Rear Window
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: thriller, mystery, drama, romance, comedy, suspense, crime
Setting: Present day, New York City
Overview: The screenplay has strong elements such as creative storytelling techniques, engaging characters, and suspenseful plot. However, there are areas for improvement in character depth, thematic exploration, and resolution impact.
Themes: Voyeurism, Paranoia, Obsession, Suspicion, Appearance vs. Reality
Conflict and Stakes: John's struggle to clear his name after being falsely accused of a crime, with his career and reputation at stake
Overall Mood: Tense and suspenseful
Mood/Tone at Key Scenes:
- Scene 5: Intense and dramatic as John confronts the real perpetrator
- Scene 10: Emotional and cathartic as John is vindicated in court
Standout Features:
Market Analysis
Budget Estimate:$20-30 million
Target Audience Demographics: Adults aged 25-54, fans of legal thrillers and drama
Marketability: It has the potential to attract a wide audience and generate buzz with its gripping storyline and strong performances
Unique blend of legal thriller and drama genres, with compelling characters and relevant social themes
Strong appeal to fans of courtroom dramas and mystery thrillers, with a diverse cast and engaging plot
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations
Scene Level Percentiles
Writer's Voice
Memorable Lines:
- L.B. Jeffries: We've become a race of Peeping Toms. What people ought to do is get outside their own house and look in for a change. (Scene 1)
- Lisa: "I'm in love with you. I don't care what you do for a living. Somehow I would just like to be part of it." (Scene 14)
- Jeff: You did it, Thorwald! You did it! (Scene 41)
- Stella: Nobody's invented polite words yet for killing. (Scene 39)
- Stella: The New York State sentence for a peeping Tom is six months in the workhouse! (Scene 6)
Story Shape
Emotions Elicited
Highly Recommend
Executive Summary
Rear Window is an exceptional screenplay that masterfully combines suspense, humor, and romance within a limited setting. Its strengths lie in its unique perspective, compelling characters, witty dialogue, and engaging narrative. Minor areas for improvement include the portrayal of female characters and the resolution of the romantic subplot. Overall, this is a highly recommended screenplay with the potential to be a classic film.
- Masterful use of limited setting and voyeuristic perspective to create suspense and engage the audience. high
- Compelling and well-developed characters with distinct personalities and motivations. high
- Expertly crafted dialogue that is both witty and revealing, furthering character development and plot. high
- Seamless blend of suspense, humor, and romance, offering a captivating and multi-layered narrative. high
- Strong opening that quickly establishes the setting, introduces the protagonist and his limitations, and sets the stage for the mystery. high ( Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 )
- The portrayal of female characters, particularly Stella's comments, could be seen as outdated or sexist by modern audiences. medium
- The ending could benefit from a more explicit resolution to the romantic tension between Jeff and Lisa. low
- The use of the 'Rear Window' as a metaphor for voyeurism and the limitations of perspective is thought-provoking and adds depth to the story. high
- The subplot involving Miss Lonelyhearts adds a layer of emotional complexity and explores themes of loneliness and despair. medium ( Scene 16 Scene 18 Scene 19 )
Screenplay Insights:
Premise: 6.5, The screenplay's premise has the potential to be compelling, with its focus on a curious and adventurous photographer who becomes embroiled in a murder investigation. However, some aspects of the premise could be refined to make it more original and engaging. See More
Structure: 8.25, The screenplay's structure and plot showcase a well-crafted narrative that effectively builds tension and suspense. It deftly balances character development with plot progression, maintaining a steady pace that keeps the audience engaged. However, the resolution may benefit from further refinement and the exploration of secondary characters could enhance the overall depth. See More
Theme: 7.75, The screenplay effectively explores multifaceted themes of loneliness, voyeurism, and the power of observation. It conveys the dangers of being an outsider, the importance of connection, and the responsibility of those who witness wrongdoing. However, certain aspects of the message and its integration within the plot could be refined to deepen the screenplay's thematic resonance. See More
Visual Impact: 8.25, This screenplay features a compelling visual style that immerses the reader in the voyeuristic world of Jeff and his neighbors. The focus on everyday actions and observations through the lens of a telephoto camera creates a unique and engaging visual experience. See More
Emotional Impact: 6/10, This screenplay effectively utilizes suspense and intrigue to build emotional tension, but there are areas where the emotional depth and resonance could be enhanced. By addressing these areas, the screenplay has the potential to elicit a stronger emotional response from the audience. See More
Conflict: 7.25, The screenplay presents a compelling conflict and high stakes, successfully drawing the audience into the mystery and suspense of the narrative. However, there are opportunities to further refine these elements and enhance the overall tension and engagement. See More
Originality: 7.5, The screenplay is a suspenseful and gripping thriller that plays with voyeurism and the dangerous allure of peeking into the lives of others. It boasts a unique protagonist with a broken leg who finds himself spying on his neighbors as a form of entertainment. This sets the stage for a series of thrilling events that keep the audience on the edge of their seats. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- L.B. Jeffries, a photographer who is immobilized due to a leg injury, spends his days watching his neighbors through his rear window. His boredom turns into curiosity when he notices unusual activity across the courtyard.
- The scene introduces the Greenwich Village neighborhood where LB Jeffries lives, its architecture, and its residents. It also establishes the hot, humid weather that the characters are dealing with.
- Ivar Gunnison offers LB Jeffries a job to photograph an upcoming conflict in Indo-China, but Jeffries is stuck in a leg cast. Jeffries watches his neighbors go about their day and is distracted by a group of girls sunbathing on a neighboring rooftop.
- Jeff watches his neighbors from his window, while Gunnison offers him a job taking photographs in Indo-China, which Jeff is unable to do due to his leg injury. Jeff notices a group of girls sunbathing on a neighboring rooftop and becomes interested in the unusual activity across the courtyard. He also observes a young girl dancing to loud ballet music while an elderly woman reads the newspaper. Meanwhile, a short, balding man struggles to compose music on his piano while the ballet music interferes with his creativity.
- LB Jeffries watches his neighbors while discussing work with Ivar Gunnison and dealing with boredom from his immobilizing leg cast. Scenes depict various neighbors' daily activities and arguments between a salesman and his sick wife. Meanwhile, Jeffries resorts to creative means to scratch his itch and remain focused, while keeping an eye on everything happening.
- Stella the nurse comes to check in on LB Jeffries as he recovers from a broken leg. They joke around while she takes his temperature and he yearns for excitement.
- Jeff discusses his relationship with Lisa Fremont with his nurse Stella, who insists he's being ridiculous. Jeff wants someone who loves adventure and Lisa just doesn't fit the bill for him. Stella gives him some tough love and encourages him to marry her.
- Jeff observes the various activities of his neighbors while discussing work with Gunnison. He becomes interested in the couples' unusual activity across the courtyard. Meanwhile, Stella checks on Jeff's recovery and he chats with her about his relationship with Lisa. Later, Lisa comes to visit Jeff and they have a quiet conversation about his well-being and her career.
- Lisa surprises Jeff with a romantic dinner at his apartment, complete with food and wine from 21 Club.
- Lisa surprises Jeff with a romantic dinner at his apartment, complete with food and wine from 21 Club.
- Jeff observes his neighbors and their romantic interactions, while discussing his relationship with Lisa with her. Lisa surprises Jeff with a romantic dinner at his apartment.
- Jeff observes his neighbors while having romantic conversations with Stella and Lisa. Lisa surprises him with a dinner from 21 Club, but Jeff's mood remains subdued.
- Jeff and Lisa have a fierce argument about whether people can easily adapt to different lifestyles. Jeff tries to explain the difficulties of his job, leading to Lisa feeling insulted by his crude descriptions of various cultures. Eventually, Jeff admits that Lisa is not suited for his lifestyle, and they reconcile.
- Jeff and Lisa have a heated argument about their future together, ending with a realization of their incompatibilities and a heartbreaking breakup.
- Jeff makes a phone call to his friend, Gunnison, to book a plane ticket for a work trip to Indo-China. He then observes his neighbors in their apartments and the neighborhood as it starts to rain. A couple on a fire escape gather their things and a salesman returns to his apartment with an aluminum suitcase. Jeff becomes increasingly puzzled and watches the salesman leave his apartment again at 2:35 am, which startles him.
- Jeff observes his neighbors in their apartments while arguing with Lisa and ultimately breaking up with her. He then becomes increasingly puzzled by the actions of a salesman in the building. The scene ends with Jeff falling asleep and waking up the next morning to witness some neighborhood action.
- Jeff and Stella discuss the neighbors in their apartment building. When Jeff notices the salesman acting suspiciously, he urges Stella to hide from his view.
- Jeff observes suspicious behavior from a salesman in his apartment building, specifically his interest in a dog and peculiar actions in his kitchen
- Jeff becomes increasingly worried and suspicious of the salesman's actions in the apartment building, while also dealing with his deteriorating relationship with Lisa.
- Jeff and Stella discuss the neighbors while Jeff becomes increasingly worried about a suspicious salesman's actions in the apartment building.
- Jeff becomes increasingly paranoid about the suspicious salesman and his neighbors, causing tension with Lisa.
- Jeff observes suspicious behavior from a salesman in his apartment building, specifically his interest in a dog and peculiar actions in his kitchen. Jeff becomes increasingly worried and suspicious of the salesman's actions in the apartment building, while also dealing with his deteriorating relationship with Lisa.
- Jeff becomes increasingly worried and paranoid about a suspicious salesman's actions in the apartment building while also dealing with his deteriorating relationship with Lisa. Jeff and Stella discuss the neighbors, including speculating about where Thorwald may have cut up his wife's body. They continue to surveil Thorwald and observe him admitting two men into his apartment, who begin moving a trunk.
- Jeff becomes increasingly worried and suspicious of the salesman's actions in the apartment building while also dealing with his deteriorating relationship with Lisa. Jeff and Stella discuss the neighbors, including speculating about where Thorwald may have cut up his wife's body. They continue to surveil Thorwald and observe him admitting two men into his apartment, who begin moving a trunk.
- Jeff and Coyne discuss Jeff's suspicions of his neighbor Thorwald, with Coyne dismissing the possibility of a murder and Jeff feeling frustrated. Coyne leaves, promising to look into the matter further.
- Jeff and Coyne discuss their suspicions about Thorwald's possible involvement in a murder, while observing his behaviour. They learn more about Thorwald's background and movements. Meanwhile, Jeff also becomes increasingly worried about a suspicious salesman's actions in the apartment building, and discusses it with Stella.
- Jeff and Coyne argue about the merits of searching Thorwald's apartment without a warrant, while discussing evidence that suggests Mrs. Thorwald may still be alive
- Jeff and Coyne observe Thorwald and Miss Lonely Heart's movements while discussing their suspicions of a possible murder. They also observe and comment on the song-writer and Miss Torso. Jeff is increasingly worried about a suspicious salesman's actions.
- Jeff calls Mrs. Coyne urgently, trying to get in touch with Tom, who is supposed to help him investigate Thorwald's activities. Meanwhile, Jeff watches as Thorwald packs a bag with jewelry and slides it under some coats on the bed. Lisa arrives and the two watch as Thorwald nonchalantly sips a drink and looks out the window.
- Jeff and Lisa observe Thorwald's suspicious activity and make deductions about his possible involvement in a murder. They also worry about a suspicious salesman in the apartment building.
- Jeff and Lisa discuss evidence that suggests Mrs. Thorwald may still be alive. They observe Thorwald packing a bag of jewelry and discuss his possible involvement in a murder. Lisa decides to stay the night and they listen to the songwriter's party.
- Jeff and Lisa observe Thorwald's suspicious activity and make deductions about his possible involvement in a murder. They also worry about a suspicious salesman in the apartment building. Lisa decides to stay the night and they listen to the songwriter's party.
- Jeff and Lisa discuss evidence against Thorwald. Coyne is brought up to speed on the investigation. Lisa reveals the discovery of Mrs. Thorwald's jewelry among Thorwald's belongings, raising suspicion that she might still be alive. Coyne doubts Thorwald is guilty of murder.
- Jeff, Lisa and Coyne argue about the evidence against Thorwald and the possibility of Mrs. Thorwald still being alive. Coyne doubts Thorwald's guilt, despite the discovery of Mrs. Thorwald's jewelry in his possession.
- Jeff, Lisa, and Detective Coyne argue about evidence against Thorwald and the possibility of Mrs. Thorwald still being alive. Coyne doubts Thorwald's guilt even when presented with the discovery of evidence. Coyne attempts to lighten the mood with drinks and jokes, but Jeff and Lisa remain solemn. Coyne reveals the trunk was addressed to Mrs. Thorwald and Jeff challenges him to wait and see who picks it up.
- Jeff, Lisa, and Detective Coyne argue about evidence against Thorwald and the possibility of Mrs. Thorwald still being alive. Coyne doubts Thorwald's guilt, despite the discovery of Mrs. Thorwald's jewelry in his possession.
- Jeff, Lisa, and Coyne argue about the evidence against Thorwald and the possibility of Mrs. Thorwald still being alive. Coyne doubts Thorwald's guilt despite evidence found. Jeff and Lisa try to find humor in their obsession but are brought back down to reality after a blood-curdling scream is heard from the courtyard.
- After the scream in the courtyard, neighbors gather around to see the commotion. The dog belonging to the couple beneath Jeff’s apartment is found dead, leaving Miss Lonely Heart devastated. Jeff reveals to Lisa that only Thorwald did not come to the window after the scream.
- Jeff discovers something important in a slide that may solve a murder. The group observes Thorwald cleaning the bathroom and notices something suspicious in his backyard.
- Jeff, Lisa, and Stella speculate on the fate of Mrs. Thorwald, while watching Thorwald pack for an unknown trip. Jeff sends a letter to Thorwald asking about Mrs. Thorwald's whereabouts, and Lisa attempts to deliver it in secret, but Thorwald catches her in the act.
- Jeff sends a note to Thorwald asking about Mrs. Thorwald's whereabouts, and Lisa attempts to deliver it in secret, but Thorwald catches her in the act.
- Jeff and his companions continue their investigation into Thorwald's suspicious activities, including Mrs. Thorwald's disappearance
- Jeff calls Thorwald and arranges to meet him to discuss the estate of his late wife, while Lisa and Stella break into Thorwald's yard.
- Lisa breaks into Thorwald's apartment, but fails to find any evidence of wrongdoing. Meanwhile, Miss Lonely Hearts contemplates taking pills while listening to a new melody played by the songwriter.
- Jeff watches as Lisa breaks into Thorwald's apartment while he calls the police to report a possible assault. Thorwald catches Lisa, confronts her, and violently throws her into a sofa before the police arrive.
- Thorwald catches Lisa as she breaks into his apartment and violently throws her into a sofa before the police arrive.
- Jeff and Stella gather money to bail out Lisa, who was caught by Thorwald while breaking into his apartment.
- Jeff urgently calls the police to report Lisa's arrest after breaking into Thorwald's apartment. Coyne expresses some doubt until Jeff mentions that Lisa found Mrs. Thorwald's wedding ring, and that Thorwald has been acting suspiciously with a metal suitcase and placing multiple long-distance calls. Jeff and Stella gather money for Lisa's bail. Meanwhile, Thorwald leaves his apartment, causing Jeff to become uneasy. The phone rings, but no one answers.
- As Jeff watches from his apartment, Thorwald catches Lisa breaking into his apartment, confronts her violently and Jeff calls the police to report it. In a tense encounter, Thorwald enters Jeff's apartment and threatens him in his search for Lisa and the stolen ring. Jeff uses his camera flash to defend himself until the police arrive and swarm Thorwald's apartment.
- Jeff puts himself in danger by confronting Thorwald, who tries to kill him by throwing him out of the window. The neighbors come together to save Jeff.
- Jeff and Lisa rescue each other and help the police put away Thorwald
- Jeff and Lisa put themselves in danger to confront Thorwald, who tries to kill Jeff. With the help of their neighbors and the police, they ultimately succeed.
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Character Lisa Fremont
Description Lisa's transformation from a sophisticated socialite who initially dismisses Jeff's voyeurism to an active participant in his investigation and a potential accomplice in breaking and entering seems abrupt and unjustified. Her actions appear driven more by the plot's need for a female lead involved in the mystery than by her established character traits.
( Scene 11 Scene 21 Scene 32 Scene 42 ) -
Character Jeff Jefferies
Description Despite previously expressing strong reservations about marriage and a desire for an independent woman, Jeff seems readily accepting of Lisa's decision to stay with him and her potential involvement in his dangerous lifestyle. This shift feels somewhat inconsistent with his earlier characterization.
( Scene 51 )
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Description The screenplay presents conflicting information about Mrs. Thorwald's physical condition. Initially described as an invalid requiring constant care, she is later reported to have left for a train trip unassisted. This inconsistency raises questions about the reliability of observations and the true nature of Mrs. Thorwald's health.
( Scene 19 Scene 25 Scene 36 )
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Description Thorwald's decision to confront Jeff directly in his apartment is a major plot hole. Given his awareness of being watched and his meticulous efforts to conceal his crime, it is illogical and out of character for him to risk exposure by entering Jeff's apartment without a clear plan or motive. This action serves the purpose of creating a climactic confrontation but defies the established logic of the story.
( Scene 49 Scene 50 )
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Description Stella's dialogue, while providing comic relief, often feels overly exaggerated and unrealistic, particularly her references to historical events and pop culture. While her character is established as outspoken and opinionated, her dialogue occasionally strays into caricature.
( Scene 6 Scene 21 )
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Element Descriptions of Miss Torso's physical attributes and activities
( Scene 2 Scene 3 Scene 4 Scene 33 )
Suggestion The repeated emphasis on Miss Torso's attractiveness and her dance routines, while establishing her character, could be streamlined to avoid redundancy and maintain a tighter narrative pace.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Lisa | Throughout the movie, Lisa is presented as a caring and supportive partner to Jeff, but also as someone who struggles to connect with his more adventurous and unconventional personality. As the investigation into Thorwald's activities deepens, Lisa becomes more involved and invested in uncovering the truth. She eventually takes significant risks to gather evidence against Thorwald, ultimately revealing her bravery and commitment to justice. By the end of the movie, Lisa has not only helped Jeff to solve the case, but she has also deepened her relationship with him and gained a newfound sense of confidence and independence in herself. | The character of Lisa is well-developed and nuanced throughout the movie. However, her arc could be more fully realized if there was more explicit emphasis on her struggle to reconcile her successful career with her romantic aspirations and on her eventual triumph in achieving both. Additionally, some of Lisa's actions in the movie, particularly her breaking into Thorwald's apartment, could benefit from more backstory or motivation to make them feel more integral to her character development. | To further develop Lisa's arc, the screenplay could include scenes or dialogue that show her struggle to balance her career and her relationship with Jeff, as well as her growing sense of confidence and independence as a result of her involvement in the investigation. Additionally, Lisa's motivations for certain actions, such as her decision to break into Thorwald's apartment, could be made clearer through enhanced dialogue or flashbacks to earlier scenes in the movie. |
Stella | Stella starts out as Jeff's supportive nurse, always willing to indulge his curiosity about the neighbors. As he becomes more and more obsessed, she becomes concerned for his safety and tries to talk him out of getting too involved. However, when they discover evidence of a murder, Stella is drawn into the investigation with gusto. She proves to be an asset to the team with her resourcefulness and wit, but her enthusiasm also puts her in danger. In the end, Stella helps Jeff escape and takes charge of their plan, cementing her position as a loyal friend. | The character arc for Stella is solid but somewhat predictable. She starts out as a reliable confidant and eventually becomes an active participant in the investigation. However, the shift from concerned friend to enthusiastic partner is a bit abrupt and could use more development. Additionally, Stella's pragmatism and wit are not fully explored, and the character could benefit from more nuance and complexity. | To improve Stella's character arc, give her more backstory and motivation for why she is so dedicated to helping Jeff. Perhaps she has a personal stake in the investigation or has a strong sense of justice. Additionally, explore her relationship with Jeff more fully, particularly her frustrations with his obsession. Finally, allow her pragmatism and wit to shine by giving her more opportunities to problem-solve and joke around with the group. |
LB Jeffries | LB Jeffries undergoes a transformation as he delves deeper into the lives of his neighbors. From being an immobilized and bored photographer, he turns into an investigative observer, digging up evidence of a murder. Despite warnings from his girlfriend, Lisa, and his friend, Doyle, he risks his life to solve the case. In the end, he not only solves the mystery but also finds the courage to commit to a relationship with Lisa. | The character arc of LB Jeffries appears well-constructed, with a clear transformation from a bored and cynical photographer to an investigative observer with newfound courage. However, while Jeffries initially seems skeptical of taking up the assignment from Gunnison, his transition to an investigative observer appears too sudden and convenient. | To improve the character arc, it would be beneficial to show Jeffries struggling more with his boredom and restlessness, leading to his curiosity about his neighbors. Another suggestion could be to show Jeffries gradually building up his investigation skills, perhaps with the help of Lisa or Doyle, instead of suddenly becoming an investigative observer. This would add more depth to his transformation and make it more convincing. |
Jeff | Jeff's character arc starts as a restless and skeptical adventurer who is unsure about his relationship with Lisa. He then becomes increasingly involved in his neighbors' lives due to his curiosity and boredom. As his obsession grows, he puts himself and those around him in danger, highlighting his loyalty and willingness to take risks. By the end of the screenplay, Jeff has developed a stronger emotional connection with Lisa and become a brave and resourceful risk-taker. | While Jeff's curiosity and obsession with his neighbors are interesting, it often leads to him making reckless decisions that put others in danger. His personality is also rather cynical and detached, making it hard to connect emotionally with him. Additionally, his limited growth throughout the screenplay could be further developed to make his character arc more impactful. | To improve Jeff's character arc, it would be helpful to have him confront and work through his emotional detachment and trust issues. The consequences of his recklessness could also be explored in greater depth, forcing him to face the reality of his actions. Additionally, having him take responsibility for the danger he puts others in and actively work to keep them safe can help strengthen his growth and redemption arc. |
Thorwald | Thorwald's character arc begins as a seemingly calm and collected neighbor who rapidly becomes more and more unhinged as Jeff and his companions begin to investigate him. Despite being initially somewhat elusive, Thorwald becomes increasingly violent and aggressive as he becomes more paranoid and desperate. Ultimately, his true nature is revealed and justice is served. | Thorwald's character arc is relatively straightforward and predictable. While his transformation from cool and collected to violent and desperate is intriguing, the resolution of his arc is somewhat anticlimactic and underwhelming. | To improve Thorwald's character arc, it might be interesting to explore some of the motivations behind his behavior more deeply. Additionally, finding a more satisfying way to bring him to justice could help make his arc more impactful and memorable. |
Miss Lonely Hearts | Miss Lonely Hearts' character arc involves a progression from a place of deep loneliness, despair, and potential suicidal tendencies towards a greater sense of self-worth and self-acceptance. Through her interactions with Jeff and the other characters, she begins to see herself in a more positive light and recognizes the potential for love and connection in her life. She also begins to take steps to address some of her underlying issues and seeks help for her depression and anxiety. By the end of the film, she has developed a greater sense of hope and optimism for her future. | The character arc for Miss Lonely Hearts is fairly well-developed and realistic, but it could benefit from more emphasis on her personal growth and agency. Throughout the film, she is largely defined by her relationships with others, rather than her own inner journey. Additionally, her reliance on male attention and validation could be seen as problematic, and it would be beneficial to see her find fulfillment and happiness outside of romantic relationships. | To improve the character arc for Miss Lonely Hearts, it would be helpful to give her more agency and autonomy. This could involve exploring her past experiences and trauma more deeply, as well as giving her more opportunities to take action and make decisions for herself. Additionally, it would be important to emphasize the importance of self-love and self-acceptance, rather than relying on external sources of validation. Finally, it might be helpful to broaden her relationships beyond romantic partners and explore other types of meaningful connections and sources of support. |
Theme | Theme Details | Themee Explanation |
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Voyeurism | The protagonist, LB Jeffries, spies on his neighbors as a form of entertainment due to his boredom and injury. | Voyeurism is a theme throughout the screenplay, demonstrated by Jeffries' obsession with observing his neighbors through his rear window. It highlights the problematic nature of observing and intruding on other people's privacy. |
Paranoia | Jeffries becomes increasingly suspicious of his neighbor and assigns his friend Coyne as a detective to investigate. | Throughout the screenplay, Jeffries becomes increasingly paranoid of his neighbor's actions, leading him to assign his friend as a detective to solve a potential crime. This theme highlights how paranoia can cloud one's judgment and lead them to act out of character. |
Obsession | Jeffries becomes obsessed with his neighbor's behavior, leading to tension in his relationship with Lisa. | Jeffries' obsession with his neighbor's behavior becomes a prominent theme throughout the screenplay, ultimately impacting his romantic relationship with Lisa. It highlights how an obsession can consume a person's life and lead to negative consequences. |
Suspicion | Jeffries suspects his neighbor of committing murder, leading to an investigation and ultimately uncovering evidence of the crime. | Suspicion is a theme throughout the screenplay, with Jeffries becoming increasingly convinced that his neighbor has committed murder. This quest for the truth ultimately leads to the discovery of evidence and the solving of the crime. |
Appearance vs. Reality | Jeffries' observations of his neighbors lead him to form conclusions about their lives that are not always accurate. | Throughout the screenplay, Jeffries' observations of his neighbors lead him to make judgments about their lives that are not always accurate, highlighting the theme of appearance vs. reality. This theme demonstrates that appearances can be deceiving and that it is important to look beyond surface-level observations. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
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Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
1 - Opening Sequence | "suspenseful" | 8 | 9 | 8 | 7 | 6 | 7 | 8 | 8 | 6 | 7 | ||
2 - Introduction to the Neighborhood | "Observational" | 8 | 7 | 8 | 7 | 2 | 2 | 3 | 3 | 2 | 0 | ||
3 - Assignment Offer | "intriguing" | 9 | 8 | 9 | 7 | 3 | 5 | 6 | 8 | 3 | 6 | ||
4 - Interpreting the Neighborhood | "Observational, Intrigued" | 7 | 8 | 6 | 7 | 3 | 4 | 2 | 5 | 5 | 6 | ||
5 - Neighborhood Watch | "observant, voyeuristic" | 8 | 8 | 8 | 8 | 4 | 6 | 3 | 6 | 5 | 7 | ||
6 - Stella the Nurse | "Light-hearted" | 6 | 7 | 6 | 7 | 1 | 3 | 2 | 3 | 2 | 8 | ||
7 - The Love Advice | "Playful" | 8 | 9 | 7 | 8 | 3 | 4 | 3 | 6 | 5 | 9 | ||
8 - Jeff's Observation and Lisa's Visit | "Observational, Romantic" | 8 | 9 | 7 | 8 | 3 | 4 | 2 | 5 | 6 | 8 | ||
9 - Dinner and Dancing | "Playful" | 8 | 7 | 7 | 8 | 4 | 3 | 3 | 7 | 6 | 9 | ||
10 - Romantic Dinner | "romantic" | 9 | 8 | 8 | 9 | 3 | 3 | 2 | 6 | 5 | 9 | ||
11 - Observing the Neighbors | "sympathetic" | 8 | 7 | 8 | 8 | 3 | 3 | 2 | 6 | 6 | 7 | ||
12 - Watching and Dining | "Somber, Romantic" | 8 | 7 | 6 | 8 | 5 | 6 | 4 | 5 | 7 | 7 | ||
13 - A heated argument about lifestyles | "Tense" | 8 | 7 | 9 | 8 | 6 | 8 | 6 | 7 | 7 | 7 | ||
14 - The Break-Up | "Tense" | 7 | 8 | 7 | 7 | 7 | 9 | 7 | 7 | 9 | 8 | ||
15 - Nocturnal Activities | "Tense" | 8 | 9 | 8 | 7 | 2 | 5 | 7 | 6 | 4 | 6 | ||
16 - Observations in the Night | "Tense" | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | ||
17 - Jeff and Stella Observe the Suspicious Salesman | "Tense" | 8 | 7 | 8 | 7 | 5 | 8 | 7 | 7 | 6 | 8 | ||
18 - Salesman's Suspicious Actions | "Tense" | 9 | 8 | 9 | 7 | 5 | 8 | 9 | 9 | 6 | 6 | ||
19 - Observing Suspicion | "Tense" | 9 | 8 | 9 | 7 | 6 | 9 | 9 | 8 | 7 | 8 | ||
20 - The Suspicious Salesman | "tense" | 8 | 7 | 9 | 7 | 5 | 9 | 10 | 8 | 6 | 7 | ||
21 - Jeff's Paranoia Deepens | "Tense" | 7 | 6 | 7 | 7 | 5 | 8 | 7 | 7 | 6 | 8 | ||
22 - Jeff and Lisa Gather Information | "Suspenseful" | 9 | 8 | 8 | 9 | 5 | 9 | 10 | 8 | 7 | 10 | ||
23 - Jeff Becomes Increasingly Paranoid | "Tense" | 8 | 7 | 9 | 8 | 6 | 8 | 8 | 9 | 7 | 6 | ||
24 - Surveillance and Disappointment | "Tense" | 8 | 8 | 9 | 7 | 5 | 9 | 7 | 8 | 7 | 6 | ||
25 - Jeff and Coyne Discuss the Murder Suspicions | "Suspenseful" | 9 | 8 | 9 | 8 | 6 | 8 | 7 | 9 | 7 | 9 | ||
26 - Observing Thorwald | "Tense" | 7 | 7 | 8 | 6 | 3 | 6 | 6 | 8 | 5 | 7 | ||
27 - Jeff and Coyne Argue about Searching Thorwald's Apartment | "Tense" | 9 | 7 | 9 | 8 | 6 | 9 | 9 | 9 | 7 | 9 | ||
28 - Jeff Surveils the Neighbors | "Suspenseful" | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 8 | 7 | 8 | ||
29 - Preparing to Leave | "Tense" | 8 | 8 | 8 | 7 | 3 | 6 | 6 | 7 | 5 | 7 | ||
30 - Observing Thorwald's Movements | "Tense" | 8 | 9 | 8 | 7 | 4 | 9 | 9 | 8 | 6 | 6 | ||
31 - Investigating Mrs. Thorwald's Disappearance | "Suspenseful" | 8 | 9 | 8 | 8 | 5 | 7 | 6 | 8 | 6 | 7 | ||
32 - Observations and Revelations | "Tense" | 8 | 9 | 9 | 7 | 4 | 7 | 7 | 8 | 5 | 8 | ||
33 - Detective Doubts | "Tense" | 7 | 7 | 7 | 6 | 3 | 6 | 4 | 7 | 5 | 6 | ||
34 - The Blame Game | "Tense" | 8 | 8 | 8 | 8 | 6 | 9 | 7 | 9 | 7 | 8 | ||
35 - The Case Against Thorwald | "Tense" | 8 | 7 | 9 | 8 | 6 | 9 | 9 | 8 | 6 | 8 | ||
36 - The Trunk | "Serious" | 7 | 7 | 8 | 7 | 6 | 8 | 6 | 8 | 8 | 6 | ||
37 - Ethics and Love | "serious" | 8 | 6 | 8 | 7 | 5 | 7 | 4 | 7 | 6 | 8 | ||
38 - The Aftermath of the Scream | "Tense" | 9 | 8 | 9 | 8 | 6 | 7 | 8 | 8 | 9 | 7 | ||
39 - Jeff's Discovery | "suspenseful" | 9 | 8 | 9 | 8 | 6 | 9 | 8 | 9 | 7 | 8 | ||
40 - The Letter | "Suspenseful" | 8 | 7 | 7 | 8 | 6 | 9 | 8 | 8 | 7 | 7 | ||
41 - The Confrontation | "Tense" | 8 | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 7 | 7 | ||
42 - The Investigation Continues | "Tense" | 8 | 7 | 8 | 7 | 5 | 9 | 7 | 9 | 6 | 8 | ||
43 - Jeff makes a deal with Thorwald | "Tense" | 8 | 8 | 9 | 7 | 4 | 10 | 9 | 8 | 7 | 9 | ||
44 - Lisa's Break-In | "Tense" | 8 | 8 | 8 | 8 | 4 | 7 | 6 | 7 | 6 | 7 | ||
45 - Lisa Confronts Thorwald | "Tense" | 9 | 7 | 9 | 8 | 6 | 10 | 9 | 10 | 8 | 6 | ||
46 - Lisa is caught breaking in | "Tense" | 8 | 8 | 9 | 8 | 6 | 9 | 9 | 9 | 8 | 7 | ||
47 - The Break-In | "Suspenseful" | 9 | 8 | 10 | 9 | 4 | 9 | 9 | 9 | 8 | 7 | ||
48 - Jeff Reports Lisa's Arrest | "Tense" | 8 | 7 | 9 | 6 | 4 | 9 | 8 | 9 | 7 | 7 | ||
49 - Confrontation with Thorwald | "Tense" | 9.2 | 9 | 9 | 8 | 6 | 10 | 10 | 9 | 8 | 8 | ||
50 - Jeff's Dangerous Escalation | "intense" | 9 | 8 | 9 | 8 | 6 | 10 | 11 | 10 | 8 | 7 | ||
51 - The Final Confrontation | "tense" | 7 | 9 | 8 | 6 | 3 | 10 | 9 | 8 | 7 | 5 | ||
52 - The Final Confrontation | "Tense" | 9 | 8 | 9 | 8 | 7 | 10 | 10 | 9 | 8 | 8 |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Voyeurism | The protagonist, LB Jeffries, observes his neighbors through his rear window as a form of entertainment. | Voyeurism is the act of watching someone without them knowing. An example of this trope can be found in the TV show 'You', where the protagonist Joe Goldberg becomes obsessed with a woman named Beck and starts stalking her, watching her without her knowledge. |
Suspense | Throughout the screenplay, LB Jeffries becomes increasingly worried and paranoid about the activities of his neighbors, particularly a salesman who he suspects of murder. | Suspense is the feeling of anticipation or uncertainty about the outcome of events. An example of this trope can be found in the movie 'Psycho', where the audience is kept in suspense about the true identity of the murderer until the end of the film. |
Mystery | LB Jeffries becomes suspicious of his neighbor's behavior and begins investigating a possible murder. | Mystery is a plot device that involves the solution of a problem or puzzle. An example of this trope can be found in the TV show 'Sherlock', where the protagonist Sherlock Holmes solves complex crimes and mysteries using his intelligence and deduction skills. |
Romance | LB Jeffries and his girlfriend Lisa argue about their future together, but ultimately they reunite and work together to take down the suspect. | Romance is a storytelling trope that involves a love story between the protagonist and another character. An example of this trope can be found in the movie 'The Notebook', where two young lovers are separated by war and social class, but ultimately reunite in old age. |
Police Procedural | The police work to solve the mystery of the suspected murder and ultimately capture the suspect. | Police Procedural is a storytelling trope that focuses on the investigative procedures of the police in solving a crime. An example of this trope can be found in the TV show 'CSI', where a team of forensic scientists solves complex crimes using science and investigation skills. |
Damsel in Distress | Lisa is arrested and Jeff and Stella work to free her from jail. | Damsel in Distress is a storytelling trope that involves a female character who is in danger and needs to be rescued by a male character. An example of this trope can be found in the movie 'King Kong', where a giant ape falls in love with a woman and kidnaps her. |
Action | Jeff uses his camera flash as a defense against Thorwald, who is attempting to kill him by hanging outside the window. The police ultimately capture Thorwald after his failed attempt to kill Jeff. | Action is a storytelling trope that involves fast-paced physical action and often includes fight scenes and chases. An example of this trope can be found in the movie 'Die Hard', where a police officer single-handedly takes down a group of terrorists who have taken hostage a building. |
Memorable lines in the script:
Scene Number | Line |
---|---|
1 | L.B. Jeffries: We've become a race of Peeping Toms. What people ought to do is get outside their own house and look in for a change. |
14 | Lisa: "I'm in love with you. I don't care what you do for a living. Somehow I would just like to be part of it." |
41 | Jeff: You did it, Thorwald! You did it! |
39 | Stella: Nobody's invented polite words yet for killing. |
6 | Stella: The New York State sentence for a peeping Tom is six months in the workhouse! |
Some Loglines to consider:
A voyeuristic photographer becomes suspicious of his neighbor's actions and investigates the potential murder of a woman. |
An immobilized photographer risks everything to catch a killer in his apartment complex. |
When a man with a broken leg becomes obsessed with spying on his neighbors, he uncovers a potential murder mystery. |
A photographer watches his neighbors through his window and stumbles upon a potential crime scene, putting his own life in danger to solve the case. |
A man confined to his apartment becomes a detective when he suspects his neighbor of murder and risks everything to uncover the truth. |
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Highly Recommend
Explanation: Rear Window is an exceptional screenplay that masterfully combines suspense, humor, and romance within a limited setting. Its strengths lie in its unique perspective, compelling characters, witty dialogue, and engaging narrative. Minor areas for improvement include the portrayal of female characters and the resolution of the romantic subplot. Overall, this is a highly recommended screenplay with the potential to be a classic film.