Oppenheimer
Executive Summary
Poster
![](/posters/poster0ac90a7368b506fee345c70d8ddd6c7f9370cb70c15f655780746ec89b6269d9.png)
Overview
Genres: Drama, Historical, Biography, Biographical, War, Thriller, Political, Romance
Setting: 1940s to 1960s, Washington D.C., Los Alamos, New Mexico, Princeton, and various other locations in the United States and Europe
Overview: The script Oppenheimer delves into the life and struggles of J. Robert Oppenheimer, the scientific director of the Manhattan Project, as he grapples with the moral and ethical implications of developing the atomic bomb. The film traces Oppenheimer's journey from his early days as a brilliant physicist to his later years as a controversial figure haunted by the consequences of his creation. Through flashbacks and intense dialogues, the script explores Oppenheimer's relationships, personal conflicts, and the political and scientific landscape that shaped his decisions. As the countdown to the Trinity test approaches, Oppenheimer must confront the weight of his actions and the potential impact of the atomic bomb on humanity.
Themes: Nuclear Research and its Implications, Loyalty and Trust, Politics and Power, Personal Relationships and Struggles, Secrecy and Compartmentalization
Conflict and Stakes: The primary conflict in this story is the investigation and eventual denial of security clearance for J. Robert Oppenheimer, who is accused of being a security risk due to his past associations with communists. The stakes are high, as Oppenheimer's reputation and career are on the line, and the future of atomic energy research in the United States is at risk. The investigation and hearings also reveal deeper conflicts about the role of government in regulating scientific research and the potential consequences of atomic energy.
Overall Mood: Serious and contemplative, with moments of tension and drama
Mood/Tone at Key Scenes:
- Scene 1: Serious and formal, with a sense of anticipation as Strauss prepares for the hearing.
Standout Features:
- Historical Significance: The story of J. Robert Oppenheimer and the development of the atomic bomb is a significant and fascinating chapter in American history.
- Compelling Characters: The film features a diverse and dynamic cast of characters, including J. Robert Oppenheimer, Lewis Strauss, General Leslie Groves, and Edward Teller.
- Timely Themes: The film explores the ethical and political implications of atomic energy research, which remains a relevant and important topic today.
Comparable Scripts:
- The Fountainhead (1949) by Ayn Rand
- The Social Network (2010)
- The Imitation Game (2014)
- Fat Man and Little Boy (1989)
- Copenhagen (2002)
- The Producers (1968)
- The Right Stuff (1983)
- Good Will Hunting (1997)
- The Theory of Everything (2014)
- The Prestige (2006)
Writing Style:
The screenplay exhibits a strong emphasis on sharp dialogue, complex characters, and thematic depth, often exploring political intrigue and moral dilemmas within historical contexts. The narrative is driven by intense dialogue exchanges, high emotional stakes, and philosophical conflicts, resulting in thought-provoking and emotionally charged scenes.
Style Similarities:
- Aaron Sorkin
- Tony Kushner
Pass/Consider/Recommend
Recommend
Explanation: Overall, the screenplay effectively showcases the complexities of the Manhattan Project and its impact on the lives of those involved. Through a compelling narrative and well-developed characters, it explores important themes of moral responsibility, the consequences of scientific advancements, and the personal sacrifices made in pursuit of national security. While there are areas that could benefit from further development and refinement, the screenplay's strengths in character development, dialogue, and historical context make it a compelling and thought-provoking work that is worthy of consideration for production.
USP: Discover the untold story of J. Robert Oppenheimer, a brilliant physicist torn between his scientific pursuits and the moral implications of his work, in this captivating script that blends historical events, personal relationships, and ethical dilemmas. With sharp dialogue, intellectual banter, and a blend of personal and scientific themes, this screenplay delves into the complexities of the Manhattan Project, the development of the atomic bomb, and the personal struggles of those involved. Witness the intense relationships, inner conflicts, and high stakes as the characters navigate the world of nuclear research, political intrigue, and moral dilemmas. This unique and engaging script offers a fresh perspective on historical events, showcasing the authenticity of characters' actions and dialogue, and challenging conventional narratives.
Market Analysis
Budget Estimate:$40-50 million
Target Audience Demographics: Adults aged 25-54, fans of historical dramas, political thrillers, and biographical films
Marketability: This screenplay has the potential to attract a wide audience due to its historical significance, compelling characters, and timely themes. The investigation and hearings surrounding Oppenheimer's security clearance provide a dramatic backdrop for exploring the ethical and political implications of atomic energy research.
The unique blend of historical drama, political thriller, and biographical film, along with its exploration of compelling themes, make this screenplay stand out. However, the subject matter may be challenging for some audiences, and the film's length and complexity may limit its appeal.
The story of J. Robert Oppenheimer and the development of the atomic bomb is a significant and fascinating chapter in American history. The film's exploration of the ethical and political implications of atomic energy research, along with its compelling characters and dramatic narrative, make it a strong candidate for success at the box office and in awards season.
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations
Analysis Criteria Percentiles
Writer's Voice
Summary:The writer's voice is characterized by sharp dialogue, intellectual banter, and a blend of personal and scientific themes. The dialogue is fast-paced, witty, and often thought-provoking, exploring complex moral and ethical dilemmas faced by the characters.
Best representation: Scene 7 - The Revocation of Oppenheimer's Security Clearance: A Look at the Key Players and Events. This scene is the best representation of the writer's voice because it encapsulates the sharp dialogue, intellectual banter, and blend of personal and scientific themes that characterize the screenplay. The dialogue between Oppenheimer and Teller is intense and thought-provoking, exploring the moral and ethical dilemmas of creating a weapon of mass destruction.
Memorable Lines:
- Oppenheimer: And now I am become Death... destroyer of worlds. (Scene 5)
- Oppenheimer: You didn’t hire me despite my left-wing past, you hired me because of it. So you could control me. (Scene 13)
- Oppenheimer: Theory will take you only so far. (Scene 11)
- Pash: You see me as persistent- (Scene 18)
- Oppenheimer: A bomb, Alvarez. A bomb. (Scene 6)
Characters
J. Robert Oppenheimer:Scientific director of the Manhattan Project, responsible for the development of the atomic bomb
Lewis Strauss:A powerful figure in the U.S. government, involved in the development and regulation of atomic energy
General Leslie Groves:Director of the Manhattan Project, responsible for the construction and management of the project
Edward Teller:Physicist and colleague of Oppenheimer, known for his work on the hydrogen bomb
Kitty Oppenheimer:Wife of J. Robert Oppenheimer
Story Shape
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall Grade | Concept | Plot | Originality Score | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Lewis Strauss Prepares for Senate Hearing on Oppenheimer Relationship | Serious, Reflective, Introspective | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
2 - Oppenheimer's Path to Atomic Energy Visualization | Reflective, Intense, Intriguing | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
3 - Strauss's Concerns About Oppenheimer's Past and Job Appointment | Reflective, Serious, Informative | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
4 - Oppenheimer's Quantum Ambitions | Intellectual, Philosophical, Political | 8 | 9 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
5 - Intimate Revelations and Tense Announcements: A Scene in Oppenheimer's Life | Intimate, Reflective, Emotional | 8 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 7 | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
6 - Oppenheimer's Personal Struggles and Scientific Discoveries | Intense, Emotional, Reflective | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
7 - Oppenheimer's Difficult Decisions | Intense, Emotional, Reflective | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
8 - The Revocation of Oppenheimer's Security Clearance: A Look at the Key Players and Events | Serious, Reflective, Tense | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
9 - Resistance and Recruitment: The Pursuit of Scientific Research on Atomic Theory | Serious, Intense, Intriguing | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
10 - Oppenheimer's Concern: Teller's Troubling Calculation | Serious, Intense, Thoughtful | 9 | 9 | 8 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
11 - Oppenheimer's Internal Struggle: Loyalty vs. Friendship | Tense, Reflective, Serious | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
12 - Teller's Hydrogen Bomb Proposal and Los Alamos Tour | Tense, Informative, Serious, Intriguing | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 8 | 9 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
13 - Tense Meeting over Project Management and Security Clearance | Tense, Serious, Confrontational | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
14 - Groves' Testimony and the Chevalier Incident: A Glimpse into Oppenheimer's Loyalty | Serious, Tense, Reflective | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
15 - Oppenheimer's Q Clearance and Questionable Associations | Tense, Emotional, Serious | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
16 - Oppenheimer's Testimony and Marital Conflict | Intense, Emotional, Confrontational | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
17 - Potential Security Breach and Reluctant Disclosures | Suspenseful, Intense, Serious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
18 - The Chevalier Incident: Mistrust and Loyalty in the Manhattan Project | Tense, Suspenseful, Confrontational | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
19 - Investigating Loyalty and the Power of the Atomic Bomb | Tense, Reflective, Serious | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
20 - Robert Oppenheimer's Emotional Distress and Task Reassignments | Distraught, Tense, Emotional, Confrontational | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
21 - Teller's Decision and the Hydrogen Bomb Dilemma | Tense, Confrontational, Reflective | 8 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
22 - Senate Hearing and Progress of the Project | Tense, Serious, Reflective | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
23 - The Decision to Use the Atomic Bomb | Serious, Tense, Contemplative | 8 | 9 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
24 - Preparing for the Trinity Test: Site Plans, Safety Concerns, and Final Countdown | Tense, Serious, Foreboding, Determined | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 7 | 7 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | |
25 - The Trinity Test: Moment of Truth | Tense, Dramatic, Intense, Emotional, Hopeful | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 10 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
26 - The Bomb's Readiness and the Weight of Consequences | Tense, Serious, Contemplative | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
27 - The Weight of Destruction: Oppenheimer Learns of the Bombing of Hiroshima | Tense, Reflective, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
28 - Oppenheimer's Advocacy and the Shocking Revelation | Serious, Reflective, Informative | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 7 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
29 - Oppenheimer's Fall from Grace: Surveillance, Scrutiny, and Betrayal | Serious, Tense, Reflective | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
30 - Oppenheimer's Disagreement and Call for Unity | Serious, Reflective, Tense | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
31 - The Plan to Destroy Oppenheimer's Credibility | Suspenseful, Intense, Manipulative, Calculating | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
32 - The Hearing's Turn: Oppenheimer's Past Lies Revealed | Tense, Confrontational, Defensive, Intriguing | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
33 - Revelations and Confrontations: The Oppenheimer Hearing | Tense, Serious, Emotional | 8 | 7 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
34 - Betrayal at the Hearing: Borden's Letter Revealed | Serious, Tense, Emotional | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 10 | 8 | 9 | 8 | 8 | 8 | |
35 - Testimony Against Strauss and Bush's Opinions on the Oppenheimer Affair | Accusatory, Serious, Confrontational | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | |
36 - Groves' Testimony and Kitty's Arrival | Tense, Serious, Emotional | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
37 - Hill's Testimony and Kitty's Defiance at the Senate Committee Hearing | Serious, Intense, Confrontational | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
38 - Oppenheimer's Struggle: Loyalty, Trust, and Defiance | Serious, Intense, Reflective | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
39 - Frustration and Accountability: Strauss and Oppenheimer's Conflicts | Intense, Confrontational, Reflective | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
40 - Oppenheimer's Moral Scruples and Strauss's Criticism | Intense, Confrontational, Reflective | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
41 - Strauss's Humiliation and Oppenheimer's Denial | Tense, Dramatic, Confrontational, Defiant | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
42 - A Meeting of Minds: Past Achievements and Present Consequences | Reflective, Emotional, Contemplative | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 4 | 7 | 6 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 |
Scene 1 - Lewis Strauss Prepares for Senate Hearing on Oppenheimer Relationship
CLOSE: on a prosperous sixty-three-year-old man, LEWIS
STRAUSS, as he takes a cup of coffee from a SENATE AIDE...
SUPER TITLE: "2. FUSION"
STRAUSS
I forget. Three days, or so. The
whole hearing took a month.
SENATE AIDE
An ordeal.
STRAUSS
I’ve only read the transcripts, but
who’d want to justify their whole
life?
SENATE AIDE
You weren’t there?
STRAUSS
As Chairman, I wasn’t allowed to
be. Are they really going to ask
about it? It was years ago.
SENATE AIDE
Four years ago. Oppenheimer still
divides America- the committee will
want to know where you stood.
(checks his watch)
Ready?
INT. CORRIDOR, SENATE BUILDING -- MOMENTS LATER (B&W)
The Senate Aide leads Strauss along the corridor.
SENATE AIDE
Senator Thurmond asked me to say
not to feel you’re on trial.
STRAUSS
I didn’t, till you said that.
SENATE AIDE
Really, Mr Strauss- STRAUSS (CONT’D)
Admiral.
SENATE AIDE (CONT’D)
Admiral Strauss, this is a
formality.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 3.
SENATE AIDE (CONT’D)
President Eisenhower’s asked you to
be in his cabinet, the Senate has
no choice but to confirm you.
They arrive at the door.
STRAUSS
And if they bring up Oppenheimer?
SENATE AIDE
When they bring up Oppenheimer,
answer honestly and no senator can
deny that you did your duty. It’ll
be uncomfortable...
(smiles)
Who’d want to justify their whole
life?
The door to the VAST committee room opens- they enter,
FLASHBULBS POPPING as PRESS and PUBLIC see Strauss.
ROBB (V.O.)
Why did you leave the United
States?
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
The room is SMALL, SHABBY. Surprised, I look up from my
statement at the prosecutor, Roger ROBB. Then turn to the
THREE BOARD MEMBERS (GRAY, EVANS, MORGAN).
OPPENHEIMER
I wanted to learn the new physics.
GRAY
Was there nowhere here? I thought
Berkeley had the leading
theoretical physics department-
OPPENHEIMER
Sure. Once I built it. First I had
to go to Europe. I went to
Cambridge to work under Patrick
Blackett.
ROBB
Were you happier there than in
America?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 4.
INSERT CUT: A YOUNG ME (TWENTY-ONE) LIES IN BED STARING UP,
CRYING... PARTICLES WITH THE VASTNESS OF THE STARS MOVE LIKE
FIREFLIES...
OPPENHEIMER
No. I was homesick. Emotionally
immature... troubled by visions of
a hidden universe...
INT. LABORATORY, CAMBRIDGE -- DAY
The young ME, frazzled demeanor, STRUGGLES with equipment.
OPPENHEIMER (V.O.)
...useless in the lab.
I drop a beaker, it SHATTERS. PATRICK BLACKETT looks over,
FROWNING. He picks up an APPLE and takes a LARGE BITE.
BLACKETT
(through apple)
Christ, Oppenheimer, have you had
any sleep? Start again.
YOUNG OPPENHEIMER
I need to go to the lecture.
BLACKETT
Why?
YOUNG OPPENHEIMER
(pleading)
It’s Niels Bohr.
Blackett checks his watch- starts packing up-
BLACKETT
Damn, completely forgot. Let’s go.
I start to pack up with the other students.
BLACKETT (CONT’D)
Not you. Finish coating those
plates.
I clean up as Blackett and the other students leave- one
leaves an APPLE for Blackett- GREEN WITH STEM AND TINY LEAF.
I pause at a bottle: "Potassium Cyanide"... CLUMSY HANDS
SHAKING, I draw CYANIDE into a syringe. I INJECT the apple...
Gadget 2023-04-21 FINAL Shooting Script 5.
EXT. QUADRANGLE, CAMBRIDGE -- EVENING
I HURRY across the quad. A lonely figure.
BOHR (V.O.)
Quantum physics isn’t a step
forward...
INT. LECTURE HALL, CAMBRIDGE -- CONTINUOUS
I sneak into the back of the auditorium. Standing,
SPELLBOUND, as NIELS BOHR, a charismatic Dane, lectures.
BOHR
...It’s a new way to understand
reality. Einstein’s opened a door,
now we’re peering through, seeing a
world inside our world... a world
of energy and paradox that not
everyone can accept.
I RAISE my hand to ask a question...
CUT TO:
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
Strauss sits facing the Committee, COUNSEL beside him, PRESS,
CAMERAS and PUBLIC behind...
SENATOR MCGEE
Admiral Strauss, I’m interested in
your relationship with Dr J. Robert
Oppenheimer. You met in 1947?
STRAUSS
Correct.
SENATOR MCGEE
You were a commissioner of the
Atomic Energy Commission?
STRAUSS
I was, but I met Robert in my
capacity as board member of the
Institute for Advanced Study at
Princeton. After the war he was
world-renowned- the great man of
physics...
Gadget 2023-04-21 FINAL Shooting Script 6.
EXT. INSTITUTE FOR ADVANCED STUDY, PRINCETON -- DAY (B&W)
Strauss, younger, fifty-one, bustles out of the Institute-
STRAUSS (V.O.)
...I was determined to get him to
run the Institute.
-to welcome the rail-thin figure of Oppenheimer (forty-
three), emerging from a TAXI in HAT and coat, PIPE in mouth.
ICONIC.
STRAUSS
Dr Oppenheimer, an honour.
OPPENHEIMER
Mr Strauss.
STRAUSS
It’s pronounced 'straws'.
OPPENHEIMER
'Oh-ppenheimer', 'aw-ppenheimer'-
any way you say it they know I’m
Jewish.
STRAUSS
I’m a proud member of Temple
Emmanuel- 'straws' is the Southern
pronunciation. Welcome to the
Institute. I think you could be
very happy here.
OPPENHEIMER
Oh?
STRAUSS
Well, you’ll love the commute- the
position comes with that house for
you and your wife.
Strauss points along an avenue of trees to Olden Manor...
STRAUSS (CONT’D)
And your two children...
Oppenheimer nods as he follows Strauss into the Institute.
INT. INSTITUTE FOR ADVANCED STUDY, PRINCETON -- CONTINUOUS
(B&W)
Strauss leads Oppenheimer through the Institute.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 7.
STRAUSS
I’m a great admirer of your work.
OPPENHEIMER
You’re a physicist by training, Mr
Strauss?
STRAUSS
No, I’m not trained in physics, or
anything else. I’m a self-made man.
OPPENHEIMER
I can relate to that...
STRAUSS
Really?
OPPENHEIMER
(dry)
My father was one.
INT. PRESIDENT’S OFFICE, INSTITUTE FOR ADVANCED STUDY --
MOMENTS LATER (B&W)
Strauss shows Oppenheimer into the well-appointed office.
STRAUSS
This would be your office.
Oppenheimer drifts to the windows- a LAWN rolls down to a
POND. He spots a FIGURE- long grey hair poking from under his
hat-
STRAUSS (CONT’D)
I’m told he’s there most
afternoons.
The figure gently tosses a stone into the water.
STRAUSS (CONT’D)
I’ve always wondered why you didn’t
involved him in the Manhattan
Project.
Oppenheimer turns to Strauss, interested.
STRAUSS (CONT’D)
The greatest scientific mind of our
time?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 8.
OPPENHEIMER
Of his time. Einstein published his
Theory of Relativity more than
forty years ago, but never embraced
the quantum world it revealed.
STRAUSS
'God doesn’t play dice.'
OPPENHEIMER
Precisely. You never thought of
studying physics formally?
STRAUSS
I had offers. But I chose to sell
shoes.
OPPENHEIMER
Lewis Strauss was once a lowly shoe
salesman?
STRAUSS
No. Just a shoe salesman.
(opens the door)
I’ll introduce you-
OPPENHEIMER
No need. I’ve known him for years.
Strauss, awkward, stays in the doorway and WATCHES...
FROM AFAR: as Oppenheimer approaches, Einstein’s HAT BLOWS
off his head, unleashing a MESS OF GREY HAIR, hat rolling
across the grass to where Oppenheimer SCOOPS it up, and we...
CUT TO:
Ratings
Scene 2 - Oppenheimer's Path to Atomic Energy Visualization
I flip a page. Continue reading my statement.
OPPENHEIMER
I struggled badly trying to
visualize this new world...
INT. ROOMS AT CAMBRIDGE -- DAY
The Young Me lies on the floor, STARING UP.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 9.
OPPENHEIMER (V.O.)
...you had to retool your mind to
see things hovering just out of
site...
INSERT CUT: POINTS OF LIGHT MOVE LIKE SPARKS, BUT IN A WAVE.
OPPENHEIMER (V.O.)
...then you could unlock forces
never before imagined...
I wipe TEARS from my eyes.
INSERT CUT: STARS. SPARKS FROM A CAMPFIRE. I PAT THE NOSE OF
A HORSE IN THE DARKNESS AS I FEED IT AN APPLE.
I grow calm, my eyelids lowering...
INSERT CUT: AN APPLE- GREEN WITH STEM AND A TINY LEAF...
I open MY EYES- JUMP out of bed- SCRAMBLE to dress-
EXT. QUADRANGLE, CAMBRIDGE -- MOMENTS LATER
I RUN, DESPERATE, AGAINST the crowd-
INT. LABORATORY, CAMBRIDGE -- DAY
I BURST in- Blackett LOOKS UP. ANOTHER MAN has his back to
me. Between them on the workbench- the POISONED APPLE...
BLACKETT
You alright?
I nod awkward, trying to control my BREATHING...
BLACKETT (CONT’D)
Niels, meet J. Robert Oppenheimer.
The other man TURNS, offers his hand- Niels Bohr.
BOHR
What does the 'J' stand for?
BLACKETT
Nothing, apparently.
Bohr takes me in- this strange, BREATHLESS young man...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 10.
BOHR
You were at my lecture. You asked
the only good question.
BLACKETT
Nobody’s denying his insight. It’s
his labouratory skills that leave a
little to be desired.
YOUNG OPPENHEIMER
I heard you give the same BOHR
lecture- At Harvard. And you asked the
same question. Why ask again?
YOUNG OPPENHEIMER (CONT’D)
I hadn’t liked your answer.
BOHR
Did you like it better yesterday?
YOUNG OPPENHEIMER
A lot.
BOHR
You can lift the rock without being
ready for the snake that’s
revealed. Now, it seems, you’re
ready.
Bohr picks up the POISONED APPLE from Blackett’s desk...
BOHR (CONT’D)
You don’t enjoy the lab?
I shake my head. Bohr GESTICULATES with the apple as he talks-
I watch it bob around- a kitten following a ball of string...
BOHR (CONT’D)
Get out of Cambridge, with its
beakers and potions. Go somewhere
they’ll let you think...
(assesses me)
Gottingen.
BLACKETT
Born?
BOHR
Born. Get to Germany. Study under
Max Born. Learn the ways of theory.
I’ll send word.
Bohr raises the apple to take a bite- I GRAB it.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 11.
YOUNG OPPENHEIMER
Wormhole.
-DROP it into the wastebasket. Blackett peers at it, curious.
BOHR
How’s your mathematics?
BLACKETT
Not good enough for the physicist
he wants to be.
BOHR
Algebra’s like sheet music. The
important thing isn’t can you read
music, it’s can you hear it. Can
you hear the music, Robert?
YOUNG OPPENHEIMER
I can.
SPARKS explode in WAVES, WAVES of FIRE CRASHING on a SHORE of
GLASS, FLYING OVER the MEDIEVAL SPIRES of Gottingen, I watch
BORN and BOHR and DIRAC, GALAXIES of PARTICLES DISPERSE and
REFORM, a CUBIST PAINTING transfixes the Young Me, an
ORCHESTRA plays STRAVINSKY, I read THE WASTE LAND, I WRITE
FURIOUSLY at a desk, I WRITE FURIOUSLY on a chalkboard, I
SMASH a glass, and ANOTHER, and ANOTHER, WATCHING the SHARDS
skid across the floor, CATCHING and REFRACTING LIGHT, I watch
RAINDROPS scintillate a PUDDLE, STREAM down a windowpane, I
disturb the surface of a sink full of WATER, watching RIPPLES
propagate and INTERFERE, I BOUNCE a ball against a corner of
my room, studying its trajectory...
CUT TO:
Ratings
Scene 3 - Strauss's Concerns About Oppenheimer's Past and Job Appointment
Strauss watches Oppenheimer hand the HAT to Einstein. Strauss
checks his watch, then starts down the hill towards them. As
he approaches, Einstein TURNS, walking towards Strauss with a
GRIM EXPRESSION.
STRAUSS
(friendly)
Albert...
Einstein PASSES without acknowledging Strauss. Strauss
reaches Oppenheimer-
STRAUSS (CONT’D)
What did you say to him?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 12.
OPPENHEIMER
He’s fine. Mr Strauss, there are
things in my past you need to be
aware of.
STRAUSS
As Chairman of the AEC I have
access to your security file. I’ve
read it. The job is yours.
OPPENHEIMER
You’re not worried?
STRAUSS
After all you’ve done for your
country?
OPPENHEIMER
Times change, Mr Strauss.
STRAUSS
The purpose of this Institute is to
provide a haven for independent
minds. You’re the man for the job.
OPPENHEIMER
Then I’ll consider it. And I’ll see
you at the AEC meeting tomorrow.
Oppenheimer turns, heads back up the hill.
STRAUSS
(taken aback)
This is one of the most prestigious
appointments in the country...
Oppenheimer looks back at Strauss, GRINS-
OPPENHEIMER
With a great commute. That’s why
I’m considering it.
Strauss watches him go, shaking his head.
SENATOR MCGEE (V.O.)
So, Dr Oppenheimer brought your
attention to his past associations
before you appointed him?
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
STRAUSS
Yes.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 13.
SENATOR MCGEE
And they didn’t concern you?
STRAUSS
Just then I was more concerned
about what he’d said to Einstein to
sour him on me.
A few CHUCKLES from the room.
SENATOR MCGEE
But later?
STRAUSS
Well, we all know what happened
later.
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
The board members listen as I continue reading...
OPPENHEIMER
After Gottingen I moved on to
Leiden in Holland...
INT. LECTURE HALL, LEIDEN -- DAY
A packed hall. The Young Me nervously checks my notes.
OPPENHEIMER (V.O.)
...where I first met Isidor Rabi...
A stocky young man, ISIDOR RABI (thirty), plonks down next to
a DUTCH STUDENT who reluctantly shifts, giving him room.
RABI
A Yank lecturing on new physics?
This I have to hear- I’m an
American myself.
DUTCH STUDENT
How surprising.
RABI
Let me know if you need help with
the English.
I start lecturing... IN DUTCH. Ravi, confused, leans in.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 14.
RABI (CONT’D)
Wait, what’s he saying?
INT. TRAIN, LEIDEN TO ZURICH -- NIGHT
I stare out the window at dark trees, steam and shadows, Rabi
dumps his bags down, slumps opposite, sizes me up. Offers me
an orange-
YOUNG OPPENHEIMER
No, thank you.
RABI
It’s a long way to Zurich. You get
any skinnier we might lose you
between the seat cushions. I’m
Rabi.
YOUNG OPPENHEIMER
Oppenheimer.
Rabi starts peeling his orange.
RABI
I caught your lecture on molecules.
Caught some if it- we’re a couple
of New York Jews- how do you know
Dutch?
YOUNG OPPENHEIMER
I thought I’d better learn it when
I got here this semester.
Rabi STOPS peeling his orange to STARE at me-
RABI
You learned Dutch in six weeks to
give a lecture on quantum
mechanics?
YOUNG OPPENHEIMER
I wanted to challenge myself.
RABI
Quantum physics isn’t challenging
enough? Schvitzer.
YOUNG OPPENHEIMER
Schvitzer?
RABI
'Show-off.' Dutch in six weeks but
you never learned Yiddish?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 15.
YOUNG OPPENHEIMER
(smile)
They don’t speak it so much my side
of the park.
RABI
Screw you. Homesick?
YOUNG OPPENHEIMER
You know it.
Rabi peels his orange. He turns serious...
RABI
Ever get the feeling our kind isn’t
entirely welcome here?
YOUNG OPPENHEIMER
Physicists?
RABI
Funny.
YOUNG OPPENHEIMER
Sometimes. Not in the department.
RABI
They’re all Jewish, too.
Rabi tosses me a slice of orange.
RABI (CONT’D)
Eat.
I take the orange, 'sipping' at it.
RABI (CONT’D)
In Zurich there’s a German you have
to seek out-
YOUNG OPPENHEIMER
Heisenberg.
Ratings
Scene 4 - Oppenheimer's Quantum Ambitions
A tall man of twenty-six turns from the blackboard-
HEISENBERG. I study his every move. Rabi NUDGES me 'See?'...
INT. SAME -- LATER
Rabi introduces me to Heisenberg.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 16.
HEISENBERG
Oppenheimer, yes. I liked your
paper on molecules.
OPPENHEIMER
Probably because you inspired it.
HEISENBERG
If I inspire anything else, let me
know. We could publish together.
OPPENHEIMER
I have to get back to America.
HEISENBERG
Why? There’s no one there taking
quantum mechanics seriously.
OPPENHEIMER
That’s exactly why.
RABI
He’s pining for the canyons of
Manhattan.
OPPENHEIMER
The canyons of New Mexico.
HEISENBERG
You’re from New Mexico?
OPPENHEIMER
New York, but my brother and I have
a ranch outside of Santa Fe. That’s
the America I miss right now.
HEISENBERG
Then you best go home, cowboys.
RABI
That’s his thing- me and horses? I
don’t think so.
GRAY (V.O.)
Did you ever encounter Heisenberg
again?
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
I smile to myself.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 17.
OPPENHEIMER
Not in person. But you might say
our paths crossed.
ROBB
Doctor, during your time in Europe,
you seem to have met a wide range
of other countries’ physicists...
(consulting notes)
Born, Bohr, Pauli, Dirac, Einstein,
Heisenberg...?
OPPENHEIMER
That’s right.
Robb looks up at me...
ROBB
Any Russians?
OPPENHEIMER
Not that spring to mind.
(from notes)
Returning to America I accepted
appointments at both Caltech...
EXT. BERKELEY -- DAY
I walk across campus to the physics department...
OPPENHEIMER (V.O.)
...and up at Berkeley.
INT. CORRIDOR, BERKELEY -- CONTINUOUS
I struggle to unlock a door... it opens-
INT. CLASSROOM, BERKELEY -- CONTINUOUS
A DUSTY storage space. Scattered tables and chairs. A piano.
EXT. CORRIDOR, BERKELEY -- MOMENTS LATER
I step out of the classroom. Look NEXT DOOR...
Gadget 2023-04-21 FINAL Shooting Script 18.
INT. RAD LAB, BERKELEY -- DAY
I enter. A handsome young scientist, ERNEST LAWRENCE, works
on an assemblage of curved pipes and wiring with students,
including Luis ALVAREZ.
OPPENHEIMER
Dr. Lawrence, I presume.
LAWRENCE
You must be Oppenheimer. I hear you
want to start a school of quantum
theory.
OPPENHEIMER
I am starting it. Next door.
LAWRENCE
They put you in there?
OPPENHEIMER
I asked for it. I wanted to be
close to you experimentalists.
LAWRENCE
Theory will get you only so far.
(gestures)
We’re building a machine to
accelerate electrons.
OPPENHEIMER
Magnificent.
LAWRENCE
Would you like to help?
OPPENHEIMER
Build it? No. But I’m working on
theories I’d like to test with it.
LAWRENCE
When do you start teaching?
OPPENHEIMER
I’ve got my first in an hour.
LAWRENCE
Seminar?
OPPENHEIMER
Pupil.
LAWRENCE
One student? That’s it?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 19.
OPPENHEIMER
I’m teaching something no one LAWRENCE (CONT’D)
here’s dreamt of. But once (grins)
people start hearing what you There’s no going back.
can do with it...
INT. CLASSROOM, BERKELEY -- LATER
I stand there, expectant. A student opens the door, looks
around, embarrassed-
STUDENT
I’m sorry, I must have missed-
OPPENHEIMER
No, this is it. Mr Lomanitz, right?
LOMANITZ (twenty-one) nods, takes a seat.
OPPENHEIMER (CONT’D)
What do you know about quantum
mechanics?
LOMANITZ
I have a grasp on the basics-
OPPENHEIMER
Then you’re doing it wrong.
(rapid-fire)
Is light made up of particles or
waves?
Lomanitz opens his mouth to speak- too slow-
OPPENHEIMER (CONT’D)
Quantum mechanics says it’s both-
how can it be both?
LOMANITZ
It can’t. OPPENHEIMER (CONT’D)
It can’t. But it is. It’s
paradoxical and yet... it
works.
Lomanitz is hooked. I turn to the board, chalk out an
equation... when I turn back-
There are now FIVE students (including SERBER and SNYDER)
listening intently... I move to Lomanitz to hand him his
paper. I pat his shoulder.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 20.
OPPENHEIMER (CONT’D)
You’re gonna be okay.
DISSOLVE TO:
A PACKED CLASSROOM, hanging on my every word as I- now thirty-
two, slim, well-dressed, confident- teach in the round.
Lawrence listens at the edge, fascinated.
OPPENHEIMER (CONT’D)
Consider a star... a vast furnace
burning in outer space...
INSERT CUT: A STAR. A SUN. BURNING, ROILING.
OPPENHEIMER (CONT’D)
Fire pushing outwards against its
own gravity- balanced. But if its
furnace cools, gravity starts
winning. It contracts...
I look around. Make eye contact with Hartland SNYDER.
SNYDER
Density increases...
OPPENHEIMER
Increasing gravity...
INSERT CUT: THE SUN IS SHRINKING, MORE AND MORE RAPIDLY...
SNYDER
Increasing density. A vicious
cycle. Until... What’s the limit
here?
OPPENHEIMER
I don’t know. See where the math
takes us. I guarantee it’s
somewhere no one’s been before.
SNYDER
Me?
OPPENHEIMER
Your math’s better than mine.
Gadget 2023-04-21 FINAL Shooting Script 21.
EXT. BERKELEY -- DAY
Energetic, dashing, I STRIDE across campus, a group of
students, including Snyder and Lomanitz, following me,
hanging on my every word...
OPPENHEIMER
Einstein can’t accept the
Copenhagen interpretation-
LOMANITZ
'God doesn’t play dice.'
OPPENHEIMER
Except he does. Bohr showed us
how...
INT. CLASSROOM, BERKELEY -- DAY
I mark up a paper. Lawrence comes in, frowns at the board.
LAWRENCE
You shouldn’t let them bring their
politics into the classroom...
I follow his look: "SATURDAY 2:00pm, RALLY FOR LOYALIST
SPAIN".
OPPENHEIMER
I wrote that. Lawrence, you embrace
the revolution in physics, can’t
you see it everywhere else?
Picasso, Stravinsky, Freud, Marx...
LAWRENCE
This is America, Oppie. We had our
revolution. Seriously, keep it out
of the lab.
OPPENHEIMER
Well, out of the lab, my landlady’s
having a discussion group tonight.
LAWRENCE
I’ve sampled the Berkeley political
scene- it’s all philosophy
postgrads and Communists talking
integration.
OPPENHEIMER
You don’t care about integration?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 22.
LAWRENCE
I want to vote for it, not talk
about it. Let’s get dinner.
OPPENHEIMER
I’m meeting my brother there.
SENATOR BARTLETT (V.O.)
Dr Oppenheimer’s file contained
details of FBI surveillance on his
activities at Berkeley...
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
Strauss looks at the senator, cautious...
STRAUSS
Yes, as I recall.
SENATOR BARTLETT
Why would they have started a file
on Dr Oppenheimer before the war?
STRAUSS
You’d have to ask Mr Hoover.
SENATOR BARTLETT
I’m asking you, Admiral Strauss.
STRAUSS
My assumption is that it was
connected to his left-wing
political activities.
SENATOR BARTLETT
How would these activities have
come to the attention of the FBI?
STRAUSS
Well, if I remember correctly...
CUT TO:
EXT. HOUSE PARTY, SHASTA ROAD, BERKELEY -- NIGHT (COLOUR)
STRAUSS (V.O.)
The FBI was taking license plates
outside suspected Communist
gatherings and his name popped up.
As I get out of my car, I spot TWO MEN checking the license
plates of cars on the street... I am GRABBED-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 23.
FRANK (O.S.)
Gotcha!
My younger brother FRANK (twenty-five) and his date, JACKIE.
INT. LIVING ROOM, HOUSE PARTY, SHASTA ROAD, BERKELEY -- NIGHT
We ENTER the bustling room- I spot a beguiling young woman-
VOICE (O.S.)
Robert! Come meet Chevalier.
Mary WASHBURN grabs my tie and leads us to Haakon CHEVALIER.
WASHBURN
Dr Haakon Chevalier, Dr Robert
Oppenheimer, and vice versa.
OPPENHEIMER
This is my little brother, Frank.
Oh, and... uh...
JACKIE
Still Jackie.
CHEVALIER
Hello, Still Jackie.
OPPENHEIMER
Chevalier. You’re in languages?
CHEVALIER
And your reputation precedes you.
OPPENHEIMER
I’m blushing- what’ve you heard?
CHEVALIER
You’re teaching a radical new
approach to physics that I have no
chance of understanding. But I
hadn’t heard you were a party
member-
OPPENHEIMER
I’m not.
FRANK
Not yet.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 24.
JACKIE
Frank and I are thinking of OPPENHEIMER
joining- (ignoring Jackie)
I support of range of causes.
Jackie, put out, leads Frank away.
CHEVALIER
The Spanish Civil War?
OPPENHEIMER
A democratic republic being
overthrown by fascist thugs? Who
wouldn’t be?
CHEVALIER
Our government- they think
socialism’s a bigger threat than
fascism.
OPPENHEIMER
Not for long- look at what the
Nazis are doing to the Jews. I send
funds to colleagues in Germany to
emigrate. I have to do something.
My own work is so... abstract.
CHEVALIER
What’re you working on?
OPPENHEIMER
What happens to stars when they
die.
CHEVALIER
Do stars die?
OPPENHEIMER
If they do they’d cool, then
collapse. And the bigger the star,
the more violent its demise. Their
gravity gets so concentrated...
INSERT CUT: THE SUN SHRINKS. THE LIGHT OF THE DISTANT STARS
BEHIND IS TUGGED TOWARDS THE DYING STAR, BENDING, STRETCHING.
OPPENHEIMER (CONT’D)
...it swallows everything. Even
light.
CHEVALIER
Good God. Can that really happen?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 25.
OPPENHEIMER
The math says it can. If we can get
published, maybe one day an
astronomer finds one. But all I
have is theory. Which can’t impact
people’s lives.
CHEVALIER
If you’re sending money to Spain,
do it through the Communist Party-
they can get it to the front lines.
The beguiling young woman is there with a tray of martinis.
This is Jean TATLOCK...
TATLOCK
Mary sent me with these. I’m Jean.
OPPENHEIMER
Robert.
CHEVALIER
Haakon Chevalier. The union meeting
at Serber’s last month?
Tatlock nods. I take a glass.
CHEVALIER (CONT’D)
Robert here says he’s not a
Communist.
TATLOCK
Then he doesn’t know enough about
it.
OPPENHEIMER
I’ve read Das Kapital. All three
volumes. Does that count?
CHEVALIER
That would make you better read
than most Party members.
OPPENHEIMER
It’s turgid stuff, but there’s some
thinking... 'Ownership is theft.'
TATLOCK
'Property', not 'Ownership'.
OPPENHEIMER
Sorry, I read it in the original
German.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 26.
Chevalier laughs, delighted, as he leaves us alone.
TATLOCK
It’s not about the book, it’s about
the ideas. You sound uncommitted.
OPPENHEIMER
I’m committed to thinking freely
about how to improve our world. Why
limit yourself to one dogma?
TATLOCK
You’re a physicist- do you pick and
choose rules? Or do you use the
discipline to channel your energies
into progress?
OPPENHEIMER
I like a little wiggle room. Do you
always toe the party line?
Tatlock considers this. Sizes me up.
TATLOCK
I like my wiggle room, too.
Ratings
Scene 5 - Intimate Revelations and Tense Announcements: A Scene in Oppenheimer's Life
We are FUCKING. Hot, sweaty, a little brutal. Tatlock GIVES
UP, climbs off me-
OPPENHEIMER
Wait, wait-
I catch my breath, watching her STUDY my shelves.
TATLOCK
Unexpected.
OPPENHEIMER
What?
TATLOCK
For a physicist.
OPPENHEIMER
You’ve only got a shelf full of
Freud?
TATLOCK
Actually my background’s more- OPPENHEIMER (CONT’D)
Jungian.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 27.
TATLOCK (CONT’D)
You know analysis.
OPPENHEIMER
When I was a postgrad at Cambridge
I had some trouble.
She turns to me.
TATLOCK
I’ll bite.
OPPENHEIMER
I tried to poison my tutor.
TATLOCK
Did you hate him?
OPPENHEIMER
I liked him very much.
Tatlock turns back to the books.
TATLOCK
You just needed to get laid.
OPPENHEIMER
Wow. Took my analysts two years,
and I’m not sure they ever put it
that succinctly.
TATLOCK
You had them convinced you’re more
complicated than you really are.
OPPENHEIMER
We’re all simple souls, I guess.
TATLOCK
Not me.
She pulls a book from the shelf: THE BHAGAVAD GITA. She opens
the book to find INCOMPREHENSIBLE CHARACTERS.
TATLOCK (CONT’D)
What’s this?
OPPENHEIMER
Sanskrit.
TATLOCK
You can read this?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 28.
OPPENHEIMER
I’m learning-
She climbs on top of me, opens the book in my face.
TATLOCK
Go on then.
I study the page as Tatlock starts to move.
OPPENHEIMER
In this part, Vishnu reveals TATLOCK (CONT’D)
his multi-armed self- Read the words.
She points to each word as I translate...
OPPENHEIMER (CONT’D)
'And now I am become Death...
She nods, impressed, starts moving again...
OPPENHEIMER (CONT’D)
...destroyer of worlds.'
EXT. NEW MEXICO -- DAY
Moving over the VAST landscape to find three tiny figures. I
lead Lawrence and Frank on horseback up a mountain trail.
EXT. CAMPSITE -- EVENING
THUNDER. Lawrence climbs off his horse. The wind WHIPS as we
set up our tent...
OPPENHEIMER
It’ll break before dawn. The air
cools overnight. Just before dawn,
the storm dies.
INT./EXT. TENT -- NIGHT
Lawrence, Frank and I huddle in the BUFFETING TENT, trying to
keep a fire going in the WIND and RAIN outside the tent.
FRANK
I’m getting married.
LAWRENCE
Congratulations, Frank.
I look at Frank, sardonic with drink.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 29.
OPPENHEIMER
To Jackie?
Frank stares at me... the tent stops buffeting...
FRANK
Yeah, to Jackie. The waitress.
LAWRENCE
(sensing tension)
Oppie, you’re right- it’s letting
up. I’ll see if there’s any stars.
Frank watches Lawrence go, then pounces-
FRANK
All your talk about the common man
but Jackie’s not good enough? We
join the Party- you can’t hide your
disapproval- why? Because that’s
supposed to be your thing?
OPPENHEIMER
I haven’t joined the Party, Frank.
And I don’t think she should’ve
convinced you to, either-
FRANK
Half the faculty’s Communist-
OPPENHEIMER
Not that half.
I point in the direction Lawrence wondered off.
OPPENHEIMER (CONT’D)
I’m your brother and I want you to
be cautious.
FRANK
And I want to wring your neck.
I giggle at this. Frank shakes his head, then starts
laughing, too. I grab Frank’s shoulder. Frank looks up...
FRANK (CONT’D)
Robert, I won’t live my life afraid
to make a mistake.
I hold up my hands in defeat-
OPPENHEIMER
You’re happy, I’m happy.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 30.
FRANK
Then I’m happy you’re happy.
EXT. PERRO CALIENTE -- MOMENTS LATER
I approach Lawrence, who stares up at the stars.
LAWRENCE
It’s so clear I feel like I could
see one of those dark stars you’re
working on...
OPPENHEIMER
You can’t, that’s the whole point.
INSERT CUT: AN EXPANDING DARKNESS EATS THE STARS...
OPPENHEIMER (CONT’D)
Their gravity swallows light. It’s
like a kind of... hole in space.
LAWRENCE
Is Frank okay?
OPPENHEIMER
Yeah. He just has a shitty brother.
Lawrence smiles at this. Looks around, then-
LAWRENCE
It’s special here.
OPPENHEIMER
As a kid I thought if I could find
a way to combine physics and New
Mexico, my life would be perfect.
LAWRENCE
It’s a little remote for that.
Let’s get some sleep.
I turn, heading to the tent. Lawrence follows.
OPPENHEIMER
That mesa we saw today? One of my
favorite places in the world.
Tomorrow we’ll climb it.
LAWRENCE
What’s it called?
My response is so soft it is almost swallowed by the dark...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 31.
OPPENHEIMER
Los Alamos.
EXT. STREET, BERKELEY -- DAY
Tatlock and I walk down the sidewalk. I try to take her hand-
she folds her arms.
TATLOCK
I wasn’t expecting to see you.
OPPENHEIMER
I have to make an appointment?
Across the street a young man BURSTS out of the BARBER SHOP,
towel across chest, NEWSPAPER in hand... the barber runs out-
the young man rips off the towel, TOSSES it to him and RUNS-
OPPENHEIMER (CONT’D)
Alvarez!
I leave Tatlock on the sidewalk, take off after Alvarez-
EXT. BERKELEY CAMPUS -- DAY
Alvarez SPRINTS, newspaper in hand- I follow-
INT. CLASSROOM, BERKELEY -- CONTINUOUS
I BURST in- Lawrence is trying to calm Alvarez-
ALVAREZ
(breathless)
They’ve done it! Hahn and Strassman
in Germany...
Alvarez tosses the paper at me-
ALVAREZ (CONT’D)
They split the uranium nucleus.
LAWRENCE
How?
OPPENHEIMER
(reading)
Bombarded it with neutrons.
ALVAREZ
Lawrence, it’s fission. Nuclear
fission. They’ve split the atom...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 32.
OPPENHEIMER
It’s not possible.
I put down the paper, take up my chalk like it’s a weapon,
move to the board. Alvarez grabs the paper-
ALVAREZ
I’m going to try to reproduce it.
Alvarez and Lawrence leave. I write and write...
Ratings
Scene 6 - Oppenheimer's Personal Struggles and Scientific Discoveries
Lawrence enters. I turn. Point at the board.
OPPENHEIMER
See. It can’t be done.
LAWRENCE
Very elegant. Quite clear. Just one
problem...
OPPENHEIMER
Where?
LAWRENCE
Next door. Alvarez did it.
INT. RAD LAB, BERKELEY -- MOMENTS LATER
I peer at Alvarez’s oscilloscope...
LAWRENCE
Theory will take you only so far.
I stand, moving away... thinking...
OPPENHEIMER
During the process extra neutrons
boil off. Which could be used to
split other uranium atoms...
LAWRENCE
A chain reaction. You’re thinking
what I’m thinking.
OPPENHEIMER
You, me and every physicist around
the world who’s seen the news.
ALVAREZ
What? What’re we all thinking?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 33.
OPPENHEIMER
A bomb, Alvarez. A bomb.
EXT. TATLOCK HOUSE, BERKELEY -- NIGHT
Tatlock GRABS a bouquet out of my hands-
TATLOCK
I told you, Robert, no more fucking
flowers.
She dumps them in the trash. I just stare.
OPPENHEIMER
I don’t understand what you TATLOCK (CONT’D)
want from me- I don’t want anything from
you.
I pause. Then, gently...
OPPENHEIMER (CONT’D)
You say that. Then you call.
Tatlock kicks at the dirt.
TATLOCK
Don’t answer.
OPPENHEIMER
I’ll always answer.
She looks up at me.
TATLOCK
Fine. But no more flowers.
She goes inside-
OPPENHEIMER
Aren’t you coming?
Slams the door shut behind her. I stand there.
CHEVALIER (O.S.)
You have to know when you’re
beaten, Robert.
I turn. Chevalier and his wife, BARBARA, wait in the car.
OPPENHEIMER
It’s not that simple, Haakon.
Gadget 2023-04-21 FINAL Shooting Script 34.
INT. MEETING HALL, BERKELEY -- NIGHT
Chevalier and Barbara lead me into the crowded hall. A
BANNER: "FEDERATION OF ARCHITECTS, ENGINEERS, CHEMISTS AND
TECHNICIANS".
A man with a British accent greets us. This is ELTENTON.
ELTENTON
Chevalier, good to see you. And the
illustrious Dr Oppenheimer. I’m
Eltenton. Might you say a word
about organized labour on campuses?
OPPENHEIMER
I’ll try to think of something.
Eltenton guides me towards the stage...
ELTENTON
I work at Shell, we’ve signed up
chemists and engineers...
OPPENHEIMER
That’s excellent.
I spot Lomanitz, who grins and waves...
ELTENTON
So why not scientists in academia?
OPPENHEIMER
Sure. When do we-
Eltenton pushes me onto the stage. People start APPLAUDING at
the very sight of me. I can’t quite not smile about this.
INT. RAD LAB, BERKELEY -- DAY
I watch Lawrence examine his cyclotron.
OPPENHEIMER
Teachers are unionized, Lawrence.
Why not professors?
LAWRENCE
Don’t you have somewhere to be?
OPPENHEIMER
Academics have rights, too-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 35.
LAWRENCE
It’s not that. I have a group
coming.
OPPENHEIMER
I’ll sit in.
LAWRENCE
Not this one.
The door opens. Richard TOLMAN and Vannevar BUSH enter-
OPPENHEIMER
Richard. Dr Bush. What brings you
two up north?
They exchange glances with Lawrence. Awkward SILENCE. I rise,
letting them off the hook-
OPPENHEIMER (CONT’D)
Richard, tell Ruth I’ll be down to
Pasadena Thursday.
INT. CLASSROOM, BERKELEY -- CONTINUOUS
As I enter, a magazine FLAPS into my hands from across the
room. Students are all reading copies...
SERBER
Your paper on black holes- it’s in!
I open the magazine as I turn to a STUDENT-
OPPENHEIMER
Get Hartland.
LOMANITZ
September 1st, 1939- the world’s
gonna remember this day...
Snyder comes in with a newspaper. Glum.
OPPENHEIMER
Hartland, our paper, it’s in print!
SNYDER
We’ve been upstaged.
He holds up the paper: "HITLER INVADES POLAND".
OPPENHEIMER (V.O.)
During the Battle of France and the
Battle of Britain...
Gadget 2023-04-21 FINAL Shooting Script 36.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
Robb looks on intently as I turn the page on my statement...
OPPENHEIMER
...I found myself increasingly out
of sympathy with the policy of
neutrality that Communists
advocated.
ROBB
And after Hitler invaded Russia,
did these Communist sympathies
return?
OPPENHEIMER
No. If you’ll just allow me GRAY
to- Mr Robb, you’ll have ample
opportunity to cross-examine.
OPPENHEIMER (CONT’D)
I need to make clear that my
changing opinion of Russia did not
mean a sharp break with those who
held different views. For a year or
two during a previous marriage my
wife, Kitty, had been a Communist
Party member.
Behind me, on a couch, is KITTY (forty-six), listening
intently...
OPPENHEIMER (CONT’D)
But when I first met her, in
Pasadena in 1939, she had already
disengaged from politics...
INT. HOUSE PARTY, TOLMAN HOUSE, PASADENA -- NIGHT
Kitty (thirty-one) watches as I EXPERTLY open the liquor
cabinet-
OPPENHEIMER
This is where I keep the good
stuff.
KITTY
I thought this was the Tolmans’
house.
OPPENHEIMER
I live with them when I’m at
Caltech.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 37.
RUTH (O.S.)
You two need anything?
I turn to see RUTH TOLMAN (forty-five) looking at me,
mischievous.
OPPENHEIMER
We’re fine, Ruthie.
(to Kitty)
You’re a biologist?
KITTY
Somehow I graduated to housewife.
Can you explain quantum mechanics
to me? It seems baffling.
OPPENHEIMER
It is. This glass-
I thump a glass onto the cabinet- pour a drink-
OPPENHEIMER (CONT’D)
This drink-
I hand her the glass- fingers touching...
OPPENHEIMER (CONT’D)
Our bodies... are mostly empty
space- groupings of tiny energy
waves bound together.
KITTY
By what?
OPPENHEIMER
Forces of attraction strong enough
to convince us that matter is
solid...
I push the palm of my hand up against hers.
OPPENHEIMER (CONT’D)
And stop my body passing through
yours.
Kitty pushes her fingers through mine, interlacing our hands.
I look at a GREY-HAIRED MAN in conversation with Tolman...
OPPENHEIMER (CONT’D)
You’re married to Dr Harrison.
KITTY
Not very.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 38.
OPPENHEIMER
Well, there’s someone that I...
KITTY
Does she feel the same way?
OPPENHEIMER
Sometimes. Not often enough.
As Ruth looks our way I let Kitty’s hand go.
OPPENHEIMER (CONT’D)
I’m going to New Mexico, to my
ranch. With friends. You should
come.
Kitty looks meaningfully over her glass at me.
OPPENHEIMER (CONT’D)
I meant with your husband.
KITTY
Yes, you did. Because you know it
won’t make a bit of difference.
Ratings
Scene 7 - Oppenheimer's Difficult Decisions
Kitty and I THUNDER along on horseback, climbing a ridge. I
shout ahead to Kitty-
OPPENHEIMER
Why did you marry him?!
Kitty pulls up. I come alongside.
KITTY
I was lost. He was kind.
OPPENHEIMER
Lost?
KITTY
My previous husband died. At twenty-
eight I wasn’t ready to be a widow.
Kitty DISMOUNTS. I follow.
OPPENHEIMER
Who was your first husband?
KITTY
Nobody. But my second husband was
Joe Dallet.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 39.
KITTY (CONT’D)
From money, like me, but he was a
union organizer in Youngstown,
Ohio. I fell hard.
OPPENHEIMER
How hard?
KITTY
Hard enough to spend four years
living off beans and pancakes,
handing out the Daily Worker at
factory gates.
Kitty takes out a hip flask. SWIGS.
KITTY (CONT’D)
By ’36 I told Joe I couldn’t take
it anymore, quit the Party and
joined my parents swanning around
Europe. A year later I said I
wanted him back. Him, not the Daily
Worker. He said 'Swell, I’ll meet
you on my way to Spain.'
She hands me the flask. I take a drink.
OPPENHEIMER
He went to fight for the loyalists?
KITTY
On his way we reconciled. One
beautiful week in Paris. Then he
went to the brigades and I waited.
One day Steve Nelson turns up in
the lobby of the hotel to tell me
Joe got himself killed first time
he popped out of his trench.
OPPENHEIMER
Who’s Steve Nelson?
KITTY
Head of the Communist Party in San
Francisco. You don’t know him?
OPPENHEIMER
I’m not a Communist.
KITTY
You seem to know a lot of ’em.
OPPENHEIMER
Including you.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 40.
KITTY
(shakes head)
Ideology got Joe killed. For
nothing.
OPPENHEIMER
The Spanish Republic isn’t nothing.
KITTY
My husband offered both our futures
to stop one fascist bullet
embedding itself in a mudbank.
That’s the definition of nothing.
OPPENHEIMER
That seems a little reductive-
KITTY
Pragmatic. Steve and his wife
brought me home with them to
Chicago, then set me up with
husband number three. Now here I
am...
She looks around at the wilderness...
KITTY (CONT’D)
Wherever the hell this is-
I grab her. Kiss her, hard.
INT. TATLOCK’S BEDROOM -- DAY
Tatlock and I sit on the floor, backs to the bed like kids.
Tatlock has been crying.
OPPENHEIMER
I didn’t want you to hear it from
someone else.
TATLOCK
You didn’t bring flowers. That’s
something.
I reach into my pocket- she GRABS the small posy from me,
TOSSING it aside.
OPPENHEIMER
Jean, we both know I’m not what you
want.
TATLOCK
Yeah. But it’s a door closing.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 41.
OPPENHEIMER
Not as far as I’m concerned.
Tatlock looks at me. Appreciating the sentiment.
TATLOCK
You knocked her up. Fast work.
OPPENHEIMER
Can’t keep a good man down.
TATLOCK
I meant her. She knew what she
wanted. What about the husband?
OPPENHEIMER
We spoke. He’s divorcing her so we
can get married before she’s
showing.
TATLOCK
How civilized, you idiot. This is
your community- you think rules
don’t apply to the golden boy?
OPPENHEIMER
Brilliance makes up for a lot.
TATLOCK
Don’t alienate the only people in
the world who understand what you
do. One day you might need them.
INT. RAD LAB, BERKELEY -- DAY
I write "F.A.E.C.T." on the board, Lomanitz hands out FLIERS.
Lawrence enters, GRABBING a flyer from the nearest student:
"UNIONIZE THE RADIATION LAB".
LAWRENCE
Lomanitz? What do you make a month?
LOMANITZ
(sheepish)
A hundred and fifty dollars.
Lawrence turns to another student-
LAWRENCE
How are the working conditions?
OPPENHEIMER
That’s not the point, Lawrence.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 42.
LAWRENCE
What do you have in common with
dock workers and farm labourers?
LOMANITZ
Plenty-
LAWRENCE
Right. Everybody out. Now!
(to me)
Not you.
The students file out. Lawrence SLAMS the door- turns on me-
LAWRENCE (CONT’D)
What’re you doing?!
OPPENHEIMER
It’s a trade union-
LAWRENCE
Full of Communists!
OPPENHEIMER
So? I haven’t joined the Party-
LAWRENCE
They won’t let me bring you onto
the project because of this shit!
They won’t even let me tell you
what the project is-
OPPENHEIMER
I know what the fucking project is,
Lawrence! We all heard about
Einstein and Szilard’s letter to
Roosevelt. Warning him the Germans
could make a bomb. And I know what
it means for the Nazis to have a
bomb.
LAWRENCE
I don’t?
OPPENHEIMER
It’s not your people they’re
herding into camps! It’s mine!
LAWRENCE
You think I tell them about your
politics? Next time you’re coming
home from a meeting, take a look in
the rear-view mirror.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 43.
LAWRENCE (CONT’D)
Listen for sounds on your phone
line. And stop being so goddamn
naïve.
I’m taken aback by this...
OPPENHEIMER
Why would they care what I do?
LAWRENCE
Because you’re not just self-
important, you’re actually
important.
I see the reality. Shift gears-
OPPENHEIMER
I get it. You don’t have to worry.
I get it.
LAWRENCE
You just need to be more- OPPENHEIMER (CONT’D)
Pragmatic. It’s done,
Lawrence. I’ll talk to
Lomanitz and the others. You
don’t have to worry.
Lawrence looks at me. Sees this is real.
LAWRENCE (CONT’D)
Then welcome to the war.
OPPENHEIMER (V.O.)
I filled out my first security
questionnaire...
Ratings
Scene 8 - The Revocation of Oppenheimer's Security Clearance: A Look at the Key Players and Events
I glance up from my notes.
OPPENHEIMER
...and was informed that my
involvement in left-wing groups
would not prove a bar to my work on
the atomic programme.
SENATOR PASTORE (V.O.)
Why were his Communist associations
not seen as a security risk during
the war?
CUT TO:
Gadget 2023-04-21 FINAL Shooting Script 44.
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
Strauss suppresses his irritation at the line of questioning.
STRAUSS
Senator, I can’t possibly answer
for a security clearance granted
years before I even met the man.
SENATOR PASTORE
Fine. What about after?
STRAUSS
After the war, Dr Oppenheimer was
the most respected scientific voice
in the world. That’s why I asked
him to run the Institute, that’s
why he advised the Atomic Energy
Commission. Simple as that.
INT. SENATE OFFICE -- DAY (B&W)
Strauss paces-
STRAUSS
What are they accusing me of?
SENATE AIDE
I think they just want to know what
happened between 1947 and 1954 to
change your mind on Oppenheimer’s
security clearance.
STRAUSS
I didn’t. I was the AEC Chairman,
but it wasn’t me who brought the
charges against Robert.
SENATE AIDE
Who did?
STRAUSS
Some former staff member of the
Joint Congressional Committee-
INSERT CUT: A YOUNG MAN LEAFS THROUGH A FILE, COLLECTING HIS
THOUGHTS... THIS IS WILLIAM BORDEN... HE STARTS TYPING...
STRAUSS (CONT’D)
A rabid anti-Communist named
Borden. He wrote to the FBI
demanding they take action.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 45.
SENATE AIDE
The FBI? Why not come to the AEC
direct?
STRAUSS
Why get caught holding the knife
yourself?
SENATE AIDE
What did Borden have against
Oppenheimer?
STRAUSS
This was the McCarthy era- people
hounded out of jobs for any hint of
red... reading Oppenheimer’s
security file- his Communist
brother, sister-in-law, fiancée,
best friend, wife... that’s before
you even get to the Chevalier
incident.
SENATE AIDE
But how would Borden have access to
Oppenheimer’s security file?
STRAUSS
Someone gave it to him. Someone who
wanted Oppenheimer silenced.
SENATE AIDE
Who?
STRAUSS
Who knows? Robert didn’t take care
not to upset the power brokers in
Washington. His opinions on the
atom became definitive and he
wasn’t always patient with us mere
mortals. I came in for plenty of
harsh treatment. There was an AEC
vote on the export of isotopes to
Norway...
INT. CONGRESSIONAL HEARING ROOM -- DAY (B&W)
Oppenheimer sits at the witness table with Joe VOLPE, the AEC
lawyer. Strauss is in the audience.
STRAUSS (V.O.)
They drafted in Robert to make me
look like a fool...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 46.
CONGRESSMAN
But, Dr Oppenheimer, one member of
the AEC board thinks these isotopes
could be useful to our enemies in
the production of atomic weapons.
OPPENHEIMER
Congressman, you could use a shovel
in making atomic weapons, in fact,
you do. You could use a bottle of
beer in making atomic weapons. In
fact, you do.
LAUGHTER. Strauss squirms, embarrassed.
OPPENHEIMER (CONT’D)
Isotopes aren’t as useful as
electronic components, but more
useful than a sandwich. I’d put
them somewhere in between.
Volpe looks at Strauss, who SMILES, GOOD-HUMOURED...
STRAUSS (V.O.)
Genius is no guarantee of wisdom.
How could this man who saw so much
be so blind?
CUT TO:
INT. OPPENHEIMER HOUSE, BERKELEY -- NIGHT (COLOUR)
I come in. The lights are off. A BABY’S CRIES echo...
OPPENHEIMER
Kitty?
She is in the dining room, in the dark, drink in hand.
OPPENHEIMER (CONT’D)
Kitty, the project- I’m in.
She sips. SLIDES her drink down the table at me-
KITTY
Let’s celebrate.
As the baby CRIES, Kitty comes to me, pulling at my clothes-
OPPENHEIMER
Don’t you need to go to him?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 47.
KITTY
I’ve been going to him all fucking
day...
She moves to kiss my neck- I look upstairs- she PUSHES me
away- GRABS her drink...
EXT./INT. CHEVALIER HOUSE -- NIGHT
I carry the crying infant, PETER, to the front door. Knock.
Barbara opens it- sees my distraught face and takes Peter.
INT. LIVING ROOM, CHEVALIER HOUSE -- MOMENTS LATER
Chevalier hands me a drink. I stare into the liquid.
OPPENHEIMER
I’m ashamed to ask.
CHEVALIER
Anything.
OPPENHEIMER
Take Peter.
CHEVALIER
Sure.
OPPENHEIMER
No, for a while, Hoke. A while.
CHEVALIER
Does Kitty know you’re here?
OPPENHEIMER
(I laugh)
Of course she fucking knows! We’re
awful. Selfish, awful people...
(I down drink)
Forget I asked-
Chevalier puts out a hand to stop me rising...
CHEVALIER
Robert, you see beyond the world we
live in. There’s a price to be paid
for that. Of course we’ll help.
Gadget 2023-04-21 FINAL Shooting Script 48.
EXT. NEW MEXICO -- EVENING
Kitty and I GALLOP through the trees, EMERGING into the
twilight overlooking a valley. Kitty turns to the wind.
KITTY
Everything’s changing, Robert.
OPPENHEIMER
Having a child was always- KITTY (CONT’D)
(impatient)
The world is pivoting in some
new direction... reforming...
this is your moment.
OPPENHEIMER (CONT’D)
We’re putting together a KITTY (CONT’D)
group to study feasibility- 'We' shouldn’t be doing
anything. You should.
Lawrence won’t get this done.
Or Tolman, or Rabi. You will.
INT. PRESIDENT’S DINING HALL, BERKELEY -- DAY
A crowded and lavish lunch. I notice a large man in ARMY
UNIFORM, Colonel GROVES, sitting next to another soldier
(NICHOLS) with Bush and Tolman. I sidle up to Lawrence at the
buffet.
OPPENHEIMER
Who’s the uniform?
The husky GROVES spills sauce on his tunic, wipes at it.
LAWRENCE
I thought you might know.
INT. CLASSROOM, BERKELEY -- AFTERNOON
I am working. Groves and Lieutenant Colonel NICHOLS enter.
GROVES
Dr Oppenheimer. I’m Colonel Groves,
this is Lieutenant Colonel Nichols.
Groves pulls off his uniform jacket, TOSSES it to Nichols.
GROVES (CONT’D)
Get that dry-cleaned.
I watch Nichols leave.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 49.
OPPENHEIMER
If that’s how you treat a
lieutenant colonel, I’d hate to see
how you treat a humble physicist.
GROVES
If I ever meet one I’ll let you
know.
OPPENHEIMER
Ouch.
GROVES
Theatres of combat all over the
world- but I have to stay in
Washington.
OPPENHEIMER
Why?
GROVES
I built the Pentagon. The brass
likes it so much they made me take
over the Manhattan Engineer
District.
OPPENHEIMER
Which is?
GROVES
Don’t be a smart-ass. You know damn
well what it is- you and half of
every physics department across
America. That’s problem number one.
OPPENHEIMER
I thought problem number one would
be securing enough uranium ore.
GROVES
Twelve hundred tons. Bought the day
I took charge.
OPPENHEIMER
Processing?
GROVES
Just broke ground at Oak Ridge,
Tennessee. Now I’m looking for a
project director.
OPPENHEIMER
And my name came up.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 50.
GROVES
Nope. Even though you brought
quantum physics to America. That
made me curious.
OPPENHEIMER
What have you found out?
GROVES
You’re a dilettante, womanizer,
suspected Communist-
OPPENHEIMER
I’m a New Deal Democrat-
GROVES
I said 'suspected'. Unstable,
theatrical, egotistical, neurotic.
OPPENHEIMER
Nothing good? Not even 'he’s
brilliant, but'...?
GROVES
Brilliance is taken for granted in
your circles. So, no. Only one
person said anything good- Richard
Tolman. He thinks you’ve got
integrity. But Tolman strikes me as
someone who knows science better
than people.
OPPENHEIMER
Yet here you are. You don’t take
much on trust.
GROVES
I don’t take anything on trust. Why
don’t you have a Nobel Prize?
OPPENHEIMER
Why aren’t you a general?
GROVES
They’re making me one for this.
OPPENHEIMER
Maybe I’ll have the same luck.
GROVES
A Nobel Prize for making a bomb?
OPPENHEIMER
Alfred Nobel invented dynamite.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 51.
GROVES
So how would you proceed?
OPPENHEIMER
You’re talking about turning theory
into a practical weapons system
faster than the Nazis.
GROVES
Who have a twelve-month head start.
OPPENHEIMER
Eighteen.
GROVES
How could you possibly know that?
OPPENHEIMER
Our fast neutron research took six
months- the man they’ve undoubtedly
put in charge will have made that
leap instantly.
GROVES
Who do you think they put in
charge?
OPPENHEIMER
Werner Heisenberg. He has the most
intuitive understanding of atomic
structure I’ve ever seen.
GROVES
You know his work?
OPPENHEIMER
I know him. Just like I know
Walther Bothe. Von Weizsäcker.
Diebner. In a straight race, the
Germans win. We’ve got one hope.
GROVES
Which is?
OPPENHEIMER
Anti-Semitism.
GROVES
What?
OPPENHEIMER
Hitler called quantum physics
'Jewish science'. Said it right to
Einstein’s face.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 52.
OPPENHEIMER (CONT’D)
Our one hope is that Hitler’s so
blinded by hate he’s denied
Heisenberg proper resources.
Because it’ll take vast resources.
Our nation’s best scientists,
working together- right now they’re
scattered.
GROVES
Which gives us
compartmentalization.
OPPENHEIMER
All minds have to see the whole
task to contribute efficiently.
Poor security may cost us the race,
inefficiency will. The Germans know
more than us, anyway.
GROVES
The Russians don’t.
OPPENHEIMER
Remind me- who are we at war with?
GROVES
Someone with your past doesn’t want
to be seen downplaying the
importance of security from our
Communist allies.
OPPENHEIMER
Point taken. But no.
GROVES
You don’t get to say 'no' to me-
OPPENHEIMER
It’s my job to say 'no' to you when
you’re wrong-
GROVES
So you’ve got the job, now?
OPPENHEIMER
I’m considering it.
GROVES
I’m starting to see how you got
your reputation. My favorite
response? 'Oppenheimer couldn’t run
a hamburger stand.'
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 53.
OPPENHEIMER
I couldn’t. But I can run the
Manhattan Project.
I turn to the blackboard. Take up my chalk.
OPPENHEIMER (CONT’D)
There’s a way to balance these
things...
(I draw)
Leave the Rad Lab here at Berkeley
under Lawrence, Met Lab in Chicago
under Szilard, large-scale refining-
where’d you say? Tennessee... all
America’s industrial might and
scientific innovation, connected by
rail... focused on one goal, one
point in space and time, coming
together... here.
I have drawn a cross at the centre of the diagram.
GROVES
And where’s that?
INSERT CUT: A BARBED-WIRE FENCE IS STRUNG OUT...
OPPENHEIMER
A secret labouratory. In the middle
of nowhere. Self-sufficient.
Secure. Equipment, housing, the
works. We keep everyone there till
it’s done.
INSERT CUT: A SCHOOLHOUSE IS ERECTED. A CHURCH. A STORE...
OPPENHEIMER (V.O.)
It’ll need a school, stores, a
church...
Ratings
Scene 9 - Resistance and Recruitment: The Pursuit of Scientific Research on Atomic Theory
I talk to Groves as Nichols looks on...
GROVES
Why?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 54.
OPPENHEIMER
If we don’t let scientists bring
their families, we’ll never get the
best. You want security? Build a
town, and build it fast.
GROVES
Where?
EXT. CAR, LOS ALAMOS -- CONTINUOUS
Groves emerges, squinting into the brightness, taking in the
stark beauty. I greet him, arms spread wide.
OPPENHEIMER
Welcome to Los Alamos. There’s a
boys’ school we’ll have to
commandeer, and the local Indians
come up here for burial rites.
Other than that, nothing for forty
miles any direction. And south-
east, hundreds of miles of desert.
Enough to find the perfect spot.
GROVES
For?
OPPENHEIMER
Success.
Groves scans the horizon. Sniffs the air... turns to Nichols.
GROVES
Build him a town. Fast.
(to Oppenheimer)
Let’s go recruit some scientists.
INT. TRAIN, SANTA FE TO BOSTON -- NIGHT
I watch Groves go over a file.
OPPENHEIMER
How much can I tell them?
GROVES
(without looking up)
As much as you like, till you feel
my boot on your balls.
Gadget 2023-04-21 FINAL Shooting Script 55.
INT. LECTURE HALL, HARVARD -- DAY
Groves and I sit talking to BAINBRIDGE and DONALD.
BAINBRIDGE
I’m not a soldier, Oppie.
OPPENHEIMER
Soldier? He’s a general-
(jab my thumb at Groves)
I got all the soldier I need. Maybe
too much. I’m here because you know
isotopes, and you-
(to Donald)
know explosives better than anyone.
DONALD
But you can’t tell us what you’re
doing?
I glance at Groves. Then CROSS my legs.
OPPENHEIMER
It’s about unleashing the strong
force before the Nazis do.
BAINBRIDGE
Oh my God.
INT. CORRIDOR, MIT -- DAY
Groves and I walk with CONDON.
CONDON
Why? Why would I leave my family?
OPPENHEIMER
I told you, bring your family.
CONDON
Why would we go to the middle of
nowhere for who knows how long?
OPPENHEIMER
A year or two. Or three.
CONDON
Why would you think I’d do that?
Groves SNAPS like a bulldog-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 56.
GROVES
Why? Why? How about because this is
the most important fucking thing
that’s ever happened in the history
of the world? How about that?
I look at Groves, then SHRUG at Condon.
INT. OFFICE, UNIVERSITY OF MICHIGAN -- NIGHT
Groves and I sit across the desk from a CONCERNED SCIENTIST.
CONCERNED SCIENTIST
Robert, I hear you. I hear you.
Concerned Scientist GLANCES at Groves then DROPS his gaze.
OPPENHEIMER
General, could you give us a
minute?
Groves looks at me. Gets up and goes.
CONCERNED SCIENTIST
They’re not gonna let someone like
me onto this project. And failing a
security check isn’t gonna be good
for a career even after the war.
OPPENHEIMER
So you’re a fellow traveler, so
what? This is a national emergency.
I’ve got some skeletons, and
they’ve put me in charge. They need
us.
CONCERNED SCIENTIST
Until they don’t.
INT. QUADRANGLE, PRINCETON -- DAY
Groves and I flank FEYNMAN as he hurries across the quad-
OPPENHEIMER
Heisenberg, Diebner, Bothe, Bohr...
what do these men have in common?
FEYNMAN
The greatest minds on atomic
theory.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 57.
OPPENHEIMER
And?
FEYNMAN
I don’t know...
OPPENHEIMER
The Nazis have them.
FEYNMAN
Niels Bohr is in Copenhagen.
OPPENHEIMER
Under Nazi occupation. Did they
stop printing newspapers in
Princeton?
FEYNMAN
Niels won’t work for the Nazis.
OPPENHEIMER
No. Never. But while they have him,
we don’t. So I need you.
INT. TRAIN, PRINCETON TO SANTA FE -- NIGHT
Groves is napping. I just start talking.
OPPENHEIMER
Is there any chance of getting Bohr
out of Denmark?
GROVES
No dice. I checked with the
British. Until we get Allied boots
back onto the continent there’s no
way. Is he that important?
INSERT CUT: BOHR GESTICULATES WITH THE POISONED APPLE.
OPPENHEIMER
How many people do you know who’ve
proven Einstein wrong?
The train BUMPS. I look out the window, impatient.
OPPENHEIMER (CONT’D)
It’d be quicker to take a plane.
GROVES
We can’t risk a plane. America
needs us.
Gadget 2023-04-21 FINAL Shooting Script 58.
EXT. LOS ALAMOS UNDER CONSTRUCTION -- DAY
Dressed in ARMY UNIFORM, I show Rabi and Condon the CHAOTIC
SNOWY and MUDDY mesa. CONSTRUCTION CREWS at work. Feynman
approaches-
FEYNMAN
The Harvard guys say the building’s
too small for their cyclotron.
OPPENHEIMER
(to Condon)
Get ’em together with the
architects.
Condon hurries off with Feynman. Rabi turns to me.
RABI
When’s this place supposed to open?
OPPENHEIMER
Two months.
RABI
(shakes head)
Robert, you’re the great
improviser, but this you can’t do
in your head...
INT. CONSTRUCTION CABIN, LOS ALAMOS -- MOMENTS LATER
I draw on the board.
OPPENHEIMER
Four divisions- Experimental,
Theoretical, Metallurgical,
Ordnance.
RABI
Who’s running Theoretical?
OPPENHEIMER
I am.
RABI
That’s what I was afraid of. You’re
spread too thin.
OPPENHEIMER
So you take Theoretical.
RABI
I’m not coming here, Robert.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 59.
OPPENHEIMER
Why not?
Rabi, seldom at a loss for words, is lost for words...
RABI
You drop a bomb and it falls on the
just and the unjust. I don’t wish
the culmination of three centuries
of physics to be a weapon of mass
destruction.
OPPENHEIMER
Izzy, I don’t know if we can be
trusted with such a weapon, but I
know the Nazis can’t. We have no
choice.
RABI
Well, the second thing you have to
do is appoint Hans Bethe to head
the Theoretical division.
OPPENHEIMER
Wait, what was the first?
RABI
Take off that ridiculous uniform-
you’re a scientist.
OPPENHEIMER
General Groves is insisting we
join.
RABI
Tell Groves to shit in his hat.
They need us for who we are. So be
yourself, only... better.
Ratings
Scene 10 - Oppenheimer's Concern: Teller's Troubling Calculation
I pull on a jacket. Run a hand through newly shorn close-
cropped dark hair. Put on a PORK PIE HAT. Pick up my pipe...
EXT. LOS ALAMOS UNDER CONSTRUCTION -- MOMENTS LATER
I walk the main drag like a SHERIFF, nodding at construction
workers as I pass... THE ICONIC J. ROBERT OPPENHEIMER.
Gadget 2023-04-21 FINAL Shooting Script 60.
INT. RAD LAB, BERKELEY -- DAY
I look down onto the bustle of students. Lomanitz looks up
and waves- then is ERASED by WHITEWASH as workers COVER the
windows... Serber hands me a key.
SERBER
This is the only key. Teller’s here
already. Shall I show him in?
OPPENHEIMER
No, wait for the others-
The door BURSTS OPEN and a stooped, slightly heavy young man
shuffles in. This is EDWARD TELLER.
TELLER
Let’s get started.
OPPENHEIMER
Hello, Edward.
INT. SAME -- DAY
I sit at the front, one long leg tucked under my ass. The
scientists include Lawrence, Serber, Teller, BETHE, Condon,
Tolman, Feynman, Donald, Bainbridge, NEDDERMEYER and Alvarez.
OPPENHEIMER
We’ll work here until the T-section
at Los Alamos is finished-
I see Teller waving a piece of paper-
OPPENHEIMER (CONT’D)
Edward, can I get through my
summary?
TELLER
This is more important.
Teller’s paper is passed around the room, scientists
PALING...
TELLER (CONT’D)
Calculating chain reactions... I
found a rather troubling
possibility.
Hans Bethe hands me the paper, turns to Teller.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 61.
BETHE
That can’t be right. Show me how
you did your calculations.
TELLER
Of course.
I look up from the paper, grave. Teller watches the ruckus
he’s caused with evident satisfaction. Bethe approaches.
BETHE
Oppie, this is fantasy. Teller’s
calculations cannot be right.
OPPENHEIMER
Do them yourself while I go to
Princeton.
BETHE
What for?
OPPENHEIMER
To talk to Einstein.
BETHE
There’s not much common ground
between you two.
OPPENHEIMER
That’s why I should get his view.
EXT. WOODS, PRINCETON, NEW JERSEY -- DAY
I walk through the trees, gaining on two figures. The two men
turn. One of them is Einstein.
EINSTEIN
Dr Oppenheimer. Have you met Kurt
Gödel? We walk here most days.
GÖDEL
Trees are the most inspiring
structures.
OPPENHEIMER
Albert, might I have a word?
Einstein senses the gravity. Nods. We leave Gödel staring up
at the bare trees.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 62.
EINSTEIN
Some days Kurt refuses to eat. Even
in Princeton, he’s convinced the
Nazis can poison his food.
EXT. LAKE, INSTITUTE FOR ADVANCED STUDY -- MOMENTS LATER
Einstein and I emerge from the trees. I pull a piece of paper
from my breast pocket. Einstein takes it.
EINSTEIN
Whose work is this?
OPPENHEIMER
Teller’s.
EINSTEIN
And what do you take it to mean?
OPPENHEIMER
Neutron smashes into nucleus
releasing neutrons to smash into
other nuclei...
INSERT CUT: DARKNESS SPLIT BY GLOWING PARTICLES FIRING INTO
EACH OTHER IN AN INCREASINGLY VIOLENT DISPLAY...
OPPENHEIMER
Criticality- the point of no return-
massive explosive force... but the
chain reaction doesn’t stop...
Einstein studies the paper... he nods.
EINSTEIN
It would ignite the atmosphere.
The air around us CATCHES FIRE... THE PLANET EARTH, LONELY IN
VAST DARKNESS, IS SUDDENLY ENGULFED IN FIRE.
OPPENHEIMER
When we detonate an atomic device,
we might start a chain reaction
that destroys the world.
EINSTEIN
And here we are, lost in your
quantum world of probabilities, but
needing certainty.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 63.
OPPENHEIMER
Can you run the calculations
yourself?
EINSTEIN
About the only thing you and I
share is a disdain for mathematics.
Who’s working on it at Berkeley?
OPPENHEIMER
Hans Bethe.
EINSTEIN
He’ll get to the truth.
OPPENHEIMER
And if the truth is catastrophic?
EINSTEIN
Then you stop. And share your
findings with the Nazis, so neither
side destroys the world.
I turn to leave.
EINSTEIN (CONT’D)
Robert?
(holding out paper)
This is yours. Not mine.
Ratings
Scene 11 - Oppenheimer's Internal Struggle: Loyalty vs. Friendship
I come past the secretaries. Bethe is there, excited.
BETHE
Teller’s wrong-
I gesture SILENCE as I unlock the Rad Lab-
INT. RAD LAB, BERKELEY -- CONTINUOUS
Bethe runs to the cabinet- takes out some papers- hands them
to me, excited. I start to scan them, GRINNING-
BETHE
When you narrow Teller’s critical
assumptions the real picture
emerges-
OPPENHEIMER
Bottom line?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 64.
BETHE
The chances of an uncontrolled
nuclear reaction are near zero.
OPPENHEIMER
Near zero?
BETHE
Oppie, this is good news-
OPPENHEIMER
Can you run more calculations?
BETHE
You’ll get the same answer. Until
we actually detonate one of these
things, the best assurance you’re
going to get is this-
(jabs paper)
Near zero.
OPPENHEIMER
Theory will take you only so far.
INT. OPPENHEIMER HOUSE, BERKELEY -- NIGHT
Kitty opens the door to the Chevaliers, finger to her lips -
I am holding the sleeping Peter.
BARBARA
(whispering)
So beautiful. We miss him.
KITTY
Want to adopt?
OPPENHEIMER
She’s kidding.
Kitty shakes her head, 'not kidding'. Barbara takes Peter. I
lead Chevalier to the kitchen...
OPPENHEIMER (CONT’D)
We wanted to see you before we
left.
CHEVALIER
For parts unknown...
INT. KITCHEN, OPPENHEIMER HOUSE, BERKELEY -- CONTINUOUS
I mix a tray of martinis. Chevalier watches, distracted.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 65.
CHEVALIER
You know who I ran into the other
day? Eltenton.
OPPENHEIMER
The chemist from Shell? Union guy?
CHEVALIER
Yeah. He was moaning about the way
we’re handling the war.
OPPENHEIMER
How so?
CHEVALIER
Lack of cooperation with our
allies. Apparently, our government
isn’t sharing any research with the
Russians. He said a lot of
scientists think the policy’s
stupid.
My hands SLOW...
OPPENHEIMER
Oh, yeah?
CHEVALIER
Yeah. He mentioned that if anyone
had information they wanted to pass
on, going around official channels,
he could help...
I look up at Chevalier. Grave.
OPPENHEIMER
That would be treason.
CHEVALIER
Yes, of course. I just thought you
should know.
We STARE at each other... BANG- Kitty barges in.
KITTY
Brat’s down- where are the
martinis?
She sees us having a moment...
OPPENHEIMER (V.O.)
The discussion ended there.
I pick up the tray.
Gadget 2023-04-21 FINAL Shooting Script 66.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
OPPENHEIMER
Nothing in our long-standing
friendship would have led me to
believe that Chevalier was actually
seeking information; and I was
certain he had no idea of the work
on which I was engaged.
I steal a glance at Robb, then look directly at the board-
OPPENHEIMER (CONT’D)
It has long been clear to me that I
should have reported this incident
at once.
SENATOR MCGEE (V.O.)
The Oppenheimer situation
highlights the tension between
scientists and the security
apparatus...
CUT TO:
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
Strauss is at the witness table facing the Senate Committee.
SENATOR MCGEE
In hopes of learning how the
nominee handled such issues during
his time at the AEC, we’ll have a
scientist appearing before the
Committee.
STRAUSS
(private)
Who’re they bringing in?
COUNSEL
(private)
They haven’t said.
STRAUSS
Mr Chairman, if I may? I’m
nominated for Commerce Secretary.
Why seek the opinion of scientists-
CHAIRMAN
This is a Cabinet post, Admiral. We
seek a wide range of opinion.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 67.
STRAUSS
I’d like to know the name of the
scientist testifying. And I’d like
the chance to cross-examine.
CHAIRMAN
(irritated)
This is not a court.
INT. SENATE OFFICE -- MOMENTS LATER (B&W)
The Senate Aide shows Strauss and Counsel in.
COUNSEL
Lewis, you’re not on trial-
STRAUSS
So everyone keeps saying.
COUNSEL
You act like a defence attorney,
the Committee’s gonna act like a
prosecutor.
STRAUSS
(to Senate Aide)
A formality, huh?
SENATE AIDE
No Presidential Cabinet nominee has
failed to be confirmed since 1925.
This is just how the game is
played.
COUNSEL
It’s in the bag, Lewis, so play
nice. They bring in a scientist, so
what?
Strauss gives a wry smile. Remembers-
INSERT CUT: STRAUSS APPROACHES EINSTEIN AND OPPENHEIMER-
EINSTEIN BLOWS PAST WITHOUT ACKNOWLEDGING STRAUSS...
STRAUSS
You don’t know scientists like I
do, counselor. They resent anyone
who questions their judgement-
especially if you’re not one of
them...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 68.
INSERT CUT: STRAUSS STARES- THE CROWD AT THE ISOTOPES HEARING
LAUGHS...
STRAUSS (CONT’D)
I was chair of the AEC- I’m easy to
blame for what happened to Robert.
SENATE AIDE
We can’t let the Senate think that
the scientific community doesn’t
support you.
STRAUSS
Should we pivot?
SENATE AIDE
To what?
STRAUSS
Embrace it. 'I fought Oppenheimer
and the US won'?
SENATE AIDE
I don’t think we need to go there.
Isn’t there anyone we can call who
knows what really happened?
STRAUSS
Teller.
SENATE AIDE
He’ll make an impression.
STRAUSS
Can you find out the name of the
scientist they’ve called?
SENATE AIDE
Probably.
STRAUSS
(to Counsel)
We get that name- you call the AEC,
find out if he was based in Chicago
or Los Alamos during the war.
SENATE AIDE
Why’s that matter?
STRAUSS
If he was in Chicago he worked
under Szilard and Fermi, not the
cult of Oppie at Los Alamos.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 69.
STRAUSS (CONT’D)
Robert built that damn place- he
was founder, mayor, sheriff all
rolled into one...
CUT TO:
Ratings
Scene 12 - Teller's Hydrogen Bomb Proposal and Los Alamos Tour
I DRIVE Kitty and Peter through the 'town'... Kitty STARES at
the newly built BASIC WOODEN STRUCTURES...
KITTY
All it needs is a saloon.
INT. OPPENHEIMER HOUSE, LOS ALAMOS -- DAY
I stand in the hall, holding Peter, NERVOUS, as Kitty
inspects the house... she pokes her head back in-
KITTY
Robert. There’s no kitchen.
OPPENHEIMER
Really? We’ll fix that. Don’t
worry.
EXT. T-SECTION, LOS ALAMOS -- DAY
I walk Bethe through the security gate.
BETHE
Barbed wire. Guns, Oppie.
OPPENHEIMER
We’re at war, Hans.
INT. LECTURE HALL, T-SECTION, LOS ALAMOS -- DAY
I step up to join Serber- throw up a slide. Condon,
Neddermeyer, Kistiakowsky, Donald, Tolman, Bainbridge and
Feynman, amongst other SCIENTISTS, are in attendance.
OPPENHEIMER
Halifax, 1917. A cargo ship
carrying munitions exploded in the
harbor...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 70.
INSERT CUT: WOOD AND CONCRETE FRAGMENTS FLY...
OPPENHEIMER (CONT’D)
A vast and sudden chemical
reaction...
INSERT CUT: A SHOCKWAVE DRIFTS ACROSS THE TOPS OF THE CHOPPY
WATER...
OPPENHEIMER (CONT’D)
The biggest man-made explosion in
history. Let’s calculate how much
more destructive it would have been
with a nuclear, not chemical,
reaction. Expressing power in terms
of tons of TNT-
BETHE
But it’ll be thousands.
OPPENHEIMER
Then, kilotons.
I switch the lights on, step down to let Serber-
SERBER
Using U-235, the bomb-
He sees me wave.
SERBER (CONT’D)
Sorry- the gadget will need a
thirty-three-pound sphere, about
this size...
Serber reaches below the table, brings up a GOLDFISH BOWL-
SERBER (CONT’D)
Or using plutonium, a ten-pound
sphere...
He puts a large BRANDY GLASS next to the aquarium.
SERBER (CONT’D)
Here’s the amount of uranium Oak
Ridge refined all of last month.
Serber drops THREE MARBLES into the bowl. The scientists
stare at the almost-empty goldfish bowl.
SERBER (CONT’D)
The Hanford plant made this much
plutonium...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 71.
He drops TWO MARBLES into the brandy glass.
SERBER (CONT’D)
If we can enrich these amounts...
we need a way to detonate them.
Teller is at the back folding a paper plane.
OPPENHEIMER
Are we boring you, Edward?
TELLER
(without looking up)
Yes.
OPPENHEIMER
May I ask why?
TELLER
We came into this room knowing a
fission bomb was possible. Let’s
leave it with something new.
OPPENHEIMER
Such as?
TELLER
A 'super' atomic bomb. Instead of
uranium, or plutonium, we use
hydrogen.
MURMURS of dissent-
TELLER (CONT’D)
(shutting them down)
Heavy hydrogen- deuterium. We
compact the atoms together under
great force and induce a fusion
reaction. Not kilotons... megatons.
A HUBBUB develops- I process quickly, then-
OPPENHEIMER
Hang on. How do you generate enough
force to fuse hydrogen atoms?
Teller smiles a self-satisfied smile.
TELLER
A small fission bomb.
GROANS all around...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 72.
OPPENHEIMER
Well, since you’re going to need
one, anyway... can we get back to
the business at hand?
Teller SHRUGS.
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
SENATOR BARTLETT
Mr Strauss, the isotopes issue
wasn’t your most important policy
disagreement with Dr Oppenheimer.
It was the Hydrogen bomb, wasn’t
it?
STRAUSS
We did disagree about the need for
an H-bomb programme.
SENATOR BARTLETT
Tell us how that came to pass.
As Strauss REMEMBERS we hear a SIREN and we-
CUT TO:
EXT. NEW YORK STREET -- NIGHT (B&W)
Strauss is in a car, barreling along behind a POLICE ESCORT-
INT. HOTEL, NEW YORK -- NIGHT (B&W)
Strauss and his ASSISTANT rush down the corridor to a door-
INT. HOTEL CONFERENCE ROOM -- NIGHT (B&W)
Strauss enters- a table surrounded by AEC members-
Oppenheimer is slouched at the table, pipe blazing, Bush
presides... Strauss removes his overcoat, revealing a
tuxedo...
STRAUSS
What do we know?
BUSH
One of our B-29s over the north
Pacific picked up radiation.
Rabi uses a compass to indicate an area on the map...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 73.
STRAUSS
Do you have the filter papers?
OPPENHEIMER
There’s no doubt what this is.
STRAUSS
The White House says there’s doubt.
Oppenheimer begrudgingly slides them over to Strauss.
BUSH
Wishful thinking, I’m afraid.
OPPENHEIMER
It’s an atomic test.
STRAUSS
The Soviets have a bomb? We’re
supposed to be years ahead of them.
What were you guys doing at Los
Alamos? Wasn’t the security tight?
OPPENHEIMER
Of course it was- you weren’t NICHOLS (O.S.)
there, Lewis. Forgive me, doctor...
Strauss leans around the FLOWERS in the centre of the table
to see who is speaking- Nichols, now a civilian.
NICHOLS (CONT’D)
But I was there.
CUT TO:
EXT. T-SECTION, LOS ALAMOS -- DAY (COLOUR)
Condon, Nichols and I watch cars pull up. Groves emerges.
OPPENHEIMER
Welcome back.
GROVES
Progress?
INSERT CUT: MARBLES DROP INTO THE GOLDFISH BOWL.
OPPENHEIMER
It’s nice to see you, too.
GROVES
Meet the British contingent.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 74.
SCIENTISTS emerge. A THIN YOUNG MAN offers his hand-
FUCHS
(German accent)
Dr Oppenheimer, Klaus Fuchs.
OPPENHEIMER
How long have you been British?
FUCHS
Since Hitler told me I wasn’t
German.
INT. LECTURE HALL, T-SECTION, LOS ALAMOS -- DAY
Bethe, Teller, Condon, Kistiakowsky, Donald, Bainbridge,
Fuchs and Feynman and other scientists listen to-
SERBER
I call it 'shooting'- we fire a
chunk of fissionable material into
the larger sphere with enough force
to achieve criticality.
INSERT CUT: A URANIUM "BULLET" IS FIRED INTO A SPHERE-
TOLMAN
I’ve been thinking about implosion.
Explosives around the sphere blast
inwards, crushing the material.
INSERT CUT: A SPHERICAL ARRAY OF EXPLOSIVES BLASTS INWARD-
NEDDERMEYER
I’d like to investigate that idea.
OPPENHEIMER
I’ll talk to the Ordinance division-
we’ll get you blowing things up...
Ratings
Scene 13 - Tense Meeting over Project Management and Security Clearance
Condon, Nichols and I show Groves the GROWING TOWN...
OPPENHEIMER
School’s up and running. I thought
of a way to reduce support staff...
I open the door to the cabin containing my office-
8FLiX.com FYC SCREENPLAY DATABASE 20230904
Gadget 2023-04-21 FINAL Shooting Script 75.
INT. OUTER OFFICE -- CONTINUOUS
Groves notices the YOUNG WOMAN working behind the desk-
INT. OPPENHEIMER’S OFFICE, LOS ALAMOS -- CONTINUOUS
I slump into my chair. Groves is perplexed-
GROVES
Is that...?
OPPENHEIMER
Mrs Serber. I’ve offered jobs to
all the wives. Admin, librarians,
computation. We cut down on staff
and keep families together.
GROVES
Are these women qualified?
OPPENHEIMER
Don’t be absurd. These are some of
the brightest minds in our
community.
CONDON
And they’re already security
cleared.
NICHOLS
I’ve informed General Groves you’ve
been holding cross-divisional open
discussions-
GROVES
Shut ’em down. CONDON
Compartmentalization is the It’s only the top men.
key to maintaining security-
NICHOLS
Who, presumably, communicate with
subordinates.
OPPENHEIMER
These men aren’t stupid, they can
be discreet.
GROVES
I don’t like it.
OPPENHEIMER
You don’t like anything enough for
there to be a fair test.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 76.
Groves shrugs. Gets up to leave. Nichols rolls his eyes.
GROVES
Once a week. Top men only.
OPPENHEIMER
I’d like to bring my brother here.
GROVES
No.
Groves and Condon leave- I corner Nichols-
OPPENHEIMER
I still haven’t heard that my
security clearance has been
approved.
NICHOLS
It hasn’t.
OPPENHEIMER
We’re going to Chicago tomorrow-
NICHOLS
You should wait.
OPPENHEIMER
You’re aware that the Nazis have a
two-year head start?
NICHOLS
Dr Oppenheimer, the fact that your
security clearance is proving
difficult to obtain is not my
fault. It’s yours.
OPPENHEIMER
It may not be your fault, but it’s
your problem. Because I’m going.
CUT TO:
INT. HOTEL CONFERENCE ROOM -- NIGHT (B&W)
Strauss reaches to the centre of the table to move the
flowers from between him and Nichols-
STRAUSS
How many people were in the open
discussions?
(CONTINUED)
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NICHOLS
Too many. Compartmentalization was
supposed to be the protocol.
OPPENHEIMER
We were in a race against the Nazis-
STRAUSS
Well, now the race is against the
Soviets.
OPPENHEIMER
Only if we start it.
Strauss holds up the filter papers.
STRAUSS
Robert, they just fired the
starting gun. What’s the nature of
the device they detonated?
OPPENHEIMER
The data indicates it may have been
a plutonium implosion device.
STRAUSS
Like the one you built at Los
Alamos?
Oppenheimer nods reluctantly...
STRAUSS (CONT’D)
If the Soviets have a bomb, Truman
needs to know what’s next.
Bush nods. Oppenheimer looks incredulous-
OPPENHEIMER
What’s next? Arms talks. Obviously.
STRAUSS
(to Bush)
What about the Super? Does Truman
even know about it?
BUSH
Not specifically.
OPPENHEIMER
We still don’t know if a Hydrogen
bomb is technically feasible.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 78.
STRAUSS
My understanding is that Teller
first proposed it at Los Alamos.
OPPENHEIMER
His designs have always been wildly
impractical. You’d have to deliver
by ox-cart not airplane.
STRAUSS
If it could put us ahead again,
Truman needs to know about it. And
if there’s a possibility that the
Russians know about it from a spy
at Los Alamos... we’ve gotta get
going.
OPPENHEIMER
There’s no proof there was a spy at
Los Alamos.
Strauss holds up the filter papers, raises his eyebrows...
CUT TO:
EXT. FOOTBALL STADIUM, CHICAGO -- DAY (COLOUR)
Condon and I are led across the field by J. Ernest WILKINS...
CONDON
They put it under the football
stadium?
WILKINS
The field’s not in use, anymore.
OPPENHEIMER
Just as well.
INT. ATOMIC PILE, UNDERNEATH THE STADIUM, CHICAGO -- DAY
Wilkins shows us to SZILARD and FERMI. A scientist with
GLASSES takes notes. The group approaches the atomic pile...
FERMI
I hear you’ve got a little town.
OPPENHEIMER
Come and see.
(CONTINUED)
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SZILARD
Who could think straight in a place
like that? Everybody will go crazy.
OPPENHEIMER
Thanks for the vote of confidence,
Szilard.
I spot Glasses SCRIBBLING - I GRAB his pen- he FLINCHES-
OPPENHEIMER (CONT’D)
We really need that in the notes?
(to Fermi)
When are you going to try it out?
FERMI
We already did. The first self-
sustaining nuclear chain reaction.
Didn’t Groves tell you?
EXT. T-SECTION, LOS ALAMOS -- DAY
Condon and I have just passed through-
HORNIG
Dr Oppenheimer! I tried personnel.
We turn to see a twenty-three-year-old young woman on the
other side of the barrier. This is Lilli HORNIG.
HORNIG (CONT’D)
They asked if I could type.
OPPENHEIMER
Can you?
HORNIG
Harvard forgot to teach that on the
graduate chemistry course.
I smile at this. Turn to Condon.
OPPENHEIMER
Put Mrs Hornig on the plutonium
team.
INT. CYCLOTRON BUILDING, LOS ALAMOS -- CONTINUOUS
Condon and I peer up at the equipment. Groves STORMS in-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 80.
GROVES
What the hell were you doing in
Chicago?!
CONDON
Visiting the Met Lab- GROVES (CONT’D)
Why?!
Condon looks at me. I say nothing. He turns to Groves-
CONDON (CONT’D)
You can’t talk to us like GROVES (CONT’D)
this. We have every right- You have just the rights I
give you! No more, no less.
CONDON (CONT’D)
This is ridiculous- we’re adults,
trying to run a project here.
(to me)
Tell him, Robert.
I look steadily at Groves.
OPPENHEIMER
Compartmentalization is the
protocol we agreed to.
CONDON
You’ve got to be kidding me. Enough
of this madhouse- nobody can work
under these conditions.
(to Groves)
You know what, Generalissimo? I
quit.
(to Oppenheimer)
Thanks for nothing.
Condon storms out. Groves turns to me.
GROVES
Better off without him.
OPPENHEIMER
Aren’t you more worried about his
discretion out there?
GROVES
We'll have him killed.
(off Oppenheimer’s look)
Kidding. He hates me, not America.
OPPENHEIMER
Not everyone has levers like mine
to pull.
(CONTINUED)
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GROVES
I don’t know what you mean.
OPPENHEIMER
You didn’t hire me despite my left-
wing past, you hired me because of
it. So you could control me.
GROVES
I’m not that subtle. I’m just a
humble soldier.
OPPENHEIMER
You’re neither humble, nor 'just' a
soldier. You studied engineering at
MIT.
GROVES
Guilty as charged.
OPPENHEIMER
Now that we understand each other,
perhaps you’ll get me my security
clearance, so I can perform this
miracle for you.
General Groves looks at me. Nods.
GARRISON (V.O.)
General Groves, were you aware of
Dr Oppenheimer’s left-wing
associations when you appointed
him?
Ratings
Scene 14 - Groves' Testimony and the Chevalier Incident: A Glimpse into Oppenheimer's Loyalty
Groves, in CIVILIAN CLOTHES, testifies. I watch...
GROVES
I was aware that there were
suspicions about him... I was aware
that he had a very extreme liberal
background.
GARRISON
In your opinion, would he ever
consciously commit a disloyal act?
GROVES
I would be amazed if he did.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 82.
GARRISON
You had complete confidence in his
integrity?
GROVES
At Los Alamos, yes, which is where
I really knew him.
ROBB
General, did your security officers
on the project advise against the
clearance of Dr Oppenheimer?
GROVES
Truer to say they could not and
would not clear him. Until I
insisted...
ROBB
You became pretty familiar with the
security file on Dr Oppenheimer?
GROVES
I did.
ROBB
General, there’s really only one
question we need answered here
today...
Groves shifts, knowing what’s about to be asked...
ROBB (CONT’D)
In the light of your experience of
security matters and knowledge of
the file...
EXT. T-SECTION, LOS ALAMOS -- DAY
I greet Lawrence and Lomanitz as they get out of a car-
ROBB (V.O.)
...would you clear Dr Oppenheimer
today?
LAWRENCE
Physics and New Mexico, huh? But my
God, what a trek.
OPPENHEIMER
That’s why you need a liaison.
(CONTINUED)
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LAWRENCE
I’m appointing Lomanitz.
I pat Lomanitz on the shoulder.
OPPENHEIMER
You’re gonna be okay.
INT. LECTURE HALL, T-SECTION, LOS ALAMOS -- LATER
As the group assembles, General Groves speaks to Lawrence.
GROVES
I’ll remind you what we talked
about in Berkeley, doctor.
LAWRENCE
Compartmentalization. I understand
completely.
Oppenheimer theatrically drops three marbles into the quarter-
full goldfish bowl, then ADDS TWO MORE- the room APPLAUDS.
Oppenheimer BOWS, steps down. Lawrence BOUNCES up-
LAWRENCE (CONT’D)
Greetings from Berkeley. I’m here
to update you on our progress and
solicit your input. To do so I will
be sharing many things that General
Groves has told me not to
(to Groves)
Well, General, I said I
'understood', not that I agreed.
So, to business...
Groves looks at me. I shrug. He leaves.
CUT TO:
INT. HOTEL CONFERENCE ROOM -- NIGHT (B&W)
Strauss places the filter papers back down on the table...
STRAUSS
There were rumours of OPPENHEIMER
espionage at Los Alamos- Unsubstantiated-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 84.
STRAUSS (CONT’D)
I’ve heard there were OPPENHEIMER (CONT’D)
Communists on the project- We didn’t knowingly employ
were any of them involved any Communists.
with discussions of the
Super?
NICHOLS
I seem to remember you demanding
that your brother come to Los
Alamos.
OPPENHEIMER
He’d left the Party by then.
STRAUSS
And Lomanitz?
OPPENHEIMER
He was never employed at Los
Alamos, he was a liaison. Our
security was tight, as former
Colonel Nichols well knows.
NICHOLS
Our security was the tightest we
could make it given the
personalities involved. But
attempts were made. Doctor, we’ve
all read your file here. Do we need
to talk about Jean Tatlock? Or the
Chevalier incident?
Strauss watches Oppenheimer glare at Nichols.
CUT TO:
Ratings
Scene 15 - Oppenheimer's Q Clearance and Questionable Associations
SECRETARY
(over intercom)
That’s Lomanitz on one...
I pick up the phone-
OPPENHEIMER
Lomanitz? Okay, hang on, calm down.
INT. COLONEL NICHOLS’ OFFICE -- MOMENTS LATER
I stand at Nichols’ desk.
(CONTINUED)
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OPPENHEIMER
There’s been another screw-up-
Lomanitz just got drafted.
NICHOLS
We are at war, doctor.
OPPENHEIMER
Don’t be an asshole, Nichols. We
need this kid. Fix it, will you?
NICHOLS
It wasn’t a mistake. Your friend
Lomanitz has been trying to
unionize the Radiation Lab.
OPPENHEIMER
He promised to quit all that.
NICHOLS
Well, he hasn’t. The security
officer at Berkeley is concerned
about Communist infiltration
through that union- the... F-A...
OPPENHEIMER
(thinking)
F-A-E-C-T. I’m there next week,
maybe I’ll drop in to see him.
Nichols TOSSES a security pass across the desk.
NICHOLS
Your Q clearance came through. It’s
important you not maintain or renew
any questionable associations.
ROBB (V.O.)
Doctor, did you think social
contacts between a person employed
on secret war work and Communists
was dangerous?
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
I testify, Kitty behind me...
OPPENHEIMER
My awareness of the danger would be
greater today.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 86.
ROBB
But it’s fair to say that during
the war years...
EXT. HOTEL, SAN FRANCISCO -- DAY
A TAXI pulls up. I get out, carrying a bag.
ROBB (V.O.)
...you felt that such contacts were
potentially dangerous?
I enter, without seeing a CAR FOLLOWING. The PASSENGER jumps
out, while the DRIVER checks the time, makes a note.
INT. HOTEL LOBBY, SAN FRANCISCO -- CONTINUOUS
OPPENHEIMER (V.O.)
Were conceivably dangerous.
I move to the elevators, watched by the passenger.
INT. CORRIDOR, HOTEL, SAN FRANCISCO -- CONTINUOUS
At the door to 805 I reach into my bag...
ROBB (V.O.)
Really? Known Communists?
...and remove a small BUNCH OF FLOWERS. I knock...
OPPENHEIMER (V.O.)
Look, I’ve had a lot of secrets in
my head a long time. It doesn’t
matter who I associate with...
The door opens to reveal JEAN TATLOCK.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION - DAY
OPPENHEIMER (CONT'D)
I don’t talk about those secrets.
INT. ROOM 805, HOTEL, SAN FRANCISCO -- CONTINUOUS
Tatlock GRABS the flowers. As I follow her in, she DUMPS them
in the wastebasket...
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INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
Robb refers to his papers- Kitty watches...
ROBB
You said in your statement you
'had' to visit Jean Tatlock in
1943...
INT. ROOM 805, HOTEL, SAN FRANCISCO -- NIGHT
Tatlock and I sit across the room from each other, naked.
TATLOCK
You left. Not a word. What did you
think that would do to me?
OPPENHEIMER
I wrote.
TATLOCK
Pages of nothing. Where’d you go?
OPPENHEIMER
I can’t tell you.
TATLOCK
Why not?
OPPENHEIMER
Because you’re a Communist.
ROBB (V.O.)
Why did you have to see her?
Ratings
Scene 16 - Oppenheimer's Testimony and Marital Conflict
I sit at the table, self-conscious, testifying...
OPPENHEIMER
She had indicated a great desire to
see me before we left. At that time
I couldn’t. But I felt that she had
to see me...
Kitty watches me testify. I am NAKED...
OPPENHEIMER (CONT’D)
She was undergoing psychiatric
treatment. She was extremely
unhappy.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 88.
ROBB
Did you find out why she had to see
you?
OPPENHEIMER
Because she was still in love with
me.
Kitty watches Tatlock, also naked, STRADDLE me, head on my
shoulder, facing Kitty...
ROBB
You spent the night with her didn’t
you?
As Tatlock GRINDS on me she locks eyes with Kitty...
OPPENHEIMER
Yes.
INT. ROOM 805, HOTEL, SAN FRANCISCO -- NIGHT
Tatlock studies me from across the room.
TATLOCK
You drop in and out of my life and
don’t have to tell me why. That’s
power.
OPPENHEIMER
Not that I enjoy. I’d rather be
here for you as you need.
TATLOCK
But now you’ve got other
priorities.
OPPENHEIMER
I have a wife and child.
TATLOCK
That’s not what either of us is
talking about.
OPPENHEIMER
Jean, you asked me to come. And I’m
glad I did. But I can’t come again.
TATLOCK
What if I need you?
I slowly shake my head.
(CONTINUED)
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TATLOCK (CONT’D)
Not a word?
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
All eyes on me, clothed and alone again...
ROBB
Did you think that consistent with
good security?
Behind me, Kitty’s face is stone...
OPPENHEIMER
It was, as a matter of fact. Not a
word.
ROBB
When did you see her after that?
INSERT CUT: HOT BATH RUNNING. PILL BOTTLE. DOWNTURNED HEAD IN
THE WATER. THE SOUND OF FEET STAMPING, STAMPING...
I JAM my eyes closed, shake off the image-
OPPENHEIMER
I never saw her again.
INT. SAME -- DAY
As the room breaks up, Kitty speaks privately to me through
CLENCHED TEETH as she gathers her things. No eye contact.
KITTY
I can make the last train back to
Princeton.
OPPENHEIMER
I said nothing that I hadn’t
already said to you, Kitty.
KITTY
Well, today you said it to history.
OPPENHEIMER
This is a closed hearing-
KITTY
If they don’t release a transcript,
you will!
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 90.
She DROPS her bag, spilling the contents. Garrison spots a
small FLASK as Kitty sweeps it into her purse. I CROUCH-
OPPENHEIMER
I was under oath.
KITTY
You were under an oath to me when
you went to see Jean.
She STANDS- I follow- she TURNS back- in my face-
KITTY (CONT’D)
You sit there, day after day,
letting them pick our lives to
pieces. Why won’t you fight?
I don’t answer. She leaves. Garrison steps up.
GARRISON
Robert, I’m not putting her up
there.
EXT. BERKELEY CAMPUS -- DAY
I stroll across the campus, enter an administrative building.
INT. LT. JOHNSON’S OFFICE -- MOMENTS LATER
I knock. Johnson opens the door, SURPRISED.
JOHNSON
Dr Oppenheimer, it’s an honour.
Please, take a seat-
OPPENHEIMER
No need. I just wanted to check
whether I should talk to Lomanitz
while I’m here- given your
concerns.
JOHNSON
That’s up to you, really,
professor. But I’d be cautious.
OPPENHEIMER
Understood. Oh, and as far as the
union goes, I wanted to give you a
heads up on a man named Eltenton.
JOHNSON
A heads up?
(CONTINUED)
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OPPENHEIMER
He might merit watching, is all.
JOHNSON
I’d love to get more details-
OPPENHEIMER
I’ve got an appointment now, and I
leave early tomorrow-
JOHNSON
Come as early as you like. Since
you haven’t time now.
GROVES (V.O.)
You went back the next morning?
INT. TRAIN, SANTA FE TO CHICAGO -- DAY
Groves sits opposite. I stare out the window.
OPPENHEIMER
I did. I had to, really.
INT. LT. JOHNSON’S OFFICE -- MORNING
Johnson smiles, beckons me in. Indicates a SECOND MAN-
OPPENHEIMER (V.O.)
This time there was another man.
INT. TRAIN, SANTA FE TO CHICAGO -- DAY
I stare out the window. Groves sits opposite.
OPPENHEIMER
Said his name was Pash.
GROVES
Pash? You met Colonel Pash?
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
Alone on the couch, I glance up, NERVOUS, as a man in uniform
walks past. As he sits, I study the back of his head.
ROBB
Colonel Pash, can you read from
your memo of June 29th, 1943?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 92.
PASH
'Results of surveillance conducted
on subject indicate further
possible Communist Party
connections. Subject met with and
spent considerable time with one
Jean Tatlock, Communist, the record
of whom is attached.'
ROBB
The subject being Dr Oppenheimer?
PASH
Yes.
ROBB
Whom you had not met?
PASH
Not then, but soon after...
Ratings
Scene 17 - Potential Security Breach and Reluctant Disclosures
OPPENHEIMER
He’s head of security for the
project, shouldn’t I know him?
GROVES
No, he should know you. I’d never
put you in a room with Pash.
OPPENHEIMER
Why not?
GROVES
When Pash first learned about
Lomanitz- he told the FBI he was
going to kidnap him, take him out
on a boat, interrogate him 'in the
Russian manner'...
INT. LT. JOHNSON’S OFFICE -- DAY
Pash sits down next to me, opposite Johnson.
(CONTINUED)
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PASH
Dr Oppenheimer, this is a pleasure.
General Groves has placed a certain
responsibility in me, and it’s like
having a child, that you can’t see,
by remote control, so to actually
meet you... I don’t mean to take
much of your time...
The disarming friendliness of the truly dangerous.
OPPENHEIMER
Not at all. Whatever time you
choose.
PASH
Mr Johnson told me of your
conversation yesterday, in which
I’m very interested. It had me
worried all day...
OPPENHEIMER
I didn’t want to talk to Lomanitz
without authorization-
PASH
That’s not the particular interest
I have. It’s something a little
more, in my opinion, more
serious...
INT. TRAIN, SANTA FE TO CHICAGO -- DAY
GROVES
When the FBI pointed out that such
information couldn’t be used in
court Pash made it clear that he
didn’t intend to have anyone left
to prosecute. The FBI talked him
down, but that’s the man you’re
dancing with.
INT. LT. JOHNSON’S OFFICE -- DAY
PASH
I gather you’ve heard there are
other parties interested in the
work of the Radiation Lab...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 94.
OPPENHEIMER
Well, a man attached to the Soviet
Consul indicated, through
intermediate people, to people on
this project that he was in a
position to transmit information
they might supply.
PASH
Why would anyone on the project
want that?
OPPENHEIMER
Frankly, I can see there might be
arguments for the commander-in-
chief informing the Russians-
they’re our allies. But I don’t
like the idea of it going out the
back door- it might not hurt to be
on the lookout for it.
INT. TRAIN, SANTA FE TO CHICAGO -- DAY
GROVES
You said that to Pash?
OPPENHEIMER
I was trying to put it in the
context of... Russia’s not Germany.
GROVES
Boris Pash is the son of a Russian
Orthodox bishop. Born here but in
1918 he went back to Russia to
fight the Bolsheviks. This is a man
who’s killed Communists with his
own hands.
INT. LT. JOHNSON’S OFFICE -- DAY
Pash spreads his palms...
PASH
I’m not the judge of who should or
should not get information. My
business is to stop it going
through illegally. Could you be a
little more specific?
(CONTINUED)
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OPPENHEIMER
There’s a man whose name was
mentioned to me a couple of times-
Eltenton. I think he’s a chemist
employed by Shell. He talked to a
friend of his who’s an acquaintance
of someone on the project. To go
beyond that would be to put names
down of people who are not only
innocent but were one hundred
percent cooperative.
Ratings
Scene 18 - The Chevalier Incident: Mistrust and Loyalty in the Manhattan Project
Groves is staring at me like I just crapped my pants.
GROVES
You thought Pash would be satisfied
with that?
OPPENHEIMER
I was trying to give them Eltenton
without opening a can of worms. I
told him a cock-and-bull story.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
I am up front. Robb questioning-
ROBB
Did you lie to General Groves, too?
OPPENHEIMER
No, I told him I’d lied to Pash.
INT. SAME -- DAY
Groves is on the stand, in civilian clothes-
GARRISON
Do you recall your conversation
with him about the Chevalier
incident?
GROVES
I’ve seen so many versions of it, I
wasn’t confused before, but I’m
certainly getting there now.
GARRISON
What was your conclusion?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 96.
GROVES
That he was under the influence of
the typical American schoolboy
attitude that there’s something
wicked about telling on a friend.
He did what he thought was
essential- disclosing Eltenton.
INT. SAME -- DAY
Pash is testifying.
PASH
The memo I wrote at the time states
'Dr Oppenheimer sought to provide
information to burnish his image as
loyal, clearly having heard of our
investigation at Berkeley. He is
not to be trusted on matters of
security.'
INT. LT. JOHNSON’S OFFICE -- DAY
Pash gazes, unblinking, into my eyes...
PASH
These other people you mentioned,
were they contacted by Eltenton
direct?
OPPENHEIMER
No.
PASH
Well now, could we know through
whom that contact was made?
OPPENHEIMER
It would involve people who ought
not be involved in this.
PASH
Is this person a member of the
project?
OPPENHEIMER
A member of the faculty, but not on
the project.
(CONTINUED)
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PASH
Eltenton made the approach through
a member of the faculty here at
Berkeley?
OPPENHEIMER
As far as I know- there may have
been more than one person involved.
If I seem uncooperative I think you
can understand that it’s because of
my insistence in not getting
innocent people into trouble.
Pash stares at me. I finally keep my mouth shut.
PASH
You see me as persistent-
OPPENHEIMER
You are persistent, and that is
your job. But my job is protecting
the people who work for me.
PASH
Instead of us going on certain
steps which may come to your
attention and be a little bit...
disturbing to you... I’d rather
discuss those with you first. I’m
not formulating any plans, I’m just
going to have to digest the whole
thing.
I nod at Pash. Get to my feet.
Ratings
Scene 19 - Investigating Loyalty and the Power of the Atomic Bomb
Groves takes in the story.
GROVES
You’re protecting a friend. But
who’s protecting you?
OPPENHEIMER
You could.
GROVES
If you gave me the name.
OPPENHEIMER
If you order me to, I’ll do it.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 98.
GROVES
You’re making a mistake, Robert. A
mistake that may haunt you. You
need to volunteer this name.
I turn to watch the scenery trundle past.
ROBB (V.O.)
And did he give you the name?
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
GROVES
He did.
ROBB
But not at that time.
GROVES
No.
ROBB
In fact, it was some months later,
wasn’t it?
Groves nods.
INT. SAME -- DAY
I study the back of Boris Pash’s head...
ROBB
And in the months between your
interview with Dr Oppenheimer and
his eventual naming of Chevalier,
did you expend resources trying to
find the identity of the
intermediary?
PASH
Considerable resources. Without the
name our job was extremely
difficult.
ROBB
When did you receive the name?
PASH
I was gone by the time Oppenheimer
offered it up.
(CONTINUED)
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ROBB
Gone?
PASH
They felt my time would be better
spent in Europe determining the
status of the Nazi bomb project.
ROBB
Who did?
PASH
General Groves. He transferred me
to London.
I lift my head at this.
INSERT CUT: MARBLES DROP INTO THE BOWL... THREE-QUARTERS
FULL...
EXT. LOS ALAMOS -- NIGHT
Serber and I walk down the street. Snow falling.
SERBER
Little early for a Christmas party.
OPPENHEIMER
Something’s up. Tolman’s been away.
SERBER
Where?
OPPENHEIMER
Ruth won’t tell.
We head towards Fuller Lodge...
INT. FULLER LODGE, LOS ALAMOS -- LATER
A CHRISTMAS PARTY. DEBAUCHED. Kitty, in SANTA HAT,
serves/spikes the EGGNOG. Bethe, Teller, Charlotte Serber,
Neddermeyer, Kistiakowsky, Donald, Hornig, Bainbridge, Fuchs,
Feynman amongst the revelers. I have Ruth cornered, glancing
over at Kitty, who pretends she wasn’t looking at me and
GRABS at the nearest male arm- pushing eggnog...
RUTH
Compartmentalization, Oppie. What
makes you think I know, anyway?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 100.
I take her glass. Sip from it...
OPPENHEIMER
You do a good job of knowing where
Mr Tolman is... when it counts.
RUTH
Like now.
I turn- Tolman and Groves enter, brushing off snow...
GROVES
Atten-shun! We have an early
Christmas present for you...
They step aside to reveal... NIELS BOHR. I grin.
BOHR (V.O.)
The British pilots put me in the
bomb bay...
INT. SAME -- LATER
Bohr holds court. I listen at the back.
BOHR
...showed me the oxygen- of course
I messed it up. When they opened me
up in Scotland I was unconscious. I
pretended I’d been napping.
The crowd LAUGHS, loving it. Bohr peels off to talk to me.
BOHR (CONT’D)
Is it big enough?
OPPENHEIMER
To end the war?
BOHR
To end all war.
INT. LECTURE HALL, T-SECTION -- LATER
I sip my drink, watching Bohr read the boards. Tolman,
Teller, Bethe and Serber sprawl, party hats, TINSEL
scarves...
BOHR
Heisenberg sought me out in
Copenhagen. It was chilling- my old
student, working for the Nazis.
(MORE)
(CONTINUED)
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BOHR (CONT’D)
He told me things to draw me out...
sustained fission reactions in
uranium...
TOLMAN
That sounds more like a reactor
than a bomb.
TELLER
Did he mention gaseous diffusion?
BOHR
He seemed more focused on heavy
water.
TELLER
As a moderator?
BOHR
Yes. Instead of graphite.
Serber and Tolman GRIN. I nod. Bohr notices us relax...
BOHR (CONT’D)
What?
OPPENHEIMER
He took a wrong turn. We’re ahead.
And with you here to help us...
Bohr turns to Teller and the others-
BOHR
Gentlemen, could you give us a
moment?
They shuffle out. Bohr looks at the MARBLES. Turns to me...
BOHR (CONT’D)
I’m not here to help, Robert. I
knew you could do this without me.
OPPENHEIMER
Then why did you come?
BOHR
To talk about after. The power
you’re revealing will forever
outlive the Nazis. And the world is
not prepared.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 102.
OPPENHEIMER
You can lift the rock without being
ready for the snake that’s
revealed.
BOHR
We have to make the politicians
understand- this isn’t a new weapon-
it’s a new world. I’ll be out
there, doing what I can- but you...
(points at me)
You’re an American Prometheus-
Father of the Atomic Bomb. The man
who gave them the power to destroy
themselves. They’ll respect that.
And your work really begins.
I take this in. Charlotte Serber enters-
CHARLOTTE
I’m sorry, Oppie, but there’s a
call. From San Francisco.
I look at my watch, surprised... look at Bohr, who nods 'Go.'
Ratings
Scene 20 - Robert Oppenheimer's Emotional Distress and Task Reassignments
Kitty, on horseback, finds my horse, tied up. She dismounts,
moving into the trees... She finds me curled up at the base
of a tree in the SNOW, distraught.
KITTY
Robert?
She crouches, touches my shoulder- I look up, ASHAMED.
OPPENHEIMER
Her father called... they found her
yesterday... in the bath...
INSERT CUT: A WOMAN, FACE-DOWN IN THE BATH, A CUSHION
BELOW...
KITTY
Who?
OPPENHEIMER
She’d taken pills, left a note...
not signed... she took
barbiturates...
(CONTINUED)
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INSERT CUT: TATLOCK KNEELS IN THE BATH, POPPING PILLS. SINKS
SERENELY ONTO CUSHIONS UNDER THE WATER...
OPPENHEIMER (CONT’D)
But there was chloral hydrate in
her blood...
INSERT CUT: GLOVED HANDS HOLD TATLOCK’S STRUGGLING HEAD
UNDERWATER...
I SHAKE OFF the image...
OPPENHEIMER (CONT’D)
There was a note.
KITTY
Jean Tatlock?
INSERT CUT: OPPENHEIMER, NAKED, SHAKES HIS HEAD AT TATLOCK.
OPPENHEIMER
We were together- she said she
needed me... but I told her I
wouldn’t see her again. It was me.
Kitty SLAPS me in the face. I look up at her, bleary-eyed...
KITTY
You don’t get to commit the sin,
then have us all feel sorry for you
that it had consequences.
(rises)
Pull yourself together. People here
depend on you.
INT. LECTURE HALL, T-SECTION, LOS ALAMOS -- DAY
I vacantly preside over a shambles- the goldfish bowl is
FILLED with marbles. As is the glass tumbler... Donald,
Bainbridge, Feynman watch the others squabble-
HORNIG
Serber, I’m not quitting my job
because plutonium’s radioactive!
SERBER
We can’t know what it might do to
your reproductive system- Donald,
help me out, here-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 104.
DONALD
You’re on your own, pal. HORNIG
(to Serber)
Your reproductive system’s
more exposed than mine.
Presumably.
KISTIAKOWSKY
The implosion device is NEDDERMEYER
nowhere. You can’t rush everything,
Oppie.
KISTIAKOWSKY (CONT’D)
There’s rushing and there’s BETHE
getting on with it- pick one, Teller’s not helping- I’ve
will ya? been asking for calculations
on the implosion lenses for
weeks-
TELLER
The British can do it- Fuchs- FUCHS
Absolutely.
BETHE
It’s your job, Teller! TELLER (CONT’D)
I’m engaged in research-
BETHE (CONT’D)
On a Hydrogen bomb we’re not even
building!
Teller simply walks away. As he passes me-
TELLER
I won’t work for that man.
BETHE
Let him go. He’s a prima donna-
SERBER
I agree. He should leave Los
Alamos.
I sigh. RISE, clear and direct-
OPPENHEIMER
Kisty, you replace Neddermeyer.
Seth, I’m putting you on plutonium.
Lilli, go work for Kisty.
(off her look)
Because he needs you.
(to Fuchs)
(MORE)
(CONTINUED)
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OPPENHEIMER (CONT’D)
Fuchs, take Teller’s role- you’re
exclusively on the implosion
device.
I head for the door-
OPPENHEIMER (CONT’D)
And nobody is leaving Los Alamos.
Ratings
Scene 21 - Teller's Decision and the Hydrogen Bomb Dilemma
Teller is held at the gate. I approach. We face off in the
'street' like gunslingers.
TELLER
They won’t let me leave.
OPPENHEIMER
I won’t let you leave. Forget Hans,
forget fission. Stay here and
research what you want. Fusion. The
Hydrogen bomb- whatever. We’ll meet
to discuss-
TELLER
You don’t have time to meet. You’re
a politician now, Robert. You left
physics behind long ago.
OPPENHEIMER
Once a week. One hour, you and me.
Teller considers this. Nods, turns to the GUARD-
TELLER
Now, raise that fucking barrier.
ROBB (O.S.)
So the Super was under development
on your watch at Los Alamos...
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
ROBB
...yet, after the war, you tried to
deny it was viable.
OPPENHEIMER
No. I pointed out technical
difficulties with it.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 106.
ROBB
Didn’t you try to kill it at the
AEC meeting after the Russian bomb
test?
OPPENHEIMER
No.
ROBB
But that was the recommendation the
AEC offered, was it not?
OPPENHEIMER
After hours of discussion...
INT. HOTEL CONFERENCE ROOM -- NIGHT (COLOUR)
Me, Bush, Nichols (CIVILIAN), Rabi, Fermi, Strauss and
others.
OPPENHEIMER (V.O.)
...about the best response.
BUSH
Truman has to do something...
Rabi opens his compasses wider...
RABI
An H-bomb would be one thousand
times the power of an A-bomb.
He draws a circle around Moscow...
RABI (CONT’D)
The only intended target would be
the largest cities.
And a circle around St Petersburg...
RABI (CONT’D)
It’s a weapon of mass genocide.
STRAUSS
Why don’t you draw some of those
circles on this side of the map?
He points at the USA...
STRAUSS (CONT’D)
Start here...
(gestures around them)
New York.
(CONTINUED)
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As I listen to them I hear the sound of FEET STAMPING...
FERMI
It’s a weapon of attack, with no
defensive value.
STRAUSS
Deterrence.
BUSH
Do we need more deterrence than our
current arsenal of atomic bombs?
I tense up as the STAMPING SOUND gets LOUDER and LOUDER...
RABI
Drown in ten feet of water or ten
thousand, what’s the difference? We
can already drown Russia, and they
know it.
INSERT CUT: DOZENS OF FEET STAMPING, FASTER AND FASTER...
STRAUSS
Now they can drown us.
INSERT CUT:... SO FAST THE FEET BREAK RHYTHM, CAUSING
CACOPHONY...
STRAUSS (CONT’D)
Gentlemen, I have to ask whether
your discussion should be more of a
technical one. Robert?
I JAM my eyes CLOSED, SHAKE OFF the image- the sound STOPS-
OPPENHEIMER
Teller’s designs are as impractical
as they were during the war.
LAWRENCE
The Hydrogen bomb can be made to
work, Oppie. You know that.
OPPENHEIMER
We can’t commit all our resources
to that chance.
STRAUSS
Then how would you have Truman
reassure the American people?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 108.
OPPENHEIMER
By limiting the spread of atomic
weapons through international
control of nuclear energy.
STRAUSS
World government?
OPPENHEIMER
The United Nations. As Roosevelt
intended.
STRAUSS
I asked what Truman should do. The
world’s changed. Communism
threatens our survival.
OPPENHEIMER
Lewis, if we build a Hydrogen bomb,
the Soviets would have no choice
but to build their own.
STRAUSS
Could they be working on it
already? Based on information from
a spy at Los Alamos?
OPPENHEIMER
There was no spy at Los BUSH
Alamos! Gentlemen, let’s not get
sidetracked.
OPPENHEIMER (CONT’D)
I say we use this moment to gain
concessions from the Russians by
committing that we will not build
the Hydrogen bomb.
STRAUSS
Thereby revealing its existence.
OPPENHEIMER
Which you seem convinced they
already know.
BUSH
At this point I’d like the Advisory
Committee members to meet in
privacy to finalize our
recommendations.
Strauss nods. Rises. Much of the room follows suit, leaving.
(CONTINUED)
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STRAUSS
I’m not sure you want to go down
this road, Robert.
OPPENHEIMER
Lewis, we’re the Advisory
Committee. We’ll give them our
advice.
Strauss shrugs. As he, Lawrence and Nichols leave together,
Borden approaches.
BORDEN
Dr Oppenheimer? William Borden-
Joint Committee on Atomic Energy.
OPPENHEIMER
Oh, yes.
BORDEN
During the war, I was a pilot. One
night, flying back from a raid, I
saw an amazing sight- like a meteor-
INSERT CUT: BORDEN SPEEDS THROUGH THE NIGHT...
BORDEN (V.O.)
A V-2 rocket heading for England-
INSERT CUT: A ROCKET STREAKS PAST, RIPPING APART THE DARK...
BORDEN (V.O.)
I can’t help but imagine what it
will be for such an enemy rocket to
carry an atomic warhead...
INSERT CUT: A MISSILE RISES THROUGH THE CLOUDS...
I hear the sound of FEET STAMPING...
INSERT CUT: DOZENS OF FEET STAMPING FASTER AND FASTER...
I peer into the future...
INSERT CUT: HUNDREDS OF MISSILES RISE THROUGH THE CLOUDS...
I look at the map... Rabi’s circles EXPAND like raindrops in
a puddle...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 110.
OPPENHEIMER
Then let’s make sure we’re not the
ones to make that possible.
But that’s not the answer Borden wanted. He leaves. Fermi and
Bush remain. Rabi leans over to me.
RABI
Oppie, you don’t want to go up
against Strauss.
OPPENHEIMER
If we both speak, they listen to
me.
RABI
When you speak, they hear a
prophet. When Strauss speaks, they
hear themselves.
OPPENHEIMER
They’ll listen to a prophet.
RABI
A prophet can’t be wrong. Not once.
SENATOR MCGEE (V.O.)
Didn’t you accuse Oppenheimer of
sabotaging the development of the
Super?
CUT TO:
Ratings
Scene 22 - Senate Hearing and Progress of the Project
Strauss shifts uneasily in his chair.
STRAUSS
I was never one of those who
bandied around terms like
'sabotage'.
SENATOR MCGEE
But Mr Borden was?
STRAUSS
As I understand it.
SENATOR MCGEE
How was Mr Borden able to put
together such a detailed
indictment?
(MORE)
(CONTINUED)
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SENATOR MCGEE (CONT’D)
He was no longer a government
employee, and yet he appears to
have had unlimited access to Dr
Oppenheimer’s file. Might Mr
Nichols have given him access to
the file? Or someone else at the
AEC?
STRAUSS
Feelings ran high on these issues,
but that’s a very serious
accusation, Senator.
CUT TO:
EXT. LOS ALAMOS -- DAY (COLOUR)
RAIN. I ride my horse through the outskirts. Spot a FLIER
stapled to a telegraph pole, ink running: "THE IMPACT OF THE
GADGET ON CIVILIZATION - DISCUSSION, BLDG T31 SUNDAY, 11AM".
INT. CYCLOTRON BUILDING, LOS ALAMOS -- DAY
I enter to find forty scientists meeting. Hornig is speaking.
HORNIG
Germany’s about to surrender, the
Japanese are losing. It’s no longer
the enemy who are the greatest
threat to mankind- it’s us. Our
work.
Heads turn as they notice me.
OPPENHEIMER
Hitler’s dead. But the Japanese
fight on.
The audience is now turned my way...
HORNIG
Their defeat seems assured.
OPPENHEIMER
Not if you’re a GI preparing to
invade Japan. We can end this war.
MORRISON
How can we justify using this
weapon on human beings?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 112.
OPPENHEIMER
We’re theorists- we can imagine a
future, and our imaginings horrify
us. But they won’t fear it until
they understand it, and they won’t
understand it until they’ve used
it. When the world learns the
terrible secret of Los Alamos, our
work will ensure a peace mankind
has never seen. A peace based on
the kind of international
cooperation that Roosevelt always
envisaged.
Some of the scientists nod. Scattered applause...
INSERT CUT: THE GOLDFISH BOWL IS FULL OF MARBLES...
EXT. LOS ALAMOS -- DAY
I walk down the main drag with Groves.
OPPENHEIMER
Progress.
GROVES
Two years and a billion dollars’
worth?
OPPENHEIMER
Hard to put a price on it.
GROVES
Not really. Just add up the bills.
(points)
'Rural free delivery'... Eighty
babies delivered the first year.
This year they’ve had ten a month.
OPPENHEIMER
Birth control’s a little out of my
jurisdiction, General.
Groves watches Kitty approach- she’s HEAVILY PREGNANT.
GROVES
Clearly.
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EXT. CANYON, LOS ALAMOS -- DAY
An IMPLOSION DEVICE ROCKS the canyon. Groves, Fuchs and I
raise our heads- Kistiakowsky and Hornig rush to the device-
KISTIAKOWSKY
That’s the one!
I put my PIPE on the wall as we CLIMB out of the bunker...
GROVES
Two viable bombs. I need a date.
OPPENHEIMER
September-
GROVES
July-
Kistiakowsky waves a trail of ticker tape-
KISTIAKOWSKY
That’s the sweet spot, gentlemen!
OPPENHEIMER
August.
GROVES
July-
OPPENHEIMER
A test in July.
Fuchs hands me my pipe. I dust it off...
OPPENHEIMER (CONT’D)
But I need my brother.
(off his look)
Frank knows the desert. He left
politics behind- he’s been working
for Lawrence for two years.
INSERT CUT: FLYING OVER DESERT TO FIND FRANK STANDING BY A
JEEP WITH AN ARMY OFFICER.
GROVES
What do we call the test?
OPPENHEIMER
(thinking)
'Batter my heart, three-person’d
god.'
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 114.
GROVES
What?
OPPENHEIMER
Trinity.
INSERT CUT: A STEEL TOWER IS RAISED IN THE DESERT...
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
ROBB
So you insisted on bringing on your
brother, Frank, a known Communist-
OPPENHEIMER
Former Communist-
ROBB
You brought a known former
Communist onto America’s most
secret and important defence
project?
OPPENHEIMER
I knew my brother could be trusted
absolutely.
ROBB
And you feel your judgement was
sound on who on the team could be
trusted?
KISTIAKOWSKY (O.S.)
Fuchs! Head down!
EXT. BERM -- DAY
Behind a berm, Groves, Fuchs, Frank and I watch Kistiakowsky
and Hornig arm a detonator. Fuchs shuffles lower.
KISTIAKOWSKY
Everybody ready...?
Kistiakowsky triggers A VAST EXPLOSION, SPLINTERING THE
TOWER, SENDING A MASSIVE PLUME OF FIRE INTO THE AIR... the
SHOCKWAVE throws DEBRIS onto me and Groves...
GROVES
I hope you learned something.
(CONTINUED)
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FRANK
We learned we’re gonna need to be a
lot further away...
GROVES
Well, figure it out. Fast.
(to me)
We leave for Washington tomorrow,
and we’re going to give them a
date.
INT. HOTEL LOBBY, WASHINGTON, DC -- DAY
I walk across the lobby- someone GRABS my arm- Szilard, with
the Scientist with Glasses in tow. I glance out the window,
where Groves is getting into a car, waiting for me...
OPPENHEIMER
You’re a long way from Chicago,
Leo.
SZILARD
If we don’t act now, they’re going
to use this thing against Japan. We
booked a meeting with Truman, but
somebody killed it. You’re meeting
the Secretary of War-
OPPENHEIMER
Just because we’re building it-
doesn’t mean we get to decide how
it’s used.
SZILARD
History will judge us, Robert. In
Chicago we put together a petition-
Glasses holds out a paper- I PUSH it back- Glasses FLINCHES-
OPPENHEIMER
I’m not getting into that. Tell me
your concerns and I’ll relay them-
SZILARD
My concerns?! Germany’s defeated,
Japan’s not going to hold out alone-
OPPENHEIMER
How would you know? You got us into
this, you and Einstein, with your
letter to Roosevelt saying we could
build a bomb-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 116.
SZILARD
Against Germany.
OPPENHEIMER
That’s not how weapons manufacture
works, Szilard.
SZILARD
Oppie, you have to help.
OPPENHEIMER
Fermi’s in the meeting. And SZILARD (CONT’D)
Lawrence- They’re not you. You’re the
great salesman of science-
you can convince anyone of
anything. Even yourself.
Ratings
Scene 23 - The Decision to Use the Atomic Bomb
I sit on a couch next to Fermi- Lawrence, Groves and Bush in
chairs. Secretary of War STIMSON presides. Military,
scientists and officials are scattered through the room.
STIMSON
The firestorm in Tokyo killed one
hundred thousand people. Mostly
civilians. I worry about an America
where we do these things and no one
protests.
MARSHALL
Pearl Harbor and three years of
brutal conflict in the Pacific buys
a lot of latitude with the American
public.
STIMSON
Enough to unleash the atomic bomb?
FERMI
In truth, the A-bomb might not
cause as much damage as the Tokyo
bombings.
STIMSON
What are we estimating?
BUSH
In a medium-sized city, twenty or
thirty thousand dead.
(CONTINUED)
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OPPENHEIMER
Don’t underestimate the
psychological impact of an atomic
explosion... a pillar of fire ten
thousand feet tall, deadly neutron
effects for a mile in all
directions... from one. Single.
Device. Dropped from a barely
noticed B-29... the atomic bomb
will be a terrible revelation of
divine power.
Groves carefully monitors my effect on the room...
MARSHALL
If that’s true it would be
definitive. World War II would be
over. Our boys would come home.
STIMSON
This could end the war.
OPPENHEIMER
This could end all war. If we
retain moral advantage.
Groves registers the pivot...
STIMSON
How so?
OPPENHEIMER
If we use this weapon without
informing our allies, they’ll see
It as a threat and we’ll be in an
arms race.
MARSHALL
How open can we be with the
Soviets?
BUSH
Secrecy won’t stop the Soviets
becoming part of the atomic world.
A politician, BYRNES, clears his throat politely-
BYRNES
We’ve been told they have no
uranium.
BUSH
You’ve been misinformed. A Russian
bomb is a matter of time.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 118.
LAWRENCE
To stay ahead, our programme has to
continue at full pace after the
war.
OPPENHEIMER
Secretary Stimson, if I may. Not
all the scientists on the project
agree. In fact, this might be a
moment to consider other opinions-
GROVES
The Manhattan Project’s been
plagued from the start by certain
scientists of doubtful discretion
and uncertain loyalty. One of them
just tried to get a meeting with
the President.
I say nothing. Groves looks directly at me.
GROVES (CONT’D)
We need them for now, but as soon
as is practical, we should sever
any such scientists from the
programme. Wouldn’t you agree,
doctor?
I meet Groves’ gaze. Stay silent... Nod.
MARSHALL
If a Russian bomb is inevitable,
perhaps we should invite their top
scientists to Trinity.
BYRNES
President Truman has no intention
of raising expectations that Stalin
be included in the atomic project.
STIMSON
Informing him of our breakthrough,
and presenting it as the means to
win the war need not make
unkeepable promises. But the
Potsdam peace conference in July is
the last chance for Truman to have
that conversation. Can you give us
a working bomb by then?
GROVES
Absolutely. We’ll test-fire before
the conference.
(CONTINUED)
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STIMSON
And Japan?
OPPENHEIMER
If the test works you’ll have two
bombs for August.
STIMSON
Military targets?
OPPENHEIMER
There aren’t any big enough.
CONANT
Perhaps a vital war plant, with
workers housed nearby.
FERMI
Could we issue a warning? To reduce
civilian casualties.
AIR FORCE OFFICER
They’d send up everything they have
against us, and I’d be in that
plane.
BUSH
If we announce it and it fails to
go off we’d scupper any chance of
Japanese surrender.
LAWRENCE
Is there no way to demonstrate the
bomb to Japan to provoke surrender?
GROVES
We intend to demonstrate it in the
most unambiguous terms. Twice. Once
to show the weapon’s power. A
second to show that we can keep
going until they surrender.
STIMSON
We have a list of twelve cities to
choose from. Sorry, eleven, I’ve
taken Kyoto off the list because of
its cultural significance to the
Japanese people.
Stimson senses the unease in the room...
STIMSON (CONT’D)
Let me make this simple for you,
gentlemen.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 120.
STIMSON (CONT’D)
The Japanese will not surrender
short of a successful invasion of
the home islands. Many lives,
American and Japanese, will be lost
in that invasion. The use of the
atomic bomb against Japanese cities
will save lives.
Ratings
Scene 24 - Preparing for the Trinity Test: Site Plans, Safety Concerns, and Final Countdown
Frank shows Groves and me the site plan...
FRANK
Ground Zero. Observation posts at
ten thousand yards north, south and
west.
OPPENHEIMER
Where do we trigger from?
FRANK
South ten thousand. Base camp is
ten miles south, here. And a
further observation point on this
hill twenty miles away.
I point to a crew digging a trench from the base of the
tower.
OPPENHEIMER
What’s that? The trigger lines went
in already.
FRANK
The air force requested a line of
lights for their B-29.
GROVES
What B-29? Our bomb’s on the tower.
FRANK
They want to use the test to
confirm the safe operating
distance.
OPPENHEIMER
Risky.
FRANK
Not as risky as dropping one over
Japan and hoping we were right
about the blast radius.
(CONTINUED)
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OPPENHEIMER
Don’t let them slow us down- we’re
firing on the 15th.
FRANK
The 15th?! That’s not- GROVES
The 15th!
Frank sees my expression-
FRANK (CONT’D)
The 15th.
INT. LECTURE HALL, T-SECTION, LOS ALAMOS -- DAY
I show the plan to the division heads.
OPPENHEIMER
I’ll be at the south observation
point with Frank and Kistiakowsky.
You’ll all be assigned to base
camp, far observation, or west
observation.
INSERT CUT: I ENTER A TENT AT THE BASE OF THE TOWER- THE
SILVER SPHERE OF THE BOMB IS SURROUNDED BY THE TEAM...
BETHE
Are those safe distances?
OPPENHEIMER
They’re based on your calculations.
RABI
Time to stand behind your science,
Hans. Literally.
INSERT CUT: THE BOMB IS HOISTED UP IN TO THE TOWER...
TELLER
What about the radiation cloud?
OPPENHEIMER
Without high winds it should settle
within two to three miles.
Evacuation measures will be in
place, but we need good weather for
visibility so it should be fine. We
go on the night of the 15th.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 122.
The team exchange looks-
OPPENHEIMER (CONT’D)
That’s a hard deadline, so if
anyone has anything... speak now.
BETHE
We need a final implosion test.
KISTIAKOWSKY
Couldn’t hurt.
OPPENHEIMER
Do it. Is there anything else that
might stop us?
A THUNDERCLAP takes us into-
EXT. OPPENHEIMER HOUSE, LOS ALAMOS -- DAY
White sheets FLAP CRAZILY in the wind... through the window
we see Kitty put her drink down reluctantly. She comes out to
grab a sheet that has come loose from the line... notices a
JEEP idling at the gate, ARMED GUARDS patiently waiting.
I emerge from the house carrying an overnight bag. Kitty, one
hand on the washing line, turns to look at me, curious.
KITTY
It’s happening, isn’t it?
I watch the sheets flapping. Glance at the guards...
OPPENHEIMER
I’ll send a message. If it’s gone
our way... 'Take in the sheets.'
She nods. I head towards the waiting jeep.
KITTY
Robert?
I turn, looking at Kitty amongst the FLAPPING SHEETS...
KITTY (CONT’D)
Break a leg.
EXT. CANYON, LOS ALAMOS -- DAY
A BANG as the final implosion test goes off... Kistiakowsky
and Fuchs raise their heads... Kistiakowsky shows Fuchs the
tape, grave.
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EXT. STEEL TOWER, TRINITY TEST SITE -- EVENING
I watch the last TECHNICIAN come down. I nod at the man, then
start my lonely climb... I stare at the silver sphere of the
first atomic bomb, its surface STUDDED with detonators, WIRES
DRAPED across it like spaghetti. Thunder RUMBLES. I watch the
approaching storm...
EXT. BASE CAMP, TRINITY TEST SITE -- EVENING
Army tents. A WINDMILL SPINS FURIOUSLY...
INT. BASE CAMP, TRINITY TEST SITE -- EVENING
Fermi moves through the team, taking bets...
FERMI
Oppie’s taken a very modest three
kilotons... Teller’s in for forty-
five...
Rabi pulls out some bills-
RABI
Twenty.
FERMI
Twenty thousand tons of TNT... and
does anyone want the side action on
total atmospheric ignition?
The scientists groan and laugh. Soldiers look at each other:
'What the hell?' Groves corners the army WEATHERMAN.
GROVES
Are you saying we’ll have to delay?
WEATHERMAN
I’m saying it would be prudent.
OPPENHEIMER
Has this weather reached the site?
The weatherman gets on his radio. Kistiakowsky BURSTS in-
KISTIAKOWSKY
Oppie-
The phone rings -
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 124.
KISTIAKOWSKY (CONT’D)
Bethe’s calling you to tell you the
implosion test failed, but-
I have the phone to my ear -
OPPENHEIMER
Hans. Yes, he’s here. Yes.
(I hang up)
Is he wrong?
KISTIAKOWSKY
No.
OPPENHEIMER
So we’re about to fire a dud?
KISTIAKOWSKY
No.
GROVES
Explain.
KISTIAKOWSKY
I can’t. I just know the implosion
lenses will work.
OPPENHEIMER
If we fire those detonators and
they don’t trigger the reaction,
two years’ worth of plutonium will
be scattered across white sands.
KISTIAKOWSKY
(holds out his hand)
A month of my salary against ten
bucks says it lights.
I study Kistiakowsky. Take the bet.
WEATHERMAN
The wind’s picking up at Zero, not
the rain. Lightning circling.
THUNDER. Rabi calls over-
RABI
Hey, weatherman, you think it might
be time to get your men away from
the steel tower with the atomic
bomb primed to detonate via
electrical charge?
The weatherman laughs. Then GRABS the radio -
(CONTINUED)
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WEATHERMAN
Pull ’em out.
OPPENHEIMER
(to Groves)
Let’s get to south observation.
Make our determination there.
Ratings
Scene 25 - The Trinity Test: Moment of Truth
The last trucks drive away, lightning on the horizon. The
bomb sits there, impervious to peals of DRY THUNDER...
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- NIGHT
Groves, the weatherman and I watch rain LASH the desert...
OPPENHEIMER
The team hasn’t slept for two
nights. We stand down, make the
bomb safe, it’s weeks before we get
back here.
GROVES
Then we miss Potsdam.
(checks watch)
I need to get word to Truman by
seven.
(to the weatherman)
Our window’s closing. What’s it
doing?
WEATHERMAN
Raining. Blowing. Lightning.
GROVES
For how long, dammit?!
WEATHERMAN
It’s holding strong.
OPPENHEIMER
It’ll break before dawn.
GROVES
How could you know that?
OPPENHEIMER
I know this desert. The air cools
overnight. Just before dawn, the
storm breaks.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 126.
WEATHERMAN
He could be right. But schedule it
as late as possible.
OPPENHEIMER
Five thirty?
Groves considers this. Turns to the weatherman.
GROVES
Sign your forecast. If you’re
wrong, I’ll hang you.
INT. BUNKER, SOUTH OBSERVATION POST -- NIGHT
Groves and me, alone. Rain pelting down outside.
GROVES
Three years. Four thousand people.
Two billion dollars. If it doesn’t
go off we’re both finished.
OPPENHEIMER
I put my money on three kilotons.
Any less, they won’t get what it
is.
GROVES
What did Fermi mean by 'atmospheric
ignition'?
OPPENHEIMER
We had a moment where it looked
like the chain reaction from an
atomic device might never stop.
Setting fire to the atmosphere.
GROVES
Why’s Fermi still taking side bets
on it?
OPPENHEIMER
Call it gallows humour.
Groves takes this in. Picks the scab-
GROVES
Are we saying there’s a chance that
when we push that button... we
destroy the world?
(CONTINUED)
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OPPENHEIMER
Nothing in our research over the
last three years supports that
conclusion except as the most
remote possibility.
GROVES
How remote?
OPPENHEIMER
The chances are near zero.
GROVES
Near zero?
OPPENHEIMER
(smiling)
What do you want from theory alone?
GROVES
Zero would be nice.
I check my watch.
OPPENHEIMER
Well, in an hour and fifty-eight
minutes, we’ll know.
I listen-
OPPENHEIMER (CONT’D)
It’s letting up...
EXT. TRINITY TEST SITE -- NIGHT
Searchlights settle on the gleaming steel tower. A line of
lights leading from the blackness of the night-time desert to
the tower comes on...
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Groves and I come out into gentle rain. The wind has fallen
off. Frank comes up to meet us.
FRANK
The arming party’s left Zero,
heading this way, throwing the
switches...
(to the soldiers)
Turn the cars, ready for emergency
evacuation...
Gadget 2023-04-21 FINAL Shooting Script 128.
EXT. SOUTH 1500 POST -- NIGHT
Kistiakowsky and military personal, including BAINBRIDGE, get
out of a truck. Kistiakowsky THROWS a SWITCH on the ground...
EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
Rabi, Fermi and Bethe come outside. A SOLDIER hands them
WELDER’S GLASS...
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- NIGHT
Kistiakowsky and Bainbridge get out of the truck and enter
the bunker.
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Bainbridge pulls out a key. UNLOCKS the arming switches.
Kistiakowsky nods, Bainbridge THROWS THE SWITCHES.
BAINBRIDGE
Twenty minutes.
EXT. TRINITY TEST SITE -- CONTINUOUS
A SIGNAL ROCKET flares up into the air...
EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
Rabi, Fermi and the others watch the rocket go up-
FERMI
Twenty minutes!
EXT. HILLTOP DISTANT OBSERVATION POINT -- CONTINUOUS
A group of scientists, including Teller, Feynman and
Lawrence, watch the distant rocket sputter...
FEYNMAN
That’s twenty!
DARK GLASSES are handed out. Feynman refuses, jumping up into
the cab of a truck-
SOLDIER
Hey, Feynman-
(CONTINUED)
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Feynman TAPS the windshield-
FEYNMAN
The glass stops the UV.
Teller, in dark glasses, is APPLYING SUNSCREEN at night-
TELLER
But what stops the glass?
Feynman looks at Teller. Looks at the glass, shakes his head,
grinning...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Groves moves to me-
GROVES
I’m heading to base camp. Best of
luck.
Groves shakes my hand.
GROVES (CONT'D) (CONT’D)
Try not to blow up the world.
INT. SAME -- MOMENTS LATER
I watch Bainbridge take his place at the KILL SWITCH.
OPPENHEIMER
Watch that needle. If the
detonators don’t charge, or if the
voltage dips below one volt, you
abort.
Bainbridge nods, watching the meter of the X-unit like a
hawk. A nervous hawk.
EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
A loudspeaker broadcasts the countdown-
LOUDSPEAKER
Two minutes to detonation...
The two-minute rocket goes up-
ARMY CAPTAIN
Everybody down!
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 130.
The observers lie on the ground, facing away from the site.
ARMY CAPTAIN (CONT’D)
Do not turn around until you see
light reflected on the hills. Then
look at the explosion only through
the welder’s glass...
LOUDSPEAKER
Ninety seconds...
EXT. DISTANT OBSERVATION POINT -- CONTINUOUS
Feynman TUNES the radio into the countdown relay-
RADIO
Sixty seconds...
Lawrence jumps in next to Feynman. The scientists peer into
the distance through the windshield... Teller, pale with
sunscreen, adjusts his dark glasses...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Bainbridge PEERS at the X-unit... Frank and I peer at the
tower... The electronic counter STARTS: 45, 44, 43, 42...
OPPENHEIMER
These things are hard on your
heart.
LOUDSPEAKER
Thirty seconds...
FOUR RED LIGHTS flicker on-
EXT. STEEL TOWER, TRINITY TEST SITE -- CONTINUOUS
The bomb WAKES, detonators on its surface HUMMING...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
The NEEDLE on the X-unit SHOOTS to the right-
BAINBRIDGE
Detonators charged!
I pull on a pair of WELDER’S GOGGLES...
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EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
Rabi lifts his head to peek around, welder’s glass over his
eyes... Groves shakes hands with Bush...
LOUDSPEAKER
...eighteen, seventeen...
EXT. DISTANT OBSERVATION POINT -- CONTINUOUS
Feynman peers through the windshield. Teller studies the
horizon...
RADIO
...twelve, eleven...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
A GONG sounds at T-minus 10- Bainbridge peers at the needle,
which BOBBLES- his hand FLINCHES- the needle settles...
LOUDSPEAKER
Ten, nine, eight...
Frank and I peer through the holes in the concrete.
LOUDSPEAKER (CONT’D)
...seven, six, five...
Kistiakowsky SCRAMBLES out of the bunker-
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
-and up onto the embankment, eyes locked on the tiny glow of
the distant tower...
LOUDSPEAKER
...four, three...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
I stare straight ahead...
LOUDSPEAKER
...two, one...
Bainbridge watches the needle as the counter goes down to-
... zero.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 132.
My breath stops- an agonizing instant before- SILENT LIGHT.
FULL BRIGHT NOON SUNNY DAYLIGHT.
EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
Rabi sees SUDDEN DAYTIME- turns to the LIGHT, peers through
the welder’s glass at BLINDING SILENT WHITE...
EXT. DISTANT OBSERVATION POINT -- CONTINUOUS
Lawrence is stepping out of the car as Feynman SHUTS his eyes
against INSTANT DAYLIGHT... a HUSHED INTAKE OF BREATH from
the crowd of sunglasses-clad distant observers...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
All we can hear is my TREMULOUS BREATHING as the LIGHT
becomes less BLINDING, resolving into a FIREBALL, BRIGHT AS
THE SUN, BUT GIANT... I YANK off my goggles... watch the
ROILING PLASMA become more visible in its HELLISH
CONTORTIONS... CLIMBING into the sky like the DEVIL’S CLAW...
My PUPILS are PINPRICKS-
OPPENHEIMER (V.O.)
Now I am become Death, destroyer of
worlds...
And then- CRACK!!... !!!... !!!!... !!!!!...
I am hit by the WIND and DUST of the SHOCKWAVE-
THE THUNDER OF A THOUSAND STORMS ROLLS OVER, DEAFENING-
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Kistiakowsky is BLOWN OFF HIS FEET...
INT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
With the wave of DARK THUNDER, TERRIBLE BEAUTY GIVES WAY TO
FEAR... I TREMBLE as I watch the glowing cloud climb to its
full height, its inner fire dimming to a HELLISH SCARLET...
DUST CLOUD RISING, CRACKLING WITH PURPLISH ENERGY...
As the sound diminishes to a RUMBLE and night REGAINS the
desert floor, Frank turns to me-
(CONTINUED)
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FRANK
(quiet)
It worked.
I nod, awestruck...
EXT. BASE CAMP, TRINITY TEST SITE -- CONTINUOUS
Startled murmurs, then a few claps... then CRAZY, CHEERING,
CLAPPING, DANCING... in the middle of it all Rabi tries to
understand what just happened...
EXT. SAME -- CONTINUOUS
ECSTATIC CHEERING... even Teller SMILES... Feynman pulls out
some BONGOS and hops onto the hood of the truck... people
DANCE to his PAGAN RHYTHM as the dawn CREEPS IN...
EXT. SOUTH OBSERVATION POST, TRINITY TEST SITE -- CONTINUOUS
Kistiakowsky GRABS me in a big HUG- steps back- holding out
his hand for payment. I pull out my wallet, frown- there’s
nothing in it-
OPPENHEIMER
I’m good for it.
Kistiakowsky GRINS-
KISTIAKOWSKY
Yes, you are! Yes, you are!
EXT. BASE CAMP, TRINITY TEST SITE -- MOMENTS LATER
Rabi, still amidst the celebration, watches a car pull up.
I get out, walking like GARY FUCKING COOPER- the crowd spots
me... goes NUTS.
Groves turns to an AIDE -
GROVES
Get me Potsdam. Right away.
I nod at Groves, move through the sea of congratulations to
find Serber...
OPPENHEIMER
Get a message to Kitty...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 134.
Serber’s face falls, perturbed-
SERBER
We can’t say anything-
OPPENHEIMER
Just tell her to bring in the
sheets.
Serber grins. I spot Groves on a FIELD TELEPHONE- then am
HOISTED ONTO JOYFUL SHOULDERS...
Ratings
Scene 26 - The Bomb's Readiness and the Weight of Consequences
Kitty wrangles the kitchen phone while she feeds our baby
daughter and young son-
KITTY
Sorry. Yes, Charlotte, go ahead.
CHARLOTTE
(over phone)
Well, I don’t know, he just said to
tell you to bring in the sheets.
Kitty freezes, letting the phone come off her ear...
CHARLOTTE (CONT’D)
(over phone)
Kitty? Kitty?
Kitty smiles, tears forming. It is done.
FADE OUT.
FADE IN:
EXT. T-SECTION, LOS ALAMOS -- DAY
I watch CRATES hoisted on trucks by the army...
OPPENHEIMER (V.O.)
They musn’t drop it through cloud
cover-
INT. T-SECTION, LOS ALAMOS -- DAY
I am talking to the AIR FORCE OFFICER who is supervising the
crating of equipment-
(CONTINUED)
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OPPENHEIMER
If they detonate it too high in the
air, the blast won’t be as powerful-
AIR FORCE OFFICER
With respect, Dr Oppenheimer. We’ll
take it from here.
I lose sight of the bomb as THE CRATE IS CLOSED.
EXT. T-SECTION, LOS ALAMOS -- DAY
Groves appears at my side, watching the loading...
OPPENHEIMER
Did Truman brief Stalin at Potsdam?
GROVES
'Brief' would be an overstatement.
He referred to a powerful new
weapon, Stalin said he hoped we’d
make good use of it against Japan.
OPPENHEIMER
That’s it?
GROVES
Robert, we’ve given them an ace.
It’s for them to play the hand.
Frustrated, I drop my cigarette and GRIND it out-
OPPENHEIMER
You’re aiming for the 6th?
GROVES
That’s up to the CO in the Pacific.
OPPENHEIMER
Should I come with you to
Washington?
GROVES
What for?
OPPENHEIMER
Well... you’ll keep me informed?
Groves turns to leave -
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 136.
GROVES
Of course.
(looks back)
As best I can.
I watch Groves leave, uneasy. A truck pulls out, REVEALING
TELLER. He crosses, watching the loaded truck move away...
TELLER
Would the Japanese surrender if
they knew what was coming?
OPPENHEIMER
I don’t know.
TELLER
Have you seen Szilard’s petition?
OPPENHEIMER
Yeah. What the hell does Szilard
know about the Japanese?
I look at Teller.
OPPENHEIMER (CONT’D)
You’re not signing it?
TELLER
A lot of people have.
OPPENHEIMER
Edward, the fact that we built this
bomb doesn’t give us any more right
or responsibility to decide how
it’s used than anyone else.
TELLER
But we’re the only people who know
about it.
OPPENHEIMER
I’ve told Stimson the various
opinions of the community.
TELLER
But what’s your opinion?
I watch another truck pull out...
OPPENHEIMER
Once it’s used, nuclear war, maybe
all war, becomes unthinkable.
(CONTINUED)
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TELLER
Until somebody builds a bigger
bomb.
Ratings
Scene 27 - The Weight of Destruction: Oppenheimer Learns of the Bombing of Hiroshima
Kitty comes downstairs to find me sitting at the kitchen
table. The phone in front of me.
OPPENHEIMER
I thought they would call.
KITTY
It’s only the 5th.
OPPENHEIMER
In Japan it’s the 6th.
INT. OPPENHEIMER’S OFFICE, LOS ALAMOS -- DAY
I pace my office, agitated.
OPPENHEIMER
Charlotte? Try Groves again.
CHARLOTTE (O.S.)
Truman’s on the Radio- !
I BOLT into-
INT. FOYER, OPPENHEIMER’S OFFICE -- CONTINUOUS
Charlotte is patching the PA to the radio-
TRUMAN
(over radio)
...Sixteen hours ago an American
airplane dropped one bomb on
Hiroshima and destroyed its
usefulness to the enemy...
INT. OFFICE, T-SECTION, LOS ALAMOS -- DAY
Frank is doing paperwork when the PA WHISTLES-
TRUMAN
(over PA)
That bomb had more power than
twenty thousand tons of TNT...
Gadget 2023-04-21 FINAL Shooting Script 138.
INT. CORRIDOR, T-SECTION, LOS ALAMOS -- CONTINUOUS
As Frank emerges, others DRIFT into the corridor, shocked...
TRUMAN
(over PA)
It is an atomic bomb. It is a
harnessing of the basic power of
the universe...
He hears BANGING and CHEERING- through the window SOLDIERS
BEAT on trash-can lids. Frank and the scientists try
uncertain smiles and handshakes...
INT. OPPENHEIMER’S OFFICE, LOS ALAMOS -- DAY
I listen to the radio-
TRUMAN
(over radio)
The force from which the sun draws
its power has been loosed against
those who brought war to the Far
East...
CHARLOTTE (O.S.)
Groves on one!
I white-knuckle the phone...
GROVES
(over phone)
I’m very proud of you and all of
your people.
OPPENHEIMER
It went alright?
GROVES
(over phone)
Apparently it went with a
tremendous bang.
OPPENHEIMER
Everybody here is feeling
Reasonably good about it. It’s been
a long road.
GROVES
(over phone)
I think one of the wisest things I
ever did was when I selected the
director of Los Alamos.
(CONTINUED)
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I gently put down the phone...
TRUMAN
(over radio)
We have spent two billion
dollars...
EXT. LOS ALAMOS -- CONTINUOUS
I walk in a relieved daze...
TRUMAN (CONT'D)
(over radio)
...on the greatest scientific
gamble in history and won.
Horns HONK, soldiers CHEER... people WAVE... I nod back...
INT. FULLER LODGE, LOS ALAMOS -- NIGHT
A restless, excitable CROWD is packed into the bleachers,
like a HIGH-SCHOOL PEP RALLY...
INT. LOBBY, FULLER LODGE, LOS ALAMOS -- CONTINUOUS
Kitty reaches forward and adjusts my tie. We hear the sound
of DOZENS OF FEET STAMPING RHYTHMICALLY...
INT. FULLER LODGE, LOS ALAMOS -- CONTINUOUS
The impatient crowd is STAMPING IN UNISON...
INT. LOBBY, FULLER LODGE, LOS ALAMOS -- CONTINUOUS
Kitty nods at me, I take a breath and PUSH through the door-
INT. FULLER LODGE, LOS ALAMOS -- CONTINUOUS
As I walk past the rear bleachers I get a close view of
DOZENS OF FEET STAMPING IN UNISON... the STAMPING FEET GET
FASTER as I approach the stage...
The STAMPING GROWS OPPRESSIVE- FASTER and FASTER until RHYTHM
BREAKS, causing CACOPHONY which PEAKS as I step up...
I raise my hands in a theatrically victorious gesture- the
crowd CHEERS...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 140.
OPPENHEIMER
The world will remember this day.
LOUDER CHEERING...
OPPENHEIMER (CONT’D)
It’s too early to determine what
the results of the bombing are...
Though the crowd is still CHEERING, their sound DIMINISHES...
OPPENHEIMER (CONT’D)
But I’m sure the Japanese didn’t
like it-
CHEERS. CHEERS. CHEERS. BUT NO SOUND. As I look out at the
EXCITED FACES I can hear my own BREATHING... I carry on-
OPPENHEIMER (CONT’D)
I’m proud of what you
accomplished...
The crowd seems to go NUTS, but all we hear is the QUIET
CREAKING OF SEATS and SHUFFLE OF FEET as they REACT, HANDS
SILENTLY CLAPPING, MOUTHS SILENTLY JAWING... I try again-
OPPENHEIMER (CONT’D)
I just wish we’d had it in time to
use against the Germans...
The CHEERING AND CLAPPING PEOPLE GET TO THEIR FEET in
MORTIFYING SILENCE...
I stare at them, straining to hear something, then-
PIERCING SCREAMS not cheers, as INSTANT DAYLIGHT POURS IN THE
WINDOWS- BRIGHTER AND BRIGHTER-
My eyes are pinpricks as I see CHEERING/SCREAMING MOUTHS
STRETCHED GROTESQUELY WIDE-
CRACK!!... !!!... !!!! ... THE THUNDER OF A THOUSAND STORMS
ROLLS OVER, DEAFENING-
I see FLESH RIPPED FROM THE SMILING YOUNG FACES... I see
PLASMA ROILING and the DEVIL’S CLAW reach into the night
sky... I see piles of ASHES where the young crowd was
cheering...
INT. SAME -- LATER
I DRIFT through a SILENT, KINETIC WHIRLWIND OF CELEBRATION
CLAPPED on the back, KISSED... NODDING and HOLLOW SMILES...
(CONTINUED)
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I see a YOUNG WOMAN LAUGHING... I STEP on something, look
down to see my foot inside a CHARRED CORPSE... I look up,
SHAKING OFF THE IMAGE... I see young people MAKING OUT under
the bleachers, a hand up a sweater... I see the young woman
again but NOW SHE JUST CRIES AND CRIES AND CRIES...
INT. LOBBY, FULLER LODGE, LOS ALAMOS -- CONTINUOUS
DRIFTING through... I see a young man sitting, back to the
wall, WEEPING, a woman trying to console him...
EXT. FULLER LODGE, LOS ALAMOS -- CONTINUOUS
As I exit, REVELERS RUN PAST, JOYFUL... turning, I see a
young physicist at the wall, bent double...
As I pass, he looks up, DISTRAUGHT, VOMIT AROUND HIS MOUTH.
FADE OUT.
INT. LOBBY, OVAL OFFICE, THE WHITE HOUSE -- DAY
Relief. Gentle formality. I look at the coffee table: Time
magazine- me on the cover: "FATHER OF THE ATOMIC BOMB".
FEMALE VOICE (O.S.)
Dr Oppenheimer?
An AIDE on softly clicking heels, points at the magazine.
AIDE
Nice picture.
I look up at her. Blank.
AIDE (CONT’D)
President Truman will see you now.
INT. OVAL OFFICE -- CONTINUOUS
Truman comes from behind his desk to shake my hand-
TRUMAN
Dr Oppenheimer, it’s an honour.
OPPENHEIMER
Mr President. Secretary Byrnes.
Byrnes nods, sits. I take a seat. Truman leans on the desk.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 142.
TRUMAN
How’s it feel to be the most famous
man in the world?
I can’t think of an answer.
TRUMAN (CONT’D)
You helped save a lot of OPPENHEIMER
American lives. What we did And Nagasaki.
at Hiroshima was-
TRUMAN (CONT’D)
What?
OPPENHEIMER
Hiroshima and Nagasaki.
TRUMAN
Obviously. Your invention let us
bring our boys home.
Your country owes you a great debt.
OPPENHEIMER
It was hardly my invention.
TRUMAN
It’s you on the cover of Time.
(indicates Byrnes)
Jim here tells me you’re concerned
about an arms race with the
Soviets.
OPPENHEIMER
Well, it’s that... now is our
chance to secure international
cooperation on atomic energy, and
I’m concerned-
TRUMAN
You know when the Soviets are gonna
have a bomb?
OPPENHEIMER
I’m not sure I could give a- TRUMAN (CONT’D)
Never.
I look at the President, incredulous...
OPPENHEIMER (CONT’D)
Mr President, the Russians have
good physicists and abundant
resources-
(CONTINUED)
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TRUMAN
Abundant? I don’t think so.
OPPENHEIMER
They’ll put everything they have...
I taper off.
TRUMAN
I hear you’re leaving Los Alamos.
What should we do with it?
OPPENHEIMER
Give it back to the Indians.
Truman laughs. But I’m not joking. Truman looks to Byrnes for
help.
BYRNES
Dr Oppenheimer, if what you say
about the Soviets is true, we have
to build up Los Alamos, not shut it
down.
I WRING my hands, deeply uncomfortable...
OPPENHEIMER
Mr President, I feel that I have
blood on my hands.
Truman looks at me differently. Pulls the crisp white
handkerchief from his breast pocket and offers it-
TRUMAN
You think anyone in Hiroshima or
Nagasaki gives a shit who built the
bomb? They care who dropped it. I
did. Hiroshima isn’t about you.
Truman gestures to Byrnes, they both RISE. I get to my feet.
Awkward. As I leave I hear -
TRUMAN (CONT’D)
Don’t let that crybaby back in
here.
The door of the Oval Office CLOSES on me...
STRAUSS (V.O.)
Robert saw that hand-wringing got
him nowhere...
Gadget 2023-04-21 FINAL Shooting Script 144.
Ratings
Scene 28 - Oppenheimer's Advocacy and the Shocking Revelation
Walking past I notice my face staring back at me from the
cover of the magazine on the table...
STRAUSS (V.O.)
By the time I met him, he’d fully
embraced his 'father of the bomb'
reputation...
CUT TO:
INT. SENATE OFFICE -- DAY (B&W)
Strauss sits talking with the Senate Aide.
STRAUSS
He used his profile to influence
policy...
INSERT CUT: LIFE MAGAZINE- "OPPENHEIMER, NO. 1 THINKER ON
ATOMIC ENERGY"... OPPENHEIMER RUNS A GAUNTLET OF
FLASHBULBS... OPPENHEIMER AND KITTY ARE PHOTOGRAPHED AT OLDEN
MANOR...
STRAUSS (CONT’D)
But all along- with McCarthy on the
rise- he knew he was vulnerable.
His brother was blacklisted by
every university in the country...
INSERT CUT: FRANK WORKS A RANCH IN COLORADO...
STRAUSS (CONT’D)
Lomanitz wound up working the
railroad, laying track...
INSERT CUT: LOMANITZ SWINGS A HAMMER...
STRAUSS (CONT’D)
Chevalier went into exile...
(CONTINUED)
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INSERT CUT: CHEVALIER CARRIES SHOPPING, STEPPING AROUND
CHICKENS IN A RURAL FRENCH ALLEY...
STRAUSS (CONT’D)
But none of that stopped Robert
from om pushing the GAC to
recommend arms control instead of
the H-bomb.
INSERT CUT: STRAUSS MOVES THE FLOWERS ON THE TABLE IN THE
HOTEL CONFERENCE ROOM, WATCHING OPPENHEIMER...
STRAUSS (CONT’D)
He was devastated when that didn’t
go his way...
INSERT CUT: HEADLINE: "TRUMAN ANNOUNCES H-BOMB PROGRAM"...
CUT TO:
INT. BALLROOM, PLAZA HOTEL -- NIGHT (COLOUR)
Drink in hand, I watch the room sing 'Happy Birthday' to
Strauss. Ruth Tolman is next to me, staring at the NEWSPAPER.
RUTH
I miss Richard more than I can
bear...
I turn to Ruth, sympathetic.
RUTH (CONT’D)
But part of me’s glad he didn’t
live to see where this is all
going.
I nod, understanding. She downs her drink and leaves.
STRAUSS (O.S.)
Robert, my son and his fiancée are
desperate to meet the father of the
atomic bomb...
Strauss is there with his adult children- I glance at them,
raise a glass, then turn away. Strauss stands there,
humiliated. The couple awkwardly moves off.
STRAUSS (CONT’D)
Is this a bad time?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 146.
OPPENHEIMER
What do you think, Lewis?
STRAUSS
I think it must have been a blow
for you-
OPPENHEIMER
For the world.
STRAUSS
The world? What does Fuchs mean to
rest of the world?
OPPENHEIMER
Fuchs? Klaus Fuchs?
Strauss looks at me with concern...
STRAUSS
You haven’t heard. Klaus Fuchs, the
British scientist you put onto the
implosion team at Los Alamos?
INSERT CUT: FUCHS HANDS OPPENHEIMER HIS PIPE...
STRAUSS (CONT’D)
Turns out he was spying for the
Soviets. The whole time. I’m sorry,
Robert, you must feel awful.
(gestures to bar)
Have another. On me.
Strauss moves off. I stand there. Frozen.
STRAUSS (V.O.)
After the truth about Fuchs came
out, they stepped up surveillance
on Robert. He knew his phone was
tapped-
CUT TO:
Ratings
Scene 29 - Oppenheimer's Fall from Grace: Surveillance, Scrutiny, and Betrayal
STRAUSS
He was followed everywhere...
(CONTINUED)
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INSERT CUT: OPPENHEIMER, DRIVING, CHECKS HIS REAR-VIEW
MIRROR, SPOTS A SEDAN FOLLOWING HIM...
STRAUSS (CONT’D)
His trash picked through...
INSERT CUT: KITTY, FROM THE KITCHEN WINDOW, SPOTS A SUITED
MAN PICKING THROUGH THEIR TRASH...
STRAUSS (CONT’D)
But it never stopped him speaking
his mind.
SENATE AIDE
A man of conviction?
STRAUSS
Sure. Or maybe he thought fame
could actually protect him. When
Eisenhower took over, Robert saw
one more chance. He took it...
INT. CORPORATE AUDITORIUM -- NIGHT (B&W)
Oppenheimer is lecturing... Strauss is in the crowd...
OPPENHEIMER
America and Russia may be likened
to two scorpions in a bottle, each
capable of killing the other, but
only at the risk of his own life.
There are various aspects of this
policy which I would like to
discuss but can’t. Follies that can
occur only when even the men who
know the facts can find no one to
talk about them, when the facts are
too secret for discussion, and thus
for thought. Candor is the only
remedy. Officials in Washington
have to start levelling with the
American people, and telling them
what the enemy already know about
the atomic armaments race.
Strauss notices two generals exchanging unfavorable looks.
STRAUSS (V.O.)
A lot of scientists blame me, but
how was I supposed to protect him?
Gadget 2023-04-21 FINAL Shooting Script 148.
INT. SENATE OFFICE -- DAY (B&W)
STRAUSS
That was the last straw for
Robert’s enemies.
SENATE AIDE
So he had to lose his security
clearance.
STRAUSS
And with it, his credibility.
SENATE AIDE
But how could they do it? He was a
war hero- and he’d already told
everyone about his past...
STRAUSS
Borden dredged it all up again.
SENATE AIDE
But how could Borden get access to
Oppenheimer’s FBI file? Could it
have been Nichols?
STRAUSS
I can’t imagine he’d do that. But
whoever did unleashed a firestorm
that burned a path from the White
House right to my desk at the AEC.
You see them in there trying to
hang Oppenheimer around my neck.
I’ve worked my whole life to get
here- the Cabinet of the United
States of America- and now, in
front of the entire country, they
want to put me back in my place...
a lowly shoe salesman.
COUNSEL
Lewis, we can win this thing.
SENATE AIDE
I think we can make the Senate
grasp that you did your duty,
painful though it was. Will Hill’s
testimony back that up?
COUNSEL
Hill should be fine.
(CONTINUED)
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STRAUSS
I don’t really know him, but he was
one of Szilard’s boys in Chicago.
And they never forgave
Oppenheimer...
CUT TO:
Ratings
Scene 30 - Oppenheimer's Disagreement and Call for Unity
Serber and MORRISON lecture using slides we never see.
STRAUSS (V.O.)
...for not supporting their
petition against bombing Japan.
I watch as part of a large audience.
MORRISON
This was taken thirty-one days
after the bombing. Virtually
everyone in the street for nearly a
mile around was instantly and
seriously burned by the heat of the
bomb.
Serber changes the slide. I react slightly.
MORRISON (CONT’D)
The hot flash burned suddenly and
strangely.
SERBER
The Japanese told us of people who
wore striped clothing upon whom the
skin was burned in stripes.
Changes slide. I LOOK AWAY from the screen. I hear the sound
of FEET STAMPING as Morrison continues...
MORRISON
There were many who thought
themselves lucky, who crawled out
of the ruins of their homes only
slightly injured. But they died
anyway. They died days or weeks
later from the radium-like rays
emitted in great numbers at the
moment of the explosion.
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EXT. T-SECTION, LOS ALAMOS -- NIGHT
I light my pipe. Teller comes up.
TELLER
Did you read this crap in the
papers? A British physicist saying
the atomic bombings weren’t the
last act of World War II but the
first act of this cold war with
Russia.
OPPENHEIMER
Which physicist?
TELLER
I think you knew him. Patrick
Blackett?
I remember-
INSERT CUT: BLACKETT TAKES A MOUTHFUL OF APPLE...
I smile to myself, rueful...
OPPENHEIMER
He may not be wrong. We bombed an
enemy that was essentially
defeated.
TELLER
Robert, you have all the influence
now.
I look at Teller.
TELLER (CONT’D)
Urge them to continue my research
on the Super.
OPPENHEIMER
I neither can nor will, Edward.
Teller looks at me. Hurt.
TELLER
Why?
OPPENHEIMER
It’s not the right use of our
resources.
(CONTINUED)
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TELLER
Is that what you really believe?
I say nothing.
TELLER (CONT’D)
J. Robert Oppenheimer. Sphinx-like
guru of the atom. Nobody knows what
you believe. Do you?
OPPENHEIMER (V.O.)
I hope that in years to come you
will look back on your work here
with pride...
EXT. FULLER LODGE, LOS ALAMOS -- DAY
I give my leaving address, Groves by my side. The THOUSANDS
of members of the Los Alamos community listen...
OPPENHEIMER
But today that pride must be
tempered with a profound concern.
If atomic weapons are to be added
to the arsenals of a warring
world... then the day will come
when people will curse the name of
Los Alamos and Hiroshima. The
peoples of this world must unite or
they will perish. The atomic bomb
has spelled out these words for all
men to understand.
THUNDEROUS APPLAUSE echoes around the mountains...
CUT TO:
INT. SENATE OFFICE -- MORNING (B&W)
Strauss and Counsel drink coffee. The Senate Aide BURSTS in-
SENATE AIDE
Sorry, Admiral- I stopped off to
get this-
The Senate Aide holds up TIME MAGAZINE: Strauss is on the
cover- "THE STRAUSS AFFAIR, SENATE V. PRESIDENT".
SENATE AIDE (CONT’D)
It seems pretty favorable...
The Counsel looks over Senate Aide’s shoulder-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 152.
COUNSEL
There’s Oppenheimer. What’s the
caption?
SENATE AIDE
'J. Robert Oppenheimer- Strauss
fought him...
(pauses)
...and the US won.'
COUNSEL
That’ll work.
The Senate Aide is perturbed. Looks up at Strauss.
SENATE AIDE
Those are your words. From
yesterday.
STRAUSS
We needed to pivot.
SENATE AIDE
But how could you know what Time
magazine would write...?
STRAUSS
Henry Luce is an old friend.
The Senate Aide stares at Strauss, realizing...
SENATE AIDE
You’ve sat there and let me tell
you how this is done. But you’ve
been far ahead. All along...
STRAUSS
Survival in Washington is about
knowing how to get things done.
SENATE AIDE
You get things done. What was it
you said about Borden? Why get
caught holding the knife yourself?
I’m beginning to think that Borden
was holding the knife for you.
STRAUSS
Oh?
(CONTINUED)
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SENATE AIDE
As Chairman of the AEC, you had
access to Oppenheimer’s file...
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
I sit there testifying. Robb checks his notes...
ROBB
In the years following the war,
would you say you exerted a great
influence on the atomic policies of
the USA?
OPPENHEIMER
I think 'great' would be an
overstatement.
ROBB
Really? If we look at the issue of
isotopes... were you not personally
responsible for destroying all
opposition to their export?
I think back to my congressional testimony...
INT. CONGRESSIONAL HEARING ROOM -- DAY
The room is all chuckles and smiles at my performance...
OPPENHEIMER
You can use a bottle of beer for
making atomic weapons, in fact, you
do... I’d say isotopes are less
useful for atomic energy than
electronic components, but more
useful than a sandwich. I’d put
them somewhere in between.
The room LAUGHS appreciatively. I lean over to Volpe -
OPPENHEIMER (CONT’D)
How’d I do?
Volpe glances back at Lewis Strauss, eyes down, ENRAGED...
VOLPE
Maybe a little too well, Robert.
Gadget 2023-04-21 FINAL Shooting Script 154.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
OPPENHEIMER
I was the spokesman, but the
opinion was unanimous amongst
scientists.
GRAY
That will do for today. We’ll
reconvene tomorrow when we’ll hear
from Dr Isidor Rabi.
INT. HOTEL ROOM, WASHINGTON, DC -- NIGHT
I sit on the bed, Garrison and his team go over notes. Kitty
raids the mini-bar.
GARRISON
Rabi will help us. But it’s going
to come down to how much influence
Borden has been able to exert on
Teller-
Kitty is laughing as she opens a miniature with her teeth.
GARRISON (CONT’D)
Did I say something funny?
KITTY
Borden, Borden, Borden. We all know
it’s Strauss.
OPPENHEIMER
Kitty, Lewis brought me to
Princeton.
KITTY
And you humiliated him in front of
Congress.
OPPENHEIMER
That was six years ago.
KITTY
The truly vindictive are as patient
as saints.
GARRISON
Strauss claims to be neutral.
Kitty THROWS the miniature at me- it SMASHES into the wall-
(CONTINUED)
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KITTY
Wake up! It’s always been Strauss-
and you know it. Why won’t you
fight him, for Christ’s sake?!
She stalks into the bathroom, SLAMMING the door. Garrison
watches me clean up the miniature...
GARRISON
I’ve said it before, Robert. We
should not put her on the stand-
CUT TO:
Ratings
Scene 31 - The Plan to Destroy Oppenheimer's Credibility
The Senate Aide stares at Strauss in morbid fascination...
SENATE AIDE
It wasn’t Nichols or Hoover STRAUSS
or one of Truman’s guys- it Borden didn’t take any
was you. You gave the file to convincing...
Borden... you set him on
Oppenheimer, convinced him to-
INT. NICHOLS’ OFFICE, ATOMIC ENERGY COMMISSION -- NIGHT (B&W)
Nichols is behind the desk, but Strauss commands the room,
instructing Borden...
NICHOLS
Take your time, use the entire
file. Write up your conclusions and
send them to the FBI.
BORDEN
The material’s extensive- but it
isn’t new.
STRAUSS
Your conclusions will be. And
they’ll have to be answered.
NICHOLS
Hoover passes them to McCarthy?
STRAUSS
(shakes head)
Oppenheimer’s too slippery for that
self-promoting clown.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 156.
STRAUSS (CONT’D)
I’ve talked it over with Hoover-
he’ll hold McCarthy at bay while
you do this at the AEC.
NICHOLS
A trial?
STRAUSS
No trial. You can’t give
Oppenheimer a platform, you can’t
martyr him. We need a systematic
destruction of Oppenheimer’s
credibility so he can never again
speak on matters of national
security.
BORDEN
What, then?
STRAUSS
A shabby little room, far from the
limelight...
INSERT CUT: ROOM 2022 IS OPENED UP. DUSTED, TABLES
ARRANGED...
STRAUSS (CONT’D)
A simple bureaucratic procedure-
his Q clearance is up for renewal.
(points at Borden)
You send your accusations to the
FBI...
INSERT CUT: BORDEN PULLS PAPER FROM HIS TYPEWRITER. HE SEALS
AN ENVELOPE...
STRAUSS (CONT’D)
Hoover sends them to the AEC...
(points at Nichols)
You’re forced to act. You write up
an indictment...
INT. FRONT HALL, STRAUSS RESIDENCE -- NIGHT (B&W)
Strauss opens the door to Oppenheimer...
STRAUSS (V.O.)
Tell Oppenheimer his security
clearance is not being renewed...
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INT. LIVING ROOM, STRAUSS HOUSE -- NIGHT (B&W)
Nichols hands the indictment to Oppenheimer, who sits and
reads. Strauss hands Oppenheimer a drink...
STRAUSS (V.O.)
But offer him the chance to appeal.
Oppenheimer looks up from the letter.
OPPENHEIMER
Can I keep this?
NICHOLS
No.
STRAUSS
As you can see, Robert, it’s not
yet signed. If you do decide to
appeal, they’ll have to send you a
copy...
Oppenheimer rises. In a daze. Strauss takes his arm...
INT. NICHOLS’ OFFICE, ATOMIC ENERGY COMMISSION -- NIGHT (B&W)
STRAUSS
When he appeals, I appoint a
board...
INSERT CUT: THE GRAY BOARD TAKE THEIR SEATS IN ROOM...
STRAUSS (CONT’D)
They will, of course, have counsel-
INSERT CUT: ROGER ROBB TAKES HIS SEAT...
NICHOLS
A prosecutor?
STRAUSS
In all but name.
NICHOLS
Who?
STRAUSS
Roger Robb.
NICHOLS
Ouch.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 158.
STRAUSS
Robb will have security clearance
to examine Oppenheimer’s file...
INSERT CUT: ROBB OPENS A MASSIVE BLACK BINDER...
STRAUSS (CONT’D)
As will the Gray Board...
INSERT CUT: A BLACK BINDER IS PLACED IN FRONT OF EACH BOARD
MEMBER...
STRAUSS (CONT’D)
Defence counsel will not.
INSERT CUT: GARRISON, AT HIS TABLE IN ROOM 2022, LOOKS
COVETOUSLY AT THE BLACK BINDERS GRACING EACH PLACE BUT HIS...
STRAUSS (CONT’D)
A closed hearing- no audience, no
reporters, no burden of proof.
NICHOLS
No burden of proof?
Strauss sips his drink. Smiles at Nichols...
STRAUSS
We’re not convicting, just denying.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (B&W)
Oppenheimer is seated at the witness table...
OPPENHEIMER
This answer is a summary of
relevant aspects of my life in more
or less chronological order...
INT. SENATE OFFICE -- DAY (B&W)
The Senate Aide looks like he ate a bad nut.
STRAUSS
What is it you said? 'This is just
how it’s done'?
SENATE AIDE
Forgive my naïveté.
(CONTINUED)
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STRAUSS
Amateurs seek the sun and get
eaten, power stays in the shadows.
SENATE AIDE
(points to Time magazine)
You’re out of the shadows, now.
STRAUSS
That’s why this has to work.
SENATE AIDE
Well, Teller’s testifying this
morning - that’ll help, then Hill
is in the afternoon.
COUNSEL
Hill should help us, too.
CUT TO:
CLOSE ON: A LETTER- AEC LETTERHEAD- "DEAR DR OPPENHEIMER..."
STRAUSS (O.S.)
As you can see, it’s not yet
signed...
INT. LIVING ROOM, STRAUSS HOUSE -- LATER (COLOUR)
I look up from Nichols’ letter- SHELL-SHOCKED.
STRAUSS
If you do decide to appeal, they’ll
have to send you a copy...
I hand the letter back to Nichols. Strauss takes my arm...
EXT. STRAUSS HOUSE -- CONTINUOUS
Strauss gently guides me down the steps...
STRAUSS
Take my car and driver. I insist.
OPPENHEIMER
I’ll have to consult my lawyers.
STRAUSS
Of course. But don’t take too long,
I can’t keep Nichols at bay. I’m
sorry it’s come to this, Robert.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 160.
Strauss, like a parent, puts me into the back of his car.
INT. STRAUSS CAR -- NIGHT
I sit in the back, shadows flicking across my face...
OPPENHEIMER (V.O.)
Nichols wants me to fight so that
he can get it all in the record...
INT. VOLPE’S HOUSE -- NIGHT
Kitty and I sit with Joe Volpe.
OPPENHEIMER
Strauss thinks I should walk
away...
VOLPE
You could. Your security clearance
expires tomorrow. Just let it go.
KITTY
You’d be accepting the charges!
You’ll lose your job. Your
reputation, your place in history!
We’ll lose our house. Robert, we
have to fight.
I look at Kitty. Nod.
VOLPE
As AEC Counsel, I can’t represent
you. I’ll call Lloyd Garrison.
OPPENHEIMER
He’s good.
VOLPE
The best. But I have to warn you...
Ratings
Scene 32 - The Hearing's Turn: Oppenheimer's Past Lies Revealed
I watch Garrison scramble to make notes...
VOLPE (V.O.)
This won’t be a fair fight.
(CONTINUED)
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ROBB
During your interview with Boris
Pash in 1943, did you refer to
microfilm?
OPPENHEIMER
No.
Robb consults a paper in his black binder.
ROBB
You never said 'a man at the
consulate expert in the use of
microfilm'?
OPPENHEIMER
Not specifically.
GARRISON
I’d like to know what document Mr
Robb is quoting from, and if we
might be furnished with a copy.
ROBB
The document is classified.
GARRISON
Members of the board, we’re now
hearing some new account of the
interview... shouldn’t we get back
to firsthand information?
ROBB
This is first-hand.
GARRISON
How so?
Robb looks at Gray. Who nods.
ROBB
There’s a recording of the
interview.
Garrison is shocked. I shake my head.
GARRISON
You’ve let my client sit up here
and potentially perjure himself and
all this time you had a recording-?
ROBB
No one told your client to
misrepresent his former answers-
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 162.
GARRISON
Misrepresent? It was twelve years
ago!
(to the board)
Can we listen to this recording?
ROBB
Mr Garrison, you don’t have
clearance.
I SNAP at the absurdity-
OPPENHEIMER
But you’re reading it into the
transcript!
Garrison puts a calming hand on my arm-
GARRISON
Is this proceeding interested in
truth or entrapment? Because if
it’s truth...
Garrison points at the BLACK BINDERS in front of them all-
GARRISON (CONT’D)
Where’s the disclosure? Where’s the
witness list?
GRAY
Mr Garrison, this is not a trial-
as you’re well aware. Evidentiary
rules do not apply. We’re dealing
with national security.
GARRISON
How does national security prevent
the prosecution from providing us a
list of witnesses?!
Gray looks at Garrison, stony-faced.
GRAY
Perhaps a brief recess is in OPPENHEIMER
order! If I may? You gentlemen have
my words. If you say it’s
from a transcript then I’ll
accept it. I’ve already
explained that I made up a
cock-and-bull story.
(CONTINUED)
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ROBB
But not the level of detail. Why
would anyone present such an
elabourate fiction?
OPPENHEIMER
Because I was an idiot. I found
myself trying to give a tip to the
intelligence people, without
realizing that when you give a tip
you have to offer the whole story.
Asked for details, I went off on a
false pattern. There was no
microfilm, no consular attaché.
There weren’t three or more people
involved on the project. There was
one person involved. That was me.
ROBB
Why lie?
OPPENHEIMER
Clearly with the intention of not
revealing who was the intermediary.
ROBB
Your friend Haakon Chevalier. The
Communist.
OPPENHEIMER
Yes.
ROBB
Is he still your friend?
I look from smug Robb to the expectant board members...
OPPENHEIMER
Chevalier is my friend.
Robb backs down, SATISFIED.
Ratings
Scene 33 - Revelations and Confrontations: The Oppenheimer Hearing
Oppenheimer and Garrison take a break. Rabi approaches.
GARRISON
Dr Rabi, thanks for coming.
Garrison looks around to see Robb conferring with his team.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 164.
GARRISON (CONT’D)
(lowered voice)
Do you know anyone the prosecution
has called?
RABI
Teller, obviously.
(looks at Oppenheimer)
They’ve asked Lawrence.
OPPENHEIMER
What did he say?
RABI
He wasn’t going to help them...
OPPENHEIMER
But?
RABI
Strauss told him that you and Ruth
Tolman had been having an affair
for years. The whole time you lived
with them in Pasadena...
INSERT CUT: I SIP FROM RUTH’S DRINK AT THE CHRISTMAS PARTY.
RICHARD ENTERS, BANGING SNOW OFF HIS SHOULDERS...
RABI (CONT’D)
He convinced Lawrence that Richard
died of a broken heart.
OPPENHEIMER
That’s absurd.
RABI
Which part?
OPPENHEIMER
The broken heart. Richard never
found out.
Rabi tries not to smile. Shakes his head.
OPPENHEIMER (CONT’D)
Is Lawrence going to testify?
RABI
I don’t know.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
Rabi is testifying.
(CONTINUED)
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GARRISON
Dr Rabi, what governmental
positions do you currently hold?
RABI
I’m Chairman of the General
Advisory Committee to the AEC,
succeeding Dr Oppenheimer.
GARRISON
And how long have you known Dr
Oppenheimer?
RABI
Since 1928. I know him quite well.
GARRISON
Well enough to speak on the bearing
of his character, loyalty and
associations?
RABI
Dr Oppenheimer is a man of
upstanding character, loyal to the
United States, to his friends and
to the institutions of which he is
a part. I’ve examined his security
file, and in spite of the
associations in there, I do not
believe Dr Oppenheimer is a
security risk, and that these
associations from the past should
bar him from continuing as a
consultant to the AEC.
EXT. CORRIDOR OUTSIDE ROOM 2022 -- DAY
I sit, exhausted. A segment of orange drops into my lap -
RABI
Eat.
I 'sip' at the orange. Rabi spots Lawrence coming down the
corridor- Rabi straightens to his full height- STARES DOWN
Lawrence, who looks from Rabi to me. Then TURNS and leaves.
OPPENHEIMER
What was that?
RABI
Nothing to worry about.
Gadget 2023-04-21 FINAL Shooting Script 166.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- LATER
Robb cross-examines Rabi-
ROBB
Dr Rabi, after the Russian A-bomb
test did Dr Lawrence come to see
you prior to the GAC meeting?
RABI
You’d be better off asking him.
ROBB
I fully intend to. Did he come to
you about the Hydrogen bomb?
RABI
Yes. We all felt that after the
Russian explosion we had to do
something to regain our position.
ROBB
So you agreed with those who felt
we should launch a programme for
the Super at that time?
RABI
No. There were all kinds of
legitimate concerns about the
allocation of our resources.
GRAY
Would you say Dr Oppenheimer was
unalterably opposed to the H-bomb?
RABI
No. He thought a fusion programme
would come at the expense of our
awfully good fission programme.
ROBB
But that proved not to be the case?
RABI
In the event, both could be done.
Los Alamos, which Dr Oppenheimer
founded, rose to the occasion and
worked miracles, absolute miracles.
ROBB
May I ask one more question? A
purely hypothetical question.
(MORE)
(CONTINUED)
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ROBB (CONT’D)
Suppose this board should not be
satisfied that in his testimony
here Dr Oppenheimer had told the
whole truth... What would you say
then about whether or not he ought
to be cleared?
RABI
If you want to set me up on the
board then I’ll give you an answer.
But I’ve never hidden my opinion
that I think this whole proceeding
is a most unfortunate one.
ROBB
Why?
RABI
He’s a consultant- you don’t want
to consult the guy? Don’t. Why go
through all this against a man
who’s accomplished what Dr
Oppenheimer has? Look at his record-
we have an A-bomb and a whole
series of it, and we have a whole
series of Super bombs and what more
do you want, mermaids?
CUT TO:
Ratings
Scene 34 - Betrayal at the Hearing: Borden's Letter Revealed
Strauss watches with satisfaction as Teller testifies.
TELLER
...that’s why I’m here today. To
express the warm support for
science and scientists Mr Strauss
has shown over the years I’ve known
him.
CHAIRMAN
Thank you, Dr Teller. We’ll break
now, unless there’s any immediate
business.
STRAUSS
Senator, I’d like to once again
request that we’re furnished with a
list of witnesses.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 168.
CHAIRMAN
And I’ll remind the nominee that we
don’t always have that information
in advance. We do know that Dr Hill
will be here after lunch.
With that, the Chairman BANGS his gavel...
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
Robb addresses the board...
ROBB
Our next scheduled witness, Dr
Lawrence, has apparently come down
with... colitis...
I glance sideways at Garrison, who almost smiles-
ROBB (CONT’D)
So I’ll proceed instead with
William Borden.
I watch as Borden is sworn in.
ROBB (CONT’D)
Mr Borden, as a result of your
study of Dr Oppenheimer, did you
reach certain conclusions?
BORDEN
I did.
ROBB
Did there co me a time when you
expressed those conclusions in a
letter to Mr J. Edgar Hoover of the
Federal Bureau of Investigation?
BORDEN
That is correct.
ROBB
Prior to writing that letter, did
you discuss the writing of it with
anybody connected with the Atomic
Energy Commission?
BORDEN
I did not.
(CONTINUED)
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ROBB
Do you have a copy of the letter
with you.
Robb’s assistant distributes copies of the letter...
BORDEN
I have one in front of me.
ROBB
Would you be good enough to read
it?
GARRISON
A moment, please!
Garrison holds up a finger, FRANTICALLY reading ahead-
GRAY
What’s the purpose of the delay?
He’s simply going to read this.
GARRISON
Mr Chairman, this is the first
we’ve seen of this letter- and I
see statements, at least one, which
I don’t think anybody would be
happy to have go into the record-
accusations that have not before
been made and are not part of the
indictment from Nichols.
Garrison holds up the letter -
GARRISON (CONT’D)
Is it the opinion of the board that
these are matters into which
inquiry should now be directed?
I scan down the letter for what he’s seen. My face falls...
GRAY
Testimony of this witness is not in
any way going to broaden the
inquiry.
GARRISON
How can it avoid it, sir? Supposing
you should believe the witness? Mr
Robb is tasked by this board with
calling in witnesses, and he brings
in one to make accusations of a
kind that I don’t think belong
here.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 170.
ROBB
Mr Chairman, the witness wrote this
letter on his own initiative laying
out evidence which has already been
before the board. His conclusions
are valid testimony just like the
positive conclusions of friends of
Dr Oppenheimer. It cuts both ways.
GARRISON
How long has counsel been in
possession of the letter?
ROBB
Mr Garrison, I don’t think I should
be subject to cross-examination by
you.
GRAY
Mr Garrison, given that we on the
board have all read the letter,
isn’t it better to have it in the
record?
Garrison says nothing. He looks at me, frustrated.
GRAY (CONT’D)
Let’s proceed.
BORDEN
'Dear Mr Hoover, the purpose of
this letter is to state my opinion,
based upon years of study of the
available classified evidence, that
more probably than not J. Robert
Oppenheimer is an agent of the
Soviet Union.'
I turn the letter face down, staring at its blank
whiteness...
BORDEN (CONT’D)
'The following conclusions are
justified. One: Between 1929 and
1942, more probably than not, J.
Robert Oppenheimer was a
sufficiently hardened Communist
that he volunteered information to
the Soviets. Two: More probably
than not, he has since been
functioning as an espionage agent.'
I watch the STENOGRAPHER calmly type this into the record...
(CONTINUED)
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BORDEN (CONT’D)
'Three: More probably than not, he
has since acted under Soviet
directive in influencing United
States military, atomic energy,
intelligence, and diplomatic
policy.'
Devastated, I cannot meet the eye of anyone in the room.
Garrison gets up from his place. Sits down next to me.
GARRISON
I’m sorry, Robert.
OPPENHEIMER
Isn’t anyone ever going to tell the
truth about what’s happening here?
CUT TO:
Ratings
Scene 35 - Testimony Against Strauss and Bush's Opinions on the Oppenheimer Affair
Strauss and his Counsel take their seats as the Chairman
calls to order. Strauss looks around the room, CHEERFULLY.
CHAIRMAN
We will now hear from Dr David
Hill.
Strauss peers at a FAMILIAR man in GLASSES, DAVID HILL-
Szilard’s note-taking scientist WHOSE PEN OPPENHEIMER
GRABBED...
CHAIRMAN (CONT’D)
Dr Hill, would you care to make a
statement?
HILL
Thank you. I have been asked to
testify about Lewis Strauss, a man
who has given years of service in
high positions of government and
who is known to be earnest, hard-
working and intelligent.
Strauss glances at Counsel, satisfied.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 172.
HILL (CONT’D)
The views I have to express are my
own, but I believe that much I have
to say will help indicate why most
of the scientists in this country
would prefer to see Mr Strauss
completely out of the government.
Strauss narrows his eyes...
SENATOR PASTORE
(friendly lob)
You’re referring to the hostility
of certain scientists directed at
Mr Strauss because of his
commitment to security, as
demonstrated in the Oppenheimer
affair?
HILL
No.
Hill takes a sip of water before continuing...
HILL (CONT’D)
Because of the personal
vindictiveness he demonstrated
against Dr Oppenheimer, and against
all those who have disagreed with
his official positions.
Counsel turns to Strauss, who is FIXATED on Hill. The Senate
Aide REACTS, surprised. MURMURS echo through the chamber...
HILL (CONT’D)
In my ten years observation of Mr
Strauss I have seen his incapacity
to change a position, the
subordination of his integrity to
the attainment of political goals
and an obsessive quest for popular
and professional approval...
The audience REACTS- Strauss SHAKES his head- the Chairman
BANGS the gavel-
CHAIRMAN
Order!
CUT TO:
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INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
Vannevar Bush is sworn in.
BUSH
It appears to most scientists
around the country that Oppenheimer
is now being pilloried and put
through an ordeal because he
expressed his honest opinions. The
written charges against him are in
a poorly written indictment which
the board should have rejected from
the outset.
EVANS
Dr Bush, I thought I was performing
a service to my country in hearing
this case.
BUSH
No board in this country should sit
in judgement of a man because he
expressed strong opinions. If you
want to try that case, you can try
me- I have expressed strong
opinions, often unpopular, many
times. I’m doing so right now. When
a man is pilloried for doing that,
this country is in a severe
state... excuse me, gentlemen, if I
become stirred, but I am.
CUT TO:
INT. SENATE COMMITTEE HEARING ROOM -- DAY (B&W)
Strauss fumes as Hill reads his statement.
HILL
From the standpoint of public
welfare, the most injurious
exercise of personal vindictiveness
in which Lewis Straus has engaged
was in the personnel security
prosecution of J. Robert
Oppenheimer, who had not hesitated
to disagree with Mr Strauss on
certain questions of fundamental
policy.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 174.
HILL (CONT’D)
Oppenheimer made mincemeat out of
Strauss’ position on the shipments
of isotopes to Norway, and Strauss
never forgave him this public
humiliation. Another controversy
between them centreed around their
differences in judgement on how the
H-bomb would contribute to national
security. Oppenheimer had
considerable influence and
prestige, and Strauss was able to
find a few ambitious men who also
disagreed with Oppenheimer’s
position, and envied him his
prestige in government circles.
Teller, in the audience, stares at Hill...
HILL (CONT’D)
Strauss turned to the personnel
security system in order to destroy
Oppenheimer’s effectiveness-
SENATOR PASTORE
But, Dr Hill, we’ve already heard
that Mr Strauss did not bring the
charges, or participate in the
hearings against Dr Oppenheimer.
HILL
I realize that Mr Strauss didn’t
sign the letter of charges, but I
think when all of the evidence is
viewed, it becomes highly plausible
that the Oppenheimer matter was
initiated and carried through
largely through the animus of Lewis
Strauss.
CUT TO:
Ratings
Scene 36 - Groves' Testimony and Kitty's Arrival
Groves is testifying.
ROBB
General, would you clear Dr
Oppenheimer today?
(CONTINUED)
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GROVES
Under my interpretation of the
Atomic Energy Act, which did not
exist when I hired Dr Oppenheimer
in 1942... I would not clear Dr
Oppenheimer today if I were a
member of the commission.
ROBB
Thank you, General.
GROVES
But I’m not sure I could’ve cleared
any of those guys.
ROBB
That’s all.
GARRISON
General, Dr Oppenheimer had no
responsibility for the selection or
clearance of Klaus Fuchs, did he?
GROVES
No, not at all.
GARRISON
You wouldn’t want to leave with
this board even the remotest
suggestion that you’re here
questioning Dr Oppenheimer’s basic
loyalty to the United States in the
operation of Los Alamos?
GROVES
By no means. I hope I didn’t lead
anybody to think otherwise for an
instant.
GARRISON
Would you say that the revocation
of Dr Oppenheimer’s position would
be in the public interest?
GROVES
The revocation under such extreme
publicity I think would be most
unfortunate, not because of the
effect on Dr Oppenheimer- that I
leave to one side- but because of
the disastrous effect upon the
attitude of the scientists of this
country toward doing government
research.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 176.
GRAY
Thank you, General.
Groves gets up, walks past me with a formal nod.
INT. CORRIDOR OUTSIDE ROOM 2022 -- DAY
Garrison checks his watch.
OPPENHEIMER
She’ll be here.
GARRISON
Do you even want her here?
OPPENHEIMER
Only a fool or an adolescent
presumes to know someone else’s
relationship, and you’re neither,
Lloyd.
Kitty comes around the corner. Unsteady. I watch her walk
towards us, not entirely straight... she catches my eye-
OPPENHEIMER (CONT’D)
Kitty and I, we’re grown-ups. We’ve
walked through fire together. And
she’ll do fine.
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY
Kitty is at the witness table. From behind I can see her
fiddling distractedly with her purse...
GARRISON
Mrs Oppenheimer, you are no longer
a member of the Communist Party?
KITTY
No.
GARRISON
When would you say that you ceased
to be a member?
KITTY
When I left Youngstown in 1936.
GARRISON
Will you describe your views on
Communism as pro, anti, neutral.
(CONTINUED)
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KITTY
Very strongly against. I’ve had
nothing to do with Communism since
1936. Since before I met Robert.
GARRISON
That’s all.
HILL (V.O.)
The record demonstrates that
Oppenheimer was not interrogated by
impartial and disinterested counsel
for the Gray Board...
Robb gets up to cross-examine...
CUT TO:
Ratings
Scene 37 - Hill's Testimony and Kitty's Defiance at the Senate Committee Hearing
Strauss watches Hill continue to answer questions...
HILL
...he was interrogated by a
prosecutor who used all the tricks
of a rather ingenious legal
background to try to trick
Oppenheimer into erroneous
statements, and he did succeed in a
few instances.
SENATOR SCOTT
You are charging now that the Gray
Board permitted a prosecution of Dr
Oppenheimer. Do you think, then,
that the members of the Gray Board
were unfair?
Hill takes a beat to consider this.
HILL
I can only say if I’d been on the
Gray Board, I would’ve protested
against the tactics of the man who
served in fact as a prosecuting
counsel- a man appointed not by the
board but by Lewis Strauss.
Strauss strokes his chin, feigning indifference.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 178.
SENATOR MCGEE
Who was this?
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
HILL (V.O.)
Roger Robb.
Robb tries to put himself in Kitty’s eyeline...
ROBB
Mrs Oppenheimer.
She will not meet his gaze.
ROBB (CONT’D)
Did you have a Communist Party
membership card?
KITTY
I, I’m not sure...
Kitty fiddles with her purse...
ROBB
Not sure?
KITTY
Well...
She FREEZES. The Board members look at her. Garrison looks at
me...
ROBB
Presumably the act of joining the
Party was sending some money and
receiving a card?
Kitty is focused on her purse...
ROBB (CONT’D)
No?
And then Kitty LOOKS UP at Robb, pure STEEL-
KITTY
It was so long ago, Mr Robb, wasn’t
it?
(CONTINUED)
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ROBB
Not really- KITTY (CONT’D)
Long enough to have
forgotten.
ROBB (CONT’D)
Did you turn in the card or KITTY (CONT’D)
rip it up? The card whose existence I’ve
forgotten?
ROBB (CONT’D)
Your Communist Party KITTY (CONT’D)
membership card- I haven’t the slightest idea.
ROBB (CONT’D)
Can a distinction be made between
Soviet Communism and Communism?
KITTY
In the days when I was a member I
thought they were definitely two
things-
Garrison and I hang on her every word...
KITTY (CONT’D)
I thought the Communist Party of
the United States was concerned
with our domestic problems. I now
no longer believe this. I believe
the whole thing is linked together
and spread all over the world. I’ve
believed this since I left the
Party sixteen years ago.
ROBB
But- KITTY (CONT’D)
Seventeen years ago. My
mistake.
ROBB (CONT’D)
But you- KITTY (CONT’D)
Sorry, eighteen. Yes,
eighteen years ago.
Robb sighs patiently.
ROBB (CONT’D)
Were you familiar with the fact
that your husband was making
contributions to the Spanish Civil
War as late as 1942?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 180.
KITTY
I knew that Robert gave money from
time to time, yes.
ROBB
Do you remember whether he gave
money on a regular or periodic
basis?
Kitty smiles sweetly-
KITTY
Do you mean regular, or do you mean
periodic, Mr Robb?
ROBB
(annoyed)
I mean... regular.
KITTY
He did not.
ROBB
Were you aware that this money was
going into Communist Party
channels?
KITTY
Don’t you mean 'through'?
ROBB
Pardon?
KITTY
I think you mean 'through Communist
Party channels'.
ROBB
Yes. KITTY (CONT’D)
Yes.
ROBB (CONT’D)
Would it be fair to say that this
meant that by 1942 he had not
stopped having anything to do with
the Communist Party? I don’t insist
that you answer yes or no. You can
answer any way you wish.
KITTY
I know that. Thank you. But the
question isn’t properly phrased.
(CONTINUED)
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ROBB
Don’t you understand what I KITTY (CONT’D)
am trying to get at? Yes, I do.
ROBB (CONT’D)
Why don’t you answer it that KITTY (CONT’D)
way? I don’t like the phrase
'having anything to do with
the Communist Party' because
Robert never had anything to
do with the Communist Party
as such. I know he gave money
for Spanish refugees. I know
he took an intellectual
interest in Communist ideas-
ROBB (CONT’D)
Are there two kinds of Communists?
An intellectual Communist and a
plain ordinary Commie?
Kitty laughs the laugh of the free.
KITTY
I couldn’t answer that one.
EVANS
(delighted)
I couldn’t either.
Gray shoots a look at Evans. CHUCKLES around the room.
Garrison looks at me. Nods. She did good.
Ratings
Scene 38 - Oppenheimer's Struggle: Loyalty, Trust, and Defiance
I watch Teller testify.
ROBB
Is it your intention to suggest
that Dr Oppenheimer is disloyal to
the United States?
TELLER
I do not want to suggest anything
of the kind. I have always assumed,
and now assume, that he is loyal to
the United States. I believe this,
and I shall believe it until I see
very conclusive proof to the
opposite.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 182.
ROBB
Now, a question which is a
corollary of that... do you or do
you not believe that Dr Oppenheimer
is a security risk?
TELLER
In a great number of cases I have
seen Dr Oppenheimer act in a way
which for me was exceedingly hard
to understand. I thoroughly
disagreed with him in numerous
issues, and his actions, frankly,
appeared to me confused and
complicated. To this extent, I feel
that I would like to see the vital
interests of this country in hands
which I understand better and
therefore trust more.
GRAY
Thank you, doctor.
Teller gets up from the table, as he walks past me he holds
out his hand...
TELLER
I’m sorry.
I shake his hand.
KITTY (V.O.)
You shook his fucking hand?!
INT. DINING ROOM, OLDEN MANOR, PRINCETON -- NIGHT
KITTY (CONT'D)
I would’ve spat in his face!
GARRISON
I’m not sure the board would’ve
appreciated that.
KITTY
Not gentlemanly enough? You’re all
being too goddamn gentlemanly.
VOLPE
Gray must see what Robb is doing-
why doesn’t he shut him down?
Garrison shrugs.
(CONTINUED)
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KITTY
(to me)
And you? Shaking Teller’s hand- you
need to stop playing the martyr.
EXT. OLDEN MANOR, PRINCETON -- NIGHT
Garrison drives off. Volpe turns to me...
VOLPE
Robert, you can’t win this thing.
It’s a kangaroo court with a
predetermined outcome. Why put
yourself through more of it?
OPPENHEIMER
I have my reasons.
Volpe shrugs. Embraces me. Gets in his car.
EINSTEIN (O.S.)
He has a point, you know.
I turn. Einstein steps into the light.
EINSTEIN (CONT’D)
You’re a man chasing a woman who
doesn’t love him any more- the
United States Government.
OPPENHEIMER
I’m not sure you understand,
Albert.
EINSTEIN
No? I left my country, never to
return. The German calamity of
years ago repeats itself- people
acquiesce without resistance and
align themselves with the forces of
evil. You’ve served America well,
and if this is the reward she has
to offer perhaps you should turn
your back on her.
OPPENHEIMER
Dammit, I happen to love this
country.
Einstein considers this. Nods slowly.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 184.
EINSTEIN
Then tell them to go to hell.
CUT TO:
Ratings
Scene 39 - Frustration and Accountability: Strauss and Oppenheimer's Conflicts
Strauss BURSTS in, fuming...
STRAUSS
This has become a trial about a
trial!
SENATE AIDE
It’s not a good thing that he’s
telling them that you initiated the
hearings.
STRAUSS
He can’t prove that I gave the file
to Borden.
SENATE AIDE
He doesn’t have to. We’re not in
court, there’s no burden of
proof...
Strauss realizes. Shakes his head at himself.
STRAUSS
They’re not convicting. Just
denying.
The Senate Aide nods.
STRAUSS (CONT’D)
Why would Hill come here to tear me
down? What’s his angle?
SENATE AIDE
Do people need a reason to do the
right thing?
Strauss GLARES at the Senate Aide.
SENATE AIDE (CONT’D)
I mean, as he sees it.
STRAUSS
I told you Oppenheimer poisoned the
scientists against me! Right from
that first meeting...
(CONTINUED)
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INSERT CUT: STRAUSS WATCHES OPPENHEIMER HAND EINSTEIN HIS HAT
AS THEY SPEAK DOWN AT THE LAKE...
STRAUSS (CONT’D)
I don’t know what Oppenheimer said
to him that day, but Einstein
wouldn’t even meet my eye...
INSERT CUT: AS STRAUSS APPROACHES, EINSTEIN WALKS PAST
WITHOUT ACKNOWLEDGING HIM, CLEARLY UPSET...
STRAUSS (CONT’D)
Oppenheimer knows how to manipulate
his own. At Los Alamos he preyed on
the naïveté of scientists who
thought they’d get a say in how we
used their work... but don’t ever
think he was that naïve himself...
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
I am back at the witness table. Robb squares up.
ROBB
Doctor, in your work on the
Hydrogen bomb at Los Alamos and in
the years following, were you
deterred by any moral qualms about
the development of this weapon?
OPPENHEIMER
Of course.
ROBB
But you still got on with the work,
didn’t you?
OPPENHEIMER
Yes, because this was work of
exploration. It was not the
preparation of a weapon.
ROBB
You mean it was just an academic
excursion?
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 186.
OPPENHEIMER
No. It’s not an academic thing
whether you can make a Hydrogen
bomb. It’s a matter of life and
death.
ROBB
Beginning in 1942 you were actively
pushing the development of the H-
bomb, weren’t you?
OPPENHEIMER
'Pushing' is not the right word.
Supporting and working on it, yes.
ROBB
When did these moral qualms become
so strong that you opposed the
development of the Hydrogen bomb?
OPPENHEIMER
When it was suggested that it be
the policy of the United States to
make these things at all costs,
without regard to the balance
between these weapons and atomic
weapons as part of our arsenal.
ROBB
(theatrical confusion)
What did moral qualms have to do
with that?
OPPENHEIMER
(struggling)
What did moral qualms have to do
with it?
ROBB
Yes.
INT. SENATE OFFICE -- DAY (B&W)
Strauss is pacing now...
STRAUSS
Oppenheimer wanted to own the
atomic bomb. He wanted to be the
man who moved the earth.
(MORE)
(CONTINUED)
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STRAUSS (CONT’D)
He talks about putting the nuclear
genie back in the bottle- well, I’m
here to tell you that I know J
Robert Oppenheimer and if he could
do it all over he’d do it all the
same. He’s never once said he
regrets Hiroshima- he’d do it all
over because it made him the most
important man who ever lived...
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
I struggle to find an answer for Robb...
OPPENHEIMER
We freely used the atomic ROBB
bomb. In fact, doctor, you assisted
in selecting the target for
the drop of the atomic bomb
on Japan?
Now I can hear the sound of FEET STAMPING...
OPPENHEIMER (CONT’D)
Yes. ROBB (CONT’D)
You knew, did you not, that
the dropping of that atomic
bomb on the target you had
selected would kill or injure
thousands of civilians, is
that correct?
OPPENHEIMER (CONT’D)
Not as many as turned out...
ROBB
How many were killed or injured?
The feet are stamping FASTER and FASTER...
OPPENHEIMER
Seventy thousand.
ROBB
Seventy thousand? At both OPPENHEIMER (CONT’D)
Hiroshima and- One hundred and ten thousand
at both.
ROBB (CONT’D)
On the day of each bombing.
OPPENHEIMER
Yes.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 188.
ROBB
And in the weeks and years after?
OPPENHEIMER
It’s been put at between fifty and
one hundred thousand...
ROBB
Two hundred and twenty thousand
dead? At least?
I nod.
ROBB (CONT’D)
Did you have moral scruples about
that?
OPPENHEIMER
Terrible ones.
ROBB
But you testified the other day
that the bombing of Hiroshima was
very successful?
OPPENHEIMER
Well, it was technically ROBB (CONT’D)
successful. Oh, technically.
OPPENHEIMER (CONT’D)
It’s also alleged to have helped
end the war.
The stamping feet are LOUDER and FASTER...
ROBB
Would you have supported the
dropping of a Hydrogen bomb on
Hiroshima?
Ratings
Scene 40 - Oppenheimer's Moral Scruples and Strauss's Criticism
Strauss TURNS on the Senate Aide-
STRAUSS
But he wanted all the glory and
none of the responsibility. So he
needed absolution. He needed to be
a martyr. To suffer, and take the
sins of the world on his shoulders.
To say 'no, we cannot continue on
this road' even as he knew we’d
have to...
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INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
I search for an answer- the FEET STAMPING ever LOUDER-
OPPENHEIMER
It would make no sense at all.
ROBB
Why?
OPPENHEIMER
The target is too small.
ROBB
Supposing there had been a target
in Japan big enough for a
thermonuclear weapon, would you
have opposed dropping it?
OPPENHEIMER
This was not a problem with ROBB (CONT’D)
which I was confronted. I’m confronting you with it
now, sir. Would you have
opposed the dropping of a
thermonuclear weapon on Japan
because of moral scruples?
OPPENHEIMER (CONT’D)
I believe I would, sir.
ROBB
Did you oppose the dropping of the
atom bomb on Hiroshima because of
moral scruples?
OPPENHEIMER
We set forth our- ROBB (CONT’D)
I’m asking you about it, not
'we'.
OPPENHEIMER (CONT’D)
I set forth arguments against
dropping it. But I did not endorse
them.
INT. SENATE OFFICE -- DAY (B&W)
Strauss PACES the room, FURIOUS-
STRAUSS
He knew he’d have to be seen to
suffer for what he did. It was all
part of his plan.
(MORE)
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 190.
STRAUSS (CONT’D)
He wanted the glorious insincere
guilt of the self-important to wear
like a fucking crown. And I gave it
to him...
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
Robb gets right in my face, incredulous-
ROBB
You mean having worked night and
day for three years to build the
bomb, you then argued it shouldn’t
be used?
OPPENHEIMER
No. I was asked by the Secretary of
War what the views of scientists
were- I gave the views against and
the views for.
ROBB
You supported the dropping of OPPENHEIMER (CONT’D)
the atom bomb on Japan, What do you mean 'support'?
didn’t you?
ROBB (CONT’D)
You helped pick the target, didn’t
you?
OPPENHEIMER
I did my job- I was not in a policy-
making position at Los Alamos- I
would have done anything that I was
asked to do-
ROBB
You would have made the H-bomb too
wouldn’t you?
OPPENHEIMER
I couldn’t.
The STAMPING breaks rhythm to become CACOPHONOUS...
ROBB
I didn’t ask you that, OPPENHEIMER (CONT’D)
doctor! I would have worked on it,
yes. But to run a labouratory
is one thing, to advise a
government is another.
THE LIGHT OF A THOUSAND SUNS POURS IN THE WINDOW...
(CONTINUED)
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ROBB (CONT’D)
And the GAC report, which you co-
authored, following the Russian
atomic test said that a Super bomb
should never be produced, did it
not!
OPPENHEIMER
What we meant- what I meant- was
that it would be a better world if
there were no Hydrogen bombs in it.
LIGHT STABS THROUGH CRACKS IN THE WALL...
ROBB
Wouldn’t the Soviets do anything to
increase their military strength?
OPPENHEIMER
If we did it, they’d have to do it.
Our efforts would fuel their
efforts- just as it had with the
atomic bomb!
PLASTER BREAKS AWAY AS LIGHT POURS INTO THE ROOM... I JAM my
eyes closed, MORE AND MORE EXPOSED...
ROBB
'Just as with the atomic bomb.'
Exactly. No moral scruples in 1945,
plenty in 1949...
The sound STOPS. The light is gone.
GRAY
(gentle)
Dr Oppenheimer, when did your
strong moral convictions develop
with respect to the Hydrogen bomb?
I open my eyes, exhausted...
OPPENHEIMER
When it became clear to me that we
would tend to use any weapon we
had.
Silence.
Ratings
Scene 41 - Strauss's Humiliation and Oppenheimer's Denial
Strauss has stopped...
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 192.
STRAUSS
J. Robert Oppenheimer- the martyr.
I gave him exactly what he wanted.
To be remembered for Trinity, not
Hiroshima, not Nagasaki. He should
be thanking me.
SENATE AIDE
Well, he’s not.
Strauss looks at the Senate Aide’s neck, wondering if he
could get one hand all the way around it.
STRAUSS
(speaking softly)
Do you still have enough votes, or
is the crowning moment of my career
about to become the most public
humiliation of my life?
The Senate Aide looks down at his buck slip, counts his
tally.
SENATE AIDE
You’ll scrape through.
Strauss looks at the Senate Aide. He smiles.
STRAUSS
Then gather the press.
CUT TO:
INT. ROOM 2022, ATOMIC ENERGY COMMISSION -- DAY (COLOUR)
I sit with Garrison and listen to Gray pass judgement...
GRAY
J. Robert Oppenheimer, this board,
having heard testimony from you and
many of your current and former
colleagues, has come to the
unanimous conclusion that you are a
loyal citizen...
(MORE)
(CONTINUED)
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GRAY (CONT’D)
However, in the light of your
continuing associations and
disregard for the security
apparatus of this country, together
with your somewhat disturbing
conduct in relation to the Hydrogen
bomb and the regrettable lack of
candor in certain of your responses
to this board, we have voted two to
one to deny the renewal of your
security clearance.
I barely hear the rest...
GRAY (CONT’D)
A full written opinion, with a
dissent from Mr Evans, will be
issued to the AEC in the coming
days...
The board rises, aides start collecting files. Still dazed, I
take the phone from Garrison-
GARRISON
It’s Kitty.
KITTY
(over phone)
Robert? Robert?
I take a breath. Not trusting my voice...
OPPENHEIMER
Don’t... don’t... don’t... take in
the sheets.
CUT TO:
INT. SENATE OFFICE -- DAY (B&W)
We hear the press gathering behind the doors. Strauss checks
his tie in the mirror. Smooths his hair. The Senate Aide
enters, buck slip in hand.
STRAUSS
Is it official?
SENATE AIDE
I’m afraid there were a couple of
unexpected holdouts.
Strauss freezes, absorbing the impact.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 194.
STRAUSS
I’m denied?
The Senate Aide leaves him hanging for a beat.
SENATE AIDE
I’m afraid so, sir.
Strauss doesn’t know what to do or where to look.
STRAUSS
Who were the holdouts?
SENATE AIDE
There were three, led by the junior
senator from Massachusetts. Young
guy, trying to make a name for
himself. Didn’t like what you did
to Oppenheimer.
STRAUSS
What’s his name?
The Senate Aide checks his tally...
SENATE AIDE
Uh... Kennedy. John F. Kennedy.
CUT TO:
EXT. OLDEN MANOR, BACK GATE OVERLOOKING THE INSTITUTE -- DAY
(COLOUR)
I approach Kitty, who’s been crying.
KITTY
Did you think if you let them tar
and feather you the world would
forgive you? It won’t.
OPPENHEIMER
We’ll see.
CUT TO:
INT. SENATE OFFICE -- DAY (B&W)
Strauss listens to the hungry press pack beyond the door. He
TURNS on the Senate Aide-
(CONTINUED)
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STRAUSS
Goddamn it! You told me I’d be
fine!
SENATE AIDE
Well, I didn’t have all the facts,
did I?
STRAUSS
I did what was right for this
country. They don’t want me in the
Cabinet Room? Maybe they should
just invite Oppenheimer instead.
SENATE AIDE
Perhaps they will.
STRAUSS
He turned the scientists against
me. One by one. Starting with
Einstein. I told you about that?
About Einstein, by the pond?
The Senate Aide picks up Strauss’s hat and coat...
SENATE AIDE
You did. But, you know, sir, since
nobody knows what they said to each
other that day, is it possible they
didn’t talk about you at all? Is it
possible they spoke about
something...
Hands Strauss his hat and coat...
SENATE AIDE (CONT’D)
...more important?
Strauss looks at the Senate Aide like he wants to kill him.
The Senate Aide OPENS the office door and the FLASHBULBS EAT
STRAUSS ALIVE as we-
CUT TO:
Ratings
Scene 42 - A Meeting of Minds: Past Achievements and Present Consequences
(COLOUR)
I approach the figure by the lake. The figure’s hat BLOWS
off, releasing a mass of GREY CURLS. Strauss watches from the
doorway as I scoop up Einstein’s hat...
EINSTEIN
Robert. The man of the moment.
(CONTINUED)
Gadget 2023-04-21 FINAL Shooting Script 196.
I hand him his hat. He looks out at the lake.
EINSTEIN (CONT’D)
You once had a reception for me at
Berkeley. Gave me an award. You all
believed I’d lost the ability to
understand what I’d started. So
that award wasn’t for me... it was
for all of you.
Einstein turns to me.
EINSTEIN (CONT'D) (CONT’D)
Now it’s your turn to deal with the
consequences of your achievements.
And one day... when they’ve
punished you enough...
INT. CABINET ROOM, WHITE HOUSE -- DAY
Dozens of formally attired GUESTS. Kitty by my side. Many
faces, now older, are there - Rabi, Lawrence, Frank,
Jackie...
EINSTEIN (V.O.)
They’ll serve salmon and potato
salad, make speeches, give you a
medal...
LYNDON JOHNSON places a MEDAL around my neck. I SMILE and
shake the President’s hand. Kitty BEAMS as she, in turn,
shakes Johnson’s hand... Frank comes up to me, gives me a
quick embrace-
FRANK
You’re happy, I’m happy...
OPPENHEIMER
Then I’m happy you’re happy.
Lawrence claps me on the shoulder, smiling affectionately...
EINSTEIN (V.O.)
Pat you on the back and tell you
all is forgiven...
Teller approaches, I smile and take his offered hand...
EINSTEIN (V.O.)
Just remember. It won’t be for
you...
(CONTINUED)
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Teller turns to Kitty, offering the same smile and
handshake...
EINSTEIN (V.O.)
...it’ll be for them.
Kitty STARES Teller down, letting his hand hang in the air
like a WILTING PLANT... and we-
CUT TO:
EXT. LAKESIDE, INSTITUTE FOR ADVANCED STUDY, PRINCETON -- DAY
Einstein TURNS to leave. Up the hill, Strauss approaches...
OPPENHEIMER
Albert? When I came to you with
those calculations?
Einstein pauses. I watch raindrops make circles on the
surface of the pond
OPPENHEIMER (CONT'D) (CONT’D)
We were worried that we’d start a
chain reaction that would destroy
the entire world...
EINSTEIN
I remember it well. What of it?
OPPENHEIMER
I believe we did.
Einstein PALES. TURNS, passing Strauss without a word. The
sound of FEET STAMPING...
CLOSE IN ON: my staring eyes as I visualize THE EXPANDING
NUCLEAR ARSENALS OF THE WORLD... THE FEET, FASTER AND FASTER-
When I can take it no longer, I JAM my eyes CLOSED and we-
CUT TO BLACK.
CREDITS.
END.
Ratings
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
j. robert oppenheimer | J. Robert Oppenheimer starts off as a brilliant physicist driven by his pursuit of knowledge, but as he delves deeper into his work on the atomic bomb, he becomes increasingly haunted by the moral implications of his actions. His inner turmoil grows as he grapples with the devastating consequences of his creation, ultimately leading to a moment of reckoning where he must confront his role in the destruction caused by the bomb. | The character arc for J. Robert Oppenheimer is compelling and well-developed, but it could benefit from more external conflict to heighten the stakes and increase the tension. Additionally, there could be more exploration of his relationships with other characters to add depth and complexity to his journey. | To improve the character arc, consider introducing a rival scientist who challenges Oppenheimer's beliefs and forces him to confront his ethical dilemmas. This could create more external conflict and raise the stakes for the character. Additionally, delve deeper into Oppenheimer's relationships with his colleagues and loved ones to add emotional depth and complexity to his journey. |
oppenheimer | Oppenheimer's character arc in the screenplay follows his journey from a determined and passionate physicist to a conflicted and vulnerable individual grappling with the moral implications of his work. As he navigates through espionage, betrayal, and personal struggles, Oppenheimer faces intense scrutiny and internal conflicts that test his integrity and character. Ultimately, he seeks redemption and forgiveness for his past actions, leading to emotional growth and a deeper understanding of his responsibilities. | The character arc for Oppenheimer is well-developed, showcasing his internal struggles and moral dilemmas effectively. However, there could be more emphasis on his relationships with other characters to further explore his vulnerabilities and emotional growth. Additionally, providing more clarity on his motivations and the consequences of his actions could enhance the depth of his character arc. | To improve the character arc for Oppenheimer, consider incorporating more interactions with key characters to highlight his emotional journey and internal conflicts. Develop his relationships with colleagues, friends, and adversaries to showcase the impact of his decisions on those around him. Furthermore, provide clearer insights into his motivations and the ethical dilemmas he faces, allowing the audience to empathize with his struggles and growth throughout the screenplay. |
rabi | Rabi starts off as a confident and outspoken colleague of Dr. Oppenheimer, always standing up for him and challenging others. As the story progresses, he faces a moral dilemma that tests his loyalty and integrity. Through this conflict, Rabi learns the importance of balancing honesty with loyalty and ultimately grows into a more nuanced and empathetic character who can navigate complex situations with grace. | The character arc for Rabi is well-developed, but it could benefit from more internal conflict and emotional depth. Rabi's growth feels somewhat predictable and could be more impactful with added layers of complexity. Additionally, his interactions with other characters could be further explored to deepen his relationships and motivations. | To improve the character arc for Rabi, consider adding moments of internal struggle and vulnerability that showcase his inner turmoil and growth. Explore his relationships with other characters in more depth to reveal different facets of his personality and motivations. Allow Rabi to make more difficult choices that challenge his beliefs and values, leading to a more compelling and dynamic character arc. |
tatlock | Tatlock starts off as a confident and bold character who challenges Oppenheimer, but as the story progresses, her mysterious and enigmatic nature is revealed. She struggles with her feelings for Oppenheimer and the consequences of their relationship, leading to a deeper exploration of her vulnerability and inner turmoil. Ultimately, she must confront her emotions and make a decision about her future with Oppenheimer. | The character arc for Tatlock is well-developed, but it could benefit from more clarity and depth in her emotional journey. The transitions between her bold and confident persona and her vulnerable and enigmatic side could be smoother to create a more cohesive character development. | To improve the character arc for Tatlock, consider adding more scenes that delve into her past and the reasons behind her enigmatic nature. Show more moments of vulnerability and inner conflict to make her emotional journey more relatable and engaging for the audience. Additionally, ensure that the transitions between her different sides are seamless and natural to enhance the overall character development. |
kitty | Kitty starts off as a resilient character who has experienced loss and betrayal, but as the story progresses, she becomes more confrontational and assertive in challenging Oppenheimer's choices and holding him accountable. Despite her emotional struggles, Kitty remains fiercely loyal and supportive, standing by Oppenheimer through thick and thin. By the end of the screenplay, Kitty's character arc culminates in her becoming a fierce and protective figure who refuses to back down in the face of adversity, ultimately solidifying her role as a strong and unwavering presence in Oppenheimer's life. | The character arc for Kitty is well-developed and showcases her growth and evolution throughout the screenplay. However, there could be more exploration of Kitty's internal struggles and vulnerabilities to add depth to her character. Additionally, providing more backstory or context for Kitty's past experiences could further enhance her character development and make her motivations more clear to the audience. | To improve the character arc for Kitty, consider incorporating flashback scenes or dialogue that delve deeper into her past struggles and experiences. This will help the audience better understand Kitty's motivations and emotional journey. Additionally, adding moments of introspection or vulnerability for Kitty can make her character more relatable and multidimensional. Lastly, ensure that Kitty's actions and decisions throughout the screenplay are consistent with her established traits and motivations to maintain her authenticity as a character. |
groves | General Groves starts off as a strict and focused military leader solely driven by the success of the Manhattan Project. However, as the story progresses, he begins to question the ethical implications of the project and the devastating impact it could have. This internal conflict leads him to reevaluate his priorities and ultimately make a difficult decision that goes against his initial orders, showing a more compassionate and morally conscious side of his character. | The character arc for General Groves is compelling and adds depth to his character. However, it could benefit from more subtle hints throughout the screenplay that foreshadow his internal conflict and eventual change of heart. Additionally, exploring his personal motivations and backstory could further enhance the audience's understanding of his character development. | To improve the character arc, consider incorporating scenes that delve into General Groves' personal life, relationships, and past experiences that have shaped his beliefs and values. This will provide a more nuanced portrayal of his character and make his internal struggle more relatable to the audience. Additionally, consider adding moments of vulnerability and introspection to show his internal turmoil more explicitly, leading to a more impactful and satisfying resolution to his arc. |
einstein | Albert Einstein starts off as a wise and pragmatic mentor to Oppenheimer, guiding him with his insights and reflections. As the story progresses, Einstein's character arc evolves to show a more nostalgic and supportive side, emphasizing the importance of ethical considerations in their scientific pursuits. By the end of the feature, Einstein's character arc culminates in a moment of deep reflection on the consequences of their achievements, leaving a lasting impact on Oppenheimer. | The character arc for Albert Einstein is well-developed and adds depth to the story. However, to further enhance the impact of his character, it would be beneficial to explore more of Einstein's personal struggles and conflicts. This could provide a more nuanced portrayal of his character and create additional layers of complexity to his relationship with Oppenheimer. | To improve the character arc for Albert Einstein, consider incorporating flashbacks or monologues that delve into his past experiences and challenges. This could reveal more about his motivations and beliefs, adding depth to his character. Additionally, exploring moments of internal conflict or moral dilemmas for Einstein could create a more dynamic and engaging portrayal of his character throughout the feature. |
teller | Edward Teller starts off as a determined and ambitious scientist who challenges Oppenheimer's decisions and prioritizes results over ethics. As the story progresses, Teller's personal disagreements and conflicts with Oppenheimer deepen, leading to inner struggles and doubts about his own beliefs. Ultimately, Teller must confront his own moral compass and make a decision that will define his legacy. | The character arc for Edward Teller is well-developed, showcasing his evolution from a driven scientist to a conflicted individual grappling with moral dilemmas. However, there could be more depth added to Teller's inner struggles and doubts, as well as his eventual decision-making process. This would create a more compelling and nuanced portrayal of his character. | To improve the character arc for Edward Teller, consider adding more scenes that delve into his internal conflicts and moral dilemmas. Show moments of vulnerability and introspection that highlight the complexity of his character. Additionally, explore Teller's relationships with other characters to provide further insight into his motivations and decisions. This will enhance the emotional depth of the character and engage the audience on a deeper level. |
strauss | At the beginning of the screenplay, Strauss is portrayed as a seasoned political figure navigating the complexities of government with a sense of duty and pragmatism. However, as the story progresses, his manipulative and vindictive nature becomes more apparent as he becomes consumed by personal vendettas and a desire for control. Ultimately, his downfall comes when his actions lead to the betrayal of those he once trusted, causing him to lose the power and recognition he so desperately sought. | The character arc for Strauss is well-developed and effectively showcases his transformation from a seemingly principled politician to a ruthless manipulator. However, the arc could benefit from more nuanced exploration of his motivations and internal struggles. Additionally, more emphasis on the consequences of his actions and the impact on those around him could add depth to his character development. | To improve the character arc for Strauss, consider incorporating flashbacks or internal monologues to provide insight into his motivations and inner turmoil. Show more of the emotional toll his actions take on him and those around him, highlighting the complexity of his character. Additionally, consider adding moments of redemption or self-reflection to add depth and dimension to his transformation throughout the screenplay. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
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Tense scenes have higher emotional impact | There is a noticeable trend of scenes labeled as 'Tense' having a higher emotional impact score, suggesting that the author effectively uses tension to drive emotion. |
Scenes with 'Intense' tone have higher stakes | Scenes marked as 'Intense' tend to have higher stakes, indicating that the author may use intensity to raise the stakes in the narrative. |
Dialogue scores are lower in scenes with a 'Political' or 'Philosophical' concept | Scenes that focus on political or philosophical concepts seem to have slightly lower dialogue scores, which might imply that the author is prioritizing concept exploration over dialogue in these instances. |
Character changes are more frequent in scenes with 'Confrontational' or 'Intriguing' elements | Scenes containing 'Confrontational' or 'Intriguing' elements show a higher frequency of character changes, suggesting that the author may use conflict or intrigue to drive character development. |
Scene scores are generally high when 'Hopeful' is present | The author may be particularly skilled at writing engaging and effective scenes when incorporating a 'Hopeful' element, as these scenes generally receive high scores across all categories. |
Writer's Craft Overall Analysis
The screenplay showcases a strong foundation in historical context, character dynamics, and thematic depth. The writer demonstrates a clear understanding of narrative structure and a knack for creating engaging dialogue. However, there is room for improvement in fine-tuning pacing, enhancing visual storytelling, and further developing character relationships.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Book | The Art of Dramatic Writing by Lajos Egri | This book provides valuable insights into character development, conflict, and plot structure, which can help improve the overall cohesion and emotional impact of the screenplay. |
Exercise | Write a scene without dialogue, focusing on visual storytelling and character emotions.Practice In SceneProv | This exercise will help you practice conveying story and character information through visuals, enhancing your ability to create a rich and immersive viewing experience. |
Screenplay | The Lives of Others by Florian Henckel von Donnersmarck | This screenplay masterfully balances historical context, character dynamics, and thematic depth, offering a great example of how to weave these elements together to create a compelling narrative. |
Stories Similar to this one
Story | Explanation |
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The Fountainhead (1949) by Ayn Rand | Both stories feature a brilliant and unconventional protagonist who faces opposition from society and must navigate ethical dilemmas in their work. Oppenheimer's struggle to balance his scientific genius with the moral implications of his creations is reminiscent of Howard Roark's battle for individualism and artistic integrity. |
The Social Network (2010) | The film and the screenplay share a similar focus on the complex interplay between genius, ambition, and power. The characters in both stories are driven by their intellect and vision, but must also confront the consequences of their actions and the impact on those around them. |
The Imitation Game (2014) | Both stories revolve around brilliant scientists working on top-secret projects during a time of war. The protagonists face personal struggles, government scrutiny, and ethical dilemmas as they balance their work and their loyalties. The themes of secrecy, sacrifice, and the moral complexities of scientific progress are central to both narratives. |
Fat Man and Little Boy (1989) | This film shares a similar historical context and subject matter with the screenplay, focusing on the development of the atomic bomb during World War II. Both stories explore the moral implications of scientific progress, the relationships between the scientists and the military, and the personal sacrifices made in the pursuit of a groundbreaking invention. |
Copenhagen (2002) | This play, like the screenplay, delves into the world of theoretical physics and the relationships between scientists. The moral and ethical questions surrounding the use of scientific knowledge are central to both narratives, as are the themes of collaboration, competition, and the human cost of scientific progress. |
The Producers (1968) | While the subject matter is vastly different, the screenplay and this film share a similar tone and structure. Both stories revolve around a central duo who are driven by ambition and must navigate a series of challenges and setbacks in order to achieve their goals. The dark humor and satirical elements in both narratives provide a unique lens through which to explore serious themes. |
The Right Stuff (1983) | Both stories explore the intersection of science, ambition, and human achievement. The characters in both narratives are driven by their desire to push the boundaries of what is possible, and must confront the personal and ethical consequences of their actions. The themes of heroism, sacrifice, and the human cost of progress are central to both narratives. |
Good Will Hunting (1997) | Both stories feature a brilliant protagonist who struggles to find their place in the world and reconcile their intellect with their personal lives. The themes of mentorship, self-discovery, and the power of human connection are central to both narratives, as are the moral and ethical implications of intellectual pursuits. |
The Theory of Everything (2014) | This film, like the screenplay, explores the world of theoretical physics and the personal lives of the scientists who shape it. The themes of love, ambition, and the human cost of scientific progress are central to both narratives, as are the moral and ethical dilemmas that arise from the pursuit of knowledge. |
The Prestige (2006) | Both stories revolve around rivalries, secrets, and the pursuit of greatness. The characters in both narratives are driven by their ambition and must confront the consequences of their actions. The themes of obsession, sacrifice, and the human cost of achievement are central to both narratives. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
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The Chosen One | Oppenheimer is chosen by Strauss to work at the Institute for Advanced Study at Princeton, despite his past concerns. | The Chosen One is a trope where a character is selected, often by a mentor figure, to fulfill a special role or task. This trope is common in stories about heroes or prodigies. For example, in Star Wars, Luke Skywalker is chosen by Obi-Wan Kenobi to become a Jedi. |
Mentor Ship | Bohr encourages Oppenheimer to study under Max Born at Gottingen. | Mentor Ship is a trope where an older, wiser character guides and teaches a younger character. This trope is common in coming-of-age stories and hero's journeys. For example, in The Karate Kid, Mr. Miyagi mentors Daniel-san in the ways of karate. |
The Loner | Oppenheimer is often seen alone, reflecting on his struggles and decisions. | The Loner is a trope where a character prefers to work or be alone, rather than in a group. This trope is common in stories about geniuses or anti-heroes. For example, in The Social Network, Mark Zuckerberg is a loner who prefers to code alone in his dorm room. |
The Genius | Oppenheimer is portrayed as a genius in quantum theory and atomic energy. | The Genius is a trope where a character has an exceptional talent or intelligence in a specific field. This trope is common in stories about scientists, mathematicians, or artists. For example, in A Beautiful Mind, John Nash is a mathematical genius who struggles with schizophrenia. |
The Betrayal | Oppenheimer is accused of being a Soviet agent and betraying his country. | The Betrayal is a trope where a character is revealed to have been working against their group or cause. This trope is common in spy thrillers and political dramas. For example, in The Departed, Billy Costigan is a mole in the police department who betrays his handler. |
The Love Triangle | Oppenheimer has intimate moments with Tatlock, but is also interested in Kitty, who is pregnant with his child. | The Love Triangle is a trope where a character has romantic feelings for two other characters, who also have feelings for each other. This trope is common in romantic comedies and dramas. For example, in The Notebook, Noah and Allie have a love triangle with Lon. |
The Power of Knowledge | Oppenheimer and his team discover the potential for a chain reaction and a bomb. | The Power of Knowledge is a trope where a character's understanding or discovery has significant consequences or implications. This trope is common in science fiction and thrillers. For example, in Jurassic Park, the scientists' discovery of DNA cloning leads to the creation of dinosaurs. |
The Fall from Grace | Oppenheimer loses his security clearance and credibility due to his past relationships and associations. | The Fall from Grace is a trope where a character experiences a significant loss or decline in status due to their actions or circumstances. This trope is common in tragedies and dramas. For example, in House of Cards, Frank Underwood falls from grace when his crimes are exposed. |
The Tragic Hero | Oppenheimer is a brilliant scientist who struggles with personal and political conflicts, leading to his downfall. | The Tragic Hero is a trope where a character has admirable qualities and achievements, but also has flaws or makes mistakes that lead to their downfall. This trope is common in classical tragedies and dramas. For example, in Hamlet, Hamlet is a tragic hero who seeks revenge on his uncle, but also doubts his own sanity and motives. |
The Government Conspiracy | Strauss and other officials investigate and prosecute Oppenheimer based on bureaucratic procedures and rumors. | The Government Conspiracy is a trope where a character or group of characters is targeted or persecuted by a government agency or institution. This trope is common in political thrillers and conspiracy theories. For example, in The X-Files, Mulder and Scully investigate government conspiracies involving extraterrestrial life and paranormal phenomena. |
Theme | Theme Details | Themee Explanation | ||||||||||||
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Nuclear Research and its Implications | Discussions about the power of the atomic bomb, potential damage, psychological impact, arms race, and the potential dangers and implications of building a hydrogen bomb. | The screenplay explores the scientific and political aspects of nuclear research, highlighting the consequences of creating and using such powerful weapons. | ||||||||||||
Strengthening Nuclear Research and its Implications:
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Loyalty and Trust | Questions about Oppenheimer's loyalty, trustworthiness, and protection of friends, as well as concerns about Communist infiltration and security breaches. | The screenplay delves into the theme of loyalty and trust, as characters grapple with the implications of Oppenheimer's relationships and the potential risks they pose to the project. | ||||||||||||
Politics and Power | Discussions around the use of the atomic bomb, the decision-making process, and the influence of policy on nuclear research. | The screenplay touches on the theme of politics and power, shedding light on the role of politicians and military officials in shaping the course of nuclear research and its applications. | ||||||||||||
Personal Relationships and Struggles | Depictions of Oppenheimer's personal relationships, including his marriage, friendships, and romantic involvements, as well as the personal struggles of other characters. | The screenplay incorporates personal relationships and struggles to provide a more nuanced understanding of the characters and their motivations. | ||||||||||||
Secrecy and Compartmentalization | Discussions about security, compartmentalization, and the challenges of maintaining secrecy in a large-scale project like the Manhattan Project. | The screenplay highlights the importance of secrecy and compartmentalization in the context of nuclear research, reflecting the real-life practices of the Manhattan Project. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Voice Analysis | |
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Summary: | The writer's voice is characterized by sharp dialogue, intellectual banter, and a blend of personal and scientific themes. The dialogue is fast-paced, witty, and often thought-provoking, exploring complex moral and ethical dilemmas faced by the characters. |
Voice Contribution | The writer's voice contributes to the script by providing depth and complexity to the characters and themes. The sharp dialogue and intellectual banter create a sense of tension and urgency, while the personal and scientific themes add layers of meaning and resonance to the story. |
Best Representation Scene | 7 - Oppenheimer's Difficult Decisions |
Best Scene Explanation | This scene is the best representation of the writer's voice because it encapsulates the sharp dialogue, intellectual banter, and blend of personal and scientific themes that characterize the screenplay. The dialogue between Oppenheimer and Teller is intense and thought-provoking, exploring the moral and ethical dilemmas of creating a weapon of mass destruction. |
- Overall originality score: 8.5
- Overall originality explanation: The screenplay demonstrates a high level of originality through its unique exploration of historical events, scientific concepts, and personal relationships. The characters' actions and dialogue are authentic and nuanced, contributing to the depth and complexity of the narrative.
- Most unique situations: The most unique situations in the screenplay include Oppenheimer's struggle to visualize the new world of atomic energy, the complex relationships between historical figures, and the ethical dilemmas faced by the characters involved in the development of the atomic bomb.
- Overall unpredictability score: 7.5
- Overall unpredictability explanation: The screenplay is relatively unpredictable, with unexpected twists and turns in the narrative. The characters' actions and motivations are not always clear, adding to the tension and suspense of the story.
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal and external goals revolve around navigating personal and political challenges while grappling with moral and ethical dilemmas, especially related to the development and use of the atomic bomb. |
External Goals | The protagonist's external goals include securing power and influence, navigating military and political pressures, and achieving success in testing and deploying the atomic bomb. |
Philosophical Conflict | The overarching philosophical conflict revolves around the tension between scientific progress and moral responsibility, personal integrity and political expediency, and the ethical implications of nuclear weapons. |
Character Development Contribution: The evolution of the protagonist's internal and external goals reflects a deepening complexity and moral introspection, leading to a more nuanced understanding of personal values and responsibilities.
Narrative Structure Contribution: The protagonist's goals and conflicts drive the narrative forward by creating tension, stakes, and moral dilemmas that propel the plot and character development.
Thematic Depth Contribution: The goals and conflicts in the screenplay deepen the thematic exploration of power, ethics, loyalty, and the consequences of scientific advancement, adding layers of complexity and philosophical weight to the story.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
- Physical environment: The screenplay takes place in various locations, including government buildings, Senate offices, Senate committee hearing rooms, academic institutions, scientific research facilities, and wilderness settings in the United States and Europe. The physical environment reflects the seriousness and historical significance of the events, with a mix of formal and bureaucratic settings, as well as remote and isolated locations that emphasize the urgency and secrecy of the scientific research being conducted.
- Culture: The cultural elements in the screenplay include political maneuvering, power dynamics, historical references, intellectual pursuit, mentorship, and discussions about politics, philosophy, and scientific theories. These cultural elements contribute to the atmosphere of tension, intrigue, and intellectual curiosity, and shape the characters' experiences and actions as they navigate the complex and high-stakes world of scientific research and political power.
- Society: The societal structures in the screenplay are hierarchical, with clear divisions between those with and without security clearances, and a strong emphasis on trust, loyalty, and secrecy. The societal structures reflect the importance of authority and influence, and shape the characters' experiences and actions as they interact with each other and navigate the political and bureaucratic systems in which they operate.
- Technology: The technological aspects in the screenplay include scientific instruments, mathematical concepts, and historical references to technological advancements. These technological elements contribute to the atmosphere of intellectual curiosity and innovation, and highlight the significance of scientific research and discovery in shaping the world and the characters' experiences and actions.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a complex and high-stakes world that requires them to navigate political and bureaucratic systems, engage in intellectual pursuit and mentorship, and make difficult ethical and moral decisions. The characters are influenced by the societal structures, cultural elements, and technological advancements, and their experiences and actions are shaped by the challenges and opportunities presented by the world they inhabit.
- Narrative contribution: The world elements contribute to the narrative of the screenplay by providing a rich and complex setting that informs the characters' actions and decisions. The physical environment, culture, society, and technology create a sense of tension, intrigue, and intellectual curiosity, and provide a backdrop for the characters' personal and professional struggles as they engage in scientific research and navigate political and bureaucratic systems.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by highlighting the significance of scientific research and discovery, the challenges and ethical dilemmas presented by technological advancements, and the importance of trust, loyalty, and secrecy in political and bureaucratic systems. The physical environment, culture, society, and technology also contribute to the themes of power, authority, and influence, and provide a nuanced and thought-provoking exploration of the complex and high-stakes world of scientific research and political power.
central conflict
The central conflict is the power struggle and mistrust between J. Robert Oppenheimer, the scientific director of the Manhattan Project, and Lewis Strauss, a government official, over the development and use of atomic energy.
primary motivations
Oppenheimer is motivated by his passion for science, his belief in the potential of atomic energy, and his desire to protect innocent people. Strauss is driven by his ambition, his commitment to national security, and his mistrust of Oppenheimer.
catalysts
The key catalysts include the start of the Manhattan Project, the development of the atomic bomb, the investigation into Oppenheimer's past, and the decision to drop the atomic bomb on Japan.
barriers
The main barriers include Oppenheimer's past relationships, his political views, the government's security concerns, and the potential dangers and implications of building nuclear weapons.
themes
Central themes include power, trust, loyalty, the consequences of scientific discovery, and the role of government in scientific research.
stakes
What's at stake is the future of atomic energy, national security, and the potential for a nuclear arms race.
uniqueness factor
This story is unique in its exploration of the moral and political implications of atomic energy, and the personal and professional struggles of those involved in its development.
audience hook
The main audience hook is the suspense and drama surrounding the development and use of the atomic bomb, and the personal and political conflicts between Oppenheimer and Strauss.
paradoxical engine or bisociation
The paradoxical story engine is the tension between the potential benefits and dangers of atomic energy, and the conflict between Oppenheimer's idealism and Strauss's pragmatism.
paradoxical engine or bisociation 2
Another bisociation engine could be the contrast between the scientific community's pursuit of knowledge and the government's need for control and security.
Recommend
Executive Summary
The 'Oppenheimer' screenplay is a powerful and compelling exploration of a complex historical figure and the moral dilemmas surrounding the development and use of the atomic bomb. The screenplay's strengths lie in its historical accuracy, character development, and thought-provoking themes. Some areas for improvement include pacing, further development of female characters, and a deeper exploration of the consequences of nuclear weapons.
- The screenplay masterfully blends historical accuracy with dramatic storytelling, creating a captivating and thought-provoking narrative. high
- Oppenheimer's complex character arc is portrayed with depth and nuance, exploring his brilliance, flaws, and internal conflicts. high
- The dialogue is sharp, intelligent, and often laced with wit, reflecting the intellectual environment and the characters' personalities. high
- The use of flashbacks and flash-forwards effectively adds depth and context to the narrative, building suspense and revealing Oppenheimer's emotional journey. medium
- The portrayal of the Los Alamos community and the scientists' personal lives adds a human dimension to the story, highlighting the sacrifices and moral dilemmas they faced. medium ( Scene 12 Scene 20 Scene 25 )
- The pacing could be tightened in certain sections, particularly during the middle act where the focus on scientific details might slow down the momentum for some viewers. medium
- The female characters, particularly Kitty and Jean Tatlock, could benefit from further development and exploration of their motivations and inner lives. medium ( Scene 8 Scene 15 Scene 29 )
- While the consequences of the atomic bomb are mentioned, a more explicit exploration of the human cost and long-term implications could enhance the film's impact. medium ( Scene 30 Scene 35 Scene 37 )
- The screenplay could benefit from a more detailed exploration of the political landscape and the decision-making processes that led to the use of the atomic bomb. medium
- The recurring motif of feet stamping, growing faster and faster, effectively symbolizes Oppenheimer's growing anxiety and the escalating threat of nuclear war. high ( Scene 25 Scene 40 Scene 42 )
- The use of the Bhagavad Gita and Oppenheimer's quote 'Now I am become Death, destroyer of worlds' adds a layer of philosophical and moral complexity to his character. high ( Scene 4 Scene 24 Scene 26 )
- The screenplay cleverly uses the Strauss hearings to frame the narrative, gradually revealing the complex relationship between Oppenheimer and Strauss. medium ( Scene 1 Scene 31 Scene 39 )
Memorable lines in the script:
Scene Number | Line |
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5 | Oppenheimer: And now I am become Death... destroyer of worlds. |
13 | Oppenheimer: You didn’t hire me despite my left-wing past, you hired me because of it. So you could control me. |
11 | Oppenheimer: Theory will take you only so far. |
18 | Pash: You see me as persistent- |
6 | Oppenheimer: A bomb, Alvarez. A bomb. |