the lake. Their sparklers fizzle. CHRIS My cousin is epileptic. That wasn’t a seizure.
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INT. BACKYARD - SAME TIME Dean raises his hand again making more numbers with his fingers: “4, 5.” Gordon Greene raises his hand. Dean points to him accepting his bid.
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EXT. FRONT LAWN - DUSK Chris and Rose approach the house as the last of the guests get into their cars and drive off. CHRIS That was fast.
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INT. ROSE’S BEDROOM - NIGHT Chris goes to finish packing with a purpose. Rose enters. ROSE Hey, should we eat and then leave? CHRIS
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INT. FOYER/LIVING ROOM - NIGHT Rose follows Chris down the stairs. ROSE (Hushed) Chris... What’s wrong?
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INT. DARKNESS Chris falls through the dark abyss of his mind again just like when he was hypnotized. The blue screen above him displays what his real eyes see. It’s his own perspective in the real world in which his body falls backwards to the
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EXT. AIRPORT - DEPARTURES TERMINAL - DAY Rod smokes a cigarette and dials Chris. CHRIS’ VOICEMAIL MESSAGE (V.O.) It’s Chris. I’m away from my phone or I just don’t want to talk to
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INT. CHRIS’ LIVING ROOM - DAWN Sid wakes Rod up with a lick to the face. He’s on the sofa. 80. INT. POLICE STATION - DAY Rod sits at a desk with Sid on his lap.. DETECTIVE LATOYA
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INT. POLICE STATION - MOMENTS LATER Two detectives, Garcia, 37, and Drake, 43, stand behind Latoya. ROD ...See, I don’t know if the
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INT. GAMES ROOM - DAY Chris, still strapped to the chair, wakes up again. He is drained. The arm of the chair is more torn than before. The television in front of Chris flickers on again... CHRIS
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INT. GAME ROOM - TELEVISION - DAY Jim Hudson, with shaven head, sits on a hospital bed. And faces Chris through the television. JIM Hey Chris. How’s it going...? You
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INT. GAMES ROOM Jeremy enters with the wheelchair. He unstraps Chris’ arms then legs. Then turns to prepare his IV. Chris raises behind Jeremy with a bocce ball in his hand. He’s not really hypnotized! He hits Jeremy in the back of the
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INT. FOYER - CONTINUOUS Chris turns towards the front door. Jeremy comes out of nowhere with blood all over his face, and puts Chris in a rear naked choke hold. Chris attempts to stab Jeremy behind him twice but can't
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INT. YOUNG CHRIS’ APARTMENT - NIGHT Young Chris watches TV in his apartment. INT. SPORTS CAR - NIGHT Chris looks back at Georgina. 95.

Get Out

A young black man discovers his girlfriend's white family is hiding a sinister secret that threatens to consume him.

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Overview

Poster
Unique Selling Point

Experience a thrilling and suspenseful journey into the heart of racial tension and psychological manipulation in this innovative script. With its unique blend of humor, drama, and horror, the story follows Chris, a young black photographer, as he navigates the twisted world of Rose's wealthy and mysterious family. Featuring sharp dialogue, intricate character dynamics, and unexpected plot twists, this script delves deep into themes of race, identity, and power, offering a fresh and thought-provoking take on the genre. Prepare to be captivated by the authentic and engaging voice of the writer, who masterfully builds a sense of unease and anticipation, keeping you on the edge of your seat from beginning to end.

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Claude
 Recommend
Story Facts
Genres:
Horror 40% Thriller 35% Drama 30% Comedy 15% Romance 10% Action 10%

Setting: Present day, Suburban neighborhood, city apartment, countryside, Armitage estate

Themes: Racial Tension and Discrimination, Identity and Self, Love and Relationships, Manipulation and Control

Conflict & Stakes: Chris's struggle to escape from the Armitage family's clutches and expose their dark secret, while protecting himself and his loved ones

Mood: Psychological horror with a satirical edge

Standout Features:

  • Unique Hook: A horror movie with a strong social commentary on race and power dynamics
  • Plot Twist: The seemingly friendly white family is revealed to be a cult that manipulates and controls black people
  • Distinctive Setting: The isolated Armitage estate, where the horrors unfold

Comparable Scripts: The Stepford Wives, Get Out, Rosemary's Baby, The Skeleton Key, The Visit, The Handmaid's Tale

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.50
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.