Thor
Executive Summary
Overview
Genres: Science, Fiction, Adventure, Fantasy, Action, Sci-Fi, Family, Comedy, Drama
Setting: Present day, A small town in the Midwest
Overview: Thor follows the journey of the titular character as he learns the consequences of his impulsive actions and seeks redemption. From investigating anomalies in the sky to battling Frost Giants and confronting the power-hungry Loki, Thor's story is a captivating exploration of duty, family, and self-discovery.
Themes:
Conflict and Stakes: John's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake
Overall Mood: Tense and suspenseful, with moments of hope and determination
Mood/Tone at Key Scenes:
- Scene 1: John is arrested and thrown in jail, feeling scared and alone
Standout Features:
- Unique Hook: A young man falsely accused of a crime must fight to clear his name while navigating a corrupt justice system
- Plot Twist: The corrupt police officer who framed John is revealed to be the mastermind behind a larger conspiracy
- Distinctive Setting: The small-town setting creates a sense of claustrophobia and isolation that heightens the tension
- Innovative Idea: The film explores the theme of truth and justice through the lens of a small-town legal battle
Comparable Scripts:
- Thor
- Avengers: Age of Ultron
- Men in Black
- Stranger Things
- Interstellar
- Close Encounters of the Third Kind
- Arrival
- E.T. the Extra-Terrestrial
- Independence Day
- The X-Files
- The Day After Tomorrow
- Contact
- Independence Day: Resurgence
- Cloverfield
- The Avengers
- Pacific Rim
- War of the Worlds
- Stranger Things 3
- The Mist
- The Cloverfield Paradox
Pass/Consider/Recommend
Explanation:
USP: The Unique Selling Proposition in this screenplay lies in its combination of scientific investigation and mystical elements, creating a compelling and intriguing story. With its unique blend of suspense, action, and emotional depth, this script sets itself apart from others in the genre. Targeting audiences who enjoy science fiction and fantasy, this screenplay offers a fresh take on traditional superhero narratives, showcasing distinctive characters and innovative storytelling techniques. With its captivating plot twists and themes of identity, loyalty, and sacrifice, this script offers a compelling piece of storytelling that will engage and resonate with its target audience.
Market Analysis
Budget Estimate:$20-30 million
Target Audience Demographics: Adults aged 25-54, fans of drama and legal thrillers
Marketability: It has the potential to attract a wide audience and generate buzz due to its strong central conflict, relatable characters, and timely themes
While the unique blend of genres and exploration of compelling themes are strengths, the lack of big-name actors may limit its marketability
Compelling characters and a gripping storyline are strengths, but the focus on a small-town setting may limit its appeal to a mainstream audience
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations
Analysis Criteria Percentiles
Writer's Voice
Memorable Lines:
- Jane: Holy. Shatner. (Scene 1)
- DARCY: Wow. Does he need CPR? Because I know CPR. (Scene 2)
- Odin: Who wields this hammer commands the lightning and the storm. Its power has no equal -- as a weapon, to destroy, or as a tool, to build. It is a fit companion for a King. (Scene 6)
- Thor: The Jotuns must pay for what they've done! (Scene 7)
- THOR: How dare you attack the son of Odin! (Scene 17)
Characters
John Smith:A young man who is falsely accused of a crime and must fight to clear his name
Mary Johnson:John's girlfriend who believes in him and helps him through his ordeal
Thomas Black:The corrupt police officer who frames John for the crime
Story Shape
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall Grade | Concept | Plot | Originality Score | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - The Aurora | Mysterious, Exciting, Worrisome | 9 | 8 | 7 | 9 | 8 | 4 | 7 | 8 | 5 | 5 | 7 | 8 | 6 | 6 | 7 | 9 | 7 | 9 | 8 | |
2 - Encounter with the Anomaly | Excitement, Worry, Wonder, Relief | 9 | 8 | 9 | 8 | 7 | 6 | 7.5 | 8 | 8 | 8 | 8 | 9 | 7 | 7 | 6 | 9 | 8 | 8 | 9 | |
3 - The Worlds Tree | Excitement, Wonder, Mystery | 8 | 7 | 8 | 8 | 7 | 6 | 6 | 7 | 6 | 6 | 7 | 8 | 7 | 7 | 6 | 8 | 8 | 9 | 9 | |
4 - Preparation for the Ceremony | Excitement, Tension, Playfulness, Dramatic | 8 | 7 | 9 | 7 | 8 | 5 | 8 | 7 | 6 | 7 | 7 | 8 | 6 | 7 | 7 | 9 | 8 | 9 | 8 | |
5 - Anomaly in the Sky | Excitement, Worry, Tension | 8 | 7 | 8 | 8 | 7 | 6 | 7 | 8 | 7 | 6 | 6 | 8 | 7 | 7 | 6 | 9 | 8 | 9 | 7 | |
6 - Discovering the Anomaly | Excitement, Suspense, Seriousness | 9 | 8 | 9 | 8 | 7 | 6 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 8 | 6 | 9 | 8 | 9 | 8 | |
7 - The Destroyer's Attack | Shocked, Awed, Determined | 8 | 7 | 8 | 6 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | |
8 - Thor and the Warriors Three plan to go to Jotunheim | Anger, Frustration, Concern, Conviction | 10 | 8 | 9 | 6 | 10 | 7 | 8 | 9 | 8 | 8 | 8 | 9 | 7 | 7 | 9 | 9 | 8 | 9 | 8 | |
9 - Journey to Jotunheim | Excitement, Tension, Determination | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 6 | 7 | 7 | 8 | 8 | 9 | 9 | |
10 - Embarking on a Dangerous Mission | Exciting, Tense, Serious, Humorous | 8 | 9 | 8 | 6 | 7 | 7 | 8 | 10 | 9 | 6 | 9 | 8 | 7 | 7 | 6 | 9 | 8 | 9 | 8 | |
11 - Battle in Jotunheim | tension, confrontational, defensive | 9 | 8 | 9 | 9 | 10 | 6 | 8 | 9 | 10 | 9 | 10 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | |
12 - Battle in Jotunheim | Anger, Frustration, Surprise, Concern | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 7 | 8 | 6 | 10 | 9 | 9 | 9 | |
13 - Battle in Jotunheim | Intense, Tense, Desperate | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 9 | 7 | 10 | 9 | 8 | 7 | |
14 - The Battle on Jotunheim | Tense, Dramatic, Defiant | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 9 | 9 | 8 | 6 | 7 | 6 | 9 | 8 | 8 | 7 | |
15 - The Fall of Thor | Intense, Tense, Serious | 9 | 7 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 9 | 9 | |
16 - Battle in Jotunheim | Intense, Suspenseful, Exciting, Serious, Emotional | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 8 | 9 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
17 - Thor's Arrival in the Hospital | Fierce, Interest, Curiosity, Sympathetic, Angry, Shocked, Amazed | 7 | 6 | 7 | 3 | 8 | 6 | 8 | 7 | 7 | 8 | 7 | 7 | 6 | 6 | 6 | 7 | 9 | 9 | 8 | |
18 - The Battle in Jotunheim | Intense, Serious, Exciting, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 10 | 6 | 9 | 9 | 8 | 9 | 7 | 9 | 8 | 9 | 7 | |
19 - Thor awakens in a hospital and reunites with Jane and her friends | Intense, Dramatic, Humorous | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 9 | 6 | 7 | 9 | 7 | 8 | 8 | 9 | 9 | 9 | 8 | |
20 - Post-Battle Reflection | Intense, Tense, Serious | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 9 | 8 | 7 | 7 | 7 | 9 | 7 | 9 | 8 | |
21 - Loki's Revelation | Intense, Suspenseful, Revealing, Emotional | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 9 | 8 | |
22 - Thor's Awakening | Intense, Dramatic, Suspenseful | 8 | 7 | 8 | 9 | 8 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | |
23 - Revelations and Responsibilities | Intense, Heartfelt, Conflicted | 9 | 8 | 8 | 6 | 9 | 10 | 8 | 9 | 7 | 8 | 9 | 9 | 7 | 9 | 7 | 9 | 7 | 9 | 8 | |
24 - Thor's Hungry Adventure | Intrigued, Eager, Amazed, Unconcerned, Puzzled, Excited, Amused | 8 | 7 | 8 | 6 | 7 | 2 | 8 | 7 | 5 | 7 | 4 | 8 | 6 | 4 | 9 | 9 | 9 | 9 | 8 | |
25 - Thor's Decision | 9 | 8 | 9 | 5 | 9 | 8 | 8 | 9 | 9 | 7 | 9 | 9 | 6 | 8 | 8 | 7 | 8 | 9 | 8 | ||
26 - Confrontation and Loss | Dramatic, Serious, Tense | 8 | 7 | 9 | 6 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 6 | 9 | 7 | 8 | 8 | 9 | 9 | |
27 - The Search for Mjolnir | Excitement, Tension, Curiosity | 8 | 7 | 8 | 6 | 9 | 6 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | |
28 - Thor's Infiltration | Excited, Intense, Serious | 9 | 8 | 9 | 7 | 7 | 6 | 9 | 8 | 9 | 7 | 8 | 9 | 8 | 7 | 6 | 9 | 9 | 9 | 9 | |
29 - Thor infiltrates SHIELD desert base to reclaim Mjolnir | Tense, Exciting | 10 | 9 | 10 | 6 | 9 | 7 | 8 | 9 | 10 | 9 | 10 | 9 | 7 | 9 | 8 | 9 | 9 | 10 | 8 | |
30 - Thor's Failed Attempt to Retrieve Mjolnir | Intense, Tense, Disappointing, Heartbreaking | 7 | 7 | 8 | 4 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 5 | 10 | 6 | 9 | 8 | 9 | 7 | |
31 - Jane and Selvig's Discovery | Excitement, Determination, Uncertainty | 9 | 8 | 9 | 5 | 8 | 7 | 7 | 9 | 6 | 7 | 7 | 8 | 6 | 6 | 7 | 9 | 8 | 9 | 8 | |
32 - Revelations and Goodbyes | Tense, Emotional | 10 | 9 | 9 | 7 | 10 | 9 | 9 | 8 | 7 | 8 | 8 | 8 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
33 - Thor Reclaims Mjolnir | 6 | 7 | 7 | 6 | 6 | 6 | 8 | 9 | 7 | 6 | 6 | 8 | 7 | 5 | 5 | 9 | 8 | 9 | 8 | ||
34 - Betrayal and Redemption | 6 | 4 | 7 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 5 | 9 | 8 | 9 | 7 | ||
35 - Thor and Selvig bond | Serious, Emotional, Lighthearted | 8 | 7 | 8 | 6 | 9 | 7 | 9 | 8 | 6 | 6 | 5 | 7 | 4 | 7 | 7 | 9 | 8 | 10 | 7 | |
36 - Reconnecting and Planning | Excitement, Tension, Friendship, Tenderness | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 9 | 3 | 7 | 4 | 8 | 6 | 7 | 8 | 7 | 8 | 9 | 8 | |
37 - Volstagg's Concern | Dramatic, Suspenseful, Serious | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 7 | 7 | 6 | 7 | 8 | 7 | 6 | 7 | 9 | 8 | 9 | 8 | |
38 - The Warriors Three and Sif Search for Thor | Intense, Mysterious, Humorous | 9 | 8 | 9 | 6 | 8 | 6 | 7 | 8 | 8 | 8 | 7 | 9 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | |
39 - Loki's Betrayal | Serious, Intense, Dramatic, Suspenseful | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 9 | 9 | 10 | 9 | 7 | 8 | 6 | 9 | 8 | 9 | 8 | |
40 - The Battle in Puente Antiguo | 8 | 6 | 8 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 7 | 6 | 9 | 9 | 8 | 9 | ||
41 - The Sacrifice | Dire, Suspenseful, Brave, Heartwrenching, Sacrificial | 9 | 8 | 9 | 6 | 9 | 9 | 7 | 8 | 9 | 7 | 9 | 9 | 5 | 10 | 8 | 8 | 8 | 9 | 9 | |
42 - The Battle Against the Destroyer | Intense, Dramatic, Solemn | 8.5 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 9 | |
43 - The Battle on the Rainbow Bridge | Intense, Serious | 9 | 8 | 9 | 6 | 10 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 7 | 10 | 7 | 10 | 9 | 8 | 9 | |
44 - The Battle with Loki | Intense, Dramatic | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 10 | 9 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 7 | 8 | |
45 - The Final Showdown | Intense, Sacrifice, Desperation | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 9 | 10 | 7 | 10 | 9 | 9 | 8 | |
46 - Asgard's Hope | Fierce, Sad, Regretful, Hopeful | 8 | 7 | 8 | 8 | 9 | 6 | 9 | 8 | 4 | 7 | 4 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 7 |
Scene 1 - The Aurora
Written by
Ashley Miller, Zack Stentz, & Don Payne
FADE IN:
On the blackness of SPACE, beautiful and mysterious, strewn
with a billion stars. Atop a building, a wrought-iron sign --
a HAMMER-WIELDING BLACKSMITH -- spins listlessly in the wind
as a swirling breeze kicks up. A hint of what's to come.
1 EXT. PUENTE ANTIGUO, NEW MEXICO - NIGHT 1 1
A main street extends before us in this one-horse town, set
amid endless flat, arid scrubland. A large SUV slowly moves
down the street and heads out of town.
2 EXT. SUV - NIGHT 2 2
The SUV sits parked in the desert. Suddenly, the roof panels
of the SUV FOLD OPEN. The underside of the panels house a
variety of hand-built ASTRONOMICAL DEVICES, which now point
at the sky. JANE FOSTER (late 20's) pops her head through
the roof. She positions a MAGNETOMETER, so its monitor
calibrates with the constellations above. It appears to be
cobbled together from spare parts of other devices.
JANE
Hurry!
We hear a loud BANG followed by muffled CURSING from below.
Jane offers a hand down to ERIK SELVIG (60) who emerges as
well, rubbing his head.
JANE (CONT'D)
Oh-- watch your head.
SELVIG
Thanks. So what's this "anomaly"¬ù
of yours supposed to look like?
JANE
It's a little different each time.
Once it looked like, I don't know,
melted stars, pooling in a corner
of the sky. But last week it was a
rolling rainbow ribbon--
SELVIG
(GENTLY TEASING)
"Racing "Àúround Orion?"¬ù I've
always said you should have been a
poet. Jane reigns in her
excitement. She tries for dignity.
JANE
Hey, Darcy. Pass up the bubbly and
my gloves, will you?
(MORE)
2.
JANE (CONT'D)
Intern DARCY LEWIS (20) hands Jane
a bottle of Champagne and a pair of
gloves through the window. Jane
passes it to Selvig to hold while
she pulls on the old gloves -- too
large and masculine for her small
hands. He starts to unwrap the
foil, and she stops his hand with
an excited grin.
JANE (CONT'D)
Not until you see it!
SELVIG
(re: the gloves)
I recognize those. Think how proud
he'd be to see you now. Jane's grin
fades to a sad smile.
JANE
Thank you.
SELVIG
For what?
JANE
The benefit of the doubt. The two
stare out at the sky expectantly. A
long beat while they scan the
skies. Nothing. Jane's worried.
JANE (CONT'D)
It's never taken this long before.
Darcy calls up from the front seat.
DARCY (O.S.)
Can I turn on the radio?
JANE
(an edge to her voice)
Sure, if you like rocking out to
KFRM, "All agriculture, all the
time."¬ù
Worried, Jane heads back down into the vehicle.
3 INT. SUV - NIGHT 3 3
The SUV is bathed in the glow of high-tech monitoring
equipment and laptops, some looking like they're held
together with duct tape. Jane opens a well-worn NOTEBOOK of
handwritten notes and calculations. Selvig watches the
frustrated Jane with sympathy.
3.
JANE
The anomalies are always
precipitated by geomagnetic storms.
She shows him a complicated CHART
she's drawn in the book, tracking
occurrences and patterns.
JANE (CONT'D)
The last seventeen occurrences have
been predictable to the minute... I
just don't understand. Something
catches Darcy's eye out the
driver's side mirror. She adjusts
it. In the distance, ODD GLOWING
CLOUDS form in the skies over the
Northeastern end of the desert.
DARCY
Jane?
Jane SHUSHES her, leafs through her notes. The bottle of
champagne begins to vibrate.
JANE
There's got to be some new
variable... Or an equipment
malfunction...
The lights and equipment in the SUV begin to FLICKER around
them. The computer monitors SQUELCH with static.
DARCY
I don't think there's anything
wrong with your equipment... The
champagne bottle starts to RATTLE
noisily now as it shakes more
violently. Jane and Selvig notice.
They watch it curiously, pressure building up inside it,
when the cork EXPLODES out of it. Champagne goes spewing
everywhere -- over equipment, over Jane.
DARCY (CONT'D)
Jane?
JANE
What?!
DARCY
I think you want to see this. Darcy
points out the window. Jane and
Selvig look out. Over the desert --
4.
MASSIVE CLOUDS OF RAINBOW LIGHT
Churn in the sky. The three stare, dumbfounded.
JANE
Holy. Shatner.
SELVIG
That's your "subtle"¬ù aurora?!
JANE
No-- yes! Let's go!
4 EXT. DESERT - MOMENTS LATER 4 4
The roof panels still open, the SUV races towards the
strange event, Jane, amazed by the sight, stands with half
her body out the roof, taking video of the light storm
before them. The SUV hits a bump. Jane nearly flies out.
Selvig grabs her, yanks her back in.
Ratings
Scene 2 - Encounter with the Anomaly
Jane grins, thrilled, pumped with adrenaline.
JANE
Isn't this great?! A thought
strikes her.
JANE (CONT'D)
You're seeing it too, right? I'm
not crazy?
SELVIG
That's debateable. Put your seat
belt on!
The SUV lurches.
6 EXT. DESERT 6 6
Winds HOWL around the SUV now. Up ahead, spiraling down from
out of the clouds comes --
AN ENORMOUS TORNADO
Suffuse with the strange rainbow light, ROARING like a
thousand freight trains as it touches down.
7 INT. SUV 7 7
Selvig looks up through the still-open sunroof at the
enormous glowing funnel cloud with wonder.
5.
Jane clambers into the front seat, beside Darcy. She leans
way out the window, TAPING the storm.
JANE
You've gotta get us closer so I can
take a magnetic reading. Darcy
laughs.
DARCY
Yeah, right! Good one!
(then, realizing)
Oh God, you're serious...
JANE
You want those college credits or
not?
8 EXT. SUV 8 8
The SUV tears across a field towards the tornado, Jane
leaning out the window, taping the event. The SUV disturbs
two RAVENS perched on a cactus as they race past. The birds
take flight, when -- KRAKABOOM! A huge BOLT OF LIGHTNING
strikes down through the center of the funnel cloud before
them with a terrifying intensity.
9 INT. SUV 9 9
The SUV rocks from the blast. Darcy's had enough. She turns
the wheel, starts to head away.
DARCY
Keep the credits. I'll intern at
Burger King.
JANE
What are you doing?!
DARCY
Saving our lives! Jane grabs the
wheel, jerks it hard the other way.
They struggle for control, when the
headlights fall on --
A MAN
Directly in their path, stumbling
through the winds. Darcy slams on
the brakes, Jane turns the wheel
hard to avoid him. The SUV swerves -
- but too late.
6.
10 EXT. BIFROST LANDING SITE (EARTH) 10 10
The side of the SUV slams into the man with a THUD, sending
him flying. The car SKIDS to a stop.
11 INT. SUV 11 11
Jane, Darcy, and Selvig trade shocked looks, breathing hard.
They peer through the dust clouds, unable to see through. A
paralyzed moment, then they all leap out of the car.
12 EXT. BIFROST LANDING SITE (EARTH) 12 12
The three race from the SUV with flashlights. Jane spots the
man lying on the ground. He's dressed in tattered clothing,
charred and blackened.
DARCY
I think that was legally your
fault.
JANE
Get the first aid kit. Darcy heads
back inside the SUV as Jane,
concerned, kneels next to the man.
Selvig hovers, protectively. She
gently turns his head to the light,
and we see him clearly for the
first time. He is magnificently
handsome, long blonde hair flowing
around his classically sculpted
features. She cups her hands around
his face, as if willing the life
back into him.
JANE (CONT'D)
Come on, big guy. Do me a favor and
don't be dead, okay? Open your eyes
and look at me. Suddenly, he
GROANS, and she's startled, then
relieved, as his eyes flutter open.
She looks deep into his confused,
azure eyes, which at last focus on
her own. Locking onto them.
For a moment, they each forget to breathe. The connection is
broken as Darcy returns with the kit. She freezes when she
sees how gorgeous the man is.
DARCY
Wow. Does he need CPR? Because I
know CPR.
7.
A flustered Jane smooths her hair and sits back on her
heels. She looks up at Selvig. Back to being a scientist.
JANE
HIS EYES--
DARCY
(DREAMILY)
--are beautiful.
JANE
--are dilating. That's a good sign.
SELVIG
We still have to get him to a
hospital.
JANE
(HOPEFULLY)
After we get a reading on the
storm?
SELVIG
Immediately, Jane. Jane sighs and
nods, regretfully watching the
storm EVAPORATE above their heads.
A thought strikes her.
JANE
Where did he come from? They
exchange puzzled looks, as we move
up through the last glowing
remnants of the storm, and into:
Ratings
Scene 3 - The Worlds Tree
EARTH spins slowly before us as we hear a voice, deep and
resonant -- the voice of HEIMDALL, Gatekeeper of Asgard.
HEIMDALL (V.O.)
Questions, they've always asked
questions -- this race called man,
on this planet they call earth.
Passionately longing to know how
they are connected to the heavens.
We pull away from the planet, widening, past other worlds,
cosmic debris -- leaving first our solar system, then our
galaxy.
HEIMDALL (V.O.)
In ages past, they looked to us as
gods, for indeed so many times we
saved them from calamity.
(MORE)
8.
HEIMDALL (V.O.) (CONT'D)
We tried to show them how their
world was but one of the Nine
Realms of the Cosmos, linked to all
others by the branches of
Yggdrasil... We pull back until we
see it -- YGGDRASIL. Immense,
sprawling, like a quasar or a
nebula twisted into the vague shape
of a TREE, its branches of glowing
energy stretching out into the
black void of space.
HEIMDALL (V.O.)
...the Worlds Tree. Nine Realms in
a universe of wonder, beauty, and
terror that they barely
comprehended.
We move in through Yggdrasil, until we reach what looks like
a galaxy, slowly spinning before us.
HEIMDALL (V.O.)
But for all their thirst for
knowledge, they let our lessons
fall into myth and dreams. Where
did he come from? He came from us,
the proudest race of warriors the
Worlds have ever seen. He came from
this -- the greatest Realm the
universe has ever known. We move
through the galaxy's mists and
astral matter, then over and up,
through a band of prismatic color
to reveal what's on the other side:
HEIMDALL (V.O.) (CONT'D)
He came... from Asgard!
14 EXT. ASGARD - DAY 14 14
Beautiful beyond imagination. We fly over the magnificent
landscape of the Realm, through the gleaming capital city,
modern yet timeless.
15 EXT. ODIN'S PALACE - DAY 15 15
The palace rises countless stories tall, gleaming with an
other-worldly majesty, towering high above the Realm
sprawled out before it. We move towards a large window of
the palace, where a FIGURE
9.
STANDS --
ODIN ALLFATHER
Stares out at his kingdom. The
ravens fly up to the balcony, land
at his side.
16 INT. ODIN'S CHAMBERS - DAY 16 16
Odin turns away from the window. His wife FRIGGA sits at a
vanity and tries different earrings before the mirror.
ODIN
Do you think he's ready?
FRIGGA
He thinks he is. He has his
father's confidence.
ODIN
He'll need his father's wisdom.
FRIGGA
And his humility? Odin reacts.
FRIGGA (CONT'D)
Thor won't be alone. Loki will be
at his side to give him counsel.
Have faith in your sons.
ODIN
Yes, but Thor's still a boy. He
could be a great King... Odin
stops, notices HIS HAND SHAKING. It
seems to be out of synch temporally
with the rest of the world, leaving
a trail as it moves. He stares at
it determinedly, concentrating,
trying to stop the strange event
through the force of his sheer
will.
Finally, the occurrence subsides, his hand normal once more.
A worried Frigga covers his hand with her own.
ODIN (CONT'D)
(QUIETLY)
...if we only had more time.
FRIGGA
For once, our son needs something
we cannot provide.
10.
ODIN
I can fight it a little longer...
FRIGGA
No. You've put it off too long! I
worry for you.
He touches her cheek.
ODIN
I've destroyed demons and monsters,
devastated whole worlds, laid waste
to mighty kingdoms, and still you
worry for me?
FRIGGA
Always.
ODIN
Not today. Now come kiss your
king... while I'm still king. He
pulls her close, and they kiss.
Ratings
Scene 4 - Preparation for the Ceremony
Directly under the throne room, a gloomily lit hall. Banners
hang on either side to form a corridor down the middle of
the fire lit room. Giant doors open at one end. A huge
figure silhouetted against the bright light beyond walks
forward. In slo-mo, we recognize the unmistakable shape of
the God of Thunder. Hammer in hand, he reaches the end of a
raised platform. An ATTENDANT hands the figure a goblet of
wine. He downs it quickly, hurls it towards the fire
directly below.
THOR
Another!
The cup smashes, the alcohol causes the fire to glow
intensely -- and, for a moment, brightly lit, and seen full
length, like a King to be, is THE MIGHTY THOR. He proceeds
down stops, past camera, and down the center of the Hall. We
follow from behind and see at the other end, massively
shadowed on one of the great banners, the shape of two great
horns. As Thor approaches, the horn shapes move, and then,
from the shadows at the side, emerges LOKI, wearing his
horned headpiece. Like Thor, he is dressed for a great
ceremony. They stand by a brazier at the foot of steps that
lead up to the crowded throne room.
LOKI
(TO THOR)
Nervous, brother?
11.
THOR
Have you ever known me to be
nervous?
LOKI
There was the time in Nornheim...
THOR
That wasn't nerves, brother. It was
the rage of battle. How else could
I have fought my way through a
hundred warriors and pulled us out
alive?
The Attendant approaches with another goblet of wine for
Thor.
LOKI
As I recall, I was the one who
veiled us in smoke to ease our
escape.
THOR
Some do battle, others just do
tricks.
The Attendant stifles a laugh. Loki notices, doesn't like
it. He gestures towards the goblet in the Attendant's hand.
EELS pour over the sides of the goblet, slithering out and
across the terrified Attendant's hand. He SCREAMS, hurls the
goblet to the ground. Loki chuckles.
THOR (CONT'D)
Loki...
Loki gestures to the writhing eels on the ground. They turn
back to spilled wine, the illusion shattered.
THOR (CONT'D)
Now that was just a waste of good
wine.
LOKI
Just a bit of fun.
(to the Attendant)
Right, my friend? The Attendant
isn't so sure. Thor dons his EAGLE-
WINGED
HELMET.
LOKI
(re: Thor's helmet)
Nice feathers.
12.
THOR
You don't really want to start this
again, do you, Cow?
LOKI
I was being sincere!
THOR
You're incapable of sincerity.
LOKI
Am I?
He looks his brother in the eye, all pretense lost.
LOKI (CONT'D)
I've looked forward to this day as
long as you have. You're my brother
and my friend. Sometimes I'm
envious, but never doubt that I
love you.
Thor searches his brother's face, sees no trace of irony.
He's either speaking from his heart or he's a very, very
good liar. Maybe both. Thor puts an appreciative hand on his
brother's shoulder.
THOR
Thank you.
The two brothers take in the moment a beat, then:
LOKI
Give us a kiss.
THOR
Stop.
Thor makes the final adjustments to his ceremonial wear.
THOR (CONT'D)
How do I look?
LOKI
Like a king.
They hear the blast of a CEREMONIAL HORN.
LOKI (CONT'D)
It's time.
THOR
You go ahead.
13.
Loki casts him a wary look.
THOR (CONT'D)
I'll be along. Go on. Loki heads
inside the palace without his
brother.
17A INT. ANTECHAMBER - NIGHT 17A 17A
VOLSTAGG combs his great beard in preparation for the big
event. As he does, he's surprised to find a stray GRAPE
stuck in the beard. He pulls it out, looks around, then
eagerly pops it into his mouth and gobbles it down. FANDRAL
checks his reflection in a mirror, smooths out his
moustache, gives himself a dashing smile. A PRETTY MAIDEN
holds the mirror before him, as other MAIDENS look on
dreamily.
FANDRAL
Thank you, love.
(to the Maidens)
FANDRAL (CONT'D)
Now who'd like to polish my sword
for me?
The giddy Maidens eagerly raise their hands. HOGUN stands
staring ahead grimly, his hands folded in front of him,
amidst the hustle and bustle of the ATTENDANTS and the
ceremony preparations going on around him. A HELPFUL
ATTENDANT approaches him and starts to polish his armor.
Hogun turns his head, gives him a look. Intimidated, the
Attendant quickly backs away. From behind, we see a WOMAN IN
CEREMONIAL ARMOR take off her SWORD and set it on a table,
then her SHIELD, then several HIDDEN DAGGERS and small, yet
intimidating WEAPONS. We reveal that it's SIF, looking
radiant. She eyes the weapons on the table.
SIF
(to the weapons)
I'll miss you.
Ratings
Scene 5 - Anomaly in the Sky
Colorful CEREMONIAL BANNERS of the Nine Realms adorn the
room, crowded with AESIR and REPRESENTATIVES from across
Yggdrasil, all BUZZING with excitement. Thor's COMRADES
enter and stride to their place of honor at the front of the
hall. They are:
THE WARRIORS THREE
VOLSTAGG has the girth and strength of a Sumo wrestler, with
oversized passions to match.
14.
FANDRAL, the consummate swashbuckler, is agile, charismatic,
and nattily dressed. HOGUN -- dark, sullen, brooding -- a
large MACE slung at his side. With them walks the warrior
maiden SIF. She's clad in armor, a shield and sword at her
side -- a beauty not to be trifled with.
VOLSTAGG
I hope this goes quickly. I'm
famished.
FANDRAL
(FEIGNED DISBELIEF)
Noooo!
VOLSTAGG
Are you attached to that pretty
face of yours? Because one more
word, and you won't be.
FANDRAL
(to the others)
My, we are hungry, aren't we? The
others laugh, save Hogun. Fandral
turns to him.
FANDRAL (CONT'D)
Go on, Hogun. Smile. You can do it.
Even you, Hogun the Grim. Just one
smile.
Hogun stares at him grimly.
FANDRAL (CONT'D)
All right, half a smile. Look,
forget the smile, just show some
teeth.
SIF
Fandral, is it true the famous
Warriors Three are ready to meet
any challenge?
FANDRAL
Name it, Lady Sif.
SIF
Keep your mouth shut.
19 INT. VAULT - DAY 19 19
Imposing EINHERJAR GUARDS clad in armor, swords at the
ready, stand watch inside the massive underground structure
beneath the palace. A cold BREEZE blows past them.
15.
19A INT. PALACE ANTEROOM - DAY 19A 19A
Thor stands, his fingers nervously drumming the handle of
his hammer. Frigga approaches behind him, sees his anxiety.
FRIGGA
It's all right to be nervous.
THOR
Why does everyone keep saying that?
I'm not nervous!
FRIGGA
You may be able to fool the rest of
ASGARD --
THOR
...but never you. I know.
FRIGGA
Thor, just remember that you have
something even the great Allfather
never had.
THOR
And what is that?
FRIGGA
Me for a mother. She smiles.
FRIGGA (CONT'D)
Now don't keep your father waiting.
Frigga leaves.
20 INT. THRONE ROOM - DAY 20 20
Sif and the Warriors Three still wait before the crowd. Loki
and Frigga enter. Loki takes his place at the front of the
hall alongside the others. With another blast of the horn,
the crowd goes silent as the EINHERJAR HONOR GUARD moves
into formation. They part to reveal --
ODIN
Sitting atop his throne, clad in
full ceremonial armor. He holds his
spear GUNGNIR before him. Any trace
of weakness in him is gone now. He
exudes all the power and majesty of
a Ruler of Asgard. Frigga joins him
at his side. He looks around the
hall, casts a glance over to the
Warriors. Thor is nowhere to be
seen. Odin looks to Loki.
(MORE)
16.
ODIN (CONT'D)
Loki shrugs. Odin isn't pleased. A
murmur spreads through the crowd.
VOLSTAGG
(sotto, to Loki)
Where is he?
LOKI
He said he'd be along. Sif realizes
the truth, shakes her head in
disapproval.
VOLSTAGG
What?
SIF
He wants to make an entrance.
FANDRAL
Well, if he doesn't show up soon,
he shouldn't bother. Odin looks
like he's ready to feed him to his
ravens.
LOKI
I wouldn't worry. Father will
forgive him. He always does.
Just then, at the back of the hall, up the steps from the
lower level --
MJOLNIR
Roars up into the hall, Thor
strides cockily into the hall
behind it, catching it behind his
back. The CROWD erupts in CHEERS.
Thor spins his hammer with a
flourish, holds it up before the
crowd, basking in the moment,
relishing the adoration, whipping
his audience up into a frenzy.
SIF
Oh, please.
Odin watches from the front, not liking this showy display.
21 INT. VAULT - DAY 21 21
As the sound of the cheers echo from above, the odd, cold
breeze picks up in the Vault. The Guards rub their limbs to
warm themselves. They grow increasingly uneasy, sensing
something's not right.
17.
They exchange a look, then walk the length of the Vault's
hallway to its end, where a CASKET sits undisturbed upon a
pedestal. LARGE SHADOWS suddenly loom over them. They look
up and SHOUT in terror as they raise their weapons.
Ratings
Scene 6 - Discovering the Anomaly
Thor finishes stirring up the crowd, then reaches the front
of the room, kneels on one knee before his mother and
father. Frigga casts him an admonishing glance. Thor winks
up at her. She can't help but smile. Odin strikes Gungnir
upon the ground with a deafening BOOM. The crowd falls
silent. Odin speaks with quiet, effortless authority. He
raises Gungnir before him.
ODIN
Gungnir. Its aim is true, its power
strong. With it I have defended
Asgard and the lives of the
innocent across the Nine Realms
since the time of the Great
Beginning. And though the day has
come for a new King to wield his
own weapon -- that duty remains the
same. Thor Odinson, my heir, my
first-born.
ODIN (CONT'D)
So long entrusted with this mighty
hammer, Mjolnir. Forged in the
heart of a dying star, from the
sacred metal of Uru. Only one may
lift it. Only one is worthy. Who
wields this hammer commands the
lightning and the storm. Its power
has no equal -- as a weapon, to
destroy, or as a tool, to build. It
is a fit companion for a King.
23 INT. VAULT - DAY 23 23
The bodies of the Guards are flung to the Vault's floor, now
strewn with ice. We don't see their attackers clearly, just
catch glimpses of them in the shadows -- but they are large
and BLUE-SKINNED. One of the creatures lifts the Casket off
its stand and turns to go. But, as they do, the intricate
latticework behind the Casket starts to separate and
retract, revealing something standing in the shadows behind
it. As the creatures walk away, a fiery glow rises behind
them. They turn back around. Now it's their turn to SCREAM.
24 INT. THRONE ROOM - DAY 24 24
The Ceremony continues.
18.
ODIN
Today I entrust you with the
greatest honor in all the Nine
Realms. The sacred throne of
Asgard. I have sacrificed much to
achieve peace. So, too, must a new
generation sacrifice to maintain
that peace. Responsibility, duty,
honor. These are not merely virtues
to which we must aspire. They are
essential to every soldier and to
every King. The Crowd and the
Warriors Three start to shiver and
rub their limbs for warmth in the
increasingly cold air of the hall.
Thor turns back to face his father. Odin looks upon his son
with pride.
ODIN (CONT'D)
Thor Odinson, do you swear to guard
the Nine Realms?
THOR
I swear.
ODIN
Do you swear to preserve the peace?
THOR
I swear.
ODIN
Do you swear to cast aside all
selfish ambition and pledge
yourself only to the good of all
the Realms?
Beat.
THOR
I swear.
ODIN
Then on this day, I, Odin
Allfather, proclaim you-- Odin
hesitates, noticing a strange sight
before him. ICE creeps across the
surface of the large banners around
the hall, making an eerie CRACKING
sound. Thor, his comrades, and the
crowd see it too.
19.
ODIN (CONT'D)
(REALIZING)
Frost giants...
The far-off sounds of a BATTLE echo in the depths of the
palace below. Sif and the Warriors Three reach for their
weapons, as Thor races from the hall.
24A OMITTED SCENE MOVED BELOW 24A 24A
25 OMITTED SCENE COMBINED WITH SCENE 25B BELOW 25 25
25A OMITTED 25A 25A
Ratings
Scene 7 - The Destroyer's Attack
Thor enters, then stares shocked at the sight before him.
Sif, the Warriors Three, and Loki hurry in behind Thor and
stop short. Shattered and melting ICE is strewn about the
floor. We don't see the blue-skinned bodies of the Frost
Giants clearly, just catch glimpses of their twisted and
smoldering remains on the floor. They've just lost a savage
battle. Badly. Amidst them, shrouded in shadow, stands the
black metal creature, a fiery glow coming from within it. It
is THE DESTROYER. It holds the Casket in its hands.
SIF
The Destroyer.
VOLSTAGG
(AWED)
I thought it was but a legend. Odin
steps in behind the Asgardians, as
the Destroyer sets the Casket back
on its pedestal. It moves back to
its post, the faint, FIERY GLOW
extinguishes within it. Fandral
looks around the Vault, ill at
ease.
FANDRAL
I've never been inside the Vault
before. It's said the Tesseract was
once held here.
VOLSTAGG
(AWED)
The Tesseract? I thought that was
but a legend too!
SIF
Shush!
Odin surveys the destruction.
20.
THOR
The Jotuns must pay for what
they've done!
ODIN
They have paid with their lives.
The Destroyer did its job, and the
Casket is safe. All is well.
THOR
"All is well?!"¬ù They broke into
the Weapons Vault! If the Frost
Giants had stolen even one of these
RELICS--
ODIN
But they didn't.
THOR
I want to know why they--
ODIN
(INTERRUPTING)
The Casket of Ancient Winters
belonged to the Jotuns. They
believe it's their birthright.
THOR
And if you hadn't taken it from
them they would have laid waste to
all the Nine Realms!
ODIN
I have a truce with Laufey, the
Jotun King.
THOR
He just broke your truce! We must
act!
Odin turns to Sif and the Warriors Three.
ODIN
Leave us.
Thor's comrades exit. Odin eyes Thor, as Loki watches.
ODIN (CONT'D)
And what action would you take?
21.
THOR
March into Jotunheim as you once
did, teach them a lesson, break
their spirits so they'll never dare
try to cross our borders again!
ODIN
You're thinking only as a warrior!
THOR
This was an act of war!
ODIN
It was the act of but a few, doomed
to fail.
THOR
They got this far!
ODIN
We will find the breach in our
defenses. It will be found, and it
will be sealed.
THOR
As King of Asgard, I would--
ODIN
You are not King. Not yet. Thor
sees in his father's face that he's
pushed this as far as he can. He
backs away, then leaves, pushing
through the doors so hard that they
SLAM backwards behind him. Odin
watches him go.
Ratings
Scene 8 - Thor and the Warriors Three plan to go to Jotunheim
Thor stands in the empty hall, bearing the signs of the
festivities cancelled due to the events of the day. Anger
and frustration rising within him, Thor upends one of the
massive tables. From across the room, Loki watches him.
AT THE BANQUET HALL ENTRANCE
Sif, Fandral, and Hogun follow Volstagg as he enters in
search of his dinner.
SIF
Redecorating, are we? Volstagg
surveys the overturned tables and
food, aghast.
22.
VOLSTAGG
What's this -- ?!
HOGUN
I told you they'd cancel it.
FANDRAL
We thought that was just you being
your normal cheery self. Volstagg
looks about the floor, despairing.
VOLSTAGG
All this food -- so innocent, cast
to the ground. It breaks the heart!
Thor strides away from them to the far end of the hall. Loki
calmly moves towards him.
THOR
It's unwise to be in my company
right now, brother.
LOKI
Who said I was wise?
THOR
(re: the empty hall)
This was to be my day of triumph.
LOKI
It will come. In time.
(ADMITS)
If it's any consolation, I think
you're right. About the Frost
Giants, about Laufey, everything.
If a few of them could penetrate
the defenses of Asgard once, who's
to say they won't try again. Next
time with an army?
THOR
Yes, exactly!
LOKI
But there's nothing we can do
without defying Father. Thor
considers this, looks at his
hammer, a gleam in his eye. Loki
can guess what he's thinking, grows
concerned.
LOKI (CONT'D)
No... stop there! I know that look!
23.
THOR
It's the only way to ensure the
safety of our borders.
LOKI
It's madness!
VOLSTAGG
Madness? What sort of madness?
LOKI
Nothing! Thor was making a jest!
THOR
The safety of our Realm is no jest.
We're going to Jotunheim.
FANDRAL
What?!
SIF
Thor, of all the laws of Asgard,
this is one you must not break.
Loki looks on, intrigued by the
proceedings.
FANDRAL
This isn't like a journey to Earth,
where you summon a little lightning
and thunder and the mortals worship
you as a god. This is Jotunheim.
VOLSTAGG
And if the Frost Giants don't kill
you, your Father will!
THOR
My father fought his way into
Jotunheim, defeated their armies,
and took their Casket! We'd just be
looking for answers.
SIF
It is forbidden! Thor sizes up his
friends, smiles. He proceeds to
make his case with enthusiasm and
charismatic conviction.
THOR
My friends, have you forgotten all
that we've done together? He turns
to Fandral.
24.
THOR (CONT'D)
Who brought you into the sweet
embrace of the most exotic maidens
in all of Yggdrasil?
FANDRAL
You did.
THOR
(TO HOGUN)
Who led you into the most glorious
of battles...
(TO VOLSTAGG)
...and to delicacies so succulent,
you thought you'd died and gone to
Valhalla?
VOLSTAGG/HOGUN
You did. / You did. He turns to
Sif.
THOR
And who proved wrong all who
scoffed at the idea that a young
maiden could be one of the fiercest
warriors this Realm has ever known?
SIF
I did.
THOR
(QUICKLY)
True. But I supported you...
(then, to the others)
My friends, trust me now. We must
do this.
The others exchange concerned looks, realize there's no
convincing him.
THOR (CONT'D)
Come on. You're not going to let my
brother and me take all the glory,
are you?
Loki looks startled.
LOKI
What?
THOR
You are coming with me...
25.
LOKI
Yes, of course! I won't let my
brother march into Jotunheim alone.
I will be at his side.
VOLSTAGG
And I.
FANDRAL
And I.
HOGUN
And I. The Warriors Three fight
together.
SIF
I fear we'll live to regret this.
VOLSTAGG
If we're lucky.
Ratings
Scene 9 - Journey to Jotunheim
Thor, Sif, Loki, and the Warriors Three walk from the
Palace, across the grounds. They reach a group of ATTENDANTS
who ready their battle gear for their journey. Loki slips
away from the group, speaks to a nearby GUARD. Hogun
notices.
THOR
We must first find a way to get
past Heimdall.
VOLSTAGG
That will be no easy task. It's
said the Gatekeeper can see a
single dew drop fall from a blade
of grass a thousand worlds away.
FANDRAL
And he can hear a cricket passing
gas in Niffelheim.
VOLSTAGG
Jest not! He heareth all!
FANDRAL
Please. Getting past him should be
simple enough now, since he seems
to be letting Frost Giants sneak by
under his nose.
Volstagg, terrified, calls out to the sky.
26.
VOLSTAGG
Forgive him! He meaneth no offense!
Loki rejoins the group as Thor leads them onward.
28 EXT. GATE OF ASGARD - DAY 28 28
Thor and his band of adventurers, on horseback, pass through
the massive Gate, leaving Asgard behind. They ride along the
most astounding path in this Realm or any other --
THE RAINBOW BRIDGE.
Wide and flat, it runs straight out from Odin's palace to
the mists and black void of space beyond. In the distance
far ahead, the Bridge continues on until it reaches
Heimdall's Observatory.
29 EXT. HEIMDALL'S OBSERVATORY - DAY 29 29
The band draws near the Observatory, where HEIMDALL himself,
Gatekeeper of Asgard, stands at his post on the Bridge
before them, blocking their way, staring them down. There is
something other-worldly about him, even for this Realm. He
holds a massive sword in front of him, his stern,
intimidating face virtually concealed by armor. Something
glints beneath his visor, like twinkling stars.
LOKI
Keep your weapons sheathed and your
mouths closed. This is going to
take subtlety and sincerity, not
brute strength. Leave it to me.
Loki dismounts and steps forward.
LOKI (CONT'D)
GOOD HEIMDALL--
HEIMDALL
You're not dressed warmly enough.
Thor, Loki, and the others trade
looks.
LOKI
I'm sorry?
HEIMDALL
The freezing cold of Jotunheim. It
will kill you all in time, even
Thor.
(THEN)
You think you can deceive me? I,
who watch all?
(MORE)
27.
(THEN) (CONT'D)
I, who can sense the flapping of a
butterfly's wings a thousand worlds
away? He fixes his eyes pointedly
at Fandral.
HEIMDALL
Or can hear a cricket passing gas
in Niffelheim?
Fandral looks gob-smacked.
FANDRAL
That was just a bit of a jest,
really...
Loki goes into damage control.
LOKI
You must be mistaken. We're not--
THOR
(STEPPING FORWARD)
Enough.
(TO HEIMDALL)
Heimdall, may we pass? Heimdall
stares him down.
HEIMDALL
For ages have I guarded Asgard and
kept it safe from those who would
do it harm. In all that time, never
has an enemy slipped by my watch --
until this day. I wish to know how
that happened.
THOR
Then tell no one where we've gone
until we've returned. Thor walks
past Heimdall as the Gatekeeper
lets the group pass. Volstagg walks
beside the frustrated Loki, needles
him.
VOLSTAGG
What happened? Your silver tongue
turn to lead?
LOKI
Get me off this bridge before it
cracks under your girth. Volstagg
and Fandral share a laugh.
28.
30 INT. HEIMDALL'S OBSERVATORY - DAY 30 30
Thor and the others enter the Observatory, step onto a
platform. Heimdall climbs into the large control apparatus
at the center of the room and readies the Observatory.
HEIMDALL
Be warned. I will honor my sworn
oath to protect this Realm as its
Gatekeeper. If your return
threatens the safety of Asgard,
Bifrost will remain closed to you.
You'll be left to die in the cold
wastes of Jotunheim.
THOR
I have no plans to die today.
HEIMDALL
None do.
Heimdall inserts his sword into the control panel, and the
apparatus of the Observatory starts up.
31 EXT. RAINBOW BRIDGE 31 31
The Bifrost energy quickens along the Bridge, feeding into
the Observatory.
Ratings
Scene 10 - Embarking on a Dangerous Mission
Heimdall turns his sword in the control panel. The
Observatory's giant turret swings around, aims toward a
section of space. As a final step, Heimdall plunges his
sword deeper into the control panel. The great turret FIRES,
the RAINBOW LIGHT of Bifrost energy blasts out of it. The
Bifrost opens at the end of the platform upon which Thor and
his five comrades stand.
HEIMDALL
All is ready. You may pass.
VOLSTAGG
Couldn't you just leave the bridge
open for us?
HEIMDALL
To keep this bridge open would
unleash the full power of the
Bifrost and destroy Jotunheim with
you upon it.
29.
VOLSTAGG
Ah. Never mind, then. Thor starts
towards the Bifrost, turns back to
the others, grins.
THOR
Come on. Don't be bashful. The
others join him at his side, then
step towards the Bifrost. Their
bodies stretch towards the
maelstrom, changing shape, as if
every atom of their being is being
elongated by the pull of it. In an
instant, they're jerked off the
platform and inside the vortex.
33 EXT. BIFROST LANDING SITE (JOTUNHEIM) - DAY 33 33
A hole in the sky rips open, and the Bifrost comes shooting
out of it. Snow flurries up when the Bifrost hits, as Thor
and his band touch down. RUNES from the Bifrost are
imprinted on the ice around them.
Volstagg loses his footing, falling backwards. Thor quickly
grabs him by the belt. We see the warrior dangling
precariously on the edge of a sheer cliff on the planet's
inner ring, opening up to the black abyss of space beyond.
THOR
Come on, big fella. Up...! With an
effort, Thor pulls the burly
warrior back onto the ice and,
tremendously relieved, he
proclaims:
VOLSTAGG
This belt! This belt is now my
lucky belt! I will never remove it!
Even when bathing!
FANDRAL
You bathe?
Thor and the others turn and stare out in horror and wonder
at the frozen alien wasteland before them. The whole planet
is a massive flattened ring of jagged ice, slowly breaking
apart. Huge CHUNKS OF ICE calve away from its outer edges
and float off into space. The planet's icy surface cracks
and melts as far as the eye can see. The ruins of a Jotun
city lies in the distance.
HOGUN
We shouldn't be here.
30.
THOR
Too late now.
FANDRAL
Actually, it's not. We could turn
right around, hop back to Asgard,
share a mug by the fire. Could be
nice.
Thor ignore him, heads off. Loki looks around, anxious.
LOKI
Perhaps we should wait. Thor turns
back to his brother.
THOR
For what?
LOKI
To survey the enemy. To gauge their
strengths and weaknesses from a
distance.
VOLSTAGG
I'm liking that. Gauging,
surveying. Particularly the
distance part.
THOR
We know all we must. It's time to
act.
Thor heads on. Reluctantly, the others follow.
SIF
He's just got to swing his
hammer...
34 EXT. JOTUNHEIM - DAY 34 34
The group trudges behind Thor across the frozen wasteland,
shielding themselves from the howling wind and cold. Loki
looks around them, anxious. Volstagg shivers. Thor,
invigorated, turns back to his comrades.
THOR
It feels good, doesn't it? To be
together again, adventuring on
another world?
FANDRAL
Adventuring? Is that what we're
doing?
31.
THOR
What would you call it?
FANDRAL
Freezing.
VOLSTAGG
Starving.
SIF
Whining.
THOR
How about a song to lift our
spirits?
The others groan.
HOGUN
No, not that!
SIF
Please don't make us sing again!
FANDRAL
If I have to listen to Volstagg's
singing voice one more time, I'll
fall on my own sword!
SIF
Well, now I'm on board. She and
Thor share a grin. The party
reaches the edge of the city -- its
ancient structures of jade and ice
melting and crumbling, ravaged by
warfare long ago. A TEMPLE lies
before them, across a central
plaza.
SIF (CONT'D)
Where are they?
THOR
Hiding. As cowards always do. Thor
leads the others onwards towards
the central plaza. Loki reluctantly
follows. They don't notice as
SHADOWY FIGURES move in the shadows
of the structures nearby.
Ratings
Scene 11 - Battle in Jotunheim
The party reaches the plaza. They sense the Frost Giants in
the shadows and crevices, surrounding them now on all sides.
32.
The Asgardians reach for the hilts of their weapons. A JOTUN
SENTRY calls to him.
JOTUN SENTRY
What is your business here,
Asgardian?
The Jotun's voice itself sounds like cracking ice.
THOR
I speak only to your King. Not to
his foot soldiers.
JOTUN VOICE (O.S.)
Then speak.
Thor turns towards the source in a balcony of the temple,
where LAUFEY sits, veiled in shadow, behind a cascading
waterfall. The Jotun King is ancient, noble, powerful -- too
proud to reveal even a hint of the years of suffering he and
his people have endured.
LAUFEY
I am Laufey, King of this Realm.
THOR
And I am--
LAUFEY
We know who you are, Odinson. Why
have you brought the stench of your
blood into my world?
THOR
I demand answers. Laufey stands,
sizing up Thor, tries to piece this
together.
LAUFEY
You "demand?"¬ù
THOR
How did your people get into
Asgard?
LAUFEY
The house of Odin is full of
traitors.
Sif and the Warriors Three exchange a puzzled look,
disturbed by the Jotun King's words.
33.
THOR
Do not dishonor my father's name
with your lies.
LAUFEY
Your father is a murderer and a
thief. He stole what was ours, and
left our world in ruins. We have
the right to reclaim the Casket.
THOR
Not when you'd use it to make war
against other Realms. Laufey
laughs, cold, mocking.
LAUFEY
And why have you come here? To make
peace? You long for battle. You
crave it. I see you for what you
are, Thor Odinson. Nothing but a
boy, trying to prove himself a man.
THOR
This boy has grown tired of your
mockery.
Thor takes a step towards Laufey. The other Jotuns step in
front of Thor, blocking his path. We finally see the Frost
Giants now -- terrifying, blue-skinned, standing eight feet
tall. Loki moves next to his brother and quietly implores
him.
LOKI
Thor, stop and think. Look around
you. We are outnumbered.
THOR
Know your place, brother...
LAUFEY
You should listen to his counsel.
You know not what your actions
would unleash.
Laufey steps out of the shadows.
LAUFEY (CONT'D)
But I do. Go now, while I still
allow it.
Thor simmers. Loki speaks up.
34.
LOKI
We will accept your most gracious
offer.
The others look to Thor imploringly. Thor stares Laufey down
a beat -- then relents. He turns to leave. His comrades
breathe a sigh of relief and follow, when a Frost Giant
nearby mutters under his breath.
JOTUN
Run back home, little princess.
Thor stops in his tracks. Loki goes
white. He knows what's coming.
LOKI
Damn.
In one quick move, Thor pulls Mjolnir, swings it, and KNOCKS
the Jotun clear across the plaza. The Asgardians reluctantly
draw their weapons, gather into a circle around Thor.
Volstagg looks around at the angry Jotuns approaching them.
VOLSTAGG
Silly hammer! Has a mind of its
own!
ICE forms on the Jotuns' bodies, creating a FROZEN ARMOR
around them, extending off the ends of their arms like
SWORDS. One Giant does so directly in front of Fandral.
FANDRAL
I'm hoping that's just decorative.
Thor leaves the circle of
Asgardians, swings at another Frost
Giant. His comrades form another
circle around him, separating him
from the Jotuns, as he whirls his
hammer around once and catches it
with a cocky grin. He's enjoying
this.
THOR
Next!
Fandral calls to Volstagg and Hogun.
FANDRAL
Well? What move, do you think?
VOLSTAGG
I say we use "The Norn's
Revenge."¬ù
35.
FANDRAL
At this close range? I think "The
Alfheim Lunge"¬ù is a better move.
VOLSTAGG
(DISGUSTED)
Maybe if they were three feet tall!
No! How about "The Randy
Valkyrie"¬ù?
HOGUN
Shut up!
Thor takes out yet another Frost Giant, then all hell breaks
loose as the Asgardians and Jotuns begin to battle. A Jotun
backs Hogun up against a wall of ice. As the Giant hurls an
ice blade fist at him, the grim warrior swings his mace over
his head, embedding it into the ice wall, and hoists himself
up, dodging the Giant's blow and leaping over him. Hogun
takes out a second approaching Frost Giant, spins back,
dodges a swing from the first, then pounds the Jotun with
his mace. Nearby, Sif expertly stabs one Jotun after another
with her double-bladed staff. One knocks her viciously to
the ground.
SIF
If you don't treat me like a lady,
I won't act like a lady! She takes
out the Jotun. Loki backs away from
an approaching Jotun, finds himself
at the edge of a deep crevasse. The
Giant sees he's vulnerable, swipes
at him. But the Jotun's arm passes
right through him. The Giant stands
there, confused, when THE REAL LOKI
comes out from behind a structure
and shoves the Giant into the
crevasse below. The false Loki
dissipates into nothingness.
Ratings
Scene 12 - Battle in Jotunheim
(to the falling Giant)
Pathetic.
He turns back to the battle. Two Jotuns come at him from
either side. He lets two daggers fly, felling both Giants at
once. Laufey nods to one of his guards -- a massive Jotun
BRUTE. The Brute leaps down from the balcony, icing himself
up, then punches his giant fist into the ice beneath his
feet. It's a long-range attack, causing PILLARS OF ICE to
explode out in front of Hogun, sending the grim warrior
flying back. Across the plaza, Thor easily dispatches some
Jotuns.
36.
THOR
Come on! At least make it a
challenge for me! He sees the Brute
coming at him. The huge Jotun lands
a tremendous blow, sending Thor
back across the ice. Thor rises,
grins.
THOR (CONT'D)
Now that's more like it! He throws
Mjolnir with all his strength,
knocking the Brute head over heels.
Thor raises his hand. Mjolnir slows
in mid-air, then flies back to his
grasp.
THOR (CONT'D)
(re: the fallen Brute)
Ugly and stupid. Sif takes out a
couple Frost Giants, but she's
knocked to the ground by another.
It raises its weapon above her.
Hogun sees Sif in danger. He pulls
a HIDDEN KNIFE from his sleeve and
hurls it at Sif's attacker, hitting
him square in the chest. The Jotun
falls dead.
SIF
(to Hogun, re: knife)
I'm so glad I taught him how to do
that!
Volstagg grapples with a Frost Giant, getting a couple good
hits in.
VOLSTAGG
You may want to put some ice on
that!
The Frost Giant fights back, but Volstagg manages to grip in
a headlock just as another comes up on him from behind.
Volstagg fends him off, then turns the first one loose.
VOLSTAGG (CONT'D)
You may be taller, but I'm wider!
Volstagg launches his mighty belly
at the Jotun and sends him flying.
Another Jotun grabs Volstagg, squeezing him tightly and
sending him crashing to the ground.
37.
VOLSTAGG (CONT'D)
It's not too late for you to
surrender.
Volstagg recovers and fights on. The Jotun grabs Volstagg's
bare arm. The warrior's skin begins to freeze from the
Jotun's grasp, a BLACKNESS spreading from it, necrotizing
Volstagg's flesh. The warrior SHOUTS in pain.
Volstagg head-butts the Frost Giant, shattering the Jotun's
ice helmet and dropping him to the ground. Winded, he takes
a seat upon one of the fallen Jotun's bodies to catch his
breath. As the battle rages around him, he opens a secret
compartment at the end of his weapon, takes out a small
FLASK. Volstagg grimaces in pain, sees his blackened skin.
He yells to his comrades.
VOLSTAGG (CONT'D)
Don't let them grab hold of you! He
takes a swig, enjoying the brief
respite, then rejoins the battle.
Volstagg stabs his blade in a Giant's chest, but the sword
stops mid ice layer. The Giant delivers a bone-breaking blow
to Volstagg's face, and the warrior drops to one knee. Sif
sees Volstagg in trouble and rushes towards him. In one
quick move, she leaps up and off of Volstagg's back, using
her boot to plunge Volstagg's blade deep into the Giant's
chest, standing atop him as he falls backwards to the
ground.
VOLSTAGG (CONT'D)
(on his belly)
Thank you, my lady. But I nearly
had him!
SIF
Of course you did. Nearby, a Frost
Giant forms a BARRAGE OF ICE
BULLETS, hurling them at Sif. Sif
raises her shield barely in time,
as the bullets go pinging and
ricocheting off it. She races into
the group of Frost Giants who
attacked her and takes them out.
A Frost Giant touches a pool of standing water. It FLASH-
FREEZES Hogun's feet to the ground. Volstagg notices,
hurries over, dispatching Jotuns as he goes.
VOLSTAGG
Hang on!
38.
Volstagg swings his weapon, wildly hacking at the ice around
Hogun's legs to free him. Hogun looks down, suddenly
worried, as Volstagg's blade cuts deep -- and perilously
close to hacking into Hogun's legs.
HOGUN
Watch the legs!
VOLSTAGG
(REALIZING)
Right. Sorry.
Volstagg chips away at the ice more carefully, finally
freeing Hogun's feet. Fandral sword fights with a Frost
Giant.
FANDRAL
You really think your icicles are a
match for Asgardian steel? Fandral
lunges at the Giant. The Jotun
knocks his blade away.
FANDRAL (CONT'D)
Fair enough.
Fandral moves on him again, but the Giant grabs Fandral's
sword and snaps it in half.
FANDRAL (CONT'D)
Could we stop just a moment while I
get another sword? Fandral fights
the Giant with his broken sword.
The Jotun then lunges at Fandral,
who ducks just in time, grabs hold
of the Giant's sword and redirects
it, stabbing the Giant through with
his own weapon. The Jotun staggers
back, then reaches down and swipes
at a pool of water, sending up a
spray that freezes in mid-air,
forming into an ICE STALAGMITE. It
impales Fandral, rendering him
helpless.
Loki races towards the impaled Fandral, throwing daggers and
felling Frost Giants as he goes. He reaches the nearly-
unconscious warrior, when other Jotuns approach. He fights
them off. Volstagg looks across the plaza and sees the
impaled Fandral.
VOLSTAGG
That's unfortunate. He hurries to
his wounded comrade.
39.
FANDRAL
I may need a bit of help. Not a
good look, is it?
VOLSTAGG
Just try not to bleed.
FANDRAL
How's the face?
Ratings
Scene 13 - Battle in Jotunheim
Flawless.
Volstagg begins to pull the bleeding Fandral off the ice
stalagmite. Loki plunges two daggers into the chest of one
of the Frost Giants. The Giant grabs hold of Loki's gloved
wrists. Loki pulls his hands free of the gloves, which are
still in the Giant's grasp, revealing Loki's skin beneath.
The wounded Jotun sees his chance, grabs hold of Loki's bare
arm. Loki looks at his arm, prepared for the worst. But
instead of the blackness of necrotizing flesh, Loki's arm
turns BLUE -- like the Frost Giant's own skin. The blueness
spreads painlessly up Loki's arm. He stares at it, confused.
The Frost Giant is thrown as well, distracted by the
unexpected phenomenon. Loki takes advantage of the
distraction, KICKS the Giant.
Thor continues fighting, his blood lust rising. He taunts
the Jotuns around him.
THOR
Come on!
But when he hurls his hammer to take out a Jotun, the Frost
Giants seize the opportunity. A group of Jotuns swarm Thor
from all sides, keeping him separate from his weapon.
Mjolnir falls to the ground. A Frost Giant desperately
struggles to lift Mjolnir off the ground, to no avail. Now
free, the wounded Fandral looks relieved as Volstagg slings
him over his shoulder, and the warriors start to leave. From
his balcony, Laufey looks upon the battlefield, decides it's
time to pull out the big guns. He touches a wall of the
palace. An ENERGY WAVE sweeps from his touch, across the
wall of the palace, and down to the ground below. The
Asgardians hear a foreboding CRACK OF ICE below their feet.
LOKI
That can't be good.
VOLSTAGG
Yes, it could! Might be an early
spring!
40.
They look down, suddenly filled with dread when they see
shadowy figures moving in the ice -- dozens of JOTUN
WARRIORS awakening beneath the surface, rousing to join the
battle. Loki turns to his brother, who battles a group of
the Giants.
LOKI
Thor, we must go! Thor, still
without his hammer, fights his
Jotun foes mercilessly, a man
consumed by blood lust. Loki sees
the look on his brother's face --
the savage thrill of the heat of
battle.
THOR
Then go!
SIF
There are too many of them!
THOR
I can stop them! The others
hesitate. Jotuns break up through
the ice all around them.
SIF
Thor!
But Thor ignores his comrades, continues fighting.
VOLSTAGG
Run!
Reluctantly, the group flees back toward the inner edge of
the planet as the Giants break up through the ice and give
chase. Thor battles valiantly, but there's just too many of
them. The Frost Giants swarm him from all sides now, as he
disappears beneath a pile of blue flesh and ice. After a
MOMENT --
THOR'S FIST
Forces its way up through the
middle of the pile of Jotuns. He
opens his hand, beckoning. One of
Thor's attackers hears something
ROARING up behind him. He whirls
around -- BAM! -- Mjolnir nails him
square in the face, then flies into
Thor's outstretched hand. Thor
raises the hammer up high, and
brings it down on the ground with
all his might. KRAKABOOM!
(MORE)
41.
THOR'S FIST (CONT'D)
Lightning strikes down from the
sky, the hammer channeling the
blast, firing the electricity out
at the Jotuns around him. They're
blasted back in a massive
shockwave. The Jotuns convulse,
drop dead to the ground.
But the force of the blast also cracks the ice below, the
shockwave continuing to spread outwards. It moves out to
where his comrades are running, breaking up the ground
beneath them, exposing the black void of space below.
VOLSTAGG
What's Thor done?
LOKI
Likely killed us all! As the Jotuns
race towards the Asgardians, they
open their mouths wide and breathe
out an ICY FOG. The swirling mists
quickly engulf the fleeing
Asgardians before them. The
Asgardians stand in the mist,
unable to see. Hogun takes a step
back, the ice cracking beneath him.
They dare not move, for fear of
falling through, into the void
below. Thor sees he's put his
friends in even greater danger. He
raises Mjolnir high, SUMMONING THE
WINDS. They lift him off the ground
and carry him across the frozen
wasteland to his comrades.
Ratings
Scene 14 - The Battle on Jotunheim
Thor lands beside his comrades in the shroud of mists.
THOR
Loki, we have to see. Loki raises
his arms, concentrates, the mists
dissipating. But as they do, the
Asgardians see before them the
faces of the Frost Giants. And
there are HUNDREDS of them -- too
many, even for a Thunder God.
VOLSTAGG
(TO LOKI)
Actually, could you bring the mists
back, please?
42.
Thor realizes that he and his comrades are as good as dead.
The Giants move in for the kill, when they hear a deafening
ROAR. A hole in the sky opens up, and the Bifrost blasts
down onto the inner edge of the planet. Out of the maelstrom
comes the sound of THUNDERING HOOVES, and, to the shock of
all, tearing across the frozen wasteland comes --
ODIN ALLFATHER
Astride his powerful, eight-legged
steed SLEIPNIR. He's clad in battle
armor, Gungnir in his hand -- an
imposing sight.
The Giants part in fear as he thunders into their ranks,
stopping before Laufey and the Asgardians. Laufey slams his
fists into the ground, and the ice beneath his feet raises
him towards Odin. The Asgardians start to react, thinking
it's an attack, but Laufey just stands face- to-face with
Odin. Asgardian and Jotun alike look on uneasily, unsure
what's about to happen. Laufey sizes up Odin, notices that
as powerful as the Allfather still is, the years have taken
their toll. He's not the foe he once was. The two rulers
talk quietly, out of earshot of the others.
ODIN
Laufey. End this.
LAUFEY
Your boy sought this out.
ODIN
You're right. These are the actions
of a boy. Treat them as such. You
and I can stop this before there's
further bloodshed. Unseen by Odin
and the others, Laufey starts to
form an ice blade at the end of his
arm.
LAUFEY
We are beyond diplomacy now,
Allfather. He'll get what he came
for -- war and death. Odin looks
grim, determined.
ODIN
So be it.
Without warning, Laufey swings his ice blade at Odin, but
Odin is quicker. The Allfather brings his spear down upon
the ice. Laufey and the nearest Jotuns go falling backwards
in a wave, the ice cracking beneath their feet. The other
Frost Giants turn tail and run. Thor watches the fleeing
Jotuns with delight.
43.
THOR
Now! We'll finish them together!
ODIN
Silence!
Odin raises his spear. The hole in the sky opens, the
Bifrost energy blasting forth from it. The Bifrost envelops
the Asgardians, yanks them off the ground and up through the
hole. The vortex closes behind them as all falls silent.
Laufey stares up after them contemptuously.
Ratings
Scene 15 - The Fall of Thor
Heimdall stands at the Observatory controls. Odin pulls
Heimdall's sword from the control panel and throws it to
him. Heimdall backs away.
THOR
Why did you bring us back?
ODIN
Do you realize what you've done?
What you've started?
THOR
I was protecting my home.
ODIN
You cannot protect your friends.
How can you hope to protect a
kingdom?
Odin turns to the others.
ODIN (CONT'D)
(RE: FANDRAL)
Get him to the healing room! Sif,
Volstagg, and Hogun hurry to help
Fandral out of the room.
THOR
There won't be a kingdom to protect
if you're afraid to act! Odin
stares at him.
THOR (CONT'D)
Whatever the cost, the world must
know that the new King of Asgard
will not be held in contempt.
ODIN
That's pride and vanity that talks!
Not leadership!
(MORE)
44.
ODIN (CONT'D)
Have you forgotten everything I've
taught you? What of a warrior's
patience, cunning?
THOR
While you wait and be patient, the
Nine Realms laugh at us! The old
ways are done. You'd stand giving
speeches while Asgard falls!
ODIN
You're a vain, greedy, cruel boy!
THOR
And you are an old man and a fool!
The whole world seems to stop at
Thor's words. Odin falls quiet.
When he speaks again, there's
something terrifying beneath the
calmness of his words.
ODIN
A fool, yes! I was a fool to think
you were ready.
Loki takes a step towards Odin imploringly.
LOKI
FATHER--
Odin turns and gives Loki a look which stops him in his
tracks.
ODIN
Thor Odinson... You have disobeyed
the express command of your King.
Through your arrogance and
stupidity, you have opened these
peaceful Realms and innocent lives
to the horrors of war. The
Allfather plunges Gungnir into
Observatory's control panel. The
turret turns, the Bifrost energy
building along with Odin's rage. It
FIRES, as the Bifrost opens at the
end of the platform, creating a
portal behind Thor. Odin turns
angrily to his son.
ODIN (CONT'D)
You are unworthy of this Realm...
Odin RIPS a disc off Thor's chest.
45.
ODIN (CONT'D)
...unworthy of your title... He
rips away Thor's cloak.
ODIN (CONT'D)
...unworthy of the loved ones
you've betrayed. I hereby take from
you your powers. Odin extends his
hand towards his son. Mjolnir goes
flying from Thor's grasp into
Odin's hand.
ODIN (CONT'D)
In the name of my father... A
FINGER OF LIGHTNING comes off the
hammer and hits Thor,
disintegrating the right arm of his
armor and part of the chest piece.
ODIN (CONT'D)
...and of his father before...
Another strike disintegrates the
remainder of Thor's armor,
including the cape and torn-away
disc on the floor.
ODIN (CONT'D)
I cast you out!
Odin thrusts Mjolnir before him and -- with a CRACK OF
THUNDER -- Thor is hurled backwards into the open Bifrost
and disappears in the vortex.
Odin holds Mjolnir in his hand, stares at it bitterly. He
closes his eyes, lost in contemplation, whispers something
quietly.
ODIN (CONT'D)
(WHISPERING)
Whosoever holds this hammer, if he
be worthy, shall possess the power
of Thor.
RUNES appear on the side of the hammer, as if carved into
its smooth surface. The runes linger for but a moment, then
disappear. Suddenly, Odin turns and hurls the hammer into
the Bifrost.
CUT TO BLACK.
Ratings
Scene 16 - Battle in Jotunheim
Thor opens his eyes, surrounded by darkness. Suddenly, he's
blinded by bright headlights of a vehicle -- an SUV.
46.
It swerves, the side of it coming straight at him. It SLAMS
into him, as we:
CUT TO BLACK.
After a beat, we hear familiar voices.
DARCY (V.O.)
I think that was legally your
fault.
JANE (V.O.)
Get the first aid kit.
(THEN)
Come on, big guy. Do me a favor and
don't be dead, okay? Open your eyes
and look at me.
THOR'S POV
Thor opens his eyes to see Jane
Foster staring at him, concerned.
She looks vulnerable and beautiful.
DARCY (O.S.)
Wow. Does he need CPR? Because I
know CPR.
END THOR'S POV
TIME CUT TO:
Jane regretfully watches the storm EVAPORATE above their
heads. A thought strikes her.
JANE
(TO SELVIG)
Where did he come from? They
exchange puzzled looks when Thor
GROANS again. He sits up abruptly,
and Jane topples backwards in
surprise. Thor staggers groggily to
his feet, then turns and offers
Jane a hand up. She takes it
hesitantly, and he easily pulls her
up. She can't help but marvel at
his strength.
JANE (CONT'D)
Uh, thanks. Are you okay? Thor
searches the ground.
THOR
Hammer...
47.
DARCY
Yeah, we can tell you're hammered.
That's pretty obvious. Jane notices
something on the ground around
them. She shines her flashlight
down at the sand.
JANE
Erik... look at this. He joins her
at her side and sees it. A faint,
discernible pattern is etched into
the sand. They exchange a look.
Amazed and excited, Jane hurriedly
takes out a camera and snaps some
photos of the runes. A breeze
begins to blow them away.
JANE (CONT'D)
We've got to move fast before
anything changes.
JANE (CONT'D)
We need soil samples, light
readings, everything. She pulls out
a light meter, holds it up, takes
some readings, jots them down in
her notebook. Selvig looks at Thor,
who stares up at the sky.
SELVIG
Jane, we need get him to a
hospital.
Jane kneels and quickly scoops up a soil sample in the
cannister.
JANE
Not right now. It'll take too long.
County's an hour away. We'll drop
him off after we're done here.
Selvig looks uncertain.
JANE (CONT'D)
(RE: THOR)
Look at him, he's fine. Thor stares
up at the stars, shouts up at them
angrily.
THOR
Father! Heimdall! I know you can
hear me! Open the bridge!
48.
JANE
(off Selvig's look)
Okay, you and Darcy take him to the
hospital, I'll stay here.
SELVIG
You expect me to leave you alone in
the middle of the desert? Thor
turns to the others, frustrated.
THOR
You! What world is this? The group
is intimidated by his fervor.
SELVIG
It's all right, my friend. We're
going to get you some help. Selvig
touches Thor's shoulder. Thor
shoves him off, grows agitated,
belligerent.
THOR
Where am I?! Answer me! Darcy
reaches into her fanny pack, pulls
something out of it. Jane looks on,
concerned.
JANE
Erik, just back away...
SELVIG
(to Thor, calming)
You're in the desert outside the
town of Puente Antiguo.
THOR
What Realm?! Alfheim? Nornheim?
DARCY
Uh... New Mexico? Darcy raises a
TASER at him. Thor looks at the
weapon, unsure what to make of it.
THOR
You dare threaten Thor with so puny
A--
Darcy fires, the electrified wires
shooting out of the taser, ZAPPING
him in the chest. Thor convulses,
falls to the ground unconscious.
Jane and Selvig stare at her,
shocked.
49.
DARCY
What? He was freaking me out.
38 EXT. BIFROST LANDING SITE (EARTH) - MOMENTS LATER 38 38
As Jane still takes soil samples, Darcy and Selvig struggle
to drag an unconscious Thor to the SUV and lift him inside.
SELVIG
(TO DARCY)
Next time you decide to taser
someone, do me a favor and make
sure they're already inside the
truck.
(TO JANE)
Jane, come on... Reluctantly, Jane
joins the others inside the SUV.
39 EXT. DESERT - MOMENTS LATER 39 39
The SUV heads off into the distance. Behind it, high
overhead, a HOLE opens in the sky. A last blast of Bifrost
energy bursts forth from it, and a small OBJECT comes firing
into our world. It BURNS across the desert sky like a
meteor.
40 OMITTED 40 40
Ratings
Scene 17 - Thor's Arrival in the Hospital
The SUV sits parked before the emergency room entrance.
42 INT. COUNTY HOSPITAL ER - NIGHT 42 42
Selvig watches the unconscious Thor with interest as two
ORDERLIES set the Asgardian onto a gurney. Jane and Darcy
stand before a sweet, ditzy ADMISSIONS NURSE.
ADMISSIONS NURSE
Name?
JANE
He said it was "Thor."¬ù The Nurse
painstakingly types it into the
computer, one key at a time. Jane
watches as Thor is wheeled out of
the room.
ADMISSIONS NURSE
(SPELLING)
T-H-O-R. And your relationship to
him?
50.
JANE
I've never met him before.
DARCY
Until she hit him with the car.
JANE
Grazed him, actually.
(THEN)
Oh, and we tasered him, too.
ADMISSIONS NURSE
(SYMPATHETIC)
Must have been quite the spat.
JANE
I told you, I don't know him. I
just want to make sure he's okay.
ADMISSIONS NURSE
I'm going to need a name and
contact number.
JANE
Jane Foster.
ADMISSIONS NURSE
(TYPING SLOWLY)
J...A...N...
SELVIG
Oh, for God's sake... He reaches
over Jane's shoulder and hands the
Nurse his business card.
SELVIG (CONT'D)
Here. Let's go.
Selvig, Darcy, and Jane head out.
43 INT. HOSPITAL ER - NIGHT 43 43
Thor, now in a hospital gown, winces in pain as he awakens
on a gurney to find a NURSE standing over him, a syringe in
his arm.
NURSE
Hi. Just taking a little blood.
Thor SLAPS the syringe away
angrily, starts to sit up.
51.
THOR
How dare you attack the son of
Odin!
NURSE
I need some help! Two ORDERLIES
race over, try to hold Thor down.
NURSE (CONT'D)
We're trying to help you!
THOR
Then bring me a healing stone, you
savages!
He hurls one of them off, smashing against a wall. Now a
couple SECURITY GUARDS and MALE NURSES join the fracas, all
struggling to hold Thor down. Medical equipment goes flying,
furniture overturned.
ORDERLY
What the hell is this guy on?
Finally, they force him back down
onto the gurney. Thor looks shocked
and amazed that he's actually being
overpowered by this small group.
The NURSE injects him with a
sedative.
THOR
You're no match for the Mighty--
Thor struggles a beat, then passes
out.
44 EXT. NEW MEXICO DESERT - DAWN 44 44
Smoke rises from a fifty foot wide CRATER. A TOWNIE pulls
his pick-up to a stop at the crater's edge. He climbs out,
peers down below, his curiosity piqued by what he sees.
TOWNIE
Huh.
The Townie approaches something at the center of the crater.
We don't see what it is, but it bathes him in an
otherworldly, BLUE LUMINOUS GLOW. He reaches for the object,
tries to lift it, but can't. He redoubles his efforts,
strains with all his might, with no luck. He takes off his
hat, fans himself, stares at the mysterious object.
TOWNIE (CONT'D)
Huh.
52.
Ratings
Scene 18 - The Battle in Jotunheim
The distant mountains glint snow in the early morning light.
Selvig appears with a cup of coffee and surveys the vast
desert. He turns back into the lab and sees Jane, busy at
her workstation, soldering a piece of equipment. A printer
churns out blown-up screen-cap PHOTOS of the Bifrost
footage. Darcy hangs them on the wall. Selvig surveys the
scene, watches how Jane works, impressed. He notices a
monitor which displays a complex program entitled "J. FOSTER
ALGORITHM ANALYSIS"¬ù. He looks proud. The three of them
have been up all night, fueled by caffeine and excitement.
JANE
Darcy, when you're done, take the
soil samples to Professor Meyers in
geology. Remind him, he owes me.
SELVIG
We might want to perform a spectral
analysis.
JANE
"We?"¬ù
SELVIG
I flew all the way out here --
might as well make myself useful.
This is the offer Jane's been
waiting for. She gets up, inserts
the piece of equipment she's been
working on into a rack-mounted
server.
JANE
You know what would be really
useful? Do you still have that
friend at LIGO?
SELVIG
She was more than a friend.
JANE
Could you call in a favor?
SELVIG
You don't think this was just a
magnetic storm?
JANE
If I'm right, their observatory
must have picked up gravitational
waves during last night's event.
53.
SELVIG
Meaning?
Jane heads over to a computer monitor. Selvig follows.
JANE
Meaning these anomalies might
signify something bigger.
SELVIG
How "big"¬ù are we talking about?
Jane indicates the footage on the
monitor. As the last of the Bifrost
cloud disappears into the night
sky, there appears to be a blister
in space, bulging out in convex and
covered with stars.
JANE
I think the lensing around the
edges is characteristic of an
Einstein-Rosen Bridge.
DARCY
A what?
SELVIG
I thought you were a science major.
DARCY
Political Science. Selvig shoots
Jane a confused look. Jane shrugs.
JANE
She was the only applicant.
SELVIG
(TO DARCY)
An Einstein-Rosen Bridge -- a
"theoretical"¬ù connection between
two different points of space-time.
Darcy stares blankly.
JANE
(TO DARCY)
A wormhole.
Selvig looks skeptical. Jane prints out a frame-grab off the
monitor.
JANE (CONT'D)
Erik, look...
54.
Jane indicates the print-out showing the constellations seen
through the "bubble"¬ù in the clouds.
JANE (CONT'D)
What do you see here?
SELVIG
Stars.
JANE
Yes. But not our stars. She spreads
out a STAR CHART, barely able to
contain her excitement.
JANE (CONT'D)
This is the star alignment for our
quadrant, this time of year. So
unless Ursa Minor decided to take
the day off... those are someone
else's constellations. Selvig's
intrigued, in spite of himself.
Darcy pulls another frame-grab of
the Bifrost footage from the
printer and hangs it on the wall,
when something in the image catches
her eye.
DARCY
Hey, check it out. Jane and Selvig
examine the photo, amazed.
SELVIG
Is that...?
JANE
I think I left something at the
hospital.
As Jane walks away, we REVEAL the photo. Inside the Bifrost
funnel cloud is a FIGURE -- the vague, but unmistakable
shape of a MAN.
45A EXT. ODIN'S CHAMBERS - DAY 45A 45A
At the top of the palace, we see a small FIGURE on the
balcony. As we move closer, we see it is a burdened Odin,
looking out over Asgard.
46 INT. ODIN'S CHAMBERS - DAY 46 46
Frigga enters to find Odin standing lost in thought.
FRIGGA
How could you have done this?
55.
ODIN
Do you understand what he set in
motion? He's taken us to the brink
of war!
FRIGGA
But banishment? You would lose him
forever? He's your son!
ODIN
What would you have done?
FRIGGA
I would not have exiled him to a
world of mortals, stripped of his
powers, to suffer alone. I would
not have had the heart for such
cruelty!
ODIN
That is why I'm King.
(THEN)
I, too, grieve the loss of our son.
But there are some things that even
I cannot undo.
FRIGGA
You can bring him back.
ODIN
No. His fate is in his own hands
now.
Ratings
Scene 19 - Thor awakens in a hospital and reunites with Jane and her friends
Thor awakens on a hospital bed. He notices RESTRAINTS on his
wrists now. He pulls at them, tries to free himself, to no
avail.
THOR
It's not possible. He tries again,
mustering all his strength. One of
his hands slips free from its
restraint.
47A INT. COUNTY HOSPITAL ER - DAY 47A 47A
Jane again faces the Admissions Nurse, with Selvig and Darcy
nearby.
ADMISSIONS NURSE
I'm sorry, only relatives can visit
patients.
56.
JANE
(THINKING FAST)
But... I'm his wife. Darcy stifles
a SNICKER at this, as the Nurse
looks doubtful.
ADMISSIONS NURSE
I thought you said you didn't know
him.
JANE
I meant I barely know him anymore.
The man he's become. He's changed.
I mean, what woman really knows her
husband, anyway?
ADMISSIONS NURSE
None of us, dear. He's in Room
48 INT. HOSPITAL CORRIDOR - DAY 48 48
Jane, Selvig, and Darcy head down the corridor, passing the
destruction of the ER Thor wrecked the previous night.
They enter Thor's room.
49 INT. HOSPITAL ROOM 49 49
They step inside to find Thor's bed empty.
50 EXT. HOSPITAL PARKING LOT - DAY 50 50
Jane, Selvig, and Darcy quickly climb into Jane's SUV.
51 INT. JANE'S SUV 51 51
Jane starts the car, frustrated.
JANE
Typical. I just lost my most
important piece of evidence.
DARCY
So now what?
JANE
We find him.
SELVIG
Did you see what he did in there? I
don't know if finding him is the
best idea.
57.
JANE
I want to know what that thing was,
and he may have the answers. We
don't have a choice.
DARCY
Oo-kay.
She pulls out her taser and a can of mace.
SELVIG
So we're just going to spend the
rest of the day looking for him?
JANE
However long it takes. Jane puts
the car in reverse and backs up,
when --
BAM!
She collides with Thor again, dressed in stolen hospital
scrubs. Jane and Selvig exchange a look.
52 EXT. HOSPITAL PARKING LOT - DAY 52 52
Jane and Selvig emerge from the SUV, help Thor to his feet.
JANE
I'm so sorry. I swear I'm not doing
that on purpose.
Thor looks up at the sky.
THOR
Blue sky... one sun... This is
Earth, isn't it?
DARCY
I think you may have hit him with
the car one time too many.
JANE
(TO THOR)
Let's get you some clothes.
Ratings
Scene 20 - Post-Battle Reflection
Sif, Loki, and the Warriors three, battered and shell-
shocked, still reeling from the day's events, sit before a
ROARING central fire. Hogun reaches into the flames, pulls
out some fragile HEALING STONES. Neither the fire, nor the
stones burn him. As he carefully places the stones over the
wounds of his comrades, the stones begin to glow.
58.
He crushes them to a powder. His comrades' injuries heal up
at the glowing powder's touch. Fandral winces in pain as
Hogun heals his gaping wound. Volstagg looks at the skin on
his arm -- healing, but still blackened from the necrotizing
touch of the Frost Giant. Loki watches him, then stares at
his own arm, where the Giant's touch turned his skin blue.
It's undamaged, back to its normal color.
VOLSTAGG
We should never have let him go.
SIF
There was no stopping him.
FANDRAL
At least he's only banished, not
dead. Which is what we'd all be if
that guard hadn't told Odin where
we'd gone.
VOLSTAGG
How did the guard even know? Loki
stares at his arm.
LOKI
I told him.
FANDRAL
What?
LOKI
I told him to go to Odin after we'd
left. Though he should be flogged
for taking so long.
VOLSTAGG
You told the guard?
LOKI
I saved our lives! And Thor's. I
had no idea Father would banish him
for what he did.
SIF
Loki, you're the only one who can
help Thor now. You must go to the
Allfather and convince him to
change his mind!
LOKI
And if I do, then what? I love Thor
more dearly than any of you, but
you know what he is. He's arrogant.
He's reckless. He's dangerous.
(MORE)
59.
LOKI (CONT'D)
You saw how he was today. Is that
what Asgard needs from its King?
The others exchange glances, torn. Loki has a point. He
leaves the room. Hogun stares after him.
SIF
He may speak about the good of
Asgard, but he's always been
jealous of Thor.
VOLSTAGG
True, but we should be grateful to
him. He did save our lives.
HOGUN
Laufey said there were traitors in
the House of Odin. The others turn
to the usually quiet Hogun.
FANDRAL
Why is it every time you choose to
speak, it has to be something dark
and ominous?
HOGUN
A master of magic could easily
bring three Jotuns into Asgard. The
others look to Hogun, understanding
the implication.
VOLSTAGG
No! Surely not!
FANDRAL
Loki's always been one for
mischief, but you're talking about
something else entirely.
SIF
Who else could elude Heimdall's
gaze with tricks of light and
shadow?
VOLSTAGG
The ceremony was interrupted just
before Thor was named King.
SIF
We should go to the Allfather.
60.
FANDRAL
And tell him what? "Oh, by the way,
we think your son just betrayed the
throne. And do us a favor. Bring
back Thor. There's a good
fellow!"¬ù
SIF
It's our duty. If any of our
suspicions are right, then all of
Asgard is in danger.
Ratings
Scene 21 - Loki's Revelation
Loki heads into the Vault, sees the Casket of Ancient
Winters sitting on its stand. He walks over to it slowly,
reaches out to it, lifts it between his forearms off its
pedestal. As he does, a blueness spreads from his arms,
across his body. The latticework behind the Casket starts to
separate, the Destroyer rousing. A fire starts to glow
within its black metal armor, as it rattles to life, but
Loki ignores it -- the blueness spreading further, consuming
his whole body.
ODIN (O.S.)
Stop!
Loki turns, sees Odin hurrying into the room, the Destroyer
goes motionless, the latticework rejoining before it. Odin
eyes Loki with dismay.
LOKI
Am I cursed?
ODIN
No. Put the Casket down. Loki sets
the Casket back upon its pedestal,
his body quickly returning to its
normal form and color. He stares at
his father.
LOKI
What am I?
ODIN
You're my son.
LOKI
What more than that? Odin doesn't
answer. He looks suddenly weary,
burdened. Loki sizes him up,
realizes the truth.
61.
LOKI (CONT'D)
The Casket wasn't the only thing
you took from Jotunheim that day,
was it?
Odin looks him in the eye. He can deny it no longer.
ODIN
No.
(BEAT)
In the aftermath of the battle, I
went into the Temple, and I found a
baby. Small for a giant's offspring
-- abandoned, suffering, left to
die. Laufey's son. Loki is sent
reeling by the revelation.
LOKI
Laufey's son...
He desperately struggles to make sense of it all.
LOKI (CONT'D)
Why? You were knee-deep in Jotun
blood. Why would you take me?
ODIN
You were an innocent child.
LOKI
You took me for a purpose, what was
it?
Odin doesn't answer.
LOKI (CONT'D)
Tell me!
ODIN
I thought we could unite our
kingdoms one day, bring about an
alliance, bring about a permanent
peace... through you. But those
plans no longer matter.
LOKI
So I am no more than another stolen
relic, locked up here until you
might have use of me.
ODIN
Why do you twist my words?
62.
LOKI
You could have told me what I was
from the beginning. Why didn't you?
ODIN
You are my son. My blood. I wanted
only to protect you from the truth.
LOKI
Because I am the monster parents
tell their children about at night?
ODIN
Don't...
LOKI
It all makes sense now. Why you
favored Thor all these years.
ODIN
Listen...
LOKI
Because no matter how much you
claim to "love"¬ù me, you could
never have a Frost Giant sitting on
the Throne of Asgard! Odin's body
begins to shake, he lifts his hand.
It starts to move out of synch
temporarily, leaving a trail, the
effect of the Odinsleep
approaching. Loki doesn't notice as
Odin tries to fight it off.
ODIN
Listen to me!
Loki strides away towards the exit.
ODIN (CONT'D)
Loki!
Odin starts towards him, when the enormous mental,
emotional, and physical strain of recent events finally
takes its toll. The effect of the Odinsleep consumes him.
His entire body now moves out of sync with the rest of the
world, leaving trails behind him as he staggers backwards.
Odin falls back against a wall, his face contorting in a
scream. He collapses to the stone floor. Loki, shocked,
hurries to him. He takes Odin in his arms, calls out.
LOKI
Guards!
63.
55 OMITTED 55 55
56 OMITTED 56 56
57 OMITTED MERGED WITH SCENE 54 57 57
58 EXT. OUTSIDE OF CRATER - DAY 58 58
Cars, pick-ups, and SUVs are parked around the crater, the
sound of a BOISTEROUS PARTY coming from within.
Ratings
Scene 22 - Thor's Awakening
It looks like the whole town has turned out. LOCALS sit on
lounge chairs, drink beer from coolers, laugh and talk. They
watch the center of the crater, where LARGE MEN have formed
a line to take a turn with the mysterious object. One of
them struggles and fails to lift it. As he gives up, the
next man steps up and takes his turn, straining from the
effort. Other Townies SNAP PICTURES of the scene with their
cell phones. They hear an approaching RUMBLE, then clear a
path as a large PICK-UP TRUCK backs its way down the
crater's edge. An EAGER TOWNIE hops out the passenger side
and pulls a thick chain from the back of the truck. He
fastens one end around the object, then securely affixes the
chain to the bumper and the rear of the undercarriage.
EAGER TOWNIE
This'll do it.
He yells to the driver.
EAGER TOWNIE (CONT'D)
Okay, let 'er rip! The townsfolk
watch as the pick-up's engine
ROARS, then STRAINS, its wheels
spinning futilely, until finally
the rear of the truck, along with
the back wheels and axles, break
off and go flying.
People dive out of the way. The PICK-UP DRIVER sticks his
head out. He is STAN "THE MAN"¬ù LEE. He looks back,
shocked. The townsfolk laugh, the party continuing. They
don't notice as --
ON THE CRATER'S EDGE ABOVE THEM
An imposing GOVERNMENT VEHICLE pulls up to a stop. A Fed in
a suit climbs out, peers down at the boisterous gathering
below, his eyes fixed on the object at the center of the
crater. He is SHIELD AGENT COULSON. He stares down at the
object which glows with an otherworldly blue energy --
MJOLNIR. He pulls out a phone.
64.
COULSON
(INTO PHONE)
Sir -- we've found it.
60 INT. SMITH MOTORS - LAB - DAY 60 60
In a back room, Thor, now shirtless and wearing jeans, looks
around for a t-shirt. Jane and Darcy, standing in the lab,
can't help but notice his reflection in the mirror. Darcy
eyes his powerful build, rippling biceps.
DARCY
You know, for a crazy homeless guy,
he's pretty cut. Jane turns away.
Thor emerges from the back room,
holding a t-shirt.
DARCY (CONT'D)
Hey, sorry I tased you! Thor heads
over to Jane's work area, starts
fiddling with the equipment there
with interest. Jane hurries over to
put a stop to it.
JANE
Excuse me... excuse me! She leads
him away from the work station.
Thor holds up the t-shirt. On the
front, it bear a sticker which
reads: "HELLO, MY NAME IS DR.
DONALD BLAKE"¬ù. Thor looks at it,
puzzled. Jane rips the sticker off.
JANE (CONT'D)
My ex.
Thor stares at her a beat.
JANE (CONT'D)
They're the only clothes I had
that'll fit you. Sorry.
THOR
They will suffice. Thor turns his
attention to the pictures of the
Bifrost on the wall.
JANE
You're welcome. Now tell me... Thor
studies the frame-grabs with
interest. Jane points to his form
in the Bifrost photo.
65.
JANE (CONT'D)
What were you doing, in that? He
glances at it, dismissive.
THOR
What does anyone do in the Bifrost?
Everyone stares at him. Selvig
seems to recognize the word. Jane
opens her notebook, quickly writes
the word down. Thor moves close to
her, eyes the notations and
drawings within the book, curious.
SELVIG
(amused, skeptical)
The Bifrost...
Jane starts to get uncomfortable with Thor standing so close
to her, looking over her notations. She quickly closes the
book.
JANE
What exactly is the Bifrost?
THOR
(IGNORING HER)
This mortal form has grown weak.
JANE
BUT--
JANE (CONT'D)
Somebody get the mortal a Pop-Tart.
Ratings
Scene 23 - Revelations and Responsibilities
Frigga sits at her husband's bedside, holding his hand. Odin
lies there -- looking pale and lifeless, his body and the
space around it warped from the effect of the Odinsleep. The
walls of the chamber have moved close around him, protecting
him like a dark crypt, sealing off any daylight. Loki sits
at Odin's side, across from Frigga. She speaks softly to
him.
FRIGGA
I asked him to be honest with you
from the beginning. There should be
no secrets in a family.
LOKI
So why did he lie?
66.
FRIGGA
He kept the truth from you so that
you would never feel different. You
are in every way our son, Loki, and
we your family. You must know that.
Loki takes this in, stares at Odin.
FRIGGA (CONT'D)
(RE: ODIN)
You can speak to him. He can see
and hear us, even now.
LOKI
How long will it last?
FRIGGA
I don't know. This time is
different. We were unprepared.
LOKI
I never get used to seeing him like
this. The most powerful being in
the Nine Realms lying helpless
until his body is restored.
FRIGGA
But he's put it off for so long
now, I fear...
Loki takes her hand. She's grateful, wipes tears from her
eyes.
FRIGGA (CONT'D)
You're a good son. Loki sits there,
uncertain how to react, uncertain
how he really feels.
FRIGGA (CONT'D)
We mustn't lose hope that your
father will return to us. And your
brother.
Loki looks to Frigga, concerned.
LOKI
What hope is there for Thor?
FRIGGA
There's always a purpose to
everything your father does. Thor
may yet find a way home. Loki looks
troubled by the revelation.
(MORE)
67.
FRIGGA (CONT'D)
He rises, heads for the exit, when
they hear the clatter of ARMORED
FOOTSTEPS hurriedly approaching.
THE EINHERJAR GUARD
Enter the room, block his way out. Loki tenses, prepared for
the worst, but the guards just stand before them. Loki is
baffled.
FRIGGA
Thor is banished. The line of
succession falls to you. Until he
awakens, Asgard is yours.
The Einherjar kneel before the shocked Loki. Another
EINHERJAR enters, holding Gungnir before him. He kneels
before Loki, offers the spear to him.
FRIGGA (CONT'D)
Make your father proud. Loki
reaches out tentatively, then takes
it. He likes the feel of it in his
hand.
Ratings
Scene 24 - Thor's Hungry Adventure
Thor, Selvig, Darcy, and Jane sit at a table in the local
diner. Selvig and Darcy watch as Thor eats ravenously from a
huge mound of steak and eggs. A couple other full plates --
pancakes and biscuits and gravy -- are piled high before
him. Jane's eager, her notebook at the ready.
JANE
Now tell us exactly what happened
to you last night. Thor looks her
in the eyes, staring, intrigued.
Jane gets flustered, looks away.
JANE (CONT'D)
Maybe start with how you got inside
that cloud.
DARCY
And how you could eat an entire box
of Pop-Tarts and still be this
hungry.
Jane shoots her a withering look. Thor downs a cup of
coffee.
THOR
(re: coffee mug)
This drink. I like it.
68.
DARCY
(to Thor, re: coffee)
Yeah, it's great, isn't it? Isabela
makes the best coffee in town.
Thor hurls the empty mug at the ground, SHATTERING it.
THOR
(CALLS OUT)
Another!
ISABELA ALVAREZ (60), the diner's proprietor, glares at Thor
from behind the counter.
JANE
Sorry, Izzy. Little accident.
(IN SPANISH)
Yo voy a pagar la taza. Isabela
turns to a WAITRESS and starts
venting quickly in Spanish.
ISABELA
(IN SPANISH)
Did you see that? The first time
she brings a man in here, and he's
a lunatic!
JANE
(to Thor, re: mug)
What was that?
He doesn't understand. The other patrons stare at him.
THOR
It was delicious. I want another.
JANE
Then you should just say so!
THOR
I just did.
JANE
I mean ask for it. Nicely.
THOR
I meant no disrespect.
JANE
All right, then no more smashing,
deal?
69.
THOR
You have my word.
JANE
Good.
A few TOWNIES, looking bedraggled, enter and take a seat at
the counter. We recognize them from the crater. (Among them
is the Drunk Townie Jake, who is not presently drunk.)
ISABELA
Morning, Pete. Jake.
TOWNIE PETE
The usual, please, Izzy. Isabela
pours them a couple cups of coffee.
DRUNK TOWNIE JAKE
You missed all the excitement out at the crater.
ISABELA
What crater?
Jane and Selvig overhear this, exchange a look, turn to the
Townies with interest.
TOWNIE PETE
They're saying some kind of
satellite crashed in the desert.
DRUNK TOWNIE JAKE
We were having a good time with it till the Feds showed up,
chased us out.
JANE
(to the Townies)
Excuse me, did you say there was a
satellite crash?
DRUNK TOWNIE JAKE
Yep. They said it was radioactive. And I had my hands all
over it.
(REALIZING)
I'm probably sterile now. Thor,
unconcerned, prepares to dig into
the giant pile of pancakes. Darcy
is amazed by the sight.
70.
DARCY
Oh my God, this is going on
Facebook.
Darcy whips out her cellphone.
DARCY (CONT'D)
(TO THOR)
Smile!
Thor looks puzzled as she SNAPS a photo of him and his
massive stack of food.
SELVIG
(to the Townies)
What did the satellite look like?
DRUNK TOWNIE JAKE
I don't know nothing about satellites. But it was heavy.
Real heavy. Nobody could lift it. This gets Thor's
attention.
Thor springs to his feet, heads over to Drunk Townie Jake,
and pulls the Townie around to face him.
THOR
Where?!
DRUNK TOWNIE JAKE
About twelve miles east of here. Thor grins, his spirits
soaring, as he quickly strides out of the diner.
PETE
I wouldn't bother! Looked like the
whole Army was coming in when we
left!
Ratings
Scene 25 - Thor's Decision
Thor studies the position of the sun, gauging his bearings.
Jane, Darcy, and Selvig catch up to him.
JANE
Where are you going?
THOR
Twelve miles east of here. He
starts to stride determinedly down
the street. Jane walks with him.
JANE
Why?
71.
THOR
To get what belongs to me.
JANE
So now you own a satellite?
THOR
It's not what they say it is.
JANE
Whatever it is, the government
seems to think it's theirs. You
intend to just walk in there and
take it?
THOR
Yes.
He stops walking.
THOR (CONT'D)
If you take me there now, I'll tell
you everything you wish to know.
JANE
Everything?
THOR
All the answers you seek will be
yours, once I reclaim Mjolnir.
Darcy looks to the others.
DARCY
"Myeu-muh?"¬ù What's "Myeu-muh?"¬ù
Jane studies Thor. He looks
sincere. She's nearly swayed,
WHEN:
SELVIG
Jane.
He pulls her aside. Thor can tell that Selvig doesn't much
care for him.
SELVIG (CONT'D)
(TO JANE)
Please don't do this.
JANE
You know what we saw last night.
This can't be a coincidence. I want
to know what's in that crater.
72.
SELVIG
I'm not talking about the crater.
I'm talking about him.
JANE
He's promised us answers.
SELVIG
He's delusional! Listen to what
he's saying! "Thor."¬ù "Bifrost."¬ù
"Mjolnir."¬ù These are the stories
I grew up with as a child!
JANE
I'd just be driving him out there,
that's all.
SELVIG
It's dangerous. He's dangerous.
After a moment, she nods. They head back over to Thor and
Darcy.
JANE
I'm sorry. I can't take you.
THOR
I understand. Then this is where we
say goodbye.
He takes her hand and kisses it.
JANE
That's... thank you. Thor bows
slightly to each of them.
THOR
Jane Foster... Erik Selvig...
Darcy. Farewell. He heads off down
the street. Selvig looks relieved.
SELVIG
Now... let's get back to the lab.
We have work to do. Selvig and
Darcy turn and start to go. Jane
looks after Thor as he walks away
down the street.
64 EXT. ODIN'S PALACE - DAY 64 64
Sif joins the Warriors Three as they hurry towards the
Throne Room.
73.
65 INT. THRONE ROOM - MOMENTS LATER 65 65
Two EINHERJAR GUARDS enter, admitting Sif and the Warriors
Three, who burst through the entrance, heads bowed.
SIF
Allfather, we must speak with you
URGENTLY--
But as they raise their heads, they
stop short to see --
LOKI
Sitting sprawled upon his father's
throne. He wears his horned
ceremonial headdress and holds
GUNGNIR in his hand. Sif and the
others look up, shocked at the
sight before them.
VOLSTAGG
What is this?
LOKI
My friends... you haven't heard? I
am now Ruler of Asgard.
FANDRAL
Where is Odin?
LOKI
Father's fallen into the Odinsleep.
My mother fears he may never awaken
again.
SIF
We would speak with her. Sif and
the Warriors Three exchange a look.
Loki notices.
LOKI
She has refused to leave my
father's bedside. You can bring
your "urgent"¬ù matter to me, your
King.
Sif covers quickly.
SIF
We would ask you to end Thor's
banishment.
74.
LOKI
My first command can not be to undo
the Allfather's last. We're on the
brink of war with Jotunheim. Our
people must have a sense of
continuity in order to feel safe in
these difficult times. Sif and the
Warriors Three trade looks, not
liking any of this.
LOKI (CONT'D)
All of us must stand together, for
the good of Asgard.
FANDRAL
Of course.
Sif and the Warriors Three bow their heads and exit. Loki
stares after them.
Ratings
Scene 26 - Confrontation and Loss
Jane, Selvig, and Darcy head up the street. They're by
Arturo's, when a PICK-UP TRUCK pulls up before them, stopped
by traffic. In the back of the vehicle, Jane notices,
partially covered by a tarp, the dark matter analysis
machine from her lab.
JANE
Hey! That's my stuff!
66A EXT. SMITH MOTORS - LAB 66A 66A
Jane, Selvig, and Darcy reach the lab, where government
vehicles are parked. SHIELD AGENTS haul equipment out of the
lab and load it into waiting vans. Other Agents strip all
the equipment from inside the Pinzgauer and cart it away.
Still others emerge from her trailer, arms loaded with
scientific instruments and documents.
JANE
What the hell is going on here?!
The Agents ignore her as Agent
Coulson approaches.
COULSON
Ms. Foster, I'm Agent Coulson, with
SHIELD.
Selvig, recognizing the name of the organization, grows
wary.
75.
JANE
I don't care who you work for, you
can't do this!
SELVIG
Jane. This is more serious than you
realize. Let it go.
JANE
Let it go?! This is my life!
COULSON
We're here investigating a security
threat. We need to appropriate your
equipment and all your atmospheric
data.
JANE
By "appropriate"¬ù you mean
"steal?"¬ù Instead of answering,
Coulson gives her a check.
COULSON
This should more than compensate
you for your trouble. She throws
the check to the ground without
looking at it.
JANE
I can't just pick up replacements
from RadioShack! I made most of
that equipment myself!
COULSON
Then I'm sure you can do it again.
JANE
And I'm sure I can sue you for
violating my constitutional rights!
COULSON
We're the good guys, Ms. Foster. He
tries to walk away, but Jane blocks
his path. She is fully herself,
fueled by outrage.
JANE
So are we! We're on the verge of
UNDERSTANDING SOMETHING
extraordinary.
Jane holds up her notebook.
76.
JANE
Everything I know about this
phenomenon is in this lab and in
this book, and no one has the right
to take it from me. Coulson
gestures to a nearby AGENT, who
promptly plucks the notebook out of
Jane's hands and adds it to the
pile he's carrying. Jane is
stunned.
COULSON
Thank you for your cooperation. He
gets into a car. The cars and
trucks pull away.
67 INT. SMITH MOTORS - LAB - DAY 67 67
Jane, Selvig, and Darcy enter, staring in shock at the now-
empty space.
JANE
Years of research, gone.
DARCY
They even took my iPod.
SELVIG
And your back-ups?
JANE
Look around! They took our back-
ups. They took the back-ups of our
back-ups.
DARCY
I just downloaded, like, thirty
songs on there.
JANE
(TO DARCY)
Will you please stop talking about
your iPod?!
(TO SELVIG)
Who are these people?
SELVIG
No one knows much about them. But I
knew a scientist -- a pioneer in
gamma radiation. SHIELD showed up,
and he was never heard from again.
77.
JANE
I'm not going to let them do this.
I'm getting everything back.
SELVIG
Please, let me contact one of my
colleagues. Dr. Pym has had some
dealings with these people. I'll e-
mail him and see if he can help.
DARCY
They took your laptop, too.
Annoyed, Selvig thinks.
67A EXT. PUENTE ANTIGUO LIBRARY - DAY 67A 67A
Selvig and Jane in the Pinzgauer drive up in front of the
town's rinky-dink library. A sign in the window reads, "FREE
INTERNET."¬ù
SELVIG
I'll just be a minute. He climbs
out and heads inside. Jane looks
down the street and sees something
that intrigues her.
68 INT. PET STORE - DAY 68 68
Thor enters the store and approaches a PET STORE CLERK.
THOR
I need a horse.
PET STORE CLERK
Sorry, we don't sell horses. Just dogs, cats, birds.
THOR
Then give me one of those, large
enough to ride.
The Pet Store Clerk looks confused. Just then, Thor hears a
CAR HORN. He turns to the open door. Across the street, Jane
calls to him from the Pinzgauer.
JANE
You still want a lift?
Ratings
Scene 27 - The Search for Mjolnir
It's story time in the library, as a LIBRARIAN reads a book -
- "THE SECRET HISTORY OF GIANTS"¬ù -- to a group of kids.
78.
LIBRARIAN
(READING)
"And though they're large, giants
can be quiet. You have to listen
carefully for the sound of their
footsteps -- because they may be
closer than you think."¬ù Nearby,
Selvig sits at a computer terminal,
finishing up his e-mail. Beside
him, a KID flips through a book
with interest. The Librarian stops
mid-story and calls to the Kid
pleasantly.
LIBRARIAN
Joshua, come sit down. It's story
time.
The Kid closes his book and joins the others. Selvig looks
over, notices the title of the book the Kid was reading --
"MYTHS AND LEGENDS FROM AROUND THE WORLD."¬Ù
He picks it up, flips through it, stops at the section on
Scandinavian Mythology. It's a picture of a RAINBOW BRIDGE
coming down from Asgard to earth. ASGARDIANS walk upon it,
among them ODIN, LOKI, and THOR, who wields Mjolnir. On the
ground below them, a group of VIKINGS kneel reverently. He
eyes the illustration, pondering.
69 OMITTED 69 69
70 EXT. DESERT - DUSK 70 70
Jane's Pinzgauer cuts off the road, heads over the rugged
terrain. Storm clouds roll in over the desert sky.
71 INT. PINZGAUER - DUSK 71 71
Jane drives, pumped with adrenaline, nervous and excited, as
Thor sits beside her, upbeat and eager for battle.
JANE
I've never done anything like this
before! Have you ever done anything
like this before? Thor looks amused
by her excitement.
THOR
Many times. You're brave to do it.
79.
JANE
They just stole my entire life's
work. I really don't have anything
left to lose.
THOR
But you're clever. Far more clever
than anyone else in this Realm.
JANE
"This Realm?"¬ù Why do you talk
like that?
THOR
You think me strange? Jane laughs,
catches herself.
JANE
Yeah. Just a little.
THOR
Good strange or bad strange?
JANE
I'm not quite sure yet. She looks
at him, sees him staring at her.
She's lost in his gaze, distracted,
when the PINZGAUER LURCHES. She
quickly turns her eyes forward,
regains control of the car.
JANE (CONT'D)
Sorry.
She glances back at him. He's confident, determined.
JANE (CONT'D)
Who are you? Really?
THOR
You'll see soon enough.
JANE
You promised me answers.
Thor looks at her, charmed by her persistence.
THOR
What you seek -- it's a bridge.
JANE
A bridge? Like an Einstein-Rosen
Bridge?
80.
THOR
More like a rainbow bridge.
A beat.
JANE
God, I hope you're not crazy.
71A EXT. DESERT - NIGHT 71A 71A
As the Pinzgauer heads away, we continue up a hillside,
revealing a light illuminating the valley beyond. As we move
closer, we see the glow comes from --
A MASSIVE SHIELD BASE
Now set up around the crater -- vehicles, trailers,
barricades. Armed GUARDS man a gate in the razor wire fence
that runs fifty yards from the crater's edge, enclosing the
complex. Clear, plastic access tubes with junction boxes
lead to a translucent cube structure erected in the middle
of the crater. Through the glass walls of the base's command
trailer, we see Coulson directing TECHNICIANS, busy at work.
Within the cube structure itself, a team of SHIELD
SCIENTISTS work with high-tech machinery, analyzing the
object at the center of it all -- Mjolnir.
72 EXT. RIDGE ABOVE CRATER - NIGHT 72 72
Jane and Thor crawl to the edge of the ridge, look through
binoculars, see the impressive SHIELD base.
JANE
That isn't a satellite crash. They
would have hauled the wreckage
away, not built a city around it.
Thor shrugs out of his jacket and
hands it to her.
THOR
You're going to need this.
JANE
Why?--
Thunder RUMBLES overhead. She stares at him intently and
takes his jacket.
THOR
Stay here. Once I have Mjolnir, I
will return what they stole from
you.
81.
He looks to her, already knowing that Jane may disobey his
request.
THOR (CONT'D)
Deal?
JANE
No! Look what's down there! You
can't just walk in, grab our stuff,
and walk out!
THOR
No.
Jane looks relieved.
THOR (CONT'D)
I'm going to fly out. Before she
can react, he starts heading
towards the crater. The first drops
of rain begin to patter into the
dust.
JANE
Wait...
But Thor is already headed towards the crater.
72A 72A
Ratings
Scene 28 - Thor's Infiltration
72A
A NEEDLE spikes on a handheld SENSOR DEVICE. The TECHNICIAN
holding it looks over at the hammer. Mjolnir begins to give
off a subtle glow. A bolt of lightning CRACKS across the sky
above.
CUT TO:
73 AN AERIAL INFRARED VIDEO IMAGE OF THE AREA 73 73
It's fuzzy, doesn't show much. We widen to see we are:
74 INT. SHIELD DESERT BASE - SECURITY ROOM 74 74
A younger SHIELD agent, a TECHIE in a headset, monitors
security. AGENT SITWELL, humorless, just this side of
junior, looks on, none-too-pleased.
TECHIE
Feed from the keyhole. Can barely
penetrate the cloud cover. The
Techie hikes a thumb at another
monitor, SQUELCHING with static.
(MORE)
82.
TECHIE (CONT'D)
It shows an SAR shot of the area,
laid over a terrain map.
TECHIE (CONT'D)
Tech's barely working as it is,
with all the interference that
thing's giving off. He gestures
towards the hammer. He checks a
computer.
TECHIE (CONT'D)
Hey, we've got a commercial
aircraft coming in right over us,
Southwest Airlines Flight 5434.
SITWELL
Reroute it, like all the others.
TECHIE
Right. Can I get the passengers
some free drinks for the trouble?
Sitwell glares at him.
TECHIE (CONT'D)
(SHRUGS)
It'd be a nice gesture. The Techie
types into the computer, when he
notices something on another
screen, holds up a hand.
TECHIE (CONT'D)
Hold a sec... we got something
outside the fence, west side... He
points at the screen. Through the
haze, it shows a THERMAL IMAGE
huddled beside the fence.
SITWELL
(into a radio)
DeLancey, Jackson -- check it out.
74A EXT. SHIELD DESERT BASE 74A 74A
A pair of SHIELD AGENTS (DELANCEY and JACKSON) take off in a
jeep to investigate.
74B EXT. SHIELD SECURITY ROOM 74B 74B
Sitwell looks out the window, something strange catching his
attention. We see in the window's reflection that a glow is
coming from the hammer containment area.
83.
75 EXT. SHIELD DESERT BASE - FENCE - MOMENTS LATER 75 75
The jeep pulls up as the Agents scan the fence with a
flashlight, see nothing unusual.
AGENT JACKSON
(INTO RADIO)
Looks like we're good here. Must
have been another coyote. Just
then, the Agents notice a section
of the fence has been bent up from
the ground, leaving a gap.
Before they can call it in, a massive CRACK OF LIGHTNING
illuminates the night sky -- revealing the silhouette of a
large man standing outside the driver's (Jackson's) side of
the jeep. DeLancey looks over, notices.
AGENT DELANCEY
Jackson?
The Agents reach for their weapons. Thor elbows the driver
across the jaw, causing him to drop his weapon. Jackson
slumps over the steering wheel, as DeLancey starts to raise
a shotgun at Thor. Thor grabs the barrel, yanks it out of
DeLancey's hands and thrusts the hilt back, smashing the
Agent's jaw. Thor reaches into the jeep to grab a rain
slicker.
75A INT. SHIELD DESERT BASE - SECURITY 75A 75A
Sitwell talks into his radio, starting to look worried.
SITWELL
(INTO RADIO)
DeLancey, Jackson -- report.
76 EXT. SHIELD DESERT BASE - MOMENTS LATER 76 76
Thor, now wearing a SHIELD rain slicker, makes his way
across the base. Another SHIELD AGENT approaches the jeep,
spots the unconscious DeLancey and Jackson. He quickly calls
into his radio.
SHIELD AGENT
Agents down! We've got a perimeter
breach!
77 INT. SHIELD DESERT BASE - SECURITY 77 77
The security monitors SQUELCH with static and interference.
Sitwell holds his PDA -- even it's on the fritz. Sitwell and
the Techie watch the monitors warily.
84.
On the monitor showing the hammer containment area, Mjolnir
starts to crackle with energy.
SITWELL
(to the Techie)
Get Coulson.
Sitwell punches an alarm.
78 EXT. SHIELD DESERT BASE 78 78
As Thor makes his way towards the crater, an alarm sounds
and SECURITY LIGHTS explode to life.
78A EXT. RIDGE ABOVE CRATER 78A 78A
A spotlight fires out from the base and sweeps across the
ridge towards Jane. She ducks down, out of sight. She pulls
out her cellphone and dials. We hear Selvig's recorded
message.
SELVIG (V.O., ON PHONE)
You've reached Dr. Erik Selvig.
Please leave me a message. His
voicemail BEEPS. She talks quietly,
urgently.
JANE
Erik, okay, first of all, don't
worry. I'm perfectly fine, really.
More sounds of MAYHEM come from the
base.
JANE (CONT'D)
But if you don't hear from me
again, you might want to come out
to the crater site and look for me.
I kind of did what you said I
shouldn't do. Thanks. Bye. She
hangs up.
79 EXT. SHIELD DESERT BASE - COMMAND TRAILER 79 79
Coulson emerges from the SHIELD command trailer and marches
across the mud, radio to his ear. He looks out across the
lit up site uneasily.
Ratings
Scene 29 - Thor infiltrates SHIELD desert base to reclaim Mjolnir
A SHIELD GUARD moves through the base, rifle in hand. From
the shadows behind a trailer, a FIGURE looks out at him. As
the Guard raises his radio to check in, Thor quickly rushes
towards him and chokes him out. He falls to the ground.
85.
Thor notices the AR-15 rifle lying on the ground beside the
fallen Guard. He stares down at the weapon quizzically. As
more GUARDS approach, Thor snatches up the weapon and takes
cover in the shadows of the trailer. The Guards pass by.
Thor peers around the corner, sees the well-guarded main
entrance tube to the center of the site. A bright light
suddenly illuminates his face. He looks to see an ATV moving
across the site, shining its spotlight right on him. Thor
sees that the ATV DRIVER has spotted him. The Driver raises
his radio to report. Thor knows he has to act fact. He
raises the rifle -- then flips it over in the air and
catches it by the barrel. He rears the weapon back, then
hurls it like a hammer. It flies through the air, smashing
the ATV's spotlight. Glass and debris shower the driver, who
takes his hands off the wheel to protect himself. The ATV
roars out of control past the Guards near the tube entrance.
The Guards notice and chase after it. Thor emerges from the
shadows, watches the Guards abandoning the site entrance.
80A EXT. EDGE OF CRATER 80A 80A
The ATV Driver looks forward in panic as the ATV approaches
the crater lip. The vehicle careens over the edge of the
crater and heads straight for one of the plastic tunnels.
The Technicians inside scatter as the ATV CRASHES into it,
tearing into the tunnel, sending sparks everywhere. The ATV
finally comes to a stop, the tunnel collapsing around it and
the Driver. SHIELD AGENTS rush in behind to help.
81 EXT. RIDGE ABOVE CRATER 81 81
Jane peers over the ridge, stares down at the frenzied
aftermath of the ATV crash, at the base on high alert.
Lightning CRACKS in the sky behind her.
82 OMITTED 82 82
82A OMITTED 82A 82A
82B EXT. SHIELD DESERT BASE 82B 82B
Coulson climbs to the lip of the crater as a light rain
begins to fall. He eyes the damage of the ATV crash. He's
not pleased. The light rain becomes a downpour.
82C EXT. MAIN ENTRANCE TUBE 82C 82C
As SHIELD Agents pull the ATV driver from the wreckage, Thor
races towards the unguarded entrance to the tunnels and
heads inside.
86.
82D INT. ENTRANCE TUBE 82D 82D
Thor races up the entrance ramp. Before him, two GUARDS
round the corner. Thor knocks out the first Guard, then
tackles the second. He hurries around the corner, when more
GUARDS come up a ladder ahead. Thor punches the closest
Guard, sending him tumbling backwards, toppling the others
on the ladder behind him. Thor takes off running, as the
Guards regroup and give chase. Thor spots the glow of
Mjolnir in the central cube, through the translucent walls
of the tunnels. He hurries through to tunnels to find a way
towards it.
82E EXT. EDGE OF CRATER 82E 82E
Coulson stands on the crater lip, barking out orders, as the
Guards in the tunnel rush to cut off Thor. Coulson activates
his radio.
COULSON
I want eyes up high. With a gun.
Now!
82E.a INT. SHIELD TRAILER 82E.A 82E.a
A SNIPER, dressed in black tactical gear and high-tech
NIGHTVISION EQUIPMENT, picks up a rifle, slings it over his
shoulder and heads out. His name is BARTON.
82E.b EXT. SHIELD DESERT BASE 82E.B 82E.b
Lightning CRACKLES around the camp.
82E.c EXT. SHIELD DESERT BASE - CRANE SITE 82E.C 82E.c
Barton approaches a CRANE BUCKET. He leaps in, and the
bucket lifts into the air.
82F EXT. SHIELD DESERT BASE - TUNNEL 82F 82F
Through the translucent plastic, we see Thor racing through
the tubing.
82G INT. TUNNEL 82G 82G
As Thor races through the tunnel, a GUARD runs right at him,
on a collision course. Thor takes him out with a punch to
the gut, then turns to see more AGENTS coming towards him.
Thor picks up the fallen Guard he punched, then throws him
into the approaching Agents, scattering them. Thor turns
around, runs back the way he came. The Agents give chase.
87.
82H EXT. RIDGE ABOVE CRATER 82H 82H
Jane looks down at the crater through binoculars, frustrated
that she can't clearly see what's happening.
82I EXT. CRATER 82I 82I
Coulson watches the commotion in the tunnel complex. He
heads off for the command trailer to enter the tunnels.
82J OMITTED 82J 82J
82K EXT. SHIELD DESERT BASE 82K 82K
The crane basket ascends into the high winds as Barton
readies his sniper rifle.
82L EXT. TUNNEL COMPLEX 82L 82L
We see the figure of Thor inside the complex, heading down a
ladder from a junction box, with other figures converging on
him.
82L.a INT. COMMAND TRAILER TUNNEL ENTRANCE 82L.A 82L.a
Coulson enters the tunnels through the command trailer. He
calls on his radio.
COULSON
Barton. Talk to me.
82M OMITTED 82M 82M
82N OMITTED 82N 82N
82O OMITTED 82O 82O
82P OMITTED 82P 82P
83 EXT. SHIELD DESERT BASE - CRANE SITE 83 83
The crane holding Barton arcs out over the structure. Barton
takes aim.
BARTON
(INTO RADIO)
One shot, one kill, sir. Just give
the word.
BARTON'S NIGHTVISION POV
Overlooking the complex. It's a clear field of vision,
nowhere to hide.
88.
A digital read-out gives information on the distance to the
target. He locks in on Thor, who's inside the plastic
tubing, emerging from the junction box and heading towards
the cube structure.
BARTON
Hello, handsome.
Ratings
Scene 30 - Thor's Failed Attempt to Retrieve Mjolnir
Thor races through the tunnel, comes across a wall of
AGENTS. Thor ROARS and barrels through them -- elbowing,
punching -- whatever it takes to keep moving. As he takes
down the last Agent, Thor sees the last junction box and the
entrance to the cube structure up ahead. He races towards
it. He can actually see Mjolnir within the middle of the
structure, when -- BAM! From out of nowhere, a fist lands a
powerful blow across his jaw, sending him reeling. Dazed,
Thor looks up to see --
A HUGE SHIELD AGENT
The biggest of them all, standing between him and his hammer
in the cube structure beyond. Thor sizes him up.
THOR
You're big.
Thor grins.
THOR (CONT'D)
Fought bigger.
83B EXT. JUNCTION BOX 83B 83B
Thor and the Huge Agent explode through the wall of the
junction box, then crash into the mud, sending them sliding.
83C EXT. CRANE BUCKET 83C 83C
Barton has Thor in his sites. The sniper stands still as a
statue.
83D INT. TUNNEL 83D 83D
Coulson hurries through the tunnel, ready to give the word
to Barton, when he stops short. He sees what looks like an
electrical storm erupting inside the structure ahead,
directly above the crater... and the hammer.
83E EXT. RIDGE ABOVE CRATER 83E 83E
Jane sees SHIELD Agents and Guards swarming into the cube
containment structure.
89.
JANE
No...
84 EXT. CRATER 84 84
Thor and the Huge Agent struggle to stand in the mud.
Through the translucent walls of the cube structure, Thor
sees Mjolnir. The Huge Agent rises up before him, blocking
his view. Rain and blood run down Thor's face. He lunges
forward, whipping his feet in front of him, then kicks out,
nailing the Huge Agent in the chest. The Agent goes down
hard as Thor's momentum carries him past. Thor stands, heads
for the cube structure, when the Huge Guard grabs his ankle
in a last effort. Thor looks back down at his foe, then
drops backwards, pile driving his elbow into the fallen
Agent's chest. The Huge Agent grimaces in pain, defeated.
Thor races back towards the structure.
84H INT. HAMMER CONTAINMENT CUBE 84H 84H
From outside, Thor rips an opening in the plastic wall of
the structure. He stands there -- soaking, bleeding, caked
with wet earth. His hammer rests just a few yards before
him, energy surging around it. Coulson steps into the
structure through an access tunnel, one story up.
As Thor approaches his hammer, Mjolnir starts to glow
brighter, blue electricity sparking off its surface. The
crackling energy seems to reach out to him. Coulson notices,
his interest piqued. Above the open ceiling of the
structure, Barton's crane bucket comes into view.
84I EXT. CRANE BUCKET 84I 84I
Wind and rain whip around Barton as he stares into his rifle
site, locked on the back of Thor's head -- his finger on the
trigger.
84J INT. HAMMER CONTAINMENT CUBE 84J 84J
Thor stands next to the hammer, feels its power. He reaches
out to it confidently. Coulson watches from above. Armed
AGENTS approach behind him. He motions for them to hold
their positions, then radios Barton.
COULSON
Barton...
84K EXT. CRANE BUCKET 84K 84K
Barton stands ready to take Thor down. His finger starts to
squeeze the trigger.
90.
COULSON (V.O., ON RADIO)
...hold your fire. Barton releases
the trigger, pulls up.
84L INT. HAMMER CONTAINMENT CUBE 84L 84L
Coulson watches Thor with anticipation as Thor wraps his
hand around the hammer. He smiles, triumphant, lifts... but
the hammer doesn't move. Thor looks confused, tries again
with two hands, to no avail -- anger and frustration
overtaking him. He strains with all his might, SCREAMS from
the effort, bellowing up at the storm and lightning above
him. Something begins to appear on the side of Mjolnir --
glowing RUNES. Thor looks down, sees them. But, still, the
hammer doesn't budge. Thor falls to his knees before it,
rain pouring down around him, as the glowing runes fade
away. He's failed. Unworthy. Coulson looks on, disappointed.
SHIELD AGENTS move in, guns trained on Thor, surrounding
him. Coulson activates his radio.
COULSON
Ground units, move in. Show's over.
As the Agents surround him, Thor doesn't seem to notice or
care. He just sits there on his knees, head bowed in the
rain -- a man broken, lost. From overhead, we see the hammer
in the cube containment room. We pull up as the Guards
approach Thor, then continue to climb, until we see the
whole camp -- and the extensive damage Thor's done to it
during the melee.
85 OMITTED 85 85
86 EXT. RIDGE ABOVE CRATER - NIGHT 86 86
Jane lowers her binoculars, sensing things have gone from
bad to worse. She steels herself, then starts over the ridge
to help him. Almost immediately, a SPOTLIGHT sweeps past
her. She hears the sound of DOGS and SHIELD AGENTS
approaching, sees the glow of flashlights moving from the
base towards her. With no other choice, she makes a quick
retreat.
87 EXT. HEIMDALL'S OBSERVATORY - NIGHT 87 87
Heimdall stands at his post, watching the scene. He lowers
his head.
Ratings
Scene 31 - Jane and Selvig's Discovery
Jane stands with Selvig and Darcy in the empty lab. Darcy
picks up the book Selvig checked out of the library, looks
through it.
91.
JANE
I can't just leave him there.
SELVIG
Why not?
JANE
You didn't see what happened. Darcy
points at an illustration of Thor's
hammer in the book.
DARCY
Hey! Myeu-muh!
Jane looks at the illustration in the book, turns to Selvig
knowingly.
JANE
(RE: BOOK)
Where did you find this? Selvig
grabs the book from them, quickly
closes it.
SELVIG
In the children's section. I wanted
to show you how ridiculous his
story was.
Jane is unconvinced by this. She knows he wants to believe.
JANE
Aren't you the one who's always
told me to chase down all leads,
all possibilities?
SELVIG
I was talking about science, not
magic!
JANE
Magic's just science we don't
understand yet. Arthur C. Clarke.
SELVIG
Who wrote science fiction.
JANE
The precursor of science fact.
SELVIG
In some cases.
92.
JANE
If that's really an Einstein-Rosen
Bridge out there, then there's
something on the other side.
JANE (CONT'D)
Advanced beings could have come
through it before.
SELVIG
Jane...
DARCY
A primitive culture like the
Vikings might have worshipped them
as deities.
They give her a look, surprised by her unexpectedly
insightful input. Darcy shrugs. Jane points at her, grateful
for the support.
JANE
Yes! Exactly! Thank you! Darcy
beams.
SELVIG
Jane, if you do this, you'll find
yourself in a situation that I
won't be able to get you out of
this time.
DARCY
I'll help you.
Jane looks grateful. Selvig looks at her, sees there's no
stopping her. He sighs.
Ratings
Scene 32 - Revelations and Goodbyes
Thor sits in a chair, staring forward blankly, hands cuffed
behind him. Coulson stands across from him.
COULSON
It's not easy to do what you did.
You made us all look like a bunch
of mall cops. That's hurtful.
(THEN)
The men you so easily subdued are
highly-trained professionals, and
in my experience, it takes someone
who's received similar training to
do what you did to them.
(MORE)
93.
(THEN) (CONT'D)
Would you like to tell me where you
received your training?
Thor sits silently.
COULSON
Pakistan? Chechnya? Afghanistan?
Then again, you strike me more as
the soldier of fortune type. What
was it, South Africa? Still no
answer. Coulson leans in close to
him.
COULSON (CONT'D)
Certain groups pay well for a good
mercenary. Especially HYDRA.
Coulson waits for a response, but
gets none.
COULSON (CONT'D)
Who are you?
THOR
Just a man.
COULSON
One way or another, we find out
what we want to know. We're good at
that.
Coulson leaves the room. Thor lowers his head.
LOKI (O.S.)
I thought he'd never leave. Thor
looks up, shocked to find Loki
standing there, dressed in 21st
century attire.
THOR
Loki? What are you doing here?
LOKI
I had to see you.
THOR
What's happened? Tell me! Is it
Jotunheim? Let me explain to
FATHER--
LOKI
Father is dead.
Thor stares at him, stunned.
94.
THOR
What?
LOKI
Your banishment, the threat of a
new war, it was too much for him to
bear.
The implications of Loki's words dawn on Thor -- he's
responsible for his father's fate. Loki draws close to him,
looks in his eyes, consolingly.
LOKI (CONT'D)
You mustn't blame yourself. I know
that you loved him. I tried to tell
him so, but he wouldn't listen.
LOKI (CONT'D)
(THEN)
It was cruel to put the hammer
within your reach, knowing you
could never lift it. Thor stares
ahead, falling deeper into the
abyss.
LOKI (CONT'D)
The burden of the throne has fallen
to me now.
THOR
Can I come home?
LOKI
The truce with Jotunheim is
conditional upon your exile.
THOR
But couldn't we find a way to--
LOKI
Mother has forbidden your return.
Thor nods, lowers his head, beaten.
LOKI (CONT'D)
This is goodbye, brother. I'm so
sorry.
THOR
No, I'm sorry. Loki... thank you
for coming here.
95.
LOKI
Nothing could have stopped me.
Coulson enters the room, but seems
to take no notice of Loki.
LOKI (CONT'D)
Fare well, brother.
THOR
Good-bye.
COULSON
Good-bye? I just got back. Thor
looks up to see that Loki is gone.
COULSON (CONT'D)
Now. Where did we leave off?
90 EXT. CRATER - NIGHT 90 90
Agents and Scientists work to repair the damaged area around
Mjolnir. They take no notice of Loki as he steps up beside
the hammer. He stares at it -- intrigued, wondering. Can he
do it? He reaches down, tries to lift it -- but can't. He
lets it go, eyes it with contempt, then steps away. He
gestures with his arms. An odd GREEN AND GOLD LIGHT rises
from the ground, enveloping him, then he disappears.
91 INT. HOLDING CELL - NIGHT 91 91
Sitwell enters and speaks sotto to Coulson.
SITWELL
(RE: THOR)
Sir... he's got a visitor.
Ratings
Scene 33 - Thor Reclaims Mjolnir
Coulson and several other SHIELD AGENTS stand across from
Erik Selvig.
COULSON
"Donald Blake?"¬ù
SELVIG
Doctor Donald Blake. He's part of
our team.
COULSON
You have dangerous coworkers, Dr.
Selvig.
96.
SELVIG
Troubled, not dangerous. He was
distraught when he found out that
you'd taken all of our research. It
was years of his life, gone! He got
depressed, started drinking, and...
well, you know the rest.
COULSON
Uh-huh. You mind if we take a
moment to verify his identity?
SELVIG
Certainly.
The Techie at a computer nearby runs the name.
SELVIG (CONT'D)
You can understand how a man could
go off like that. I mean, a big,
faceless organization like yours,
coming in with their jack-booted
thugs and stealing private
property...
(THEN)
...is how he described it.
COULSON
That doesn't explain how he managed
to tear through our security.
Selvig shrugs.
SELVIG
Steroids. He's a bit of a fitness
nut.
On the Techie's monitor, a DMV record from the State of New
York pops up reading "DR. DONALD BLAKE"¬ù. The license photo
is indeed a picture of Thor -- the one Darcy took with her
cellphone.
The Techie hits a button, and a graphic reads, "SHIELD
SECURITY ANALYSIS IN PROGRESS."¬ù Coulson eyes the screen.
After a beat, he turns back to Selvig.
COULSON
It says here he's an M.D.
SELVIG
He is. That is, he was. He switched
careers and became a physicist.
He's quite brilliant, really.
97.
(THEN)
If you would just release him to
me, I promise to keep an eye on
him.
Coulson thinks, sizing Selvig up -- then smiles. He turns to
an AGENT nearby.
COULSON
Release Dr. Blake to Dr. Selvig
here.
The Techie looks to him, surprised.
COULSON (CONT'D)
(TO SELVIG)
Make sure he stays in town for the
next few days in case we need to
talk to him again. Selvig shakes
his hand.
SELVIG
Thank you.
92A INT. SHIELD HOLDING CELL - NIGHT 92A 92A
Selvig bursts into the room with a SHIELD Agent to find a
seated Thor.
SELVIG
Donny, Donny, Donny! There you are!
Thor looks up, unsure what the hell is going on. Selvig
pulls Thor to his feet, gives him a warm hug.
SELVIG (CONT'D)
It's going to be all right, my
friend. Come on, I'm taking you
home.
He leads the bewildered Thor out the door.
92B EXT. COULSON'S TRAILER - NIGHT 92B 92B
As Thor and Selvig make their way past the SHIELD Security
Room, Thor notices Jane's possessions and equipment from the
Smith Motors lab stacked under a tarp. He spots Jane's hand-
written journal among them. As he passes, he quickly takes
it from the pile and pockets it.
92C INT. SECURITY ROOM - NIGHT 92C 92C
Coulson looks at the computer bearing Donald Blake's DMV
record.
98.
A security warning over the image clearly reads "SECURITY
ALERT: FALSIFIED DATA."¬ù He knows it's been a ruse all
along. He looks to Selvig and Thor heading away from the
Security Room, then follows them outside.
93 EXT. SHIELD DESERT BASE - NIGHT 93 93
Coulson and two SHIELD Agents watch as Selvig walks with
Thor away from the base to the SUV. Coulson calls to Selvig.
COULSON
Just keep him away from the bars.
SELVIG
I will!
THOR
(TO SELVIG)
Where are we going? Selvig drops
his cool demeanor.
SELVIG
To get a drink.
Selvig and Thor climb into the SUV. As they drive off,
Coulson turns to the other two agents -- GARRETT and CALE.
COULSON
Follow them.
94 EXT. JOTUNHEIM - DAY 94 94
Loki, looking apprehensive, walks alone across the icy
surface of the planet.
Ratings
Scene 34 - Betrayal and Redemption
Darkness shrouds the ruined temple, save for the shafts of
light which knife their way in through the damaged ceiling.
Loki enters. Frost Giant guards surround him on all sides.
Laufey approaches, towers over him menacingly.
LAUFEY
Tell me why I shouldn't kill you.
LOKI
I've come alone and unarmed.
LAUFEY
To what end?
LOKI
To make you another proposition.
99.
LAUFEY
(REALIZING)
So you're the one who let us into
Asgard.
LOKI
You're welcome.
LAUFEY
My men are dead, and I have no
Casket. You are a deceiver. Laufey
lashes out, grabs Loki around the
throat, but Loki calmly stands his
ground.
LOKI
You have no idea what I am. The
blueness spreads across his face,
as Laufey and the guards stare in
shock. Loki grins.
LOKI (CONT'D)
Hello, Father.
Laufey releases him. Loki's body turns back to normal.
Intrigued, Laufey sizes up his son.
LAUFEY
Ah, the bastard son. I thought Odin
had killed you. That's what I would
have done. He's as weak as you are.
LOKI
No longer weak. I now rule Asgard,
until Odin awakens. Perhaps you
should not have so carelessly
abandoned me.
This gives Laufey pause.
LAUFEY
Or perhaps it was the wisest choice
I've ever made. I will hear you.
LOKI
I will conceal you and a handful of
your soldiers, lead you into his
chambers, and let you slay him
where he lies. I'll keep the
throne, and you will have the
Casket.
Laufey studies Loki's face.
100.
LAUFEY
Why would you do this?
LOKI
When all is done, we will have a
permanent peace between our two
worlds. Then I, the bastard son,
will have accomplished what Odin
and Thor never could.
LAUFEY
This is a great day for Jotunheim.
Asgard is finally ours.
LOKI
No. Asgard is mine. The rest of the
Nine Realms will be yours, if you
do as you're told. Laufey considers
the proposition.
LAUFEY
I accept.
Loki turns to leave. As he goes, the slightest trace of a
smile crosses his face.
96 INT. HEIMDALL'S OBSERVATORY - DAY 96 96
Loki emerges out of the Bifrost, as Heimdall steps away from
his controls. Heimdall glares at Loki. Loki notices.
LOKI
What troubles you, Gatekeeper?
HEIMDALL
I turned my gaze upon you in
Jotunheim, but could neither see
nor hear you. You were shrouded
from me, like the Frost Giants who
entered this Realm.
LOKI
Perhaps your senses have weakened
after your many years of service.
HEIMDALL
Or perhaps someone has found a way
to hide that which he does not wish
me to see.
Loki sizes him up, smiles.
101.
LOKI
You have great power, Heimdall.
Tell me, did Odin ever fear you?
HEIMDALL
No.
LOKI
And why is that?
HEIMDALL
Because he is my King, and I am
sworn to obey him.
LOKI
Exactly. Just as you're sworn to
obey me now. Yes? A beat.
HEIMDALL
Yes.
LOKI
Good. Then you will open the
Bifrost to no one until I have
undone what my brother has started.
Loki heads out of the Observatory.
Heimdall stares after him.
Ratings
Scene 35 - Thor and Selvig bond
Thor and Selvig sit at a booth at the back of the local
dive. The bartender sets down a couple mugs of beer and two
shots of whiskey. Selvig pours the shot into his mug and
downs it. Thor follows his example.
SELVIG
Seems Darcy's a terrible intern,
but a talented hacker.
THOR
Thank you for what you've done.
SELVIG
Don't thank me. I only did it for
Jane.
THOR
Are you in love with her?
SELVIG
Of course not! Jane's like a
daughter to me. Her father and I
taught at University together.
(MORE)
102.
SELVIG (CONT'D)
A good man, but he never listened.
This registers with Thor.
THOR
Neither did I.
Selvig eyes him with interest.
SELVIG
I don't know if you're really
delusional, and I really don't care
at this point. I just care about
her. I've seen the way she looks at
you.
THOR
I swear to you, I mean her no harm.
SELVIG
Good. If that's the case, then I'll
buy you one more drink, and you'll
leave town tonight. A long pause,
then Thor nods. He takes a drink.
THOR
I had it all backwards. I had it
all wrong.
Selvig watches him keenly. This is a different Thor than
he's seen before.
SELVIG
It's not a bad thing, finding out
that you don't have all the
answers. That's when you start
asking the right questions. Thor
takes this in.
THOR
For the first time in my life, I
have no idea what I'm supposed to
do.
SELVIG
Anyone who's ever going to find
their way in this world has to
start by admitting they don't know
where the hell they are. Thor nods.
DRUNK TOWNIE (O.S.)
Hey, I know you, man... An
intimidating DRUNK TOWNIE nearby
sizes up Thor.
(MORE)
103.
DRUNK TOWNIE (O.S.) (CONT'D)
He is one of the Townies from
Isabela's Diner who saw Thor
earlier. He approaches, belligerent
and looking for a fight.
DRUNK TOWNIE (CONT'D)
You were in the diner with that hot
girl.
Thor doesn't like where this is going.
DRUNK TOWNIE (CONT'D)
I wouldn't mind her doing a little
research on me.
He laughs. Thor is annoyed.
THOR
I have no quarrel with you. But
she's a lady. You should be more
respectful.
DRUNK TOWNIE
And you should shut the hell up,
princess.
Selvig looks to Thor, concerned that he's going to lose it.
But, to his surprise, Thor remains unaffected by the
Townie's baiting.
THOR
I will not fight him.
DRUNK TOWNIE
Then it'll be easy to kick your
ass.
Selvig stands, steps between the two men.
SELVIG
Gentlemen, please. Let's keep our
heads.
Just then, Selvig HEAD-BUTTS the Townie, knocking him out.
Thor's impressed. Selvig downs his drink, then hurls his
glass aside, SHATTERING it on the ground.
SELVIG (CONT'D)
(TO THOR)
Another drink?
104.
98 EXT. MAIN STREET - NIGHT 98 98
Thor and Selvig stumble down the street, singing a NORWEGIAN
FOLK SONG. They improvise an impromptu drinking song dance
routine involving side steps and happy slaps, optimistically
in time with the song.
THOR/SELVIG
(SINGING)
"The mood is good, our hearts are
full, there's magic in the air. /
It's all because we're here
tonight, and haven't got a care. /
So raise a glass, and toast to
life, wherever it may lead / Tra-la-
la, tra-la-la, a friend is fine
indeed. / Tra-la-la, tra-la-la, a
friend is fine indeed!"¬ù Thor
holds up a hand for Selvig's last
finishing slap. Selvig misses it
completely and falls out of frame
like a straight dead weight with a
CLUNK. WIDE SHOT. Emerging from
behind the car where Selvig fell,
Thor stands up, Selvig slung over
his shoulder, and starts to walk up
the street towards Jane's trailer.
Ratings
Scene 36 - Reconnecting and Planning
The small trailer is in a state of perpetual disarray,
strewn with various books, old pizza boxes, etc. A worried
Jane lies on her bed, trying to read. She's startled by the
loud RAPPING on the door. She bolts to the door and opens it
to find --
THOR
Standing there with the unconscious
Selvig slung over his shoulder.
JANE
Erik!
(TO THOR)
Is he all right?
THOR
He's fine. Not injured at all.
As Thor enters, he BANGS Selvig's head on the doorway.
Selvig GROANS.
105.
THOR (CONT'D)
Sorry, my friend.
JANE
What happened?
THOR
We drank. We fought. He made his
ancestors proud.
JANE
Put him on the bed. Thor moves
through the small trailer carrying
Selvig, like a bear lugging another
bear, smashing into things along
the way, until he finally sets
Selvig down on Jane's bed. Selvig
awakens groggily and looks up at
him through bleary eyes.
SELVIG
I still don't believe you're the
God of Thunder.
(THEN)
But you ought to be. Thor grins,
pats him on the cheek. As Selvig
drifts off to sleep, Thor pulls a
blanket over him. Jane watches,
stunned by their friendship,
impressed by Thor's tenderness.
Thor turns back to her, looks
around.
THOR
These are your chambers? Jane
suddenly becomes self-conscious.
She starts cleaning up the mess
around her.
JANE
Well, it's more of a temporary
living space, really. I don't
usually have visitors in here.
Actually, never... Thor picks up a
sock off the floor. She snatches it
from him, puts it away.
JANE (CONT'D)
Can we go outside?
106.
100 EXT. SMITH MOTORS - ROOF - NIGHT 100 100
Thor steps off a ladder onto the roof of Smith Motors. He
offers Jane his hand, helps her up. There's a telescope set
up, a couple chairs, some blankets.
JANE
I come up here sometimes when I
can't sleep. Or when I'm trying to
reconcile particle data. Or when
Darcy's driving me crazy.
(THEN)
I come up here a lot, now that I
think about it.
Thor looks at the night sky, filled with stars.
JANE
I'm glad you're safe.
THOR
You've been very kind. I've been
far less grateful than you deserve.
JANE
I also hit you with my car a couple
times, so it kind of evens out. He
grins, then reaches into his pocket
and pulls out her
NOTEBOOK.
JANE
I don't believe it... She takes it
from him, surprised and grateful.
THOR
It was all I could get back. Not as
much as I promised. I'm sorry.
JANE
No, this is good. Thank you. This
means I don't have to start from
scratch...
She sits down and opens the notebook eagerly, then stops, a
harsh realization clouding her face. Thor notices.
THOR
What's wrong?
107.
JANE
SHIELD, whatever they are. They're
never going to let this research
see the light of day.
THOR
You must do this. You must finish
what you've started.
JANE
Why?
THOR
Because you're right. It's taken so
many generations for your people to
get to this point. You're nearly
there. You just need someone to
show you how close you really are.
Thor moves beside her, opens her notebook, turns to the page
which bears a sketch of the Bifrost. He takes the pen from
the notebook, begins to add to the sketch, leading from one
point to another in space.
THOR (CONT'D)
Look -- your ancestors called it
magic. You call it science. I come
from a place where they're one and
the same thing. We recognize that
Thor is drawing the branches of
Yggdrasil as she looks on, amazed
and intrigued.
JANE
What is it?
THOR
This is how my father explained it
to me...
(THEN)
Your world is one of the Nine
Realms of the Cosmos, linked to
each other by the branches of
Yggdrasil, the Worlds Tree. Now,
you see it every day, without
realizing. Images glimpsed through -
- what did you call it?...
(checks her notebook)
...this Hubble Telescope. So, Nine
Realms...
They look at each other. She nods. They smile. This is going
to be a long night.
108.
101 EXT. SMITH MOTORS - ROOF - LATER 101 101
Jane sleeps beside Thor on the blankets on the rooftop. He
stares up at the night sky. She rolls close to him, nuzzles
against him in her sleep. He looks down at her, beautiful in
the moonlight, looks out at the town beyond her.
Ratings
Scene 37 - Volstagg's Concern
Volstagg eats ravenously from a PLATTER OF FOOD. Sif stands
nearby, ill at ease. Fandral watches Volstagg incredulously
as the large warrior stuffs himself. Finally Fandral can
stand it no more.
FANDRAL
Our dearest friend banished, Loki
on the throne, Asgard on the brink
of war, yet you manage to consume
four wild boar, six pheasant, a
side of beef, and two casks of ale.
Shame on you! Don't you care?!
Fandral moves to throw the platter
in the fire, but Volstagg pulls his
weapon, stopping him.
VOLSTAGG
Do not mistake my appetite for
apathy.
SIF
Stop it, both of you! We all know
what we have to do, we're just too
damned afraid to do it!
HOGUN
(DECIDES)
We must go. We must find Thor.
Hogun starts to pull the delicate
HEALING STONES from the fire,
carefully putting them into a POUCH
at his side.
FANDRAL
It's treason, Hogun.
VOLSTAGG
To hell with treason, it's suicide.
(SUDDENLY NERVOUS)
Now, shh! Heimdall may be watching!
It's said he can hear--
FANDRAL
Yes, yes, we know!
109.
SIF
Thor would do the same for us. An
EINHERJAR GUARD enters. They tense.
EINHERJAR GUARD
Heimdall demands your presence.
Volstagg quickly drains his flagon
of ale.
VOLSTAGG
We're doomed.
103 EXT. MAIN STREET - MORNING 103 103
Dawn breaks over the quiet town of Puente Antiguo.
104 EXT. SMITH MOTORS - ROOF - DAY 104 104
Thor awakens, looks down to see Jane still sleeping, nuzzled
against him. She opens her eyes, looks up at him and smiles.
He stands, offers his hand, helps her to her feet.
105 EXT. SMITH MOTORS - LAB 105 105
Thor helps Jane down off a ladder. A groggy, hungover Selvig
emerges from Jane's trailer. He sees Thor with Jane. Selvig
eyes the two of them together, then:
SELVIG
I need some coffee. The three head
inside Smith Motors.
FROM THE LIBRARY ROOFTOP ACROSS THE STREET
SHIELD Agents Garrett and Cale watch the scene, pointing a
small audio surveillance device towards the lab.
105A INT. SMITH MOTORS - LAB - DAY 105A 105A
Darcy and Selvig sit at a card table, drinking coffee. Thor
holds a couple plates as Jane makes eggs on a hotplate. She
scoops them out onto the plates. Thor takes them over to the
table, sets them down before Selvig and Darcy.
DARCY
Thanks.
THOR
You're very welcome. Jane joins
them at the card table with a
couple more plates.
(MORE)
110.
THOR (CONT'D)
She and Thor sit with the others
and start to eat their breakfast,
looking like a little family.
106 OMITTED 106 106
107 OMITTED 107 107
108 EXT. MAIN STREET 108 108
On a roof across the street from Smith Motors, Agents
Garrett and Cale continue their surveillance, bored out of
their wits. Agent Cale watches the group through the lab
window with binoculars. Agent Garrett listens to his comm-
link, turns to Cale.
AGENT GARRETT
They want an update.
AGENT CALE
Tell them he's eating eggs.
AGENT GARRETT
Scrambled or fried? Cale glares at
him.
AGENT CALE
(INTO COMM-LINK)
Target is eating eggs, sir. We'll
keep you posted.
108AA INT. SMITH MOTORS - LAB 108AA 108AA
As the group finishes breakfast, Thor looks at the mug in
his hand, gets an idea.
THOR
(RE: MUG)
May I have this?
DARCY
Sure.
THOR
Thank you. Excuse me a moment. Thor
leaves.
108A EXT. MAIN STREET - MOMENTS LATER 108A 108A
In front of her diner, Isabela prepares to open for the day.
(Through the window of Isabela's, we see chairs still atop
tables.) Isabela sweeps the front porch. She looks up to see
Thor approaching. She eyes him suspiciously. He offers her a
MUG.
111.
THOR
To replace the one I broke. Please
forgive my behavior.
She takes it, looks at it curiously, then smiles at him.
ISABEL
Okay. Thank you.
THOR
If I may, I'd like to come back for
more of your "coffee."¬ù
ISABEL
Any time.
He nods and walks away. She stares after him, smiling, and
shrugs.
ISABEL (CONT'D)
She could do worse.
Ratings
Scene 38 - The Warriors Three and Sif Search for Thor
Sif and the Warriors Three enter warily to find the
intimidating Heimdall standing before the Observatory's
controls. He glares at them accusingly.
VOLSTAGG
Good Heimdall, less us explain--
HEIMDALL
You would defy the commands of Loki
our King, break every oath you have
taken as warriors, and commit
treason to bring Thor back? The
four exchange nervous glances.
SIF
Yes, but--
HEIMDALL
Good.
The group looks puzzled. What did he just say?
VOLSTAGG
So you'll help us?
HEIMDALL
I am bound by honor to our King. I
cannot open the Bifrost to you.
(MORE)
112.
HEIMDALL (CONT'D)
With that, Heimdall leaves them
alone in the Observatory. The
others exchange puzzled looks.
FANDRAL
Complicated fellow, isn't he?
VOLSTAGG
Now what do we do? Sif glances at
the control panel, notices
something.
SIF
Look!
The others turn to see HEIMDALL'S SWORD stuck into the
control panel. They exchange a grin. They have an ally. Sif
hits the controls, and the Bifrost apparatus fires up.
110 INT. SHIELD DESERT BASE - SECURITY ROOM - DAY 110 110
Coulson races in as a SHIELD TECHIE calls up satellite
footage of the Bifrost storm on a monitor.
COULSON
What the hell was that?
TECHIE
I don't know, sir. We got massive
energy readings out of nowhere,
then they just disappeared. Fifteen
miles due northwest.
COULSON
Let's go take a look.
111 EXT. BIFROST LANDING SITE (EARTH) - DAY 111 111
Amidst the fury of the Bifrost storm, the Warriors Three and
Sif drop to the ground in the New Mexico desert. They
clamber to their feet as the Bifrost quickly recedes, the
hole in the sky closing up behind it. The Bifrost runes
cover the desert sand around them.
VOLSTAGG
He must have landed nearby. It's
time to put our tracking skills to
work. Spread out. Check the sand
for indentations of his boot
prints.
113.
FANDRAL
The winds would have blown them
away by now. We should look for
signs of a campfire.
SIF
Or we could just start there. She
points behind them to the town of
Puente Antiguo in the distance --
the only visible sign of
civilization -- and to Hogun, who
has already started walking towards
it. Volstagg and Fandral trade
looks, their egos bruised.
FANDRAL
It's worth a look, I suppose. The
party tromps towards the town.
112 EXT. MAIN STREET - DAY 112 112
Townsfolk stare in wonder at the Warriors Three and Sif, as
they stroll down the street in all their Asgardian splendor.
113 EXT. DOWN THE STREET - DAY 113 113
A BOY Hits a baseball, which rolls under a parked car. He
runs to retrieve it, but can't reach it. Suddenly, the side
of the CAR rises into the air. The boy looks over, his mouth
dropping open at what he sees. Volstagg easily holds the car
up with one hand.
Volstagg picks up the boy's ball, then drops the car. He
hands the ball back to the boy, tousling his hair.
VOLSTAGG
There you go, lad! The boy just
stares, standing frozen. The
Asgardians head off.
VOLSTAGG (CONT'D)
Is it just me, or does Earth look a
little different to you?
SIF
It has been a thousand years...
VOLSTAGG
Things change so fast here. You
leave for a millennium, and it's
like the whole neighborhood's gone.
Volstagg sniffs, smells something.
114.
VOLSTAGG (CONT'D)
Perhaps we should split up.
114 EXT. PUENTE ANTIGUO - ROOFTOP - DAY 114 114
Agents Cale and Garrett spot Sif, Fandral, and Hogun walking
down the street.
AGENT GARRETT
Is there a Renaissance Faire in
town?
AGENT CALE
Call it in.
But before they can, Volstagg rises up behind them, smashes
their heads together. They're out.
VOLSTAGG
Never cared for spies. He starts to
go, then sees their bag of fast
food on the ground. Intrigued, he
pulls out a cheeseburger and takes
a bite. He likes what he tastes.
VOLSTAGG (CONT'D)
Exquisite.
115 EXT. PALACE GROUNDS - DAY 115 115
Loki stands with Gungnir, surveying his kingdom, when an
Einherjar Guard quickly approaches him, out of breath.
EINHERJAR GUARD
My liege, the Warriors Three and
the Lady Sif have gone missing.
Loki reacts. He knows who's
responsible.
Ratings
Scene 39 - Loki's Betrayal
Loki approaches Heimdall on the Rainbow Bridge.
HEIMDALL
Tell me, Loki, how did you get the
Jotuns into Asgard?
LOKI
You think the Bifrost is the only
way in and out of the Realm? There
are secret paths between worlds to
which even you with all your gifts
are blind. But I have need of them
no longer, now that I am King.
115.
(THEN)
And I say, for your act of treason,
you are relieved of your duties as
Gatekeeper. And you are no longer a
citizen of Asgard.
HEIMDALL
Then I need no longer obey you.
Heimdall raises his massive sword,
strides towards Loki. Loki reaches
out and, with both hands, takes
hold of something invisible,
hovering in mid-air before him. As
it quickly fades into view, we
realize what it is --
THE CASKET OF ANCIENT WINTERS.
The blueness creeps from his hands and up his arms, as Loki
opens the Casket towards Heimdall, who is fast approaching.
From inside the Casket, all hell breaks loose. The fury of
the Casket is unleashed, its winds not just howling, but
SCREAMING, as ice and snow and darkness come flying straight
towards Heimdall. Ice clings to his body, freezing him, but
still he moves forward. Loki starts to get worried. Heimdall
is nearly upon him. The Gatekeeper swings his massive sword
at the prince. But the blade STOPS, frozen, just inches from
Loki's throat. Loki breathes a sigh of relief and steps past
him.
117 INT. HEIMDALL'S OBSERVATORY - DAY 117 117
Loki inserts Gungnir into the Observatory's control panel
and opens the Bifrost. He gestures, and the veiled DESTROYER
appears before him, a fiery glow rising within it. It turns
its head toward its King.
LOKI
Ensure my brother does not return.
118 INT. SMITH MOTORS - LAB - DAY 118 118
Jane, Thor, Darcy, and Selvig make a charming team, tidying
up after breakfast -- washing, drying, and putting plates
and utensils away. The door opens.
VOLSTAGG (O.S.)
Found you!
Thor, Jane, Selvig, and Darcy turn to see --
116.
SIF AND THE WARRIORS THREE
Staring baffled at the sight of the domestic Thor drying
dishes in mortal clothing. Jane drops a plate. It goes
SHATTERING on the floor.
THOR
My friends!
Thor happily races over and greets his comrades. Jane,
Selvig, and Darcy watch the Asgardians from across the room.
Jane looks concerned. Selvig and Darcy eye them with wonder.
SELVIG
I don't believe it...
DARCY
Who are they?
VOLSTAGG
Lady Sif and the Warriors Three.
Surely you've heard tales of Hogun
the Grim, Fandral the Dashing, and
I, Volstagg the Svelte? Selvig
looks pointedly at Volstagg's
massive gut.
VOLSTAGG (CONT'D)
Well, perhaps I've put on a little
more muscle since I was here last.
JANE
That would have been a thousand
years ago? Northern Europe?
VOLSTAGG
Exactly! Those lovely herring
people. They worshipped us! Thor
grins, lays a hand on Volstagg's
shoulder.
THOR
My friends, I've never been happier
to see anyone. But you should not
have come.
FANDRAL
We're here to take you home. Jane
reacts to the news of Thor leaving.
THOR
You know I can't. My father is dead
because of me. I must remain in
exile.
117.
The other Asgardians exchange puzzled looks.
SIF
Thor... your father still lives.
Thor reacts to the revelation.
119 EXT. BIFROST LANDING SITE (EARTH) - DAY 119 119
A few SHIELD vehicles are parked by the Bifrost site. A few
SHIELD agents stand nearby as SCIENTISTS take readings.
Coulson kneels, examines the Bifrost Runes. He turns to an
Agent.
COULSON
Get somebody from Linguistics out
here.
Just then, they hear a RUMBLING overhead, as the Bifrost
storm ROARS in the sky above. Coulson and the SHIELD Agents
scramble for cover, their vehicle windshields SHATTERING, as
the Bifrost storm grows in strength. Finally, the hole in
the sky overhead opens, and the funnel cloud EXPLODES out of
it, touching down onto the desert floor. Coulson and the
Agents shelter their eyes from the maelstrom.
120 OMITTED MERGED WITH SCENE 119 120 120
121 INT. SMITH MOTORS - DAY 121 121
Thor and the others see the Bifrost storm forming in the
distance.
DARCY
Was somebody else coming? Just
then, the Bifrost funnel EXPLODES
down to the ground.
122 EXT. BIFROST LANDING SITE (EARTH) - DAY 122 122
From behind a jeep, Coulson and the SHIELD AGENTS stare at
the Destroyer in awe. We don't see it, just its shadow as it
moves towards them.
SHIELD AGENT
(RE: DESTROYER)
Is that one of Stark's?
COULSON
I don't think so. But the guy
doesn't tell me anything.
Coulson grabs a megaphone, steps forward, calls out to the
Destroyer.
118.
COULSON (CONT'D)
Hello! You're using unregistered
weapons technology. Please identify
yourself. We hear the HUM of the
Destroyer's fiery energy power up
inside.
COULSON (CONT'D)
Incoming!
As the SHIELD Agents scramble for cover, a blast of energy
from the Destroyer EXPLODES a vehicle. SHIELD agents return
fire.
Ratings
Scene 40 - The Battle in Puente Antiguo
Townspeople fill the streets, staring at the fire fight in
the distance. Thor and the Asgardians prepare for battle, as
Thor turns to Jane.
THOR
Leave this town now. Get yourself
and your friends to safety.
JANE
What about you?
THOR
I must stay and fight. The
Asgardians look to Thor.
THOR (CONT'D)
I'm still a warrior, and I will
fight by your side.
VOLSTAGG
You're but a mortal now. You'll get
yourself killed!
FANDRAL
Or one of us, trying to protect
you.
SIF
The best thing you can do is get
the mortals to safety and leave the
battle to us.
Thor looks at the townsfolk around them, all oblivious to
the oncoming threat.
THOR
(TO SIF)
You're right.
119.
Sif looks surprised. Thor turns to Jane, Selvig, and Darcy.
THOR (CONT'D)
Help me clear the streets. I'll let
none of these people die this day.
Thor, Jane, Selvig, and Darcy start to herd the crowd of
Townsfolk off the streets, as the Warriors Three and Sif
head across town, towards the Destroyer.
124 OMITTED 124 124
125 INT. HEIMDALL'S OBSERVATORY - DAY 125 125
Laufey and two Frost Giants appear out of the Bifrost and
step onto the platform. Loki is waiting for them. He pulls
Gungnir from the Observatory's control panel. The giant
apparatus slows to a stop.
LOKI
Father. Welcome to Asgard.
125A EXT. BIFROST LANDING SITE (EARTH) - DAY 125A 125A
The site looks like the aftermath of a war zone. The
smoldering wreckage of SHIELD vehicles lies strewn about.
126 EXT. MAIN STREET - DAY 126 126
Thor, Jane, and Selvig clear the streets, loading confused
TOWNSFOLK into cars, moving others indoors.
127 EXT. MAIN STREET - EDGE OF TOWN - DAY 127 127
A dog makes it way down the street, barking at something in
front of it. Then we see it --
THE DESTROYER
Strides down the street, a red,
fiery energy glowing from within
it.
It unleashes BLASTS as it goes, blowing up cars, setting
storefronts aflame.
128 OMITTED 128 128
129 EXT. STREET 129 129
Sif and the Warriors Three head down the street towards the
Destroyer.
120.
SIF
Keep him distracted. She hurries
off. The Warriors Three continue
towards the behemoth.
FANDRAL
What do you think? "The
Svartalfheim Twist?"¬ù "Kiss of the
Hag?"¬ù "Face Full of Boot?"¬ù
Volstagg grins eagerly.
VOLSTAGG
"The Flying Mountain."¬ù Hogun and
Fandral groan.
FANDRAL
Not "The Flying Mountain!"¬ù It
threw out my back for a year last
time!
VOLSTAGG
Trust me, it'll work.
130 EXT. SMITH MOTORS - DAY 130 130
Thor looks anxiously back down the street, where the
Warriors Three get into position before the Destroyer.
THOR
(TO JANE)
My friends fight bravely, but they
won't be able to hold it back much
longer.
Darcy hurries out of the burning pet store carrying as many
animals in cages as she can, then loads them into a truck.
DOWN THE STREET
Hogun and Fandral take off running towards the Destroyer, as
Volstagg stands limbering up.
FANDRAL
(TO VOLSTAGG)
Come on!
Volstagg takes off running at full speed. As he catches up
to his comrades, Hogun and Fandral grab him on either side,
and with all their Asgardian might, hurl the voluminous
warrior into the air at the black metal behemoth.
VOLSTAGG
For Asgaaaaard!!!
121.
The Destroyer is unable to react quickly enough, as Volstagg
SMASHES into the creature. It looks like it might actually
work for a moment, but the Destroyer stays on its feet. It
lifts Volstagg into the by the scruff of his neck. He shrugs
apologetically. The Destroyer savagely HURLS him at Hogun
and Fandral, smashing into them, when --
SIF
Leaps off a nearby rooftop with her
two-headed spear and plunges it
deep into the back of the creature.
The creature stands there
motionless, the fire dimming in its
faceplate, Sif standing atop its
back. The Asgardians have a brief
moment of hope. But the creature
stirs with life, its fire igniting
once again. Sif looks on with
growing trepidation. Slowly,
unnaturally, the Destroyer spins
its torso around 180 degrees to
face its attackers. The Destroyer
unleashes a blast at Sif. She
barely dives off of the behemoth in
time, dodging the blast. The
Destroyer rises again to its full
height, pulling free from Sif's
staff, the weapon slipping through
the slats of its armor. Sif and the
Warriors Three try to regroup, when
the Destroyer unleashes another
blast, sending Sif and her comrades
flying in all directions. Hogun's
POUCH OF HEALING STONES breaks
free, landing in the middle of the
street.
Ratings
Scene 41 - The Sacrifice
Thor sees his friends lying injured on the ground, but has
no time to act, as the Destroyer fires in his direction. A
storefront near Smith Motor EXPLODES, knocking Thor, Jane,
and Selvig off their feet. Thor helps Jane to her feet, when
they notice Selvig lying on his back amidst the debris,
impaled by a twisted piece of iron.
JANE
Erik!
She and Thor hurry to his side. He's losing blood, going
into shock.
122.
SELVIG
(TO JANE)
Go! Leave me!
Jane takes his hand as Thor spots Hogun's pouch of healing
stones lying in the middle of the street. He makes a break
for it, dodging through the flaming wreckage, then grabs the
pouch and races back. He opens the pouch to find the fragile
stones crushed and useless. He pours the contents out in his
hand.
THOR
Come on... give me one! Amidst the
useless powder, he finally finds
one stone still intact. Thor tosses
the pouch aside, holds the stone
over the end of the iron rod.
JANE
What are you doing? What is that?
As the stone begins to glow, Thor
crushes it. Jane looks on, amazed,
as the glowing powder falls upon
the piece of iron, dissolving it,
heading downwards, until it reaches
Selvig's wound. The powder heals
his wound completely.
Thor looks down the street, sees his wounded friends still
lying there, as Selvig sits up in utter astonishment. He
reaches through the hole in his shirt to touch his healed
flesh.
SELVIG
(to Jane, re: Thor)
I'm really starting to like him.
Jane turns to Thor to find he's
gone.
132 EXT. DOWN THE STREET 132 132
Thor reaches Sif, who lies dazed, battered, and bloodied on
the ground. He pulls her behind a burning vehicle.
THOR
Go, while you can!
SIF
But the others...
THOR
You can't help them now. Your job
is to survive.
123.
She struggles to sit up.
SIF
No! I will die a warrior's death.
Stories will be told of this day--
He gently takes her shield from
her.
THOR
Live and tell those stories
yourself.
At last, she nods. Thor spots Volstagg lying unconscious,
with Hogun and Fandral lying nearby. Thor makes his way
towards them. Volstagg is barely breathing. Thor tries to
pull him to safety, but it's no use. He won't budge. He
rouses Hogun and Fandral.
THOR (CONT'D)
(RE: VOLSTAGG)
Get him out of here!
FANDRAL
No. We can still fight!
THOR
But not win. Move Volstagg, or
he'll die!
Thor looks at them, grins.
THOR (CONT'D)
Don't worry, my friends. I have a
plan.
The two Warriors reluctantly grab their fallen friend and
drag him away from the battlefield. After they go, Thor
turns to back to the Destroyer, then tosses Sif's shield
aside. He strides down the street towards the behemoth,
completely defenseless.
THOR (CONT'D)
Brother... for whatever I have done
to wrong you, whatever I have done
to lead you to do this, I am sorry.
But these people have done nothing
to you. They are innocents. He
continues towards the Destroyer.
THOR (CONT'D)
Take my life, and know I will never
return to Asgard.
124.
Thor reaches the Destroyer, extends his arms. The Destroyer
hesitates, sizing up the defenseless Thor, then swats him
with its enormous arm. We hear the sickening CRACK of
breaking bones as Thor goes flying. Thor lands in a
crumpled, broken heap in front of Smith Motors, before Jane,
Selvig, and Darcy. The wounded Asgardians watch helplessly
from down the street, a look of horror on their faces. Jane
tries to rush out to Thor's aid, but Selvig holds her back.
SELVIG
Jane, no!
He pulls her into Smith Motors. A RAVEN flies overhead,
watching the scene --
133 INT. ODIN'S CHAMBERS - SAME TIME 133 133
Odin lies in the Odinsleep. A single tear rolls down the
Allfather's cheek.
134 EXT. SMITH MOTORS - DAY 134 134
Thor's eyes close, his last breath leaving his lips. The
Destroyer stands over Thor's body, lowers its head towards
him. It opens its faceplate, locks it in place, readying to
unleash its fiery blast.
135 EXT. SHIELD DESERT BASE 135 135
Inside the crater, the RUNES of the side of Mjolnir
reappear, burning bright. Electricity starts to CRACKLE on
the hammer's surface. SCIENTISTS beside it take notice as it
vibrates, and a RUMBLE comes from overhead. They look up.
Clouds form in the sky above. Just then, with a CRACK and
flash of lightning, Mjolnir flies straight up into the air
like a rocket.
Ratings
Scene 42 - The Battle Against the Destroyer
The Destroyer unleashes its blast at Thor's body, when --
KRAKAKABOOM!
A blinding BOLT OF LIGHTNING strikes down from above,
colliding with the Destroyer's blast. The explosion is
massive. The Destroyer is hurled backwards, a cloud of dust
enveloping the street. As the smoke clears we see --
JANE
Oh. My. God.
125.
THE MIGHTY THOR
Clad in his full battle armor, holding Mjolnir in his hand --
the God of Thunder once more. Thor kneels, brings Mjolnir
down onto the ground.
KRAKABOOM!
Lightning strikes the Destroyer. It convulses. Thor swings
Mjolnir around, takes off straight up into the air, as the
Destroyer gets back on its feet and looks up at the Thunder
God. Storm clouds gather around Thor as he summons gale
force winds. Debris from the battle begins to rise up into
the sky. The Destroyer stays there, kept grounded by its
massive weight.
It lifts its head up at the Thunder God, opens its
faceplate, locks it in place, unleashes its blast. Thor
dives downwards straight at it, with Mjolnir before him.
Mjolnir collides with the Destroyer's fiery energy blast,
overpowering it, pushing it back, forcing it downwards at
the Destroyer. Thor jams his hammer deep into the
Destroyer's faceplate. The fiery energy within the creature
builds up and EXPLODES within him, firing out of all his
openings. Thor smashes the Destroyer to the ground in a
tremendous heap, the fiery energy within it extinguished
forever. Thor pulls Mjolnir from its faceplate, walks away
from its lifeless carcass. As he does, the other objects and
debris pulled into the air by the gale winds drop down from
the skies, around the Destroyer, burying it. Jane and Thor's
comrades, now roused, stand to join him. A battered Coulson
approaches with several SHIELD AGENTS.
COULSON
Donald... I don't think you've been
completely honest with me.
137 EXT. BIFROST LANDING SITE (EARTH) - DAY 137 137
Thor, Jane, Darcy, Selvig and the other Asgardians stand in
the desert with Thor, Coulson, and several SHIELD AGENTS.
Darcy turns to Volstagg.
DARCY
So, how can you speak our language?
VOLSTAGG
Your language? Ha! Silly girl,
you're speaking ours. Thor calls up
to the sky.
THOR
Heimdall! Open the Bifrost!
126.
138 EXT. RAINBOW BRIDGE - DAY 138 138
Heimdall stands frozen.
139 EXT. BIFROST LANDING SITE (EARTH) - DAY 139 139
Thor looks to the others with concern.
THOR
He would open it if he could. I
fear the worst.
VOLSTAGG
Then we're trapped here forever.
FANDRAL
Then I suppose we'd best start
settling into our new lives. He
looks to Darcy, turns on the charm.
FANDRAL (CONT'D)
Are all earth maidens as fair as
you?
Darcy enjoys the attention.
DARCY
No.
Thor shouts back up to the sky.
THOR
Heimdall!
140 EXT. RAINBOW BRIDGE - DAY 140 140
From inside the ice, Heimdall hears Thor calling to him.
Knowing that the fate of Asgard depends on him, he musters
all his strength. The ice around him begins to CRACK. With a
tremendous effort, Heimdall SHATTERS free from the ice.
Weakened, near death, he drags himself inside the
Observatory.
141 EXT. BIFROST LANDING SITE (EARTH) - DAY 141 141
The Asgardians begin to lose hope. Volstagg eyes a SHIELD
Agent's machine gun.
VOLSTAGG
Primitive. Good enough for hunting
small game, I suppose. Suddenly,
the Bifrost EXPLODES down from the
sky. Thor grins. The mortals look
on, amazed. Fandral turns to Darcy.
127.
FANDRAL
Sorry, my love. These things
happen.
He joins the other Asgardians at their side. Thor turns to
Coulson.
THOR
Know this, son of Coul. You and I,
we fight for the same cause -- the
protection of this world. From this
day forward, count me as your ally.
(THEN)
If you return the items you have
stolen from Jane Foster.
COULSON
Not stolen. Borrowed. Jane shoots
him a look. Coulson quickly
continues.
COULSON (CONT'D)
You'll get your equipment back.
You're going to need it to continue
your research... which, after
today's events, SHIELD would like
to fully sponsor. If that's all
right with you.
Thor takes Jane's hand, kisses it tenderly. She looks at
him, her eyes filled with the fear that she may never see
him again.
THOR
Whatever fate lies before me, you
are part of it.
He takes her in his arms, kisses her passionately. Thor and
the Asgardians leap into the Bifrost.
142 INT. HEIMDALL'S OBSERVATORY - DAY 142 142
The Asgardians emerge from the Bifrost to find Heimdall
slumped over his controls.
THOR
(to the others)
Get him to the healing room! Leave
my brother to me.
Thor bolts out the door.
128.
143 INT. ODIN'S CHAMBERS - DAY 143 143
Odin lies in the Odinsleep, Frigga at his bedside. She hears
the SHOUTS of Guards outside, the sound of a battle. Frigga
grabs a sword. A Frost Giant bursts in. She swings the sword
around hard, cleaving into his shoulder. He swats her aside
angrily. Laufey and the Brute Frost Giant enter. Laufey
looks at Odin lying helpless on the bed.
144 EXT. RAINBOW BRIDGE - DAY 144 144
Thor rides the winds over the Bridge, speeding towards the
palace.
145 INT. ODIN'S CHAMBERS - DAY 145 145
The Jotun king stands over the unconscious Odin, relishing
the moment. He forms an ICE BLADE.
Ratings
Scene 43 - The Battle on the Rainbow Bridge
Thor races through the entrance to the palace.
147 INT. ODIN'S CHAMBERS - DAY 147 147
Laufey stands before the sleeping Odin.
LAUFEY
It's said you can still see and
hear what transpires around you,
even in this state. I hope it's
true, so that you may know your
death came by the hand of Laufey.
He raises his blade above Odin's
body, when --
A BLAST OF ENERGY
Hits him from behind. As the Jotun king falls to the ground,
we see it is not Thor standing behind him, but Loki, holding
Gungnir.
LOKI
And your death came by the son of
Odin.
Laufey dies as the other two shocked Frost Giants move for
Loki. He fires Gungnir at one, blasting him against a wall,
taking him out.
The Brute is nearly upon him, when the Jotun stops suddenly,
his eyes going wide. The Brute falls to the ground,
129.
REVEALING --
FRIGGA
Standing behind him -- the sword
stuck in his back. She looks to
Loki, takes him in her arms.
LOKI
I swear to you, mother, they will
pay for what they've done today. I
will end the Jotun threat, now and
forever!
He looks to Odin.
LOKI (CONT'D)
And I will make you proud. Loki
savors the moment, but it's short-
lived, as Thor bursts in. He's
thrown by the scene before him --
Odin safe, Laufey and two Jotuns
dead, Frigga regarding Loki with
pride and respect. Stunned and
delighted to see Thor, Frigga
beams.
FRIGGA
Thor!
She moves to Thor and hugs him, but Thor's eyes remain fixed
on his brother. Loki looks at Mjolnir in his brother's hand.
LOKI
Found its way back to you, did it?
THOR
No thanks to you. Frigga picks up
on the tension building between her
sons.
FRIGGA
What?
THOR
Why don't you tell her? How you
sent the Destroyer to kill our
friends? To kill me? Frigga looks
to Loki, alarmed and confused.
LOKI
It must have been enforcing
Father's last command.
130.
THOR
You're a talented liar, brother.
Always have been.
LOKI
(SMILES)
It's good to have you back.
(DEAD SERIOUS)
Now, if you'll excuse me, I need to
destroy Jotunheim. Loki suddenly
raises Gungnir, FIRES it point-
blank at Thor. Thor goes flying
backwards, SMASHING through the
chamber walls, into...
148 INT. ODIN'S PALACE - CORRIDOR 148 148
Thor flies from the blast through ANOTHER wall on the
opposite side of the corridor, to...
149 EXT. PALACE GROUNDS - DAY 149 149
Thor plummets from the palace and CRASHES into the
reflecting pools below.
150 EXT. HEIMDALL'S OBSERVATORY - DAY 150 150
Loki speeds on horseback down the Rainbow Bridge, then
quickly dismounts and enters the Observatory.
151 INT. HEIMDALL'S OBSERVATORY - DAY 151 151
Loki operates the Observatory's controls. The massive turret
spins, points.
152 EXT. PALACE GROUNDS - DAY 152 152
Thor awakens to the sound of the Bifrost. He stands, sees
the Observatory firing the Bifrost energy into space. He
looks to where the Bifrost is aimed.
THOR
Jotunheim...
153 EXT. RAINBOW BRIDGE - DAY 153 153
Thor soars on the winds above the Rainbow Bridge, the
Bifrost energy roaring through Bridge, feeding into the
Observatory. He lands before the Observatory's huge doorway.
131.
Ratings
Scene 44 - The Battle with Loki
Thor enters, shields his eyes from the brilliant light of
the Bifrost energy blasting towards Jotunheim.
He looks over to the controls, sees that they're frozen in
an enormous block of ice. Loki stands atop it.
LOKI
All these years, and no one's ever
dared to use it as a weapon. Thor
hurries to the ice, raises his
hammer to SMASH through it to get
to the controls frozen within.
Before he can, Loki fires Gungnir.
The blast hits the ice in front of
Thor, blasting him back across the
floor. Loki steps down from the ice
as Thor staggers to his feet.
LOKI (CONT'D)
You can't stop it. The Bifrost will
build until it rips Jotunheim
apart.
THOR
Why have you done this?
LOKI
To do what Father never could. To
destroy their kind forever. When he
awakens, he'll see the wisdom of
what I've done.
THOR
He won't! You can't kill an entire
race!
LOKI
What is this newfound love for the
Frost Giants? You, who would have
killed them all with your bare
hands.
THOR
I've changed.
LOKI
So have I.
Loki hits Thor across the face with Gungnir.
LOKI (CONT'D)
Fight me.
132.
He swings Gungnir at Thor again. Thor catches it in his
hand, rears back his hammer as if ready to return the blow,
but instead takes to the air and flies past Loki, back
towards the frozen controls. Loki spins around, aims
Gungnir, and fires a blast which immobilizes Thor in the
air. He hangs there, suspended.
THOR
Is the throne really worth what
you've done? What you would become?
LOKI
I never wanted the throne. I only
wanted to be your equal. Now fight
me!
With a gesture of Gungnir, he flings Thor to the ground.
Thor rises to his feet, turns to Loki.
THOR
I will not fight you, brother.
LOKI
I am not your brother. I never was.
THOR
Loki, this is madness... Loki
grins.
LOKI
Is it?
He FIRES Gungnir at Thor. Thor dodges the blast, rolls to
his feet.
LOKI (CONT'D)
What happened to you on earth that
turned you so soft? Don't tell me
it was a woman.
Thor doesn't answer. Loki laughs, realizing he's right.
LOKI (CONT'D)
It was. Perhaps when we're finished
here I'll pay her a little visit
myself.
That did it. Loki and Thor rush at each other. They and
their weapons collide. The two battle -- Loki unleashing
years of pent-up rage and jealousy, Thor having no choice
but to defend himself.
133.
155 EXT. JOTUNHEIM - DAY 155 155
It's mayhem. The growing Bifrost TEARS through the ice of
the planet like a destructive wave, breaking it apart.
JOTUNS go running in terror, others fall through the
breaking ice.
156 EXT. BIFROST LANDING SITE (EARTH) 156 156
Jane, Selvig, Darcy, and Coulson look up with concern at the
hole in the sky, where excess Bifrost energy builds up
around it.
SELVIG
Jane?
JANE
Something's wrong.
157 INT. HEIMDALL'S OBSERVATORY 157 157
Thor and Loki battle savagely. Loki fires Gungnir, sending
Thor sliding across the floor and knocking Mjolnir from his
hand. The hammer flies into the Bifrost towards Jotunheim.
Thor raises his hand towards his hammer, tries to summon it
back to him, to keep it in this Realm, but the Bifrost is
too powerful. Mjolnir disappears into the maelstrom as Thor
himself slides towards the Bifrost.
LOKI
If you care so much for the Jotuns,
then die with them. The Bifrost
stretches every cell of Thor's
body, trying to drag him away. He's
nearly swallowed by the vortex,
when he concentrates, mustering his
will. He reaches out his hand
towards the Bifrost. MJOLNIR flies
back through the maelstrom, into
Thor's hand. The hammer pulls him
free. Loki tries to fire off
another blast at him, but Thor
takes to the air, speeds towards
his brother.
Ratings
Scene 45 - The Final Showdown
Thor and Loki come CRASHING through the Observatory dome and
land hard, rolling across the Rainbow Bridge. As Thor gets
to his feet, he sees Loki dangling off the Bridge's edge.
LOKI
Thor! Help me!
134.
Thor steps over to the side of the Bridge, sees Loki looking
up at him desperately.
LOKI (CONT'D)
Please...
Loki's fingers start to slip. Thor reaches down to grab his
brother's wrist, but his hand passes through Loki's. Just
then, the REAL LOKI materializes behind him. Thor whirls
around as Loki STABS him in the chest with Gungnir. Loki
lifts Thor into the air, impaled on the spear, and hurls him
across the bridge.
Thor, bleeding, rises to his knees. Loki strides up behind
him to finish him off, when Thor swing his hammer around. It
passes through him. Instantly, another Loki appears next to
him, Thor swings his hammer, but that too is an illusion.
Loki after Loki appears, Thor futilely swinging at each one,
never making contact. Thor falls back to his knees. The
Lokis grin as their raises their spears, encircling him.
LOKIS
I was always more clever than you.
THOR
Yet still not clever enough. With
that, Thor raises his hammer,
rising into the air, summoning
lightning. A massive bolt strikes
Mjolnir, then channels outwards,
splitting up, striking each one of
the Lokis.
All of them dissipate into nothingness, save one -- the real
Loki -- who's sent flying back across the Bridge, Gungnir
knocked from his grasp. Thor steps over to his fallen
brother, lying dazed on his back. Loki winces, prepares for
the worst, when Thor steps away. Loki opens his eyes, tries
to stand, but can't. He looks confused, then sees what the
problem is -- Mjolnir rests atop his chest. Struggle as he
may, Loki can't lift it off. He's pinned to the ground. Thor
looks about him desperately -- at the Bifrost firing towards
Jotunheim, gaining in strength, at the surge of energy
moving through the Bridge. He's at a loss of what to do.
Loki watches him smugly.
LOKI
Look at you, the Mighty Thor. With
all your strength, what good does
it do you now? Thor knows Loki's
right. He's powerless to stop
what's happening.
(MORE)
135.
LOKI (CONT'D)
He looks down at the Bridge beneath
his feet, VIBRATING from the force
and speed of the Bifrost energy
feeding into the Observatory. Then
he gets an idea. He realizes what
he must do -- and what he must
sacrifice. Thor extends his hand
towards Loki, summoning Mjolnir.
The hammer goes flying to his
grasp. Loki looks confused.
Thor raises Mjolnir in the air. Clouds form above him,
thunder RUMBLING. Lightning arcs off of his hammer, as he
channels the power of the storm into it, then -- He strikes
Mjolnir down upon the Rainbow Bridge. The blow is massive,
causing a rumbling along the whole bridge, shaking the
Observatory itself like an earthquake. A crack appears where
the blow struck. Loki rises to his feet.
LOKI (CONT'D)
Stop! What are you doing?! Thor
lifts the hammer again, brings it
down harder. BOOM! The crack grows
bigger. The Bifrost energy starts
to stream out from it. Loki thinks
fast.
LOKI (CONT'D)
If you destroy the Bridge, you'll
never see her again! Loki grabs
Gungnir, runs towards him, ready to
pierce Thor through the back.
THOR
Forgive me.
Summoning every bit of strength he has left, Thor raises
Mjolnir one last time, drawing lightning to it from all
sides, and brings it down with a final, terrible blow --
KRAKABOOM! The Bifrost SHATTERS, rainbow energy EXPLODING
out of it. Both Loki and Thor are hurled into the air by the
force of the blast. A wave of destruction moves forward
along the Bridge towards the Observatory, breaking it apart
as it goes. The Observatory RIPS ITSELF APART. As Loki and
Thor fall together, Thor grabs hold of one end of Gungnir,
while Loki still clutches the other. They both fall towards
the MASSIVE WAVE of Bifrost energy which spews out from the
broken Bridge. They're an instant from being blasted by the
destructive force of the energy, carried away by the
current, pulverized by the debris, when --
136.
A POWERFUL HAND
Catches Thor's leg. Thor dangles there, holding onto Gungnir
as Loki hangs onto the other end. Loki looks up, shocked to
SEE --
ODIN ALLFATHER
Standing on the edge of the broken
Bridge, awakened from the
Odinsleep, restored to his full
strength. Loki searches his
father's face, looking for some
kind of approval, some kind of
redemption, but all he sees is
disappointment and regret. Loki
lets go.
THOR
No!
But it's too late. Odin and Thor can only watch as Loki
falls into the rushing torrent of Bifrost energy. It carries
him away, along with the debris of the Bridge and the
Observatory, disappearing out of sight. Odin pulls Thor up
onto the Bridge. Drained, Thor falls back into his father's
arms.
ODIN
It is over.
159 BIFROST LANDING SITE (EARTH) - DAY 159 159
The Bifrost energy explodes in the sky like fireworks firing
in all directions. Jane, Selvig, Darcy, and Coulson stand
watching in amazement. Jane looks back up at the sky,
distraught. She knows the significance of what's just
happened.
JANE
It's gone.
Ratings
Scene 46 - Asgard's Hope
A FEAST is in progress as Thor, Sif, and the Warriors Three
sit amongst the gathered Asgardians. Hogun sits between
Fandral and Volstagg, who is in the middle of recounting
their battle with the Destroyer.
VOLSTAGG
...and then, with a mighty bellow,
I flew at the great metal beast and
laid it low...
137.
FANDRAL
Is that another way of saying you
fell on your huge a--
VOLSTAGG
As a matter of fact, falling down
was a tactic. Lulling the Destroyer
into a false sense of security!
FANDRAL
Well, I was the one who had to drag
your enormous carcass off the
battlefield. That makes me the real
hero. Doesn't it, Hogun? Hogun
points to Volstagg.
HOGUN
Big stomach.
(points to Fandral)
Big mouth.
The other gathered Asgardians laugh. Volstagg and Fandral
look to Hogun. The grim warrior gives just a trace of a
smile.
FANDRAL
Well, how about that? A smile! I'd
say that calls for another drink!
They laugh and raise another round. Frigga sits nearby, lost
in thought, her face betraying the sadness she struggles to
conceal. Sif notices, approaches Frigga, bows her head.
SIF
My Queen. I am so sorry for your
loss.
Frigga takes Sif's hand appreciatively.
FRIGGA
Thank you, Sif.
She looks to Thor, who's unable to enjoy the merriment
around him.
FRIGGA (CONT'D)
How is he?
SIF
He mourns for his brother. And he
misses her. The mortal.
(MORE)
138.
SIF (CONT'D)
Frigga sees the trace of regret in
Sif's face as she looks at Thor
with new feelings. He rises and
leaves the hall.
FRIGGA
He will need his friends now more
than ever.
SIF
I will always be at his side.
Frigga understands, puts her arm
around Sif gratefully.
161 EXT. PALACE BALCONY - NIGHT 161 161
Thor stands alone on the balcony, lost in thought. Odin
walks up behind him.
ODIN
You'll be a wise King.
THOR
There will never be a wiser king
than you. Or a better father.
(THEN)
I have much to learn. I know that
now. But some day, perhaps, I will
make you proud.
ODIN
You've already made me proud. Odin
leaves, Thor consoled by his words.
162 EXT. RAINBOW BRIDGE - NIGHT 162 162
Out of the broken, jagged Rainbow Bridge flows the Bifrost
energy, drifting off into space. Thor walks out to its edge,
where Heimdall stands watch. Thor stares out at the stellar
void.
THOR
Can you see her? Heimdall turns,
gazes out towards Earth.
HEIMDALL
Yes.
THOR
How is she?
139.
163 EXT. SMITH MOTORS - LAB - NIGHT 163 163
Through the window into Jane's lab, we see an enlarged
ILLUSTRATION from her notebook pinned to a board. As we pull
away, we see a computer terminal displaying a program
clearly inspired by the illustration. We pull further back
to see that the lab has been transformed into a well-funded
research facility, abuzz with activity. SHIELD SCIENTISTS
and AGENTS work with impressive, state-of- the-art
equipment. Selvig orchestrates the process, giving
instructions to the SCIENTISTS. We continue to track right
outside the glass windows and rise up to find Jane sitting
at the front of the roof, working at a small, improvised
workstation, notebook at hand, as always. She sets up an
impressive, HIGH-TECH DEVICE before her, which bears the
"STARK INDUSTRIES"¬ù logo. From behind, Darcy approaches,
hands her a flash drive.
DARCY
Here you go.
JANE
Thanks.
Jane inserts the flash drive into the device.
DARCY
He would have come back if he
could.
JANE
I know. But if he can't get here on
his own...
Jane hits a switch on the device. Suddenly, a 3-D
HOLOGRAPHIC PROJECTION bursts to life over the device,
bathing the two women in its glow. We recognize what it is --
YGGDRASIL, in all its beauty.
JANE (CONT'D)
...maybe we can help him find his
way back.
164 OMITTED COMBINED WITH SCENE 163 ABOVE 164 164
FADE OUT:
THE END
Ratings
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Jane | At the beginning of the movie, Jane is a passionate and curious scientist driven by her desire for exploration and discovery. Her encounter with Thor on Earth sparks a connection between them, and she becomes increasingly involved in his journey to save Asgard. Throughout the movie, Jane faces setbacks and challenges but remains determined to help Thor and complete her research. Her emotional connection to Thor grows stronger as she shows bravery in accompanying him to dangerous situations and protecting the townspeople. By the end of the movie, Jane has become an even more resilient and emotionally connected character, working on a way to help Thor find his way back to Asgard. | The character arc for Jane is strong and well-developed, showing her growth from a curious scientist to a determined and emotionally connected character. However, there may be room for more conflicts and challenges for Jane to overcome, as she sometimes seems to go along with Thor's plans without much resistance. | One way to improve Jane's character arc is to give her more conflicts and challenges that are intrinsic to her character. For example, her passion for research and discovery could lead her to question Thor's plans and motives, putting her in conflict with him. Additionally, her emotional connection to Thor could be tested by external factors, such as other characters or events that threaten their relationship. This would make her character arc even more dynamic and engaging. |
Selvig | Selvig starts off as a skeptical scientist who is concerned about Thor's actions. However, he gradually becomes more open-minded and supportive of Jane's convictions, eventually assisting her in finding Thor. Through his interactions with Thor, Selvig learns to trust him and becomes a caring mentor figure for Jane. He also discovers a willingness to fight for what he believes in and becomes a valuable member of the group. | The character arc for Selvig is fairly straightforward and lacks significant conflict or challenge to overcome. While he does become more open-minded and supportive, it is not clear what drives this change. It would be more compelling if there were specific events or moments that caused Selvig to shift his perspective. Also, there is little exploration of his personal feelings or motivations beyond his mentorship role with Jane. | To improve Selvig's character arc, it could be helpful to give him more personal stakes in the conflict. Perhaps he has a preconceived bias against Thor for personal or professional reasons that he must overcome. Additionally, more exploration of his own feelings and motivations could help add depth to his character and make his arc more compelling. Finally, having specific events or moments that cause his shift in perspective would add a stronger sense of conflict and resolution to his arc. |
Darcy | Darcy's character arc revolves around her evolution from a skeptical and humorous intern to a serious and supportive team member. Initially, she takes the situation with Thor and the hammer lightly, seeing it as a joke. However, as she works with Jane and Selvig, she begins to take the research seriously and becomes an essential part of the team. Darcy's practical and somewhat reckless nature is showcased when she accidentally tases Thor, but she also learns to adapt and handle unexpected situations. By the end of the movie, Darcy has proven herself to be a valuable member of the team and has grown in both maturity and responsibility. | Overall, Darcy's character arc is well-developed and provides a satisfying evolution of her character. However, it could have been further explored and expanded upon. Her growth is mostly superficial, and there could have been more depth into her personal struggles and motivations. The taser incident could have had more significant repercussions, and there could have been more of a focus on Darcy's growth and development. | To improve Darcy's character arc, it would be helpful to give her more significant conflicts and struggles to overcome. Additional character development would also help solidify her role as a valuable member of the team, beyond just providing comic relief. Additionally, exploring her backstory and motivations could make her more relatable to the audience and help showcase her growth even further. Finally, giving more consequences and follow-up to the taser incident could add more depth to her character and provide more significant character growth opportunities. |
Thor | Thor's character arc involves his journey of growth and redemption. He starts as an impulsive and hot-headed warrior, fueled by anger and a desire for revenge. He must learn humility and responsibility, becoming more selfless and a true hero. He shows his growth through his willingness to sacrifice himself to protect others and his ability to learn from his mistakes. | While Thor's character arc is well-represented in the film, it could have been improved by fleshing out his transformation in more detail. The movie could have showcased more scenes of Thor learning about human society and grappling with the consequences of his actions. This would have added more depth and complexity to his character. | One suggestion for improving Thor's character arc would be to include more scenes of him interacting with humans and learning about their culture. This would help to highlight his transformation and add more depth to his character. Additionally, the film could have played up his struggles with humility and his desire for redemption, which would have made his growth as a character more impactful. |
Odin | Odin's initial commitment to diplomacy and maintaining peace is challenged when his own sons, Thor and Loki, become involved in a power struggle for the throne. As he grapples with balancing his love for his family with his duty as king, he initially favors Thor and his desire for revenge. However, as he faces the reality of the threat to Asgard, Odin begins to see the importance of finding the breach in their defenses and taking a more strategic approach to protecting their kingdom. He struggles to reconcile his long-held beliefs with the harsh realities of war. In the end, Odin realizes the true meaning of sacrifice and makes a difficult decision to save Asgard from destruction, ultimately passing on the mantle of leadership to Thor. | The character arc is solid, but could benefit from more specific examples or scenes to illustrate how Odin's beliefs and actions shift throughout the movie. It would also be interesting to explore more of how Odin's internal conflicts affect his relationships and interactions with other characters, particularly Thor and Loki. | Consider adding scenes or conversations that showcase more of Odin's internal conflicts and the impact they have on his relationships with his sons. Adding specific examples of how his beliefs and actions change throughout the movie could also deepen his character development. Additionally, exploring his relationships with other characters, such as Frigga and other members of Asgard, could provide a more well-rounded portrayal of Odin. |
Loki | Loki's character arc can be described as a descent into villainy. At the beginning, he is a conflicted but loyal character who accompanies Thor on his quest to Jotunheim. He is a mediator and strategist who uses subtlety and intelligence to achieve their goals. He is resourceful and saves himself from danger. He is conflicted about his true origins and his place in the family. As the movie progresses, he becomes more manipulative and treacherous, betraying Thor and causing chaos. He seeks power and validation, and is willing to destroy entire races to fulfill his goals. He fully embraces his villainous nature and faces the consequences of his actions in the end. | The character arc is well done and fits in with the overall themes of the movie. However, it would have been better if the movie had explored more of Loki's inner motivations and struggles. It would have been interesting to see more of his conflicted feelings and how they ultimately led to his descent into villainy. Additionally, the movie sometimes portrays Loki as too one-dimensional, with only his desire for power and validation driving his actions. It would have been more compelling if the movie had shown more of his complexity and inner turmoil. | To improve the character arc, the movie could have delved deeper into Loki's inner motivations and struggles. It could have shown more of his conflicted feelings and how they ultimately led to his descent into villainy. Additionally, the movie could have explored more of his complexity as a character, rather than portraying him as purely power-hungry. This would have made his arc more compelling and nuanced. The movie could have also provided more foreshadowing and clues about his eventual betrayal, which would have made his actions more impactful. |
Sif | At the beginning of the screenplay, Sif is primarily concerned with upholding the laws of Asgard and maintaining the status quo. However, upon seeing Thor's bravery and dedication to his mission, she begins to question her own loyalty to the establishment. As she fights alongside Thor and witnesses the destruction wrought by Loki's deceit, Sif becomes increasingly disillusioned with her traditional values and eventually sides with Thor in overthrowing Odin, recognizing that the old ways must give way to something new and better. Throughout the course of the story, Sif's arc is one of personal growth, transformation, and self-discovery, learning to trust in her own instincts and strengths as she fights for what is right. | The character arc is well done overall, but could benefit from more clarity and emphasis on Sif's emotions and inner conflicts as she goes through her transformation. It would also be interesting to explore her relationship with Thor more deeply and how it informs her decisions and beliefs about justice and loyalty. | To improve the character arc, the screenplay could include more scenes that highlight Sif's personal struggles and doubts, as well as more moments of intimacy and vulnerability between her and Thor. This could help to deepen her character and make her transformation more compelling and relatable for audiences. |
Volstagg | Volstagg initially shows concern for Thor's plan and is shocked by the chaos in the banquet hall, but ultimately agrees to go with him. Throughout the movie, he faces personal struggles but remains a loyal companion to Thor and helps save Fandral and protects his friends. He showcases his strength and resilience in battle, but also engages in lighthearted banter with Fandral. His arc culminates in his pride in his battle with the Destroyer, and his acceptance of Loki as a trustworthy ally. | The arc is solid, but could benefit from Volstagg having a more defined personal struggle that is resolved by the end of the movie. As it is, his main struggle seems to be his uncertainty around Loki, but this is not resolved in a clear way. Additionally, his humor and clumsiness could be toned down slightly to create a more well-rounded character. | To improve the character arc, perhaps have Volstagg struggle with something more personal to him, such as doubts about his own abilities as a warrior. This could play into a larger theme of self-doubt and finding one's own strength. Additionally, the humor and clumsiness can stay as part of his character, but could be toned down slightly to make him a more nuanced character. |
Fandral | Fandral's character arc in the screenplay is an exploration of his loyalty and courage. Initially, Fandral is a loyal friend who is dedicated to Thor and his cause. However, he starts to doubt Loki's true intentions and becomes torn between his loyalty and the desperate need for action. As the story progresses, Fandral overcomes his doubts and becomes a passionate warrior who is willing to do whatever it takes to save his friends and the realm. His humor and sarcasm become his coping mechanism, and they enable him to keep the morale of his companions high in dire situations. | Fandral's character is a bit underdeveloped, and there aren't enough moments that showcase his unique traits. Although he is supposed to be a charismatic and humorous adventurer, those traits are not prominent enough in the screenplay. Additionally, his doubts about Loki's true intentions seem to be resolved quite easily without much struggle or depth. The character could benefit from more moments that highlight his comedic side and his natural talents as an adventurer. | To improve Fandral's character arc, the screenplay could explore his comedic traits more deeply. For instance, a scene that showcases his talents as a storyteller or his quick wit could add more depth to his character. Additionally, his doubts about Loki's true intentions could be explored with more nuance and complexity. The screenplay could show the internal struggle that Fandral is going through as he tries to reconcile his loyalty with his instincts. Overall, Fandral's character could be more well-rounded if the screenplay gives him more opportunities to shine. |
Hogun | Hogun's character arc begins with him being a serious and cautious warrior, following orders and warning his comrades about the consequences of defying their father. As the movie progresses, he faces personal struggles and shows determination and bravery in the face of danger. He gradually becomes more and more suspicious of Loki's actions and recognizes the need to find Thor despite the risks. Ultimately, in the final battle, Hogun fully embraces his leadership role and helps lead his comrades to victory. | Hogun's character arc overall is well-executed, but it could benefit from more focus on his personal struggles earlier on. Additionally, his suspicions about Loki's actions could be more fleshed out and given more weight throughout the movie. | To improve Hogun's character arc, the movie could add more scenes of him struggling personally with the dangers they face and his suspicions about Loki's involvement. Additionally, his suspicions could be given more weight by having them impact the plot more significantly, like leading to important discoveries or conflicts. Overall, the movie could benefit from giving Hogun a bit more attention to fully flesh out his character arc and impact within the story. |
Coulson | As the movie progresses, Coulson's arc involves a shift in his perception of Thor. Initially tasked with coordinating the defense against Thor and his hammer, Coulson eventually realizes Thor's intentions and shows sympathy towards him. This change of heart leads Coulson to become an ally of Thor, providing resources for his research and working towards a common goal of protecting Earth from external threats. | The character arc for Coulson is adequate, but it could be more impactful. The shift in his perception of Thor feels somewhat abrupt and could be further developed, perhaps through more interactions between the two characters. Additionally, Coulson's arc could benefit from more personal stakes, such as a personal connection to Thor or a greater threat to SHIELD's operations. | To improve Coulson's character arc, consider adding more scenes that show his initial skepticism towards Thor and the events that lead him to change his perception. Introducing personal stakes for Coulson, such as a connection with Thor or a greater threat to SHIELD's operations, could also add more depth to his character arc. |
Heimdall | Heimdall starts off as a fiercely loyal gatekeeper, but becomes increasingly disillusioned as he realizes the depth of Loki's betrayal. When he finally confronts Loki, he is ultimately betrayed once again, forcing him to take drastic action. He uses his strength and cunning to outsmart his enemies and protect those he loves, ultimately sacrificing himself for the greater good. In doing so, he earns the trust and respect of his fellow Asgardians, proving that he is more than just a gatekeeper. | Heimdall's character arc is well-developed overall, but it could benefit from more emotional depth. While he is clearly torn between his loyalty to Asgard and his feelings for Loki, these emotions are not explored in great detail. Additionally, the final sacrifice feels somewhat forced and unnecessary, as there could be other ways for Heimdall to demonstrate his worthiness. Finally, some of Heimdall's actions seem inconsistent with his character, such as his willingness to turn against Odin in the beginning. | To improve Heimdall's arc, consider delving deeper into his emotional conflict and exploring his motivations more fully. It might also be helpful to provide more context for his actions, showing how his loyalty to Asgard and his personal relationships impact his decisions. Finally, consider alternative ways for Heimdall to demonstrate his worthiness besides sacrificing himself. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation (0.92) between Emotional Impact and Overall Grade, suggesting that the emotional impact of the scenes greatly contributes to the overall quality of the screenplay. |
Correlation between Character Changes and Dialogue | There is a moderate positive correlation (0.66) between Character Changes and Dialogue, indicating that the evolution of characters is often conveyed through their dialogues. |
Correlation between Conflict and High Stakes | There is a strong positive correlation (0.81) between Conflict and High Stakes, indicating that the higher the level of conflict in the scenes, the higher the stakes for the characters. |
Correlation between Tone and Concept | There is a weak positive correlation (0.35) between Tone and Concept, suggesting that the tone of the scenes is somewhat related to the concept of the screenplay. |
Correlation between Plot and Move Story Forward | There is a strong positive correlation (0.76) between Plot and Move Story Forward, indicating that the progression of the plot is closely tied to advancing the story. |
Correlation between Tone and Emotional Impact | There is a weak positive correlation (0.38) between Tone and Emotional Impact, suggesting that the tone of the scenes can influence their emotional impact to some extent. |
Correlation between Dialogue and Plot | There is a moderate positive correlation (0.63) between Dialogue and Plot, indicating that the dialogues often contribute to the development of the plot. |
Correlation between Character Changes and Emotional Impact | There is a weak positive correlation (0.31) between Character Changes and Emotional Impact, suggesting that the emotional impact of the scenes is somewhat related to the evolution of the characters. |
Correlation between Conflict and Dialogue | There is a moderate positive correlation (0.61) between Conflict and Dialogue, indicating that conflicts often arise and are resolved through dialogues. |
Correlation between Emotional Impact and Move Story Forward | There is a strong positive correlation (0.77) between Emotional Impact and Move Story Forward, suggesting that the emotional impact of the scenes is closely tied to the progression of the story. |
Correlation between Tone and Plot | There is a weak positive correlation (0.42) between Tone and Plot, indicating that the tone of the scenes can influence the development of the plot to some extent. |
Correlation between Emotional Impact and Conflict | There is a moderate positive correlation (0.53) between Emotional Impact and Conflict, suggesting that the level of emotional impact in the scenes is often connected to the conflicts present. |
Correlation between High Stakes and Move Story Forward | There is a strong positive correlation (0.76) between High Stakes and Move Story Forward, indicating that the higher the stakes for the characters, the more the story progresses. |
Correlation between Character Changes and High Stakes | There is a moderate positive correlation (0.68) between Character Changes and High Stakes, suggesting that the evolution of characters often leads to higher stakes for them. |
Correlation between Concept and Characters | There is a moderate positive correlation (0.67) between Concept and Characters, indicating that the concept of the screenplay is closely related to the development of the characters. |
Correlation between Concept and Dialogue | There is a moderate positive correlation (0.65) between Concept and Dialogue, suggesting that the concept of the screenplay often influences the dialogues between the characters. |
Correlation between Characters and Emotional Impact | There is a weak positive correlation (0.33) between Characters and Emotional Impact, indicating that the development of characters can impact the emotional impact of the scenes to some extent. |
Correlation between Concept and Emotional Impact | There is a weak positive correlation (0.39) between Concept and Emotional Impact, suggesting that the concept of the screenplay can influence the emotional impact of the scenes to some degree. |
Correlation between Concept and Conflict | There is a moderate positive correlation (0.69) between Concept and Conflict, indicating that the concept of the screenplay often leads to conflicts between the characters. |
Correlation between Dialogue and Emotional Impact | There is a moderate positive correlation (0.59) between Dialogue and Emotional Impact, suggesting that the emotional impact of the scenes is often conveyed through the dialogues between the characters. |
Correlation between Concept and Plot | There is a strong positive correlation (0.79) between Concept and Plot, indicating that the concept of the screenplay strongly influences the development of the plot. |
Correlation between Plot and Emotional Impact | There is a strong positive correlation (0.83) between Plot and Emotional Impact, suggesting that the emotional impact of the scenes is closely tied to the progression of the plot. |
Correlation between Dialogue and High Stakes | There is a moderate positive correlation (0.62) between Dialogue and High Stakes, indicating that the dialogues between the characters often involve high stakes situations. |
Correlation between Dialogue and Move Story Forward | There is a strong positive correlation (0.73) between Dialogue and Move Story Forward, suggesting that the dialogues play a significant role in advancing the story. |
Correlation between Tone and High Stakes | There is a weak positive correlation (0.43) between Tone and High Stakes, indicating that the tone of the scenes can influence the level of stakes for the characters. |
Correlation between Dialogue and Character Changes | There is a weak positive correlation (0.39) between Dialogue and Character Changes, suggesting that the dialogues between the characters often contribute to their evolution. |
Correlation between Dialogue and Conflict | There is a moderate positive correlation (0.61) between Dialogue and Conflict, indicating that conflicts are often developed and resolved through dialogues. |
Correlation between Characters and Plot | There is a strong positive correlation (0.75) between Characters and Plot, suggesting that the development of the characters is closely intertwined with the progression of the plot. |
Stories Similar to this one
Story | Explanation |
---|---|
Thor | The screenplay shares similarities with the movie Thor, as both involve Thor and his companions investigating anomalies and facing off against powerful enemies. They also both feature scenes on Jotunheim and the Bifrost. |
Avengers: Age of Ultron | This screenplay is similar to Avengers: Age of Ultron as both involve the characters using equipment to investigate anomalies, experiencing malfunctions, and witnessing a phenomenon in the sky. They also both feature scenes of the characters gathering and discussing their plan of action. |
Men in Black | The screenplay shares similarities with Men in Black, as both involve a group of characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters driving towards a phenomenon and experiencing extraordinary events. |
Stranger Things | This screenplay has similarities with Stranger Things, as both involve characters investigating anomalies and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear, experiencing malfunctions, and witnessing a strange phenomenon in the sky. |
Interstellar | This screenplay is similar to Interstellar as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear, experiencing malfunctions, and witnessing a remarkable phenomenon. |
Close Encounters of the Third Kind | The screenplay shares similarities with Close Encounters of the Third Kind, as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear and witnessing a breathtaking phenomenon. |
Arrival | This screenplay is similar to Arrival as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear, experiencing malfunctions, and witnessing a mysterious phenomenon. |
E.T. the Extra-Terrestrial | The screenplay shares similarities with E.T. the Extra-Terrestrial, as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear and witnessing a remarkable phenomenon that leads them on an extraordinary adventure. |
Independence Day | This screenplay is similar to Independence Day as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear and witnessing a massive phenomenon that threatens humanity. |
The X-Files | The screenplay shares similarities with The X-Files, as both involve characters investigating anomalies and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear and experiencing extraordinary events. |
The Day After Tomorrow | This screenplay is similar to The Day After Tomorrow as both involve characters investigating anomalies in the sky and witnessing a catastrophic phenomenon. They also both feature scenes of the characters driving towards the phenomenon and facing extreme danger. |
Contact | The screenplay shares similarities with Contact, as both involve characters investigating anomalies in the sky and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear and witnessing a profound phenomenon. |
Independence Day: Resurgence | This screenplay is similar to Independence Day: Resurgence as both involve characters investigating anomalies in the sky and witnessing a massive phenomenon that threatens humanity. They also both feature scenes of the characters driving towards the phenomenon and facing extreme danger. |
Cloverfield | The screenplay shares similarities with Cloverfield, as both involve characters investigating anomalies and witnessing a massive phenomenon that causes chaos. They also both have scenes of the characters eagerly waiting for the anomaly to appear and experiencing extraordinary events. |
The Avengers | This screenplay is similar to The Avengers as both involve a group of characters coming together to investigate anomalies and face off against a powerful enemy. They also both feature scenes of the characters discussing their plan of action and the need for teamwork. |
Pacific Rim | The screenplay shares similarities with Pacific Rim, as both involve characters investigating anomalies and witnessing a massive phenomenon that threatens humanity. They also both feature scenes of the characters driving towards the phenomenon and facing extreme danger. |
War of the Worlds | This screenplay is similar to War of the Worlds as both involve characters investigating anomalies in the sky and witnessing a catastrophic phenomenon. They also both feature scenes of the characters driving towards the phenomenon and encountering dangerous situations. |
Stranger Things 3 | The screenplay shares similarities with Stranger Things 3, as both involve characters investigating anomalies and setting up equipment to monitor them. They also both have scenes of the characters eagerly waiting for the anomaly to appear, experiencing malfunctions, and witnessing a strange phenomenon. |
The Mist | This screenplay is similar to The Mist as both involve characters investigating anomalies and witnessing a massive phenomenon that threatens their lives. They also both feature scenes of the characters driving towards the phenomenon and facing extreme danger. |
The Cloverfield Paradox | The screenplay shares similarities with The Cloverfield Paradox, as both involve characters investigating anomalies and witnessing a massive phenomenon that causes chaos. They also both have scenes of the characters eagerly waiting for the anomaly to appear and experiencing extraordinary events. |
- Overall originality score: 7
- Overall originality explanation: The screenplay demonstrates a moderate to high level of originality, with several scenes presenting fresh approaches and unique situations to familiar concepts. The authenticity of the characters' actions and dialogue enhances the overall originality of the screenplay.
- Most unique situations: The most unique situations in the screenplay are the small town in New Mexico witnessing strange astronomical anomalies, the conflict between Asgard and the Frost giants, Thor and Loki's dynamic and philosophical conflicts, and Thor's identity crisis and journey of self-discovery.
- Overall unpredictability score: 6
- Overall unpredictability explanation: The screenplay has a moderate level of unpredictability, with a mix of familiar tropes and fresh twists. While some plot elements and character dynamics may be predictable, there are enough surprising moments and unexpected developments to keep the audience engaged.
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goals in the screenplay are focused on understanding, self-discovery, and validation. |
External Goals | The protagonist's external goals in the screenplay are centered around exploration, protection, and personal growth. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around the tension between duty and personal desires, the nature of power, and the significance of family bonds. |
Character Development Contribution: The goals and conflict contribute to the protagonist's development by challenging their beliefs, values, and worldviews, and pushing them to reflect on their actions, grow, and make significant choices.
Narrative Structure Contribution: The goals and conflict contribute to the narrative structure by driving the plot forward and creating tension, conflict, and suspense. They serve as catalysts for the protagonist's actions and drive the story towards its climax and resolution.
Thematic Depth Contribution: The goals and conflict contribute to the thematic depth of the screenplay by exploring profound themes such as identity, power, duty, redemption, family, and the nature of heroism. They invite viewers to reflect on moral and philosophical questions and delve into the complex motivations and psychological journeys of the characters.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
- Physical environment: The world depicted in the screenplay consists of various settings, including a small town in New Mexico, a desert, Asgard (a mythical realm), Jotunheim (the realm of the Frost Giants), a hospital setting, a laboratory, a SHIELD base, and a dive bar. The physical environment ranges from arid deserts to majestic palaces, from frozen wastelands to modern-day cities.
- Culture: The cultural elements depicted in the screenplay include Norse mythology, royalty, honor, camaraderie, and a mix of contemporary and mythical cultures. The characters in the screenplay have distinct cultural backgrounds and beliefs, shaping their actions and interactions.
- Society: The societal structure depicted in the screenplay includes hierarchical systems, such as monarchy, military hierarchy, and societal norms. Asgardian society is structured around honor, duty, and preserving peace, while SHIELD is a secretive organization with highly-trained professionals.
- Technology: The technological elements depicted in the screenplay include advanced technology, such as powerful hammers, the Bifrost (a cosmic portal), handheld sensor devices, computer systems, and surveillance equipment. The characters in the screenplay interact with and use advanced technology as part of their world.
- Characters influence: The unique physical environment, culture, society, and technology depicted in the screenplay shape the characters' experiences and actions. For example, the arid desert and desolate small town create a sense of mystery and wonder, influencing the characters' fascination with celestial phenomena. The hierarchical societal structure in Asgard and the honor-based culture shape the actions and interactions of the Asgardian characters. The advanced technology and secrecy of SHIELD influence the behavior and decisions of its agents.
- Narrative contribution: The world elements contribute to the narrative of the screenplay by providing settings for the characters to interact in and conflicts to arise from. The physical environment, culture, society, and technology create the backdrop for the characters' journeys and the development of the plot. They also provide opportunities for action sequences and dramatic moments.
- Thematic depth contribution: The world elements depicted in the screenplay contribute to the thematic depth by exploring themes such as family, duty, sacrifice, power, and identity. The physical environment and cultural elements reflect the conflicts and tensions between different realms and characters. The advanced technology and societal structures raise questions about the consequences of power and the responsibilities of those in authority.
Consider
Executive Summary
Thor is a promising screenplay with a captivating premise, strong character dynamics, and a compelling character arc for the protagonist. However, it could benefit from addressing pacing issues, further developing certain characters' motivations, and exploring the Asgardian world and the conflict with the Frost Giants in greater depth. With some refinements, it has the potential to be a successful superhero film with a unique blend of mythology and sci-fi elements.
- Compelling premise and world-building: The introduction of Asgard and the Nine Realms offers a unique and intriguing setting for a superhero film, blending Norse mythology with sci-fi elements. high
- Strong character dynamics: The relationship between Thor and Loki is complex and engaging, showcasing their brotherly bond, rivalry, and contrasting personalities. The Warriors Three and Sif also provide a strong supporting cast with their own distinct traits. high ( Scene 17 Scene 26 )
- Thor's character arc: His journey from arrogance to humility is well-developed, as he learns valuable lessons about responsibility and selflessness through his experiences on Earth. high ( Scene 62 Scene 97 )
- Jane Foster's character: She is a strong and intelligent female protagonist, driven by her passion for science and her desire to understand the unknown. Her interactions with Thor provide a grounded perspective on the extraordinary events. medium ( Scene 1 Scene 45 )
- Humor: The screenplay incorporates moments of humor effectively, particularly in the interactions between Thor and the humans, providing levity and contrast to the more serious themes. medium ( Scene 89 Scene 92A Scene 92C )
- Pacing issues: The Jotunheim sequence feels rushed, with Thor's decision to attack the Frost Giants seeming impulsive and lacking sufficient build-up. The battle itself could benefit from more strategic planning and showcasing of individual character strengths. high ( Scene 34 Scene 35 )
- Heimdall's role: His motivations and actions regarding the Frost Giants' infiltration are unclear, requiring further exploration to understand his position in the conflict. medium ( Scene 27 Scene 29 )
- Loki's motivations: While his jealousy towards Thor is evident, his alliance with Laufey and the reasons behind his desire to destroy Jotunheim could be further developed. medium ( Scene 95 )
- S.H.I.E.L.D.'s role: Their actions, particularly confiscating Jane's research, seem heavy-handed and could be better justified, perhaps by highlighting the potential threat of the Bifrost or the Asgardians. low ( Scene 66A )
- Exploration of Asgardian culture and politics: While the screenplay establishes Asgard as a powerful realm, it would be beneficial to delve deeper into its societal structure, customs, and internal conflicts. medium
- Backstory of the Frost Giants: Providing more context about their history, motivations, and grievances with Asgard would enhance the depth of the conflict. medium
- Development of the romance between Thor and Jane: While there is a spark between them, their relationship could be further explored to create a more emotional connection. low
- The opening sequence effectively sets the stage for the story, introducing the grandeur of Asgard and the conflict with the Frost Giants. high ( Scene 13 Scene 14 )
- Odin's character is complex, displaying both wisdom and flaws, as he struggles with the challenges of leadership and protecting his realm. high ( Scene 16 Scene 61 )
- The scene where Thor explains the Nine Realms to Jane is a pivotal moment, showcasing the intersection of science and mythology. high ( Scene 100 )
- Thor's return as the God of Thunder and his defeat of the Destroyer is a satisfying climax, showcasing his heroism and redemption. high ( Scene 136 )
- The ending leaves the possibility open for a sequel, with Jane's continued research and Thor's desire to return to Earth. medium ( Scene 159 Scene 163 )
Memorable lines in the script:
Scene Number | Line |
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1 | Jane: Holy. Shatner. |
2 | DARCY: Wow. Does he need CPR? Because I know CPR. |
6 | Odin: Who wields this hammer commands the lightning and the storm. Its power has no equal -- as a weapon, to destroy, or as a tool, to build. It is a fit companion for a King. |
7 | Thor: The Jotuns must pay for what they've done! |
17 | THOR: How dare you attack the son of Odin! |