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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. CITY - NIGHT A SCREECH OF BRAKES as a vehicle WIPES FRAME, revealing -- JAKE SULLY, a scarred and scruffy combat vet, sitting in a beat up carbon-fiber wheelchair. At 22, his eyes are hardened by the wisdom and wariness of one who has endured
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EXT. ALLEY BEHIND BAR -- NIGHT THE BOUNCER hurls Jake out the door, sending him SPRAWLING on the pavement. A moment later, his chair CRASHES down on him, banging across the alley, landing in the trash. Jake struggles to rise on one elbow. He’s bleeding and
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INT. CRYO VAULT JAKE’S POV -- A TECH in medical scrubs FLOATS WEIGHTLESSLY toward us. Wherever we are, we’re not on Earth. Jake squints as the lights flicker on, revealing -- WIDE SHOT -- the multi-tiered CRYO VAULT. Hundreds of CRYO-
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INT. COMMISSARY - TWILIGHT THE MAN from the balcony -- COLONEL MILES QUARITCH -- is the HEAD OF SECURITY for the Hell’s Gate colony. A hundred new arrivals watch raptly as he paces like a panther across the front of the large cafeteria. He stops, stance wide.
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INT. LINK ROOM - DUSK The LINK ROOM contains a dozen PSIONIC LINK UNITS, which look like coffins crossed with MRI scanners. NORM Grace Augustine is a legend. She's the
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INT. OPS CENTER - DUSK It looks like an air-traffic control tower, with lots of screens and bay windows showing the whole complex. ADMINISTRATOR PARKER SELFRIDGE takes a ball from a newly opened case of TITLEISTS and sets it on the floor. Selfridge
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INT. LINK ROOM - DAY NEXT MORNING, GRACE, NORM and JAKE approach their link units. Jake glances through a PRESSURE WINDOW. In an adjoining chamber (the AMBIENT ROOM) JAKE’S AVATAR lies on a gurney, breathing slowly in PANDORAN AIR. NORM’S AVATAR is on a
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EXT. AVATAR COMPOUND - DAY Jake emerges, blinking in the morning sun. He finds himself in the AVATAR COMPOUND -- a living and training area. Nearby, a couple of AVATARS are playing one-on-one in front of a (non-regulation height) basketball net. Others go about
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INT. AVATAR LONGHOUSE - DUSK Jake sits on a wooden bed in a long hut of tropical-style construction -- beamed ceiling, open sides covered by screen. Around him the other avatars are bedding down for the night, pulling insect netting around their cots. In one hand, Jake
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INT. BIO LAB - DAY GRACE is on the move, gulping coffee, in a hurry to get their FIRST SORTIE started. She hands a clipboard to MAX. GRACE Start calibrating. We’re on the flight
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EXT. RAINFOREST - DAY CLOSE ON Grace’s blue hand gently brushing away soil, exposing a tangle of ROOT TENDRILS. GRACE See, right here where the roots of the
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EXT. RIVER BELOW FALLS - DAY The water boils below the cataract. Jake’s head bursts through the surface, and he gasps for breath. He is carried along by the current, but manages to grab a limb on a fallen tree. He weakly pulls himself up, and just
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EXT. GORGE - NIGHT They run across the elevated root of an enormous tree -- a horizontal trunk big as an oak. WIDE SHOT as they cross a DEEP GORGE. A waterfall shimmers silver in the Polyphemus-light. Vines hang down a hundred
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INT. SECOND LEVEL/HOMETREE LATER, Neytiri leads Jake up the spiral to the SECOND LEVEL. He now wears only a ratty LOINCLOTH. His wounds are bound with plant-fiber bandages. THE ENTIRE CLAN is squatting at dinner in a huge circle. They
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INT. BIO LAB - MORNING JAKE pumps his chair across the lab, flanked by GRACE and NORM. Grace holds STEREO STILL PICTURES in front of him, one at a time -- images of clan members she has shot over the years -- a kind of flash card drill.
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INT. BIO LAB - DAY JAKE, GRACE and NORM are packing science gear and supplies. GRACE I’m not about to let Quaritch and Selfridge micro-manage this thing.
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EXT. SITE 26 - DAY A remote RESEARCH STATION -- TWO SHACKS and a few clusters of instruments perched on a promontory near the Hallelujah Mountains. The shacks are AIRLIFT MODULES the size of buses. THE SAMSON LANDS, beating the grass with its rotor-wash. The
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INT. SHACK - NIGHT/EXT STEREO VIDEO-LOG IMAGE -- Jake has just switched on the camera. He looks tired. JAKE Do I have to do this? I need some rack.
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INT. SHACK - NIGHT Lying in the link, Jake looks exhausted, pale, thin. Norm helps Grace get him to his chair. GRACE You’re still losing weight. Here --
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EXT. MOUNTAIN TRAIL - DAY TSU’TEY leads three direhorse riders up the trail -- two TEENAGE HUNTERS and JAKE, who’s riding well enough to keep up. The horses’ hooves CLOP right next to a sheer drop into a misty canyon.
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INT./EXT. GROTTO/MONS VERITATIS - DAY FLIGHT MONTAGE: NEYTIRI squats with Jake, using her hands to explain flight principles like one fighter pilot to another. LOOKING DOWN a sheer cliff. SWOOOSH! Jake and Neytiri dive
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INT. HOMETREE - NIGHT JAKE STARES up at the TOTEM SKULL, which we now recognize as that of a GREAT LEONOPTERYX. NEYTIRI watches as he reaches up to touch the tall indigo crest. NEYTIRI
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EXT. RAINFOREST - DAY WIDE VISTA -- mist blowing through the treetops as the morning sun burns it away. A spectacular panorama of a vast, primeval land. UP ANGLE TRACKING among the trees, the sunlight shafting down
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EXT. HALLELUJAH MOUNTAINS - NIGHT Strange horizontal LIGHTNING branches through the floating mountains, twisted by the magnetic fields. The sky is black and heavy with clouds. INT. SHACK KITCHEN - NIGHT
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INT. COMMONS/HOMETREE - NIGHT JAKE SITS, eyes closed, as Neytiri and another young hunter paint his face and body in preparation for uniltaron -- the Dream Hunt. NEYTIRI
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EXT. RAINFOREST - NIGHT JAKE and NEYTIRI run silhouetted in the night. Behind them waterfalls cascade down in the silvery light. POLYPHEMUS RISES behind the trees. NEYTIRI DIVES from a rock, slicing into a mirror of water.
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INT. SHACK - NIGHT Jake’s eyes open in the darkness. He just lies there, thinking. In his coffin. In another world. CUT TO: EXT. WILLOW GLADE - DAWN
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INT./EXT. SAMSON - DAY QUARITCH rides left seat as Trudy pilots through the mountains. She glances at him, then toggles the aircom. TRUDY Loveshack this is Samson One Six inbound
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INT. OPS CENTER - MORNING MONITOR SCREEN IMAGE -- WAINFLEET pans a camera across the smoldering hulks of BURNED DOZERS. The toppled remains of a charred ampsuit. Dead troopers bristling with arrows. WAINFLEET
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EXT. RAINFOREST - DAY SCORPION GUNSHIPS darken the sky as they come over the tops of the trees. At the head of the formation is one much larger ship, a monster 150 feet long -- the GENERAL DYNAMICS C-21 DRAGON GUNSHIP.
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INT. LINK ROOM SELFRIDGE watches a video feed of the destruction on one of the monitors. Max and NORM stare in shock. SELFRIDGE Pull the plug.
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INT. UTILIDOR In the utility corridor under the base, Jake pumps the chair furiously, as the others jog. They reach an AIRLOCK and start donning EXOPACKS. 8FLiX.com SCREENPLAY DATABASE
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EXT. WELL OF SOULS - AERIAL - DAWN Dawn light paints the massive ARCHES of magnetic rock above the Well of Souls. Tiny as an insect, the SAMSON passes. 8FLiX.com SCREENPLAY DATABASE
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EXT. MOUNTAINS - DAY THE GREAT LEONOPTERYX glides effortlessly along the ridge where Jake and Neytiri first encountered him. It scans for prey below, its magnificent indigo-crested head cocking left, then right.
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EXT. CLAN GATHERING - NIGHT JAKE and NEYTIRI stand before the gathered members of ANOTHER CLAN. Jake speaks as she translates. We don’t hear the words. TRACK ACROSS the faces of the clan, a sea of eyes in
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EXT. BATTLE CAMP - DUSK TRACKING through the warrior camp above the Well of Souls. Hundreds of hunters from many clans prepare their weapons. Hunters paint the wings of their banshees like war ponies. DIREHORSES are painted and ornamented with totemic streamers.
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EXT. RAINFOREST/ AERIAL - DAWN WIDE SHOT -- TILTROTORS fill the sky. Deadly armored beetles. The DRAGON leads the formation, flanked by SCORPIONS. Behind that is a wave of SAMSONS, and last, the two enormous VALKYRIE shuttles, packed with troops and ampsuits.
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EXT. FLOATING MOUNTAINS - AERIAL Quaritch’s fleet flies into the shadow of the Mountain of Truth. QUARITCH Blue team, stay with the ground units.
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INT. SHACK The top of Norm’s LINK bangs open. He reels out, collapsing onto the floor, clutching himself as if he can still feel the pain of death. He sits, huddled, shivering -- crazed.
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INT. OPS CENTER/CORRIDOR Techs and troopers crowd around consoles, listening to all the yelling and confusion as they try to plot the disintegrating battle. SELFRIDGE
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EXT. RAINFOREST - DAY Norm takes a few steps and drops to his knees. Imploded by grief. INT. OPS CENTER/ HELL’S GATE ON THE PLOTTING DISPLAY as Quaritch’s TRANSPONDER ICON
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INT. SHACK HUMAN JAKE EXPLODES out of the Link, slamming to the floor where he gags for breath. With his last strength, he claws toward an emergency breathing mask -- across the room. He scrambles toward it, on the edge of unconsciousness.

Avatar

A paraplegic ex-marine becomes an unlikely champion for an alien race when he infiltrates their world through an avatar body and falls in love with their way of life.

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Overview

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Unique Selling Point

Discover a captivating blend of raw human emotion, immersive world-building, and high-stakes conflict in this groundbreaking script. Witness Jake Sully, a disabled veteran, navigate the wonders and dangers of Pandora, an alien moon teeming with unique creatures and advanced technology. As Jake becomes entangled in the complex power dynamics between the Na'vi, the humans, and the futuristic corporation driving their exploitation, he must confront his own identity, loyalty, and inner strength. With its richly drawn characters, innovative storytelling techniques, and thought-provoking themes, this script delivers a thrilling and unforgettable journey through the lens of a gritty, action-packed, and emotionally resonant voice.

AI Verdict & Suggestions

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Gemini
 Recommend
Claude
 Recommend
Story Facts

Genres: Adventure, Action, Science Fiction, Sci-Fi, Drama, Fantasy, Romance

Setting: The story takes place in the future, specifically on the moon of Pandora in the year 2154., Pandora, a moon of the gas giant Polyphemus in the Alpha Centauri star system.

Themes: Nature vs Technology, Cultural Clash and Understanding, Personal Transformation and Growth, Colonialism and Imperialism, The Power of Love and Connection

Conflict & Stakes: The primary conflict is between the Na'vi and the RDA, a corporation that wants to remove the Na'vi from their land to extract valuable resources. The stakes are high, as the Na'vi's way of life and the entire ecosystem of Pandora are at risk. Jake Sully, the protagonist, is caught in the middle, as he is initially working for the RDA but later becomes sympathetic to the Na'vi and their cause.

Mood: Epic and emotional, with a strong sense of wonder and adventure.

Standout Features:

  • Unique Setting: The story takes place on the moon of Pandora, which is home to a diverse and imaginative ecosystem and a unique indigenous culture.
  • Compelling Characters: The screenplay features a diverse and well-developed cast of characters, including the protagonist Jake Sully, the Na'vi princess Neytiri, and the head of security for the RDA, Colonel Miles Quaritch.
  • Strong Central Conflict: The conflict between the Na'vi and the RDA is well-established and provides a strong foundation for the story.

Comparable Scripts: Dances with Wolves, FernGully: The Last Rainforest, The Jungle Book, Pocahontas, The New World, The Lord of the Rings, Star Wars, E.T. the Extra-Terrestrial, The Chronicles of Narnia, The Dark Crystal

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.00
Story Critique
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Characters

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Goals and Philosophical Conflict
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Themes
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Logic & Inconsistencies
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Writer Exec

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Unique Voice
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Memorable Lines
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World Building
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Correlations
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