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Scene Map 53
# PG SLUGLINE
1 1
SON OF A PREACHER MAN
2 2
EXT FOREST - OVERFLOW DAM DAY
3 2
INT HIS WAY CHURCH - CRAIG’S OFFICE DAY
4 13
EXT HARRIS FARM HOUSE CONTINUOUS
5 15
INT HARRIS FARM HOUSE - LIVING ROOM MOMENTS LATER
6 17
EXT HARRIS FARM HOUSE MOMENTS LATER
7 18
EXT SIERRA CITY - MOUNTAIN ROAD DAY
8 18
INT HARRIS FARM HOUSE - DAY - SAME
9 19
EXT HARRIS FARM HOUSE - PORCH CONTINUOUS
10 23
EXT HIDDEN CREEK MOMENTS LATER
11 23
EXT HARRIS FARM HOUSE MOMENTS LATER
12 27
INT HARRIS FARM HOUSE NIGHT
13 28
EXT HARRIS FARM HOUSE NIGHT
14 30
INT HARRIS FARM HOUSE - LATER THAT NIGHT
15 33
INT HIS WAY CHURCH - CRAIG’S OFFICE NIGHT
16 34
EXT OPEN ROAD - GOLDEN HOUR (1990)
17 35
INT HARRIS FARM HOUSE - C.J.’S ROOM DAWN
18 39
EXT FIELD MOMENTS LATER
19 41
EXT HARRIS FARM HOUSE MORNING
20 43
INT SCHOOL BUS CONTINUOUS
21 44
INT SCHOOL BUS MORNING
22 47
EXT SIERRA CITY ELEMENTARY SCHOOL DAY
23 48
EXT DEER RIVER MOMENTS LATER
24 51
EXT DEER RIVER MOMENTS LATER
25 54
EXT SIERRA COUNTY FAIRGROUNDS EVENING
26 57
INT CATHY’S VW BUG DAY
27 58
INT OLD SIERRA THEATER - LOBBY MOMENTS LATER
28 64
EXT SHAWN’S COTTAGE DAY
29 65
INT OLD SIERRA THEATER - SANCTUARY DAY
30 66
EXT HIDDEN CREEK - ANOTHER DAY (1982)
31 67
INT HIS WAY CHURCH - SANCTUARY NIGHT
32 73
EXT SAN FRANCISCO - MARKET STREET DAY
33 76
EXT FOREST - OVERFLOW DAM DAY
34 79
EXT OVERFLOW DAM DAY
35 80
INT HARRIS FARM HOUSE - LIVING ROOM DAY
36 81
EXT DEER RIVER NIGHT
37 84
INT HIS WAY CHURCH - LOBBY MOMENTS LATER
38 88
EXT HIS WAY CHURCH - SUNRISE CONTINUOUS
39 89
INT HARRIS FARM HOUSE - C.J.'S ROOM - LATER THAT DAWN
40 90
INT HARRIS FARM HOUSE - KITCHEN MORNING
41 92
EXT BUS STOP CONTINUOUS
42 94
INT HIS WAY CHURCH - FELLOWSHIP HALL DAY
43 97
INT HIS WAY CHURCH - SANCTUARY LATER
44 100
INT HIS WAY CHURCH - MEN’S ROOM LATER
45 104
EXT HARRIS FARM HOUSE - DAY MOMENTS LATER
46 104
INT HARRIS FARM HOUSE - LIVING ROOM CONTINUOUS
47 107
EXT HARRIS FARM HOUSE DAY
48 109
INT HARRIS FARM HOUSE - C.J.'S ROOM EVENING
49 113
INT HARRIS FARM HOUSE - C.J.’S BEDROOM DAY
50 115
EXT HARRIS FARM HOUSE - FRONT YARD CONTINUOUS
51 118
EXT HARRIS FARM HOUSE - FRONT PORCH DAY
52 120
INT HARRIS FARM HOUSE - LIVING ROOM NIGHT
53 121
INT ROTTEN ROBBIE TRUCK STOP LATER
Scene Map
53
# PG SLUGLINE
1 1
SON OF A PREACHER MAN
SON OF A PREACHER MAN
SON OF A PREACHER MAN Written by P.J. Palmer -- White lines of a distant jet ripple across the sky.
2 2
EXT FOREST - OVERFLOW DAM DAY
EXT. FOREST - OVERFLOW DAM - DAY (1982)
EXT. FOREST - OVERFLOW DAM - DAY (1982) Water glides silent and heavy across the spillway into a deep green basin below. At the edge, C.J. HARRIS (10) - skinny in cutoffs and a tank top - his hair in a bowl-cut, sits cross-legged.
3 2
INT HIS WAY CHURCH - CRAIG’S OFFICE DAY
INT. HIS WAY CHURCH - CRAIG’S OFFICE - DAY (1990)
INT. HIS WAY CHURCH - CRAIG’S OFFICE - DAY (1990) SUPER: 1990 Muffled preaching bleeds through the walls. C.J. (17) sits atop Craig’s desk. Dirty-blonde mullet. Suit
4 13
EXT HARRIS FARM HOUSE CONTINUOUS
EXT. HARRIS FARM HOUSE - CONTINUOUS
EXT. HARRIS FARM HOUSE - CONTINUOUS C.J. exits the van with Jessie, Erin, Andy and Ryan. CATHY Mom. You can’t stay with us if
5 15
INT HARRIS FARM HOUSE - LIVING ROOM MOMENTS LATER
INT. HARRIS FARM HOUSE - LIVING ROOM - MOMENTS LATER
INT. HARRIS FARM HOUSE - LIVING ROOM - MOMENTS LATER C.J. steps over his siblings sprawled out, watching TV. Cathy dumps laundry onto the couch. CATHY Nope. Jessie, Erin, help fold.
6 17
EXT HARRIS FARM HOUSE MOMENTS LATER
EXT. HARRIS FARM HOUSE - MOMENTS LATER
EXT. HARRIS FARM HOUSE - MOMENTS LATER C.J. steps out onto the porch, past the flooded TV. He watches St. Nick mount his bike. The engine roars. Craig steps back, composes himself, waves St. Nick off. C.J. heads towards Craig.
7 18
EXT SIERRA CITY - MOUNTAIN ROAD DAY
EXT. SIERRA CITY - MOUNTAIN ROAD - DAY (1982)
EXT. SIERRA CITY - MOUNTAIN ROAD - DAY (1982) Sunlight flashes off chrome. A pack of Harleys rip below the pines, engines snarling in the soft mountain air. Craig Harris (26), shirtless and lean, leads the pack. His long, thinning hair whips in the wind. Fearless. Alive.
8 18
INT HARRIS FARM HOUSE - DAY - SAME
INT. HARRIS FARM HOUSE - DAY - SAME
INT. HARRIS FARM HOUSE - DAY - SAME Music blares from a turntable on moving boxes. Lawn chairs for furniture. Cocaine on a plate. Rifles against the wall. The Brady Bunch flickers on a small TV. On the floor: the 5-gallon glass jug filled with coins,
9 19
EXT HARRIS FARM HOUSE - PORCH CONTINUOUS
EXT. HARRIS FARM HOUSE - PORCH - CONTINUOUS
EXT. HARRIS FARM HOUSE - PORCH - CONTINUOUS UNCLE MARK (22), long hair and wispy goatee, in an Oakland Raiders t-shirt, lies on a skateboard, his polio-twisted legs dragging behind him. He nods toward REBECCA (30s), sweeping the porch of the
10 23
EXT HIDDEN CREEK MOMENTS LATER
EXT. HIDDEN CREEK - MOMENTS LATER
EXT. HIDDEN CREEK - MOMENTS LATER C.J. wanders down a narrow path to a small clearing where sunbeams fracture across shallow pools. The creek winds around discarded milling machines. He kicks off his flip-flops and steps into the water. Popeye
11 23
EXT HARRIS FARM HOUSE MOMENTS LATER
EXT. HARRIS FARM HOUSE - MOMENTS LATER
EXT. HARRIS FARM HOUSE - MOMENTS LATER Cathy (26), summer dress, hair pulled back with a bandanna, whistles again with her fingers. C.J. comes running from the woods: C.J.
12 27
INT HARRIS FARM HOUSE NIGHT
INT. HARRIS FARM HOUSE - NIGHT (1982)
INT. HARRIS FARM HOUSE - NIGHT (1982) C.J., bathed and in his pajamas, locks the back door, closes the blinds, turns off unused lights. Lady follows him. He looks past the blanket door into the -- BEDROOM
13 28
EXT HARRIS FARM HOUSE NIGHT
EXT. HARRIS FARM HOUSE - NIGHT
EXT. HARRIS FARM HOUSE - NIGHT Music plays from the El Camino’s radio. C.J. trots with Lady to the dairy truck, peers inside: a gas lantern glows. CRAIG (O.C.) Which hand?
14 30
INT HARRIS FARM HOUSE - LATER THAT NIGHT
INT. HARRIS FARM HOUSE - LATER THAT NIGHT
INT. HARRIS FARM HOUSE - LATER THAT NIGHT ‘70’s rock plays on the radio. Sugar Ray Leonard boxes on TV. C.J. in a tank top, wipes the tears from his red eyes with the back of his boxing glove. Craig warns C.J.: CRAIG
15 33
INT HIS WAY CHURCH - CRAIG’S OFFICE NIGHT
INT. HIS WAY CHURCH - CRAIG’S OFFICE - NIGHT (1990)
INT. HIS WAY CHURCH - CRAIG’S OFFICE - NIGHT (1990) The office turned youth group meeting room. About twenty TEENS sit scattered on the carpet, loose and tired at the tail end of youth group. Beside the door, a TALENT SHOW SIGN-UP sheet. One name is
16 34
EXT OPEN ROAD - GOLDEN HOUR (1990)
EXT. OPEN ROAD - GOLDEN HOUR (1990)
EXT. OPEN ROAD - GOLDEN HOUR (1990) C.J. rides on the back of a Harley through warm air. He leans back. Arms wide. Palm trees emerge along the highway. In the distance, a ferris wheel’s neon glows on the horizon. Overhead, a green highway sign reads: LOS ANGELES.
17 35
INT HARRIS FARM HOUSE - C.J.’S ROOM DAWN
INT. HARRIS FARM HOUSE - C.J.’S ROOM - DAWN (1990)
INT. HARRIS FARM HOUSE - C.J.’S ROOM - DAWN (1990) The sharp cries of Baby Scotty echo through the dark house. C.J. stirs awake, groans. His mullet at odd angles. He pulls on his jeans, finds coins in the pocket - drops into his glass jug.
18 39
EXT FIELD MOMENTS LATER
EXT. FIELD - MOMENTS LATER
EXT. FIELD - MOMENTS LATER The ranch is a world of silhouettes. The sky shifts from black to deep blue. C.J. trails Craig into a stand of cherry trees. Craig drops behind the low stone wall and motions C.J. to join him. Lady
19 41
EXT HARRIS FARM HOUSE MORNING
EXT. HARRIS FARM HOUSE - MORNING (1982)
EXT. HARRIS FARM HOUSE - MORNING (1982) C.J. (10), with his bowl-cut combed tight and dressed for school, stands with Jessie (8). They stare at the neighbor’s cottage - Lady and Popeye at their side. Shawn, bounds out of his house in his Boy Scouts uniform with
20 43
INT SCHOOL BUS CONTINUOUS
INT. SCHOOL BUS - CONTINUOUS
INT. SCHOOL BUS - CONTINUOUS Derek, Ezra and Sarah make their way to the backseats where Owen (10), sits. C.J., Shawn and Jessie follow. OWEN (to Sarah)
21 44
INT SCHOOL BUS MORNING
INT. SCHOOL BUS - MORNING (1990)
INT. SCHOOL BUS - MORNING (1990) C.J. (17) sleeps, his head against the window. ZACH (O.C.) Mind if I sit? C.J. opens one eye to find Zach (17) standing next to his
22 47
EXT SIERRA CITY ELEMENTARY SCHOOL DAY
EXT. SIERRA CITY ELEMENTARY SCHOOL - DAY (1982)
EXT. SIERRA CITY ELEMENTARY SCHOOL - DAY (1982) Bells ring. Doors push open. SCHOOL CHILDREN flood out toward yellow buses. C.J. (10), and Jessie (8), spot Craig across the street on his Harley. St. Nick and Genie share a bike. Uncle Mark waits
23 48
EXT DEER RIVER MOMENTS LATER
EXT. DEER RIVER - MOMENTS LATER
EXT. DEER RIVER - MOMENTS LATER The bikers and El Camino pull up near an old school bus painted with rainbows, flowers, crosses: “THE JESUS BUS” C.J. and Jessie hop out with Lady and sprint to the water. Downriver, Pastor Norm (40s), loose white linen, flowing
24 51
EXT DEER RIVER MOMENTS LATER
EXT. DEER RIVER - MOMENTS LATER
EXT. DEER RIVER - MOMENTS LATER The El Camino parks near a waterfall thundering into a clear pool, out of sight of the Jesus Bus. NUDISTS soak in the last heat of summer. St. Nick and Genie strip and dive in. Craig follows.
25 54
EXT SIERRA COUNTY FAIRGROUNDS EVENING
EXT. SIERRA COUNTY FAIRGROUNDS - EVENING (1990)
EXT. SIERRA COUNTY FAIRGROUNDS - EVENING (1990) Hidden behind the Log Flume, Owen, Ezra and Derek (all 17) pass an apple made into a bong. C.J. (17) pegs his jeans above his red Converse. Ezra takes a hit and coughs hard.
26 57
INT CATHY’S VW BUG DAY
INT. CATHY’S VW BUG - DAY (1982)
INT. CATHY’S VW BUG - DAY (1982) Wind blows C.J.’s (10) combed hair. His hand riding the wind out the window of Cathy’s VW. Orange and yellow leaves drift down to blanket the road. Jessie (8) stands on the backseat, her hair in new ribbons.
27 58
INT OLD SIERRA THEATER - LOBBY MOMENTS LATER
INT. OLD SIERRA THEATER - LOBBY - MOMENTS LATER
INT. OLD SIERRA THEATER - LOBBY - MOMENTS LATER A rush of bodies and music and welcome. Handshakes and coffee. Kids darts past. Somebody laughing too loud. C.J. takes in the crowd: Young, happy, clean people. He turns to Cathy.
28 64
EXT SHAWN’S COTTAGE DAY
EXT. SHAWN’S COTTAGE - DAY (1982)
EXT. SHAWN’S COTTAGE - DAY (1982) Fog lifts between the evergreens into the overcast sky above. C.J. waits in his Royal Ranger uniform with Lady and Popeye. Shawn bursts out of his cottage in his Boy Scout uniform and a buck knife strapped to his leg. They run off shoulder-to-
29 65
INT OLD SIERRA THEATER - SANCTUARY DAY
INT. OLD SIERRA THEATER - SANCTUARY - DAY (1982)
INT. OLD SIERRA THEATER - SANCTUARY - DAY (1982) C.J., Jessie and Cathy stand stiff in the front row, hair combed tight, dressed modestly. They try to sing with Craig. Pastor Norm and Janis perform onstage in flowing white linen. Owen plays the tambourine.
30 66
EXT HIDDEN CREEK - ANOTHER DAY (1982)
EXT. HIDDEN CREEK - ANOTHER DAY (1982)
EXT. HIDDEN CREEK - ANOTHER DAY (1982) A light rain drizzles as fall moves to winter. C.J. and Shawn, in raincoats, pull a huge cedar branch. C.J. Sometimes we drink blood. But
31 67
INT HIS WAY CHURCH - SANCTUARY NIGHT
INT. HIS WAY CHURCH - SANCTUARY - NIGHT (1990)
INT. HIS WAY CHURCH - SANCTUARY - NIGHT (1990) C.J. (17) in his mullet and Miami Vice-esque jacket, sits in a pew with Owen, Derek and Ezra (all 17, in Cosby sweaters). Ahead of them: Cathy and Jessie with their Aqua-Net hair and the younger Harris kids.
32 73
EXT SAN FRANCISCO - MARKET STREET DAY
EXT. SAN FRANCISCO - MARKET STREET - DAY (1982)
EXT. SAN FRANCISCO - MARKET STREET - DAY (1982) A PERFORMANCE TROUPE in matching overalls and yellow t-shirts hold a sheet painted with: “JESUS SAVES” Craig and a very pregnant Cathy stand with Pastor Norm,
33 76
EXT FOREST - OVERFLOW DAM DAY
EXT. FOREST - OVERFLOW DAM - DAY (1982)
EXT. FOREST - OVERFLOW DAM - DAY (1982) Light snow drifts over the partially frozen lake. C.J. and Shawn sit on the narrow dam, bundled in layers. C.J. wears plastic Wonder Bread bags over his socks. Lady and Popeye trail behind.
34 79
EXT OVERFLOW DAM DAY
EXT. OVERFLOW DAM - DAY (1990)
EXT. OVERFLOW DAM - DAY (1990) Fog lifts off the deep lake, drifting through the evergreens. C.J. (17) walks the narrow dam alone. He pulls chalk from his pocket, draws on the concrete like he did as a kid. He stands at the edge, red hi-tops peeking over open space.
35 80
INT HARRIS FARM HOUSE - LIVING ROOM DAY
INT. HARRIS FARM HOUSE - LIVING ROOM - DAY (1990)
INT. HARRIS FARM HOUSE - LIVING ROOM - DAY (1990) C.J. jolts awake on the couch, gasping. Disoriented from a deep nap. He looks down. A wet spot spreads across his pants. Across the room, Evelyn, oxygen tubes on, reads catalogues on her pull-out bed.
36 81
EXT DEER RIVER NIGHT
EXT. DEER RIVER - NIGHT (1990)
EXT. DEER RIVER - NIGHT (1990) Silhouettes dance against the waterfall. A massive BONFIRE roars beside the river, throwing wild light across drunk TEENS. Late-80’s music echos off the water. C.J. dances in pegged
37 84
INT HIS WAY CHURCH - LOBBY MOMENTS LATER
INT. HIS WAY CHURCH - LOBBY - MOMENTS LATER
INT. HIS WAY CHURCH - LOBBY - MOMENTS LATER Silhouettes of C.J., cowboy hat on, and Owen with keys outside the glass front doors. OWEN (O.C.) It’s the big one.
38 88
EXT HIS WAY CHURCH - SUNRISE CONTINUOUS
EXT. HIS WAY CHURCH - SUNRISE - CONTINUOUS
EXT. HIS WAY CHURCH - SUNRISE - CONTINUOUS Owen storms into the empty parking lot, still buttoning his jeans. His fingers miss the buttonholes. C.J. follows, barefoot, soaked, clutching his clothes and the cowboy hat.
39 89
INT HARRIS FARM HOUSE - C.J.'S ROOM - LATER THAT DAWN
INT. HARRIS FARM HOUSE - C.J.'S ROOM - LATER THAT DAWN
INT. HARRIS FARM HOUSE - C.J.'S ROOM - LATER THAT DAWN C.J., wearing Owen’s hat closes the door, trying not to wake the house. He takes off the hat. Holds it a moment. Then rests the hat on the nightstand. He turns the brim away from him, toward
40 90
INT HARRIS FARM HOUSE - KITCHEN MORNING
INT. HARRIS FARM HOUSE - KITCHEN - MORNING (1982)
INT. HARRIS FARM HOUSE - KITCHEN - MORNING (1982) Re-runs play on the T.V. Cathy (26) - long hair, visibly pregnant - clears plates. A thick Bible lies open. Jessie (8) counts as Craig (26) does push-ups in his boxers. C.J (10) pets Popeye, who lies listless in a cardboard box.
41 92
EXT BUS STOP CONTINUOUS
EXT. BUS STOP - CONTINUOUS
EXT. BUS STOP - CONTINUOUS C.J. and Jessie reach the bus stop. Jessie waves to Sarah and Shawn across the road. An over-loaded pick-up truck lumbers between them with a line of cars behind it. The School Bus approaches in the distance. Jessie calls out
42 94
INT HIS WAY CHURCH - FELLOWSHIP HALL DAY
INT. HIS WAY CHURCH - FELLOWSHIP HALL - DAY (1990)
INT. HIS WAY CHURCH - FELLOWSHIP HALL - DAY (1990) Dozens of TEENS, several still in caps and gowns, rehearse their various talents: ribbon dancing, foam puppets, tambourines. Owen tunes his guitar. Over-tightens a peg. A string snaps.
43 97
INT HIS WAY CHURCH - SANCTUARY LATER
INT. HIS WAY CHURCH - SANCTUARY - LATER
INT. HIS WAY CHURCH - SANCTUARY - LATER The sanctuary is packed. The heavy, driving rock of PETRA - “Judas’ Kiss” cranks from the speakers. OWEN (O.S.) (singing)
44 100
INT HIS WAY CHURCH - MEN’S ROOM LATER
INT. HIS WAY CHURCH - MEN’S ROOM - LATER
INT. HIS WAY CHURCH - MEN’S ROOM - LATER C.J., still in his disco-suit, steps up to the urinal beside Zach. C.J. pees. ZACH You could’ve warned me.
45 104
EXT HARRIS FARM HOUSE - DAY MOMENTS LATER
EXT. HARRIS FARM HOUSE - DAY - MOMENTS LATER
EXT. HARRIS FARM HOUSE - DAY - MOMENTS LATER Craig slams the Youth Ministry van into the driveway. He looks at C.J. in the rearview. CRAIG Go to your room.
46 104
INT HARRIS FARM HOUSE - LIVING ROOM CONTINUOUS
INT. HARRIS FARM HOUSE - LIVING ROOM - CONTINUOUS
INT. HARRIS FARM HOUSE - LIVING ROOM - CONTINUOUS Andy and Ryan sprawl with Erin, watching THE COSBY SHOW reruns on a small TV. CANNED LAUGHTER fills the room. C.J. enters, still in his disco suit.
47 107
EXT HARRIS FARM HOUSE DAY
EXT. HARRIS FARM HOUSE - DAY (1982)
EXT. HARRIS FARM HOUSE - DAY (1982) C.J. (10) stands in a shirt and tie, tears streaming down his face. He holds a shoebox labeled: POPEYE. He places the box in a hole under a cross made of sticks surrounded by wildflowers.
48 109
INT HARRIS FARM HOUSE - C.J.'S ROOM EVENING
INT. HARRIS FARM HOUSE - C.J.'S ROOM - EVENING (1990)
INT. HARRIS FARM HOUSE - C.J.'S ROOM - EVENING (1990) C.J. (17) stands at the window. He picks up Owen’s hat off the floor, places it back on the night stand. The bedroom door opens behind him. Craig pushes in.
49 113
INT HARRIS FARM HOUSE - C.J.’S BEDROOM DAY
INT. HARRIS FARM HOUSE - C.J.’S BEDROOM - DAY (1990)
INT. HARRIS FARM HOUSE - C.J.’S BEDROOM - DAY (1990) Through the window: limp balloons. Loose streamers. The remains of a strawberry-topped cake on the picnic table. A crooked banner reads: HAPPY 18TH BIRTHDAY The Harris kids run through the yard. Janis and a few CHURCH
50 115
EXT HARRIS FARM HOUSE - FRONT YARD CONTINUOUS
EXT. HARRIS FARM HOUSE - FRONT YARD - CONTINUOUS
EXT. HARRIS FARM HOUSE - FRONT YARD - CONTINUOUS The Harris kids inspect the El Camino in the dirt driveway next to several other cars. Craig, Cathy and St. Nick greet Uncle Mark (29) as he sets up his wheelchair. Pastor Norm, Janis and Sheila stand near.
51 118
EXT HARRIS FARM HOUSE - FRONT PORCH DAY
EXT. HARRIS FARM HOUSE - FRONT PORCH - DAY (1990)
EXT. HARRIS FARM HOUSE - FRONT PORCH - DAY (1990) Sunlight dances through the evergreens onto C.J. sitting on a kitchen stool. Cathy cuts his hair with clippers. Lady rests at his feet. CATHY
52 120
INT HARRIS FARM HOUSE - LIVING ROOM NIGHT
INT. HARRIS FARM HOUSE - LIVING ROOM - NIGHT (1982)
INT. HARRIS FARM HOUSE - LIVING ROOM - NIGHT (1982) Rain at the windows. Sit-com reruns low on the TV. C.J. (10), in pajamas, sits on the floor with his 5-gallon glass jug. Craig (26) sits near him, back against the couch. From behind the blanket door, Jessie (8) cries.
53 121
INT ROTTEN ROBBIE TRUCK STOP LATER
INT. ROTTEN ROBBIE TRUCK STOP - LATER
INT. ROTTEN ROBBIE TRUCK STOP - LATER C.J. pays for gas and a new Thomas Guide with coins. The ATTENDANT (60s) watches him count. EXT. ROTTEN ROBBIE TRUCK STOP - MOMENTS LATER C.J. stands at the hood of the El Camino, parked among dozens

SON OF A PREACHER MAN

On the cusp of graduation in a Northern California megachurch, a preacher’s son plotting his escape to L.A. is pushed to deliver the testimony his father demands even as a clandestine baptistry encounter with the pastor’s golden boy threatens to expose him, forcing a choice between the church that claims him and the life he wants.

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Overview

Poster
Unique Selling Proposition

A strict single-POV, cross-cut structure braids 1982 and 1990 into motif-led set pieces (water, footwear, testimonies) that invert sacred/secular spaces—nudist waterfalls and a jacuzzi baptistry—to render faith’s embrace and bruise without didacticism.

AI Verdict


Synthesis Where readers agree and split
7.5

The ensemble delivers a qualified champion for the festival-prestige lane, contingent on targeted sequence-level adjustments that restore causal escalation without compromising the script’s strict POV or motif-driven design.

Readers read as Specialty1 Prestige4 Drama Coming of age

A prestige festival drama that asks the reader to inhabit a single consciousness across two timelines, accepting structural fragmentation and abrupt character exits in exchange for a lyric, motif-driven exploration of faith, failure, and queer awakening.

Would readers champion it?
Not yetNot yetReaders wouldn’t actively push for it.
WeaklyWeaklyMentioned, but no real push behind it.
ModeratelyModeratelyMentioned favorably to the right buyer.
StronglyStronglyActively championed across their network.
DeepSeekModeratelyGrokModeratelyClaudeStronglyGPT5StronglyGeminiStrongly
How much rewrite does it need?
Start from scratchStart from scratchPremise or core engine isn’t working. Page-one rebuild.
Structural rewriteStructural rewriteRe-architecting acts and arcs. Multi-month effort.
Targeted rewriteTargeted rewriteSpecific scenes or threads need rework. ~1 month.
Just polishJust polishLines and pacing tweaks. A few weeks.
ClaudeTargeted rewriteDeepSeekTargeted rewriteGPT5Targeted rewriteGrokTargeted rewriteGeminiJust polish
How distinctive is the voice?
GenericGenericReads like other scripts in the genre.
EmergingEmergingHints of a distinctive voice, not yet locked in.
DistinctiveDistinctiveA clear, recognizable authorial voice.
One-of-a-kindOne-of-a-kindA voice that couldn’t be anyone else’s.
ClaudeDistinctiveDeepSeekDistinctiveGPT5DistinctiveGrokDistinctiveGeminiOne-of-a-kind

On the score: The score sits at the high edge of its band — a focused revision could push it to the next verdict.

What's working 3 of 5 readers agree

The ensemble consistently champions the script’s motif system and strict POV architecture as the primary advocacy asset, providing a distinctive, festival-ready formal signature that anchors the emotional argument without exposition.

What's blocking 3 of 5 readers agree

The primary blocker is the mid-to-late stretch’s repetitive pressure loop, where parallel shame and confrontation beats accumulate without clear causal escalation or re-anchored protagonist desire, softening the inevitability of the final departure.

Why not lower

The script’s formal architecture, motif discipline, and strict POV consistency demonstrate a level of professional control that prevents the structural issues from reading as amateur or systemic.

Why not higher

The mid-act accumulation plateau and the lack of specific, observable foreshadowing for Owen’s rupture require targeted rewriting that currently keeps the draft from delivering the inevitability expected of a top-tier festival submission.

Fix-first · Protect-while-fixing · Reader splits · Quick credibility wins
Rewrite map

The ensemble converges on a formally disciplined, motif-driven prestige drama whose emotional accumulation is currently diffused by a repetitive mid-act pressure loop and under-differentiated character ruptures, requiring targeted sequence-level tightening rather than structural overhaul.

Readers read as Specialty1 Prestige4

Fix first 3
Mid-to-late act pressure loop without causal escalation

The reader registers intense individual scenes but loses forward momentum as confrontations repeat without materially changing the protagonist's options or stakes.

Root cause

The script stacks parallel shame and church-confrontation beats in the 1990 timeline without handing off a newly clarified objective or concrete consequence between sequences.

Owen's rejection lacks specific, observable foreshadowing

The sudden pivot from intimacy to violent self-loathing reads as a thematic statement rather than an earned character tragedy, softening the emotional devastation.

Root cause

Owen's internal conflict is established but not differentiated through POV-compliant micro-beats that concretize his specific fear of exposure before the rupture.

Timeline transitions thin causal traction Readers disagree on cause

The cross-cut architecture occasionally feels associative rather than consequential, causing the reader to pause and reorient instead of feeling the past actively reshape the present.

Root cause

Mechanism diverged — three models locate the drag in missing perceptual bridges between cuts, two in the placement of high-gravity trauma beats that interrupt present-tense momentum.

Protect while fixing 2
Motif system as emotional argument

Addressing the escalation gap risks adding explanatory dialogue or new scenes that over-articulate what the recurring objects already communicate through visual accumulation.

Single-consciousness POV architecture

Clarifying Owen's internal conflict or bridging timeline cuts could tempt the writer to break the strict CJ-only rule or grant access to off-screen character interiority, which would retroactively undermine the script's formal discipline.

Reader splits 1
Mid-act escalation mechanism Consequential
Side A

Introduce a concrete external obstacle that tests the protagonist's desire to leave, turning the final act into a fight for survival.

Side B

Differentiate each confrontation through internal realization and POV-compliant micro-beats that close off staying options without adding external plot machinery.

Story Facts
Genres:
Drama 55% Romance 30% Comedy 15%

Setting: 1982 and 1990, Harris farm house, Sierra City, California, and various outdoor settings

Themes: Self-Acceptance and the Pursuit of Freedom, Faith, Doubt, and Religious Hypocrisy, Family Dynamics and Parental Failure, Identity Formation and the Experience of Queerness, Loss and Grief, Memory and Nostalgia, The Cycle of Addiction and Escape

Conflict & Stakes: C.J.'s struggle for identity and freedom against the backdrop of familial abuse, societal expectations, and personal aspirations.

Mood: Melancholic and introspective, with moments of humor and warmth.

Standout Features:

  • Unique Hook: The juxtaposition of childhood innocence with the harsh realities of family dysfunction and societal expectations.
  • Major Twist: C.J.'s transformation from a boy dreaming of a better life to a young man confronting his family's dark truths.
  • Distinctive Setting: The rural backdrop of Sierra City, California, which serves as a character in itself, reflecting the isolation and beauty of C.J.'s world.
  • Innovative Ideas: The use of childhood memories and dreams as a narrative device to explore deeper themes of identity and belonging.
  • Unique Characters: A diverse cast that includes complex figures like St. Nick, who embodies the struggle between past mistakes and redemption.

Comparable Scripts: The Perks of Being a Wallflower, Stand by Me, Boy Erased, A Separate Peace, The Glass Castle, The Fault in Our Stars, The Adventures of Huckleberry Finn, Moonlight, The Outsiders

How 5 AI Readers Scored The Script

Readers graded as Specialty1 Prestige4
Claude GPT5 Gemini DeepSeek Grok Average spread Row tint: weak mid strong excellent
Premise i
7.8
Plot i
6.4
Structure i
7.6
Character i
7.8
Dialogue i
7.2
Tone / Voice i
8.4
Theme i
8.4
Marketability i
7.2
💎 Final Polish Stage

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

You're in refinement mode.

At this level, focused work on Structure (Script Level) and Originality (Script Level) will have the most impact on the overall rating.

1. Structure (Script Level)
Big Impact Script Level
Your current Structure (Script Level) score: 7.7
Moves easily Writers at your level typically gain +0.35 per rewrite — a realistic improvement.
Confidence: High (based on ~1,141 similar revisions)
  • This is your top opportunity right now. Focusing your rewrite energy here gives you the best realistic shot at raising the overall rating.
  • What writers at your level usually do: Writers at a similar level usually raise Structure (Script Level) by about +0.35 in one rewrite.
2. Originality (Script Level)
Big Impact Script Level
Your current Originality (Script Level) score: 8.4
Typical rewrite gain: +0.3 in Originality (Script Level)
Confidence: High (based on ~496 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Originality (Script Level) by about +0.3 in one rewrite.
3. Emotional Impact (Script Level)
Moderate Impact Script Level
Your current Emotional Impact (Script Level) score: 8.0
Typical rewrite gain: +0.28 in Emotional Impact (Script Level)
Confidence: High (based on ~1,239 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Emotional Impact (Script Level) by about +0.28 in one rewrite.
🎓
Skills Worth Developing

These have high model impact but rarely improve through rewrites alone — they're craft investments. Studying these areas through courses, mentorship, or focused reading could unlock gains that a normal rewrite won't.

Pacing Scene Level

Strong model leverage, but writers at your level typically only gain +0.16 per rewrite. (Your score: 8.1)

View Pacing analysis
Conflict (Script Level) Script Level

Strong model leverage, but writers at your level rarely move it in a typical rewrite. (Your score: 8.2)

View Conflict (Script Level) analysis

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.08
Key Suggestions:
To improve the script from a creative and craft perspective, focus on deepening emotional depth in character arcs, particularly for supporting characters like St. Nick and Owen, by adding reflective moments that explore their vulnerabilities. Additionally, refine pacing and transitions between timelines to enhance narrative flow and audience engagement, ensuring that key emotional beats are given space to resonate without disrupting the story's rhythm.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To elevate 'Son of a Preacher Man,' focus on refining the script's pacing and transitions between timelines to avoid confusion, while adding subtle context for abrupt character exits through brief flashbacks or reflective moments. This will strengthen emotional depth, enhance audience engagement, and ensure the themes of aspiration and identity resonate more powerfully, making the narrative tighter and more immersive from a creative standpoint.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals that while C.J. and Owen have strong arcs centered on identity and acceptance, other characters like Craig and Jessie could benefit from deeper emotional exploration and backstory integration to enhance authenticity and resonance. Focusing on refining internal conflicts, such as C.J.'s struggle with familial expectations and Craig's redemption journey, will strengthen thematic depth and make the script more compelling. Incorporating more nuanced dialogue and relationship dynamics can elevate the overall craft, ensuring characters drive the narrative with greater emotional impact and avoiding stereotypical portrayals.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script's emotional core is strong but suffers from monotony due to an overemphasis on sadness and tension, with joy and humor often fleeting. To enhance craft, focus on adding balanced emotional variety through sustained lighter moments and deeper character layers, such as exploring internal conflicts and providing resolution to key arcs, which will create a more dynamic, empathetic, and resonant narrative that avoids audience fatigue.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The analysis reveals that C.J.'s internal and external goals, centered on autonomy and identity, drive the narrative but could be refined by adding more subtle, layered moments of conflict and resolution to heighten emotional stakes. Focus on tightening the philosophical conflicts, such as autonomy versus familial expectations, through deeper character interactions and introspection, ensuring that C.J.'s journey feels authentic and avoids clichéd resolutions, ultimately strengthening the script's thematic depth and character arc for a more engaging story.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
From the theme analysis, the script's strength lies in its poignant exploration of C.J.'s journey toward self-acceptance and freedom, but to enhance creative impact, consider deepening the portrayal of internal conflicts through more nuanced dream sequences and character interactions, ensuring that religious hypocrisy is depicted with subtlety to avoid stereotypes and foster greater emotional authenticity, ultimately making the narrative more compelling and resonant for audiences.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script effectively captures themes of identity, repression, and family dynamics, but inconsistencies in character behavior and story elements can disrupt emotional flow. Focusing on smoothing abrupt transitions, like Cathy's conflicting actions, and clarifying ambiguous scenes, such as the baptistry incident, will strengthen narrative coherence and make character arcs more believable, enhancing overall craft and audience connection.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The script's voice excels in raw emotional authenticity and poetic introspection, particularly in scenes like the father-son confrontation in Scene 18, but to elevate it further, focus on tightening unresolved arcs and ensuring that the dreamlike sequences contrast more sharply with gritty realities to avoid emotional dilution. This will enhance character depth and thematic coherence, making the narrative more impactful and resonant for audiences seeking profound, human stories.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
To enhance the screenplay's creative craft, focus on deepening character development by exploring internal motivations and conflicts, refining dialogue to infuse more subtext and emotional nuance, and strengthening thematic depth through symbolic visual elements. These improvements will create a more resonant narrative, better engage audiences, and align with the writer's vision for emotional complexity and indie appeal.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world-building effectively uses contrasts between natural beauty and human decay to mirror C.J.'s internal struggles, but to enhance craft, consider refining repetitive motifs like the dam and red Converse shoes to evolve dynamically with character development, ensuring they deepen emotional layers without overshadowing key moments. This could involve integrating more subtle visual cues or varying perspectives to maintain narrative momentum and prevent predictability, ultimately strengthening the story's introspective focus and C.J.'s journey of self-discovery.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The script excels in creating emotionally resonant, character-driven moments that align with its introspective theme, but to elevate the craft, focus on refining transitions in reflective and nostalgic scenes to boost narrative momentum without sacrificing depth. This subtle enhancement will maintain high engagement, ensuring the story's emotional arcs flow seamlessly and capitalize on the script's strength in portraying vulnerability and personal growth from CJ's perspective.
Loglines
Presents logline variations based on theme, genre, and hook.