Pinocchio
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: Drama, Family, War, Fantasy, Horror, Musical, Comedy, Adventure, Dark, Coming-of-age
Setting: ,
Overview: The screenplay showcases strong character development, emotional depth, and originality, but could benefit from enhancements in pacing, conflict integration, and narrative innovation.
Themes: Grief and Loss, Acceptance and Transformation, War and its Effects, Identity and Self-Discovery, Betrayal and Deception
Conflict and Stakes:
Comparable Scripts:
Market Analysis
Budget Estimate:
Target Audience Demographics:
Marketability:
Profit Potential:
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Summary:The writer's voice throughout the screenplay is characterized by a blend of whimsy, darkness, and emotional depth. The dialogue is often playful and poetic, reflecting the fantastical nature of the story, while the narrative descriptions are vivid and evocative, creating a rich and immersive atmosphere. The writer's unique voice contributes to the overall mood, themes, and depth of the screenplay by effectively capturing the emotions of the characters and exploring complex themes such as grief, loss, identity, and the power of love. The voice also adds a sense of whimsy and magic to the story, creating a fairy tale-like experience for the audience.
Best representation: Scene 14 - Pinocchio Goes to School and Receives a Gift from Geppetto. Scene 14 is the best representation of the author's unique voice because it showcases the whimsical and surreal elements, as well as the poetic and eccentric dialogue that are characteristic of the writer's style. The scene description is lively and dynamic, with action-packed descriptions and moments of visual comedy. The combination of vivid imagery, quirky dialogue, and lively scene direction perfectly encapsulates the writer's unique voice and creates a memorable and engaging scene.
Memorable Lines:
- Pinocchio: I'm a real boy! (Scene 10)
- Wood Sprite: Well, in this world you get what you give. (Scene 6)
- Pinocchio: I can't die!! (Scene 29)
- Geppetto: And a lie is- plain to see as your nose... And... (Scene 11)
- Count Volpe: You will burn! Burn bright, like a star! (Scene 34)
Story Shape
Emotions Elicited
Recommend
Executive Summary
The screenplay for 'Pinocchio' is a well-crafted and compelling story that explores themes of family, identity, and the moral complexities of war through the lens of a beloved fairy tale character. The strong character development, particularly in the relationship between Pinocchio and Geppetto, as well as the incorporation of timely social and political commentary, make this screenplay a compelling and thought-provoking work. While there are a few areas for improvement, such as the integration of the carnival subplot and the pacing of the limbo sequences, the overall narrative is engaging and emotionally resonant. The screenplay is recommended for further development and consideration.
- The sequence of scenes depicting Pinocchio's introduction to the town and his initial struggle to fit in showcases strong character development and establishes the core conflict of the story. high ( Scene 9 (EXT. TOWN STREETS AND PIAZZA - DAY) Scene 10 (INT. CHURCH) Scene 11 (INT. GEPPETTO WORKSHOP - AFTERNOON) )
- The scenes exploring Pinocchio's relationship with Geppetto, and the father's internal struggle to accept his son, provide emotional depth and authenticity to the characters. high ( Scene 22 (INT. DOCTOR'S HOME - NIGHT) Scene 23 (EXT. BIRCH WOODS - NIGHT) )
- The sequences set in the youth camp effectively build tension and showcase Pinocchio's growing maturity as he navigates the moral complexities of war and loyalty. medium ( Scene 26 (INT. YOUTH CAMP - NIGHT) Scene 32 (INT. YOUTH CAMP - DAY) )
- The introduction of the antagonist, Count Volpe, and the carnival subplot could be more seamlessly integrated into the overall narrative, ensuring a stronger through-line. medium ( Scene 14 (EXT. ROMANESQUE RUINS - SAME) Scene 15 (INT. CHURCH - DAY) )
- The sequences in the limbo realm, while imaginative, could be streamlined to maintain a stronger narrative focus and avoid disrupting the pacing of the overall story. medium ( Scene 20 (INT. EXT. DARKNESS) Scene 21 (INT. LIMBO) )
- While the overall character arcs are well-developed, more insight into Geppetto's emotional journey during the years following Carlo's death could deepen the audience's understanding and investment in the central relationship. medium ( Scene 5 (INT. GEPPETTO WORKSHOP - THE YEARS PASS) )
- The opening sequence could be strengthened by providing more context and foreshadowing for the eventual conflict between Pinocchio and Geppetto, establishing their dynamic earlier in the story. medium ( Scene 1 (EXT. THE HILL - DUSK) )
- The sequence depicting the conscription of Candlewick and other young boys for the war effort is a powerful and timely commentary on the harsh realities of fascism and its impact on families. high ( Scene 19 (EXT. TOWN BRIDGE - NIGHT) )
- The scene where Pinocchio confronts Count Volpe and stands up for Spazzatura showcases the character's growing sense of morality and independence, foreshadowing his eventual transformation. medium ( Scene 28 (INT. PUPPET THEATER - EVENING) )
- The climactic sequence where Pinocchio sacrifices himself to save Geppetto is a poignant and emotionally impactful moment that solidifies the central theme of the story. high ( Scene 38 (EXT. OCEAN - DAY) )
Screenplay Insights:
Premise: 8.4, This screenplay's premise effectively sets up a compelling narrative that explores the themes of love, loss, and the power of friendship. The core concept of a wooden puppet brought to life by a lonely carver, only to be confronted with the challenges of a fascist regime, is original and rich with dramatic potential. The premise is also clearly established, introducing the main characters and their motivations in a succinct and engaging manner. See More
Structure: 8.0, Excellent screenplay structure and plot development provides a compelling and engaging narrative. While the pacing, character development, and inclusion of important themes are commendable, some plot points need further refinement for clarity enhancement. See More
Theme: 8.8, The screenplay effectively explores themes of fatherhood, loss, and selflessness through the journey of a father and his puppet son. The messages about the importance of family, love, and sacrifice resonate deeply with the audience, creating an emotionally impactful and thought-provoking narrative. See More
Visual Impact: 8.2, The screenplay offers a blend of captivating and creative visual imagery that captures the emotional depth of the story. Its depiction of the father-son bond and Pinocchio's journey through a world torn by war is evocative and impactful. See More
Emotional Impact: 6.2, The screenplay effectively captures the emotional journey of Geppetto and Pinocchio, particularly in portraying the complexities of their father-son bond and Pinocchio's growth and transformation. However, there are areas where the emotional impact could be enhanced to create a more deeply resonant and memorable experience for the audience. See More
Conflict: 8.3, The screenplay skillfully utilizes conflict and stakes to create a compelling narrative that effectively engages the audience. However, some key areas present opportunities for further enhancement to amplify narrative tension. See More
Originality: 7.2, The screenplay presents a unique and creative take on the classic Pinocchio tale, incorporating elements of a fascist regime and a coming-of-age story. It explores themes of fatherhood, loyalty, and the struggles of childhood in a compelling and imaginative way. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Geppetto, consumed by grief, kneels by the grave of his son Carlo. He remembers the joy they used to share before Carlo was taken from him during the Great War. Flashback to when Carlo was alive and happy.
- Geppetto remembers his joyful times with his son Carlo through a series of flashbacks.
- Geppetto remembers joyous moments with his son in a flashback while grieving at his son's grave.
- Geppetto remembers his son Carlo through a series of flashbacks while grieving at his son's grave.
- Geppetto drinks alone in his room and dreams of his son Carlo before passing out. A cricket appears and claims a nook in the pine tree planted on Carlo's grave as its sanctuary to write its memoirs. The cricket watches as Geppetto weeps over the grave, accompanied by a mysterious winged figure in the woods. Geppetto, furious, begins to chop down the tree, causing the cricket's world to shake.
- Geppetto drinks alone and carves Pinocchio while the cricket watches, only to be interrupted by a mysterious wood sprite. The wood sprite asks the cricket to help guide Pinocchio towards being good in exchange for a wish.
- Geppetto wakes up to find Pinocchio missing, and discovers him alive in the attic. Geppetto initially reacts with horror, but eventually comes to believe that Pinocchio is his son.
- Pinocchio comes to life and tries to explore Geppetto's workshop, causing destruction and chaos in the process
- Pinocchio explores a town filled with fascist propaganda while hearing the bell of the local church.
- Pinocchio attends a church service where the townspeople mistake him for a demon or an abomination.
- Geppetto teaches Pinocchio the consequences of lying through his growing nose while the Town Priest, Podestà and Candlewick make an entrance.
- Pinocchio demands hot chocolate and almost sets himself on fire, leading the Podestà to suggest he attend school.
- Pinocchio and Geppetto share a bedtime conversation about Pinocchio's new legs and Geppetto's lost son, Carlo. The Cricket watches over them, reflecting on fathers and sons, loss, and love.
- Count Volpe and his carnival are introduced as they set up around his puppet theater. Volpe's interest is piqued when he hears of a 'living puppet' from Spazz.
- Geppetto builds the arm of Christ and Pinocchio expresses his confusion as to why people like the statue more than him. Geppetto gifts Pinocchio with Carlo's schoolbook, which motivates Pinocchio to attend school and make his father proud. Count Volpe discovers the existence of Pinocchio and plots to obtain him.
- Pinocchio excitedly runs through town to attend his first day at school but gets caught up in a carnival hosted by Count Volpe. Despite Cricket's protests, Pinocchio signs a contract to be the star of the puppet show and foregoes school for the day. Meanwhile, Count Volpe plots to obtain Pinocchio for his show.
- Geppetto is confronted about Pinocchio's truancy by the Podestà and Town Priest while at the church. Meanwhile, Pinocchio is lured in by Count Volpe's carnival and agrees to perform as a puppet, ignoring Cricket's protests and his commitment to attending school. Spazz gets injured in the process.
- Pinocchio performs at a carnival, ignoring his commitment to attend school. Count Volpe discovers the existence of Pinocchio and plots to obtain him. Geppetto searches for Pinocchio and arrives at the carnival. Pinocchio is a huge success on stage and Count Volpe is furious when he realizes Pinocchio is gone.
- Pinocchio abandons his school commitment to perform in Count Volpe's carnival. Geppetto, Podestà, and the Town Priest confront Geppetto about Pinocchio's truancy. Meanwhile, Count Volpe discovers Pinocchio and plans to obtain him for his show. Pinocchio is a successful performer while Geppetto searches for him. Count Volpe is angry when he realizes Pinocchio is gone.
- Pinocchio is carried in a coffin by black rabbits to Limbo Anteroom and stumbles into a bureaucratic office of playing rabbits. They direct him to the boss through a large ornate door.
- Pinocchio finds himself talking to Death about his wooden existence and learns that he cannot die. Death shows him the hourglasses of their existence, and Pinocchio is sent back every time he 'dies.'
- Pinocchio's supposed death creates chaos, involving various characters who have their own interests and motivations; he is then revealed to be alive and the source of their conflict.
- Pinocchio plans to run away from his school and perform in a carnival to avoid going to war. Geppetto and Pinocchio argue about the law and Pinocchio feeling like a burden. Pinocchio decides to leave a note for Geppetto and the cricket tries to stop him, but gets trapped under a glass. Pinocchio leaves for the carnival, determined to send Geppetto money and prove he's not a burden.
- Pinocchio runs away to join a carnival, leaving a note for Geppetto. Geppetto discovers the note and, with the help of the Cricket, sets off to find Pinocchio at the carnival.
- Pinocchio runs away to join a carnival and Geppetto chases after him to bring him back home. Pinocchio continues to perform in many shows and has become a successful performer while Geppetto attempts to catch up to him.
- Pinocchio performs in a show for an audience, including Il Duce, while Geppetto tries to catch up to him on a ship.
- Geppetto and Cricket search for Pinocchio at the carnival. Pinocchio is being taken advantage of by Count Volpe, who is not sending money back to Geppetto. Spazz tries to help but Pinocchio refuses to believe the truth. Geppetto and Cricket board a ship to find Pinocchio, but are attacked by a sea monster and swallowed whole.
- Pinocchio witnesses Count Volpe abusing Spazzatura, confronts him, and learns that he has been lied to about his earnings and is actually a slave to Volpe's puppeteering. Volpe threatens and injures Pinocchio, asserting control over the wooden boy.
- Pinocchio performs in a puppet show for Mussolini while Count Volpe takes advantage of him, but Pinocchio confronts Volpe and learns the truth. The show is deemed offensive by Mussolini and Pinocchio is shot at.
- Pinocchio meets Death and is forced to confront the idea that he may never see his father again. He is then taken to a youth camp where he is indoctrinated by the fascist regime.
- Pinocchio and Candlewick discuss their purpose at the youth camp, their fathers' beliefs about war, and their own fears of dying. They eventually bond over their weirdness and friendship.
- Pinocchio and Candlewick compete in a war game at the youth camp, with both teams vying to place their flag at the top of a tower. As they struggle to outdo each other, they realize the futility of their actions and decide to end the conflict with laughter and a joint victory.
- Pinocchio and Candlewick confront the fascist indoctrination at the youth camp as an air raid and a power struggle take place, resulting in Candlewick's rebellion and the Podestà's demise.
- Pinocchio is trapped by Count Volpe and his henchman Spazzatura near a cliff. Count Volpe is angry that Pinocchio squandered everything and prepares to burn him in a huge bonfire. Spazzatura finally decides to help Pinocchio and helps him escape. They fall off the cliff and into the ocean. They eventually see a mysterious island, but it turns out to be the Dogfish's belly.
- Pinocchio and Spazzatura escape from the Dogfish and reunite with Geppetto, Cricket helps them realize their only escape is through the blowhole of the beast, Pinocchio's nose grows as he lies to create a bridge for them to cross, and they work together to climb across.
- After building a makeshift bridge to cross the Dogfish's blowhole, Pinocchio and his companions are caught in the middle of a violent sneeze that propels them out of the creature's body.
- Pinocchio and his companions escape from the Dogfish's belly, but are chased by the monster towards Geppetto and friends on a raft. Pinocchio saves the day by detonating a mine to kill the Dogfish, but Geppetto is knocked unconscious in the process. Pinocchio finds himself in Limbo where Death warns him of the consequences of breaking the rules to save Geppetto, but he does so anyway.
- Pinocchio sacrifices himself to save Geppetto, only to be brought back to life by the wishes of his loved ones
- Pinocchio mourns the loss of his loved ones before venturing off into the world.
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Character Geppetto
Description Geppetto's grief over Carlo is understandable, but his transformation from a loving father to a bitter and neglectful one towards Pinocchio feels inconsistent and abrupt. His sudden shift to calling Pinocchio a burden lacks a convincing emotional arc.
( Scene 1 Scene 5 Scene 23 ) -
Character Pinocchio
Description Pinocchio's understanding and emotional maturity fluctuate throughout the script. He displays moments of insightful reflection but also exhibits childlike naivety and impulsiveness that seem contradictory.
( Scene 12 (9) Scene 15 Scene 16 Scene 23 Scene 31 )
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Description The Cricket's claim that Geppetto and Carlo 'wanted for nothing' contradicts the later depiction of Geppetto struggling financially and Pinocchio's desire to earn money to support him.
( Scene 1 ) -
Description The scene with Candlewick being sent off to war is emotionally impactful but feels somewhat disconnected from the main narrative. Its purpose and relevance to Pinocchio's journey could be clarified.
( Scene 25 (26) )
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Description The puppets' dialogue, while intended to be humorous, can feel repetitive and overly expository, particularly in their interactions with Pinocchio.
( Scene 28 )
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Element Pinocchio's desire to go to school
( Scene 12 Scene 15 Scene 16 )
Suggestion Pinocchio's repeated expressions of wanting to go to school could be streamlined to maintain narrative momentum and avoid redundancy. -
Element Pinocchio's escapes from death
( Scene 20 Scene 30 Scene 34 )
Suggestion While each encounter with Death presents a different challenge for Pinocchio, the repetitive structure of these scenes could be varied to enhance narrative tension and avoid predictability.
Pinocchio - Score: 92/100
Role
Protagonist
Character Analysis Overview
Geppetto - Score: 85/100
Role
Protagonist
Character Analysis Overview
Count - Score: 82/100
Role
Antagonist
Character Analysis Overview
Cricket - Score: 87/100
Character Analysis Overview
Spazzatura - Score: 65/100
Character Analysis Overview
Candlewick - Score: 69/100
Role
Supporting character
Character Analysis Overview
Carlo - Score: 89/100
Character Analysis Overview
The - Score: 91/100
Character Analysis Overview
Podestà - Score: 76/100
Role
Antagonist
Character Analysis Overview
| Theme | Theme Details | Theme Explanation |
|---|---|---|
| Grief and Loss | Geppetto grieves the loss of his son Carlo in the war and builds Pinocchio in his memory. Throughout the story, Geppetto struggles with the burden of his grief and the memories of his son. | One of the primary and most prominent themes in the screenplay is grief and loss. The story starts with Geppetto grieving the death of his son Carlo and continues to explore his journey of coping with the loss. Through his interactions with Pinocchio, Geppetto learns to come to terms with his grief and finds a way to honor the memory of his son. |
| Acceptance and Transformation | Geppetto is initially horrified at the idea of a living puppet, but with the help of the cricket, he learns to accept Pinocchio into his life. Pinocchio also transforms throughout the story from a wooden puppet to a sentient being with complex emotions. | Another important theme in the screenplay is acceptance and transformation. Geppetto's journey of accepting Pinocchio and learning to love him as his own son is a significant part of the story. Additionally, Pinocchio's transformation from a puppet to a sentient being capable of emotions and self-awareness is a significant aspect of the story. |
| War and its Effects | The impact of war on Geppetto and Carlo's relationship is explored in flashbacks. Pinocchio's avoidance of war and his eventual discovery of the truth about it is an integral part of the story. | The theme of war and its effects on the lives of people is another crucial aspect of the screenplay. The story explores the impact of war on Geppetto and Carlo's relationship and the struggles that children face when forced to participate in war. Pinocchio's avoidance of war and his eventual discovery of the truth about it is also an important part of the story. The screenplay highlights the horrors of war and the long-lasting effects it has on people's lives and relationships. |
| Identity and Self-Discovery | Pinocchio's journey of self-discovery as he navigates his way through the world, discovers the truth about himself, and finds his place in life. | Identity and self-discovery are first evident when Pinocchio comes to life and has to figure out who he is. Pinocchio struggles with his identity and longs to be accepted as a real boy, which motivates much of his behavior. Through his journey, Pinocchio learns about who he is and discovers his place in the world. |
| Betrayal and Deception | Count Volpe takes advantage of Pinocchio's naivety for his own gain. Pinocchio is deceived by Count Volpe and learns the hard way about the consequences of trusting the wrong people. | Betrayal and deception are a recurring theme in the screenplay. Pinocchio is repeatedly deceived by others throughout the story, and this theme is used to emphasize the importance of trust and the potentially severe consequences of betrayal and deception. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | Geppetto's internal goal in this script is to process and let go of his grief for his son, Carlo. Carlo's internal goal is to feel safe, loved, and secure. Pinocchio's internal goal is to be accepted and perceived as a real boy. Spazz's internal goal is to find a sense of belonging and purpose. The Cricket's internal goal is to survive and protect his home. |
| External Goals | Geppetto's external goal is to secure his tools and get home safely. Pinocchio's external goal is to reunite with his father and find a sense of belonging. The protagonist's external goal is to continue living his life after the loss of his son. Count Volpe's external goal is to use Pinocchio for his puppet theater. Spazz's external goal is to find Pinocchio and bring him back to life. Geppetto's external goal is to find Pinocchio and protect him. The protagonist's external goal is to find his father and reunite with him. Pinocchio's external goal is to save his father and prove himself as a good son. |
| Philosophical Conflict | The overarching philosophical conflict in this script is the tension between reality and fantasy, the power of love, the nature of existence, and the clash of societal norms and individual identity. |
Character Development Contribution: The goals and conflict contribute to the character's development by challenging their beliefs, values, and desires. They go on a journey of self-discovery and growth, facing internal and external obstacles that shape their identity and understanding of the world.
Narrative Structure Contribution: The goals and conflict contribute to the narrative structure by providing a clear motivation and direction for the characters. They drive the plot forward and create tension and suspense. The evolving goals and conflicts create a sense of progression and development in the story.
Thematic Depth Contribution: The goals and conflict contribute to the thematic depth of the screenplay by exploring themes of loss, grief, acceptance, love, identity, freedom, and the power of storytelling. They raise philosophical questions and challenge societal norms, adding depth and complexity to the overall narrative.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - The Loss of Carlo | "Melancholic" | 9 | 8 | 8 | 9 | 10 | 6 | 9 | 7 | 4 | 0 | 3 | 5 | 0 | 10 | 7 | 9 | 7 | 9 | 8 | |
| 2 - Geppetto and Carlo's Life | "Sentimental" | 8 | 8 | 7 | 6 | 9 | 4 | 9 | 8 | 3 | 0 | 3 | 6 | 0 | 9 | 7 | 10 | 8 | 10 | 9 | |
| 3 - Geppetto Remembers Carlo | "nostalgic" | 9 | 9 | 8 | 3 | 9 | 2 | 0 | 8 | 2 | 0 | 2 | 5 | 0 | 8 | 8 | 6 | 8 | 9 | 9 | |
| 4 - Geppetto Mourns for Carlo | "Somber" | 9 | 9 | 9 | 6 | 10 | 7 | 9 | 8 | 8 | 0 | 10 | 8 | 0 | 10 | 8 | 10 | 10 | 9 | 8 | |
| 5 - Geppetto's Grief | "somber" | 8.2 | 8 | 8 | 6 | 8 | 7 | 8 | 9 | 9 | 0 | 8 | 8 | 0 | 9 | 8 | 7 | 8 | 8 | 9 | |
| 6 - Geppetto's Grief | "Melancholic" | 9 | 9 | 9 | 8 | 8 | 6 | 8 | 9 | 6 | 0 | 7 | 8 | 0 | 10 | 7 | 9 | 8 | 10 | 9 | |
| 7 - Pinocchio Comes to Life | "Suspenseful" | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 9 | 8 | 0 | 8 | 9 | 0 | 9 | 8 | 9 | 8 | 9 | 8 | |
| 8 - Pinocchio wreaks havoc in Geppetto's workshop | "Chaotic" | 8 | 8 | 8 | 9 | 7 | 4 | 8 | 7 | 9 | 0 | 6 | 8 | 0 | 7 | 6 | 9 | 9 | 9 | 8 | |
| 9 - Pinocchio Visits the Fascist Town | "Whimsical" | 8 | 8 | 6 | 4 | 8 | 3 | 7 | 6 | 4 | 0 | 4 | 6 | 0 | 6 | 6 | 8 | 8 | 8 | 9 | |
| 10 - Pinocchio Causes Chaos in Church | "Tense" | 8 | 8 | 8 | 7 | 7 | 6 | 8 | 9 | 10 | 0 | 9 | 8 | 0 | 8 | 7 | 9 | 8 | 10 | 9 | |
| 11 - Geppetto teaches Pinocchio about the consequences of lying | "Whimsical" | 8 | 8 | 8 | 7 | 9 | 6 | 9 | 8 | 6 | 0 | 5 | 7 | 0 | 6 | 8 | 7 | 8 | 10 | 8 | |
| 12 - A Puppet's Demands | "Whimsical" | 7 | 8 | 7 | 8 | 7 | 5 | 6 | 8 | 7 | 0 | 4 | 7 | 0 | 6 | 7 | 7 | 8 | 9 | 9 | |
| 13 - A Night of Reflection | "Whimsical" | 7 | 8 | 6 | 6 | 8 | 3 | 9 | 8 | 3 | 0 | 2 | 4 | 0 | 4 | 6 | 8 | 8 | 10 | 9 | |
| 14 - Count Volpe's Palace | "Whimsical" | 7 | 8 | 6 | 6 | 7 | 4 | 9 | 8 | 6 | 0 | 7 | 6 | 0 | 5 | 6 | 9 | 9 | 9 | 8 | |
| 15 - Pinocchio Goes to School and Receives a Gift from Geppetto | "Innocent, heartfelt" | 8 | 9 | 8 | 6 | 8 | 7 | 8 | 7 | 6 | 0 | 5 | 8 | 0 | 9 | 7 | 8 | 9 | 10 | 9 | |
| 16 - Pinocchio Gets Caught Up in the Carnival | "Exciting" | 8 | 9 | 8 | 9 | 7 | 5 | 8 | 9 | 9 | 0 | 8 | 8 | 0 | 7 | 7 | 9 | 9 | 8 | 9 | |
| 17 - Pinocchio's Temptation | "tense" | 9 | 8 | 9 | 8 | 9 | 7 | 9 | 8 | 9 | 0 | 10 | 10 | 0 | 8 | 8 | 9 | 9 | 9 | 8 | |
| 18 - Pinocchio performs at the carnival | "Upbeat" | 8 | 9 | 7 | 6 | 8 | 6 | 8 | 9 | 7 | 0 | 7 | 8 | 0 | 7 | 7 | 8 | 8 | 9 | 9 | |
| 19 - Pinocchio's Betrayal | "Tense" | 9 | 9 | 8 | 8 | 9 | 8 | 8 | 7 | 10 | 0 | 10 | 10 | 0 | 9 | 7 | 10 | 9 | 10 | 9 | |
| 20 - Pinocchio Goes to Limbo | "Whimsical" | 8 | 9 | 8 | 9 | 7 | 2 | 8 | 6 | 5 | 0 | 4 | 6 | 0 | 4 | 7 | 8 | 8 | 9 | 9 | |
| 21 - Pinocchio Meets Death | "Somber" | 9 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 6 | 0 | 6 | 7 | 0 | 9 | 8 | 8 | 9 | 10 | 9 | |
| 22 - Pinocchio's Resurrection | "Satirical" | 7 | 8 | 6 | 9 | 7 | 6 | 8 | 9 | 9 | 0 | 9 | 7 | 0 | 6 | 7 | 10 | 9 | 8 | 9 | |
| 23 - Pinocchio's Plan | "Heartbreaking" | 8 | 8 | 9 | 6 | 7 | 7 | 9 | 8 | 9 | 0 | 7 | 8 | 0 | 9 | 8 | 8 | 9 | 9 | 9 | |
| 24 - Pinocchio Runs Away | "Tense" | 9 | 10 | 9 | 7 | 8 | 7 | 8 | 9 | 8 | 0 | 9 | 8 | 0 | 8 | 7 | 9 | 9 | 9 | 8 | |
| 25 - Pinocchio's Journey Continues | "Nostalgic, hopeful" | 8 | 7 | 8 | 6 | 8 | 6 | 8 | 8 | 4 | 0 | 4 | 8 | 0 | 7 | 6 | 9 | 9 | 8 | 9 | |
| 26 - Pinocchio Performs for Il Duce | "Hopeful, but with underlying tension" | 8 | 7 | 8 | 5 | 8 | 6 | 8 | 9 | 8 | 0 | 8 | 8 | 0 | 7 | 8 | 9 | 8 | 8 | 9 | |
| 27 - The Chase | "Intense" | 8 | 7 | 9 | 8 | 7 | 7 | 8 | 8 | 9 | 0 | 10 | 9 | 0 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 28 - Pinocchio stands up against Count Volpe | "Tense" | 8.5 | 8 | 9 | 8 | 8 | 7 | 9 | 10 | 9 | 0 | 9 | 9 | 0 | 8 | 7 | 10 | 9 | 9 | 8 | |
| 29 - Pinocchio's Farting Puppet Show for Il Duce | "Satirical" | 8 | 8 | 8 | 10 | 8 | 7 | 8 | 9 | 9 | 0 | 8 | 9 | 0 | 6 | 7 | 9 | 9 | 10 | 10 | |
| 30 - Pinocchio Confronts Mortality | "dark" | 8 | 10 | 9 | 7 | 7 | 6 | 8 | 9 | 7 | 0 | 10 | 8 | 0 | 8 | 8 | 9 | 8 | 8 | 9 | |
| 31 - In the Youth Camp Dormitory | "tense, patriotic, introspective" | 8 | 7 | 8 | 8 | 9 | 5 | 8 | 9 | 6 | 0 | 5 | 6 | 0 | 7 | 8 | 9 | 8 | 9 | 8 | |
| 32 - The Battle for Honor | "Slightly comedic but with serious undertones" | 9 | 8 | 8 | 7 | 9 | 6 | 8 | 9 | 7 | 0 | 6 | 7 | 0 | 6 | 7 | 9 | 9 | 8 | 7 | |
| 33 - The Final Lesson | "intense" | 8 | 7 | 9 | 0 | 8 | 8 | 0 | 0 | 10 | 0 | 10 | 10 | 0 | 8 | 7 | 0 | 0 | 0 | 0 | |
| 34 - Escape from Count Volpe's Lair | "Tense" | 9 | 8 | 9 | 6 | 8 | 8 | 8 | 9 | 9 | 0 | 10 | 9 | 0 | 7 | 7 | 9 | 8 | 10 | 9 | |
| 35 - Escape from the Dogfish | "tense" | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 9 | 8 | 0 | 8 | 8 | 0 | 6 | 6 | 8 | 8 | 10 | 9 | |
| 36 - Escape from the Dogfish | "Tense" | 7 | 7 | 8 | 6 | 6 | 2 | 8 | 9 | 9 | 0 | 10 | 9 | 0 | 6 | 2 | 8 | 7 | 10 | 9 | |
| 37 - Escape from the Dogfish | "Tense" | 8 | 8 | 9 | 7 | 7 | 7 | 9 | 9 | 9 | 0 | 10 | 10 | 0 | 9 | 6 | 10 | 9 | 8 | 8 | |
| 38 - Pinocchio Comes Back to Life | "Sad, hopeful" | 9 | 9 | 10 | 8 | 8 | 9 | 8 | 10 | 8 | 0 | 8 | 9 | 0 | 10 | 7 | 9 | 8 | 10 | 8 | |
| 39 - Epilogue | "Bittersweet" | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 4 | 0 | 3 | 6 | 0 | 9 | 8 | 9 | 8 | 9 | 9 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Strong emotional resonance and effective use of flashbacks to convey Geppetto's loss and longing.
- Engaging world-building and imaginative details.
- Compelling dialogue and exploration of themes around fascism and obedience.
- Action-packed scenes with high stakes and tension.
- Well-developed character relationships and arcs.
Scene Weaknesses
- Lack of significant plot development and conflict in some scenes.
- Repetitive or heavy-handed dialogue in certain moments.
- Limited development of certain characters or themes.
- Slow pacing or lack of action in some scenes.
- Low emotional impact or stakes in certain scenes.
Suggestions
- Focus on developing plot and conflict in scenes that lack them, while also maintaining emotional resonance.
- Work on crafting more nuanced and impactful dialogue that avoids cliches and heavy-handedness.
- Continue exploring themes around fascism and obedience, while also developing characters and relationships further.
- Balance slow-paced scenes with action-packed ones to maintain audience engagement.
- Prioritize creating higher emotional stakes and impact in scenes that lack them.
Scene 1 - The Loss of Carlo
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Geppetto and Carlo's Life
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Geppetto Remembers Carlo
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Geppetto Mourns for Carlo
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Geppetto's Grief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Geppetto's Grief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Pinocchio Comes to Life
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Pinocchio wreaks havoc in Geppetto's workshop
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Pinocchio Visits the Fascist Town
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Pinocchio Causes Chaos in Church
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Geppetto teaches Pinocchio about the consequences of lying
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - A Puppet's Demands
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - A Night of Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Count Volpe's Palace
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Pinocchio Goes to School and Receives a Gift from Geppetto
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Pinocchio Gets Caught Up in the Carnival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Pinocchio's Temptation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Pinocchio performs at the carnival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Pinocchio's Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Pinocchio Goes to Limbo
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Pinocchio Meets Death
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Pinocchio's Resurrection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Pinocchio's Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Pinocchio Runs Away
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Pinocchio's Journey Continues
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Pinocchio Performs for Il Duce
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - The Chase
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Pinocchio stands up against Count Volpe
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Pinocchio's Farting Puppet Show for Il Duce
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Pinocchio Confronts Mortality
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - In the Youth Camp Dormitory
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - The Battle for Honor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - The Final Lesson
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Escape from Count Volpe's Lair
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Escape from the Dogfish
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Escape from the Dogfish
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Escape from the Dogfish
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Pinocchio Comes Back to Life
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Epilogue
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Recommend
Explanation: The screenplay for 'Pinocchio' is a well-crafted and compelling story that explores themes of family, identity, and the moral complexities of war through the lens of a beloved fairy tale character. The strong character development, particularly in the relationship between Pinocchio and Geppetto, as well as the incorporation of timely social and political commentary, make this screenplay a compelling and thought-provoking work. While there are a few areas for improvement, such as the integration of the carnival subplot and the pacing of the limbo sequences, the overall narrative is engaging and emotionally resonant. The screenplay is recommended for further development and consideration.