Overview
Unique Selling Point
AI Verdict & Suggestions
This rating is from a single AI engine based on structure, character, tone, and emotional engagement.
Story Facts
Genres: Comedy, Drama, Romance, Sports, Dark, Humor
Setting: Present day, Small town in the Midwest
Conflict & Stakes: John's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake
Mood: Tense and suspenseful
Standout Features:
- Plot Twist: Unexpected revelation about the true culprit behind the crime
- Unique Characters: Complex and morally ambiguous characters that challenge traditional archetypes
Comparable Scripts: Clerks, High Fidelity, Empire Records, Crazy Ex-Girlfriend, Waiting..., Pulp Fiction, The Office, Friends, High Maintenance, Curb Your Enthusiasm
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Screenplay Insights:
Characters: 9.0, The screenplay effectively develops its characters, creating a strong connection with the audience. Key strengths include the well-roundedness and depth of the characters, their relatable struggles and growth, and the consistency of their actions with their established traits. However, there are some opportunities to enhance the antagonist's development and explore certain character arcs in more depth. See More
Premise: 6.9, The screenplay presents a premise with potential for intrigue, following relatable characters as they navigate personal conflicts and relationship dynamics. However, the premise could be refined to establish a clearer central narrative and enhance its originality to captivate and sustain audience interest throughout the story. See More
Structure: 5.9, The screenplay exhibits strengths in its comedic tone and character interactions, particularly in the banter between Dante and Randal. However, areas of improvement lie in sharpening the plot's focus, refining character arcs, and enhancing narrative clarity, pacing, and emotional depth. See More
Theme: 8.4, The screenplay effectively conveys its themes of personal responsibility, self-discovery, and the complexities of relationships. It successfully weaves these themes into the narrative, giving depth to the characters and their interactions. However, some aspects of the message could be refined to deepen the screenplay's emotional impact and thematic coherence. See More
Visual Impact: 3.7, The screenplay lacks vivid and evocative visual descriptions, resulting in a narrative that relies heavily on dialogue and exposition, which can be limiting for the visual storytelling aspect of the film. While the story presents opportunities for visually engaging moments, these are not fully capitalized upon within the current screenplay. The visual imagery could be enhanced through more descriptive and imaginative language, as well as the incorporation of creative visual techniques. See More
Emotional Impact: 7.9, The screenplay effectively elicits emotional responses, particularly through its relatable characters and comedic tone. However, opportunities exist to enhance the emotional depth and impact by exploring nuanced emotional arcs and fostering greater empathy and identification with the characters. See More
Conflict: 7.4, This screenplay presents a series of conflicts and stakes that drive the narrative and engage the audience. However, there are opportunities to deepen the conflict and elevate the stakes to create a more compelling and emotionally resonant story. See More
Originality: 7.1, This screenplay exhibits moments of originality and creativity, evident in its comedic tone, diverse cast of characters, and exploration of themes related to relationships and personal growth. However, to fully harness its creative potential, the story would benefit from a more innovative plot structure and a deeper exploration of character motivations. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Dante receives an early morning phone call interrupting his day off and plans to play hockey; he has an argument with the caller over their scheduling conflict.
- Dante visits the convenience store where he works to cover for a sick co-worker and deal with an activist customer.
- An activist customer shows a smoker the possible effects of smoking through a lung model and pictures. The smoker decides to switch to gum instead. Jay and Silent Bob engage in comedic banter outside the store.
- Dante and Veronica deal with an anti-smoking activist who rallies a small crowd in the convenience store. The situation quickly escalates and Veronica saves the day with a fire extinguisher.
- Dante has to work instead of playing hockey which causes a conflict with Veronica who suspects he was speaking with another woman.
- Dante and Veronica banter about sex and their relationship while slumped on the floor of the convenience store. They discuss trust with leaving money on the counter and their differing viewpoints on making love. Veronica ends up revealing she has only been with three men, causing controversy.
- Veronica reveals she has only been with three men, causing controversy. Dante panics when he learns she performed oral sex on another man but did not include him in her count of partners.
- Dante confronts Veronica about the number of sexual partners she's had and they argue about it in the convenience store, leading to a heated exchange and their temporary separation.
- Dante and Randal work in a convenience store with a video rental section, bantering about their jobs and customers. Randal arrives late and they discuss an impatient customer and another who claims first dibs on a movie.
- Dante and Randal discuss Dante's mixed feelings for his ex-girlfriend Caitlin and his current girlfriend Veronica, ultimately learning from a newspaper headline that Caitlin is engaged.
- Randal takes an order for a family-friendly movie while Dante deals with his jealousy towards his ex-girlfriend's engagement.
- OC reflects on past events involving a mishap with a kitten and her mother's subsequent institutionalization, while Dante and the Buyer listen in. Meanwhile, outside, Jay and his friends discuss sexual encounters and metal music with Olaf, Silent Bob's Russian cousin.
- Jay and his friends talk about music and sex outside the store while Olaf sings absurd songs. Inside, Dante deals with a customer's stuck chip can and learns about his ex-girlfriend's engagement.
- Randal and Dante discuss the ethics of killing innocent contractors during a war and a Blue Collar Man shares a personal anecdote about how his personal politics influenced his decision to pass on a contract from a gangster.
- Randal deals with an indecisive customer who tries to trick him into paying attention to her rental choices. He responds with sarcasm and indifference, ultimately banning her from the store. Meanwhile, Dante and Randal witness an odd customer meticulously selecting a perfect dozen of eggs.
- Dante and Randal encounter an odd man meticulously selecting perfect eggs while a customer shares a bizarre story about guidance counselors.
- Randal and Dante engage in vulgar conversation with a customer, leading to her leaving in disgust. They then vent their frustrations about annoying customers, with Randal flipping through a graphic magazine centerfold and Dante complaining about milkmaids.
- Randal and Dante deal with irritating customers and share their pet peeves while Veronica visits Dante with lunch and reassurance about his concerns.
- Jay and Silent Bob deal drugs and encounter an indecisive customer while engaging in vulgar conversation with some girls.
- Dante and Randal are stuck at work and unable to play in their hockey game. To make up for it, they decide to play hockey in the convenience store's parking lot while still working. They deal with customers and argue about free drinks.
- Randal and Dante play hockey in the convenience store's parking lot while still working.
- Dante and Randal play hockey in the parking lot while working, dealing with customers and a shortage of balls.
- Dante deals with an indecisive old man who comes into the convenience store and asks to use the bathroom and then talks about his medical issues. The old man is a repeat customer who keeps asking for more favors. Meanwhile, Dante and Randal are still working and are playing hockey outside while dealing with customers and a shortage of balls.
- Dante and Randal argue about attending a former classmate's wake. In the car, Randal tells Dante the embarrassing way his cousin died.
- Dante and Randal play hockey and work at the convenience store. They argue about attending a former classmate's wake, and Randal tells Dante how his cousin died of autoerotic asphyxiation.
- Dante and Randal attend a wake for a former classmate, where they reminisce about their past experiences with the deceased and encounter an unusual sight.
- Dante and Randal attend a wake for a former classmate, where they reminisce about their past experiences with the deceased and encounter an unusual sight.
- Dante and Randal argue about relationships and monogamy while working at the convenience store.
- Dante and Randal are at the convenience store when a trainer and a suited man approach them. The trainer knows Dante from high school and reveals that he used to have an affair with Caitlin Bree, Dante's ex-girlfriend. The suited man then hands Dante a fine for selling tobacco to minors.
- Dante faces a fine for allegedly selling cigarettes to a five-year-old which he denies. Caitlin unexpectedly returns and they catch up.
- Dante and Caitlin discuss her recent engagement and Dante's desire to rekindle their relationship.
- Dante and his ex-girlfriend Caitlin catch up and discuss her recent engagement while Randal learns he inadvertently sold cigarettes to a minor. Dante faces a fine and debates rekindling his romance with Caitlin.
- Dante goes on a grocery run for Mrs. Krepp and discusses his romantic interests with her while Randal stays back at the store and interacts with customers.
- Caitlin unexpectedly returns, and she and Dante catch up. Dante faces a fine for allegedly selling cigarettes to a minor, and they debate rekindling their relationship. Randal interacts with customers, and Caitlin stays at Dante's place for the night. Dante goes on a grocery run for Mrs. Krepp and discusses his romantic interests with her.
- Dante and Caitlin catch up and joke about having sex, while Randal learns he sold cigarettes to a minor. Caitlin stays at Dante's for the night. Later, she believes they had sex in the convenience store bathroom but Dante denies it.
- Dante and Caitlin joke about having sex, but Caitlin believes they had sex in the convenience store bathroom with a stranger. After finding the man dead in the bathroom with an erection, it is revealed that Caitlin had sex with the corpse. The coroner arrives and takes the body away, leaving Dante and Randal to reflect on the bizarre situation.
- Dante and Randal joke about a chip in a jar of salsa resembling a shark and discuss Dante's relationship troubles while at work. Dante is frustrated with his life and recent events involving his ex-girlfriend, Caitlin, while Randal tries to get him to face the root of his issues.
- Dante and Randal talk about Dante's love life and job frustrations, leading to a heated argument about making changes and facing one's fears. Meanwhile, Jay gets caught up in a situation with a cop and two kids asking for weed.
- Jay and Dante discuss their jobs and love lives, including Dante's frustration with his ex-girlfriend Caitlin and his current girlfriend Veronica. Jay attempts to convince Dante to attend a party with him, and the two have a lighthearted argument about drug dealing and pricing. They eventually come to the realization that Veronica is a great girlfriend and Dante should appreciate her more.
- Veronica confronts Dante about his feelings for his ex-girlfriend Caitlin and the two argue about trust and infidelity. Randal has a heart-to-heart conversation with Veronica and tries to explain Dante's behavior.
- Veronica confronts Dante about his unresolved feelings for his ex-girlfriend, leading to a heated argument and their eventual breakup. Meanwhile, Jay gets entangled in a situation with a cop and two kids seeking drugs, and Randal tries to help Dante move on from his past.
- Dante and Randal have a heated argument about their jobs and relationships, then come to a realization. Veronica confronts Dante about his ex-girlfriend, leading to a breakup. Meanwhile, Jay gets caught up in a drug situation with a cop and two kids. In the end, Dante is shot during a robbery and a customer steals cigarettes.
Dante - Score: 79/100
Role
Protagonist
Character Analysis Overview
Randal - Score: 75/100
Character Analysis Overview
Veronica - Score: 81/100
Character Analysis Overview
Jay - Score: 67/100
Character Analysis Overview
Caitlin - Score: 83/100
Role
love interest
Character Analysis Overview
| Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
| 1 - Morning in Dante's Room | "Lighthearted" | 7.5 | 6 | 7 | 7 | 3 | 6 | 3 | 5 | 4 | 8 | ||
| 2 - Dante's Convenience Store Visit | "Humorous and light-hearted" | 7 | 7 | 6 | 7 | 3 | 5 | 2 | 6 | 4 | 7 | ||
| 3 - Cancer Education | "Humorous" | 9 | 7 | 8 | 9 | 3 | 5 | 2 | 6 | 4 | 10 | ||
| 4 - Anti-Smoking Militants | "Sarcastic" | 9 | 8 | 9 | 9 | 6 | 10 | 8 | 9 | 7 | 9 | ||
| 5 - Hockey Game Conflict | "light-hearted" | 9 | 8 | 8 | 9 | 3 | 8 | 4 | 7 | 7 | 10 | ||
| 6 - Counter Banter | "Light-hearted" | 8 | 7 | 6 | 9 | 3 | 5 | 2 | 3 | 4 | 8 | ||
| 7 - Veronica's Bombshell | "Humorous" | 8 | 7 | 7 | 8 | 6 | 7 | 6 | 7 | 6 | 9 | ||
| 8 - Dante and Veronica's Argument | "Humorous" | 8 | 8 | 7 | 9 | 8 | 10 | 7 | 7 | 8 | 9 | ||
| 9 - Video Store Banter | "light-hearted" | 7 | 6 | 4 | 8 | 1 | 4 | 2 | 5 | 3 | 9 | ||
| 10 - The Caitlin Dilemma | "Light-hearted" | 8 | 7 | 8 | 8 | 4 | 6 | 5 | 8 | 5 | 9 | ||
| 11 - Video Store Shenanigans | "light-hearted" | 8.2 | 8 | 8 | 9 | 4 | 4 | 2 | 5 | 4 | 8 | ||
| 12 - Pets and Prunes | "Light-hearted" | 8 | 7 | 6 | 9 | 2 | 4 | 2 | 4 | 5 | 8 | ||
| 13 - Berserker | "Light-hearted" | 8 | 7 | 7 | 8 | 4 | 4 | 3 | 6 | 5 | 9 | ||
| 14 - Contractors and Politics | "Humorous" | 8 | 7 | 7 | 9 | 3 | 5 | 3 | 3 | 4 | 9 | ||
| 15 - Indecisive Customer | "sarcastic, humorous" | 7 | 7 | 6 | 8 | 2 | 5 | 2 | 4 | 3 | 9 | ||
| 16 - The Odd Egg Man | "Light-hearted, humorous" | 8 | 7 | 6 | 7 | 2 | 2 | 3 | 4 | 3 | 8 | ||
| 17 - Conversations at the Convenience Store Counter | "Humorous, crass" | 8 | 4 | 5 | 7 | 2 | 6 | 1 | 4 | 3 | 9 | ||
| 18 - Annoying Customers and Personal Anecdotes | "Sarcastic" | 8 | 7 | 6 | 9 | 3 | 4 | 2 | 3 | 4 | 9 | ||
| 19 - Drug Dealing with Jay and Silent Bob | "Silly" | 7 | 8 | 6 | 7 | 2 | 6 | 4 | 5 | 4 | 8 | ||
| 20 - Hockey Game | "Light-hearted" | 7 | 6 | 5 | 8 | 2 | 5 | 2 | 2 | 3 | 9 | ||
| 21 - Convenience Store Hockey Game | "Light-hearted" | 8 | 7 | 8 | 9 | 3 | 6 | 2 | 8 | 4 | 8 | ||
| 22 - Hockey in the Parking Lot | "Humorous" | 7 | 7 | 6 | 8 | 3 | 6 | 3 | 6 | 4 | 8 | ||
| 23 - Old Man and the Convenience Store | "Light-hearted" | 6 | 6 | 5 | 6 | 3 | 4 | 2 | 4 | 4 | 7 | ||
| 24 - Dead Exes and Dicks | "Dark humor" | 8 | 7 | 7 | 8 | 3 | 7 | 3 | 6 | 5 | 9 | ||
| 25 - Hockey, Death, and Secrets | "sarcastic" | 9 | 9 | 9 | 9 | 4 | 7 | 3 | 6 | 6 | 9 | ||
| 26 - Viewing the Body | "Dark humor" | 8 | 7 | 8 | 9 | 4 | 6 | 4 | 6 | 7 | 9 | ||
| 27 - The Keys | "light-hearted" | 8 | 7 | 7 | 9 | 4 | 6 | 3 | 6 | 5 | 9 | ||
| 28 - Argument and Banter | "Humorous" | 7 | 7 | 5 | 8 | 2 | 5 | 2 | 4 | 3 | 9 | ||
| 29 - High School Secrets Revealed | "Light-hearted" | 8 | 8 | 7 | 9 | 6 | 7 | 4 | 6 | 5 | 8 | ||
| 30 - The Fine and the Reunion | "Humorous" | 7 | 8 | 6 | 7 | 4 | 7 | 6 | 6 | 5 | 8 | ||
| 31 - Caitlin Returns and Dante's Hope is Rekindled | "Playful, emotional" | 9 | 9 | 8 | 10 | 6 | 6 | 6 | 8 | 8 | 10 | ||
| 32 - Caitlin's Return | "Whimsical" | 7 | 6 | 7 | 8 | 4 | 5 | 4 | 7 | 6 | 9 | ||
| 33 - Grocery Run | "Light-hearted" | 7 | 6 | 5 | 8 | 3 | 2 | 3 | 4 | 4 | 7 | ||
| 34 - Rekindled Romance | "Humorous" | 8 | 8 | 8 | 9 | 5 | 6 | 4 | 7 | 6 | 9 | ||
| 35 - Sex, Drugs, and Convenience Stores | "humorous and light-hearted" | 7 | 7 | 6 | 8 | 3 | 5 | 2 | 6 | 4 | 8 | ||
| 36 - The Strange Man in the Bathroom | "Dark and absurd" | 7 | 8 | 7 | 6 | 5 | 9 | 8 | 8 | 6 | 8 | ||
| 37 - Salsa Shark and Relationship Woes | "Humorous" | 8 | 8 | 7 | 8 | 4 | 5 | 4 | 5 | 6 | 9 | ||
| 38 - Shit or Get Off the Pot | "serious and reflective, with moments of humor" | 8 | 7 | 8 | 9 | 6 | 7 | 5 | 6 | 6 | 9 | ||
| 39 - Jay and Dante Discuss Relationships | "Humorous" | 7 | 5 | 5 | 7 | 4 | 3 | 1 | 2 | 4 | 9 | ||
| 40 - Confrontation and Confession | "Dramatic" | 8 | 7 | 8 | 9 | 7 | 10 | 8 | 9 | 9 | 8 | ||
| 41 - Veronica Confronts Dante | "tense" | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | ||
| 42 - The Last Stand | "tense, emotional, comedic" | 8 | 8 | 7 | 9 | 5 | 9 | 10 | 7 | 10 | 8 | ||
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Strong character development and dialogue.
- Humorous and witty dialogue.
- Interesting character dynamics.
- Witty banter and comedic dialogue.
- Humor, sharp dialogue, well-defined characters.
Scene Weaknesses
- Lacks significant plot development and emotional impact.
- Scene doesn't advance the plot significantly.
- The scene doesn't move the overall story forward.
- Low emotional impact, does not move the story forward significantly.
- The scene lacks emotional depth and high stakes.
Suggestions
- Focus on increasing the emotional impact and depth of the scenes to raise the stakes and improve engagement with the story.
- Ensure that each scene contributes significantly to the overarching plot and characters' development.
- Avoid tangential subplots or conversations that detract from the main narrative and character arcs.
- Continue to develop witty and engaging dialogue that showcases distinct character personalities.
- Be mindful of potentially offensive or triggering content and language, and use it sparingly and deliberately.
Scene 1 - Morning in Dante's Room
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Dante's Convenience Store Visit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Cancer Education
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Anti-Smoking Militants
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Hockey Game Conflict
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Counter Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Veronica's Bombshell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Dante and Veronica's Argument
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Video Store Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Caitlin Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Video Store Shenanigans
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Pets and Prunes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Berserker
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Contractors and Politics
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Indecisive Customer
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - The Odd Egg Man
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Conversations at the Convenience Store Counter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Annoying Customers and Personal Anecdotes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Drug Dealing with Jay and Silent Bob
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Hockey Game
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Convenience Store Hockey Game
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Hockey in the Parking Lot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Old Man and the Convenience Store
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Dead Exes and Dicks
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Hockey, Death, and Secrets
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Viewing the Body
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - The Keys
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Argument and Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - High School Secrets Revealed
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - The Fine and the Reunion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Caitlin Returns and Dante's Hope is Rekindled
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Caitlin's Return
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Grocery Run
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Rekindled Romance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Sex, Drugs, and Convenience Stores
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - The Strange Man in the Bathroom
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Salsa Shark and Relationship Woes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Shit or Get Off the Pot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Jay and Dante Discuss Relationships
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Confrontation and Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Veronica Confronts Dante
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - The Last Stand
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Humor and Emotional Impact | There is a strong correlation between humor and emotional impact in this screenplay, with scenes containing humor often having a greater emotional impact on the audience. This is likely due to the contrast between lighthearted moments and more serious or emotional scenes. |
| Dialogue and Character Changes | The quality of dialogue is strongly correlated with the degree of character changes throughout the screenplay. Scenes with well-written dialogue often lead to more significant character growth, while scenes with weaker dialogue can hinder this process. |
| Tone and Conflict | The overall tone of the screenplay is correlated with the level of conflict present in each scene. Scenes with a lighthearted or humorous tone tend to have lower levels of conflict, while more serious or darker scenes tend to have higher levels of conflict. |
| Concept and High Stakes | Screenplays with strong concept often have higher stakes for the characters, as the unique and compelling concept requires high stakes to keep the audience engaged. This is evident in this screenplay, where scenes with stronger concept also have higher stakes for the characters involved. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|
Some Loglines to consider:
| A convenience store clerk navigates through a day of conflicts with customers and romantic partners. |
| As relationships and drugs swirl around him, a clerk must maintain order in a convenience store. |
| A day in the life of a cynical convenience store clerk is filled with vulgar conversations, drug deals, and a violent robbery. |
| With his ex-girlfriend and friend causing drama, a convenience store clerk must also deal with a dangerous robbery. |
| A lazy convenience store employee deals with customers, friendship troubles, and illegal activities in a single day. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
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Scene by Scene Emotions