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Scene Map 60
# PG SLUGLINE
1 2
EXT DEEP SPACE
2 3
EXT LAKE MERRITT APARTMENTCOMPLEX, OAKLAND- NIGHT - 1992
3 5
INT N'JOBU'S APARTMENT NIGHT
4 7
INT COMMAND
5 9
INT CARGOTRUCK, CHIBOCK NIGHT
6 11
EXT DIRT CLEARING, CHIBOCK NIGHT
7 14
EXT LANDING PAD, ROYALPALACE/INT. RTF - BREAKINGDAWN
8 15
EXT BRITISH MUSEUM,LONDON
9 19
EXT BRITISH MUSEUM
10 21
EXT WAKANDAN
11 26
EXT SEATING AREA, WARRIORFALLS DAY
12 28
EXT BLACKPANTHERANCESTRALPLANE - UNKNOWN
13 30
EXT STEP TOWN, GOLDENCITY DAY
14 31
EXT WAKANDAN
15 33
INT TRIBAL COUNCILROOM DAY
16 34
INT WAKANDAN
17 38
EXT BUSANCITY SKYLINE NIGHT
18 40
INT FIRST FLOOR, BLACKJACKTABLE NIGHT
19 43
EXT JAGALCHI FISH MARKET NIGHT
20 48
EXT JAGALCHI FISH MARKET NIGHT
21 50
INT KLAUE'S 4RUNNER, BUSAN STREETS NIGHT
22 52
EXT WASHIRO (YEONGDOGU)
23 53
EXT YEONGDOGU
24 54
EXT DEONGSEO
25 56
EXT CENTUMCITY BRIDGE NIGHT
26 57
EXT HAEUNDAE
27 59
EXT TRAVELAGENCY, SOUTHKOREA DAY
28 61
INT INTERROGATIONROOM
29 62
INT INTERROGATIONROOM, TRAVELAGENCY, SOUTHKOREA DAY
30 64
INT TRAVELAGENCYLOBBY, SOUTHKOREA DAY
31 65
INT BLACKSITE OFFICE, TRAVELAGENCY
32 67
INT COMMAND
33 71
INT HALL OF KINGS, CITY OF THE DEAD NIGHT
34 72
INT N'JOBU'S APARTMENT- NIGHT - FLASHBACK
35 74
INT SHURI'S LAB, WAKANDA
36 77
EXT WAKANDAN
37 78
INT TRIBAL COUNCILROOM DAY
38 82
EXT WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
39 84
EXT WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
40 86
INT TRIBAL COUNCIL ROOM NIGHT
41 89
INT HALL OF KINGS, CITY OF THE DEAD NIGHT
42 92
INT TRIBAL COUNCIL ROOM DAY
43 94
EXT JABARILANDOUTSKIRTS, WAKANDAN
44 96
EXT RIVERBANK, JABARILAND- DAWN- FLASHBACKONE DAY BEFORE
45 97
EXT BLACKPANTHERANCESTRALPLANE DAY
46 98
INT M'BAKU'S THRONEROOM
47 101
INT VIBRANIUMMINE- DOWNSHAFT
48 102
EXT MT. BASHENGA
49 103
EXT MT BASHENGA,TOP OF HILL DAY
50 105
INT SHURI'S LAB, WAKAND
51 107
INT SHURI'S LAB, WAKANDA
52 109
EXT MT. BASHENGA DAY
53 111
INT VIBRANIUMMINE BOTTOM DAY
54 112
EXT MT. BASHENGA,TOP OF THE HILL DAY
55 113
EXT MT. BASHENGA
56 115
EXT WAKANDAN
57 117
INT VIBRANIUMMINE BOTTOM DAY
58 118
EXT MT. BASHENGA- SUNSET
59 119
EXT LAKE MERRITT APARTMENTCOMPLEX,OAKLAND DAY
60 121
INT UNITED NATIONS ASSEMBLYBUILDING, ROTUNDA DAY
Scene Map
60
# PG SLUGLINE
1 2
EXT DEEP SPACE
EXT. DEEP SPACE
EXT. DEEP SPACE A dark screen is lit up by twinkling stars . SON Baba? FATHER
2 3
EXT LAKE MERRITT APARTMENTCOMPLEX, OAKLAND- NIGHT - 1992
EXT. LAKE MERRITT APARTMENTCOMPLEX, OAKLAND- NIGHT - 1992
EXT. LAKE MERRITT APARTMENTCOMPLEX, OAKLAND- NIGHT - 1992 Towering apartment buildings loom over the horizon . Kids play pickup basketball on a milk carton hoop when mysterious lights approach from the sky. INT. N'JOBU'S APARTMENT/HALLWAY
3 5
INT N'JOBU'S APARTMENT NIGHT
INT. N'JOBU'S APARTMENT- NIGHT
INT. N'JOBU'S APARTMENT- NIGHT The room is pitch black , then .. . BOOM . The Dora hit the floor with their spears again and the lights come back ON, but now YOUNGT' CHAKA(dressed in t he ceremonial garb of the Black Panther) stands before them .
4 7
INT COMMAND
INT. COMMAND
INT. COMMAND CABIN, ROYALTALONFIGHTER - NIGHT - PRESENT DAY T'Challa, dressed in his Black Panther armor, sits at the console in the back of the ROYALTALONFIGHTER. A BBC news report plays on the screen .
5 9
INT CARGOTRUCK, CHIBOCK NIGHT
INT. CARGOTRUCK, CHIBOCK- NIGHT
INT. CARGOTRUCK, CHIBOCK- NIGHT Packed closely together , SEVERALNIGERIAN WOMENdressed in hijab sit, waiting. A CARGOTRUCKMILITANT sits amongst the women, RIFLE in hand, next to a YOUNGMILITANT, a child soldier no older than
6 11
EXT DIRT CLEARING, CHIBOCK NIGHT
EXT. DIRT CLEARING, CHIBOCK - NIGHT
EXT. DIRT CLEARING, CHIBOCK - NIGHT The four men don't see Panther coming and executing a BARRAGE OF PUNCHESAND KICKS, Panther viciously dispatches them. He spots the Young Militant firing at him then SLASHES through a car door, and THROWSTHE DOORat a Militant behind him-
7 14
EXT LANDING PAD, ROYALPALACE/INT. RTF - BREAKINGDAWN
EXT. LANDING PAD, ROYALPALACE/INT. RTF - BREAKINGDAWN
EXT. LANDING PAD, ROYALPALACE/INT. RTF - BREAKINGDAWN RAMONDA(S0s, Queen Mother of Wakanda), and SHUR! (18 , Princess of Wakanda) stand on the pad flanked by AYO. Okoye , Nakia and T'Challa exit the RTF and Nakia bows her head .
8 15
EXT BRITISH MUSEUM,LONDON
EXT. BRITISH MUSEUM,LONDON
EXT. BRITISH MUSEUM,LONDON , UK - MORNING Museum employees congregate outside as tourists and school groups move toward the main entrance .
9 19
EXT BRITISH MUSEUM
EXT. BRITISH MUSEUM
EXT. BRITISH MUSEUM , LONDON , UK - MORNING Just outside the entrance , Linda exits , wearing plain clothes . She eyes her cellphone SCREEN where th e same video
10 21
EXT WAKANDAN
EXT. WAKANDAN
EXT. WAKANDAN Several incredible BARGEStransport congregations from FOUR WAKANDAN TRI BES, ELDERS and their TRIBAL WARRIORSin traditional garb , others in modern Wakandan attire , the DORA MILAJE and KINGSGUARD wi th spears and shields down river.
11 26
EXT SEATING AREA, WARRIORFALLS DAY
EXT. SEATING AREA, WARRIORFALLS - DAY
EXT. SEATING AREA, WARRIORFALLS - DAY From T'Challa's POV we see Ramonda cheering from the sidelines. RAMONDA Show him who you are !
12 28
EXT BLACKPANTHERANCESTRALPLANE - UNKNOWN
EXT. BLACKPANTHERANCESTRALPLANE - UNKNOWN
EXT. BLACKPANTHERANCESTRALPLANE - UNKNOWN T'Challa comes out of the dirt . There are stars above . He's in a VAST GRASSLANDsomewhere in Wakanda with wondrous acacia trees . It's surreal and beautiful.
13 30
EXT STEP TOWN, GOLDENCITY DAY
EXT. STEP TOWN, GOLDENCITY - DAY
EXT. STEP TOWN, GOLDENCITY - DAY A bustling futuristic metropolis. T ' Challa and Nakia stroll side by side . FOUR DORAMILAJE shadow them from a distance. T'CHALLA Corne home , Nakia .
14 31
EXT WAKANDAN
EXT. WAKANDAN
EXT. WAKANDAN BORDERREGION - DAY We TRACKPAST several Border Tribesmen in a field, feeding and watering their pet HORSES and GOATS. Finally we come upon . . . W'Kabi feeding M20, his MASSIVE PET
15 33
INT TRIBAL COUNCILROOM DAY
INT. TRIBAL COUNCILROOM- DAY
INT. TRIBAL COUNCILROOM- DAY An ornate chamber overlooking the Golden City . At the top of a golden pyramid, T' Challa , W'Kabi, Ramonda and ELDERS from each tribe except the Jabari sit in a circle as Okoye briefs them . W'Kabi and Ramonda flank T'Challa's throne .
16 34
INT WAKANDAN
INT. WAKANDAN
EXT/INT. MT. BASHENGA, TOP OF THE HILL - DAY The Great Mound . Where a meteorite hit, creating a cliff-face on one side and a large hill on the other. A DRAGONFLYERlands outside the WAKANDAN DESIGN GROUP.
17 38
EXT BUSANCITY SKYLINE NIGHT
EXT. BUSANCITY SKYLINE - NIGHT
EXT. BUSANCITY SKYLINE - NIGHT We move over the beautiful sky l ine . EXT. JAGALCHI FISH MARKET- NIGHT A LEXUS SEDANdrives through the market and pulls into a parking stall next to several expensive looking lu xury cars .
18 40
INT FIRST FLOOR, BLACKJACKTABLE NIGHT
INT. FIRST FLOOR, BLACKJACKTABLE - NIGHT
INT. FIRST FLOOR, BLACKJACKTABLE - NIGHT Nakia slips into a seat at the bar and looks around clocking the room. NAKIA
19 43
EXT JAGALCHI FISH MARKET NIGHT
EXT. JAGALCHI FISH MARKET- NIGHT
EXT. JAGALCHI FISH MARKET- NIGHT SEVERALBLACK 4RUNNERSpull up in f r ont of the Korean Woman and a platoon of EIGHT SOUTH AFRICAN TOUGHSdressed i n suits hop out of the trucks protecting Klaue. Klaue winks at the Korean Woman as he wal ks past her. She smi l es back and nods
20 48
EXT JAGALCHI FISH MARKET NIGHT
EXT. JAGALCHI FISH MARKET- NIGHT
EXT. JAGALCHI FISH MARKET- NIGHT Klaue and FOUR TOUGHSexit with Nakia and Okoye giving chase . KLAUE That was awesome! That was awesome!
21 50
INT KLAUE'S 4RUNNER, BUSAN STREETS NIGHT
INT. KLAUE'S 4RUNNER, BUSAN STREETS - NIGHT
INT. KLAUE'S 4RUNNER, BUSAN STREETS - NIGHT Klaue turns to the driver. KLAUE Put some music on ! What do you think this is a funeral?
22 52
EXT WASHIRO (YEONGDOGU)
EXT. WASHIRO (YEONGDOGU)
EXT. WASHIRO (YEONGDOGU) , PANTHER'S HILLS - NIGHT T'CHALLA Don't worry about it . You're doing great .
23 53
EXT YEONGDOGU
EXT. YEONGDOGU
EXT. YEONGDOGU , ENTRANCETO DIAMONDBRIDGE - NIGHT The SECONDand FOURTHSUV$ tear from the hills onto the DIAMONDBRIDGE with Panther's Lexus right behind them . Closing in, Panther takes HEAVYGUNFIRE.
24 54
EXT DEONGSEO
EXT. DEONGSEO
EXT. DEONGSEO , WHOOPSTREET - NIGHT Nakia's Lexus sedan trails Klaue's 4Runner . • . both going airborne over hilltops. I/E. NAKIA'S LEXUS SEDAN, WHOOPSTREET - NIGHT
25 56
EXT CENTUMCITY BRIDGE NIGHT
EXT. CENTUMCITY BRIDGE - NIGHT
EXT. CENTUMCITY BRIDGE - NIGHT T'CHALLA Faster , Shuri . INT. SHURI'S LAB, WAKANDAN DESIGN GROUP- NIGHT
26 57
EXT HAEUNDAE
EXT. HAEUNDAE
EXT. HAEUNDAE DISTRICT - NIGHT But PANTHER ... launches himself out of the DISASSEMBLINGCAR to ward a BUILDING and in fo ur strides a l ong the side of the structure, he LEAPS OFF at KLAUE'S 4RUNNER .
27 59
EXT TRAVELAGENCY, SOUTHKOREA DAY
EXT. TRAVELAGENCY, SOUTHKOREA- DAY
EXT. TRAVELAGENCY, SOUTHKOREA- DAY Fast-paced, loud and dirty. INT . TRAVELAGENCYLOBBY, SOUTHKOREA- DAY SOUTHKOREANEMPLOYEESbusily work at desks. Nakia is among them, watching the passing cars. Guard duty .
28 61
INT INTERROGATIONROOM
INT. INTERROGATIONROOM
INT. INTERROGATIONROOM , TRAVELAGENCY , SOUTHKOREA- DAY Strapped to his chair, Klaue sings. KLAUE
29 62
INT INTERROGATIONROOM, TRAVELAGENCY, SOUTHKOREA DAY
INT. INTERROGATIONROOM, TRAVELAGENCY, SOUTHKOREA- DAY
INT. INTERROGATIONROOM, TRAVELAGENCY, SOUTHKOREA- DAY KLAUE It's all a front . Explorers searched for it for centuries . El Dorado : The Golden City . They
30 64
INT TRAVELAGENCYLOBBY, SOUTHKOREA DAY
INT. TRAVELAGENCYLOBBY, SOUTHKOREA- DAY
INT. TRAVELAGENCYLOBBY, SOUTHKOREA- DAY On a computer monitor , we see SECURITY CAMERAFEEDS from outside the black site. Nakia wanders past the desk, eyeing over a travel agency employee's (CIA Agent) shoulder and freezes.
31 65
INT BLACKSITE OFFICE, TRAVELAGENCY
INT. BLACKSITE OFFICE, TRAVELAGENCY
INT. BLACKSITE OFFICE, TRAVELAGENCY , SOUTHKOREA- DAY Panther instantly dives on the grenade and it EXPLODES, doing no damage to him or the room, but lights up his entire suit . Panther bounds back to his feet to give chase as ...
32 67
INT COMMAND
INT. COMMAND
INT. COMMAND CABIN, ROYALTALONFIGHTER - DAY Okoye is at the helm with Nakia standing next to her . Neither can believe Ross is on board . Further back in the aircraft, we find Ross' unconscious body.
33 71
INT HALL OF KINGS, CITY OF THE DEAD NIGHT
INT. HALL OF KINGS, CITY OF THE DEAD - NIGHT
INT. HALL OF KINGS, CITY OF THE DEAD - NIGHT T'Challa enters to find Zuri tending to the garden. He looks around to the other Shamans. T ' CHALLA Leave us.
34 72
INT N'JOBU'S APARTMENT- NIGHT - FLASHBACK
INT. N'JOBU'S APARTMENT- NIGHT - FLASHBACK
INT. N'JOBU'S APARTMENT- NIGHT - FLASHBACK N'JOBU makes his plea to YOUNGT'CHAKA, picking up where we left off in the Oakland sequence . N'JOBU I observed for as long as I could !
35 74
INT SHURI'S LAB, WAKANDA
INT. SHURI'S LAB, WAKANDA
INT. SHURI'S LAB, WAKANDA DESIGN GROUP- MORNING Ross suddenly opens his eyes and reaches for his gunshot wound finding it astonishingly almost fully healed. Shuri tinkers with the circuitry of a PAIR OF MASSIVE CLAWED
36 77
EXT WAKANDAN
EXT. WAKANDAN
EXT. WAKANDAN COUNTRYSIDE- MORNING T'Challa and Nakia gaze out off the side of a beautiful overlook . T' CHALLA
37 78
INT TRIBAL COUNCILROOM DAY
INT. TRIBAL COUNCILROOM- DAY
INT. TRIBAL COUNCILROOM- DAY T'Challa sits on his throne surrounded by the Tribal Elders , Ramonda , Shuri , Okoye , and the Dora . RIVER TRIBE ELDER Is this man Wakandan or not?
38 82
EXT WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
EXT. WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
EXT. WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON T'Challa and Killmonger stand opposite one another. Killmonger SNAPS OFF a spear ' s shaft with his foot and holds a SWORDto go with the SPEARHEAD. The Tribal Elders , W'Kabi , and the Dora look on from their
39 84
EXT WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
EXT. WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON
EXT. WARRIORFALLS, CHALLENGEPOOL - LATE AFTERNOON Killmonger snatches the knife out. T'Challa can barely stand . Killmonger punches him . ON NAKIA NAKIA
40 86
INT TRIBAL COUNCIL ROOM NIGHT
INT. TRIBAL COUNCIL ROOM- NIGHT
INT. TRIBAL COUNCIL ROOM- NIGHT The room seems empty until we come upon Okoye grieving alone . After a moment, the door opens and Okoye quickly wipes her eyes . Pulling it together , she stands as Nakia approaches. The two women silently take each other in , sharing in their
41 89
INT HALL OF KINGS, CITY OF THE DEAD NIGHT
INT. HALL OF KINGS, CITY OF THE DEAD - NIGHT
INT. HALL OF KINGS, CITY OF THE DEAD - NIGHT A SHAMANscoops water into the Heart Shaped Herb ceremonial vessel and grinds it . Killrnonger opens his mouth and she pours the solution in as his eyes slowly close .
42 92
INT TRIBAL COUNCIL ROOM DAY
INT. TRIBAL COUNCIL ROOM- DAY
INT. TRIBAL COUNCIL ROOM- DAY Every Elder , the Border Tribe military leaders , including W'Kabi, the Kingsguard leaders , Okoye , and the Dora prepare for a council meeting. Killmonger strolls in , wearing the new gold panther necklace .
43 94
EXT JABARILANDOUTSKIRTS, WAKANDAN
EXT. JABARILANDOUTSKIRTS, WAKANDAN
EXT. JABARILANDOUTSKIRTS, WAKANDAN MOUNTAINS- MORNING Nakia leads Shuri, Ramonda and Ross through the bitter wind and harsh conditions . ROSS
44 96
EXT RIVERBANK, JABARILAND- DAWN- FLASHBACKONE DAY BEFORE
EXT. RIVERBANK, JABARILAND- DAWN- FLASHBACKONE DAY BEFORE
EXT. RIVERBANK, JABARILAND- DAWN- FLASHBACKONE DAY BEFORE A tough weathered JABARI FISHERMANwalks along a frigid river with his YAK. M' BAKU ( V. 0 . ) One of our fishermen found him at
45 97
EXT BLACKPANTHERANCESTRALPLANE DAY
EXT. BLACKPANTHERANCESTRALPLANE - DAY
EXT. BLACKPANTHERANCESTRALPLANE - DAY T'Chaka beckons T'Challa toward several other black panthers and people in the distance. T'CHAKA (in Xhosa)
46 98
INT M'BAKU'S THRONEROOM
INT. M'BAKU'S THRONEROOM
INT. M'BAKU'S THRONEROOM , JABARILAND- DAY Our entire team of heroes : T'Challa , Nakia , Shuri , Ramonda , Ross talk . NAKIA
47 101
INT VIBRANIUMMINE- DOWNSHAFT
INT. VIBRANIUMMINE- DOWNSHAFT
INT. VIBRANIUMMINE- DOWNSHAFT A train car carrying carts full of vibranium moves across the ground, it then takes a turn up the sides and up to the surface out to--- EXT. MT. BASHENGA,TOP OF THE HILL - DAY
48 102
EXT MT. BASHENGA
EXT. MT. BASHENGA
EXT. MT. BASHENGA , TOP OF THE HILL - DAY Killmonger , Okoye, and W'Kabi line up at the lip of the great mound, surrounded by hundreds of Border Tribesmen they look on with confusion as . . •
49 103
EXT MT BASHENGA,TOP OF HILL DAY
EXT. MT BASHENGA,TOP OF HILL - DAY
EXT. MT BASHENGA,TOP OF HILL - DAY Killmonger stands with W'Kabi at the top of the mound . KILLMONGER W'Kabi , kill this clown . OKOYE
50 105
INT SHURI'S LAB, WAKAND
INT. SHURI'S LAB, WAKAND
INT. SHURI'S LAB, WAKAND A DESIGN GROUP- DAY Shuri , Nakia , and Ross are now runnin g down the ramp , throwing off their disguises. Shuri motions for a SAND TABLE to rise , reveal i ng a ne w tech armor rack . She grabs the
51 107
INT SHURI'S LAB, WAKANDA
INT. SHURI'S LAB, WAKANDA
INT. SHURI'S LAB, WAKANDA DESIGN GROUP- DAY Ross paces waiting for word from Shuri or Nakia about what to do, when suddenly the SAND TABLE drops to the ground, revealing an F- 16 cockpit .
52 109
EXT MT. BASHENGA DAY
EXT. MT. BASHENGA- DAY
EXT. MT. BASHENGA- DAY Panther tangles with the Border Tribe , but is suddenly SMASHEDin the back by M20 and is sent flying through the air, and into a large rock . EXT. MT. BASHENGA
53 111
INT VIBRANIUMMINE BOTTOM DAY
INT. VIBRANIUMMINE BOTTOM- DAY
INT. VIBRANIUMMINE BOTTOM- DAY In the vibranium mine , down the track from Panther and Killmonger's fight , we see a light come on in the train port . As they fight , the panels light up in succession, and we see a silent , Maglev train hurdling right at them .
54 112
EXT MT. BASHENGA,TOP OF THE HILL DAY
EXT. MT. BASHENGA,TOP OF THE HILL - DAY
EXT. MT. BASHENGA,TOP OF THE HILL - DAY Shuri moves to Nakia's side and helps her up. SHURI Nakia! Are you alright? NAKIA
55 113
EXT MT. BASHENGA
EXT. MT. BASHENGA
EXT. MT. BASHENGA , TOP OF THE HILL - DAY As our heroes fight , the Border Tribesmen continue to use their advanced shields to close them off into an impenetrable circle .
56 115
EXT WAKANDAN
EXT. WAKANDAN
EXT. WAKANDAN AIRSPACE - DAY The RTF does battle with the DRAGONFLYERS,using the sonic blasters to shoot down two of them, but taking significant damage . Ross has a clear line of sight to the last Talon
57 117
INT VIBRANIUMMINE BOTTOM DAY
INT. VIBRANIUMMINE BOTTOM- DAY
INT. VIBRANIUMMINE BOTTOM- DAY Killmonger slashes at T' Challa with the spear , backing T' Challa up towards the lip of the track . As the train comes speeding towards them, both their suits retract , and T'Challa holds Killmonger off as Killmonger pushes the blade of the
58 118
EXT MT. BASHENGA- SUNSET
EXT. MT. BASHENGA- SUNSET
EXT. MT. BASHENGA- SUNSET T'Challa stands at the top of the great mound next to Killmonger who is kneeling . Watching the sun creep down behind the horizon. KILLMONGER
59 119
EXT LAKE MERRITT APARTMENTCOMPLEX,OAKLAND DAY
EXT. LAKE MERRITT APARTMENTCOMPLEX,OAKLAND-DAY
EXT. LAKE MERRITT APARTMENTCOMPLEX,OAKLAND-DAY T'Challa and Shuri, dressed in subtle clothing , look at the now abandoned apartment building . In the distance a group of SIX KIDS (mostly Black, some Latino), play three on a rugged basketball hoop .
60 121
INT UNITED NATIONS ASSEMBLYBUILDING, ROTUNDA DAY
INT. UNITED NATIONS ASSEMBLYBUILDING, ROTUNDA- DAY
INT. UNITED NATIONS ASSEMBLYBUILDING, ROTUNDA- DAY T'Challa walks , flanked by Nakia, Okoye and Ayo . INT . UNITED NATIONS ASSEMBLYBUILDING - DAY Several assembly members move around the room preparing for a

Black Panther

If a vengeful, U.S.-trained cousin seizes Wakanda's throne, the world's most advanced weapons will flood every conflict zone on Earth—so the nation's newly crowned king must risk his life, his claim to power, and his family's hidden history to stop him before it's too late.

See other logline suggestions

Overview

Poster
Unique Selling Proposition

It fuses Afrofuturist spectacle with ancestral myth, tribal ritual, family succession drama, ensemble humor, and a serious debate over isolation, diaspora, and political responsibility. Wakanda feels like both a fantasy civilization and a contested idea of African power.

AI Verdict

Model upgrade — March 31, 2026
Verdicts are often harsher under the new readers, but the analysis is significantly stronger. Under the previous models, this script would have scored:
The scoring scale changed with the upgrade — use these only to compare against earlier revisions of this script. Click any reader to open their full legacy review.

How to read these: in industry coverage, Pass is the default outcome for the majority of professional scripts, and Consider means the reader stayed in the room. Industry-wide, the median professional evaluation sits at a 6 — scores of 8+ are rare everywhere, on purpose.


Synthesis Where readers agree and split
7.8

A championable mainstream commercial superhero script anchored by culturally specific world-building and a philosophically coherent antagonist, requiring targeted structural work on the protagonist's active desire and the antagonist's emotional interiority before it can reach the highest advocacy band.

Read as Mainstream commercial Elevated commercial
Genres Superhero5 Action5 Adventure2 Sci fi2 Drama1

A mainstream commercial superhero origin-and-succession story that uses high-stakes action and culturally specific world-building to explore themes of isolationism, legacy, and global responsibility.

Why not lower

The script's execution of its commercial contract is strong, with consistent control over spectacle, culturally specific world-building, and a clear thematic spine that sustains a Recommend verdict despite structural issues.

Why not higher

The reactive protagonist arc, compressed emotional causality, and occasional reliance on expository shorthand prevent the script from reaching the level of thematic integration and character clarity that would justify a Highly Recommend verdict.

Rewrite map

A script with a distinctive cultural world and ideologically coherent antagonist that needs targeted structural work on the protagonist's active desire and the mid-act causal chain.

Read as Mainstream commercial / Elevated commercial

Start here

Re-clarifying T'Challa's governing desire in the first act and seeding Killmonger's personal connection earlier addresses both the midsection causal break and the third-act emotional compression, fixing the upstream absence of active pursuit reduces the cost of both.

What's working 1
Cultural action-comedy rhythm

The script creates a lively tonal rhythm through character-specific humor inside serious situations, especially Shuri's technology exchanges and Okoye's bluntness, which reveals social relationships rather than existing as detached punch lines.

Protect while fixing 2
Wakanda's culturally specific visual world

Tightening the mid-act action and clarifying T'Challa's desire risks trimming the ritual, technology, and tribal sequences that ground the world-building.

When consolidating set-pieces or adding character beats, preserve the technology-as-culture approach and let the ideological conflict retain the character friction visible in the existing council and lab scenes.

Killmonger's ideological coherence as a thematic mirror

Restructuring the reveal to plant his identity earlier risks telegraphing his arc or reducing his council-chamber speeches to exposition, which could flatten his ideological weight.

Seed his connection through behavior and recurring objects rather than explicit dialogue, ensuring his council speeches remain a genuine ideological challenge rather than a backstory dump.

Fix first 3
Killmonger's ideological and emotional connection arrives too late

The reader experiences Killmonger as a functional plot obstacle for most of the second act, which flattens the emotional weight of his claim and makes the climax feel intellectually argued rather than personally felt.

Root cause

The script withholds Killmonger's identity and backstory until the council challenge, delaying the emotional collision between him and T'Challa until the narrative momentum has already shifted to survival.

One direction

Seed Killmonger's personal connection to Wakanda and N'Jobu earlier through behavioral cues, mirrored choices, or partial reveals so the council scene confirms an active emotional conflict rather than introducing it.

Protagonist's governing desire remains reactive until late in the second act

The reader follows T'Challa through escalating events without a clear sense of his active pursuit, making his final policy shift feel appended to survival rather than earned through a steady chain of choices.

Root cause

The script treats the isolationism versus intervention debate as thematic dialogue in early scenes rather than as an operational goal that drives T'Challa's decisions during the Klaue mission and Killmonger's rise.

One direction

Anchor T'Challa's post-coronation actions to a concrete, active policy choice or personal objective that forces him to make difficult trade-offs during the middle sequences, turning thematic debate into dramatic pressure.

Mid-act action density compresses emotional consequence Medium confidence

The reader remains stimulated by successive set-pieces but has fewer pauses where relationship shifts or moral costs can register, leaving the final battle feeling like a scale escalation rather than an emotional reckoning.

Root cause

The script uses action sequences to deliver both propulsion and exposition, causing multiple sequences to perform the same narrative transaction without altering the characters' strategic or emotional positions.

One direction

Differentiate each major set-piece by assigning it a distinct, irreversible dramatic cost or relationship shift so the middle act accumulates consequence rather than repeating the same capture-and-rescue pattern.

Quick credibility wins 1
Overwritten action emphasis in combat sequences

Strip the stacked caps, exclamation marks, and typographic emphasis from action lines and let the staging, choreography, and clear spatial geography carry the impact.

Ask AI about this read
Would readers champion it · Rewrite depth · Voice · Score stability
What's working 3 of 5 readers agree

The culturally specific world-building and visual identity of Wakanda consistently elevate the script beyond generic superhero conventions, providing a championable foundation that grounds both the spectacle and the thematic inquiry.

What's blocking 3 of 5 readers agree

The delayed establishment of the protagonist's governing desire and the antagonist's emotional interiority weakens the causal chain in the second act, making the climax feel more like a plot resolution than an earned ideological reckoning.

Would readers champion it?
Not yetNot yetReaders wouldn’t actively push for it.
Early interestEarly interestMentioned, but no real push behind it.
ModeratelyModeratelyMentioned favorably to the right buyer.
StronglyStronglyActively championed across their network.
DeepSeekModeratelyGPT5ModeratelyClaudeStronglyGeminiStronglyGrokStrongly
How much rewrite does it need?
Start from scratchStart from scratchPremise or core engine isn’t working. Page-one rebuild.
Structural rewriteStructural rewriteSpecific acts or zones need rebuilding — not starting over, but significant revision work on those sections.
Targeted rewriteTargeted rewriteSpecific scenes or threads need rework. ~1 month.
Just polishJust polishLines and pacing tweaks. A few weeks.
ClaudeTargeted rewriteDeepSeekTargeted rewriteGrokTargeted rewriteGPT5Structural rewriteGeminiJust polish
How distinctive is the voice?
GenericGenericReads like other scripts in the genre.
EmergingEmergingHints of a distinctive voice, not yet locked in.
DistinctiveDistinctiveA clear, recognizable authorial voice.
One-of-a-kindOne-of-a-kindA voice that couldn’t be anyone else’s.
DeepSeekEmergingClaudeDistinctiveGPT5DistinctiveGeminiDistinctiveGrokDistinctive
Story Facts
Genres:
Action 60% Drama 50% Science Fiction 40% Fantasy 20% Crime 15% Thriller 10%

Setting: Primarily present day (1992 flashbacks, 2016-2018 events), with ancient origin story millions of years ago, Wakanda (Golden City, Warrior Falls, Jabari Mountains, Vibranium Mine), Oakland, California, Busan, South Korea, London, UK

Themes: Isolation vs. Global Responsibility, Legacy and Generational Trauma, Identity and Belonging, Tradition vs. Change, Power and Corruption, Redemption and Forgiveness

Conflict & Stakes: T'Challa's struggle to define Wakanda's role in the world—isolationism vs. global engagement—while facing a challenge to the throne from his cousin Killmonger, who seeks to use Wakanda's vibranium to arm oppressed people worldwide and overthrow existing power structures. The stakes include the future of Wakanda, global stability, and the lives of millions.

Mood: Epic, mythic, and reverent, blending awe-inspiring wonder with intense drama, action, and moments of humor and heart. The tone shifts from ceremonial and spiritual to tense and confrontational, with a strong undercurrent of political and moral gravity.

Standout Features:

  • Unique Hook: Afrofuturistic vision of Wakanda—a hidden, technologically advanced African nation untouched by colonialism—provides a fresh and culturally significant setting for a superhero story.
  • Plot Twist: Killmonger's true identity as T'Challa's cousin and the revelation that T'Chaka killed his own brother and abandoned Killmonger, reframing the villain as a tragic product of Wakanda's isolationism.
  • Distinctive Setting: Wakanda itself, with its blend of advanced vibranium technology, tribal traditions, and stunning landscapes (Golden City, Warrior Falls, Jabari Mountains), is a character in itself.
  • Innovative Ideas: Vibranium as a source of limitless technological possibilities (sonic disruptors, nanite suits, magnetic levitation trains, EMP beads) and the concept of the Heart-Shaped Herb granting superhuman abilities.
  • Unique Characters: Killmonger as a sympathetic, ideologically driven villain with a legitimate grievance; Shuri as a teenage tech genius; the Dora Milaje as formidable female warriors.
  • Genre Blend: Seamlessly blends superhero action, political thriller, family drama, and Afrofuturist sci-fi, with elements of Shakespearean tragedy (family betrayal, revenge).

Comparable Scripts: The Lion King (1994), Thor (2011), Dune (2021), The Prince of Egypt (1998), Gladiator (2000), Moana (2016), The Legend of Zelda: Ocarina of Time (game, but story similar)

How 5 AI Readers Scored The Script

Graded as Mainstream commercial / Elevated commercial
Claude GPT5 Gemini DeepSeek Grok Average spread Row tint: weak mid strong excellent
Premise i
8.6
Plot i
7.6
Structure i
7.8
Character i
7.6
Dialogue i
6.8
Tone / Voice i
7.8
Theme i
8.6
Marketability i
9.2

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.81
Key Suggestions:
The screenplay excels in character depth and thematic ambition, but refining dialogue subtext and tightening the second act will elevate it to top-tier execution. Focus on replacing exposition-heavy exchanges with lines that reveal character through implication or conflict, especially in action beats and emotional scenes. The Busan chase sequence, while visually inventive, overextends and dilutes narrative momentum—condensing it by 10-15% will keep the ideological stakes front and center. Supporting arcs for Ross and W'Kabi also need deeper internal conflict to make their transformations feel earned.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script has a strong foundation with rich world-building and a compelling ideological conflict. To elevate it, focus on tightening the second act: trim the extended Busan chase sequence to maintain narrative momentum, and give more screen time to develop W'Kabi's motivations for his swift allegiance to Killmonger. The final act's resolution feels rushed; allow for a more gradual, ceremonial transition of power and a longer exploration of Wakanda's new openness, particularly through a meatier UN speech and a scene showing immediate aftermath. Avoid deus ex machina by better foreshadowing the Heart-Shaped Herb's survival via Nakia.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analyses reveal that while each hero has a strong foundational arc, their internal conflicts often remain implicit rather than dramatized. For instance, Nakia's idealism could be tested by a personal failure, Okoye's rigid loyalty could be shown through a physical or emotional crack, and T'Challa's hesitation in the first challenge needs a clearer inner motive (e.g., guilt over N'Jobu). The richest emotional opportunities lie in moments of vulnerability—use silent beats, physical gestures, or brief private scenes to let these characters' inner wounds surface without over-explaining.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The analysis reveals that T'Challa's internal and external goals are tightly interwoven with the philosophical conflict between isolationism and global engagement. His journey from honoring his father's legacy to confronting its moral failures and ultimately forging a new path of compassionate global responsibility provides a strong emotional and thematic spine. The key craft insight is to ensure that each external action (defeating M'Baku, capturing Klaue, battling Killmonger) forces an internal reckoning, and that the philosophical debate is embodied in character choices—not just dialogue. The resolution, a synthesis rather than a victory for either extreme, gives the script rare nuance and depth, but requires careful handling to avoid feeling like a compromise.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The thematic analysis shows that the script's primary engine is the tension between isolation and global responsibility, with secondary themes of legacy, identity, tradition, power, and redemption all feeding into that central conflict. To strengthen the script, ensure every character's motivation and every major plot turn explicitly connects back to this core dilemma. For instance, Killmonger's traumatic past directly fuels his demand for global revolution, and T'Challa's final choice to share Wakanda's resources is a direct resolution of that theme. Consider tightening the linkage between the ancestral plane revelations and the final decision, so the emotional and thematic payoff feels earned and unified.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script has a strong emotional and thematic core, but its character arcs—especially W'Kabi's rapid shift and M'Baku's offscreen reversal—need more organic dramatization to feel earned. Plot holes like Killmonger's unexplained border crossing and T'Challa's implausible survival undermine the world's logic, while redundant chase beats and repeated rituals drain narrative momentum. To elevate the craft, focus on showing character decisions through incremental actions, clarifying timelines (especially after the waterfall fall), and trimming the Busan pursuit to one or two distinct, character-revealing obstacles. Dialogue in key exposition scenes (e.g., Klaue's interrogation) should sound less like a thesis and more like a cornered man's gambit.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
Your voice effectively blends mythic grandeur with contemporary realism, creating a rich cultural tapestry that grounds fantastical elements in emotional truth. To further elevate the script, consider deepening the contrast between epic scale and intimate moments—your strongest scene (Scene 12) succeeds because it prioritizes heartfelt dialogue and internal conflict over action. Maintain that balance across all scenes to ensure character relationships remain the emotional anchor of the story.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The script demonstrates solid plot mechanics and action pacing but struggles with emotional depth and character-specific voice. To elevate the material, focus on writing dialogue that reveals subtext rather than stating feelings directly, and ensure each scene has clear, character-driven conflict. The strongest improvement will come from developing internal conflicts for each main character and rewriting key exchanges to imply motivation rather than explain it.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The world of Wakanda is richly layered, with deep cultural traditions, advanced vibranium technology, and a clear tension between secrecy and openness. To improve the script, consider weaving the physical environment (e.g., the mine, the Ancestral Plane, Jabariland) more tightly into character decisions and emotional beats—for example, using the vibranium mine not just as a setting for a fight but as a symbol of inherited power and moral weight. The ritual challenge and herb ceremony already serve character growth; ensure every technical gadget (kimoyo beads, suit nanites) also reflects a cultural or thematic value, not just spectacle.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
No scene scores were provided, so no patterns or insights could be derived. To proceed with meaningful analysis, please ensure that each scene is graded across the relevant categories. Without this data, it is impossible to identify strengths, weaknesses, or areas for creative improvement in the script.
Loglines
Presents logline variations based on theme, genre, and hook.