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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
GREEN BOOK Written by Nick Vallelonga & Brian Currie & Peter Farrelly © 2018 STORYTELLER DISTRIBUTION CO., LLC ALL RIGHTS RESERVED
2
INT. COPACABANA - COAT CHECK - CONTINUOUS Lip trolls for customers who will tip him for a table. He NOTICES... JOEY LOSCUDO, 50s, a Mob Boss, entering the club followed by his CREW. Loscudo walks over to the COAT-CHECK GIRL, takes
3
INT. COPACABANA - MAIN ROOM - CONTINUOUS RYDELL’S STILL SINGING, THE JOINT’S ROCKING... A FIGHT breaks out... FOUR GOOMBAHS pound each other. Tables flip, glass breaks, patrons scream... ANGLE ON Podell as he jumps up...
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EXT. COPACABANA - ENTRANCE - NIGHT - LATER Lip, Carmine, and another bouncer, DANNY, smoke cigarettes, lean against a dinged-up ‘55 BUICK Sedan. A poster at the Copa entrance reads: BOBBY RYDELL - SOLD OUT! A worker pastes a banner over it: COPA CLOSED FOR RENOVATIONS
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INT. JILLY’S SALOON - NIGHT LOSCUDO’S HAT GETS PLOPPED IN THE MIDDLE OF A TABLE... PULL BACK... Luscudo sits in the corner booth, holding court with JILLY and friends. LOSCUDO
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INT. LIP’S APARTMENT - LIVING ROOM - DAY CLOSE ON - A BLACK AND WHITE TV, THE YANKEES PLAY THE SAN FRANCISCO GIANTS, GAME 6 OF THE WORLD SERIES. PHIL RIZUTTO (V.O.) “Roger Maris at the plate, Pierce
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INT. LIP’S APARTMENT - DINETTE - LATER Lip’s at the table, dressed now. Wine and plates of rigatoni. Joining them for lunch are FRAN, Johnny’s wife, and LYNN, Louie’s wife. Dolores makes the sign of the cross. DOLORES
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INT. GORMAN’S HOT DOGS - DAY Johnny, Lip, and Lip’s youngest boy, Frankie, ENTER. JOHNNY I’m tellin’ you, this is gonna be the easiest fifty bucks you ever
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INT. GORMAN’S HOT DOGS - LATER The table filled with an assortment of hot dogs. Everyone CHEERS, CLAPS, as Lip and Fat Paulie STUFF THEIR FACES. JOHNNY Come on, Lip, pick it up! The baby
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INT. COPACABANA - DAY - SAME Jules Podell sits at his table in the empty Copa. He sips a cup of coffee as WORKERS clear tablecloths, flip chairs onto tables, etc. JULES PODELL
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INT. DON SHIRLEY’S APARTMENT HALLWAY - DAY Lip walks down the hall. Two ENGLISH BUTLER-TYPES sit in chairs outside a door. The door opens and an ASIAN MAN, black suit and tie, carrying a briefcase, exits. At the door stands an Indian valet, AMIT, white Nehru shirt,
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EXT. JOE & JOE RESTAURANT - BRONX - LATE AFTERNOON A tired Lip comes walking down the sidewalk and ENTERS. INT. JOE & JOE RESTAURANT - BAR/DINING ROOM - CONTINUOUS Smoky, packed, loud... Lip snakes his way to BOBBY, 40s, CHINESE, who’s behind the bar.
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EXT. WHITE PLAINS ROAD - BRONX - EARLY EVENING The EL TRAIN thunders above Lip as he enters a PAWN SHOP. INT. PAWN SHOP - BRONX - EARLY EVENING CLOSE ON Lip’s WRISTWATCH on the counter. The pawn guy, CHARLIE, looks up at Lip, concerned. Reluctantly, he hands
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INT. LIP’S APARTMENT - BEDROOM - EARLY MORNING Lip and Dolores are asleep in bed, the kids asleep in another bed across the room. THE PHONE RINGS. Lip and Dolores wake up. Lip looks at the clock--8 a.m. He answers the phone. LIP
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EXT. LIP’S APARTMENT - MORNING Dion's “RUNAROUND SUE” drifts lazily from a transistor radio... Laundry hangs from fire escapes. OLD ITALIAN WOMEN sit in folding chairs CHATTING while Grandpa Nicola, Grandpa Anthony and Rudy watch Nick and Frankie play.
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EXT. CARNEGIE HALL - 881 SEVENTH AVENUE - NYC - DAY Lip parks Shirley’s rented Cadillac in front of an identical Cadillac, gets out, opens the trunk. Smoking next to the other Cadillac is OLEG MALAKHOV, 30s, Russian, wears glasses, and GEORGE DYER, 30s.
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EXT. GEORGE WASHINGTON BRIDGE - DAY BIRD’S-EYE VIEW of The Westside Highway in 1960’s Manhattan and the glistening Hudson River as the two Cadillacs cross the upper-level of the George Washington Bridge surrounded by hundreds of period cars.
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EXT. PENNSYLVANIA TURNPIKE - LATER - DAY CLOSE ON A SIGN - PENNSYLVANIA TURNPIKE. EXT. PENNSYLVANIA TURNPIKE - CONTINUOUS Oleg’s car speeds up, pulls next to Shirley’s Cadillac. Oleg rolls down his window, motions to Shirley, who rolls down his
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INT. DINER - DAY Lip and Shirley sit in a booth eating lunch. Shirley picks at a tuna salad while Lip chows down on a pot roast. Shirley watches Lip, amazed at the ferocity with which he attacks his meal.
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EXT. LIP’S ROOM - 2ND FLOOR BALCONY - CONTINUOUS - NIGHT From this perch, the courtyard is illuminated by the reflection of the pool light. Lip steps out, fires up a smoke, takes in the cool breeze. LIP’S POV - Oleg and George are at a table poolside, playing
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EXT. MANSION - BACK PARKING LOT - EVENING - SAME Filled with BLACK CHAUFFEURS killing time next to their cars. Waiters, Busboys, Waitresses, Cooks, ALL BLACK, move in and out of the home. Lip lights a cigarette, looks around... CLOSE ON - LIP’S EXPRESSION as he realizes he’s THE ONLY
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EXT. MANSION - DRIVEWAY - NIGHT CLOSE ON - DICE ROLLING... A FOUR AND A SIX! PULL BACK - A CRAPS GAME BEING PLAYED OUT BETWEEN PARKED CARS... DICE, DOLLAR BILLS, and QUARTERS ON THE GROUND. Lip rolls the dice. He’s surrounded by the chauffeurs,
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EXT. HIGHWAY - OHIO - DAY Shirley’s Cadillac drives along. INT. CADILLAC - DAY Lip drives. Next to him, a couple of maps, soda bottles, empty candy wrappers. Shirley sits comfortably in the back,
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EXT. HIGHWAY - OHIO - DAY - LATER The Caddy whips by. INT. CADILLAC - DAY - SAME Slow Twistin’ by Chubby Checker plays on the radio. Lip is looking back at Shirley, annoyed.
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EXT. GAS STATION/NOVELTY SHOP - DAY Lip and Shirley’s car, followed by Oleg and George’s car, pull into the gas station and parks. Lip gets out, Shirley waits in the car, window open. Oleg and George also get out of their car, stretch, smoke.
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INT. INDIANA COLLEGE CAMPUS - CONCERT HALL - AFTERNOON The place is empty except for Oleg and George setting up their instruments on stage. As Lip ENTERS, OLEG starts to PLAY A SONG on the Cello. Lip goes to a BROKEN DOWN PIANO on the stage. He looks it
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INT. INDIANA COLLEGE CAMPUS - CONCERT HALL - NIGHT Dr. Shirley’s fingers tinkle the ivories on a Steinway, performing “HAPPY TALK” to a sold-out house. CLOSE ON THE WING OF THE STAGE where Lip is listening to the music, satisfied. The Stage Manager stands a few feet back
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EXT. KENTUCKY HIGHWAY - DAY Shirley’s car motors past a “WELCOME TO KENTUCKY” sign. INT. CADILLAC - DAY On the radio, “WHOLE LOTTA SHAKIN’ GOING ON,” Jerry Lee Lewis attacking the piano.
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EXT. ROAD - KENTUCKY FRIED CHICKEN - DAY - LATER ANGLE ON Kentucky Fried Chicken sign, then we...PAN to the Caddy approaching. INT. CADDY - CONTINUOUS Lip sits up, excited.
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EXT. DOWNTOWN LOUISVILLE MOTEL - EARLY EVENING The Caddy pulls up in front of a RUN-DOWN MOTEL with a “FOR COLORED ONLY” sign. Low-end, one-level on the edge of downtown. Nothing like the upscale hotels they’ve been staying in.
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INT. LIP’S HOTEL ROOM - NIGHT CLOSE ON BEDSIDE TABLE where we see a wallet, a pack of smokes, and, surprisingly, the JADE ROCK that we thought Lip had returned. PULL BACK to reveal Lip, in boxers, sitting up in bed,
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EXT. STREET - NIGHT George and Lip hustle down the street. GEORGE (panicked) I went out for a drink, I walk into
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EXT. DOWNTOWN LOUISVILLE MOTEL - NIGHT - LATER An irate Lip walks an inebriated Shirley throught the parking lot of the motel. LIP What the hell’s wrong with you?!
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INT. LOUISVILLE CONCERT HALL - NIGHT Lip stands off to the side as an ALL-WHITE AUDIENCE watches the Don Shirley Trio give a magnificent performance of their hit, “LULLABY OF BIRDLAND.” When they finish, the crowd ERUPTS in a STANDING OVATION.
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EXT. COUNTRY ROAD - NORTH CAROLINA - DAY The Caddy pulls over and Lip steps out into the blazing sun. Heat waves ripple off the scalding asphalt. Lip removes his jacket, tosses it onto the front seat. He rolls up his sleeves, lifts the heavy Cadillac hood.
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INT. PLANTATION - DINING ROOM - NIGHT - LATER Guests sit around an immense dining table. Lip sits between the Well-Coiffed Woman and an Elderly Woman. Dr. Shirley sits in the seat of honor to the right of Mr. Anderson, at the head of the table.
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INT. CADILLAC - NIGHT - SAME Shirley stews in the back seat. LIP Why don’t I just pull over--you can piss in the woods?
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EXT. NORTH CAROLINA PLANTATION - NIGHT - LATER Show’s over, GUESTS are departing. As Dr. Shirley accepts congratulations out on the steps, Lip stands by the Cadillac, smoking with George. LIP
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EXT. STUCKEY’S RESTAURANT - SOUTH CAROLINA - DAY Lip and Dr. Shirley sit at a table outside. Lip eats potato chips as he WORKS ON A LETTER. Shirley can see that he’s struggling. DR. SHIRLEY
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INT. LIP’S APARTMENT - LIVING ROOM - NIGHT Dolores sits on the couch reading the letter, the kids asleep next to her... In her head, she HEARS LIP’S VOICE. LIP (V.O.) Nothing matters but you. I am the
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INT. CAPITOL THEATRE - NIGHT - SAME The Don Shirley Trio is in top form as they finish playing a spirited rendition of BLUE SKIES. The song reaches a crescendo, the crowd BURST INTO APPLAUSE, and we CUT TO:
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EXT. MACON YMCA - NIGHT Shirley trails Lip as they EXIT the YMCA and walk toward the parking lot. No one speaks. Then... DR. SHIRLEY (subdued)
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EXT. PEABODY HOTEL - MEMPHIS - FRONT ENTRANCE - DAY Shirley’s Cadillac pulls up. The windows are closed. INT. CADILLAC - DAY - CONTINUOUS Lip and Shirley sit for a moment. It’s clear they haven’t spoken for a while.
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INT. PEABODY HOTEL - HALLWAY - NIGHT Lip comes out of his room, locks his door. DR. SHIRLEY (O.S.) Where are you going? Lip turns to see Shirley behind him in the hallway.
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INT. PEABODY HOTEL - LOBBY - LATER THAT NIGHT Dr. Shirley and Lip sit at a table in the lobby. Shirley pours them both a drink from a bottle of Cutty Sark. LIP So, how’d you learn how to play so
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INT. LIP’S APARTMENT - NIGHT Dolores reads the letter ALOUD to Louie’s wife, Lynn, and Johnny’s wife, Fran. In the b.g., we see the guys--Grandpas Nicola and Anthony, Louie, Rudy, Johnny--at the kitchen table PLAYING CARDS.
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EXT. MISSISSIPPI ROAD - NIGHT Rain pounds the pavement, THUNDER. The Cadillac’s HEADLIGHTS fight to cut through the darkness. INT. CADILLAC - NIGHT THE TORRENTIAL RAIN HAMMERS THE ROOF OF THE CAR. Visibility
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INT. MAYERSVILLE, MISSISSIPPI POLICE STATION - NIGHT Lip sits on a concrete slab in a small cell. Shirley peers through the bars out at Patrolmen #1, #2, and the grizzled POLICE CHIEF, 50s. DR. SHIRLEY
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INT. JAIL CELL - NIGHT - LATER Lip sits on the floor, stone-faced. Shirley paces the room, increasingly annoyed. DR. SHIRLEY As my mother always said, “What
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EXT. HIGHWAY - RAINY NIGHT The Cadillac FLIES PAST a sign reading: “WHITES ONLY WITHIN CITY LIMITS AFTER DARK.” INT. CADILLAC - NIGHT - SAME Lip wears a mad, shit-eating grin as he drives through the
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EXT. COUNTRY ROAD - NIGHT - CONTINUOUS Lip steers the car to the side of the road. Shirley opens the door, gets out in the rain. Lip looks out the window as Dr. Shirley walks down the drenched, muddy road.
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EXT. ALABAMA - GREEN BOOK MOTEL - NIGHT CLOSE ON A COLOREDS ONLY sign out front of a ramshackle brick building. PAN TO the Caddy pulling into the DIRT PARKING LOT full of puddles and BEAT-UP CARS.
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EXT. HIGHWAY - DAY The Caddy motors by on its way to Birmingham. DISSOLVE TO: EXT. BIRMINGHAM, ALABAMA - CITY STREETS - EVENING Shirley’s Cadillac drives through the city.
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INT. BIRMINGHAM HOTEL - DINING ROOM / CONCERT HALL - NIGHT A cavernous DINING ROOM/HALL. Ornately decorated in red and green ribbons and wreaths. A twenty-foot Christmas Tree towers behind the Trio’s instruments onstage. Filling in fast with well-dressed WHITE CUSTOMERS.
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INT. BIRMINGHAM HOTEL - RESTAURANT - PARLOR - CONTINUOUS Kindell tries to pour on the Southern charm. GRAHAM KINDELL Mr. Villanueva, you have to talk sense to Mr. Shirley. Please
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INT. CADILLAC - NIGHT - CONTINUOUS They pull onto the street and drive in silence, both in shock about what just happened. Shirley looks at Lip in the rear-view. DR. SHIRLEY You hungry?
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EXT. THE ORANGE BIRD - PARKING LOT - NIGHT An exhausted Shirley and Lip are dragging themselves across the parking lot toward the Cadillac. DR. SHIRLEY If we leave right now, I think you
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EXT. HIGHWAY - NIGHT The lonely Cadillac fights through the NORTHEASTER as conditions get more and more treacherous. INT. CADILLAC - NIGHT - CONTINUOUS A tense-looking Lip struggles to keep the car on the road.
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INT. LIP’S APARTMENT - NIGHT CLOSE ON - A NEEDLE AS IT DROPS ONTO THE GROOVES OF A SPINNING ALBUM... “HAVE YOURSELF A MERRY LITTLE CHRISTMAS” FROM THE FRANK SINATRA CHRISTMAS ALBUM plays on a record player.
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INT. SHIRLEY’S APARTMENT - NIGHT - MOMENTS LATER Shirley ENTERS his apartment, followed by his valet, Amit, who carries Shirley’s luggage. AMIT Welcome home, Dr. Shirley.

Green Book

A working-class Italian-American bouncer is hired to drive a world-class African-American pianist on a concert tour through the 1960s American South, where they must overcome their differences and confront the realities of racial prejudice.

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Overview

Poster
Unique Selling Point

What sets 'Green Book' apart is its unique blend of humor and drama, presenting a heartfelt story of friendship that transcends racial boundaries during a tumultuous time in American history. The dynamic between the two leads, one a working-class Italian-American and the other a refined African-American musician, offers a fresh perspective on the complexities of race relations, making it both relatable and thought-provoking for its audience.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Recommend
GPT4
 Recommend
Story Facts
Genres:
Drama 60% Comedy 20% Action 10% Thriller 20%

Setting: 1960s, New York City and various locations in the American South

Themes: Intercultural Understanding and Friendship, Racial Prejudice and Segregation in 1960s America, Family and Loyalty, Self-Discovery and Personal Growth

Conflict & Stakes: The primary conflict revolves around the racial tensions and personal struggles faced by Dr. Shirley and Tony Lip as they navigate their professional relationship and societal prejudices, with the stakes being their safety and dignity in a racially divided America.

Mood: A mix of humor, tension, and emotional depth.

Standout Features:

  • Unique Hook: The film is based on a true story of an unlikely friendship between a white chauffeur and a black pianist during the Jim Crow era.
  • Major Twist: The evolving relationship between Lip and Shirley challenges their preconceived notions about race and identity.
  • Distinctive Setting: The contrast between the vibrant nightlife of New York City and the oppressive atmosphere of the segregated South.
  • Innovative Ideas: The use of humor to address serious social issues, making the narrative accessible and engaging.
  • Unique Characters: The dynamic between Lip's brashness and Shirley's sophistication creates a compelling character study.

Comparable Scripts: Green Book, The Help, A Bronx Tale, Driving Miss Daisy, The Irishman, The Pursuit of Happyness, The Godfather, The Blind Side, The Butler

Script Level Analysis

Writer Exec

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Overall Score: 8.25
Story Critique
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Characters

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Logic & Inconsistencies
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Scene Analysis

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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
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Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.