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Scene 1 -  Deadly Confrontation in the Rain
EXT. CLEVELAND STREET - NIGHT (1970)

Rain. Christmas lights. A rusted out '56 Lincoln
rattles
down the bleak boulevard. In it: JOE STEVENS, an angry,
black
man in his late 20's, beside him his 10-year-old son,
JOE
JR.

Joe Jr. stares out the window at passing: boarded
buildings,
whores with raincoats over their heads trying to flag
down a
john, a black Santa, a knot of drinkers. Breaking the
silence:

JOE STEVENS
Your mother okay?

JOE JR.
Yes, sir.

They stop at a light. Joe Stevens tries to furtively
snort a
little something. He spots Joe Jr. watching.

JOE STEVENS
(firm, without irony)
Don't you do this shit, boy. Don't
you ever fuckin' touch it, you hear
me?

Joe Jr. stares, silent; Joe Jr.'s about to hit him.

JOE STEVENS
(continuing)
You hear me, goddam it?

The boy nods. Satisfied, Joe Sr. draws in the stuff. It
makes
him feel good, strong, worried and determined all at
once.

JOE STEVENS
(continuing; charged
up)
What do you want for Christmas?

JOE JR.
I don't know.

JOE STEVENS
(light changes; he
accelerates)
You don't know?? You gotta know what
you want, boy, if you ever expect to
get it.

A sudden charm to his bravado. Joe Jr. smiles
uncertainly.
Joe Sr. grins back, pulls up in front of a liquor
store.

JOE STEVENS
(continuing)
Wait here. This won't take a minute.

Joe Jr. doesn't notice or doesn't remark that his
father,
just before entering the store, draws a handgun from
beneath
his coat.

The boy gazes dreamily at the street. The lunatic Black
Santa
marches by, ranting to himself ("Then the white man
say...").
The RAIN HAMMERS on the roof and windshield. Joe Jr.
breathes
on the glass, fogging the scene.

From the store: MUFFLED GUNFIRE.

Joe Jr. looks that way. Another GUNSHOT, then:

His father comes out the door clutching money in one
hand.
He strides toward the car with a reckless pride. He
doesn't
notice:

The liquor store door opens behind him.

A SHOTGUN BLAST. Joe Stevens' guts splatter onto the
car
windshield. A look of terrible amazement; he sinks to
his
knees.

JOE JR.
Daddy!!

He jumps from the car, kneels by his father.

The STORE OWNER (47, Slavic) drags the gun toward them,
bleeding profusely.

STORE OWNER
(enraged, almost to
tears)
Fuckin' niggers... fuckin' niggers...

JOE STEVENS

looks at the money in his hand: two 20's, two 5's.

JOE STEVENS
Fifty bucks... fifty goddam bucks.
(looks up at his son)
I'm sorry...

He stuffs the blood-soaked bills in the boy's shirt
pocket
and dies. Joe Jr. looks up at...

THE STORE OWNER

Bloody, nearly unconscious, he aims the shotgun at the
boy
who is too frightened to move.

JOE JR.
Please, Mister...

The man dies on his feet. As he falls backward, he
pulls the
trigger, the BLAST shattering the car windows.
Cop cars SQUEAL up. Uniformed cops leap out, guns
drawn,
survey the scene. Then one notices Joe Jr., staring
motionless
at his father and the store owner, dead together. ON
HIS
EYES:


DISSOLVE TO:

THOSE SAME EYES

-- but older, harder, colder. They're concentrating on
a
paper before him.

TITLE: 17 YEARS LATER

CLOSEUP - THE MINNESOTA MULTIPHASIC PERSONALITY
INVENTORY

Hundreds of TRUE/FALSE questions...

1.) I have never indulged in any unusual sexual
practices.
(T/F)

2.) I have often felt that strangers were looking at me
critically. (T/F)

3.) When I was young I occasionally stole things. (T/F)

Joe Stevens marks these TRUE, FALSE, FALSE then comes
to:

4.) A person's station in life is at least partially
determined by his race. (T/F) We are:
Genres: ["Drama","Crime","Family"]

Summary On a stormy Cleveland Street in 1970, Joe Stevens and his young son, Joe Jr., witness a harrowing tragedy. Joe Sr. cautions his son against drugs and attempts a robbery that spirals into violence. Joe Sr. is fatally shot, leaving Joe Jr. with the stolen money and facing the menacing gun of the store owner.
Strengths
  • Emotional depth
  • Realistic dialogue
  • Intense conflict
  • Strong character development
Weaknesses
  • Graphic violence
  • Stereotypical portrayal of race

Ratings
Overall

Overall: 9

The scene is powerful and emotionally impactful, effectively setting the tone for the rest of the story. It grips the audience with its tragic events and leaves a lasting impression.


Story Content

Concept: 8

The concept of exploring the cycle of violence, addiction, and crime within a family is compelling and thought-provoking. It sets the stage for a deep exploration of complex themes.

Plot: 9

The plot is intense and gripping, with a series of unexpected events that drive the narrative forward. It sets up a strong foundation for character development and conflict.

Originality: 9

The scene presents a fresh approach to the theme of parental sacrifice and the cycle of violence, with authentic and complex character interactions.


Character Development

Characters: 9

The characters are well-developed and their emotions feel raw and authentic. Their interactions and reactions add depth to the scene and enhance the overall impact.

Character Changes: 8

The characters undergo significant emotional changes in the scene, particularly Joe Jr. who experiences a traumatic event that will shape his future. It sets the stage for character development.

Internal Goal: 8

Joe Stevens' internal goal is to protect his son from the dangers of his environment and to instill values in him, despite his own struggles with addiction and criminal activities.

External Goal: 7

Joe Stevens' external goal is to quickly get money from the liquor store to provide for his son's Christmas, but it ultimately leads to his tragic demise.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and emotional, driving the narrative forward and heightening the stakes for the characters. It creates a sense of urgency and tension.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing multiple obstacles and conflicting motivations that drive the narrative forward.

High Stakes: 9

The stakes are high in the scene, with life-and-death consequences for the characters involved. It raises the tension and sets the stage for the dramatic events to come.

Story Forward: 9

The scene moves the story forward significantly, introducing key themes, conflicts, and character dynamics. It sets up the narrative for future developments and reveals important backstory.

Unpredictability: 8

This scene is unpredictable because of the sudden and shocking turn of events that catch the audience off guard.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the struggle between survival and morality. Joe Stevens is torn between providing for his son and setting a good example for him.


Audience Engagement

Emotional Impact: 10

The scene has a high emotional impact, evoking feelings of sadness, fear, and empathy in the audience. It leaves a lasting impression and sets the tone for the emotional journey ahead.

Dialogue: 8

The dialogue is realistic and impactful, conveying the characters' emotions and motivations effectively. It adds depth to the scene and enhances the tension.

Engagement: 9

This scene is engaging because of its intense and emotional moments, as well as the suspenseful buildup to the tragic climax.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, leading to a climactic and impactful resolution.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene descriptions and character actions.

Structure: 8

The structure of the scene effectively builds tension and sets up the tragic events that unfold, following a logical progression of actions and consequences.


Critique
  • The scene sets up a tense and dramatic situation with Joe Stevens warning his son against drugs and then being shot during a robbery gone wrong. This creates a strong emotional impact on the audience.
  • The dialogue between Joe Stevens and his son feels authentic and adds depth to their relationship, showcasing Joe Sr.'s concern for his son's well-being.
  • The sudden and violent turn of events with Joe Stevens being shot by the store owner adds a shocking twist to the scene, keeping the audience engaged.
  • The use of rain and Christmas lights in the setting creates a dark and atmospheric mood, enhancing the overall tone of the scene.
  • The transition from the past to the present with the older, colder Joe Stevens taking a psychological test adds an intriguing element to the storytelling.
Suggestions
  • Consider adding more visual descriptions to enhance the imagery of the scene, such as the dilapidated surroundings and the chaos of the moment.
  • Explore the emotional impact on Joe Jr. after witnessing his father's death to delve deeper into his character development.
  • Provide more insight into Joe Stevens' character and motivations leading up to the robbery to create a more well-rounded portrayal of his journey.
  • Consider incorporating flashbacks or inner thoughts to further explore Joe Stevens' past and how it has shaped his present demeanor.
  • Ensure a smooth transition between the past and present timelines to maintain clarity for the audience.



Scene 2 -  Undercover Offer
INT. A ROOM - DAY

Thirty-seven Black Cleveland police officers (many in
uniform,
including Joe) are taking the MMPI. Some roll their
eyes at
the questions. Some try to copy answers. Others, like
Joe,
work with rapid concentration.

But he gets stuck on #4. Marks it false. Erases it.
Marks it
true. Erases that. Ponders. Goes on to: #5. At times I
hear
so well it bothers me. (T/F) He marks that true.

INT. INTERVIEW ROOM - DAY

GERALD CARVER, 36, an ambitious government lawyer with
a
relaxed, vaguely hip manner, looks over the file of the
ingratiating BLACK OFFICER sitting across the desk from
him.

CARVER
Officer Leland? You know the
difference between a black man and
nigger?

Leland is startled, insulted, but doesn't want to blow
the
interview. He smiles weakly, shakes his head no.

CARVER
(continuing; pleasant
smile)
Yeah, most niggers don't.

Stung, Leland tries to laugh. Carver puts his file
aside,
picks up another.

CARVER
(continuing)
Nice to meet you.

INT. SAME - ANOTHER INTERVIEW

A SECOND BLACK OFFICER is powerfully built, politically
conscious, takes no shit. Carver's leafing through his
file.

CARVER
So, Winston, what's the difference
between a black man and a nigger?

Winston is out of his chair before the question is
finished,
drags Carver by the shirt front halfway across the desk
and
hisses into his face:

WINSTON
Who the fuck do you think you're
talking to?

Carver smiles cheerfully past Winston's cocked fist.

CARVER
Thanks for coming in.

Nonplussed by this cool dismissal, Winston stalks out.
Carver
picks up the next file, unfazed.

INT. SAME - ANOTHER INTERVIEW

Joe Stevens watches Carver reading his file and waiting
for
an answer. When none is forthcoming, Carver glances up,
finds
Stevens looking right back at him.

STEVENS
The nigger's the one who falls for
your bullshit.

He says it pleasantly, without belligerence. Carver
smiles:
he's found his man. He offers his hand.

CARVER
Gerald Carver, United States District
Attorney. Call me Gerry.

INT. A DARKENED ROOM - DAY/NIGHT

ON A TV SCREEN: a grainy black-and-white tape, date and
time
stamped at the bottom. A grungy street, palm trees. The
light
from the monitor dimly illuminates Carver and Stevens.

On SCREEN the CAMERA finds: A MAN in jeans, sneakers
and
sweatshirt on a street corner.

STEVENS
He ought to be wearing a sign.

CARVER
You can tell he's a cop?

Stevens laughs: it's obvious.
A real DRUG DEALER joins the cop. UNDERCOVER COP: "You
got
it?" DEALER: "In the motel, right over here..." The
Cop's
uneasy, keeps glancing back toward the CAMERA as they
go.

STEVENS
He keeps looking for his back-up.
Now, the other guy knows it, too.

CARVER
Then why's he taking him to the room?

STEVENS
(why else?)
To rip him off.

Carver studies Stevens in the darkness, impressed.

ON SCREEN: The figures disappear into the motel. We
hear
their voices. DEALER: "Here, try some of it."
UNDERCOVER
COP: "Uhh... No, I don't..." DEALER: "Why not, you
sonofabitch?" Two bursts of SOUND DISTORTION.

A plainclothes cop, TAFT, (black, stocky, powerful)
bolts
from behind the CAMERA, sprints toward the motel. The
CAMERA
wobbles after him.

STEVENS
(continuing)
Too late.

ON SCREEN: The CAMERA (jerky, hand-held) nears the open
motel
door. Taft is bent over the Undercover Cop's body.

TAFT
Oh, Bobby... Jesus, Jesus...
(to the CAMERA)
Get an ambulance -- and back up.
Now!

He slams the wall, starts past the CAMERA. Carver
pushes the
pause button; the tape freezes on a jerky image of
Taft's
face.
STEVENS
(focussed on Taft)
Who is he?

CARVER
Charles Taft. LAPD Narcotics.

STEVENS
He's a good cop.

CARVER
He's a great cop. Two [names citation]
and a [another citation]. As tough
as they come and twice as honest.

Carver watches Stevens watch Taft, smiles at something.

STEVENS
But the cops aren't getting it done
here, are they? Gotta try something
new...

He opens a manila envelope, dumps the contents on the
desk:
driver's license, social security card, high school
transcript, prison records... all in the name of
William G.
Hull. No photos.

STEVENS
(continuing)
Who's John Hull?

CARVER
You are. If you want to be.
(off Stevens)
Most undercover guys don't know what
they're doing because it's a day
gig.
(indicates dead cop
on TV)
I need somebody who goes under and
stays there; six months, a year,
five years...

STEVENS
What does he have to do?

CARVER
Buy drugs. Sell drugs. Feed me
information.
STEVENS
He's a snitch.

CARVER
He's a drug dealer. A criminal. A
scumbag. But for the right side.
(beat)
I want you to come to Los Angeles on
loan to the Justice Department as a
federal agent. Your experience there
will be credited toward your seniority
here. And you'll come back to
Cleveland a P3 or higher.

STEVENS
(uncomfortable)
I can't do that. I've got a wife and
kids.

CARVER
You're separated from your wife,
she's filled for divorce. You see
your kids every other weekend.

Stevens takes a breath: this is awkward to explain.

STEVENS
(almost a confession)
All my life I've stayed away from
that stuff. I've never touched drugs.

CARVER
(tolerant)
Come on, a little grass...?

STEVENS
Not grass. Not nothing. I never even
had a drink.
(his motto)
Never have, never will. You don't
understand. I made a choice in my
life.

CARVER
What's to understand? You saw your
father killed when you were ten, and
you decided you wouldn't be like
that.
(off Stevens' surprise,
Carver grins)
I'm God, I know everything. You wanted
to be a good boy, so you became a
cop. Hiding out in uniform... That's
why you got the hard-on for Taft.

STEVENS
It's not that simple.

CARVER
(opening Joe's file;
as if reluctantly)
I'll tell the truth, Joe. You're
never going to be a Taft.

STEVENS
I don't believe that.

But he does.

CARVER
(looks at MMPI results)
You ever take a look at your
psychological profile? You score
almost like a criminal.
(reading)
"Resents authority..."

STEVENS
I do not.

CARVER
"...Exaggerated moral standards, but
with no underlying value system."
Look at the anger, the repressed
violence, it's almost off the scale...

STEVENS
Let me see that...

Carver hands him the scores which are, of course, just
clusters of numbers. Stevens is upset, though oddly
unsurprised, as if this only confirmed his secret
fears.

CARVER
Why'd you join the force?

STEVENS
(awkward, but felt)
I wanted to be of use.

CARVER
Well, now you can be. You won't be
Taft, but maybe you'll be something
more... interesting.
(sits back)
There's a man named Ramon Gallegos
who supplies 60% of the cocaine to
the West Coast. He's smart, smooth,
and sufficiently elusive that we
don't even have an adult photograph
of him. However, his uncle is Hector
Guzman, an important Latin American
political figure. Gallegos uses
Uncle's connections to get product
into the country, and everyone we've
sent after him has ended up like
that...

Indicates dead body on TV.

STEVENS
Why would I be different?

CARVER
You already are, that's the point...
(indicates file, test
scores)
You've got the ability and the
personality to go underground and
blend in completely. That's what the
others couldn't. Some part of them
showed. That's why they're dead.
See, there's only one rule in this
game.

Stevens raises his eyebrows: what?

CARVER
(continuing)
Don't blow your cover.
Genres: ["Crime","Drama","Thriller"]

Summary In this suspenseful scene, Joe Stevens faces a moral dilemma when Gerald Carver proposes an undercover operation to apprehend a drug dealer. As Stevens struggles with a psychological test, Carver unveils details of the assignment, revealing the risks and urgency of the mission. The decision weighs heavily on Stevens as he contemplates whether to accept the perilous task.
Strengths
  • Engaging dialogue
  • Complex characters
  • High-stakes conflict
  • Intriguing premise
Weaknesses
  • Some potentially offensive language
  • Lack of diversity in character representation

Ratings
Overall

Overall: 8

The scene is engaging and thought-provoking, setting up a compelling premise for the story. The dialogue is well-crafted, and the tension between the characters adds depth to the scene.


Story Content

Concept: 8

The concept of an undercover assignment in the world of drug trafficking is intriguing and sets the stage for a complex narrative. The scene effectively introduces the main conflict and dilemma faced by the protagonist.

Plot: 8

The plot is well-developed, with the introduction of a high-stakes undercover operation that promises suspense and intrigue. The scene sets up the central conflict and establishes the motivations of the characters.

Originality: 9

The scene offers a fresh take on the undercover cop genre, delving into the psychological and ethical challenges faced by law enforcement officers. The characters' actions and dialogue feel authentic and nuanced.


Character Development

Characters: 9

The characters are multi-dimensional and engaging, each with their own motivations and conflicts. Joe Stevens is a compelling protagonist who faces a moral dilemma, while Carver is a charismatic antagonist who challenges him.

Character Changes: 8

Joe Stevens undergoes a significant internal change as he grapples with the decision to go undercover and confronts his own moral values. The scene sets up a compelling character arc for him.

Internal Goal: 8

The protagonist's internal goal in this scene is to reconcile his moral values with the opportunity to go undercover and infiltrate a drug cartel. He struggles with the idea of compromising his principles for the greater good.

External Goal: 9

The protagonist's external goal is to successfully complete the undercover mission and bring down a major drug supplier. This goal reflects the immediate challenge he faces in his law enforcement career.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, as the characters grapple with moral dilemmas, deception, and high-stakes undercover work. The tension between the characters drives the narrative forward.

Opposition: 9

The opposition in this scene is strong, with characters facing moral dilemmas, ethical challenges, and personal conflicts. The tension between characters adds depth to the narrative.

High Stakes: 9

The stakes are high in the scene, as Joe Stevens is faced with a dangerous undercover assignment that could have serious consequences. The tension and suspense are heightened by the risks involved.

Story Forward: 9

The scene moves the story forward significantly by introducing the central conflict of the undercover operation and setting up the dynamics between the characters. It lays the groundwork for future developments in the narrative.

Unpredictability: 8

This scene is unpredictable due to the unexpected character reactions and moral twists. The audience is kept guessing about the protagonist's decisions.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the tension between upholding moral values and the necessity of bending the rules to achieve justice. The protagonist must grapple with the ethical implications of his actions and the greater good.


Audience Engagement

Emotional Impact: 7

The scene evokes a range of emotions, from tension to intrigue, as the characters navigate complex moral and ethical dilemmas. The emotional impact is heightened by the high-stakes nature of the undercover operation.

Dialogue: 9

The dialogue is sharp, engaging, and reveals the inner thoughts and conflicts of the characters. It drives the scene forward and adds depth to the character interactions.

Engagement: 9

This scene is engaging due to its intense dialogue, moral dilemmas, and high stakes. The interactions between characters keep the audience on edge.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, with a balance of dialogue-driven moments and action sequences. The rhythm keeps the audience engaged.


Technical Aspect

Formatting: 8

The scene follows standard formatting for a screenplay, with clear scene headings, dialogue formatting, and action descriptions.

Structure: 8

The scene follows a traditional structure for a crime drama, with clear character motivations, escalating tension, and a compelling conflict.


Critique
  • The scene introduces a significant number of characters and interactions, which can be overwhelming for the audience to keep track of.
  • The dialogue between Carver and the Black officers is heavy-handed and relies on stereotypes, which can come across as insensitive and offensive.
  • The scene lacks subtlety in its portrayal of racial dynamics and the interactions between the characters, making it feel forced and unrealistic.
  • The exposition about Joe Stevens' psychological profile and his background feels contrived and overly expositional, taking away from the natural flow of the scene.
  • The transition between different interview rooms and interactions feels disjointed and abrupt, making it challenging for the audience to follow the narrative smoothly.
Suggestions
  • Consider streamlining the number of characters introduced in the scene to focus on the core interactions that drive the plot forward.
  • Revisit the dialogue between Carver and the Black officers to ensure it is respectful, nuanced, and avoids perpetuating harmful stereotypes.
  • Add more subtlety and depth to the portrayal of racial dynamics and character interactions to make them feel more authentic and engaging.
  • Find a more organic way to reveal Joe Stevens' background and psychological profile without relying on heavy-handed exposition.
  • Work on smoother transitions between different interview rooms and interactions to improve the overall coherence and flow of the scene.



Scene 3 -  Prejudice and Tension
EXT. WORKING CLASS CLEVELAND NEIGHBORHOOD - DAY

Stevens parks outside a small, well-maintained house.
As he
gets out, he spots a GROUP OF KIDS (black and Hispanic)
playing down the street. He's not pleased about that.

STEVENS
(calls to them)
Joe-J, Carmen...

A BOY, 7, and a GIRL, 5, (both light-skinned) run to
him
shouting, "Daddy," jump into his arms, competing for
attention, as if they haven't seen him in ages.

STEVENS
What were you doing with those kids?

JOE-J & CARMEN
Playing...

STEVENS
(displeased)
Your mom lets you play with them?

JOE-J & CARMEN
Yes, sir... Yes, sir.

His strictness has already sobered their enthusiasm.
Sensing
this, he attempts to embrace them which he can do only
awkwardly.

Meanwhile, his wife, TERRY (Southern white) has come
out the
screen door. She and Stevens bristle at each other.

STEVENS
I thought we talked about this. The
older brother up there's got a sheet
with --

TERRY
Lay off it. They're just kids...

Both are ready to fight, but restrain themselves. A big
Polynesian, TITO comes out the door.

TITO
Hey, Joe.

STEVENS
Tito...

A moment of surprise, then he gets it. He looks to
Terry.
She gives a little shrug, refusing to be embarrassed.

INT. KITCHEN - FIVE MINUTES LATER

Stevens is trying to seem interested in Carmen's little
drawings.

STEVENS
They're real nice, honey. Is that a
horse?

CARMEN
(exasperated)
Daddy! It's a bunny...

She puts her arms around him.

CARMEN
(continuing)
I don't want you to go away, Daddy.

STEVENS
It's my work. I've got to.

Over her shoulder he sees Terry sitting with a subdued
Joe-
J. Her face seems to say, "See, I told you..." Avoiding
this
accusation, Stevens notices a bruise on Carmen's arm.

STEVENS
(continuing)
What happened to you there, baby?

CARMEN
Tito did it.

STEVENS
(instantly outraged)
He hit you?!
(up in a fury)
God damn it, what's he doing touching
her? I'm gonna...

Terry intercepts him on his way out of the room.

TERRY
She was running behind his chair
when he got up. It was an accident.
(he's uncertain)
A complete... total... accident.

Stevens looks at Carmen who giggles. He's humiliated by
his
own temper, attempts to calm himself. Terry puts a
sympathetic
hand on his shoulder.


DISSOLVE TO:
Genres: ["Drama","Family"]

Summary Stevens, a strict and prejudiced man, confronts his light-skinned children for playing with black and Hispanic kids, dampening their spirits. His wife Terry disapproves of his behavior. A Polynesian man named Tito greets Stevens, revealing he now lives with the family. Stevens becomes outraged when he sees a bruise on Carmen's arm, blaming Tito, but calms down after Terry intervenes. The scene is filled with racial and interpersonal conflicts, ending with Stevens trying to calm himself down as Terry comforts him.
Strengths
  • Emotional depth
  • Authentic character interactions
  • Tension-filled dialogue
Weaknesses
  • Limited external action
  • Lack of resolution to conflicts

Ratings
Overall

Overall: 8

The scene effectively conveys the emotional depth and tension within the family, drawing the audience into the characters' struggles and relationships.


Story Content

Concept: 8

The concept of exploring family tensions and parental responsibility is well-executed, providing a compelling narrative foundation for the scene.

Plot: 7

The plot focuses on the interpersonal conflicts and dynamics within the family, driving the emotional core of the scene.

Originality: 9

The scene introduces a fresh approach to the theme of family dynamics and cultural differences, with authentic character actions and dialogue.


Character Development

Characters: 9

The characters are well-developed and their emotional struggles are portrayed with authenticity, adding depth to the scene.

Character Changes: 7

The scene showcases subtle shifts in the characters' emotions and relationships, particularly Joe Stevens' internal conflict and emotional turmoil.

Internal Goal: 8

The protagonist's internal goal in this scene is to maintain control over his family and protect them from perceived threats. This reflects his deeper need for security and authority.

External Goal: 7.5

The protagonist's external goal is to confront the issue of his children playing with kids from different backgrounds and to assert his authority as a parent.


Scene Elements

Conflict Level: 7

The scene features interpersonal conflicts and tensions within the family, driving the emotional intensity of the narrative.

Opposition: 8

The opposition in the scene is strong, with conflicting values and emotions creating obstacles for the protagonist.

High Stakes: 6

The stakes are primarily emotional and relational in nature, highlighting the importance of family dynamics and personal connections.

Story Forward: 7

While the scene primarily focuses on character dynamics, it also sets up potential conflicts and emotional arcs that could impact the overall narrative.

Unpredictability: 7.5

This scene is unpredictable because of the unexpected reactions and revelations from the characters.

Philosophical Conflict: 8

The philosophical conflict in this scene is between the protagonist's strictness and his wife's more lenient approach to parenting. This challenges the protagonist's beliefs about discipline and control.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions and empathy for the characters, drawing the audience into their struggles and relationships.

Dialogue: 8

The dialogue effectively conveys the tension and emotional complexity of the characters' interactions, enhancing the scene's impact.

Engagement: 9

This scene is engaging because of the emotional depth and interpersonal conflicts between the characters.

Pacing: 8.5

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows the expected structure for its genre, effectively building tension and conflict.


Critique
  • The scene effectively sets up the character of Stevens as a strict and prejudiced man through his interactions with his children and wife.
  • The tension between Stevens and his wife, Terry, adds depth to their relationship and hints at underlying issues.
  • The introduction of Tito as a new character living with the family adds intrigue and raises questions about his role and background.
  • The scene effectively showcases Stevens' struggle with his temper and the conflict between his strictness and his desire to protect his children.
  • The dialogue and interactions between the characters feel natural and help to establish their dynamics.
Suggestions
  • Consider adding more subtlety to Stevens' character development to avoid making him too one-dimensional.
  • Explore further the reasons behind Stevens' strictness and prejudices to add depth to his character.
  • Provide more context or hints about Tito's background and his relationship with the family to create more intrigue.
  • Consider delving deeper into the dynamics between Stevens and Terry to enhance the emotional depth of their relationship.
  • Continue to build on the tension and conflicts within the family to create a more engaging and layered narrative.



Scene 4 -  A Tranquil Arrival
EXT. LOS ANGELES - AERIAL SHOT - DAY

The immense sprawl, the arterial flow of the freeways,
the
blinding light. We DESCEND...

INT. TRAIN STATION - UNDERGROUND - DAY OR NIGHT

People getting off, among them the former Joe Stevens,
now
known as JOHN HULL. He's carrying a suitcase.

INT. TRAIN STATION/EXT. STREET - DAY

Hull goes up the stairs onto a downtown street.

EXT. ANOTHER STREET - DAY

South L.A. neighborhood. A 13-year-old BLACK YOUTH
selling
drugs through a car window. Hull walks by. He's at
ease,
looking around, his manner subtly announcing that he
belongs
here, just as in the train station he seemed to belong
among
the commuters.

EXT. TRANSIENT MOTEL - COURTYARD - DAY

A fat BLONDE WOMAN (61, large white glasses, tiny
shoes)
leads Hull down a corridor.

BLONDE WOMAN
Television mostly. I was on "Sky
King" twice, "Ramar of the Jungle."
That was a silly show. The jungle
was mostly flats...

They pass an open door where a 6-year-old boy, JAMES, a
latchkey, sits on the stoop playing Gameboy; inside,
his
mother, BELINDA, a broken down whore, is doing her
nails and
drinking Pepsi. She looks up, bats her lashes at Hull.

BLONDE WOMAN
(continuing)
You want my advice, I'd stay away
from that bitch.
She opens the door to the room across the hall. A dump.
Hull
walks in, drops his duffle: he'll take it. The Blonde
lounges
in the doorway. He closes the door.

INT. ROOM - DAY

Hull empties his pockets on the dresser. Looks at his
money,
room key, identification. Looks at himself in the
mirror. He
touches his clothes, his face, tries on different
expressions.

(NOTE: Throughout the film, Hull continually checks
himself
out in mirrors, both to adjust his appearance to the
circumstances and as if in an attempt to recall who he
"really" is.)

EXT. 79TH AND FIGUEROA - TWILIGHT

On the seam between South-Central and USC. Lots of
people
out: children, students, dealers, whores. Hull with a
new
haircut.

EXT. ANOTHER, SIMILAR CORNER - DAY

Dealers (most in mid-teens) meeting cars, making
transactions.
All this casually observed. EDDIE comes up the street,
reciting his version of an old street toast.

EDDIE
On the day of the King's castration,
all the counts and no accounts were
down on the deck with Georgia Tech
taking turns in the back seat...

Those dealers not at car windows, gather around. He
never
speaks to them, goes on declaiming as he exchanges
drugs for
money.

Hull watches, talking to another street person. His
appearance
continues to change: clothes, posture, walk, gestures
subtly
conform to the environment, a bit like Zelig.
Throughout the
film his appearance shifts, depending on who he's with.
We
always recognize him, but each time he's different.

He walks up to a dealer, makes a quick buy and keeps
going.
But he sees them and is seen.
Genres: ["Crime","Drama"]

Summary John Hull, alias Joe Stevens, arrives in Los Angeles and adapts his appearance to blend in with the locals. He encounters various individuals, including a motel manager, a prostitute, and a drug dealer named Eddie, and witnesses Eddie engaging in a drug transaction.
Strengths
  • Realistic portrayal of setting
  • Strong character development
  • Engaging dialogue
Weaknesses
  • Potential for stereotypical portrayals
  • Lack of diversity in character interactions

Ratings
Overall

Overall: 8

The scene effectively sets the tone for the gritty and suspenseful nature of the story, introduces a high-stakes undercover assignment, and provides insight into the protagonist's character development.


Story Content

Concept: 8

The concept of an undercover agent navigating the dangerous world of drug dealing is engaging and well-executed, setting up potential conflicts and character growth.

Plot: 7

The plot advances as the protagonist delves deeper into his undercover assignment, encountering various characters and situations that add layers to the story.

Originality: 9

The scene offers a fresh perspective on the theme of identity and survival in a gritty urban setting. The characters' actions and dialogue feel authentic and original.


Character Development

Characters: 8

The characters, especially John Hull, are well-defined and undergo significant development throughout the scene, adding depth to the narrative.

Character Changes: 8

John Hull undergoes significant changes as he adapts to his new identity and environment, setting the stage for further character development.

Internal Goal: 8

John Hull's internal goal in this scene is to blend in and adapt to his surroundings, shedding his former identity and embracing a new persona. This reflects his deeper need for survival and acceptance in unfamiliar environments.

External Goal: 7

John Hull's external goal in this scene is to navigate the dangerous streets of South L.A. and establish connections for his own purposes. This reflects the immediate challenge he faces in a risky environment.


Scene Elements

Conflict Level: 8

The scene is filled with internal and external conflicts, from Hull's inner turmoil to the dangers he faces in the drug-infested neighborhood.

Opposition: 7

The opposition in the scene adds complexity and conflict, creating obstacles for John Hull to overcome as he navigates the streets of South L.A.

High Stakes: 9

The high stakes of Hull's undercover assignment, the dangerous environment he navigates, and the potential consequences of his actions heighten the tension and suspense.

Story Forward: 8

The scene propels the story forward by introducing key plot points, conflicts, and character dynamics that will shape the narrative moving forward.

Unpredictability: 7

This scene is unpredictable because of the unexpected interactions and developments that occur as John Hull navigates the streets of Los Angeles.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around identity and morality. John Hull must grapple with the ethical implications of his actions as he navigates the seedy underbelly of Los Angeles.


Audience Engagement

Emotional Impact: 7

The scene evokes a range of emotions, from tension and suspense to empathy for the characters' struggles, enhancing the overall impact.

Dialogue: 7

The dialogue effectively conveys the tension and atmosphere of the scene, providing insight into the characters' motivations and relationships.

Engagement: 9

This scene is engaging because of its realistic portrayal of characters and their struggles, drawing the audience into the gritty world of South L.A.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged in John Hull's story.


Technical Aspect

Formatting: 8

The scene is formatted correctly for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows a traditional format for a character-driven drama, focusing on the protagonist's internal and external goals.


Critique
  • The transition from the previous scene to this one feels abrupt and disjointed. There is a lack of clear connection or continuity between the two scenes, which can be confusing for the audience.
  • The introduction of John Hull, formerly Joe Stevens, in Los Angeles is intriguing, but the scene lacks depth and emotional resonance. There is a missed opportunity to explore Hull's internal struggles and the impact of his past experiences on his current situation.
  • The interactions with the Blonde Woman and Belinda feel superficial and stereotypical. The characters come across as one-dimensional and lacking in depth or complexity.
  • The visual descriptions of Hull adjusting his appearance in the mirror are repetitive and on-the-nose. The symbolism of Hull trying to recall his true identity through mirrors is heavy-handed and could be more subtly conveyed.
  • The portrayal of the South L.A. neighborhood and the drug dealing activities lacks authenticity and depth. The scene could benefit from more nuanced and realistic depictions of the environment and characters.
Suggestions
  • Consider revising the transition between scenes to create a smoother flow and better connect the narrative threads.
  • Focus on developing John Hull's character more deeply, exploring his internal conflicts, motivations, and emotional journey in a nuanced way.
  • Avoid relying on stereotypes and cliches in character interactions. Work on creating more complex and authentic relationships between characters.
  • Refine the symbolism of Hull's interactions with mirrors to make it more subtle and integrated into the narrative.
  • Enhance the authenticity and realism of the setting and character portrayals in the South L.A. neighborhood to create a more immersive and engaging scene.



Scene 5 -  Witness to Murder
INT. AN OFFICE - NIGHT

Hull drops eleven foil balls on a green blotter. Carver
counts
out money for him.

INT. HULL'S MOTEL ROOM - DAY

He sits at the window, eating a burrito, watching
little
James play in the courtyard.

EXT. STREET - EVENING

Hull approaches another Dealer, the 13-year-old seen
earlier
(angelic face). Like Hull, he's trying to act tough.

HULL
Whatta you got?

13-YEAR-OLD DEALER
(voice just changing)
Nickel rock, dime rock. Excellent
shit.

Hull exchanges a folded twenty for two foil balls. He
walks
off. He has gone twenty feet when...

RED RANGE ROVER

SQUEALS to a stop opposite the Dealer.

A huge young black man, IVY (23, all in red with a red
headband), leans out the passenger window, shouting at
the
13-year-old.

IVY
What the fuck I tell you about being
here?

Everyone turns to look, but Hull's view is blocked.

13-YEAR-OLD DEALER (O.S.)
No, wait...

IVY (O.S.)
Too fuckin' late.

POPPING noises. Ivy is waving an automatic weapon.
Everyone
on the street but Hull has hit the ground.

IVY
(enjoying it, shouting)
Get down, motherfuckers!

Ivy laughs and fondles a girlfriend as the car ROARS
off. He
sees Hull, pretends to fire, laughs as Hull, too,
ducks.
When Ivy's gone, he runs to where a CROWD has gathered
around...

THE 13-YEAR-OLD

lying in the street, a bullet hole in his head, eyes
open.
He twitches and kicks, blood pulsing from the neat
wound.
Then he's dead. The faces around him (young, old, many
races)
watch with a variety of emotions.

CROWD
Who is he?... Why'd they shoot him?...
Ivy did him, man... He's in the wrong
fuckin' place... That poor boy...
Get his beeper...

Cops push through to the body. As the crowd disperses,
Hull
can't take his eyes off the boy. When he finally does,
he
sees Eddie, drink in hand. Their eyes meet, and Eddie,
a
rapper, raises his eyebrows in brief acknowledgment of
sorrow.

EDDIE
(sadly)
He done done, ain't he?
Genres: ["Crime","Drama"]

Summary In a grim nighttime scene, Hull, a drug addict, witnesses the brutal murder of a 13-year-old drug dealer by a cold-hearted killer named Ivy. As Ivy shoots the young boy dead on the street, Hull watches in terror. The scene is one of violence and despair, leaving Hull shaken and haunted by the senseless loss.
Strengths
  • Realistic portrayal of urban life
  • Strong emotional impact
  • Compelling themes
Weaknesses
  • Potential for excessive violence
  • Lack of resolution for certain plot points

Ratings
Overall

Overall: 8

The scene effectively creates a tense and gritty atmosphere, drawing the audience into the tragic events unfolding on the streets.


Story Content

Concept: 8

The concept of exploring the dark underbelly of urban life and the impact of drugs and violence is compelling and well-executed.

Plot: 7

The plot advances through the introduction of a dangerous drug supplier and the escalating violence in the community.

Originality: 9

The scene presents a fresh and authentic portrayal of urban crime and violence, with authentic character actions and dialogue that feel true to life.


Character Development

Characters: 8

The characters are well-defined and their reactions to the events around them add depth to the scene.

Character Changes: 7

The characters experience a shift in their perception of the world around them, particularly Hull as he witnesses the tragic events.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate the dangerous world he is a part of while grappling with his own moral compass and sense of right and wrong.

External Goal: 7.5

The protagonist's external goal is to conduct a drug deal and avoid getting caught in the crossfire of the violent confrontation that ensues.


Scene Elements

Conflict Level: 9

The conflict between the characters, the drug dealer, and the violent events on the street heighten the tension in the scene.

Opposition: 9

The opposition in the scene is strong, with the sudden and violent confrontation adding a sense of danger and unpredictability.

High Stakes: 9

The high stakes are evident with the violent events unfolding on the street and the dangerous undercover assignment offered to Hull.

Story Forward: 8

The scene moves the story forward by introducing key elements such as the drug supplier and escalating tensions in the community.

Unpredictability: 8.5

This scene is unpredictable because of the sudden and shocking violence that occurs, keeping the audience on edge.

Philosophical Conflict: 9

The philosophical conflict in this scene is the juxtaposition of the protagonist's desire to survive in a dangerous world with his internal moral struggle and empathy for the victims of violence around him.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions of sadness, shock, and fear, leaving a lasting impact on the audience.

Dialogue: 7

The dialogue effectively conveys the tension and emotions of the characters in the scene.

Engagement: 9

This scene is engaging because of its intense and suspenseful atmosphere, as well as the moral dilemmas faced by the protagonist.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense leading up to the violent confrontation.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings and descriptions.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution.


Critique
  • The scene starts with Hull dropping foil balls on a green blotter in an office, which lacks context and feels disconnected from the rest of the scene.
  • The transition from the office to Hull's motel room watching little James play feels abrupt and disjointed.
  • The introduction of the 13-year-old dealer and the interaction with Hull lacks depth and development, making it difficult for the audience to connect with the characters.
  • The sudden appearance of Ivy in the red Range Rover and the subsequent violent encounter with the 13-year-old dealer feels forced and lacks proper buildup.
  • The shooting of the 13-year-old dealer and the reactions of the crowd seem sensationalized and lack emotional depth, making it challenging for the audience to empathize with the characters.
  • The brief interaction between Hull and Eddie at the end of the scene feels rushed and lacks meaningful impact.
Suggestions
  • Provide more context and continuity between the office scene and Hull's motel room to create a smoother transition.
  • Develop the character of the 13-year-old dealer and the interaction with Hull to add depth and emotional resonance to the scene.
  • Build up the tension and stakes leading to Ivy's appearance and the violent encounter to make the scene more impactful and engaging.
  • Focus on the emotional impact of the shooting and the reactions of the crowd to create a more authentic and relatable moment for the audience.
  • Expand on the interaction between Hull and Eddie to add layers to their relationship and create a more meaningful connection between the characters.



Scene 6 -  John Hull Returns to Lewazz
EXT. LEWAZZ - NIGHT

TITLE: TWO WEEKS LATER

A bar with a neon bird for a sign. Hull enters.

INT. LEWAZZ - NIGHT

A racial mix. Hull takes a seat at the bar. Stuffed
birds
line the lintel above the bottles. A female BARTENDER
(long
red nails) greets him familiarly.

BARTENDER
How's it going, John?

HULL
I'm in there.

Without being asked, she sets him up a Dry Sack with a
long
red straw. (NOTE: He never touches the drink.) Hull's
appearance has continued to change. His clothes have
become
flashier, he has an earring, the start of a goatee.

Eddie approaches the bar compulsively reciting one of
his
toasts.

EDDIE
(to himself)
"Where's the Queen," said the King.
"She's in bed with laryngitis." "Is
that bastard still in town?... Fuck
the Queen," said the King, and ten
thousand knights straaaained at their
utmost...
(to the bartender)
Pina colada times two and a white
wine.

He goes on muttering under his breath, tapping his foot
like
any crankhead. He notices Hull, greets him as someone
he
can't place but knows he's seen around.
EDDIE
(continuing)
How you doin', Dudley...

Tries to remember name.

HULL
John.

EDDIE
John, man, right...

Clasp hands. Eddie takes his drinks, carries them to...

A TABLE

where he rejoins a white man, DAVID ELIAS (30s, slick,
powerful) and a well-dressed BLACK WOMAN (mid-20s,
good-
looking). She gets the wine.

Elias rises to let her out. As the woman passes Hull on
her
way to the restrooms, their eyes meet: an instant of
perfect
chemistry. He's struck. Her features open, grow sensual
for
a moment, but then, as if seeing something she doesn't
like,
her eyes flick away, and she walks by as if he weren't
there.
Genres: ["Drama","Crime","Thriller"]

Summary Two weeks after his previous visit, John Hull returns to Lewazz, a racially diverse bar. He takes a seat and is greeted by the bartender, who sets up a drink for him. Eddie, a regular at the bar, approaches and recites a toast, then greets Hull, trying to remember his name. Hull corrects him, and they shake hands before Eddie takes his drinks to a table with David Elias and a Black woman. As the woman passes Hull on her way to the restrooms, their eyes meet and there's an instant connection, but she quickly looks away and walks by as if he weren't there.
Strengths
  • Building tension
  • Introducing new characters
  • Setting up conflicts
Weaknesses
  • Potential lack of clarity in some character interactions

Ratings
Overall

Overall: 8

The scene effectively builds tension, introduces new elements, and sets up future conflicts, keeping the audience engaged.


Story Content

Concept: 8

The concept of a man descending into the criminal world and facing moral dilemmas is compelling and well-executed.

Plot: 7

The plot advances as the protagonist gets involved in drug deals and witnesses a murder, setting up future events.

Originality: 8

The scene introduces unique characters and situations, such as the stuffed birds in the bar and Eddie's eccentric behavior. The dialogue feels authentic and adds depth to the characters' interactions.


Character Development

Characters: 8

The characters are intriguing, especially the protagonist and the mysterious woman, adding depth to the scene.

Character Changes: 7

The protagonist undergoes a visible transformation in appearance and behavior, hinting at deeper changes to come.

Internal Goal: 8

Hull's internal goal in this scene is to blend in and maintain his cover, as indicated by his flashy clothes and earring. This reflects his deeper need to successfully navigate the world of the bar and potentially gather information or make connections.

External Goal: 7

Hull's external goal in this scene is to observe and potentially interact with the well-dressed Black woman who catches his eye. This reflects the immediate challenge of making a connection with her despite her initial dismissal.


Scene Elements

Conflict Level: 8

The scene introduces various conflicts, including the protagonist's internal struggle and the external dangers he faces.

Opposition: 7

The opposition in the scene is strong enough to create tension and uncertainty, particularly in Hull's interactions with the Black woman and Eddie. The audience is left wondering how these relationships will develop.

High Stakes: 8

The stakes are high as the protagonist gets deeper into the criminal world and faces dangerous situations.

Story Forward: 8

The scene moves the story forward by introducing new elements and conflicts that will drive the narrative.

Unpredictability: 7

This scene is unpredictable due to the unexpected chemistry between Hull and the Black woman, as well as Eddie's eccentric behavior. The audience is left wondering how these interactions will unfold.

Philosophical Conflict: 6

The philosophical conflict in this scene revolves around the idea of perception and attraction. Hull is drawn to the Black woman, but her quick dismissal challenges his beliefs about connection and chemistry.


Audience Engagement

Emotional Impact: 7

The scene evokes tension and intrigue, keeping the audience emotionally engaged.

Dialogue: 7

The dialogue is realistic and helps establish the characters' personalities and relationships.

Engagement: 8

This scene is engaging because of the quirky character interactions and the potential for romantic tension between Hull and the Black woman. The dialogue and setting draw the audience in.

Pacing: 8

The pacing of the scene is effective in building tension and establishing character dynamics. The rhythm of the dialogue and actions keeps the audience engaged.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for its genre, with clear scene headings and character actions. The formatting enhances the readability and flow of the scene.

Structure: 9

The scene follows a clear structure with well-defined character introductions and interactions. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene lacks a clear sense of purpose or direction, leaving the audience wondering about the significance of Hull's presence at the bar.
  • The introduction of Eddie and his recitation of a toast feels disconnected from the rest of the scene and doesn't add much to the overall story.
  • The interaction between Hull and the bartender is brief and lacks depth, failing to establish a strong connection or reveal any meaningful information about Hull.
  • The description of Hull's appearance changing to become flashier and the introduction of his earring and goatee feels forced and cliched, lacking subtlety.
  • The brief interaction between Hull and the Black woman at the bar feels contrived and lacks authenticity, failing to create a genuine sense of chemistry or intrigue.
Suggestions
  • Clarify the purpose of the scene and ensure that every element serves to advance the plot or develop the characters.
  • Consider integrating Eddie's character more effectively into the scene to make his presence feel more relevant and impactful.
  • Enhance the interaction between Hull and the bartender to reveal more about Hull's character or motivations.
  • Avoid cliched descriptions of character changes and focus on more nuanced ways to show Hull's evolution.
  • Refine the interaction between Hull and the Black woman to create a more authentic and compelling connection between them.



Scene 7 -  Hull Reports to Carver
INT. CARVER'S OFFICE - NIGHT

(NOTE: Hull invariably meets Carver in this anonymous
room,
distinguished only by the green blotter and a view of
the
city. This simple regularity suggest visits to a
psychiatrist,
Carver probing, testing, teasing, trying to draw Hull
out.
And they feel like therapy, at once a respite and a
torment.)

More foil balls on the blotter beside boxes of 3x5
photographs. Photos of Eddie and David Elias are up on
a
corkboard, the beginning of a pyramid.

HULL
Eddie something... a motormouth...
he supplies the street dealers...
buys from him...
(reads name on back
of photo)
David Elias... who apparently buys
from a guy named Barbolla or
something. But I haven't seen him.

Carver produces a photo of a handsome Latin in his 50s,
pins
it on the board above Elias.

CARVER
Barbosa, Felix.

HULL
There was also a woman, but she's
not here.
(as Carver reaches in
a drawer)
I saw a kid killed. Twelve, thirteen
at the most. Turf war.

Carver shrugs: these things happen. He hands Hull a lot
of
cash, much more than expected. Hull does understand.

CARVER
Get to Elias. Then to Barbosa.

HULL
You can't rush this stuff.

CARVER
Rush it, please. I want art, John,
not reality. Budget hearings start
in April, and I need Gallegos by
then. They won't give us funding for
three ounce buys.

HULL
We're not just doing this for the
funding, are we?

CARVER
Without funding, we aren't doing it
at all.

TITLE: TWO WEEKS LATER
Genres: ["Crime","Drama","Thriller"]

Summary Detective Hull presents his investigation findings on a drug operation to Carver. They discuss the distribution chain involving Eddie, David Elias, and Felix Barbosa. Carver urges Hull to expedite the investigation to secure funding for the budget hearings, while Hull expresses concerns about thoroughness. The scene ends with a reminder that two weeks have passed.
Strengths
  • Engaging dialogue
  • High stakes
  • Tense atmosphere
Weaknesses
  • Limited emotional depth
  • Lack of character development

Ratings
Overall

Overall: 8

The scene effectively sets up the main conflict of the story and introduces high stakes for the protagonist. The dialogue is engaging and propels the plot forward, keeping the audience invested in the narrative.


Story Content

Concept: 8

The concept of an undercover assignment to dismantle a drug operation is compelling and sets the stage for a complex and suspenseful storyline. The scene effectively establishes the central conflict of the screenplay.

Plot: 8

The plot is well-developed in this scene, with the introduction of a dangerous mission for the protagonist and the revelation of key information about the criminal network he is tasked with infiltrating. The scene moves the story forward and builds tension effectively.

Originality: 9

The scene introduces a fresh take on the crime genre by focusing on the internal struggles and moral dilemmas of the protagonist. The authenticity of the characters' actions and dialogue adds depth and complexity to the narrative.


Character Development

Characters: 7

The characters in the scene are well-defined, with John Hull and Gerald Carver displaying distinct personalities and motivations. The interaction between the two characters adds depth to the narrative and sets up future conflicts.

Character Changes: 6

John Hull undergoes a subtle change in this scene as he is confronted with a dangerous mission that challenges his moral compass. The assignment forces him to make difficult decisions and face the consequences of his actions.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate the complex dynamics of his relationship with Carver, balancing the need for funding with his own moral compass. This reflects his deeper desire to do the right thing while also achieving his professional goals.

External Goal: 7.5

The protagonist's external goal is to follow Carver's instructions to investigate Elias and Barbosa, ultimately leading to securing funding for their operation. This goal reflects the immediate challenges and pressures he faces in his job.


Scene Elements

Conflict Level: 9

The level of conflict in the scene is high, with John Hull facing a dangerous mission that puts his life at risk. The tension between Hull and Carver adds to the overall conflict and raises the stakes for the protagonist.

Opposition: 8

The opposition in the scene is strong, with conflicting goals and motivations driving the characters' interactions. The audience is left uncertain about the outcome, adding to the suspense and intrigue of the scene.

High Stakes: 9

The stakes in the scene are high, with John Hull being tasked with a dangerous undercover assignment that could have serious consequences. The mission puts his life at risk and forces him to confront his own moral code.

Story Forward: 9

The scene significantly moves the story forward by introducing a key plot point and setting up future conflicts for the protagonist. The assignment given to John Hull propels the narrative and raises the stakes for the characters involved.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics between the characters and the unexpected twists in the investigation. The audience is kept on their toes, unsure of how the protagonist will handle the challenges he faces.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the tension between art and reality, as Carver prioritizes the appearance of success over the actual impact of their work. This challenges the protagonist's beliefs about the importance of integrity and authenticity in their line of work.


Audience Engagement

Emotional Impact: 6

The scene has a moderate emotional impact, with the audience feeling a sense of unease and anticipation as John Hull is presented with a dangerous assignment. The emotional weight of the scene is heightened by the high stakes and moral dilemmas faced by the characters.

Dialogue: 9

The dialogue in the scene is sharp, engaging, and reveals important information about the characters and the central conflict. The conversation between John Hull and Gerald Carver is tense and dynamic, adding to the overall suspense of the scene.

Engagement: 9

This scene is engaging because of its sharp dialogue, tense atmosphere, and complex character dynamics. The audience is drawn into the mystery and intrigue of the investigation, eager to see how the protagonist navigates the challenges he faces.

Pacing: 8.5

The pacing of the scene is effective in building tension and suspense, with a gradual escalation of conflict and stakes. The rhythm of the dialogue and action keeps the audience engaged and invested in the outcome.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the conventions of the genre, with clear scene headings and dialogue formatting. The visual descriptions enhance the atmosphere and setting of the scene.

Structure: 8

The scene follows the expected structure for a crime drama, with a clear setup, conflict, and resolution. The pacing and rhythm of the scene contribute to its effectiveness in building tension and suspense.


Critique
  • The scene lacks a clear sense of urgency or tension, considering the high stakes involved in the investigation. The dialogue between Hull and Carver feels somewhat flat and lacks emotional depth, making it difficult for the audience to fully engage with the characters and their motivations.
  • The exposition about the distribution chain of the drug operation feels forced and unnatural, as if the characters are simply reciting information for the audience's benefit. This could be presented in a more organic and dynamic way to make the scene more engaging.
  • The interaction between Hull and Carver could benefit from more subtext and nuance to add layers to their relationship. The scene could explore the power dynamics between the two characters and delve deeper into their conflicting motivations and hidden agendas.
  • The visual elements described in the scene, such as the foil balls on the blotter and the photographs on the corkboard, could be used more effectively to create a sense of atmosphere and enhance the mood of the scene.
  • Overall, the scene could benefit from more dynamic pacing and a stronger sense of conflict to drive the narrative forward and keep the audience invested in the story.
Suggestions
  • Consider adding more subtext and emotional depth to the dialogue between Hull and Carver to make their interaction more compelling and nuanced.
  • Find ways to convey the information about the drug operation and the characters involved in a more organic and engaging manner, perhaps through subtle hints and clues rather than direct exposition.
  • Explore the power dynamics between Hull and Carver to add complexity to their relationship and create more tension in the scene.
  • Enhance the visual elements in the scene to create a more immersive and atmospheric setting that complements the dialogue and actions of the characters.
  • Work on tightening the pacing of the scene and increasing the sense of conflict to keep the audience engaged and eager to see what happens next.



Scene 8 -  Dealings in the Dark
INT. CRACK HOUSE - DAY
Virtual darkness save splinters of light between the
curtains.
Pipes burn here and there in the gloom. Ten or fifteen
crackheads huddle around a battery-operated TV on which
Tom
Brokaw is narrating an NBC documentary on drugs. A 12-
year-
old sits against a wall too stoned even for television.

Hull approaches Eddie, regally installed on an
automobile
bench seat-cum-sofa, a lit pipe in one hand. We barely
notice
the redhead kneeling between his legs, face buried in
his
crotch. He greets Hull from wrecked bliss. They know
each
other now.

EDDIE
My man, Dudley, he's so fud-ley...

Hull greets Eddie, some of the others, drops familiarly
onto
an adjacent auto seat. The patrons are making fun of
Brokaw,
laughing, exchanging fives.

HULL
Eddie, man, I need...

Eddie holds up a hand telling Hull to wait. His mind is
elsewhere. His features contract in brief
concentration.

CHORUS OF COMMENTS
Whatever happened to that Drug Czar
motherfucker?... He gave up 'cause
he finally realized he didn't know
nothing about any of that shit...

More laughter, etc. Eddie's concentration peaks, breaks
off
into a sigh and a smile.

Eddie sings a satisfied little song...

The redhead rises from Eddie's crotch, and we see it's
a
boy, seventeen going on death; he might have been
pretty a
year ago.
Eddie passes him the crack pipe, lets him suck greedily
for
a few seconds before ripping it out of his scabrous
mouth
and offering it to Hull, who, with a grimace that gets
laughs,
declines. The others continue to watch and comment on
the
speech.

EDDIE
So what is it you need so bad, blood?
Need, need, need??

HULL
A whole K, quick as you can get it.

EDDIE
(impressed, a trace
of envy)
Comin' in the world, Dudley.

HULL
(winning grin)
All because of my man...

Eddie likes that, holds out a hand. Hull hits it.

EDDIE
Give me a day.

Hull nods, rises.

EDDIE
(continuing)
Stick around, let the bitch Hoover
you, too.

Indicating redhead.

In all these scenes, Hull acts indifferent to the
horror,
but here the effort costs him. He masters his disgust
with a
joke.

HULL
Only if you Clorox him first.

Everyone laughs, even the boy.
Genres: ["Crime","Drama"]

Summary In a dark crack house, Eddie, a well-known drug user and dealer, interacts with Hull, a customer looking to buy drugs. Eddie offers to get him a kilo of drugs. The scene is gritty and disturbing, with a young boy seen performing sexual acts on Eddie. The conflict of Hull needing drugs is resolved when Eddie agrees to help him, ending with a crude joke about cleaning the boy with Clorox.
Strengths
  • Realistic portrayal of the criminal underworld
  • Strong character interactions
  • Gritty atmosphere
Weaknesses
  • Lack of significant character development
  • Limited emotional depth

Ratings
Overall

Overall: 8

The scene effectively sets the tone for the criminal underworld theme, with strong character interactions and dialogue that immerse the audience in the gritty atmosphere.


Story Content

Concept: 8

The concept of exploring the drug trade and its impact on individuals is well-executed, providing a realistic portrayal of the underworld connections.

Plot: 7

The plot progresses as Detective Hull delves deeper into the drug operation, setting the stage for further developments in the investigation.

Originality: 9

The scene presents a fresh and authentic portrayal of the drug world, with unique character interactions and dialogue that feel true to life. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters are well-defined and their interactions reveal their motivations and struggles in the criminal environment.

Character Changes: 6

While there are subtle shifts in character dynamics, the focus is more on the environment and interactions rather than significant character development.

Internal Goal: 8

The protagonist's internal goal in this scene is to secure a large quantity of drugs quickly. This reflects his need for power and control in his world of addiction and crime.

External Goal: 7

The protagonist's external goal is to obtain a whole K of drugs as soon as possible. This reflects the immediate challenge he is facing in the drug world.


Scene Elements

Conflict Level: 8

The conflict between the characters and their surroundings creates tension and drives the narrative forward.

Opposition: 7

The opposition in the scene is strong, with obstacles and challenges that create uncertainty and tension for the protagonist as he pursues his goals.

High Stakes: 8

The high stakes of the drug operation and the characters' involvement add tension and urgency to the scene.

Story Forward: 8

The scene moves the investigation forward and sets the stage for further revelations in the criminal underworld.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the characters' actions and dialogue, keeping the audience guessing about the outcome.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the protagonist's moral compass and his willingness to engage in dangerous and unethical behavior to achieve his goals. It challenges his values and worldview as he navigates the seedy world of drugs and crime.


Audience Engagement

Emotional Impact: 7

The scene evokes a sense of despair and unease, drawing the audience into the harsh reality of the characters' lives.

Dialogue: 8

The dialogue captures the essence of the characters' personalities and the harsh reality they face, adding depth to the scene.

Engagement: 9

This scene is engaging because of its intense and suspenseful atmosphere, as well as the dynamic interactions between the characters that keep the audience on edge.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense, as well as allowing for moments of character development and interaction.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions that enhance the visual storytelling.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution that drive the narrative forward.


Critique
  • The scene is set in a dark and gritty crack house, which sets the tone for the drug-fueled environment and the characters involved.
  • The introduction of Eddie and his interaction with Hull adds depth to their relationship and establishes Eddie as a prominent figure in the drug scene.
  • The dialogue between the characters, especially Eddie and Hull, is realistic and captures the slang and banter commonly found in such settings.
  • The visual descriptions of the crackheads, the TV documentary on drugs, and the general atmosphere of the crack house help paint a vivid picture of the scene.
  • The scene effectively conveys the sense of desperation and decay associated with drug addiction and the criminal underworld.
Suggestions
  • Consider adding more details to enhance the sensory experience of the scene, such as describing the smells, sounds, and textures of the crack house.
  • Explore the internal thoughts and emotions of Hull as he navigates this environment, providing insight into his mindset and motivations.
  • Introduce more conflict or tension to drive the scene forward and keep the audience engaged, perhaps by adding a confrontation or unexpected twist.
  • Consider delving deeper into the dynamics between Eddie and Hull, exploring their past history and current relationship to add complexity to their interactions.
  • Ensure that the scene serves a clear purpose in advancing the overall plot and character development, tying it back to the larger narrative arc.



Scene 9 -  Eddie's Interrogation and Elias's Dilemma
EXT. STREET - NIGHT

Eddie comes out the back door of a building, is
immediately
collared by Taft (the cop on the videotape). He's in
his mid-
40s, stocky, balding.

TAFT
(cheerful, gregarious)
Eddie Shitface! Where you been, boy?

Eddie breaks free, runs three feet before HERNANDEZ (a
muscular Mexican) knees him in the groin. Eddie
crumples.

TAFT
(continuing)
Eddie, I don't think I introduced
you to my new partner, Michael
Hernandez...

HERNANDEZ
Pleased to meet you, Mr. Shitface...

EXT. STREET - NIGHT

Eddie folded over his wounded nuts. Hernandez and Taft
sit
on crates to either side. The drugs they've taken from
him
are neatly arranged on a garbage can lid.

HERNANDEZ
You have the right to remain silent...
You have the right to an attorney...
You have the right to go back to
Ontario for eight-to-ten on a second
offense...

EDDIE
(in several kinds of
pain)
Oh, man, I can't go back in there, I
just can't.

TAFT
(soothing)
'Course you can't, child, 'course
you can't. That's why you're gonna
start giving us some help.
EXT. DAVID ELIAS'S HOUSE - NIGHT

A pleasant, Santa Monica neighborhood. Spanish style
house.

INT. ELIAS'S HOUSE - NIGHT

Pleasant, tasteful. Elias's wife, NANCY, (dressed like
the
attorney she is) sits in an alcove-study reading a real
estate
contract through half-glasses. Elias himself is helping
his
daughter, MIRANDA, 7, with her homework. He is 38, with
the
body and bearing of a powerful man.

ELIAS
Again. Three times four.

MIRANDA
Seven.

Elias is not a sweet Daddy. It should make us
uncomfortable
to watch him push his daughter.

ELIAS
No. You're adding again, you have to
multiply. Three and four is seven.
Three times four is...

MIRANDA
Twelve.

ELIAS
Three times five.

The DOORBELL.

NANCY
Can you get that?

MIRANDA
Eight.

ELIAS
(getting up; more
about the answer
than the door)
Damn it.
MIRANDA
Why can't I just use a calculator?

INT./EXT. FRONT DOOR - NIGHT

Three men: FELIX BARBOSA (whose photo we saw in
Carver's
office). Barbosa is a veteran of the coke business, but
he's
doing too much of the drug now; he's sweating,
paranoid,
unstable. With him is GOPHER, early 60s, a wizened
high-voiced
old con who Barbosa keeps the way Spanish kings kept
dwarfs,
for amusement and luck; like the court jester, Gopher
can
say anything he wants without fear. Behind them is an
Hispanic
kid, CHINO, 17, a thug.

Elias knows them all, but is not happy to see them at
his
door.

ELIAS
What are you doing here?

BARBOSA
We've got a problem, David.

ELIAS
Call me on the phone.

BARBOSA
Your friend Eddie just started bending
over for the cops.

This is very bad news. Elias murmurs a shaken,
"Shit..." and
steps outside, half-closing the door behind him.

BARBOSA
(continuing)
They busted him, and he's dealing to
save his ass.

GOPHER
Which is how he'll lose the skinny
little thing.

ELIAS
Did he give us up?

BARBOSA
Not yet, but he will if he has to,
and eventually he'll have to.

MIRANDA (O.S.)
Daddy! I thought we were doing my
homework.

ELIAS
I don't think he'd talk about us.
He'd try not to.

BARBOSA
If we whack him, he definitely won't.

MIRANDA (O.S.)
Daddy!!

ELIAS
(to Miranda)
Just a second.
(to Barbosa)
Not yet. Let me check on this, first.

BARBOSA
(taunting)
Nobody said you had to do the dirty
work, David. I'll take care of --

ELIAS
Felix, if he's a problem, we'll kill
him. I'll kill him myself.

He doesn't realize until it's too late that Nancy has
just
then opened the front door to see where he went. They
look
at each other, a terrible moment: she knows what he
does,
hates it, can't bring herself to leave him, hates
herself
for that.

ELIAS
(continuing)
Nancy, get out of here.

NANCY
For you; it's Eddie.
She hands him a cordless phone, goes inside closing the
door.

BARBOSA
You got a tasty wife, David. No wonder
you don't want us coming here.

ELIAS
(warning him)
Don't talk about her that way.

Barbosa laughs.

GOPHER
He can't help it, David, it's his
nature.

ELIAS
(into phone, chipper)
Eddie... Sure, man, what do you need?
Genres: ["Crime","Drama","Thriller"]

Summary Eddie is arrested and interrogated by Taft and Hernandez, who threaten him with a prison sentence unless he cooperates. Elias learns that Eddie is talking to the police and worries that he will give them up. Nancy overhears their conversation and realizes Elias is involved in something dangerous, prompting Elias to order her out of the house.
Strengths
  • Tension-filled dialogue
  • Complex character dynamics
  • High stakes and suspense
Weaknesses
  • Some cliched dialogue
  • Lack of diversity in character backgrounds

Ratings
Overall

Overall: 8

The scene effectively builds tension and sets up a complex web of relationships and conflicts within the criminal world. The dialogue is sharp and engaging, drawing the audience into the characters' dilemmas.


Story Content

Concept: 8

The concept of an undercover operation to take down a drug operation is compelling and well-executed. The scene effectively conveys the risks and moral ambiguity involved in such operations.

Plot: 8

The plot advances significantly in this scene, introducing key conflicts and dilemmas that will drive the narrative forward. The revelation of Eddie's betrayal and the threat it poses to David Elias adds depth to the storyline.

Originality: 9

The scene introduces fresh and authentic characters and situations, presenting a unique take on the crime genre. The dialogue feels realistic and the conflicts are morally complex, adding depth to the narrative.


Character Development

Characters: 8

The characters are well-developed and their motivations are clear. David Elias's internal struggle between loyalty and self-preservation is particularly compelling, adding depth to the scene.

Character Changes: 7

David Elias undergoes a significant internal change as he grapples with the betrayal of Eddie and the potential consequences for his criminal operation. His decision to confront the situation head-on showcases his evolving character.

Internal Goal: 8

The protagonist's internal goal is to avoid going back to prison and to protect himself from the consequences of his actions. This reflects his fear of losing his freedom and his desire to survive in a dangerous world.

External Goal: 7

The protagonist's external goal is to avoid being caught by the police and to navigate the dangerous world of drug dealing. This reflects the immediate challenges he faces in the scene.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, driving the tension and suspense. The revelation of Eddie's betrayal and the threat it poses to David Elias creates a sense of urgency and danger.

Opposition: 8

The opposition in the scene is strong, with conflicting loyalties, moral dilemmas, and dangerous situations. The audience is left uncertain of how the characters will navigate these challenges.

High Stakes: 9

The stakes are high in this scene, with the revelation of Eddie's betrayal putting David Elias and his criminal operation in jeopardy. The potential consequences of Eddie's actions add urgency and danger to the narrative.

Story Forward: 9

The scene moves the story forward significantly, introducing key conflicts and dilemmas that will drive the narrative. The revelation of Eddie's betrayal and the threat it poses to David Elias sets the stage for future developments.

Unpredictability: 8

This scene is unpredictable because of the characters' shifting loyalties, unexpected betrayals, and moral dilemmas. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around loyalty, betrayal, and survival. The protagonist must navigate conflicting loyalties and make difficult choices to protect himself and his associates.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, from tension and anxiety to empathy and concern for the characters. The high stakes and moral dilemmas faced by the characters add emotional depth to the scene.

Dialogue: 9

The dialogue is sharp, realistic, and drives the tension of the scene. It effectively conveys the power dynamics and conflicts between the characters, adding depth to their relationships.

Engagement: 9

This scene is engaging because of its tense atmosphere, realistic dialogue, and moral dilemmas. The conflicts and character dynamics draw the audience in and create suspense.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, with a balance of dialogue, action, and character interactions. The rhythm of the scene keeps the audience engaged and invested.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene descriptions, character actions, and dialogue formatting. The visual elements are well-presented.

Structure: 8

The scene follows the expected structure for a crime drama, with clear character introductions, conflict development, and tension building. The pacing and rhythm are effective in creating suspense.


Critique
  • The scene transitions abruptly from Eddie being arrested to Elias's house, which can be disorienting for the audience.
  • The dialogue between Taft, Hernandez, and Eddie feels forced and lacks depth, making it difficult for the audience to connect with the characters.
  • The introduction of Barbosa, Gopher, and Chino at Elias's house feels rushed and the dynamics between the characters are not fully explored.
  • The interaction between Elias and Nancy regarding Eddie's situation lacks emotional depth and the tension between them could be better developed.
  • The dialogue between Elias, Barbosa, and Gopher lacks subtlety and comes across as too on-the-nose, diminishing the impact of the scene.
Suggestions
  • Consider smoothing out the transition between the arrest scene and Elias's house to improve the flow of the narrative.
  • Develop the dialogue between Taft, Hernandez, and Eddie to make it more engaging and realistic, allowing the audience to connect with the characters.
  • Take more time to introduce Barbosa, Gopher, and Chino at Elias's house, exploring their dynamics and motivations in more depth.
  • Enhance the emotional tension between Elias and Nancy regarding Eddie's situation to add depth to their relationship and create a more compelling scene.
  • Refine the dialogue between Elias, Barbosa, and Gopher to make it more nuanced and subtle, allowing the dynamics between the characters to shine through.



Scene 10 -  The Confrontation
INT. A BOXING GYM - NIGHT

Elias joins Eddie and Hull to one side. In the b.g. two
guys
sparring.

EDDIE
David, this is John, John, David.
Eddie, this is Eddie. Everybody ready?

HULL
(to Elias)
So what's this, you want to meet me?

ELIAS
(charming, touch of
mockery)
I like to know the important
customers.

Hull makes a show of weary patience, gestures: here I
am.

ELIAS
(continuing)
You're taking a lot of weight for a
guy we hardly know. Where're you
moving this stuff, John? We haven't
seen you around. We like to have a
sense who your customers are.
HULL
Ah, come on, man, do Macy's tell the
Gimbel motherfuckers?

ELIAS
(beat; watches him)
Eddie, forget this guy, he's a cop.

He gets up, walks away.

ON HULL

He's blown it. He's been made. The crushing failure. He
rallies himself to indignation.

HULL
What is this shit, Eddie? I thought
you were the man.

Eddie's sickened, wants to get paid, owes Taft a bust.

EDDIE
Nobody's the fuckin' man. Go to your
place. I'll call you.

EXT. GYM/INT. A VAN - CONTINUOUS TIME

Taft and Hernandez, watching the gym. Hull comes out,
looks
up and down the street carefully. Taft sits up, pays
attention.

TAFT
This is our collar?

Hernandez grunts.

TAFT
(continuing)
Who is he?

HERNANDEZ
Some scumbag...

But Taft clearly thinks there's something different
about
Hull. He's not sure what, but it troubles him. (NOTE:
Hull
makes a little move that Taft will later realize was a
cop's
move. For now he can't quite place it.)
EXT. PARKING LOT - CONTINUOUS TIME

Eddie pleading his case to Elias.

EDDIE
He's no cop, David. He's an animal.
You see his eyes? You never see a
cop with those eyes. I know this
shit, man, you don't.

ELIAS
(giving him an opening)
What's going on, Eddie?

EDDIE
Twenty-six thousand cash is what. We
need it, David. We're behind.

Elias studies Eddie: is he a rat? Elias hopes not, but
he's
going to find out. He hands a fat Federal Express
envelope
through the window.

ELIAS
(a warning)
I want him to get it all, Eddie.

Eddie bows in gratitude, hurries off.

EXT./INT. HULL'S MOTEL - NIGHT

Hull's unlocking his door when Belinda, the hooker
across
the hall, comes out to talk. Her 6-year-old, James,
watches,
silent.

BELINDA
(a crackhead)
Mr. Hull... Mr. Hull...

HULL
(wearily)
What's happening, Belinda?

BELINDA
Now you know, Mr. Hull, I was to the
welfare this afternoon, but the bus,
you know what I'm saying?... the one
bus, and then the other, and when I
got there they'd gone and changed
the time on me, without notification.
They's supposed to give notification,
ain't they? They said I got a thing
in the mail, but I don't remember, I
don't think they sent it, so now I'm
off the welfare, plus I forgot to
take James for his shot... for the
school? Which otherwise they let him
go. And he's gotta learn, he's gotta
learn, don't he, Mr. Hull, you tell
him, so's he can better hisself.

Hull slouches in the doorway, fingers to his eyes.

HULL
(to James)
You had any food today, James?

JAMES
(disclaiming any need)
I had Ding-Dongs.

HULL
(sighs, gives him
money)
You go to the Mexican place over
there, and get the chicken tostada
or the beef and bean burrito or both.
And a milk.

JAMES
I don't like milk. I want a --

HULL
(an order)
You get the milk! And get something
for your mother, too.
(to Belinda)
What do you want?

BELINDA
Now, Mr. Hull, if you just --

HULL
(to James)
Two tostadas, two burritos, two milks.

Gives him another bill. The boy runs off.

BELINDA
You now, I look out for my James
best I can, Mr. Hull, but it's hard.
Now you like the boy, don't you?

Hull grunts.

BELINDA
(continuing)
I know you do. And I was thinkin' if
you wanted to take care of him, that
might be good for him. Give him a
male figure to look up to.

HULL
Look, Belinda, I can't...

BELINDA
If you could just give me something
for him. Say five thousand dollars...
(off Hull's shock)
Or maybe four thousand. I couldn't
give up my boy for less than four
thousand...

Hull is rescued from this horror by the ringing PAY
PHONE.
He runs down the hall, grabs it.

HULL
It's me. I'm here... Where?... five
minutes.

He dashes past Belinda into his room.

BELINDA
Or you could just give me a part
now...

He closes the door, takes the money Carver gave him out
from
behind the mirror, dashes back outside. As he rushes
by:

BELINDA
(continuing)
Let me do somethin' for you, Mr.
Hull. Let me do a little somethin'
for you.

He keeps going. The Blonde Woman addresses Belinda.

BLONDE WOMAN
No solicitin' in the halls. I told
you that before.
BELINDA
(spunkier than we've
seen)
I ain't doin' shit. Bitch...
Genres: ["Crime","Drama"]

Summary Elias confronts Hull about being an undercover cop and gives Eddie the money to deliver to Hull. Hull meets with Belinda, who tries to sell him her son. He declines and meets with Carver, leaving Belinda desperate.
Strengths
  • Sharp dialogue
  • Tension-filled atmosphere
  • Complex character dynamics
  • High stakes
Weaknesses
  • Some characters' motivations could be further explored
  • Belinda's subplot feels slightly disconnected from the main narrative

Ratings
Overall

Overall: 8

The scene effectively builds tension and suspense, immersing the audience in the dark and dangerous world of drug dealing. The dialogue is sharp and impactful, conveying the characters' desperation and conflicting motivations.


Story Content

Concept: 8

The concept of an undercover operation within a drug ring is executed well, with a focus on the moral dilemmas faced by the characters. The scene effectively explores themes of betrayal, loyalty, and survival.

Plot: 8

The plot advances significantly in this scene, introducing key conflicts and escalating the stakes for the characters. The revelation of Eddie potentially betraying his associates adds a layer of intrigue and sets up future confrontations.

Originality: 9

The scene presents a fresh take on the crime genre, with complex characters and ethical dilemmas that add depth to the narrative. The authenticity of the characters' actions and dialogue enhances the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and their motivations are clear, driving the tension and conflict in the scene. Each character's unique personality shines through in their interactions, adding depth to the narrative.

Character Changes: 7

While there are subtle shifts in the characters' dynamics and motivations, the scene primarily focuses on setting up future conflicts and revealing hidden agendas. The characters' actions hint at potential changes to come, adding depth to their arcs.

Internal Goal: 8

The protagonist's internal goal is to navigate the dangerous world of criminal activity while maintaining some sense of morality and humanity. He struggles with the ethical dilemmas presented to him and tries to balance his own needs with the needs of others.

External Goal: 7

The protagonist's external goal is to complete a drug deal and avoid getting caught by the police. He is under pressure to deliver the money and faces obstacles in the form of suspicious characters and law enforcement.


Scene Elements

Conflict Level: 9

The conflict in the scene is high, with multiple characters facing betrayal, danger, and moral dilemmas. The tension between the characters and the escalating stakes drive the narrative forward and keep the audience engaged.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult choices and obstacles that challenge their goals and beliefs. The uncertainty of the outcome adds to the tension and suspense.

High Stakes: 9

The stakes in the scene are high, with characters facing betrayal, danger, and potential consequences for their actions. The escalating conflicts and moral dilemmas raise the tension and keep the audience on edge.

Story Forward: 9

The scene significantly moves the story forward, introducing key plot points, escalating conflicts, and setting up future confrontations. The revelations and betrayals drive the narrative towards a climactic resolution.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the characters' actions and decisions. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the protagonist's moral compass and the choices he must make in a corrupt and dangerous world. He is faced with ethical dilemmas that challenge his values and beliefs.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, from fear and anxiety to desperation and hopelessness. The characters' struggles and conflicting motivations resonate with the audience, creating a sense of unease and anticipation.

Dialogue: 9

The dialogue is sharp, realistic, and impactful, effectively conveying the characters' emotions and motivations. It adds depth to the interactions and drives the tension in the scene.

Engagement: 9

This scene is engaging because of its intense dialogue, moral dilemmas, and suspenseful atmosphere. The interactions between characters and the high stakes keep the audience invested in the story.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense, allowing for moments of reflection and character development, and maintaining a sense of urgency.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings and dialogue formatting. The technical writing proficiency enhances the readability of the scene.

Structure: 8

The scene follows the expected structure for its genre, with a clear progression of events and character interactions. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene lacks a clear sense of direction and purpose, leading to confusion for the audience.
  • The dialogue feels forced and unnatural at times, particularly in the interactions between Hull and Elias.
  • The character motivations are unclear, especially Eddie's sudden change in behavior from being sickened to agreeing to help Hull.
  • There is a lack of depth in the character interactions, making it difficult for the audience to connect with the story.
  • The transition between different locations and characters is abrupt and disjointed, making it hard to follow the narrative flow.
Suggestions
  • Clarify the objectives of each character in the scene to create more depth and authenticity in their interactions.
  • Work on making the dialogue more natural and reflective of each character's personality and motivations.
  • Smooth out the transitions between locations and characters to improve the overall coherence of the scene.
  • Consider adding more subtext and nuance to the interactions between Hull, Elias, and Eddie to create a more engaging and dynamic scene.
  • Focus on building tension and conflict to drive the scene forward and keep the audience engaged.



Scene 11 -  Drug Bust Interrupted
EXT. TACO STAND - VENICE AND LA BREA - NIGHT

A handful of customers under a mud sky. The THROB of a
distant
helicopter. Hull pulls into the lot beside Eddie's BMW.

He climbs into the BMW, tosses Eddie a brown envelope;
money
spills onto his lap. Eddie does a quick count, produces
the
Fed Ex envelope. The usual white stuff.

Hull's about to taste when the chopper swoops in with a
sudden
blinding overhead light. A BULLHORN booms down like the
voice
of God.

AMPLIFIED VOICE
This is the police. Remain inside
the vehicle. Place your open hands
against the windshield so that they
are clearly visible...

HULL
Christ...

EDDIE
(a strategy)
Spread the floor, Dudley.
(rap sound effects
with rhythmic head
spasms)
A-ga, a-ga, a-ga, a-ga...

Eddie starts the car, and Hull rolls out the passenger
door
as the BMW races across the lot.

Two black-and-whites and an unmarked converge on the
stand.

Hull can't reach his car. He vaults a metal rail and
runs
off between two buildings.
Hernandez jumps out of an unmarked and races after him.
Taft
speeds the car out onto the street.

HULL

running. Police and SIRENS pursuing. He hurls the Fed
Ex
envelope into a dumpster. HELICOPTER light sweeps over
him.

As he cuts around a building, Taft opens a car door
right
into his face. Hull goes down hard.

TAFT
(into car radio)
Thank you kindly...

He waves at the helicopter which goes away, kneels over
Hull
who is twitching spastically on the ground, gasping for
air.
Hernandez arrives carrying the Fed Ex envelope.

TAFT
(continuing)
How you doin', child?...

Hull is astonished to look up and see Taft looming over
him,
the man he remembers from the videotape. He tries to
speak:

HULL
(barely audible)
You...

TAFT
(briefly puzzled)
Me? Of course, it's me. You know me?

Hull shakes head, winces.

TAFT
(continuing)
Hurts, huh?

Hull tries to curse.

TAFT
(continuing)
Here, I want to show you something.
You have kids?

He takes out his wallet, opens it to pictures of his
two
children, a boy and a girl, seven and eight.

TAFT
(continuing)
These are mine. Aren't they the most
beautiful children you ever saw?

Hull groans, twists in pain. Taft sticks the pictures
in his
face. Hull is affected by the children despite
everything.

TAFT
(continuing)
Yeah, I know, they kind of leave you
speechless. So let me ask, if someone
put a gun to your baby's head,
wouldn't you kill him if you could?

Hull just looks up.

TAFT
(continuing)
Me, too. And you're the bastard with
the gun.

He takes the Fed Ex envelope from him.

HULL
(hoarse; his first
words)
You know the difference between a
nigger and a black man?

TAFT
Don't jive me, boy.

HULL
The nigger's the one covers Whitey's
ass by puttin' the brothers in jail.

Taft yanks him hard to his feet; Hull cries out in
pain.

TAFT
You ain't my brother.
Genres: ["Crime","Drama","Thriller"]

Summary At a taco stand, Hull and Eddie's drug exchange is disrupted by the police, leading to a chase. Hull is apprehended by Taft, who shows him pictures of his children and questions Hull's morals regarding protecting family.
Strengths
  • Intense dialogue
  • High stakes
  • Dramatic confrontation
  • Exploration of moral dilemmas
Weaknesses
  • Possible lack of clarity in some action sequences

Ratings
Overall

Overall: 9

The scene is highly engaging, with intense dialogue, high stakes, and a dramatic confrontation that keeps the audience on the edge of their seats.


Story Content

Concept: 8

The concept of an undercover operation in the criminal underworld is well-executed, with a focus on the moral complexities faced by the characters.

Plot: 9

The plot is gripping, with a high-stakes drug deal leading to a dramatic confrontation between Detective Hull and the police.

Originality: 9

The scene presents a fresh take on a classic crime scenario, with unique character dynamics and moral dilemmas. The authenticity of the characters' actions and dialogue adds to its originality.


Character Development

Characters: 8

The characters are well-developed, with Detective Hull facing a moral dilemma and the police officers showing a mix of intimidation and empathy.

Character Changes: 7

Detective Hull undergoes a significant emotional and moral change during the scene, grappling with the consequences of his actions.

Internal Goal: 8

The protagonist's internal goal in this scene is to survive and escape the police confrontation. This reflects his fear of getting caught and his desire to protect himself.

External Goal: 9

The protagonist's external goal is to evade the police and get away with the illegal transaction. This reflects the immediate challenge he is facing and the danger he is in.


Scene Elements

Conflict Level: 9

The conflict in the scene is high, with Detective Hull facing off against the police in a tense and dramatic confrontation.

Opposition: 8

The opposition in the scene is strong, with the police intervention, the protagonist's desperate escape, and the moral confrontation adding to the conflict.

High Stakes: 9

The stakes in the scene are high, with Detective Hull facing the possibility of arrest and the moral dilemma of betraying his criminal contacts.

Story Forward: 9

The scene moves the story forward significantly, with the revelation of the undercover operation and the consequences of the drug deal gone wrong.

Unpredictability: 8

This scene is unpredictable because of the unexpected police intervention, the protagonist's desperate actions, and the moral twist at the end.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the protagonist's moral choices and the consequences of his actions. It challenges his beliefs about loyalty and survival.


Audience Engagement

Emotional Impact: 8

The scene has a high emotional impact, with the characters facing moral dilemmas and high stakes that resonate with the audience.

Dialogue: 9

The dialogue is intense and confrontational, adding to the tension of the scene and highlighting the moral dilemmas faced by the characters.

Engagement: 9

This scene is engaging because of its fast-paced action, high stakes, and moral dilemmas that keep the audience on the edge of their seats.

Pacing: 9

The pacing of the scene contributes to its effectiveness by maintaining a sense of urgency, building suspense, and keeping the audience engaged.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene descriptions, dialogue formatting, and action lines.

Structure: 8

The scene follows the expected structure for a crime thriller genre, with a buildup of tension, action sequences, and character development.


Critique
  • The scene starts with a strong visual of a handful of customers under a mud sky at a taco stand, setting a gritty and tense atmosphere.
  • The sudden appearance of a police helicopter with blinding lights and a booming bullhorn adds a dramatic element to the scene, increasing the tension and urgency.
  • The dialogue between Hull and Eddie during the police intervention feels authentic and adds to the sense of chaos and danger in the scene.
  • The action sequence of Hull rolling out of the BMW and running between buildings while being pursued by the police is well-paced and keeps the audience engaged.
  • The interaction between Hull and Taft after he is caught by the police is intense and reveals a deeper connection between the characters, adding layers to their dynamic.
Suggestions
  • Consider adding more internal thoughts or emotions for Hull during the chase sequence to give insight into his mindset and motivations.
  • Explore the relationship between Hull and Taft further to enhance the tension and conflict between them.
  • Add more sensory details to immerse the audience in the scene, such as describing the sounds of the sirens, the smell of the taco stand, or the feel of the ground as Hull runs.
  • Consider incorporating flashbacks or memories to provide context for Hull's actions and decisions in the scene.
  • Work on tightening the dialogue to make it more impactful and reflective of the characters' personalities and motivations.



Scene 12 -  Surprising Arraignment
INT. COURTROOM - NIGHT

Hull is led in with other handcuffed PRISONERS. Carver
is
here, catches Hull's eye. Hull shakes his head; doesn't
want
Carver to intercede. A woman PUBLIC DEFENDER (26,
attractive,
harried) addresses the prisoners.

PUBLIC DEFENDER
Hi, I'm Shelley Weissbrod. This is
only an arraignment, a preliminary
hearing, but if you don't have money
for an attorney, the Public Defender's
office can...

Hull is listening to this when a BAILIFF taps his
shoulder.

BAILIFF
You've got counsel. Over there.

Puzzled, Hull sees the back of a suit conferring with a
PROSECUTOR. The suit turns. It's DAVID ELIAS who
smiles,
offers his hand. Hull is stunned. Elias enjoys that.

HULL
You're a lawyer??

ELIAS
I'm your lawyer.

HULL
Who hired you?

ELIAS
(smiles)
It's pro bono. If you don't want me,
there's Shelley. She's good. She
just can't provide special services...

HULL
Like what?

VOICE (O.S.)
(calling the next
case)
John Hull...

ELIAS
Getting your case called first.

Elias addressing the court.

ELIAS
(continuing)
Your Honor, I believe the preliminary
police toxicology report will show
that the substance seized from my
client was Mannitol, a baby laxative.
We move for immediate dismissal.

Hull is surprised at this news. The Judge looks to the
Prosecutor who waives objection. Gavel.

ELIAS
(continuing; to Hull)
We're out of here, Dude.

As they walk toward the back, Taft approaches Hull.
There's
already a deep pull between these two, and in Taft's
presence,
Hull can't sustain the tough street act. We almost see
the
little boy inside him.

TAFT
(to Hull, amused)
Baby laxative, they sold you some
bad shit.

DRUNKEN PRISONER
(to Hull)
You have a constipated baby, and
you're in jail? What kind of a father
are you?

TAFT
A father who don't know his own
children, ain't that right?

A long look between them, broken when Elias takes
Hull's
arm, leads him away. Elias cheerfully greets a couple
of
hookers waiting arraignment. Hull furtively grabs his
sleeve.

HULL
(under his breath)
You sold me Mannitol, motherfucker.
ELIAS
(under his)
If it hadn't been, asshole, you'd be
in jail right now... Come on, I want
you to meet some people.
Genres: ["Crime","Legal Drama"]

Summary In a midnight arraignment, Hull is surprised by his lawyer, David Elias, who reveals the seized substance was a laxative, leading to his case's dismissal. A tense interaction between Taft and Hull suggests a hidden connection.
Strengths
  • Engaging dialogue
  • Unexpected legal twist
  • Tension and suspense
Weaknesses
  • Some dialogue may be too cryptic or unclear

Ratings
Overall

Overall: 8

The scene effectively builds suspense and drama through the unexpected legal twist and the conflict between the characters. The dialogue is engaging, and the emotional impact is high.


Story Content

Concept: 8

The concept of a criminal unexpectedly being represented by a figure from his criminal world adds depth and intrigue to the scene. The legal strategy of using the substance seized as a defense is a clever twist.

Plot: 8

The plot advances significantly with the revelation of the legal strategy and the interaction between the characters. The conflict between Hull and Taft adds tension and sets up future developments.

Originality: 9

The scene introduces a fresh take on the legal drama genre with its gritty and realistic portrayal of courtroom proceedings. The characters' actions and dialogue feel authentic and engaging.


Character Development

Characters: 7

The characters, especially Hull and Taft, are well-developed and their interactions are compelling. Elias's unexpected role as a lawyer adds an interesting layer to the scene.

Character Changes: 7

Hull's perception of Elias changes as he discovers Elias is his lawyer, leading to a shift in their dynamic. Taft's amusement and Hull's vulnerability show a different side of their characters.

Internal Goal: 8

The protagonist's internal goal is to navigate the legal proceedings and clear his name. This reflects his desire for justice and freedom.

External Goal: 7.5

The protagonist's external goal is to have the charges against him dismissed based on the toxicology report. This reflects the immediate challenge he is facing in the courtroom.


Scene Elements

Conflict Level: 9

The conflict between Hull, Elias, and Taft is intense and multi-layered, adding depth to the scene. The high stakes and power dynamics increase the tension.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing challenges from the legal system, other prisoners, and his own lawyer.

High Stakes: 9

The high stakes are evident in Hull's legal situation, the power dynamics between the characters, and the potential consequences of the legal proceedings. The risks are significant.

Story Forward: 8

The scene moves the story forward significantly by introducing a new legal angle, deepening the conflict, and setting up future developments. It adds complexity to the narrative.

Unpredictability: 8.5

This scene is unpredictable because of the unexpected turn of events, such as the revelation of the toxicology report and the interaction between characters.

Philosophical Conflict: 7

The philosophical conflict in this scene is between the protagonist's sense of justice and the corrupt system he is up against. This challenges his beliefs in fairness and truth.


Audience Engagement

Emotional Impact: 8

The scene evokes tension, anxiety, and defiance, leading to a strong emotional impact on the audience. The characters' vulnerabilities and the high stakes heighten the emotions.

Dialogue: 9

The dialogue is sharp, engaging, and reveals the characters' motivations and conflicts effectively. It drives the scene forward and adds depth to the interactions.

Engagement: 9

This scene is engaging due to its fast-paced dialogue, tense atmosphere, and unexpected twists.

Pacing: 8.5

The pacing of the scene is effective in building tension and maintaining the audience's interest through well-timed reveals and character interactions.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with proper scene headings, character names, and dialogue formatting.

Structure: 8

The scene follows the expected structure for a courtroom drama, with clear character introductions, conflict, and resolution.


Critique
  • The scene transitions abruptly from Hull being caught by Taft to being in a courtroom without a clear connection or explanation of how he got there, which can be confusing for the audience.
  • The introduction of David Elias as Hull's lawyer feels contrived and lacks believability, especially considering their previous interactions and the sudden shift in Elias's role.
  • The dialogue between Hull and Elias lacks depth and emotional resonance, missing an opportunity to explore the complex dynamics between the two characters.
  • The interaction between Hull and Taft feels forced and lacks authenticity, failing to fully capture the tension and history between them.
  • The scene lacks a clear resolution or impactful conclusion, leaving the audience with a sense of incompleteness and unresolved conflict.
Suggestions
  • Provide a smoother transition between the previous scene and the courtroom setting to maintain continuity and clarity for the audience.
  • Develop the relationship between Hull and Elias more organically to make Elias's role as Hull's lawyer more believable and impactful.
  • Enhance the dialogue between Hull and Elias to delve deeper into their conflicting motivations and emotions, adding layers to their interaction.
  • Focus on building the tension and history between Hull and Taft to create a more compelling and authentic dynamic between the characters.
  • Consider adding a more definitive resolution or cliffhanger at the end of the scene to leave the audience with a sense of anticipation and intrigue.



Scene 13 -  Confrontation at Lewazz
EXT. LEWAZZ - NIGHT

After hours. The place is closed. A couple of cars in
the
lot. Elias's BMW pulls in.

INT. LEWAZZ - NIGHT

Deserted except for one table where Eddie, Barbosa,
Gopher
and Chino are eating shrimp. They look up as Hull and
Elias
approach. Eddie's astonished to see Hull.

EDDIE
Dudley, Dudley, Fo-Fudley...

ELIAS
Surprised to see him, Eddie?

Eddie looks around, uneasy.

ELIAS
(continuing)
John got busted and kept his mouth
shut. Can't say that for everybody,
can we?

EDDIE
What are you saying? Are you saying
me? Are you saying something about
me?

GOPHER
Tell the truth, Eddie. Be honorable.
It's all you got left.

EDDIE
Shut up, you little faggot.

ELIAS
The cops made you give them somebody.
We know it.
Eddie looks around. Everybody's looking at him. He
considers
lying, but realizes it's pointless.

EDDIE
All right, so what? I mean, so what,
man? You got the money. Twenty-six
G. Twenty-six, David. Count it.

ELIAS
Next time you might trade us.

EDDIE
Never.
(turns to Barbosa)
Never, Felix, never. Come on, man,
you know I'd never...

Hull observes Barbosa become the power center.

BARBOSA
(softly)
I know you never will.

EDDIE
Felix, no. Don't be... I'm worth
money to you. Let me give you money.

BARBOSA
Why? You don't owe me anything.

EDDIE
Another twenty-six grand... Just to
show you... Fifty.

BARBOSA
Why not a hundred?

EDDIE
(that's so much)
A hundred??? Felix...

Barbosa's impassive.

EDDIE
(continuing)
Okay, a hundred.

BARBOSA
Give it.

EDDIE
Tomorrow. Twenty-four hours.

BARBOSA
Now. Ten seconds.

EDDIE
Felix, I need time. I --

BARBOSA
One... two...

EDDIE
I don't have it right now. But I can --

GOPHER
(sadly)
Then goodbye, Eddie. I forgive you
for what you said to me.

EDDIE
(pleading)
Twelve hours. Tomorrow morning.

BARBOSA
Six... seven...
(to Elias)
You want to do it, David?

Elias looks stricken. Barbosa laughs. Eddie jumps up.
Hull
turns away, can't bear to watch this.

BARBOSA
(continuing)
Nine...

EDDIE

grabs the first thing he lays eyes on, a tiny snail
fork and
plunges it into Barbosa's neck.

As if it were a fly bite, Barbosa flings the table
aside
and, with a long knife already in his hand, guts Eddie
from
groin to breast bone. Eddie falls like a suddenly
emptied
sack.

Elias can't help gasping.
Hull looks away, hiding his horror.

Barbosa rips the fork out of his neck and hurls it at
the
body.

BARBOSA
Piece of shit!

Elias stares at Eddie's body, transfixed. Horrified,
fascinated, afraid, in awe. Barbosa turns to Hull.

BARBOSA
(continuing)
What'd you think?

HULL
At least it was clean.

BARBOSA
(pleased, to Elias)
What about you, bar mitzvah body?
First time you saw somebody die?

ELIAS
(eyes fixed on the
body)
No.
(catching breath)
At camp... when I was fourteen... a
friend of mine was water skiing...
The motorboat ran him over... A junior
counsellor was driving.

BARBOSA
You should kill a man some day, David,
it's liberating...
(walking out)
Summer camp. I'm in business with
somebody who went to summer camp.

Everyone else is silent, grave.
Genres: ["Crime","Drama","Thriller"]

Summary Eddie's betrayal is exposed, leading to a deadly confrontation with Barbosa. Eddie's plea for mercy is met with violence, highlighting the power imbalance and brutality of the criminal underworld.
Strengths
  • Intense atmosphere
  • Realistic dialogue
  • Unexpected twist
  • Strong character dynamics
Weaknesses
  • Graphic violence
  • Potentially triggering content

Ratings
Overall

Overall: 9

The scene is highly impactful, effectively building tension and delivering a shocking twist that keeps the audience engaged.


Story Content

Concept: 9

The concept of a drug deal gone wrong resulting in a violent confrontation is executed with intensity and realism, adding depth to the narrative.

Plot: 9

The plot unfolds with a series of escalating conflicts and reveals, culminating in a dramatic and unexpected turn of events.

Originality: 9

The scene offers a fresh and authentic portrayal of criminal underworld dynamics, with realistic character interactions and moral dilemmas. The actions and dialogue feel genuine and unpredictable, adding to the scene's originality.


Character Development

Characters: 8

The characters are well-developed and their motivations and actions drive the tension and conflict in the scene.

Character Changes: 7

The characters undergo significant emotional and psychological changes as a result of the violent confrontation, impacting their relationships and future actions.

Internal Goal: 8

The protagonist's internal goal is to maintain his reputation and power within the criminal group. He is driven by a fear of losing control and respect among his peers.

External Goal: 7

The protagonist's external goal is to negotiate a deal with another member of the group to avoid being killed. He is facing immediate danger and needs to think quickly to survive.


Scene Elements

Conflict Level: 9

The scene is filled with intense conflicts, both internal and external, driving the narrative forward and heightening the stakes.

Opposition: 9

The opposition in the scene is strong, with high stakes and conflicting goals among the characters. The audience is kept on edge by the uncertainty of the outcome.

High Stakes: 9

The high stakes of the drug deal, betrayal, and violent confrontation heighten the tension and suspense, keeping the audience on edge.

Story Forward: 9

The scene propels the story forward by introducing new conflicts, revealing character motivations, and setting up future developments in the narrative.

Unpredictability: 9

This scene is unpredictable because the characters' decisions and actions are unexpected and lead to a shocking and violent conclusion. The audience is kept guessing about the outcome until the last moment.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the value of loyalty and honor among criminals. The characters debate the importance of honesty and integrity in their criminal dealings.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions in the audience, particularly shock, fear, and tension, through its intense and dramatic events.

Dialogue: 8

The dialogue is sharp and impactful, effectively conveying the characters' emotions and intentions in the high-stakes situation.

Engagement: 9

This scene is engaging because of its high stakes, intense conflict, and unpredictable outcome. The dialogue and actions keep the audience on edge and invested in the characters' fates.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, with a gradual escalation of conflict leading to a climactic and shocking moment.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and follows standard screenplay conventions, making it easy to visualize the action and dialogue.

Structure: 8

The scene follows a typical structure for a tense and dramatic confrontation in a crime thriller genre. The pacing and dialogue build tension effectively.


Critique
  • The scene is intense and suspenseful, but it may benefit from more character development and depth to enhance the emotional impact of the violent confrontation.
  • The dialogue is effective in building tension and revealing the power dynamics between the characters, but it could be further refined to add layers to their relationships and motivations.
  • The visual descriptions are vivid and help set the tone of the scene, but there could be more focus on the characters' internal struggles and reactions to the violent events unfolding.
  • The pacing of the scene is well-executed, but there could be more exploration of the aftermath of the violent act and its impact on the characters involved.
  • Overall, the scene sets up a dramatic turning point in the story, but there is room for deeper exploration of the characters' emotions and motivations to create a more compelling narrative.
Suggestions
  • Consider delving deeper into the characters' backstories and motivations to add complexity and depth to their actions and reactions.
  • Explore the emotional aftermath of the violent confrontation to show the impact on the characters and their relationships.
  • Fine-tune the dialogue to reveal more subtext and nuance in the characters' interactions, adding layers to their dynamics.
  • Enhance the visual descriptions to capture the characters' internal struggles and emotional states during the intense moments of the scene.
  • Consider pacing the scene to allow for moments of reflection and introspection amidst the high-stakes drama, adding depth to the narrative.



Scene 14 -  Breakfast with Elias and Hull
INT. ELIAS'S HOUSE - KITCHEN - EARLY MORNING

Through sliders we see a small pool. Elias and Hull sit
over
uneaten omelets. Both still shaken by the previous
scene.

ELIAS
Eddie, man... He was always nice to
my daughter.

HULL
How'd a guy like you get into this?

ELIAS
The way most drug lawyers do: clients
paid me in product, and I had to
move it. Soon I was doing more dealing
than law. But this was '83, '84,
there was so much money we thought
it would never end.

HULL
Yeah. And now...?

ELIAS
The road gets rougher. Cocaine's a
dying business.

HULL
Then what are we doing here?

ELIAS
People are always going to want to
get high. Every society has ways to
alter consciousness.

HULL
Because they can't bear reality.

ELIAS
(smiles)
We all need our delusions, only the
means change: psychedelics, opiates,
prayer, orgies, human sacrifice...

HULL
What's next?

Elias puts a finger to his lips.

HULL
(continuing)
Why aren't you selling it?

ELIAS
I know how to make it and market it.
But I need capital. That's the only
reason I'm hanging out with an asshole
like Barbosa.
(feels his hatred of
Barbosa)
And because I can't get to the big
guys.

HULL
Who are the big guys?

ELIAS
Gallegos, et cetera.

HULL
(reacts to the name)
Why can't you get to them?

ELIAS
What do you care?

Hull shrugs: he doesn't.

ELIAS
(continuing)
Anyway, designer drugs have a bad
name: ice, ecstasy, tar -- there's a
limited market for Parkinson's
disease. But what about completely
safe, almost legal, terrific shit
you can go to work on and do your
job better than you ever did it
straight?

HULL
Sounds like a dream.

They hear someone coming.

ELIAS
(closing the subject)
In dreams begin responsibilities.

HULL
Tell me about this new shit.

ELIAS
Some other time, John, when we know
each other better.
(as Miranda enters
kitchen)
Hey, bunnela.
(she snuggles against
him; Elias enjoys it)
Five times two.
MIRANDA
It's too early. Don't bother me.

He hugs her, kisses her, much more openly affectionate
than
Hull was with his own children. Hull notices that.

MIRANDA
(continuing; head in
her father's chest)
Seven.

Elias whispers in her ear.

MIRANDA
(continuing)
Oh, yeah... Ten... Who's he?

ELIAS
That's my friend, John. This is
Miranda.

HULL
Hi, Miranda.

Miranda gives Hull a shy greeting. Nancy hurries into
the
kitchen, handsome, busy, ready for work.

NANCY
Come on, honey...

ELIAS
Nancy, this is John.

Nancy nods briefly in Hull's direction. Elias kisses
Miranda
who grabs the back-pack her mother proffers, and they
go
out. When they're gone:

ELIAS
(continuing; on Nancy's
chilliness)
That's not about you. It's, she's...
judgmental about what I do.

When they're gone, he opens louvered doors onto a
washer/dryer, takes a sports bag off a shelf, gives it
to
Hull. Hull looks inside. White powder. He tastes. Real.
He
hefts the bag.

HULL
That's more than I bought.

ELIAS
Half we owe you. The other half's on
consignment. A token of our esteem.

HULL
You're having trouble moving it.

Elias doesn't deny it.

HULL
(continuing)
Make me your partner. I'll help you
get your capital.

ELIAS
I don't need a partner. I need a
salesman.
Genres: ["Crime","Drama","Thriller"]

Summary Elias and Hull discuss the drug trade over uneaten omelets. Elias explains how he got into dealing and his belief that people will always want to get high. He mentions that cocaine is a dying business and that he has a new product that is safe and almost legal. Hull shows interest in the new product, but Elias refuses to tell him more until they know each other better. Miranda, Elias's daughter, enters the kitchen and Elias shows Hull affection that Hull lacks with his own children. Nancy, Elias's wife, enters and is chilly towards Hull. Elias tells Hull that she is judgemental about his job. Hull tastes the product in the bag Elias gives him and confirms that it is real. Elias refuses Hull's offer to become his partner, saying he only needs a salesman.
Strengths
  • Complex characters
  • Intriguing plot twists
  • Realistic dialogue
  • High stakes and tension
Weaknesses
  • Some dialogue may be too exposition-heavy

Ratings
Overall

Overall: 9

The scene is highly engaging, with a mix of tension, suspense, and emotional depth. It effectively sets up the conflicts and dilemmas that will drive the story forward.


Story Content

Concept: 8

The concept of drug dealing and the moral complexities surrounding it are well-developed in this scene. The introduction of new elements like the partnership between Elias and Hull adds depth to the storyline.

Plot: 9

The plot is intricate and compelling, with multiple layers of conflict and tension. The scene moves the story forward significantly and sets up important developments for the characters.

Originality: 9

The scene presents a fresh take on the drug dealing genre by focusing on the characters' internal conflicts and philosophical discussions. The authenticity of the characters' actions and dialogue adds depth and complexity to the scene.


Character Development

Characters: 9

The characters are well-defined and their motivations are clear. The interactions between Elias and Hull reveal their inner struggles and dilemmas, adding depth to their personalities.

Character Changes: 8

Both Elias and Hull undergo significant changes in this scene, as they confront their moral dilemmas and make difficult decisions. Their interactions and decisions shape their character arcs and set up further development.

Internal Goal: 8

Elias's internal goal in this scene is to find a way to continue his drug business despite the challenges he faces. This reflects his deeper desire for power, control, and financial success.

External Goal: 7

Elias's external goal in this scene is to find a way to move his product and secure capital for his business. This reflects the immediate challenge of staying afloat in a declining drug market.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, driving the tension and suspense. The high stakes and dangerous situations add to the intensity of the scene.

Opposition: 7

The opposition in the scene is strong, with conflicting goals, hidden agendas, and moral dilemmas creating obstacles for the characters to overcome. The audience is left unsure of how the characters will navigate these challenges.

High Stakes: 9

The stakes are high in this scene, with characters facing life-threatening situations and moral dilemmas that could have far-reaching consequences. The danger and tension add to the intensity of the scene.

Story Forward: 9

The scene moves the story forward significantly, introducing new conflicts and dilemmas that will drive the narrative. It sets up important plot points and character developments for future scenes.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics between the characters, the unexpected revelations, and the moral ambiguity of their actions. The audience is kept guessing about the characters' true motivations.

Philosophical Conflict: 9

The philosophical conflict in this scene is between the characters' views on drug use and reality. Elias sees drug use as a means of altering consciousness, while Hull sees it as a way to escape reality. This challenges their beliefs about the role of drugs in society and personal life.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, from tension and suspense to reflection and hope. The characters' struggles and dilemmas resonate with the audience, creating a strong emotional impact.

Dialogue: 8

The dialogue is sharp and realistic, capturing the tension and emotions of the scene effectively. It reveals the inner thoughts and conflicts of the characters in a compelling way.

Engagement: 9

This scene is engaging because of the tension between the characters, the moral dilemmas they face, and the sense of impending danger. The dialogue is sharp and filled with subtext, keeping the audience on edge.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension, revealing information gradually, and keeping the audience engaged. The rhythm of the dialogue and the character interactions create a sense of urgency and suspense.


Technical Aspect

Formatting: 8

The formatting of this scene follows the expected format for its genre, with clear scene headings, character names, and dialogue formatting. It is easy to follow and visually engaging.

Structure: 8

The structure of this scene follows the expected format for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm of the scene contribute to its effectiveness.


Critique
  • The scene provides insight into Elias's background and motivations, but it feels slightly exposition-heavy and could benefit from more subtlety in revealing this information.
  • The dialogue between Elias and Hull feels a bit forced at times, lacking a natural flow in their conversation.
  • The transition from discussing designer drugs to Elias's family dynamics feels abrupt and could be smoother to maintain the scene's coherence.
  • The interaction between Elias and his daughter Miranda is well portrayed, but the contrast with Hull's distant relationship with his own children could be further emphasized for added impact.
  • The introduction of Nancy, Elias's wife, and her chilly demeanor towards Hull adds an interesting dynamic but could be explored further to deepen the tension in the scene.
Suggestions
  • Consider integrating Elias's backstory and motivations more organically into the dialogue to avoid heavy exposition.
  • Work on refining the dialogue between Elias and Hull to make it more natural and engaging.
  • Smooth out the transition between different topics of conversation to maintain the scene's coherence and flow.
  • Explore the contrast between Elias's affectionate relationship with his daughter and Hull's distant relationship with his children to enhance the emotional depth of the scene.
  • Further develop the tension between Nancy and Hull to add layers to the dynamics within Elias's family.



Scene 15 -  Hull's Moral Dilemma
INT. CARVER'S OFFICE - DAY

Now in daylight. Two separately wrapped kilograms of
crack
cocaine on the green blotter.

CARVER
I can't buy this much shit. I haven't
got it in the budget.

HULL
What am I supposed to do with it?

CARVER
You're a drug dealer, John. Deal
drugs.

Hull just looks at him. Carver doesn't blink.

HULL
You know how this goes, Gerry. It
won't stop here. You know what they're
going to ask me to do pretty soon,
to prove I'm down. What am I supposed
to do then?

CARVER
Don't blow your Carver.
Hull: a moment of horror as he realizes what Carver is
saying.

MUSIC -- A DRUG DEALING SEQUENCE

INT. HULL'S APARTMENT - NIGHT

He's filling glass vials with crack. Hundreds of them.
It's
tedious work. He spills some, curses. He stops. He
can't
believe he's doing this. He goes on doing it.

CARVER (V.O.)
You're still thinking like a cop,
John. Forget that. Cross the line.
Be what you are. You're a criminal.
You don't give a shit about other
people. You're just trying to survive.

INT. CRACK HOUSE - DAY

Hull doling out vials to DEALERS seen earlier with
Eddie.

HULL (V.O.)
I can't do this shit. I just can't.

EXT. A STREET - DAY

DEALERS going up to cars as before, only now they're
Hull's
dealers. A well-dressed Black businessman buys from his
BMW.

CARVER (V.O.)
But you want to be of use. You want
to get drugs off the street, don't
you?

HULL (V.O.)
That's why I'm here.

EXT. SAME - ANOTHER TIME

Another sale: Teenagers on foot.

CARVER (V.O.)
Well, this is the cost. Pay it or go
grow flowers someplace.

EXT. HULL'S MOTEL - ANOTHER TIME
He comes out of the motel talking to a Dealer we've
seen
above.

HULL
You can't back down with them. You've
got to project strength, from inside,
you know?

The Dealer nods. Across the street Hull sees:

A blue sedan. Taft and Hernandez. Taft gives Hull a
little
nod and grin.

EXT. STREET - ANOTHER TIME

Hull sitting in an aging Trans Am, making entries in a
notebook. Across the street he watches:

A PREGNANT WOMAN (19), a squawling baby in arms, buying
from
one of his Dealers.

He kicks the dash in frustrated anger. Under the MUSIC:

HULL
Cocksucker...

As soon as the woman's gone. He goes over to the
Dealer,
slaps his head, slaps it again. Under the MUSIC:

DEALER
(hurt, confused)
What'd you do that for?

HULL
(walking off)
'Cause I can, motherfucker, 'cause I
can.

EXT. SAME - ANOTHER TIME

A white housewife making a buy from a new mini-van, a
baby
in the car seat.

EXT. STREET - TWILIGHT
Two USC football players (letter jackets, huge)
hassling
BIJOUX, a woman dealer, pushing her, she pushes back,
curses.

Suddenly Hull comes running up, shoves them apart. He's
yelling, pointing a finger in their faces. Elias comes
up
behind, calmer.

Hull is smaller than either USC kid, but they back down
as
he curses them. Under MUSIC:

HULL
...Touch her again, motherfuckers,
I'm gonna mess you up.

A brief scuffle. Hull decks one USC, and Elias pulls
him
off. The kids leave. Elias doubles over with laughter.
Hull
yells at Bijoux and walks off.

EXT. APARTMENT HOUSE - DAY

Hull (looking at written address) knocks on a door.
It's
opened by a beautiful, dark-skinned black woman in a
skimpy
robe. She looks at him with disarming frankness. He
thinks
he must be in the wrong place.

HULL
Is David Elias here?

ELIAS (O.S.)
Momentito...

Through the door we see him emerge from a bedroom
stepping
into his loafers, buttoning his shirt. He gives the
woman
along, dark kiss, caressing her body.

ELIAS
Jacqueline, ho-ney...

She laughs, closes the door. As he and Hull walk to the
street, Elias sings happily to himself:
ELIAS
(continuing)
"Who's making love to your old lady...
while you're out make love...?"
(cheerful)
How come I like balling black chicks
so much?

HULL
'Cause you're a racist asshole. You
feel like you're fucking a slave,
and it gets you off.

ELIAS
Oh, don't mau mau me with the Malcolm
X shit. Tell me you're not chasin'
white pussy every chance you get.

HULL
I don't dig white women.
(knowing that's a lie)
Even if I did, it wouldn't mean the
same thing.

ELIAS
Sure, it'd be the slave fucking the
master. Hegel talks about it. Just
like me, but the other way around.

HULL
Fuck Hegel. Who the fuck is Hegel?
Some smart-ass kike that talks
backwards?

Elias laughs, gets into Hull's car. Hull's angry, takes
a
beat before he gets in.

ELIAS
Everybody digs the other, John. They
dig their own, and they dig the other.

HULL
Does your wife dig black guys, David?
Did she fuck Eddie? Does she want to
fuck me?

ELIAS
(mock-terrified)
Ooo... you mean with that great big
purple dick of yours? I hope not.
She'd never be impressed with my
little thing again.

HULL
You think what impresses her now is
your dick?

ELIAS
(musing)
What does impress her?

Hull can't help laughing. He starts the car.
Genres: ["Crime","Drama"]

Summary Pressured by Carver, Hull distributes crack, grappling with moral implications. He confronts racism with Elias, leading to an unresolved tension as they drive away together.
Strengths
  • Intense dialogue
  • Complex characters
  • Moral ambiguity
  • High stakes
  • Emotional depth
Weaknesses
  • Some potentially offensive language
  • Violent themes

Ratings
Overall

Overall: 9

The scene is highly engaging, intense, and thought-provoking. It effectively sets up the moral dilemma faced by the protagonist and builds tension through the dialogue and actions of the characters.


Story Content

Concept: 9

The concept of a former cop being forced to become a drug dealer by a government official is unique and compelling. It raises ethical questions and adds layers of complexity to the character's journey.

Plot: 8

The plot advances significantly in this scene as the protagonist is pushed further into the criminal world. The conflict and stakes are heightened, setting the stage for future developments.

Originality: 9

The scene presents a fresh take on the crime genre by delving into the internal struggles of the protagonist as he navigates the criminal underworld. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and their inner conflicts are effectively portrayed. The protagonist's struggle with his new role as a drug dealer and the moral implications of his actions are particularly compelling.

Character Changes: 8

The protagonist undergoes a significant change in this scene as he is forced to confront his moral boundaries and make difficult decisions. His transformation from a cop to a drug dealer is a key development in the story.

Internal Goal: 8

The protagonist's internal goal in this scene is to grapple with his moral compass and identity as he is pushed to cross the line into criminal behavior.

External Goal: 7

The protagonist's external goal is to navigate the dangerous world of drug dealing and prove himself to his criminal associates.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, with the protagonist facing internal and external challenges. The stakes are high, adding tension and suspense to the narrative.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing internal and external challenges that push him to make difficult decisions.

High Stakes: 9

The stakes are high in this scene as the protagonist is forced to make life-changing decisions that will have far-reaching consequences. The risk of exposure, betrayal, and violence adds urgency and tension to the narrative.

Story Forward: 9

The scene moves the story forward significantly by pushing the protagonist into a new and dangerous world. It sets up future conflicts and challenges, driving the narrative towards a climax.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists in the protagonist's choices and the escalating tension between characters.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the protagonist's struggle between his values as a former cop and the demands of his criminal lifestyle. It challenges his beliefs about right and wrong, law and order.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, including tension, anger, and empathy for the protagonist. The moral dilemma and inner turmoil of the characters resonate with the audience.

Dialogue: 9

The dialogue is sharp, confrontational, and reveals the inner thoughts and conflicts of the characters. It adds depth to the scene and drives the narrative forward.

Engagement: 9

This scene is engaging because of its intense dialogue, moral dilemmas, and high stakes. The conflicts and character dynamics keep the audience invested in the story.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged and invested in the characters' choices and dilemmas.


Technical Aspect

Formatting: 8

The formatting of the scene is well-executed, with clear scene headings, dialogue formatting, and action descriptions.

Structure: 8

The structure of the scene follows the expected format for a crime drama, with clear transitions between locations and character interactions.


Critique
  • The scene lacks a clear transition between Carver's office and Hull's apartment, making the shift in location abrupt and confusing for the audience.
  • The dialogue between Carver and Hull feels a bit on-the-nose, with Carver explicitly telling Hull to deal drugs and cross the line. This could be more subtly conveyed through their interaction.
  • The inner conflict Hull faces is not fully explored or developed in the scene. His realization of the implications of dealing drugs and the moral dilemma he faces could be more deeply explored to add emotional depth to the scene.
  • The drug dealing sequence feels rushed and lacks a sense of tension or stakes. Hull's internal struggle is not effectively conveyed through his actions or dialogue.
  • The interaction between Hull and the dealers lacks nuance and complexity. The scene could benefit from more dynamic and layered relationships between the characters.
  • The conversation between Hull and Elias in the car feels forced and heavy-handed in addressing racial dynamics. The dialogue could be more subtle and natural to reflect the complexities of their relationship.
Suggestions
  • Consider adding a smoother transition between Carver's office and Hull's apartment to improve the flow of the scene.
  • Focus on developing Hull's internal conflict more effectively to engage the audience and add depth to his character.
  • Enhance the drug dealing sequence by increasing the tension and stakes, as well as exploring the dynamics between Hull and the dealers in a more nuanced way.
  • Refine the dialogue between Hull and Elias to make it more natural and reflective of their complex relationship, avoiding heavy-handed discussions on race.
  • Consider adding more visual elements and actions to convey Hull's emotional turmoil and moral dilemma throughout the scene.



Scene 16 -  Confrontation at Betty's Store
EXT. BETTY'S STORE - DAY

Elias and Hull approach. Hull's carrying a satchel and
wearing
a new leather jacket.

INT. JEWELRY STORE - DAY

As they go in, Elias switches the OPEN sign to CLOSED
and
turns the latch. The store is filled with Latin
American
folk art, particularly masks which line the walls.

BETTY STONE, the woman Hull saw with Elias at the bar,
comes
out from the back. She is 27, a bad girl trying to
dress the
way she thinks a banker who went to Vassar dresses for
success. She's also a little strung out.

She and Hull recognize each other at once, (a brief
reprise
of that moment of perfect chemistry) but she avoids his
gaze.

ELIAS
Betty, this is John, my new associate.

MCCUTCHEON
Your new Eddie. I hear the old one
wore out.

ELIAS
Factory recall. John's going to be a
good customer. He does a lot of wash.

Hull puts the satchel on a display case. Betty still
won't
look at him, opens the satchel, begins a quick count.
She
does this with a speed and sureness that suggests high
test
scores.

HULL
So how's this place work?

Betty doesn't answer, so Elias covers the awkwardness.

ELIAS
Betty wires the money to a store in
Aruba in payment for things they
never sent her. They deposit the
money in a bank there that turns
around and loans her money she never
has to repay. That way it doesn't
turn up as income for the IRS. Welcome
to the laundromat.

MCCUTCHEON
David, you talk too much.

ELIAS
She doesn't trust you.

Hull has taken down a mask, puts it over his face,
looks in
a mirror.

HULL
How much is this?

MCCUTCHEON
More than you can afford.

HULL
I'll take it.

She produces a vial of coke, looks questioningly at
Elias.

ELIAS
By all means.

She draws out six lines. Elias does two.

MCCUTCHEON
(offering him the
straw)
Come on, Eddie 2... you're up.
HULL
No, thanks.

NOTE: Betty is acutely attuned to Hull, and in his
refusal
she senses -- albeit unconsciously -- two things:
first,
that he doesn't trust himself on drugs, therefore, he's
a
dangerous guy and, therefore, exciting; and, second,
more
important, the refusal bespeaks a repudiation of the
violence
and danger and, thus, a longing for goodness. Despite
the
seeming contradiction, she finds this even more
attractive.
But because she feels herself to be bad, his goodness
seems
only a judgment against her, and so she thinks she
hates
him.

MCCUTCHEON
Who is he, my mother?

HULL
(smiles)
Never have, never will.

Betty ignores him, does her lines.

MCCUTCHEON
(taunting Hull)
Oooh... Cocaine, I love it and I
hate it and I love it. The disease
is the cure.

She can't help looking at Hull who's looking at her.
She and
Elias are stoned; he's not.

MCCUTCHEON
(continuing)
Don't look at me. Elias, tell him
not to look at me. I don't like the
fucker.

But Elias is too busy vacuuming up Hull's leftovers.

ELIAS
(sniffling)
John's an ascetic Negro; he wants to
make sure you know he's not a jungle
bunny.

HULL
Watch your mouth, David.

ELIAS
But he's got another side. You should
seen him on the street the other day
with these two USC kids. Do the spade
bit for her, John.
(black accent)
I'm gonna mess you up, muthafugga...

He sticks his finger in Hull's face just like Hull with
the
boys.

HULL
Don't call me a spade. And don't
tell me to play black.

He says it gently, but Betty hears the edge.

ELIAS
(hurt, disappointed)
Come on, John, you do it so well.
(falling into it)
Ah ain't playin', muthafucka. Ah
ain't playin'.

Hull glares; Elias refuses to be intimidated.

ELIAS
(continuing)
Don't fuckin' dis me, muthafucka.
Fucka... fucka... fucka a... fucka
b... fuck b-hive... fucka, fucka,
fucka...

Elias dances around repeating "fucka" until it's almost
musical.

Hull picks him up and slams into a wall.

HULL
Say it again, and I'll kill you.

Elias throws Hull back against a display case. He's
strong
and unafraid. They're ready to fight.

MCCUTCHEON
Grow up, assholes!

This half snaps them out of it. Still glowering, they
slowly
relax, release each other.
Genres: ["Crime","Drama"]

Summary Elias and Hull visit Betty's store, where tensions rise as Hull refuses drugs offered by Betty and Elias. A confrontation ensues between Hull and Elias, diffused by McCutcheon, revealing shady business involving money laundering.
Strengths
  • Complex characters
  • Intense conflict
  • Realistic dialogue
  • High stakes
  • Emotional depth
Weaknesses
  • Potential for excessive violence
  • Some dialogue may be too confrontational

Ratings
Overall

Overall: 8

The scene is intense, gripping, and emotionally charged, with well-developed characters and a compelling plot that keeps the audience engaged.


Story Content

Concept: 8

The concept of drug dealing, money laundering, and the inner workings of criminal organizations is well-executed, providing a realistic and gritty portrayal of the underworld.

Plot: 8

The plot is intricate, with multiple layers of conflict, tension, and moral ambiguity driving the narrative forward.

Originality: 9

The scene presents a fresh take on criminal activities and moral dilemmas, with complex characters and intense conflicts. The authenticity of the characters' actions and dialogue adds to the originality.


Character Development

Characters: 9

The characters are complex, with conflicting motivations and deep emotional arcs that add depth to the story.

Character Changes: 7

The characters undergo subtle changes in their dynamics and motivations, setting the stage for further development in the story.

Internal Goal: 8

Hull's internal goal is to navigate the dangerous world of crime and deception while maintaining his own moral compass and integrity.

External Goal: 7

Hull's external goal is to establish himself as a trustworthy and capable associate in the criminal enterprise he has entered.


Scene Elements

Conflict Level: 9

The conflict between the characters is palpable, with high stakes and intense confrontations driving the tension of the scene.

Opposition: 8

The opposition in the scene is strong, with conflicting values and potential for violence creating tension and uncertainty.

High Stakes: 9

The stakes are high in the scene, with characters facing life-threatening situations, moral dilemmas, and betrayals that have far-reaching consequences.

Story Forward: 9

The scene propels the story forward, revealing key information, escalating the conflict, and setting up future events in the narrative.

Unpredictability: 8

The scene is unpredictable due to the characters' conflicting values and the potential for violence. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the characters' conflicting values and moral compasses. Hull's refusal to partake in drug use and violence contrasts with the behavior of the other characters.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions from the audience, with moments of tension, fear, and moral dilemma that resonate deeply.

Dialogue: 8

The dialogue is sharp, realistic, and reveals the inner thoughts and emotions of the characters, enhancing the tension and drama of the scene.

Engagement: 9

This scene is engaging due to its intense conflicts, sharp dialogue, and moral ambiguity. The tension between characters keeps the audience hooked.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged and invested in the characters' fates.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, effectively conveying the setting and character interactions.

Structure: 8

The scene follows a structured format that effectively builds tension and develops character dynamics.


Critique
  • The scene lacks clear direction and purpose, leading to a disjointed and confusing narrative.
  • The dialogue feels forced and unnatural, with characters speaking in a way that doesn't reflect real-life interactions.
  • The tension between the characters, particularly Hull and Elias, escalates too quickly and without sufficient build-up, making the confrontation feel contrived.
  • The drug use and violence in the scene are gratuitous and do not serve a clear narrative purpose, detracting from the overall impact of the scene.
  • The character of Betty is underdeveloped and her motivations are unclear, leading to a lack of depth in her interactions with the other characters.
Suggestions
  • Clarify the purpose of the scene and ensure that each interaction serves to advance the plot or develop the characters.
  • Focus on creating more natural and authentic dialogue that reflects the personalities and motivations of the characters.
  • Build up the tension between Hull and Elias gradually, allowing for a more organic and believable confrontation.
  • Consider toning down the drug use and violence to ensure they are integral to the story and not simply included for shock value.
  • Develop the character of Betty further to provide insight into her actions and motivations, adding depth to her interactions with the other characters.



Scene 17 -  A Violent Decision
EXT. STREET - NIGHT

Hull sits in the Trans Am eating a sandwich and
watching the
street as a DEALER leans in the window telling his sob
story.
There's an authority to Hull's manner that tells us he
may
not like this job, but he knows how to do it.

DEALER
...The guy ripped me off, man, so I
don't got the money, I don't got the
stuff and --

HULL
(eyes on street)
You gotta pay anyway.

DEALER
Oh, but, man...

As he raps on, comical pathos, Hull spots in his side
mirror...

THE RED RANGE ROVER

coming slowly this way. Ivy in the passenger window,
the
barrel of an automatic weapon glinting in the
streetlight.

HULL
Shit...

Hull glances up: Bijoux is selling on the next corner.

The Range Rover passes the Trans Am. Ivy leans out.

Hull flings open the Trans Am door, throwing the Dealer
to
the ground. He jumps from the car:
HULL
(continuing)
Bijoux!!

She turns. Sees Ivy. She puts out her hands to block
the
shots. The SOUND of the gun is inaudible. The barrel
bounces
slightly. Bijoux sprawls backward.

Bijoux: dead on the sidewalk, limbs askew, bleeding
from
many wounds.

Hull, standing over her, covers her face.

EXT. SAME - MUCH LATER THAT NIGHT

The body has been taken away, the crowd has cleared.
Elias
sits on the hood of the Trans Am. Hull stands, staring
down.

ELIAS
It wasn't your fault.
(no response)
What could you have done?

HULL
She worked for me. I'm supposed to
protect her.

Elias knows that's true, and it leads to another truth.

ELIAS
We have to kill him.

Hull looks up.

ELIAS
(continuing)
Or we lose all authority with the
other dealers. And one of them'll
kill you.

Hull looks up, startled.

ELIAS
(continuing)
You've got to assert now, or you're
dead.
Hull sees the truth of that and slowly nods.

ELIAS
(continuing)
And if we kill Ivy, we control this
whole territory.

HULL
That guy who works for Barbosa can
do it, Chino.

ELIAS
No. If we use Chino, it's Barbosa
who's asserting. It'll be Barbosa's
territory.
(again: his hatred of
Barbosa)
It's gotta be us.

HULL
Right.

ELIAS
And if it's us, it's gotta be you.

Meaning he can't do it. Hull knows that. A long beat on
Hull's
face as he reaches the inevitable decision.

HULL
(to himself)
Don't blow your cover.

ELIAS
What?

HULL
If I do this, we're partners. Equal
partners on everything.

Elias offers his hand. Hull stands up, a sudden
resolve.

HULL
(continuing)
Let's go.

ELIAS
(afraid)
Now...?

But Hull is already moving.
Genres: ["Crime","Drama","Thriller"]

Summary Hull realizes the importance of protecting his authority after Bijoux's murder. He agrees with Elias's plan to kill Ivy and gain control of the territory, solidifying their partnership and setting them on a path of vengeance.
Strengths
  • Intense dialogue
  • Complex characters
  • High stakes
  • Tense atmosphere
Weaknesses
  • Violence
  • Moral ambiguity
  • Dark themes

Ratings
Overall

Overall: 9

The scene is highly engaging, with intense dialogue, high stakes, and significant character development. It keeps the audience on edge and sets the stage for further conflict and drama.


Story Content

Concept: 9

The concept of asserting authority in the drug trade, dealing with the aftermath of violence, and making difficult decisions is well-executed. The scene effectively portrays the complexities of the criminal underworld.

Plot: 8

The plot advances significantly with the decision to take action against a rival dealer, leading to potential consequences and power shifts. The scene sets up future conflicts and developments in the story.

Originality: 9

The scene presents a fresh take on the crime genre, with complex characters facing difficult choices in a dangerous setting. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters show depth and complexity, especially Hull and Elias, as they navigate moral dilemmas and power struggles. Their interactions reveal their motivations and inner conflicts, adding layers to the narrative.

Character Changes: 8

Hull undergoes a significant change in the scene, making a tough decision to assert authority in the drug trade. This decision marks a turning point for his character and sets up future developments.

Internal Goal: 8

The protagonist's internal goal in this scene is to protect his employees and assert his authority in the criminal underworld. This reflects his deeper need for control and power, as well as his fear of losing respect and influence.

External Goal: 9

The protagonist's external goal in this scene is to maintain control over his territory and protect his reputation. He must make a difficult decision to assert his authority by taking action against a rival.


Scene Elements

Conflict Level: 9

The conflict in the scene is high, with characters facing moral dilemmas, power struggles, and the aftermath of violence. The tension between characters and the stakes involved create a sense of urgency and suspense.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing difficult choices and conflicting loyalties. The audience is kept in suspense as they wait to see how the protagonist will navigate the dangerous situation.

High Stakes: 9

The stakes in the scene are high, with characters facing life-threatening situations, moral dilemmas, and power struggles. The consequences of their actions have far-reaching implications, adding tension and urgency.

Story Forward: 9

The scene moves the story forward significantly by introducing a major conflict, setting up power dynamics, and foreshadowing future events. It propels the narrative towards further drama and tension.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the characters' decisions and the escalating tension. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the protagonist's moral code and the harsh realities of the criminal world. He must balance his desire for power with the consequences of his actions.


Audience Engagement

Emotional Impact: 8

The scene evokes fear, guilt, determination, and resignation in the characters and the audience. The emotional depth of the characters and the high stakes involved make the scene impactful and engaging.

Dialogue: 9

The dialogue is tense, impactful, and reveals the characters' emotions and intentions effectively. It drives the scene forward, building tension and highlighting the stakes involved.

Engagement: 9

This scene is engaging because of its intense action, moral dilemmas, and high stakes. The audience is drawn into the characters' struggles and the suspenseful atmosphere of the scene.

Pacing: 9

The pacing of the scene is effective in building tension and suspense, with a gradual escalation of conflict and a dramatic resolution. The rhythm of the scene contributes to its intensity and impact.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for a screenplay, with clear descriptions of action and dialogue. The formatting enhances the readability and impact of the scene.

Structure: 9

The scene follows the expected structure for a crime drama, with a buildup of tension, a dramatic confrontation, and a resolution that sets up future conflicts. The pacing and formatting are effective in conveying the intensity of the situation.


Critique
  • The scene effectively establishes Hull's authority and expertise in his job through his mannerisms and actions, but could benefit from more internal conflict or emotional depth to make the character more relatable and multidimensional.
  • The introduction of Ivy and the Range Rover adds tension and danger to the scene, but the transition from Hull dealing with the Dealer to the sudden appearance of Ivy feels slightly abrupt and could be smoother.
  • The graphic depiction of Bijoux's death is impactful and sets a dark tone for the scene, but the emotional aftermath and guilt that Hull feels could be explored further to deepen the character development.
  • The conversation between Elias and Hull about the need to kill Ivy to maintain authority is intense and highlights the brutal reality of their world, but the decision-making process and moral implications for Hull could be delved into more to add complexity to the scene.
  • The scene effectively sets up a pivotal moment for Hull and Elias's partnership, but the dialogue and interactions between the characters could be more nuanced and layered to enhance the tension and stakes of their decision.
Suggestions
  • Consider adding internal monologue or flashbacks to delve into Hull's emotional turmoil and conflicted feelings about his actions, adding depth to his character.
  • Smooth out the transition between Hull dealing with the Dealer and the sudden appearance of Ivy and the Range Rover to create a more seamless flow of events.
  • Explore Hull's guilt and emotional aftermath of Bijoux's death in more detail to showcase the impact of his actions on his psyche and moral compass.
  • Dive deeper into the moral dilemmas and ethical considerations of Hull and Elias's decision to kill Ivy, adding layers to their characters and the complexity of their partnership.
  • Enhance the dialogue and interactions between Hull and Elias to create a more nuanced and compelling dynamic, showcasing the tension and high stakes of their decision to take control of the territory.



Scene 18 -  Confrontation at the Nightclub
EXT. STREET/INT. ELIAS'S CAR - NIGHT

Hull and Elias driving, looking for Ivy. Elias double
parks
by two prostitutes.

We STAY in the car with Hull who's silent, frightened,
keeps
trying to warm his hands.

Outside, Elias is talking and laughing with the
prostitutes.
We see them point. He gives them money, kisses. They
laugh.
He gets back in the car.

EXT. A DANCE CLUB - NIGHT

The Range Rover parked in front. Elias's car stops.
MUSIC
pounds from inside. Then one CONTINUOUS SHOT:

They pass the club, other store fronts... Turn at the
corner... Turn into an alley... Down the alley past the
same
buildings... The rear door of the club... To the next
street... Turn... Turn... onto the original street,
back to
the front of the club. They stop again.

HULL
Go wait around back.

Elias nods. A beat. They look at each other.

ELIAS
I want to see you in that alley.

Hull's so terrified he seems calm. With an air of
submitting
himself to fate, he gets out and walks into the club.

INT. CLUB - NIGHT

Crowded and BOOMING and strobe lit. Hull pays the cover
and
climbs a staircase to a...

CIRCULAR BALCONY
that overlooks the dance floor. On stage: a RAP ACT
with its
throbbing beat and below Hull a sea of dancers.

Hull circles the balcony. It isn't hard to pick out Ivy
--
he's all in red, dancing with the woman we saw him with
in
the Range Rover the first time.

Hull reaches the steps again and starts down, keeping
his
eye on Ivy. The number ends. In the pause before the
next
one, Ivy can be seen excusing himself, heading toward
the
rear of the club.

The next number begins. People dance. Hull pushes his
way
through the dancers to...

INT. REAR OF CLUB - A SHORT HALLWAY - NIGHT

leading toward the rear door they saw from the alley.

MOVING DOWN THE HALL

A woman's room. A men's room. Hull goes into...

INT. MEN'S ROOM - NIGHT

Ivy is pissing into a urinal. He's so huge he seems to
take
up all the space in the tiny room. Hull stares at him,
unable
to look away.

He notices Hull. All dialogue is UNDER the POUNDING
MUSIC.

IVY
What're you looking at?

Hull stares at Ivy's face. Ivy considers this rude.

IVY
(continuing)
You want to suck it, bitch?
(offers his dick)
Or drink it?
Laughing, he turns, urinates on Hull's pants. Hull
doesn't
move.

IVY
(continuing;
recognizing him)
Oh, I know you. You're the bitch
whose whore I wasted tonight, ain't
you?

Somebody pushes on the outside of the door. Hull holds
it
closed with his back.

IVY
(continuing)
I gotta take care of you, too, huh?

He reaches into his pants for the butt of a gun.

Hull is frozen.

Ivy starts to draw it out.

Hull steps forward, grabs Ivy's gun arm. With his other
hand
he clumsily pulls a silenced .22 from inside his
jacket,
puts it in the underside of Ivy's jaw and SHOOTS twice.
Ivy's
brains spray upward onto the wall, and he slides
straight to
the floor. Hull steps out into...
Genres: ["Crime","Thriller","Drama"]

Summary As Hull and Elias search for Ivy, they stop at a dance club. Hull enters the club and confronts Ivy in the men's room, resulting in a violent confrontation that ends with Hull shooting Ivy.
Strengths
  • Intense atmosphere
  • Compelling conflict
  • Emotional depth
  • Shocking resolution
Weaknesses
  • Graphic violence
  • Potentially triggering content

Ratings
Overall

Overall: 9

The scene is intense, suspenseful, and gripping, with a high level of tension and emotional impact. The violent resolution adds a shocking twist that keeps the audience engaged.


Story Content

Concept: 9

The concept of a deadly confrontation in a nightclub setting is executed with skill and precision, creating a sense of danger and unpredictability. The scene effectively builds on the established themes of crime and violence.

Plot: 9

The plot is driven by the escalating conflict between Hull and Ivy, leading to a dramatic and impactful resolution. The scene moves the story forward significantly and sets the stage for future developments.

Originality: 9

The scene presents a fresh approach to the confrontation between the protagonist and antagonist, with unexpected twists and moral dilemmas. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 8

The characters of Hull and Ivy are well-developed and their interactions are compelling. The scene showcases their conflicting personalities and motivations, adding depth to the narrative.

Character Changes: 8

Hull undergoes a significant transformation during the scene, from a fearful and reluctant participant to a decisive and ruthless actor. The confrontation with Ivy forces him to confront his own morality and make a life-changing decision.

Internal Goal: 8

The protagonist's internal goal in this scene is to confront Ivy and potentially seek revenge for the harm he caused. This reflects his desire for justice and closure.

External Goal: 7

The protagonist's external goal is to locate Ivy and confront him in the club. This reflects the immediate challenge he is facing in finding and dealing with the antagonist.


Scene Elements

Conflict Level: 9

The conflict between Hull and Ivy is intense and high-stakes, driving the tension and suspense of the scene. The physical confrontation and emotional stakes raise the conflict to a dramatic climax.

Opposition: 9

The opposition in the scene is strong, with the protagonist facing a dangerous and unpredictable antagonist.

High Stakes: 9

The stakes are high in the scene, with the characters' lives on the line and the outcome of the confrontation having significant consequences for the story. The tension and suspense are heightened by the high stakes involved.

Story Forward: 9

The scene moves the story forward significantly, setting up new conflicts and developments for the characters. The resolution of the confrontation between Hull and Ivy has far-reaching consequences that will impact the narrative moving forward.

Unpredictability: 8

This scene is unpredictable because of the unexpected turn of events and moral ambiguity.

Philosophical Conflict: 9

The philosophical conflict in this scene is the clash between justice and revenge. The protagonist must grapple with his desire for revenge while also considering the moral implications of his actions.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, eliciting fear, tension, and shock from the audience. The violent resolution and the moral dilemmas faced by the characters add depth and complexity to the emotional experience.

Dialogue: 8

The dialogue is tense and impactful, effectively conveying the emotions and intentions of the characters. The sparse but powerful exchanges between Hull and Ivy heighten the suspense of the scene.

Engagement: 9

This scene is engaging because of its intense action, moral dilemmas, and suspenseful atmosphere.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense leading up to the climax.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, action lines, and dialogue.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, confrontation, and resolution.


Critique
  • The scene lacks a clear buildup of tension and suspense leading to the confrontation with Ivy. The transition from driving around to entering the club feels abrupt and could benefit from a smoother transition.
  • The dialogue between Ivy and Hull in the men's room feels forced and lacks subtlety. The exchange comes across as overly dramatic and unrealistic, detracting from the authenticity of the scene.
  • The characterization of Ivy as a stereotypical aggressive and violent antagonist is cliched and one-dimensional. Adding more depth to his character could make the confrontation more engaging and impactful.
  • The action sequence of Hull shooting Ivy is described in a graphic and gory manner, which may be excessive and unnecessary. Finding a balance between depicting the violence and maintaining the impact of the scene is crucial.
  • The scene could benefit from more visual descriptions to enhance the atmosphere of the club and the tension leading up to the confrontation. Setting the mood effectively can heighten the impact of the scene.
Suggestions
  • Consider building up the tension gradually as Hull and Elias search for Ivy, creating a sense of anticipation and suspense.
  • Refine the dialogue between Ivy and Hull to make it more realistic and nuanced, focusing on subtle exchanges rather than dramatic confrontations.
  • Develop Ivy's character beyond the typical aggressive villain archetype to add complexity and depth to the scene.
  • Tone down the graphic description of the violence in the shooting scene to maintain the impact without being overly explicit.
  • Enhance the visual descriptions of the club and the atmosphere to immerse the audience in the setting and build the tension leading up to the confrontation.



Scene 19 -  Lost and Desperate
INT. SHORT HALL - NIGHT

An Hispanic busboy coming out of the kitchen sees him
and
the gun in his hand, freezes.

Hull walks past him and out the back door. From inside
we
see Hull go down three steps, stumble in the drive and
fall
to his knees, the gun CLATTERING away from him.

A couple that had been making out, stops, looks.

It takes Hull a moment to gather himself. He picks up
the
gun, gets into Elias's car. It drives away.
INT. HULL'S MOTEL ROOM - NIGHT

Alone, he looks at his face in the mirror. As if he
doesn't
know the person there.

With a knife, he draws out something hidden inside the
wooden
backing of the mirror. A manila envelope. He empties it
onto
the dresser:

Mementos among which we see, carefully preserved, the
blood-
soaked bills his father gave him. Hull ignores them and
picks
up...

PHOTO OF HIS CHILDREN

He smooths out the folds, stares at it as if trying to
fix
this in his thoughts.

EXT. MOTEL COURTYARD - PAY PHONE - DAY

Hull on the phone. He's unusually excited, even moved.

HULL
...Carmen, it's me. It's Daddy...

INT. HULL'S HOUSE - CLEVELAND - DAY

Carmen on the phone, jumping up and down with
excitement.

CARMEN
Daddy!!

HULL (V.O.)
(through phone)
Hi, baby. How are you? I miss you!

CARMEN
What?

HULL (V.O.)
I miss you...

CARMEN
(thrilled)
I miss you, too, Daddy...

EXT. MOTEL COURTYARD - DAY

Hull pressing the phone to his face, trying to master
his
emotions.

GRAINY 16MM FILM - A LABORATORY MAZE

A lab rat with a metal electrode protruding from its
head,
is running a maze at high speed. A VOICE explaining
things.

VOICE
(young, nasal, too
smart)
The maze leads in two directions. At
one end the rat can obtain a food
pellet. At the other...
(pointer indicates
each end)
...it receives electrical stimulus
to a very specific area of the
cerebellum...

The rat reaches this second destination, pushes a bar,
is
stimulated. A lab worker (white coat, gloves) picks up
the
animal, replaces it at the start. It runs the same
route.

VOICE
(continuing)
This rat, like 86% of the others in
the experiment, chose the electrical
stimulus repeatedly and exclusively.
It continued to do so until it died
of malnutrition.

ANOTHER SHOT -- the rat dead.
Genres: ["Crime","Drama","Thriller"]

Summary Hull flees the crime scene and seeks solace in his motel room. Haunted by guilt, he contemplates his actions while reminiscing about happier times. A poignant phone call to his daughter reveals his yearning for connection amidst his turmoil. Meanwhile, a flashback to a lab experiment underscores the destructive path Hull has taken.
Strengths
  • Complex characters
  • Emotional depth
  • Intriguing plot twists
Weaknesses
  • Some dialogue could be more impactful
  • Minor pacing issues

Ratings
Overall

Overall: 8

The scene is well-written, engaging, and emotionally impactful, with strong character development and a compelling plot.


Story Content

Concept: 8

The concept of exploring the consequences of choices and the inner conflict of the protagonist is effectively portrayed.

Plot: 8

The plot is intricate, with multiple layers of conflict and tension that drive the narrative forward.

Originality: 9

The scene offers a fresh approach to the theme of redemption and the protagonist's internal conflict. The use of the lab rat experiment adds a unique twist to the narrative, highlighting the consequences of the protagonist's choices.


Character Development

Characters: 9

The characters are well-developed, with complex motivations and relationships that add depth to the scene.

Character Changes: 8

Detective Hull undergoes significant emotional turmoil and introspection, leading to a change in his perspective and decisions.

Internal Goal: 8

The protagonist's internal goal in this scene is to reconcile with his past and find a sense of redemption or connection. His actions and emotions reflect his deeper needs for love, forgiveness, and understanding.

External Goal: 7

The protagonist's external goal in this scene is to retrieve a hidden envelope and make a phone call to his daughter. This reflects his immediate circumstances of being on the run and trying to reconnect with his family.


Scene Elements

Conflict Level: 9

There is a high level of conflict in the scene, both internal and external, which keeps the audience engaged.

Opposition: 7

The opposition in the scene is strong, with the protagonist facing internal and external challenges that test his resolve and morality. The audience is kept guessing about his choices and the consequences.

High Stakes: 9

The stakes are high, with life-changing decisions and dangerous situations at play, adding tension and suspense to the scene.

Story Forward: 9

The scene moves the story forward by revealing key information, deepening character relationships, and setting up future conflicts.

Unpredictability: 7

This scene is unpredictable because of the unexpected twists in the protagonist's actions and the use of symbolic elements like the lab rat experiment. The audience is kept on edge, unsure of the outcome.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the protagonist's struggle between his criminal past and his desire for redemption. The experiment with the lab rat serves as a metaphor for his own choices and the consequences they may have.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, from sadness to tension to hope, making it emotionally impactful.

Dialogue: 7

The dialogue is realistic and serves to reveal character traits and advance the plot.

Engagement: 9

This scene is engaging because of its emotional depth, suspenseful moments, and the protagonist's internal struggles. The audience is drawn into the character's journey and the mystery surrounding his past.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, with a balance of introspective moments and action sequences. The rhythm of the scene enhances its emotional impact.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene descriptions and character actions. The use of visual cues enhances the storytelling.

Structure: 8

The structure of the scene follows the expected format for its genre, with a clear progression of events and character development. The pacing and rhythm contribute to its effectiveness.


Critique
  • The scene lacks clarity in terms of Hull's emotional state and motivation. It's unclear why he is excited and moved while making the phone call to his daughter, especially considering the violent events that just transpired.
  • The transition from Hull stumbling in the drive to him looking at his reflection in the mirror feels disjointed and abrupt. There needs to be a smoother transition to connect these two moments.
  • The significance of Hull retrieving the photo of his children and staring at it needs to be more clearly conveyed. The emotional weight of this action should be emphasized to resonate with the audience.
  • The use of the lab rat experiment as a metaphor at the end of the scene feels disconnected from the rest of the narrative. It's important to ensure that any symbolic elements tie back to the main themes of the story.
  • The scene lacks a clear resolution or sense of direction. It leaves the audience hanging without a clear sense of what will happen next.
Suggestions
  • Provide more context for Hull's emotional state and motivation in the scene. Show his internal conflict and turmoil more explicitly.
  • Smooth out the transition between Hull stumbling in the drive and looking at his reflection in the mirror to create a more cohesive flow of events.
  • Enhance the significance of Hull retrieving the photo of his children by adding a moment of reflection or introspection to convey the depth of his emotions.
  • Consider integrating the lab rat experiment metaphor more seamlessly into the narrative or explore other ways to convey the themes of choice and consequences.
  • Add a clearer resolution or cliffhanger at the end of the scene to keep the audience engaged and eager to see what happens next.



Scene 20 -  A Dangerous Proposition: The Renegade Chemist and the Businessman
INT. A LABORATORY - DAY OR NIGHT

A 21-year-old RENEGADE from the Cal Tech chemistry
department
(red hair, freckles, glasses held together with
electrical
tape), a brilliant nerd. He picks up...
A MOLECULAR MODEL

Colored balls stuck together with wooden dowels.

CAL TECH
This is an addictive amphetamine
with time-space distortion, delusions
of grandeur -- or maybe they're real --
tending to be impulsive, sometimes
violent behavior. Psychotropic
adaptation for late monopoly
capitalism. It's illegal, and you
can buy it on any street corner.

He tears off some of the balls, sticks on new ones.

CAL TECH
(continuing)
This increases energy, attention,
cognitive powers, yet with a smooth,
almost opiate-like emotional surface.
Ideal for the post-political, post-
rationalist global marketplace and
24 hour lifestyles. It's completely
legal and can only get it here, in
my lab.

ELIAS
(to Hull, proudly)
Randy's a genius. His professor told
him he could win the Nobel prize.

CAL TECH
Nobel prizes are for wussies.

HULL
What does this shit do to you?

CAL TECH
I'm on it now. It's like cocaine
only better.
(offers him powder on
a slide)
Want some?

HULL
I don't take drugs.

CAL TECH
(unoffended)
Your mistake. This is designed for
the top end of the market. For people
who want to master reality, not avoid
it. Because it's synthetic, you don't
grow it, refine it, or -- best of
all -- import it.

ELIAS
What would it take to manufacture
this stuff in quantity?

CAL TECH
With a million dollars, I could
produce enough for a limited market
at about two bucks a pop.
(makes a face: fair)
But then with five million, or better
yet ten, the cost would drop to thirty
cents, and we'd have enough for the
whole world.

ELIAS
I'm going to put two hundred fifty
thousand into your corporate account.
You cheat me, Randy, I'll use your
bladder for a bagpipe.
(to Hull, with a
vengeance)
We're going to put Barbosa out of
business.

Elias is very happy. He leads Hull out.
Genres: ["Crime","Thriller","Drama"]

Summary In the realm of a dimly lit laboratory, a renegade chemist unveils the transformative powers of an illicit amphetamine and a novel legal drug of his invention. Elias, an affluent businessman, intrigued by the potential profits, proposes a tempting investment in the production of the chemist's creation. However, a chilling warning accompanies his offer: Elias will not tolerate deceit, and any betrayal will be met with brutal consequences.
Strengths
  • Intense dialogue
  • High stakes
  • Complex plot
  • Well-developed characters
  • Emotional impact
Weaknesses
  • Violent content
  • Complexity of plot

Ratings
Overall

Overall: 9

The scene is highly engaging, with a mix of intense dialogue, high stakes, and dramatic conflict that keeps the audience on the edge of their seats.


Story Content

Concept: 9

The concept of a new synthetic drug with powerful effects and the potential to disrupt the drug market is innovative and intriguing. The idea of using this drug to take down a rival in the drug trade adds depth to the storyline.

Plot: 8

The plot is complex and layered, with multiple characters and storylines converging around the new drug and its implications for the characters involved. The scene moves the story forward significantly and sets up future conflicts and developments.

Originality: 9

The scene presents a fresh take on the theme of drug production and distribution, exploring the ethical dilemmas and consequences of the characters' actions. The dialogue feels authentic and the characters' motivations are complex and intriguing.


Character Development

Characters: 8

The characters are well-developed and each has their own motivations and conflicts. The interactions between the characters drive the plot forward and create tension and drama.

Character Changes: 7

Several characters undergo significant changes in the scene, particularly in their relationships and alliances. The introduction of the new drug and the escalating conflict force the characters to make difficult decisions and face the consequences.

Internal Goal: 8

The protagonist's internal goal is to prove his intelligence and superiority through his creation of the addictive amphetamine. This reflects his desire for recognition and validation of his brilliance.

External Goal: 9

The protagonist's external goal is to manufacture the addictive amphetamine in quantity and dominate the market. This reflects his ambition and desire for power and control.


Scene Elements

Conflict Level: 9

The conflict in the scene is high, with tensions running high between the characters involved in the drug trade. The stakes are raised as the characters make life-changing decisions and face the consequences of their actions.

Opposition: 8

The opposition in the scene is strong, with conflicting values and motivations driving the characters' actions and decisions.

High Stakes: 9

The stakes in the scene are extremely high, with characters facing life-threatening situations, moral dilemmas, and the potential for significant changes in their lives. The introduction of the new drug and the escalating conflict raise the stakes even further.

Story Forward: 9

The scene moves the story forward significantly, introducing new elements, conflicts, and characters that will impact the future direction of the narrative. It sets up future developments and raises the stakes for the main characters.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists in the characters' actions and the moral dilemmas they face.

Philosophical Conflict: 7

The philosophical conflict in this scene is between the protagonist's belief in the benefits of the drug and the ethical implications of its production and distribution. This challenges the protagonist's values and worldview as he navigates the consequences of his actions.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions from the audience, including tension, suspense, and empathy for the characters caught in dangerous situations. The violent confrontation and moral dilemmas add depth to the emotional impact.

Dialogue: 9

The dialogue is sharp, intense, and reveals the characters' personalities and motivations effectively. It adds depth to the scene and keeps the audience engaged.

Engagement: 9

This scene is engaging because of its high stakes, morally ambiguous characters, and sharp dialogue that keeps the audience on edge.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense as the characters discuss their plans and motivations.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and dialogue formatting.

Structure: 8

The scene follows the expected structure for its genre, with clear character motivations and conflict driving the narrative forward.


Critique
  • The scene introduces a new character, the renegade chemist, in a laboratory setting, which feels disconnected from the previous scenes that were focused on drug dealing and criminal activities.
  • The dialogue between the renegade chemist and the other characters feels expository and lacks depth, making it difficult for the audience to connect with the characters or understand their motivations.
  • The transition from the previous scene, which involved a violent confrontation and a decision to take down a rival drug dealer, to a scene about a legal drug being developed in a laboratory is abrupt and jarring.
  • The tone of the scene is inconsistent with the overall tone of the screenplay, which has been dark, gritty, and focused on criminal activities. The introduction of a legal drug being developed for the market feels out of place.
  • The scene lacks tension and conflict, which are essential elements in a screenplay to keep the audience engaged and invested in the story.
Suggestions
  • Consider integrating the renegade chemist and the development of the legal drug into the existing criminal storyline to create a more cohesive narrative.
  • Develop the characters of the renegade chemist, Elias, and Hull further to make them more relatable and engaging to the audience.
  • Add more conflict and tension to the scene by introducing obstacles or challenges that the characters must overcome in their pursuit of developing the legal drug.
  • Ensure that the tone of the scene aligns with the overall tone of the screenplay to maintain consistency and keep the audience immersed in the story.
  • Consider revising the dialogue to make it more engaging, realistic, and reflective of the characters' personalities and motivations.



Scene 21 -  Carver and Hull's Meeting
INT. CARVER'S OFFICE - DAY

On the pyramid chart there's a black border around
Ivy's
photo, as around Eddie's. A photo of Hull is now on the
board
beside the one of Elias. Hull stares out the window,
lost in
thought.

CARVER
(dismissive)
Synthetic shit?? Sounds like a 20/20
segment...

Hull shrugs: it's not that important. Carver turns to
his
real interest.

CARVER
(continuing)
So, what was it like?

HULL
(still looking out)
What was what like?

CARVER
Popping Ivy...

HULL
You knew.

CARVER
I'm God, remember?

HULL
(looks back out)
Then you should know how it was.

Carver smiles, but he's non-plussed by Hull's new
detachment.

CARVER
You didn't clear it with me. You're
getting independent. That's good.

Hull smiles.

CARVER
(continuing)
How're we coming on Gallegos?

HULL
He supplies Barbosa. To get to him
we'll have to take quantity.

CARVER
Then you've got to --

HULL
That's what killing Ivy did. I'll
get to him soon.

Carver's impressed.

HULL
(continuing)
Is that it?

CARVER
(seeing him to the
door)
I want you to get a new apartment.
Something expensive.

HULL
I like where I am.

CARVER
That shithole? You're big time now.
Act it. And get some clothes. Spend
money. Have fun. That's an order.
Genres: ["Crime","Drama","Thriller"]

Summary Carver and Hull meet to discuss the investigation and their plans going forward. Carver dismisses the idea of synthetic drugs, and asks Hull about killing Ivy. Hull is evasive, but Carver knows what happened. Carver is impressed with Hull's progress and orders him to get a new apartment, clothes, and start spending money. Hull agrees and leaves.
Strengths
  • Intense conflict
  • Complex characters
  • Compelling dialogue
  • High stakes
Weaknesses
  • Potential for confusion with multiple characters and subplots

Ratings
Overall

Overall: 9

The scene is highly engaging, with a strong focus on character dynamics, intense dialogue, and escalating conflicts. It keeps the audience on edge and sets the stage for significant developments in the plot.


Story Content

Concept: 8

The concept of the scene revolves around the protagonist's involvement in the drug trade, his interactions with key players, and the moral choices he must make. It effectively sets up the central conflict and themes of the screenplay.

Plot: 9

The plot is intricate and compelling, with multiple layers of deception, betrayal, and power struggles. It advances the overall narrative while deepening the character arcs and relationships.

Originality: 8

The scene introduces familiar themes of power struggles and criminal activities but adds a fresh perspective through the characters' nuanced interactions and unspoken tensions. The authenticity of the dialogue and character motivations adds to the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and complex, each with their own motivations and conflicts. Their interactions drive the scene forward and reveal deeper layers of their personalities.

Character Changes: 8

Several characters undergo significant changes in the scene, particularly the protagonist who grapples with moral dilemmas and makes pivotal decisions. These changes drive the character arcs and shape the direction of the story.

Internal Goal: 8

Hull's internal goal in this scene is to maintain his independence and assert his authority within the criminal organization. He wants to show Carver that he is capable of making decisions and taking action without needing constant approval.

External Goal: 7

Hull's external goal is to take down Gallegos by targeting his supplier, Barbosa. This reflects the immediate challenge he is facing in his criminal activities and the need to assert dominance in the criminal underworld.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, with characters facing internal and external challenges that drive the story forward. The high stakes and escalating tensions keep the audience engaged.

Opposition: 7

The opposition in the scene is strong, with conflicting goals and hidden agendas driving the characters' interactions. The audience is left uncertain about the characters' true motivations and the outcome of their decisions.

High Stakes: 9

The stakes are high in the scene, with characters facing life-threatening situations, moral quandaries, and power struggles that have far-reaching consequences. The tension and risks involved heighten the drama and suspense.

Story Forward: 9

The scene propels the story forward by introducing new conflicts, deepening existing ones, and setting up future developments. It advances the plot while revealing crucial information and character dynamics.

Unpredictability: 7

This scene is unpredictable because of the shifting power dynamics between the characters and the hidden agendas that drive their interactions. The audience is kept on edge by the characters' conflicting motivations and unspoken tensions.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the idea of independence and loyalty within the criminal organization. Hull's decision to act without Carver's approval challenges the traditional hierarchy and raises questions about trust and authority.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, from tension and suspense to shock and empathy. The characters' struggles and dilemmas resonate with the audience, creating a strong emotional impact.

Dialogue: 8

The dialogue is sharp, tense, and revealing, adding depth to the characters and building suspense. It effectively conveys the power dynamics and conflicts between the characters.

Engagement: 9

This scene is engaging because of the tension between the characters, the subtle power dynamics at play, and the unspoken conflicts that drive the interactions. The dialogue keeps the audience invested in the characters' motivations and relationships.

Pacing: 8

The pacing of the scene is effective in building tension and maintaining audience engagement. The rhythm of the dialogue and the strategic pauses enhance the dramatic impact of the interactions.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear character cues and dialogue formatting. The visual descriptions enhance the atmosphere of the scene.

Structure: 8

The scene follows the expected structure for a dialogue-heavy, character-driven scene in a crime drama genre. The pacing and rhythm of the dialogue contribute to the effectiveness of the scene.


Critique
  • The dialogue between Carver and Hull lacks depth and emotion, making the interaction feel flat and unengaging.
  • Hull's detachment and nonchalance towards Carver's questions about 'popping Ivy' and his overall demeanor don't align with the gravity of the situation, such as killing Ivy to get to Gallegos.
  • The scene lacks tension and suspense, which is crucial for a scene involving discussions about drug dealings and potential violence.
  • Carver's character could be further developed to add more complexity and depth to the scene.
  • Hull's response to Carver's orders lacks conviction and doesn't reflect the weight of the situation he's in.
Suggestions
  • Add more emotional depth to the dialogue between Carver and Hull to make the scene more engaging and impactful.
  • Enhance Hull's reactions and responses to Carver's questions to reflect the seriousness of the situation and the actions he's involved in.
  • Introduce more tension and suspense into the scene to create a sense of urgency and danger.
  • Consider adding layers to Carver's character to make him more intriguing and dynamic.
  • Revise Hull's response to Carver's orders to show more conflict and internal struggle, highlighting the moral dilemmas he faces.



Scene 22 -  The Lavish Condo
INT. HULL'S MOTEL - OFFICE - DAY

Hull in a new, expensive suit, gives the big Blonde
Woman
cash.

HULL
Whether I'm here or not, no one else
uses that room. And change the linen
twice a week, just like now.
(starts to go, stops,
more money)
And make sure James gets what he
needs. And something for you.

He adds another bill. She smiles.

INT. A RENTED CONDOMINIUM - DAY

Views, open space, expensive furnishings. Hull (in
another
fancy suit) is hanging a couple of Betty's masks. He's
meticulous about their placement.

Elias wanders out from the other rooms, looking around.

ELIAS
(impressed, envious)
Nice place. Nice suit.

Hull has a moment of self-consciousness about the suit,
checks
himself out in a mirror -- a private moment.

Elias flops on a couch, puts his feet on an antique
coffee
table.

HULL
Hey...!
He hurries over, lifts Elias feet to the floor. Hull
brushes
the wood, inspects it carefully, fusses, worries...
Elias is
amused.

ELIAS
You pick all this shit out yourself?

HULL
A Jewish lady in the store helped
me.

ELIAS
(mock touched by racial
harmony)
Aw... Very nice. Understated. I'm
impressed.

Hull starts to place stacks of cash in a briefcase.
He's
momentarily mesmerized by all the money.

HULL
(to himself)
Fifty bucks, fifty fucking bucks...

ELIAS
You sold it all?

Hull nods.

ELIAS
(continuing)
I'll order a couple more keys from
Barbosa.

HULL
Order ten.

ELIAS
Ten??

HULL
Better twenty.

ELIAS
(afraid of that)
I don't want to push it.

HULL
I do. We've got a bigger territory,
we need more product. I want to deal
directly with Gallegos. It would
save us money.

ELIAS
Barbosa'll never let us near him.

Hull closes the briefcase, ushers Elias toward the
door.
He's going out, too.

HULL
If we buy twenty, Gallegos'll come
to us himself.

ELIAS
How do you know?

HULL
When I bought a key from Eddie, you
came to me.

Elias laughs, surprised, afraid.

HULL
(continuing)
Who's above Gallegos?

ELIAS
Guzman, but he's... Don't ask so
many questions.

HULL
How else will I learn?
(hint of a threat)
Call Barbosa, David, put in our
order... Because we have to split
this, and there isn't enough here
for both of us.

Elias feels the threat.
Genres: ["Crime","Drama","Thriller"]

Summary In a lavish condo, Hull hires a woman to hold a hotel room and provide for James. Elias arrives and admires Hull's new lifestyle and attire. Hull displays the proceeds from selling masks, leading Elias to suggest ordering more keys. Hull insists on dealing directly with Gallegos and ordering in bulk, threatening Elias. The scene ends with Hull asserting his authority and dismissing Elias.
Strengths
  • Tension-filled dialogue
  • Complex character dynamics
  • High stakes and conflict
  • Realistic portrayal of the drug trade
Weaknesses
  • Some dialogue may be overly expository
  • Character motivations could be further explored

Ratings
Overall

Overall: 9

The scene is highly engaging, filled with tension, conflict, and character development. It effectively sets up the stakes and foreshadows future events.


Story Content

Concept: 8

The concept of two characters navigating the drug trade, forming alliances, and facing moral dilemmas is well-executed. The scene effectively establishes the power dynamics and sets up future conflicts.

Plot: 9

The plot is intricate and engaging, with multiple layers of conflict and tension. The scene moves the story forward significantly and sets up future developments.

Originality: 8

The scene introduces familiar themes of power struggles and criminal activities but adds a fresh perspective through nuanced character interactions and dialogue. The authenticity of the characters' actions and dialogue enhances the originality of the scene.


Character Development

Characters: 9

The characters of Hull and Elias are well-developed, with clear motivations and conflicts. Their interactions drive the scene and reveal their personalities effectively.

Character Changes: 8

Both Hull and Elias undergo significant changes in the scene, as they make decisions that will impact their futures. Their dynamic shifts as they negotiate power and alliances.

Internal Goal: 8

The protagonist's internal goal is to assert his dominance and control within the criminal organization, showcasing his power and strategic thinking. This reflects his deeper need for respect and authority in his environment.

External Goal: 7.5

The protagonist's external goal is to expand their drug dealing territory and establish direct contact with a higher-level drug supplier. This reflects the immediate challenge of increasing profits and securing a stable supply chain.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, driving the tension and keeping the audience engaged. The power struggle between Hull and Elias adds depth to the narrative.

Opposition: 8

The opposition in the scene is strong, with conflicting goals and hidden agendas creating obstacles for the protagonist. The audience is kept guessing about the characters' true intentions and loyalties.

High Stakes: 9

The stakes are high in the scene, as Hull and Elias navigate the dangerous world of the drug trade, facing moral dilemmas and power struggles. The consequences of their actions are significant.

Story Forward: 9

The scene moves the story forward significantly, setting up future conflicts and developments. It establishes key relationships and power dynamics that will drive the narrative forward.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics, unexpected decisions, and hidden agendas of the characters. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 7

The philosophical conflict revolves around the protagonist's willingness to take risks and challenge authority to achieve his goals, contrasting with Elias' cautious approach and fear of repercussions. This challenges the protagonist's beliefs about power and control.


Audience Engagement

Emotional Impact: 8

The scene evokes fear, anxiety, and tension, drawing the audience into the characters' dilemmas. The emotional stakes are high, especially as Hull and Elias navigate the dangerous world of the drug trade.

Dialogue: 8

The dialogue is sharp, realistic, and reveals the characters' emotions and intentions. It drives the plot forward and establishes the relationships between the characters.

Engagement: 9

This scene is engaging because of the high stakes, complex character dynamics, and escalating tension. The dialogue and actions keep the audience invested in the outcome.

Pacing: 8.5

The pacing of the scene contributes to its effectiveness by building tension gradually, allowing for moments of reflection and character development, and maintaining a sense of urgency and suspense.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene descriptions and character actions. The formatting enhances the readability and flow of the scene.

Structure: 8

The scene follows the expected structure for a crime drama genre, with clear character motivations and escalating tension. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene lacks clear direction and purpose, with Hull giving money to the Blonde Woman and then moving to a rented condominium without a strong connection between the two locations.
  • The interaction between Hull and Elias feels forced and lacks depth, with Hull's meticulousness about the masks and the briefcase of cash coming off as superficial.
  • The dialogue between Hull and Elias is somewhat stilted and lacks natural flow, making it difficult for the audience to fully engage with the characters.
  • The scene lacks emotional depth and fails to provide insight into the characters' motivations or inner conflicts, resulting in a lack of connection with the audience.
  • The transition from Hull giving money to the Blonde Woman to setting up the new condominium feels abrupt and disjointed, leaving the audience confused about the timeline and character motivations.
Suggestions
  • Consider restructuring the scene to have a clearer throughline and purpose, perhaps focusing on Hull's internal struggles or conflicts with Elias.
  • Develop the interaction between Hull and Elias to be more organic and meaningful, delving into their relationship dynamics and individual motivations.
  • Work on improving the dialogue to be more natural and reflective of the characters' personalities, allowing for a deeper connection with the audience.
  • Add emotional depth to the scene by exploring Hull's inner turmoil and conflicts, providing insight into his character and driving the narrative forward.
  • Smooth out the transition between locations and plot points to create a more cohesive and engaging scene that keeps the audience invested in the story.



Scene 23 -  Late Night Tension
EXT. BETTY'S JEWELRY STORE - NIGHT

Despite the CLOSED sign, a light's on inside. Hull
knocks.
No response. He keeps knocking without let-up until:

BETTY'S VOICE
(annoyed)
Nobody's home, go away.
He knocks harder. Finally she appears in the doorway,
stopping
short when she sees it's him. She's immediately aware
of
white streaks on her grey suit. she tries to brush them
off.

MCCUTCHEON
(doesn't want to let
him in)
Look, I'm tired, why don't you...

Hull holds up the briefcase. She sighs, unlocks the
door.

INT. BETTY'S OFFICE - NIGHT

A bill counter toting up the cash. She watches it
fixedly to
avoid looking at him, but she feels the chemistry.

MCCUTCHEON
Why do you look at me like that?

HULL
How do I look at you?

MCCUTCHEON
Like you know something I don't.
Like you're better than me.

That catches Hull off-guard, and he responds with a
candor
she didn't expect.

HULL
I don't think I'm better than you. I
don't think I'm better than anybody.

She's startled by this remark and instinctively drawn
to
him.

HULL
(continuing)
But I do know something... You can't
stop thinking about me.

Embarrassed, she looks away. He takes her hand, and at
his
touch something yields to her. She lets him draw her to
him.
His kiss is strangely tender, searching. It turns Betty
on
incredibly. She melts into him.

MCCUTCHEON
Let's go back here...

She leads him into...

THE SMALL OFFICE

She's sweet and loving, but her sweetness scares her.
He's
all over her, but she pulls back for a moment. There is
a
couch and before it a coffee table with coke scattered
on a
plate.

MCCUTCHEON
(indicates coke)
Do this... do it with me.

She offers him a straw. He doesn't take it.

MCCUTCHEON
(continuing)
This is where I'm at. You want to be
with me, it's gotta be there.

HULL
I don't do that.

MCCUTCHEON
Never have, never will.

HULL
It's for fuck-ups.

MCCUTCHEON
What do you think, you're not a
nigger? You're a nigger as much as
me.

HULL
More.

She's angry, hurt, confused, wants to love him, but
feels he
won't let her, or she won't let herself. It's torment.
Finally
she's released by a KNOCK on the door. She goes out
to...

THE FRONT OF THE STORE

Lets in Elias. He smells the tension.

ELIAS
(amused, jealous)
Having fun?
(neither answers; to
Hull)
I talked to Barbosa. He'll see us
now.

Hull turns to Betty. Both want to go that way instead
of
this, but events are leading somewhere else. He follows
Elias
out.
Genres: ["Crime","Drama","Thriller"]

Summary Hull goes to Betty's closed jewelry store, where they have a tense and intimate conversation in her office. Betty offers Hull cocaine, leading to conflict. The scene ends with a knock on the door, interrupting their heated interaction.
Strengths
  • Strong character development
  • Tense and emotional dialogue
  • High stakes and conflict
Weaknesses
  • Some dialogue may be overly dramatic or cliched

Ratings
Overall

Overall: 8

The scene effectively builds tension and emotional depth through character interactions and dialogue, keeping the audience engaged and invested in the unfolding drama.


Story Content

Concept: 8

The concept of exploring the moral dilemmas and power struggles within the criminal underworld is well-executed, with a focus on character dynamics and conflicting motivations.

Plot: 7

The plot advances through character decisions and revelations, setting up future conflicts and developments within the story.

Originality: 9

The scene introduces unique situations such as the tension between the characters, the mention of drug use, and the moral ambiguity of the protagonist's actions. The authenticity of the dialogue and character interactions adds to the originality.


Character Development

Characters: 9

The characters are well-developed and drive the scene through their conflicting emotions, desires, and actions, adding depth and complexity to the narrative.

Character Changes: 7

Several characters experience shifts in their relationships and motivations, leading to potential changes in their arcs and future actions.

Internal Goal: 8

The protagonist's internal goal in this scene is to connect with Betty on a deeper emotional level and to understand her feelings towards him. This reflects his need for validation, acceptance, and intimacy.

External Goal: 7

The protagonist's external goal in this scene is to meet with Barbosa, as mentioned by Elias. This reflects the immediate challenge of navigating the current situation and relationships.


Scene Elements

Conflict Level: 9

The scene is filled with internal and external conflicts, driving the tension and emotional stakes higher as characters navigate their relationships and decisions.

Opposition: 7

The opposition in the scene is strong, with conflicting desires, emotional barriers, and societal expectations creating obstacles for the characters. The audience is left unsure of how the characters will navigate these challenges.

High Stakes: 9

The high stakes of the scene, including life-and-death decisions, power struggles, and moral dilemmas, heighten the tension and emotional impact of the narrative.

Story Forward: 8

The scene moves the story forward by introducing new conflicts, deepening character relationships, and setting up future plot developments.

Unpredictability: 8

This scene is unpredictable because of the unexpected emotional turns, the conflicting desires of the characters, and the moral ambiguity of their actions. The audience is kept on edge, unsure of how the scene will unfold.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the struggle between self-worth, identity, and societal expectations. This challenges the protagonist's beliefs about himself and his place in the world.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions from tension and anger to sensuality and confusion, keeping the audience emotionally engaged with the characters and their dilemmas.

Dialogue: 8

The dialogue is sharp, revealing character motivations and relationships while building tension and emotional resonance in the scene.

Engagement: 9

This scene is engaging because of the intense emotional moments, the conflict between the characters, and the unpredictability of their interactions. The audience is drawn into the tension and passion of the scene.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension, allowing for emotional moments to land, and keeping the audience engaged. The rhythm of the dialogue and actions adds to the scene's impact.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for a screenplay, with clear scene descriptions, character actions, and dialogue. The visual elements are well-presented.

Structure: 8

The structure of the scene follows the expected format for a dramatic, character-driven scene. The pacing and rhythm contribute to the effectiveness of the emotional moments.


Critique
  • The scene starts with a strong visual of Hull persistently knocking on Betty's jewelry store door, which sets a tense and urgent tone.
  • The dialogue between Hull and McCutcheon in Betty's office is engaging and reveals underlying tension and chemistry between the characters.
  • The intimate moment between Hull and McCutcheon is well-written and captures the conflicting emotions of desire and vulnerability.
  • The introduction of Elias adds a new layer of tension and jealousy to the scene, enhancing the dynamics between the characters.
  • The scene effectively builds anticipation and sets up a shift in the characters' relationships and motivations.
Suggestions
  • Consider adding more visual cues to enhance the atmosphere and mood of the scene, such as lighting and setting details.
  • Explore deeper into the emotional conflict between Hull, McCutcheon, and Elias to create more complexity and depth in their interactions.
  • Ensure the dialogue remains authentic to each character's voice and motivations, maintaining consistency in their behavior and responses.
  • Continue to escalate the tension and stakes as the scene progresses, leading to a compelling and impactful resolution.
  • Consider incorporating subtle foreshadowing or hints at future developments to keep the audience engaged and intrigued.



Scene 24 -  The Slap Game
EXT. A SALSA CLUB - NIGHT

MUSIC pouring into the darkness.

INT. CLUB - NIGHT

Kids dancing to a live STAGE ACT. High in a wall: a lit
window.

INT. THAT ROOM - NIGHT

Very different from the club. A comfortable room with a
bar,
tables, filled with men much older than the dancers
below.
Barbosa and Gopher at the bar with Elias and Hull.
Chino and
other SHADOWY FIGURES lurk in the room's depths.

BARBOSA
Ten kilos? You're always late on
two.

HULL
Not ten... twenty.

Barbosa's impressed.

HULL
(continuing)
The more we have, the more we can
move. There're markets we can't open
because we don't have the inventory.

Barbosa's coked to the eyeballs, mean and dangerous.

BARBOSA
Finally some balls on this team...
(taunting Elias)
Come work for me, John. I'll give
you your own franchise. You can supply
Elias, lean on him when he's late.

ELIAS
Go fuck yourself.

Barbosa laughs.

HULL
I'm with David.

BARBOSA
Why? He give you his "designer drugs"
pitch. He's never going to do it.
He's a shmuck.

ELIAS
Don't talk to me that way.

BARBOSA
I'm not talking to you at all. I'm
talking to John.

GOPHER
It's the cocaine. Don't listen to
him. Felix, you've had enough...

BARBOSA
Shmuck.

Elias goes for him. He's fast and strong, and it takes
Chino
and Hull to pull him off.

GOPHER
Praise God they don't let guns in
here.

CALMING VOICES
"None of that in here..." "Take it
outside..."
Barbosa's laughing, but his cheek is flecked with his
own
blood, and his eyes are dead.

BARBOSA
David, you've been working out, you're
getting strong. Are you quick, too?
(shadow boxes)
Come on, I'll give you a shot at me.

ELIAS
Any time, any place.

BARBOSA
Right here, right now. Do this.

He puts his hands out, palms up.

ELIAS
This? What is this?

BARBOSA
You know, you slap me, I slap you.
(mimes that game)
Come on, it's fun. Like summer camp.

It doesn't look fun. Elias glances at Hull for
guidance.

HULL
Don't waste your time.

BARBOSA
Stay out of this.
(to Elias)
Come on, you can do it, David, you're
not a shmuck.

Elias puts his hands out, palms up. Barbosa covers them
with
his own. ON THE HANDS: Barbosa's broad, muscular with
thick
gold rings and a Rolex; Elias's paler, slighter, a
wedding
band and a slim watch.

BARBOSA
(continuing)
Slap my hands. Just slap them.

Elias looks Barbosa in the eye. He's trying to be a
snake,
but he's more the mouse. He looks away and as he does
tries
to...

Slap him with both hands but hits only...

Air. The room breathes. Barbosa turns his rings so the
big
surfaces point down.

BARBOSA
(continuing)
Now it's my turn.

GOPHER
It's Barbosa's turn. He's gonna kill
the white boy.

ELIAS
One more.

BARBOSA
No, you went, Davey, now it's my
turn. First to four wins, like the
World Series.

Elias covers Barbosa's palms with his own.

GOPHER
Oh, God, I can't look.

ON THE HANDS: Barbosa tenses his hands. Elias yanks
back.
Barbosa's hands haven't moved.

BARBOSA
You remember the rules? If you flinch,
I get to hit you.

He slaps Elias across the face. Hull starts forward. A
knife
appears. He stops.

BARBOSA
(continuing)
Again, shmuck.

Elias covers Barbosa's hands. Barbosa tenses. Elias
holds
firm, and Barbosa quickly slaps both hands, hard. Elias
doubles over, holding his hands in pain.
GOPHER
One.

ELIAS
That was two.

BARBOSA
No, this is two.

He slaps him again, a stinging crack. Elias looks to
Hull,
but they're across a canyon. Hull lowers his eyes.

GOPHER
Oh, and it hurts. Mercy, it hurts.

ON THE HANDS. Barbosa moves his hands a millimeter, and
Elias
flinches again. Barbosa smacks him across the face. The
sound
reverberates through the room. Now even Gopher is
silent.
Tears run from Elias's eyes, blood from his mouth, but
he
doesn't move.

GOPHER
(continuing)
Three.

A VOICE
Felix! No mas. Finito.

A MAN

steps forward out of the shadows. He is young, mid-
30's,
handsome, European features, beautifully dressed,
accompanied
by a guard we'll know as MOLTO. Someone murmurs to
someone
else:

SOMEONE
Gallegos...

Hull reacts. Their eyes meet.

GOPHER
The fight is over! The Ambassador
from the South has spoken!
ELIAS
(refusing any mercy)
One more.

Barbosa shakes his head, ashamed now in front of
Gallegos.

ELIAS
(continuing)
One more! We're not finished!
(people are silent)
Four was the match.

He holds out his hands. Barbosa resumes the stance,
then
waits, waits, waits, and finally brings both hands
down,
terribly hard, the sound of the slap is awful.

BARBOSA
Four.

HULL
Okay, that's it. Get away.

Hull leads Elias to the door right past Gallegos. Their
gazes
meet again. As they go out they hear Gallegos BERATING
Barbosa
in furious Spanish.
Genres: ["Crime","Drama","Thriller"]

Summary In a tense confrontation, Barbosa humiliates Elias with a 'slap game,' demanding he leave town. Elias defiantly endures the pain, forcing Barbosa to concede defeat. Gallegos intervenes to end the violence.
Strengths
  • Intense dialogue
  • Tense atmosphere
  • Character dynamics
  • Plot advancement
  • Emotional impact
Weaknesses
  • Violence may be too graphic for some audiences

Ratings
Overall

Overall: 9

The scene is highly engaging, filled with tension, conflict, and emotional impact. The dialogue is sharp and intense, driving the plot forward and revealing important character dynamics.


Story Content

Concept: 8

The concept of a high-stakes confrontation in a salsa club setting is unique and adds depth to the characters and their relationships. The scene effectively showcases power struggles and character motivations.

Plot: 9

The plot is advanced significantly through the intense confrontation and power play between the characters. The scene sets up future conflicts and developments in the story.

Originality: 9

The scene demonstrates a high level of originality through its fresh approach to depicting a tense confrontation in a criminal setting. The authenticity of the characters' actions and dialogue adds to the scene's originality.


Character Development

Characters: 9

The characters are well-developed and their personalities shine through in the dialogue and actions. The dynamics between the characters drive the scene forward and create tension.

Character Changes: 7

The characters undergo subtle changes in their dynamics and relationships during the scene, as power shifts and alliances are tested. These changes set the stage for future developments.

Internal Goal: 8

The protagonist's internal goal in this scene is to assert his strength and power in front of the antagonist, Barbosa. This reflects his need for respect and recognition in a dangerous world where weakness is not tolerated.

External Goal: 7.5

The protagonist's external goal is to survive the confrontation with Barbosa and maintain his reputation in the criminal underworld. This goal reflects the immediate challenge he faces in a dangerous and unpredictable situation.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, with power struggles, physical confrontations, and emotional tension driving the narrative forward.

Opposition: 9

The opposition in the scene is strong, with the protagonist facing a formidable antagonist and a dangerous situation that threatens his survival. The audience is kept on edge by the uncertainty of the outcome.

High Stakes: 9

The stakes are high in the scene, with characters facing physical danger, power struggles, and emotional turmoil. The outcome of the confrontation will have significant consequences for the characters involved.

Story Forward: 9

The scene significantly moves the story forward by introducing new conflicts, alliances, and power dynamics. It sets the stage for future events and character arcs.

Unpredictability: 8.5

This scene is unpredictable because of the shifting power dynamics and unexpected actions of the characters. The audience is kept guessing about the outcome of the confrontation.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the protagonist's sense of honor and pride versus the ruthless and violent nature of the criminal world he is a part of. This conflict challenges his beliefs about loyalty and self-preservation.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions from the characters and the audience, with moments of tension, violence, and vulnerability creating a powerful impact.

Dialogue: 9

The dialogue is sharp, impactful, and reveals the true intentions and motivations of the characters. It adds depth to the scene and drives the conflict forward.

Engagement: 9

This scene is engaging because of its intense conflict, high stakes, and unpredictable outcome. The tension between the characters keeps the audience on the edge of their seats.

Pacing: 8.5

The pacing of the scene contributes to its effectiveness by building tension and suspense gradually, leading to a climactic confrontation between the characters.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene headings and descriptions that enhance the visual storytelling.

Structure: 8

The structure of the scene follows the expected format for its genre, building tension and conflict through a series of escalating actions and dialogue.


Critique
  • The scene starts with a strong visual contrast between the lively salsa club and the dark, tense room above it, setting the tone for the confrontation that follows.
  • The dialogue between Barbosa, Hull, and Elias effectively establishes the power dynamics and conflicts between the characters, especially with Barbosa's taunting and Elias's defiance.
  • The physical altercation between Elias and Barbosa adds a layer of tension and danger to the scene, showcasing the brutality and ruthlessness of the drug world they inhabit.
  • The introduction of Gallegos at the end adds a new element of intrigue and power dynamics, hinting at a shift in the balance of power among the characters.
  • The scene effectively builds suspense and anticipation for the next developments in the story, leaving the audience eager to see how the conflicts will unfold.
Suggestions
  • Consider adding more internal thoughts or emotions for the characters to deepen their motivations and reactions during the confrontation.
  • Explore the relationship dynamics between Hull, Elias, and Barbosa further to enhance the complexity of their interactions.
  • Provide more context or backstory for Gallegos to establish his significance and impact on the unfolding events.
  • Consider incorporating more visual cues or actions to enhance the tension and atmosphere of the scene, such as lighting or sound effects.
  • Continue to escalate the stakes and conflicts in the following scenes to maintain the momentum and engagement of the audience.



Scene 25 -  Confrontation and Redemption
INT. STAIRCASE - NIGHT

Trembling, Elias holds his bloody hands against his
chest,
as Hull leads him in silence down the steps.

ELIAS
Look at me. Look at me, damn it!

He barely whispers, but it's like a shout. Hull, who'd
been
avoiding his gaze, forces himself to look. Elias's
humiliation
is so profound it almost ennobles him. Finally:

HULL
Why did you do it?

ELIAS
I needed it. They taught me what I
needed to know. That I'm not part of
them, and I never will be. That they
don't respect me. That I don't deserve
respect. Because I'm a shmuck, John.
I'm a shmuck...

He laughs a terrible laugh. The door behind them opens,
and
Barbosa appears with Gopher. Everyone is ready for
death,
but:

BARBOSA
David, I'm sorry. It's a crazy time,
and... you know... I'm doing a little
too much coca... I'll buy your kid a
pony... anything you want... Let's
forget about it.

He comes down the stairs, offers his hand. Elias will
never
forget about it, but he silently takes the hand, holds
them
in his own bloody paws, looking directly into Barbosa's
face.

Barbosa becomes uneasy, manages to extract his hand.
Elias
and Hull continue down and out the door. Gopher gushes
to
Barbosa.

GOPHER
I am so proud of you. You can be
cruel, and you can be kind. And just
now you were kind. Proud, proud, and
more proud. That's me.

BARBOSA
Shut up.

INT. BOXING GYM - NIGHT

Barbosa, Gopher with Hernandez, Taft's partner. Now we
know
Hernandez is corrupt: that's how they knew Eddie was
talking.

BARBOSA
I got nothing to give you, my man.
I'm an il-liquid son of a bitch.

HERNANDEZ
Felix, I keep telling them, "I have
informants down there, I'm working
guys, I can't say who..." If you
don't have money, give me busts, or
they're gonna start wondering about
me.

GOPHER
They're already wondering.

BARBOSA
(deadpan)
You can have Gopher.

GOPHER
Oh Gawd...

BARBOSA
How about a lawyer?

GOPHER
(knows who he means)
Felix, don't do this.

HERNANDEZ
(he knows, too)
Great, lawyers are great, Jewish is
best. But I need spades, too. The
politicians want dark facts to scare
the suburbs so they'll vote
Republican.

BARBOSA
Lawyers and spades; I got the
trifecta: two dealers and a girl who
does their wash. Two niggers and a
kike; all Democrats.

HERNANDEZ
You're my man. And afterwards...

Hernandez rubs thumb against fingers.

BARBOSA
When this is over, I'll send you to
Hawaii, Maui. It's very beautiful in
Maui, it's a very spiritual place.

HERNANDEZ
I just want money.

And he's gone.
GOPHER
I wouldn't trust that man when he's
out of rifle range.

Barbosa looks tired.

GOPHER
(continuing;
premonition of
disaster)
Don't do this, Felix. It'll go wrong.
Kill Elias if you have to, honey,
but don't set him up for this. It
damages your prestige.

Barbosa faces his cocaine. He tries to resist the pull,
then
yields. He does another line. It's his friend. He loves
it.
He picks up a cellular phone, dials.

BARBOSA
David, you're awake, I'm impressed...
I'm sorry about what happened...
Listen, I'll get you twenty boxes,
like you wanted. You were right, you
should have what you need... Tomorrow
night... Bring your partner and that
girl with the store, Betty... I need
her advice on something. I want us
to have fun, like we used to. We'll
go to that shrimp place, okay?...
Good... Me, too, David.
(hangs up; does another
line; drawing it
deep into him)
Yes!
Genres: ["Crime","Drama","Thriller"]

Summary In the aftermath of a humiliating incident, Elias confronts Hull, expressing his newfound self-awareness. Barbosa, remorseful, attempts to make amends with Elias, offering compensation and an apology. However, their encounter reveals unresolved conflict and lingering pain. Meanwhile, Barbosa engages in corrupt dealings with Hernandez, underscoring his desperation. The scene concludes with Barbosa arranging a meeting with Elias and others, hinting at further developments.
Strengths
  • Intense conflict
  • Sharp dialogue
  • Complex character dynamics
  • High stakes
  • Emotional impact
Weaknesses
  • Graphic violence
  • Dark themes
  • Negative sentiment

Ratings
Overall

Overall: 9

The scene is highly engaging, with a strong mix of tension, drama, and suspense. The dialogue is sharp and impactful, driving the conflict forward and keeping the audience on the edge of their seats.


Story Content

Concept: 8

The concept of power struggles, betrayal, and moral ambiguity in the criminal world is well-executed in this scene. The introduction of high stakes and the intense confrontation between characters adds depth to the narrative.

Plot: 9

The plot is intricately woven with layers of conflict, tension, and character dynamics. The scene moves the story forward significantly, setting up future conflicts and character arcs.

Originality: 9

The scene presents a fresh take on crime and corruption, with unique character dynamics and moral dilemmas. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and their interactions drive the scene forward. Each character's motivations, conflicts, and relationships are clearly portrayed, adding depth to the narrative.

Character Changes: 8

The characters undergo significant emotional and psychological changes in the scene, particularly Elias, whose humiliation and realization of his place in the criminal world drive his character arc forward.

Internal Goal: 8

Elias's internal goal is to come to terms with his own sense of self-worth and identity. He feels humiliated and unworthy, seeking validation and acceptance from others.

External Goal: 7

The protagonist's external goal is to navigate the dangerous world of crime and corruption, making deals and alliances to survive and thrive.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, with high stakes and emotional impact. The power struggles, betrayals, and confrontations between characters create a tense and suspenseful atmosphere.

Opposition: 8

The opposition in the scene is strong, with characters facing moral dilemmas and conflicting interests. The audience is left uncertain of how the characters will navigate these challenges.

High Stakes: 9

The stakes in the scene are high, with characters facing life-threatening situations, betrayals, and power struggles. The consequences of their actions have far-reaching implications, adding tension and suspense to the narrative.

Story Forward: 9

The scene moves the story forward significantly, setting up future conflicts, character arcs, and plot developments. It introduces new dynamics and conflicts that will impact the narrative moving forward.

Unpredictability: 8

This scene is unpredictable because of the characters' unexpected actions and decisions. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the characters' moral compasses and ethical boundaries. They are faced with choices that challenge their values and beliefs, leading to internal struggles and external consequences.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions through its intense conflict, high stakes, and dark undertones. The characters' struggles and choices resonate with the audience, creating a powerful emotional impact.

Dialogue: 9

The dialogue is sharp, impactful, and reveals the complex dynamics between the characters. It drives the conflict forward and adds depth to the scene.

Engagement: 9

This scene is engaging because of its intense atmosphere, complex character dynamics, and moral dilemmas. The tension and suspense keep the audience invested in the characters' choices and their consequences.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged and invested in the characters' choices and actions.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions. The formatting enhances the readability and impact of the scene.

Structure: 8

The scene follows a structured format that effectively builds tension and suspense. The pacing and rhythm contribute to the scene's effectiveness in conveying the characters' internal and external conflicts.


Critique
  • The scene is emotionally charged and intense, with a sense of profound humiliation and realization for Elias.
  • The dialogue between Hull and Elias effectively conveys Elias's inner turmoil and self-awareness.
  • The interaction between Barbosa, Elias, and Gopher adds layers to the dynamics of power and loyalty within the criminal world.
  • The scene effectively sets up tension and foreshadows potential conflicts and betrayals.
  • The visual elements, such as Elias's bloody hands and Barbosa's drug use, enhance the atmosphere of the scene.
Suggestions
  • Consider adding more internal monologue or introspection for Hull to further explore his conflicting emotions and motivations.
  • Explore deeper into the relationship dynamics between Hull, Elias, and Barbosa to create more complex and nuanced interactions.
  • Provide more context or backstory to enhance the understanding of the characters' motivations and actions in the scene.
  • Consider incorporating subtle gestures or actions to convey the characters' emotions and intentions more vividly.
  • Continue to build suspense and anticipation for the upcoming conflicts and resolutions in the storyline.



Scene 26 -  The Setup
INT. CARVER'S OFFICE - BEFORE DAWN

Hull jacked up, excited, pleased with himself. As he
paces,
Carver observes his beautiful suit, shoes, expensive
watch.
He looks much better than Carver.

HULL
We're getting twenty kilograms
tomorrow.
(notes the lightening
sky)
Tonight. I made it happen. I pushed
Elias, now he doesn't make a move
without me.

CARVER
You run Elias.

HULL
I control him. Barbosa's selling it
to us because he thinks I can move
it...
(now the big news)
And last night I met Ramon Gallegos.

Carver sits up fast. Hull likes that.

HULL
(continuing)
We're getting the dope from him;
it's still coming through Barbosa,
but Gallegos will approach me soon
on his own. We're going to get him,
Gerry. We're going to bring him and
the whole thing down.

Carver sits back, grimaces.

HULL
(continuing)
What's your problem?

CARVER
(looking out window)
My problem? My problem is that you
don't really know what's happening.

HULL
(sardonic)
Oh, so, tell me what's happening,
Gerry.

CARVER
Barbosa is setting you up tonight.

HULL
Bullshit.

CARVER
He's dealing you to Taft and
Hernandez. You're going to be taken
down as you receive the drugs. They're
putting together the arrest team
right now.

That rocks Hull. He is up, pacing.

HULL
What do we do?

CARVER
You stay away. We're going to take
them down.

HULL
Who? Elias and Betty? Don't be silly.

CARVER
My boss wants a bust right now. He
goes before the oversight committee
next week. He needs something to
justify the budget.

HULL
(imploring)
I'll get him something. Give me ten
days, and I'll get him Gallegos on a
plate.

CARVER
Too late. The whole thing's set up.

HULL
Gerry, what are you telling me? I
need Elias... and Betty. You arrest
them, and you're throwing away
everything I've set up.

CARVER
It's out of my hands.

Hull walks out.

CARVER
(continuing)
John, don't go near that bust.
Genres: ["Crime","Thriller","Drama"]

Summary Hull and Carver meet in Carver's office before dawn. Hull is excited about arranging to get 20 kilograms of drugs, but Carver warns him that Barbosa is setting him up to be caught. Despite Hull's shock, Carver tells him it's out of his hands. The tense scene ends with Hull walking out, uncertain of what to do next.
Strengths
  • Tense dialogue
  • High stakes
  • Plot twists
Weaknesses
  • Some exposition-heavy dialogue

Ratings
Overall

Overall: 8

The scene is well-written, engaging, and pivotal to the overall plot. It effectively builds tension and sets up a major conflict for the protagonist.


Story Content

Concept: 8

The concept of betrayal, manipulation, and high-stakes criminal dealings is effectively portrayed in this scene. It introduces a complex web of relationships and motivations that drive the narrative forward.

Plot: 9

The plot is intricately woven with multiple layers of deception, power struggles, and shifting alliances. This scene serves as a turning point in the story, setting up a major conflict that will drive the action forward.

Originality: 9

The scene presents a fresh take on the crime genre, with unexpected twists and moral ambiguity that challenge traditional narratives.


Character Development

Characters: 8

The characters are well-developed and their motivations are clear. Hull's determination to protect his allies and outmaneuver his enemies is a driving force in the scene.

Character Changes: 7

Hull undergoes a significant realization about the betrayal he is facing and the need to protect his allies. This moment marks a turning point in his character arc.

Internal Goal: 8

Hull's internal goal is to maintain control and power in the criminal organization. He wants to prove himself as a valuable asset and leader.

External Goal: 7.5

Hull's external goal is to secure a drug deal with Ramon Gallegos and bring down the entire operation.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, with betrayals, power struggles, and impending danger creating a sense of urgency and suspense.

Opposition: 8

The opposition in the scene is strong, with conflicting goals and hidden agendas that create uncertainty and suspense for the characters.

High Stakes: 9

The stakes are high in this scene, with Hull facing betrayal, potential arrest, and the need to protect his allies. The outcome of the situation will have far-reaching consequences for the characters involved.

Story Forward: 9

The scene moves the story forward significantly by introducing a major conflict, escalating the tension, and setting up future events that will drive the narrative.

Unpredictability: 8.5

This scene is unpredictable because of the sudden betrayal and shifting alliances that challenge the characters' loyalties.

Philosophical Conflict: 8

The philosophical conflict is between loyalty and self-preservation. Hull must choose between protecting his allies and saving himself from a setup.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, including tension, anxiety, and determination. The high stakes and the characters' conflicting loyalties add depth to the emotional impact.

Dialogue: 9

The dialogue is sharp, tense, and reveals the characters' conflicting agendas and emotions. It effectively conveys the high stakes and the sense of urgency in the scene.

Engagement: 9

This scene is engaging because of its high stakes, conflicting goals, and intense dialogue that keeps the audience on the edge of their seats.

Pacing: 8

The pacing of the scene builds tension effectively, with a gradual reveal of information and escalating conflict that keeps the audience engaged.


Technical Aspect

Formatting: 8

The formatting adheres to industry standards, making the scene easy to follow and engaging for readers.

Structure: 8

The scene follows a typical structure for a crime drama, with escalating tension and revelations that drive the plot forward.


Critique
  • The scene lacks a clear sense of urgency and tension considering the high stakes involved. The dialogue feels somewhat flat and could benefit from more emotional depth and conflict.
  • The character dynamics between Hull and Carver could be further developed to enhance the tension and power struggle between them. There is potential for more nuanced interactions and power plays.
  • The exposition and information about the setup for Hull being taken down by Barbosa feel rushed and could be better integrated into the dialogue to create a more suspenseful atmosphere.
  • The scene could benefit from more visual descriptions and sensory details to immerse the audience in the high-pressure situation and the characters' emotions.
  • The resolution of the conflict between Hull and Carver feels abrupt and could be more impactful with a stronger emotional payoff.
Suggestions
  • Consider adding more subtext and layers to the dialogue to convey the characters' hidden agendas and motivations.
  • Build up the tension gradually throughout the scene by using pacing, pauses, and non-verbal cues to create a sense of impending danger.
  • Explore the power dynamics between Hull and Carver by incorporating more strategic moves and manipulative tactics in their conversation.
  • Enhance the visual elements by describing the setting in more detail and using visual cues to reflect the characters' emotional states.
  • Revise the resolution of the conflict to make it more satisfying and impactful, possibly by adding a twist or unexpected turn of events.



Scene 27 -  Power Shift at the Airport
EXT. 96TH STREET NEAR THE AIRPORT/INT. A CAR - NIGHT

Elias (no sleep) driving. Betty in front. Hull in back.

HULL
We shouldn't go to them. Maybe them
come to us.
ELIAS
He wouldn't.

They pull into the lot of a boarded up restaurant where
Barbosa and Chino stand outside of a limousine.

EXT. BEHIND AN AIRPORT MOTEL - NIGHT

Taft and Hernandez in the same van that was outside the
gym
earlier. They're watching THROUGH BINOCULARS, night
scopes.
They spot Elias's car.

HERNANDEZ
(whispering into radio)
Here they are. Nobody move until we
see the green suitcase.

EXT. PARKING LOT - NIGHT

The two groups meeting. Barbosa gives Betty a courtly
kiss.

BARBOSA
(flirtatious)
I'm sorry for dragging you out so
late, but I have to be careful.

MCCUTCHEON
It gives me confidence.

HULL

watching planes descend into the airport, nervous. He
knows
what's coming, but how does he handle it?

HULL
Let's see what we've got.

Elias takes a satchel out of the rent-a-car trunk.
Chino
opens the limousine's trunk. Inside is an over-sized
day-glo
green plastic suitcase. He is about to pick it up.

HULL
(continuing; spotting
the police van in
the adjacent lot)
Don't touch it.
Everyone looks at him, then the direction he's looking.

BARBOSA
What is this?

HULL
Something's wrong. What's that van
doing there?

Everyone looks. They can barely see the van. Hull pulls
a
gun.

HULL
(continuing)
This is a bust. The minute we take
the stuff, they'll be over us.

BARBOSA
He's crazy, David. I thought you
were the crazy one, but it's him.

Hull puts the gun to Barbosa's head, addresses Chino:

HULL
Chino, pick up the suitcase and give
it to Elias. I'll only kill him if
something goes wrong.

Chino moves to pick up the suitcase.

BARBOSA
No!!

Everyone looks at Hull amazed, even Chino.

ELIAS
(softly)
Fucking A, John...

HULL
Okay, everybody in the car.

He throws the money in the limo truck, slams the lid.
He's
running the show now, and everyone knows it. He's
winging
it, but confident and strangely calm.

Elias, energized by Hull's command, grabs Barbosa and
throws
him toward the limo.

HERNANDEZ'S POV THROUGH NIGHT SCOPE

TAFT
We have a problem.

HERNANDEZ
Shit! Shit! Shit!
(aiming rifle; Hull
in sights)
Enough of this...

TAFT
No!
Genres: ["Crime","Thriller","Drama"]

Summary Hull's suspicion of a watching van leads to a tense confrontation. He pulls a gun on Barbosa, taking control of the exchange. Elias supports Hull's assertive actions, while Barbosa resists. Hull forces Chino to retrieve a green suitcase while throwing the money into the limo truck. Hull's decisive actions establish his dominance, and everyone complies with his orders.
Strengths
  • Tension-filled atmosphere
  • Strong character dynamics
  • Engaging dialogue
  • High-stakes conflict
Weaknesses
  • Some confusion in the action sequences
  • Limited character development for secondary characters

Ratings
Overall

Overall: 9

The scene is highly engaging, filled with tension, suspense, and unexpected twists. It keeps the audience on the edge of their seats and sets up a pivotal moment in the story.


Story Content

Concept: 8

The concept of a drug deal turning into a police bust adds complexity and intrigue to the scene. The idea of characters being forced to think on their feet and make split-second decisions enhances the drama and suspense.

Plot: 9

The plot is gripping and well-executed, with a strong focus on the escalating conflict and the characters' reactions to the unfolding events. The scene moves the story forward significantly and sets up future developments.

Originality: 8

The scene introduces a familiar scenario of a shady deal gone wrong but adds unique elements such as the green suitcase and the unexpected twist of Hull taking control of the situation. The characters' actions and dialogue feel authentic and contribute to the tension of the scene.


Character Development

Characters: 8

The characters are well-developed and their actions and motivations are clear. Hull's transformation into a more assertive and decisive figure is particularly compelling, adding depth to his character.

Character Changes: 8

Hull undergoes a significant transformation in the scene, taking charge of the situation and asserting his authority. This change in his character adds depth and complexity to his arc.

Internal Goal: 8

Hull's internal goal is to maintain control and assert his authority in a high-pressure situation. This reflects his need for power and dominance, as well as his fear of losing control.

External Goal: 7.5

The protagonist's external goal is to successfully complete the deal without getting caught by the police. This goal reflects the immediate challenge of navigating a dangerous situation and avoiding arrest.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, involving not only the characters' internal struggles but also external threats like the police bust. The stakes are high, leading to a sense of urgency and danger.

Opposition: 8

The opposition in the scene is strong, with the characters facing multiple obstacles and conflicting motivations. The threat of police surveillance and the internal power struggle between Hull and Barbosa create a sense of danger and uncertainty.

High Stakes: 9

The stakes in the scene are extremely high, with the characters facing the threat of a police bust and the potential for violence. The outcome of the drug deal could have far-reaching consequences for all involved.

Story Forward: 9

The scene propels the story forward by introducing new conflicts, escalating existing tensions, and setting up future plot developments. It is a pivotal moment that drives the narrative towards its climax.

Unpredictability: 8.5

This scene is unpredictable because of the unexpected turn of events, such as Hull taking control of the situation and the sudden appearance of the police van. The audience is kept guessing about the characters' fates and the outcome of the deal.

Philosophical Conflict: 8

The philosophical conflict in this scene is between Hull's ruthless determination to control the situation at all costs and Barbosa's more cautious approach. This challenges Hull's belief in his own authority and ability to handle the situation.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions in the audience, including fear, anxiety, and suspense. The characters' reactions and the high-stakes nature of the situation create a sense of tension and uncertainty.

Dialogue: 8

The dialogue is sharp and impactful, conveying the tension and emotions of the characters effectively. It drives the scene forward and reveals important information about the characters' relationships and dynamics.

Engagement: 9

This scene is engaging because of its fast-paced action, high stakes, and unpredictable twists. The tension between the characters and the looming threat of police surveillance keep the audience on the edge of their seats.

Pacing: 8.5

The pacing of the scene is effective in building tension and maintaining the audience's interest. The rapid-fire dialogue and escalating action create a sense of urgency and suspense that propels the scene forward.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a suspenseful, action-packed sequence, with clear scene headings, dialogue formatting, and action descriptions that enhance the visual storytelling.

Structure: 8

The scene follows a typical structure for a suspenseful, high-stakes encounter, with escalating tension and a dramatic climax. The pacing and formatting effectively build suspense and maintain the audience's engagement.


Critique
  • The scene lacks clear transitions between locations, making it slightly confusing for the reader to follow the action.
  • The dialogue feels a bit rushed and could benefit from more natural pauses and reactions from the characters.
  • There is a lack of internal monologue or emotional depth from the characters, particularly Hull, which could enhance the tension and stakes of the scene.
  • The introduction of the police van and the impending bust feels somewhat abrupt and could be foreshadowed or built up more effectively.
  • The dynamics between the characters, especially Hull, Elias, and Barbosa, could be further explored to add depth and complexity to their interactions.
Suggestions
  • Consider adding more descriptive language to set the scene and create a stronger visual image for the reader.
  • Slow down the pacing of the dialogue to allow for more emotional beats and reactions from the characters.
  • Introduce internal thoughts or reflections from Hull to provide insight into his mindset and decision-making process.
  • Build up the tension and suspense leading to the reveal of the police van to create a more dramatic impact.
  • Explore the power dynamics and conflicting motivations between the characters to add layers to their interactions and decisions.



Scene 28 -  Carnage in the Night
EXT. TWO CARS - NIGHT

Hull shepherding everyone into the limo. He glances
toward
the van. On instinct. He pulls Chino to him.

A RIFLE SHOT

Chino's head explodes. Betty screams.

BARBOSA
(screaming at van)
Don't shoot... Don't shoot...

INT. VAN - NIGHT

Taft hurling Hernandez against the wall.

TAFT
Goddam it, what the hell are you
doing?

EXT. TWO CARS - NIGHT

SIRENS. GUNFIRE. Elias drags Barbosa into the limo.
Hull
throws Betty into the front seat. The limo takes off.

EXT. STREET/INT. LIMO - DRIVING - NIGHT

Hull driving, Betty up front. Elias with a gun on
Barbosa in
back. Hull slaloms the limo through police GUNFIRE.
Windows
are blown out. Glass everywhere.
MCCUTCHEON
(weeping)
I asked for this... I asked for it...
It's my fault...

HULL
(calm, eyes on road)
Relax. We'll make it.

She looks at him, stunned yet soothed by his certainty.

BARBOSA
He's a cop. He has to be. How else
would he have known?

HULL
If I was cop, you'd be face down
back there.

MCCUTCHEON
How did you know?

HULL
The whole thing smelled. Changing
his mind about the stuff. Meeting us
way out here. And I'd seen cops in
that van before. Hernandez is dirty,
that's who he's using.

ELIAS
(to Barbosa)
Get out of the car.

He starts to open the door.

HULL
David, not now.

ELIAS
Yes, now!

INT. TAFT AND HERNANDEZ'S CAR - NIGHT

Racing. Taft at wheel, raging at Hernandez.

TAFT
Who are you, man? Who the fuck are
you?

HERNANDEZ
(stonewalling)
I'm me.
INT. LIMO - DRIVING - NIGHT

ELIAS
He traded us to the cops. Just like
Eddie. Eddie, who was nice to my
daughter, had to die because that's
the rule. And you were vulgar about
my wife, Felix, so at the very least
the same rule applies to you.

BARBOSA
I'll give you money. I'll give you a
million. Anything you want.

ELIAS
I want you to get out of the car.
Get out of the fucking car. Out of
the fucking --

MCCUTCHEON
(near tears)
No, no... we can't do this.

HULL
(turning around from
front seat)
Stop it, David, or we're...

Elias wheels on him, sticks the gun in his face:

ELIAS
(in a fury)
Look at my hands!

He holds them up: swollen, black and blue, cut up.

ELIAS
(continuing; to
Barbosa, softly)
Get out of the car.

Barbosa's frozen. Elias grabs his hand, SHOOTS a bullet
through. Barbosa screams...

MCCUTCHEON
No!

HULL
Goddammit!
Elias wheels on them, swinging the gun from one to the
other.

ELIAS
Stay out of this, or you'll die.
You'll both die. Everyone'll die.

His fury makes anything seem possible. He pushes open
the
door. Trembling, Barbosa starts to climb out.

The limo enters a tunnel, police still in pursuit.

Halfway out, Barbosa stops.

BARBOSA
I can't...

Elias SHOOTS him in the butt. He shrieks, jerks
forward. The
cops are getting close behind.

Other cops waiting at the far end of the tunnel.

Hull hits the brakes, spins a 180 into the opposite
lane.

Barbosa is flung out of the car and plastered by a
succession
of fishtailing vehicles.

Hull speeds back the other way. They're going straight
at:
Genres: ["Crime","Thriller","Drama"]

Summary In the chaos of a high-speed police chase, the limo comes under fire and Chino is killed by a sniper. Elias, seeking revenge, kills Barbosa and throws him from the vehicle to his death. The limo, driven by Hull, speeds away, leaving a trail of violence in its wake.
Strengths
  • Intense action
  • Emotional depth
  • High stakes
  • Compelling character dynamics
Weaknesses
  • Graphic violence
  • Potentially triggering content

Ratings
Overall

Overall: 9

The scene is highly engaging, filled with tension, action, and emotional turmoil. It keeps the audience on the edge of their seats with its fast-paced and intense storytelling.


Story Content

Concept: 8

The concept of a betrayal leading to a life-threatening situation and a daring escape is executed with skill and intensity. The scene effectively showcases the consequences of trust and deception in the criminal underworld.

Plot: 9

The plot is gripping and well-developed, with twists and turns that keep the audience hooked. The escalation of conflict and the characters' reactions drive the narrative forward with great momentum.

Originality: 8

The scene introduces fresh elements such as betrayal, desperation, and moral ambiguity in a high-stakes criminal setting. The characters' actions and dialogue feel authentic and contribute to the tension and suspense of the scene.


Character Development

Characters: 8

The characters' emotions and motivations are vividly portrayed, adding depth to the scene. Their actions and decisions in the face of danger reveal their true nature and create compelling dynamics.

Character Changes: 8

The characters undergo significant changes in the scene, particularly Elias, who is forced to confront betrayal and make difficult decisions. The events in the scene challenge their beliefs and values, leading to personal growth.

Internal Goal: 8

The protagonist's internal goal in this scene is to maintain control and protect his group from the escalating danger. This reflects his need for power, security, and survival in a dangerous environment.

External Goal: 7.5

The protagonist's external goal is to evade the police and escape the dangerous situation they are in. This reflects the immediate challenge they are facing and the need to outsmart their pursuers.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, involving betrayal, violence, and moral dilemmas. The characters are pushed to their limits, leading to dramatic confrontations and shocking actions.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult choices, moral dilemmas, and escalating danger that keep the audience on edge. The uncertainty of the characters' fates adds to the tension and suspense of the scene.

High Stakes: 10

The stakes in the scene are extremely high, with the characters' lives on the line and the consequences of their actions potentially deadly. The tension and danger create a sense of urgency and suspense.

Story Forward: 9

The scene propels the story forward with its intense action and dramatic developments. It sets up new conflicts and resolutions, pushing the narrative towards its climax.

Unpredictability: 8

This scene is unpredictable because of the characters' unexpected actions and the escalating tension that keeps the audience guessing about the outcome. The shifting dynamics and moral dilemmas add layers of complexity and uncertainty to the scene.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the characters' moral choices in a world where survival often requires compromising one's values. The protagonist must navigate between loyalty, self-preservation, and the consequences of their actions.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions in the audience, including fear, tension, and shock. The characters' struggles and the high-stakes situation create a powerful emotional impact.

Dialogue: 7

The dialogue is tense and impactful, conveying the characters' emotions and driving the conflict forward. It effectively reveals the characters' relationships and inner turmoil.

Engagement: 9

This scene is engaging because of its intense action, high stakes, and moral dilemmas that keep the audience on the edge of their seats. The fast-paced narrative and vivid descriptions draw the reader into the dangerous world of the characters.

Pacing: 8.5

The pacing of the scene is effective in building tension and suspense, with a balance of action, dialogue, and description that keeps the reader engaged and invested in the characters' fates. The rhythm of the scene enhances its dramatic impact.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and concise, with proper scene headings, action lines, and dialogue formatting. It adheres to the expected format for its genre, enhancing readability and clarity.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, escalating conflict, and a dramatic resolution. The pacing and rhythm of the scene contribute to its effectiveness in building tension and suspense.


Critique
  • The scene is filled with intense action and tension, which keeps the audience engaged.
  • The dialogue effectively conveys the escalating conflict between the characters, especially Elias and Barbosa.
  • The visual descriptions help create a vivid picture of the chaotic and dangerous situation unfolding.
  • The emotional turmoil of the characters, especially Elias, is well portrayed through their actions and dialogue.
  • The scene effectively builds suspense and keeps the audience on the edge of their seats.
Suggestions
  • Consider adding more internal thoughts or emotions for the characters to deepen their complexity and provide insight into their motivations.
  • Ensure that the actions and reactions of the characters are consistent with their established personalities and motivations throughout the script.
  • Explore the aftermath of the scene to show the emotional and psychological impact on the characters, especially Elias and Hull.
  • Consider incorporating more sensory details to enhance the immersive experience for the audience, such as sounds, smells, and physical sensations.
  • Continue to escalate the stakes and tension in the scene to maintain the momentum of the story and keep the audience engaged.



Scene 29 -  Dangerous Game of Chicken
INT. VAN - COMING STRAIGHT AT THEM - NIGHT

Taft and Hull, the two drivers, lock eyes. It's
chicken, but
more than that. Two men set against each other who, for
some
reason, want to be friends.

At the last instant, the van swerves away, but:

ELIAS AIMING AT TAFT

Taft sees the gun too late. He can do nothing.

Hull's gaze follows Taft's. He sees Elias, deliberately
swerves, sending the SHOT wild.

INT. LIMO - RACING - NIGHT
ELIAS
I had him!

HULL
You want to kill a cop?? Don't be
stupid.

The limo speeds away.

EXT. STREET/INT. LIMO - DRIVING - NIGHT

The windows shot out. Hull and Betty silent, shaken.
Elias
charged up, happy.

ELIAS
Everything is different. We're the
Colombians now.
(radiant)
This is the greatest night of my
life. Terrible but great. Felix was
right...

MCCUTCHEON
(appalled)
About what?

ELIAS
He said I should kill a man. He was
right.

MCCUTCHEON
My God.

ELIAS
Barbosa was a roach. Do you miss
him? Will anybody in the world miss
him?

MCCUTCHEON
Are you a roach, too?

ELIAS
(happily)
Yes. Thank God.

MCCUTCHEON
(to Hull)
What about you?

He's silent, keeps driving. She's had enough.
MCCUTCHEON
(continuing)
Stop the car.

Hull looks at her.

MCCUTCHEON
(continuing)
Stop it!

He brakes to a stop. She jumps out, leans back in.

MCCUTCHEON
(continuing)
No more laundering, no more anything.
I'm finished with this.

And she disappears into the night. Elias watches her
go.
Hull resumes driving.

ELIAS
She knows too much. We have to kill
her.

HULL
No! She's with me. She's not going
to talk.
(looks at Elias)
You touch her, I'll kill you.

ELIAS
She's your responsibility then.

Hull accepts it.

ELIAS
(continuing)
We're going to get the money now,
John. Enough for the new drug. We're
going to be rich. We're going to be
so rich that we're going to leave
the world of ordinary people and
going to a higher realm. I mean that.

HULL
They're going to come after us.

ELIAS
(matter-of-fact)
It's a hardball game. We're hardball
players.
Genres: ["Crime","Thriller","Drama"]

Summary In this adrenaline-pumping scene, Hull and Taft's tense standoff while Elias wields a gun creates a dangerous game of chicken. Elias's excitement over their criminal endeavors contrasts with McCutcheon's decision to leave. As Elias suggests eliminating her, Hull's refusal highlights their clashing motivations. The scene ends with McCutcheon departing, leaving Hull and Elias to delve into their plans for wealth and evasion.
Strengths
  • Intense atmosphere
  • Sharp dialogue
  • Complex characters
  • High stakes
  • Plot advancement
Weaknesses
  • Potential for confusion with multiple characters and motivations

Ratings
Overall

Overall: 9

The scene is gripping, intense, and sets up significant developments in the plot. The tension is palpable, and the stakes are high, keeping the audience engaged throughout.


Story Content

Concept: 9

The concept of a drug exchange turning violent and leading to a power struggle is executed effectively. The scene explores themes of power, loyalty, and consequences.

Plot: 9

The plot advances significantly in this scene, with key events unfolding that will have a lasting impact on the story. The power dynamics between the characters shift, setting the stage for future conflicts.

Originality: 9

The scene offers a fresh take on the crime genre, presenting complex characters with conflicting motivations and moral dilemmas. The authenticity of the characters' actions and dialogue adds depth to the narrative, making it stand out from traditional crime stories.


Character Development

Characters: 8

The characters are well-developed, with clear motivations and conflicts driving their actions. Their interactions reveal their true nature and the complexities of their relationships.

Character Changes: 7

Elias undergoes a significant transformation in this scene, embracing his darker side and asserting his power. Hull also shows a protective side, demonstrating his loyalty and moral compass.

Internal Goal: 8

The protagonist's internal goal in this scene is to assert his power and control over the situation, showcasing his ruthless nature and ambition for wealth and success in the criminal world.

External Goal: 7

The protagonist's external goal is to secure the money for a new drug and establish his dominance in the criminal underworld, while also dealing with the immediate threat of being pursued by enemies.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and multi-layered, involving power struggles, betrayal, and high stakes. The tension between the characters drives the narrative forward and keeps the audience on edge.

Opposition: 8

The opposition in the scene is strong, with characters facing internal and external conflicts that challenge their beliefs and motivations. The audience is left unsure of the characters' fates, adding to the suspense and drama.

High Stakes: 9

The stakes are incredibly high in this scene, with lives on the line, power at play, and the risk of betrayal looming large. The characters' decisions have far-reaching consequences, adding tension and urgency to the scene.

Story Forward: 9

The scene propels the story forward by introducing new conflicts, shifting power dynamics, and setting up future events. It raises the stakes and keeps the audience invested in the narrative.

Unpredictability: 8

This scene is unpredictable because of the characters' conflicting motivations and unexpected plot twists. The audience is kept guessing about the characters' next moves and the outcome of their decisions.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the characters' moral compasses and their willingness to commit heinous acts for personal gain. It challenges the protagonist's values and beliefs as he grapples with the consequences of his actions.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, including tension, shock, and suspense. The characters' decisions and actions have emotional consequences, adding depth to the story.

Dialogue: 9

The dialogue is sharp, impactful, and drives the scene forward. It reveals the characters' emotions, intentions, and conflicts effectively, adding depth to the narrative.

Engagement: 9

This scene is engaging because of its intense action, moral dilemmas, and high-stakes conflict. The characters' decisions and interactions keep the audience on the edge of their seats, eager to see how the situation unfolds.

Pacing: 8

The pacing of the scene is well-executed, with a balance of action, dialogue, and character development. It keeps the audience engaged and maintains tension throughout, leading to a satisfying climax.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene descriptions, character actions, and dialogue. It is easy to follow and visually engaging.

Structure: 8

The scene follows a well-paced structure that builds tension and suspense effectively. It adheres to the expected format for a crime thriller, with clear character motivations and escalating conflict.


Critique
  • The scene lacks clarity in terms of the characters' motivations and emotions. It's unclear why Taft and Hull lock eyes and engage in a game of chicken, and the sudden introduction of Elias aiming at Taft feels forced and out of place.
  • The dialogue between Elias and Hull is somewhat disjointed and lacks depth. The sudden shift in Elias's demeanor from happy to discussing killing a man is jarring and not well-developed.
  • The character of McCutcheon feels underdeveloped and her sudden decision to leave the criminal world lacks proper build-up or explanation.
  • The transition from McCutcheon leaving to Elias suggesting killing her feels rushed and lacks emotional impact. The threat of killing a character should be handled with more gravity and nuance.
  • The dialogue between Elias and Hull about becoming rich and leaving the world of ordinary people feels cliched and lacks originality.
Suggestions
  • Clarify the initial confrontation between Taft and Hull to establish a more solid foundation for the subsequent events.
  • Develop Elias's character arc more organically, showing his descent into violence and criminality in a more nuanced way.
  • Provide more depth to McCutcheon's character and her decision to leave the criminal world, giving her a more compelling and believable arc.
  • Handle the threat of killing McCutcheon with more subtlety and emotional weight, exploring the consequences and moral dilemmas more thoroughly.
  • Revise the dialogue between Elias and Hull to make it more original and reflective of their characters' complexities and motivations.



Scene 30 -  A Night of Violence and Suspense
EXT. COMMERCIAL STREET - EAST L.A. - NIGHT

Hernandez comes out of a bodega with groceries, wine
and a
woman. He nuzzles her as he lets her into his car. As
he's
getting behind the wheel, Molto (Gallegos' guard) stops
the
door from closing. The conversation is entirely in
SPANISH.

HERNANDEZ
It wasn't my fault.

MOLTO
It never is.

He SHOOTS him in the head. Hernandez slumps against the
wheel.
The woman screams. Molto walks away.

EXT. AN APARTMENT COMPLEX/INT. BETTY'S APARTMENT - DAWN

Hull finds a door, pushes the buzzer. Betty looks
through
the glass. She's afraid of him.

MCCUTCHEON
Don't kill me. I'm not going to talk.
I swear. Please.

Then she looks closer and sees not murder in his face,
but
need. She opens the door. Without a word, he gathers
her to
him. She can't resist him now. Her mouth is everywhere
on
him.

INT. HER BEDROOM - DAWN

Betty gasping in the wake of pleasure, turning her face
away
from him, she feels so exposed.

MCCUTCHEON
Don't look...

She hides her face in his neck.
INT. SAME - LATER

They lie in each other's arms, relaxed together for the
first
time. A wonderful, unprotected openness.

HULL
(softly)
Tell me about you.

MCCUTCHEON
(half-kidding)
Everything worth knowing you just
found you.

He laughs. They begin to make love again. Suddenly: AN
EXTRA
HAND stroking Betty's hair. She gasps. A gun in Hull's
ear.
Another in her face. Guns all around.

HULL
Don't hurt her.

Hands pull him out of bed, leave her there alone. We
see
Molto, two or three others.
Genres: ["Crime","Drama","Thriller"]

Summary In the bustling streets of East L.A., Hernandez's life is cut short by Molto's ruthless bullet. As dawn breaks, Betty finds solace in Hull's embrace, but their intimacy is shattered by the menacing presence of armed individuals. The scene culminates in a chilling cliffhanger as Hull is forcibly dragged away, leaving Betty alone and terrified.
Strengths
  • Intense emotional moments
  • Effective use of tension and suspense
  • Compelling character dynamics
Weaknesses
  • Potential for cliched dialogue
  • Slightly predictable plot twists

Ratings
Overall

Overall: 9

The scene effectively blends themes of betrayal, intimacy, and high stakes, creating a gripping and emotionally charged moment in the story.


Story Content

Concept: 8

The concept of betrayal and intimacy intertwined with a high-stakes situation is well-executed, adding depth to the characters and advancing the plot.

Plot: 9

The plot progresses significantly with the introduction of betrayal, intimacy, and the escalation of conflict through the use of guns and high-stakes scenarios.

Originality: 8

The scene presents a fresh approach to the familiar theme of survival in a dangerous situation. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters' emotions, motivations, and relationships are vividly portrayed, especially through the moments of betrayal, intimacy, and the use of guns.

Character Changes: 8

The characters experience significant emotional changes, especially in terms of trust, betrayal, and intimacy, leading to potential shifts in their relationships and motivations.

Internal Goal: 8

The protagonist's internal goal in this scene is to protect the woman he is with and navigate the dangerous situation he finds himself in. This reflects his deeper need for survival and his desire to keep the woman safe.

External Goal: 7.5

The protagonist's external goal in this scene is to survive the encounter with Molto and his guards. This reflects the immediate challenge of facing armed adversaries and trying to protect the woman he is with.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense, driven by betrayal, intimacy, and the use of guns, creating a sense of danger and suspense.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing armed adversaries and difficult choices that create tension and conflict.

High Stakes: 9

The high stakes in the scene, including the use of guns, betrayal, and intense emotions, heighten the tension and suspense, making the outcome crucial for the characters.

Story Forward: 9

The scene propels the story forward by introducing new conflicts, deepening character relationships, and raising the stakes for the main characters.

Unpredictability: 8

This scene is unpredictable because of the sudden violence and unexpected twists, keeping the audience on edge and unsure of what will happen next.

Philosophical Conflict: 8

The philosophical conflict in this scene is between the protagonist's desire for survival and his moral code. He is forced to make difficult decisions in a dangerous situation, challenging his beliefs and values.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions from the characters and the audience, particularly through moments of betrayal, intimacy, and fear.

Dialogue: 8

The dialogue effectively conveys the characters' emotions, fears, desires, and the tension in the scene, enhancing the overall impact.

Engagement: 9

This scene is engaging because of its intense action, suspenseful dialogue, and high stakes. The reader is drawn into the dangerous situation and invested in the characters' fates.

Pacing: 8.5

The pacing of the scene is effective in building tension and suspense, with a balance of action and character moments that keep the story moving forward.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene headings and concise action lines.

Structure: 8

The structure of the scene follows the expected format for its genre, building tension and suspense effectively.


Critique
  • The scene starts with a sudden and violent act of Hernandez being shot in the head, which sets a dark and intense tone right from the beginning. This abrupt and shocking event grabs the audience's attention but may need more context or buildup to fully understand the significance of the character's death.
  • The transition to Betty's apartment is quite jarring and lacks a smooth segue from the previous violent scene. The shift from a murder to a romantic encounter feels disjointed and could benefit from a more seamless transition to maintain the flow of the narrative.
  • The intimate moment between Hull and Betty is portrayed with sensuality and vulnerability, but the sudden intrusion of armed individuals disrupts the emotional connection established between the characters. This interruption creates a sense of danger and suspense, but the transition could be smoother to enhance the impact of the scene.
  • The introduction of Molto and the armed individuals adds a layer of tension and threat to the scene, heightening the stakes for the characters. However, the sudden escalation to a threatening situation feels slightly rushed and could be developed further to build suspense and anticipation.
  • The scene effectively conveys a mix of intimacy, fear, and danger, creating a complex emotional dynamic between the characters. The juxtaposition of vulnerability and violence adds depth to the scene, but ensuring a more cohesive transition between the different emotional beats could enhance the overall impact.
Suggestions
  • Consider providing more context or foreshadowing for Hernandez's death to give it greater significance and emotional weight.
  • Work on smoother transitions between the intense and intimate moments to maintain the flow of the scene and enhance the emotional impact.
  • Explore ways to build suspense and tension gradually before the intrusion of Molto and the armed individuals to create a more gradual escalation of conflict.
  • Develop the emotional arc of the characters further to deepen the audience's connection with their experiences and reactions in the face of danger.
  • Focus on balancing the themes of intimacy, fear, and danger to create a cohesive and impactful scene that resonates with the audience.



Scene 31 -  The Debt
EXT. A CEMETERY - MORNING

RAMON GALLEGOS lays a bouquet of white lillies on a
grave.
He kneels, whispers a prayer, crosses himself.

He rises and walks to where Molto and the other guards
hold
Hull and Elias. Gallegos is in his thirties, more
European
than Barbosa. He has a distinctly mild manner.

ELIAS
Who's grave?

An impudent question, but Elias seems strangely bright-
eyed
despite the guns held on him.

GALLEGOS
My wife's. She died of leukemia three
years ago.
(looks around)
I like to be among the dead. They
never interrupt you.
(turning to them)
Felix Barbosa started out as a skinny
fourteen-year-old fucking Yankee
businessman in Bogata hotels. He
grew up. He made himself strong and
rich, but getting there made him
sick, and that killed him. So he
lost everything for the same reason
he'd gotten it in the first place.
Now we'll see if you can do as well.

A PRIEST going by greets Gallegos who responds warmly.
They
chat a minute in SPANISH. The Priest leaves.

GALLEGOS
(continuing)
Felix owed me one million eight
hundred thousand dollars.

He addresses this to Hull; Elias feels left out.

GALLEGOS
(continuing)
When you killed him, you bought the
debt; now you owe it to me; you get
to keep thirty percent, like he did.
You have three days.

Gallegos turns to leave.

HULL
Who did Barbosa collect from?

GALLEGOS
If you don't know, you shouldn't
have killed him.

He notices Hull's earring: two tiny dice, the spots
made of
minuscule jewels. Unembarrassed, he fingers it.

GALLEGOS
(continuing)
Cute... Can I have that?

Without waiting for an answer, he yanks it out of
Hull's ear
and walks away, leaving Hull bleeding through his
fingers
before a stone cross.
Genres: ["Crime","Drama","Thriller"]

Summary At his wife's grave, Ramon Gallegos reveals Felix Barbosa owed him $1.8 million, making Hull and Elias responsible for the debt. Demanding repayment within three days, Gallegos humiliates Hull by taking his earring, leaving them with the burden and a warning.
Strengths
  • Tension-building
  • Character dynamics
  • Plot advancement
Weaknesses
  • Slightly predictable outcome
  • Limited character development in this specific scene

Ratings
Overall

Overall: 8

The scene effectively builds tension and sets up high stakes for the characters, leading to a dramatic turn of events.


Story Content

Concept: 8

The concept of debt collection in the criminal underworld adds depth to the story and raises the stakes for the main characters.

Plot: 9

The plot advances significantly as the characters are faced with a new challenge and must navigate the dangerous world they inhabit.

Originality: 9

The scene demonstrates a high level of originality through its fresh approach to power dynamics and revenge. The authenticity of the characters' actions and dialogue adds depth and complexity to the scene.


Character Development

Characters: 8

The characters' reactions to the debt reveal more about their motivations and relationships, adding complexity to their personalities.

Character Changes: 7

The characters face a new challenge that forces them to reassess their priorities and alliances, leading to potential growth and change.

Internal Goal: 8

The protagonist's internal goal in this scene is to assert his power and authority over the other characters. This reflects his need for control and dominance, as well as his fear of being disrespected or undermined.

External Goal: 7

The protagonist's external goal in this scene is to collect a debt owed to him by the other characters. This reflects the immediate challenge of asserting his authority and maintaining his reputation as a powerful figure.


Scene Elements

Conflict Level: 9

The conflict between the characters, their debts, and the looming threat of violence creates a high level of tension and suspense.

Opposition: 8

The opposition in the scene is strong, with clear power dynamics and conflicting goals between the characters. The audience is left unsure of how the conflict will be resolved, adding to the suspense.

High Stakes: 9

The high stakes of the characters' debt and the looming threat of violence create a sense of urgency and danger that drives the narrative forward.

Story Forward: 9

The scene propels the story forward by introducing a new conflict and raising the stakes for the main characters, setting the stage for future developments.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the dialogue and character interactions. The audience is kept on their toes, unsure of how the conflict will be resolved.

Philosophical Conflict: 9

The philosophical conflict in this scene is between power and vulnerability. The protagonist's display of power and control contrasts with the vulnerability and uncertainty of the other characters, challenging their beliefs about strength and weakness.


Audience Engagement

Emotional Impact: 7

The scene evokes a sense of unease and anticipation, drawing the audience into the characters' precarious situation.

Dialogue: 7

The dialogue is tense and impactful, conveying the seriousness of the situation and the power dynamics at play.

Engagement: 9

This scene is engaging because of its tense atmosphere, complex character dynamics, and intriguing dialogue. The audience is drawn into the conflict and suspense, eager to see how it will unfold.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, with a gradual escalation of conflict and resolution. The rhythm of the dialogue and character interactions adds to the overall effectiveness of the scene.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene descriptions and character actions. The dialogue is well-formatted and easy to follow.

Structure: 8

The structure of the scene follows the expected format for its genre, with clear character introductions, conflict, and resolution. The pacing and rhythm of the scene contribute to its effectiveness in building tension and suspense.


Critique
  • The scene opens with Ramon Gallegos laying flowers on his wife's grave, setting a somber and reflective tone. This contrasts with the tension and threat of the conversation that follows, creating an interesting juxtaposition.
  • Elias's impudent question about the grave adds a layer of complexity to his character, hinting at a deeper curiosity or defiance.
  • Gallegos's calm demeanor and mild manner provide an intriguing contrast to the guns held on Hull and Elias, adding to the suspense of the scene.
  • The revelation of Felix Barbosa's past and his downfall due to illness adds depth to his character and the consequences of his actions.
  • The ultimatum given by Gallegos to Hull and Elias creates a sense of urgency and impending danger, raising the stakes for the characters.
Suggestions
  • Consider adding more visual cues or actions to enhance the tension and suspense of the scene, such as body language or facial expressions.
  • Explore further the dynamics between Gallegos, Hull, and Elias to deepen the conflict and emotional impact of the scene.
  • Provide more context or backstory to explain the significance of the debt owed by Barbosa and the implications for Hull and Elias.
  • Consider incorporating dialogue that reveals more about the characters' motivations and internal struggles, adding depth to their interactions.
  • Experiment with varying the pacing of the scene to build anticipation and create a more dynamic exchange between the characters.



Scene 32 -  Confrontation in Gopher's Room
EXT. A GHETTO STREET - NIGHT

A club on the corner. THROUGH A WINDOW we see a RAP ACT
on
the stage, their MUSIC pumping out onto the street.
Hull
pulls up in a Jaguar. He and Elias go through a door
adjacent
to the club.

INT. BUILDING HALL/INT. GOPHER'S ROOM - NIGHT

The MUSIC is still audible here, though muffled. Elias
and
Hull are pushing at door Gopher is trying to hold
closed.

GOPHER
I don't want you in here. You killed
the man, and I loved him. I don't
want to have anything to do with
you.

Elias kicks it open, and they enter Gopher's tiny,
miserable
domain. He's wearing some sort of negligee and an
immense
naked woman fills his bed. We still hear the MUFFLED
MUSIC.

GOPHER
(continuing; apoplectic)
I'm a sixty-three-year-old man! I'm
a grandfather! Would you hit a sixty-
three-year-old white man? Would you
hit your own grandfather?

ELIAS
(slaps him against
wall)
Listen, you fucking monkey, you know
who owed him money, and we know you
know. Tell us or --

Hull pulls him off. Elias is angry. They struggle.

HULL
He'll tell us. Gopher, just...

Meaning: deal with me or deal with Elias.
GOPHER
You can't tell anyone it was me.

The MUSIC continues OVER the following sequence:

INT. CRACK HOUSE - DAY

Elias arguing with a dealer. He slaps him around.

TIGHT ON HANDS

Money is exchanged. The money is stuffed in a satchel.

INT. A LAW OFFICE - DAY

A well-dressed lawyer (30's) talking with clients, a
distinguished couple in their 60's.

The door BANGS open and a secretary is unable to
restrain
Hull and Elias as they charge into the room. The lawyer
is
up on his feet, but Hull shoves him around as Elias
politely
explains to the clients that this will only take a
moment.

TIGHT ON SATCHEL

Hull's hands thrust more money in. It's getting full.

INT. A MOTORCYCLE REPAIR SHOP - NIGHT

A biker in leathers on hands-and-knees spitting blood
onto
the cement floor. Hull stands over him, fists clenched.

INT. A CAR TRUNK

A satchel stuffed with money is latched, set next to
another
latched one. A third is opened, money and jewelry
dumped in.

EXT. STREET - NIGHT

Hull looking into the trunk. Elias is beat.

HULL
Where the hell is all the money?
We're still a million short.
ELIAS
I gotta get laid.

HULL
David, we've got thirty-six hours.

ELIAS
(slams trunk, moves
toward door)
Pick me up at Jacqueline's in the
morning.

HULL
Sooner than that.

Elias gets in the car and drives off. Hull turns and a
dark
American sedan pulls up alongside. Carver behind the
wheel.

CARVER
(an order)
Get in.
Genres: ["Crime","Drama","Thriller"]

Summary Hull and Elias confront Gopher for information related to a man's death, driven by their involvement in illegal activities. Gopher is initially reluctant, but pressure from Elias forces him to cooperate. The scene ends with Carver's arrival and Hull's departure in his car, leaving the situation unresolved.
Strengths
  • Intense atmosphere
  • Effective tension-building
  • Compelling conflict
  • Realistic dialogue
Weaknesses
  • Limited character development
  • Focus on violence and intimidation

Ratings
Overall

Overall: 8

The scene effectively builds tension, introduces high stakes, and advances the plot with a sense of urgency. The dialogue and actions of the characters create a gripping atmosphere.


Story Content

Concept: 8

The concept of collecting a debt through intimidation and violence is well-executed, adding depth to the criminal world portrayed in the screenplay. The scene effectively showcases the consequences of criminal activities and the characters' ruthless nature.

Plot: 8

The plot advances significantly in this scene as the characters engage in a high-stakes confrontation to collect a debt. The tension and conflict between the characters drive the narrative forward and set the stage for future developments.

Originality: 8

The scene features unique situations and fresh approaches to familiar crime genre tropes. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 7

The characters' personalities and motivations are effectively portrayed through their actions and dialogue. Hull, Elias, and Gopher's interactions reveal their ruthless nature and the lengths they are willing to go to achieve their goals.

Character Changes: 6

While there are no significant character changes in this scene, the interactions and conflicts between the characters reveal more about their personalities, motivations, and the dynamics of their relationships.

Internal Goal: 8

The protagonist's internal goal in this scene is to retrieve the money they need to meet their financial obligations. This reflects their deeper fear of failure and the consequences of not being able to fulfill their criminal obligations.

External Goal: 7

The protagonist's external goal in this scene is to track down the person who owes them money and retrieve it. This reflects the immediate challenge they are facing in meeting their financial obligations and avoiding repercussions from their criminal associates.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both physical and emotional, as the characters engage in a high-stakes confrontation to collect a debt. The tension and aggression between the characters create a gripping and suspenseful atmosphere.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult challenges and obstacles that test their resolve and resourcefulness. The audience is kept guessing about how the characters will overcome these obstacles.

High Stakes: 9

The stakes are high in this scene as the characters engage in a dangerous confrontation to collect a debt. The risk of violence, betrayal, and failure adds intensity and urgency to the situation.

Story Forward: 9

The scene significantly moves the story forward by introducing a new conflict, escalating the tension between the characters, and setting the stage for future developments. It propels the narrative towards a crucial turning point.

Unpredictability: 7

This scene is unpredictable because of the unexpected twists and turns in the characters' actions and the uncertain outcome of their criminal activities. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the moral ambiguity of the characters' actions. They are engaging in criminal activities and resorting to violence to achieve their goals, which challenges traditional moral values and societal norms.


Audience Engagement

Emotional Impact: 7

The scene evokes a range of negative emotions such as tension, anxiety, and fear due to the intense confrontation and violent actions depicted. The emotional impact adds depth to the characters and the overall narrative.

Dialogue: 8

The dialogue in the scene is intense, confrontational, and drives the conflict forward. It effectively conveys the characters' emotions, motivations, and the high stakes of the situation.

Engagement: 9

This scene is engaging because of its fast-paced action, intense conflict, and high stakes. The tension between the characters and the sense of urgency keep the audience invested in the outcome.

Pacing: 9

The pacing of the scene is fast and dynamic, with a sense of urgency and tension that drives the action forward. The rhythm of the scene contributes to its effectiveness in building suspense and engaging the audience.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene headings, action descriptions, and character dialogue. The formatting enhances the readability and flow of the scene.

Structure: 8

The scene follows the expected format for a crime genre screenplay, with a clear setup, conflict, and resolution. The pacing and rhythm of the scene contribute to its effectiveness.


Critique
  • The scene starts with a strong visual of a club on a ghetto street, setting the tone for the intense and gritty atmosphere. The conflict between Hull, Elias, and Gopher is well-established, with Gopher's reluctance to cooperate adding tension to the scene. The dialogue is sharp and impactful, revealing the power dynamics between the characters.
  • The sequence of different locations adds variety and depth to the scene, showcasing the characters' ruthless pursuit of money. The escalating violence and desperation are effectively portrayed through the interactions with the dealer, lawyer, and biker, creating a sense of urgency and danger.
  • The visual of the satchel being filled with money symbolizes the characters' quest for wealth and power, highlighting their greed and ruthlessness. The trunk scene further emphasizes the pressure on Hull and Elias to meet their financial goal, leading to a sense of impending doom.
  • The dynamic between Hull and Elias is intriguing, with Elias's casual attitude contrasting with Hull's more serious demeanor. The introduction of Carver at the end adds a new layer of conflict and raises questions about Hull's next move.
  • Overall, the scene effectively builds tension, showcases the characters' motivations, and sets up future conflicts, making it a compelling and engaging part of the screenplay.
Suggestions
  • Consider adding more internal conflict or emotional depth to Hull and Elias to further explore their characters and motivations.
  • Enhance the visual descriptions to create a more vivid and immersive setting for the audience.
  • Explore the consequences of the characters' actions in this scene to add layers to the storyline and character development.
  • Consider incorporating subtle hints or foreshadowing of future events to build anticipation and intrigue for the audience.
  • Ensure that the dialogue remains authentic and impactful, capturing the essence of each character and driving the narrative forward.



Scene 33 -  A Corrupt Bargain
INT. CAR - NIGHT

HULL
(as he gets in)
What are you doing here? You're going
to get me killed.

Carver peels away fast. He's very angry, frightened,
too,
but that's hidden.

CARVER
Where the hell have you been?

HULL
Doing my job.

There's an indifference to Carver's authority we
haven't
heard before. Hull isn't even aware of it, but Carver
is.

CARVER
You violated a direct order to stay
away from that bust. As a result, a
police informant is dead, a state
senator was critically injured in
the tunnel pile up and a city
policeman was subsequently murdered.

HULL
I didn't blow my cover.

CARVER
Don't get smart with me, motherfucker.

HULL
Don't be a shmuck, Gerry. I'm talking
to Gallegos. I'm collecting his money.
We can set him up right now.
(NOTE: Carver arrives
somewhere and parks.
To be discussed, but
let's say, for now,
that we are:)

EXT. SANTA MONICA PARKING STRUCTURE - OVERLOOKING OCEAN
-
NIGHT

They get out of the car. Carver takes out a flask, has
a
drink, offers it to Hull who declines.

CARVER
Never have, never will.
(puts the flask away)
I want you to give me your gun. You're
coming in right now.

HULL
(doesn't understand)
Coming in where?

CARVER
Your assignment has been terminated.
You're not going out there again. If
I have to, I'll put you in custody.

HULL
(uncomprehending)
I'm going to have Gallegos in two
days.

Carver says nothing. Suddenly Hull understands.

HULL
(continuing)
You're protecting him. You're
protecting Gallegos.
Carver snorts: ridiculous.

HULL
(continuing)
No, of course. That's why you wanted
to bust Elias and Betty. I was getting
close, and you wanted to cut this
off then... What is he, the new
Noriega? Helps you fight commies, so
you let him sell drugs to the niggers.
Two birds with one stone.

CARVER
You violated orders, so you're
through. Don't make a conspiracy
theory out of it.

HULL
(laughs)
I'm through...? Then, I might as
well have a drink after all.

Surprised, Carver reaches for the flask. As he does,
Hull
grabs him, pushes him out over the edge of the
building,
holds him there.

HULL
(continuing)
Now tell me the truth or they're
going to decide your troubles got
the best of you.

Carver struggles. Hull pushes him out farther. Carver
dangles.

CARVER
You're insane.

HULL
All the more reason to do what I
say. Jesus, Ger, I'm having trouble
holding on...

CARVER
All right!

HULL
Say it!
CARVER
It's the State Department.

Hull pulls him back in. Carver slumps against the wall,
drinks
greedily. Hull lets him for a moment, then takes the
flask
away.

CARVER
(continuing)
I told you, Gallegos's uncle is a
big deal down there.

HULL
Guzman.

CARVER
Guzman, right. Our government supports
Guzman because he's a moderate. That's
a right-winger who's pro-U.S.
(he doesn't like it
either)
If Gallegos got busted here, it would
hurt Guzman's political career there.
It's politics, John, not drugs.

HULL
Drugs is politics. Politics is
drugs...
(sickened)
Christ, Gerry, I dealt drugs. I killed
a man. Others died. What did I do
all this for? For nothing.

CARVER
I'm going to Washington, John. I'll
bring you with me. We'll have clout,
money...

HULL
(outraged)
I didn't do this for clout or money.
You said we were gonna do some good.

CARVER
We tried.

HULL
Trying's for college boys.
(his head on fire)
If all there is is power and money...
If all there is... then what am I
doing here? 'Cause I can get more
power and money out on the street, I
got more there already, than I'd
ever get kissing your ass in
Washington...

CARVER
But you can't do that, John. It's
not you.

HULL
Me? There is no me. We took care of
that. First I was a cop pretending
to be a dealer. Now I'm just a dealer
pretending to be a cop. Why not stop
pretending...? Quit the force. Be a
dealer.

CARVER
It's not that simple.

HULL
My assignment's already terminated.
All I have to do is quit. I hereby
quit.
(lifts the flask)
My first one.
(drinks)
Not so bad.

He slips the flask in his pocket, gets in the car,
starts
engine.

CARVER
Don't blow your cover.

Hull drives off, leaving Carver alone on the roof.
Genres: ["Crime","Thriller","Drama"]

Summary Hull confronts Carver about his corruption and the involvement of the State Department in protecting Gallegos. Carver admits it, and Hull is disgusted and disillusioned. He quits the force and drives away.
Strengths
  • Intense dialogue
  • Emotional depth
  • Character development
  • Revealing conflicts
Weaknesses
  • Some dialogue may be overly dramatic

Ratings
Overall

Overall: 9

The scene is highly engaging, with intense dialogue, emotional depth, and significant character development. It sets up a pivotal moment in the story and leaves a lasting impact on the audience.


Story Content

Concept: 9

The concept of moral ambiguity, corruption, and personal conflict is effectively portrayed through the characters' interactions and revelations. The scene challenges traditional notions of right and wrong, adding layers of complexity to the narrative.

Plot: 8

The plot advances significantly as Hull confronts Carver and makes a crucial decision to quit his assignment. The revelation about the political motivations behind protecting Gallegos adds depth to the storyline.

Originality: 8

The scene offers a fresh take on the crime genre, blending elements of political intrigue, moral ambiguity, and personal conflict. The characters' actions and dialogue feel authentic and compelling, adding depth to the narrative.


Character Development

Characters: 9

The characters, especially Hull and Carver, undergo significant development in this scene. Their conflicting ideologies and personal struggles drive the narrative forward and add depth to their arcs.

Character Changes: 8

Hull undergoes a significant change in this scene, from a conflicted and disillusioned cop to a decisive and defiant individual. His decision to quit his assignment marks a turning point in his character arc.

Internal Goal: 9

The protagonist's internal goal is to reconcile his identity as a cop with his actions as an undercover agent in the drug trade. He grapples with questions of morality, loyalty, and self-worth.

External Goal: 8

The protagonist's external goal is to bring down a drug lord while navigating the political implications of his actions. He must confront his superior and make a decision about his future in law enforcement.


Scene Elements

Conflict Level: 9

The conflict between Hull and Carver, both internally and externally, drives the scene forward. The power struggle, moral dilemmas, and confrontations heighten the tension and drama.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing off against his superior in a high-stakes confrontation. The audience is left uncertain about the outcome, adding to the scene's tension and drama.

High Stakes: 8

The stakes are high as Hull confronts Carver and makes a life-changing decision to quit his assignment. The revelation about the political implications of their actions adds a sense of urgency and danger to the situation.

Story Forward: 9

The scene propels the story forward by revealing crucial information about the political motivations behind protecting Gallegos, setting up future conflicts and resolutions. Hull's decision to quit his assignment also shifts the narrative direction.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics and moral dilemmas faced by the characters. The audience is kept on edge as they try to anticipate the protagonist's next move.

Philosophical Conflict: 9

The philosophical conflict centers around the protagonist's struggle to reconcile his personal values with the corrupt system he is a part of. He questions the morality of his actions and the motivations of those in power.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions through the characters' struggles, betrayals, and revelations. The raw honesty and vulnerability displayed by Hull and Carver resonate with the audience, creating a powerful emotional impact.

Dialogue: 9

The dialogue is intense, confrontational, and emotionally charged, revealing the inner conflicts and motivations of the characters. It effectively conveys the tension and complexity of the situation.

Engagement: 9

This scene is engaging because of its high stakes, emotional depth, and moral complexity. The conflict between the characters drives the narrative forward and keeps the audience invested in the outcome.

Pacing: 9

The pacing of the scene is expertly crafted, building tension and suspense as the characters confront their conflicting beliefs and motivations. The rhythm of the dialogue adds to the scene's emotional impact and narrative drive.


Technical Aspect

Formatting: 9

The scene's formatting is clear and concise, following industry standards for screenplay format. The visual descriptions and character actions are well-defined, enhancing the reader's understanding of the scene.

Structure: 9

The scene follows a well-defined structure that builds tension and conflict effectively. The pacing and rhythm of the dialogue contribute to the scene's intensity and emotional impact.


Critique
  • The scene is filled with tension and conflict, which is engaging for the audience. However, the dialogue can be a bit heavy-handed at times, with characters explicitly stating their motivations and feelings.
  • The character dynamics between Hull and Carver are well-established, but the transition from Hull's indifference to Carver's authority to his sudden outrage feels a bit abrupt.
  • The scene could benefit from more subtlety in revealing the characters' emotions and intentions, allowing the audience to infer more from their actions and interactions.
  • The escalation of the conflict between Hull and Carver is effective in building suspense, but the resolution feels a bit rushed and convenient.
  • There is a lot of exposition and explanation in the dialogue, which could be streamlined to make the scene more dynamic and engaging.
Suggestions
  • Consider adding more subtext and nuance to the dialogue to allow the audience to read between the lines and infer the characters' emotions and intentions.
  • Explore ways to reveal the characters' motivations and conflicts through actions and reactions rather than explicit dialogue.
  • Pace the escalation of the conflict between Hull and Carver more gradually to create a more natural and suspenseful build-up.
  • Focus on creating a more organic and nuanced resolution to the conflict, avoiding a quick and convenient wrap-up.
  • Look for opportunities to streamline the dialogue and remove unnecessary exposition to make the scene more dynamic and engaging.



Scene 34 -  Troubled Confessions
INT. BETTY'S APARTMENT - NIGHT

She lets him in, sees the distress in his face.

MCCUTCHEON
What's the matter?

He shakes his head, drops onto the couch. He takes out
the
flask, offers it to her. She shakes her head.

HULL
Who are you, my mother?

He laughs, takes a drink. She's surprised, says
nothing.

MCCUTCHEON
Tell me.

HULL
Tell you what?

MCCUTCHEON
What you came to say.

HULL
What did I come to say?

MCCUTCHEON
Then tell me anything. Something
about you. Something real.

HULL
(long beat; another
drink)
When I was young, I occasionally
stole things.
(laughs to himself)
My father died when I was ten. Right
in front of me.

The revelation is so sudden it surprises Hull as much
as
Betty.

HULL
(continuing)
Heart attack. He just fell down. He
said, "I love you," then died in my
arms.

MCCUTCHEON
Oh, baby...

She holds him, and he lets himself be held.

MCCUTCHEON
(continuing)
Tell me what's going on, John?

HULL
(doesn't want to talk
about that)
You're not doing the stuff anymore,
are you?

Pulls playfully at her nose.

MCCUTCHEON
No. Don't change the subject.

HULL
How is that?

MCCUTCHEON
It's hard. John...!

HULL
(trying to tell without
telling)
Things are getting, they're getting
a little... confusing. I had certain
plans, and people haven't come through
exactly as they promised.

MCCUTCHEON
What do you expect with those people?

HULL
(laughs)
It's not just those people. It's...
it's bigger than that. It's of
everybody. Present company excluded.

MCCUTCHEON
You've got to stop this, John, you
know that. You gotta get out.

HULL
I can't.

MCCUTCHEON
Of course, you can.

HULL
(almost angry)
No! This is what I'm supposed to do.

MCCUTCHEON
Supposed to? Who said you're supposed
to?

HULL
The whole fuckin' world. You think I
didn't try something else? But
everything funnels you right back
here. Like it's where you had to go
all along.

MCCUTCHEON
But you know what you're doing, don't
you, selling this stuff? Doing to
our own.

HULL
If I tried to get out now, they'd
kill me.

MCCUTCHEON
(tortured)
I can't be with somebody's who
involved in drugs.

He nods. He knows. He's even happy about it. But she
won't
yield. Finally he gets up and walks back out the door.
Genres: ["Crime","Drama","Romance"]

Summary Betty comforts Hull after he reveals his troubled past. However, Hull's evasiveness and continued involvement in drugs strain their relationship.
Strengths
  • Raw and emotional dialogue
  • Deep character revelations
  • Intimate moments between characters
Weaknesses
  • Some dialogue may be too cryptic or vague

Ratings
Overall

Overall: 9

The scene is emotionally charged, with deep character revelations and conflicts that add layers to the story. The dialogue is impactful and reveals the inner turmoil of the characters, making it a compelling and engaging scene.


Story Content

Concept: 8

The concept of exploring the characters' past traumas, vulnerabilities, and conflicts adds depth to the narrative. It highlights the emotional complexity of the characters and their struggles with their choices and circumstances.

Plot: 8

The plot progresses as the characters' inner conflicts and vulnerabilities are revealed, adding depth to their motivations and relationships. The scene sets up emotional stakes and hints at future developments in the story.

Originality: 9

The scene introduces a fresh approach to the theme of redemption and personal responsibility, exploring complex moral dilemmas and societal pressures. The characters' actions and dialogue feel authentic and relatable.


Character Development

Characters: 9

The characters are well-developed and their emotional depth is showcased through their interactions and revelations. Their vulnerabilities and conflicts drive the scene and add layers to their personalities.

Character Changes: 8

The characters undergo emotional changes as they reveal their vulnerabilities, past traumas, and inner conflicts. These revelations deepen their character arcs and add complexity to their personalities.

Internal Goal: 8

The protagonist's internal goal is to confess his past and current struggles to Betty, seeking understanding and acceptance. This reflects his need for connection and redemption.

External Goal: 7.5

The protagonist's external goal is to explain his involvement in drugs and criminal activities to Betty, trying to justify his actions and seek her approval.


Scene Elements

Conflict Level: 7

The scene is filled with internal conflicts as the characters grapple with their past traumas, vulnerabilities, and the consequences of their actions. The emotional conflicts drive the narrative and add tension to the scene.

Opposition: 8

The opposition in the scene is strong, with Betty challenging the protagonist's actions and beliefs, creating a compelling conflict that drives the scene forward.

High Stakes: 7

The scene has high emotional stakes as the characters confront their past traumas, vulnerabilities, and the consequences of their actions. The raw and intimate moments add tension and depth to the narrative.

Story Forward: 7

The scene moves the story forward by revealing the characters' inner struggles, vulnerabilities, and conflicts. It sets up emotional stakes and hints at future developments in the narrative, adding depth to the plot.

Unpredictability: 8

This scene is unpredictable because of the unexpected revelations and emotional twists in the characters' interactions.

Philosophical Conflict: 9

The philosophical conflict is evident in the protagonist's struggle between societal expectations and personal desires. He grapples with the idea of being trapped in a life he didn't choose but feels obligated to follow.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact as the characters reveal their inner turmoil, vulnerabilities, and past traumas. The raw and intimate moments evoke strong emotions in the audience, making it a powerful and memorable scene.

Dialogue: 9

The dialogue is raw, emotional, and intimate, revealing the characters' inner thoughts and feelings. It adds depth to their relationships and motivations, making the scene engaging and impactful.

Engagement: 9

This scene is engaging because of the intense emotional conflict between the characters, the raw and authentic dialogue, and the suspenseful atmosphere.

Pacing: 8.5

The pacing of the scene contributes to its effectiveness by building tension and suspense, allowing the emotional conflicts to unfold gradually.


Technical Aspect

Formatting: 8

The formatting of the scene follows the expected format for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene lacks a clear sense of urgency or tension given the previous events leading up to it. The emotional weight of Hull's past trauma and current predicament is not fully explored or conveyed effectively.
  • The dialogue between Hull and McCutcheon feels somewhat forced and lacks depth. There is a need for more authentic and emotionally resonant exchanges between the characters.
  • The transition between Hull revealing his past trauma and McCutcheon's response feels abrupt and could benefit from a more nuanced and gradual buildup of emotion.
  • The scene could benefit from more visual cues or actions to enhance the emotional impact and create a more immersive experience for the audience.
  • The conflict within Hull, between his past, his current actions, and his relationship with McCutcheon, needs to be more clearly defined and explored to create a more compelling narrative.
Suggestions
  • Consider adding more layers to Hull's emotional journey by delving deeper into his past trauma and current struggles. Show the internal conflict he faces more vividly.
  • Work on developing more natural and authentic dialogue between Hull and McCutcheon to create a more engaging and emotionally resonant interaction.
  • Focus on building a gradual emotional arc within the scene, allowing the tension and emotional depth to build up organically.
  • Introduce more visual elements or actions that enhance the emotional impact of the scene and create a more immersive experience for the audience.
  • Clarify and strengthen the central conflict within Hull to drive the scene forward and engage the audience in his internal struggle.



Scene 35 -  Confrontations in the Night
EXT. GOPHER'S BUILDING - 4 A.M.

The neighborhood is reminiscent of the one where Joe
Stevens
Sr. was killed. The rap club still pumps MUSIC onto the
4
A.M. streets where whores, junkies, children, teenagers
with
beepers and Nikes, welfare mothers roam as if it were
daytime
anywhere else. Their eyes, yearning, sullen, vital,
hopeless
and hoping stare at...

HULL

Everyone knows what he is: the Black Man with the Big
Car.
They don't remember when he was just another hustler
making
street buys. Now they hate him, revere him, want to be
him,
not caring what it entails. Every eye follows as...

He and Elias cross the street toward Gopher's door.
Hull's
eyes don't go right or left. He's a driven man now.

INT. GOPHER'S ROOM - NIGHT
Gopher has just been roused from sleep. A light in his
face,
Hull and Elias looming over him.

HULL
There've got to be more. We have a
million two, we owe Gallegos one
eight.

GOPHER
I told you everyone. Everyone who
owed him, everyone he... One eight?
He's lying. Barbosa barely owed him
a million.

Hull and Elias look at each other.

INT. BETTY'S STORE - MORNING

Taft is showing her photocopies of phone bills, bank
transactions, invoices. She's obviously upset.

TAFT
I got every money transfer, every
phone call, all your laundry tickets.

MCCUTCHEON
(miserable)
What do you want?

TAFT
John Hull.

MCCUTCHEON
I can't!

TAFT
Or you'll go away 'til you're a dried
up old woman, and when you come out,
ain't nobody gonna want you.

She covers her face.
Genres: ["Crime","Drama","Thriller"]

Summary Hull and Elias confront Gopher, demanding more money. Taft interrogates Betty about drugs and Hull's whereabouts, threatening charges if she doesn't cooperate.
Strengths
  • Intense emotional turmoil
  • Sharp dialogue
  • High-stakes conflicts
  • Complex character relationships
Weaknesses
  • Possible lack of clarity in certain character motivations or actions

Ratings
Overall

Overall: 9

The scene is gripping, emotionally charged, and sets up significant consequences for the characters. The tension is palpable, and the stakes are high, keeping the audience engaged throughout.


Story Content

Concept: 8

The concept of debts, betrayal, and power dynamics in the criminal underworld is effectively portrayed. The scene delves into the consequences of past actions and the intricate web of relationships between the characters.

Plot: 9

The plot advances significantly in this scene, with revelations about debts, alliances, and betrayals driving the narrative forward. The escalating conflicts and high-stakes decisions propel the story towards a dramatic climax.

Originality: 8

The scene presents a fresh approach to the familiar themes of power and survival in an urban setting. The characters' actions and dialogue feel authentic and true to life.


Character Development

Characters: 9

The characters are well-developed and undergo significant emotional turmoil and moral dilemmas in this scene. Their interactions reveal their motivations, vulnerabilities, and complex relationships, adding depth to the story.

Character Changes: 8

Several characters undergo significant emotional turmoil and moral dilemmas in this scene, leading to internal conflicts and changes in their motivations and relationships. The events in the scene challenge their beliefs and values, driving character development.

Internal Goal: 8

Hull's internal goal in this scene is to maintain his status and power in the neighborhood. This reflects his deeper need for respect and control in a world where he is both hated and revered.

External Goal: 7

Hull's external goal is to collect money owed to him and deal with the consequences of his debts. This reflects the immediate challenge he is facing in maintaining his reputation and power.


Scene Elements

Conflict Level: 9

The scene is filled with intense conflicts, both internal and external, as the characters face betrayals, debts, and high-stakes decisions. The escalating tensions and power struggles drive the narrative towards a climactic confrontation.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult choices and moral dilemmas that challenge their beliefs and values.

High Stakes: 9

The stakes are high in this scene, as the characters face betrayals, debts, and life-threatening situations. The escalating conflicts and power struggles raise the tension and consequences, leading to dramatic and impactful outcomes.

Story Forward: 9

The scene significantly advances the story, revealing crucial information about debts, alliances, and betrayals that drive the narrative towards a dramatic climax. The escalating conflicts and high-stakes decisions propel the plot forward with intensity.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics and moral dilemmas faced by the characters. The audience is kept on edge, unsure of how the situation will resolve.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the themes of power, respect, and morality. Hull's actions and the choices he makes challenge the values and beliefs of the other characters in the scene.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions from the audience, as the characters grapple with moral dilemmas, betrayals, and the weight of their actions. The intense emotional turmoil and high-stakes decisions heighten the tension and engagement.

Dialogue: 8

The dialogue is sharp, tense, and impactful, effectively conveying the characters' emotions, conflicts, and motivations. The exchanges between the characters drive the scene forward and reveal crucial information.

Engagement: 9

This scene is engaging because of the high stakes, tension, and conflict between the characters. The dialogue and actions keep the audience invested in the outcome.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged and invested in the characters' choices and actions.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for its genre, with clear scene headings and descriptions that enhance the atmosphere and tone of the scene.

Structure: 9

The scene follows the expected structure for its genre, effectively building tension and conflict through the characters' actions and dialogue.


Critique
  • The scene lacks clear direction and purpose, leaving the reader confused about the significance of the interactions between Hull, Elias, Gopher, and Betty.
  • The transition between the different locations is abrupt and disjointed, making it difficult to follow the sequence of events.
  • The dialogue between Hull, Elias, and Gopher feels forced and lacks depth, failing to establish meaningful character dynamics or conflicts.
  • The description of the setting and characters is overly detailed and distracting, taking away from the focus on the plot and character development.
  • The interaction between Taft and McCutcheon at Betty's store feels disconnected from the main storyline, adding unnecessary complexity to the scene.
Suggestions
  • Clarify the objectives and motivations of Hull, Elias, and Gopher in the scene to create a more engaging and purposeful interaction.
  • Streamline the transitions between locations and focus on the key moments that drive the plot forward.
  • Revise the dialogue to be more natural and impactful, emphasizing the tension and stakes of the situation.
  • Simplify the description of the setting and characters to enhance the readability and flow of the scene.
  • Consider integrating the Taft and McCutcheon subplot more seamlessly into the main narrative to maintain coherence and relevance.



Scene 36 -  Takeover at the Movie Theater
EXT. EAST L.A. STREET/INT. CAR - DAY

Elias driving a car we haven't seen before and
snickering to
himself at some private joke.

HULL
What are you laughing at?
Elias shakes his head: nothing. He laughs. They pull
into
the lot beside a movie theater.

INT. THEATER - DAY

A Technicolor Spanish melodrama is winding to its lurid
end.
A door in back opens, and a burst of daylight reveals
Hull
and Elias being brought in by a guard and met by Molto.

Molto and the guard frisk them, take their guns and
money
satchels, make them wait a moment until...

The movie ends.

The house lights come on revealing Ramon Gallegos as
the
only spectator in the theater. He beckons. Molto and
the
guard bring Hull and Elias down the aisle to him.

Gallegos looking in the satchels. A tense moment.

HULL
It isn't one eight.
(off Gallegos)
It's a million one. That's all Barbosa
owed, it's all we're paying.

Gallegos is stern for a moment, then laughs.

GALLEGOS
Big brass balls. Collecting money
makes you strong.

Everybody relaxes. Gallegos scribbles something on a
piece
of paper, hands it to the guard who feeds it into a fax
machine.

ELIAS
What's that?

GALLEGOS
I'm telling our suppliers they got
paid. They'll be very happy. I'm
happy.

ELIAS
And we're happy. Everybody's happy.
It's a happy world.

Elias seems a bit mad, but no one minds. He and Hull
are
ready to go. He gestures to Molto, wants his gun back.

GALLEGOS
So, how can I express my gratitude
for a job well done?

ELIAS
We want Barbosa's business.

Gallegos gestures to Molto to give them the guns.

GALLEGOS
Done. Of course.

ELIAS
And, also, your business. All this.
Your money, your dope, everything.

Hull looks at Elias; what's going on?

GALLEGOS
(smiles)
You're tougher than I thought, but
not that tough.

ELIAS
How tough is enough?

He brings up the gun and SHOOTS Gallegos in the head.

Hull and the guards are frozen. Then everyone goes for
a
gun. Elias SHOOTS the guard. Hull has his gun to
Molto's
head and screams at Elias:

HULL
No!

Meaning don't shoot him. But Elias has no intention of
doing
so.

ELIAS
(breathless)
Thank you, John. I couldn't have
done that without you.
HULL
(barely able to speak)
Jesus Christ...

He can't believe it: the guy he's been after the whole
time
is dead on the floor.

ELIAS
You taught me to take my work
seriously.

HULL
What's going on here, David?

ELIAS
We're taking over.

HULL
You're doing too much stuff.

ELIAS
No, I'm very clear. I'm very, very
clear.
(to Molto)
Ahora, usted nos assistamos. Enteindo?

Molto nods.
Genres: ["Crime","Thriller","Drama"]

Summary Elias and Hull kill Gallegos, a powerful drug lord, and take over his business. The scene is tense and suspenseful, with a sense of violence and danger.
Strengths
  • Intense tension
  • Shocking twist
  • Strong character development
  • High stakes
Weaknesses
  • Sudden escalation may be jarring for some viewers

Ratings
Overall

Overall: 9

The scene is highly impactful, with a significant plot development that changes the course of the story. The tension, violence, and unexpected twist make it a standout moment in the screenplay.


Story Content

Concept: 9

The concept of a sudden power shift and takeover plan in the criminal underworld is executed with great intensity and suspense. The scene effectively showcases the consequences of Elias's actions and sets up a new direction for the story.

Plot: 8

The plot takes a major turn with the death of Gallegos and the subsequent power struggle. The scene moves the story forward significantly and sets up new conflicts and dynamics among the characters.

Originality: 9

The scene offers a fresh take on the crime genre, blending elements of suspense, drama, and moral ambiguity. The characters' actions and dialogue feel authentic and engaging, adding depth to the narrative.


Character Development

Characters: 8

The characters, especially Elias and Hull, show their true colors in this scene. Elias's shocking act of violence and Hull's disbelief and realization of the situation add depth to their characters and drive the narrative forward.

Character Changes: 8

Elias undergoes a significant character change by committing a violent act and taking control of the situation. Hull also experiences a shift in perspective as he grapples with the consequences of Elias's actions and the new power dynamics at play.

Internal Goal: 8

Elias's internal goal in this scene is to assert his dominance and control over the situation, showcasing his ruthless and ambitious nature. This reflects his deeper desire for power and recognition in the criminal underworld.

External Goal: 7

The protagonist's external goal in this scene is to secure Barbosa's business and expand their influence in the criminal world. This reflects the immediate challenge of establishing dominance and control over their rivals.


Scene Elements

Conflict Level: 9

The conflict in the scene is high-stakes and intense, with the characters facing life-changing decisions and actions. The power struggle and violence create a sense of urgency and danger that drives the narrative forward.

Opposition: 8

The opposition in the scene is strong, with conflicting goals and motivations driving the characters' actions. The uncertainty of the outcome adds to the suspense and drama of the scene.

High Stakes: 9

The stakes are high in the scene, with the characters facing life-threatening situations and making crucial decisions that will impact their futures. The power struggle and violence raise the stakes and create a sense of danger and suspense.

Story Forward: 9

The scene propels the story forward by introducing a major plot development and setting up new conflicts and dynamics among the characters. The takeover plan and the aftermath of Gallegos's death create a sense of urgency and anticipation for what comes next.

Unpredictability: 9

This scene is unpredictable because of the sudden and shocking actions of the characters, subverting expectations and keeping the audience on edge. The unexpected twists add depth and complexity to the narrative.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the themes of power, control, and morality. Elias's actions challenge traditional notions of loyalty and honor in criminal organizations, highlighting the brutal reality of survival in this world.


Audience Engagement

Emotional Impact: 8

The scene has a strong emotional impact, eliciting shock, tension, and suspense from the audience. The characters' actions and the consequences of their choices resonate emotionally and create a sense of unease.

Dialogue: 7

The dialogue is tense and impactful, conveying the escalating emotions and power dynamics between the characters. The lines are sharp and to the point, adding to the overall intensity of the scene.

Engagement: 9

This scene is engaging because of its intense and suspenseful atmosphere, filled with dramatic moments and unexpected twists. The conflict and tension between the characters keep the audience invested in the outcome.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense gradually, leading to a climactic and shocking moment. The rhythm of the dialogue and actions enhances the emotional impact of the scene.


Technical Aspect

Formatting: 8

The scene adheres to the expected formatting for its genre, with clear scene descriptions and character actions. The dialogue is formatted correctly, contributing to the overall readability of the script.

Structure: 8

The scene follows a well-paced and structured format, building tension and suspense effectively. The transitions between locations and characters are seamless, enhancing the flow of the narrative.


Critique
  • The scene lacks a clear buildup of tension and suspense leading to the climax of Gallegos' death. The transition from Elias snickering in the car to the theater scene feels abrupt and could benefit from a smoother transition.
  • The dialogue between Hull and Elias lacks depth and emotional impact, especially considering the gravity of the situation. More emotional intensity and conflict between the characters could enhance the scene.
  • The actions of the characters, particularly Elias shooting Gallegos, feel rushed and lack sufficient motivation or justification. The sudden shift in Elias' behavior from jovial to violent needs more development to be believable.
  • The scene could benefit from more visual descriptions to create a vivid and immersive setting. Details about the theater, the characters' expressions, and the atmosphere could enhance the overall impact of the scene.
  • The resolution of the scene, with Elias declaring they are taking over and Hull's shock and disbelief, feels somewhat cliched and predictable. Adding a twist or unexpected turn of events could make the scene more engaging.
Suggestions
  • Consider building up the tension and suspense leading to Gallegos' death by adding more foreshadowing and subtle hints of the impending conflict.
  • Enhance the dialogue between Hull and Elias to reflect the emotional weight of the situation. Add layers of complexity to their interactions to make the scene more compelling.
  • Provide more insight into Elias' motivations for his sudden violent actions. Develop his character arc to make his behavior more believable and impactful.
  • Include more visual descriptions to create a vivid and immersive setting. Use sensory details to bring the scene to life and engage the reader's imagination.
  • Explore different ways to resolve the scene that subvert expectations and add depth to the characters' arcs. Consider adding a twist or complication to the outcome to keep the audience engaged.



Scene 37 -  Interrogation and Revelation
EXT. THEATER PARKING LOT/INT. CAR - DAY

Hull, Elias and Molto getting into their car. Molto is
recalcitrant. Elias pistol whips him. Hull stops him.

EXT. SAN FERNANDO VALLEY/INT. CAR - DAY

The car passes through a development of suburban homes.
They
enter a driveway. Two boys play in the yard.

ELIAS
(to Molto)
Donde esta?

Molto is silent. Elias FIRES a bullet right between his
feet.
Molto jumps. The boys turn. Hull grabs the gun away. We
feel
the toll Elias's madness is taking on him.

HULL
What the fuck's the matter with you?

ELIAS
It works, John. It works.

And, indeed, Molto is pointing to a Winnebago parked at
the
rear of the property.

EXT. REAR OF PROPERTY - DAY

Winnebago. With a tire iron, Hull snaps off the padlock
that
holds the rear door closed. He opens the door. Money
gushes
out. He slams it closed.

HULL
Jesus...

He, Elias and Molto are on hands and knees scooping it
up.

SAME - LATER

Molto tied to a tree. Elias is giving him instructions
while,
strangely, removing Molto's shoes and socks.

ELIAS
(to Molto)
Disce a Senor Guzman que...
(his Spanish isn't
good enough)
...that we have his money, and we're
willing to talk as soon as he comes
to town. We'll know how to reach
him. Okay?

Molto just glares at him. Elias smiles, takes the shoes
and
socks and all the contents of Molto's into the
Winnebago,
and he and Hull drive away, leaving the car behind.

EXT./INT. A PARKING GARAGE/INT. WINNEBAGO - EVENING

The Winnebago enters the garage, Elias greeting the
attendant,
"Hey, Frank." Frank waves him in.

The garage is filled with various RVs. Hull pulls the
Winnebago into an empty spot beside Elias's car and
gets
out. Elias remains in the cabin making calculations.

ELIAS
Approximating the cubic capacity and
depending on the denominations of
the bills, it's somewhere between
fifty million and two hundred million
dollars. Right back there.

As he does, Hull checks his gun, walks around behind
the
vehicle and prepares to shoot Elias in the back of the
head
through the open window. Elias finishes his money
report,
and sits there as if unaware of Hull, but:

ELIAS
(continuing; not
turning around)
Think I'm crazy?

HULL
Yes.
(blowing up, gun still
on him)
I can't believe you got us into this.
All of fucking Latin America is going
to be after our asses, including
Renaldo Guzman who's friends with
fucking George Bush.

ELIAS
I know they're coming after us. I
want them to. We'll give them the
money, but we'll make a deal for
ourselves. We'll get what we need
for the synthetic drugs. I've thought
it all out. I've been thinking it
out for years.

Hull uncocks the gun, rubs it against his burning face.
Elias
turns around, embraces him.

ELIAS
(continuing)
We're going to have everything. Don't
you want everything, John?
HULL
They're going to get your family,
David. They'll kill your wife and
daughter.

ELIAS
(serene)
Nancy and Miranda left the country
two days ago.

HULL
You knew about this then?

Elias smiles.

HULL
(continuing)
What about Betty?
Genres: ["Crime","Thriller","Drama"]

Summary Elias violently interrogates Molto to find the hidden money, leading to a tense confrontation with Hull. Elias reveals his plan to ensure his family's safety, resolving the conflict and continuing their pursuit of the money.
Strengths
  • Intense dialogue
  • Complex characters
  • High stakes
  • Emotional depth
Weaknesses
  • Potential for confusion due to multiple plot threads

Ratings
Overall

Overall: 9

The scene is gripping, filled with tension, emotional depth, and significant plot developments. It keeps the audience engaged and sets the stage for further conflict and resolution.


Story Content

Concept: 9

The concept of a risky criminal deal, betrayal, and the characters' internal struggles is well-executed. It explores themes of loyalty, ambition, and the consequences of one's choices.

Plot: 9

The plot is intricate, with multiple layers of deception, violence, and power dynamics. It advances the overall story arc and sets up future conflicts and resolutions.

Originality: 9

The scene offers a fresh take on the crime genre, blending elements of suspense, action, and moral ambiguity. The characters' actions and dialogue feel authentic and compelling, adding depth to the narrative.


Character Development

Characters: 9

The characters are complex and multi-dimensional, each with their own motivations and moral dilemmas. Their interactions drive the plot forward and reveal their true nature.

Character Changes: 8

Elias undergoes a significant transformation in the scene, embracing his darker side and making ruthless decisions. Hull also experiences emotional turmoil and moral conflict.

Internal Goal: 8

The protagonist's internal goal is to secure a future for himself and his partner through criminal activities. He desires power, wealth, and control over his own destiny.

External Goal: 7

The protagonist's external goal is to secure a large sum of money from a drug lord and negotiate a deal for synthetic drugs. This goal reflects the immediate challenge of surviving in a dangerous criminal world.


Scene Elements

Conflict Level: 9

The conflict in the scene is high, with tensions running high between the characters. Betrayal, violence, and power struggles create a sense of urgency and danger.

Opposition: 8

The opposition in the scene is strong, with conflicting motivations and high stakes driving the conflict between the characters. The audience is left unsure of how the characters will resolve their differences.

High Stakes: 9

The stakes in the scene are high, with lives on the line, betrayals unfolding, and dangerous decisions being made. The characters' fates hang in the balance.

Story Forward: 9

The scene moves the story forward significantly, setting up new conflicts, resolutions, and character arcs. It propels the narrative towards its climax and resolution.

Unpredictability: 8

This scene is unpredictable because of the characters' conflicting motivations and the high stakes involved. The audience is kept guessing about the characters' next moves and the outcome of their actions.

Philosophical Conflict: 7

The philosophical conflict revolves around the protagonist's willingness to take extreme risks and engage in criminal activities to achieve his goals. This challenges traditional moral values and ethical boundaries.


Audience Engagement

Emotional Impact: 8

The scene evokes strong emotions from the characters and the audience. The characters' internal struggles, betrayals, and violent actions create a sense of empathy and tension.

Dialogue: 9

The dialogue is sharp, intense, and reveals the characters' emotions, conflicts, and motivations. It adds depth to the scene and enhances the tension.

Engagement: 9

This scene is engaging because of its intense action, moral dilemmas, and high stakes. The conflict between the characters keeps the audience on the edge of their seats, wondering how it will unfold.

Pacing: 8

The pacing of the scene is well-executed, with a gradual build-up of tension leading to a climactic confrontation. The rhythm of the dialogue and action sequences keeps the audience engaged and invested in the outcome.


Technical Aspect

Formatting: 8

The scene follows standard formatting conventions for a screenplay, with clear scene headings, action descriptions, and character dialogue. It is easy to follow and visually engaging.

Structure: 8

The scene follows a clear structure with well-defined action beats and character motivations. It maintains tension and suspense throughout, leading to a climactic confrontation between the characters.


Critique
  • The scene lacks clarity in terms of the characters' motivations and actions. It's not clear why Elias is pistol-whipping Molto and why Hull stops him. The sudden violence without proper context can be confusing for the audience.
  • The dialogue between Elias and Hull feels rushed and lacks depth. The conversation about the money and the plan for synthetic drugs should be more detailed and nuanced to provide a better understanding of their motivations.
  • The transition between the scenes, from collecting money to tying Molto to a tree, feels abrupt and disjointed. There needs to be a smoother flow between the different actions taking place.
  • The tension between Hull and Elias is not effectively built up in the scene. The conflict between their differing perspectives on the situation should be more palpable and impactful.
  • The scene lacks visual descriptions and details that could enhance the atmosphere and tension. Adding more visual cues can help create a more immersive experience for the audience.
Suggestions
  • Provide more context for the characters' actions and motivations to make the scene more coherent and engaging.
  • Expand on the dialogue between Elias and Hull to delve deeper into their conflicting viewpoints and the stakes involved in their decisions.
  • Smooth out the transitions between different actions and locations to create a more cohesive narrative flow.
  • Build up the tension between Hull and Elias gradually throughout the scene to make their conflict more impactful.
  • Enhance the visual descriptions and details to create a more vivid and immersive setting for the audience.



Scene 38 -  Unveiling Shadows
EXT. BETTY'S JEWELRY SHOP - EVENING

A car SQUEALS to a stop. Molto and three thugs smash
through
the glass door. They disappear into the store where
things
can be heard BREAKING. They emerge a moment later, jump
into
the car.

EXT. SYNAGOGUE - EVENING

Hull's car races up. He jumps out, dashes toward the
building.

INT. SYNAGOGUE SOCIAL HALL - EVENING

Forty PEOPLE on folding chairs. Hull enters on a dead
run.
He stops short when he sees:

BETTY

at the front. He signals to her, but she's already
saying:

MCCUTCHEON
Hi, my name is Betty.

EVERYONE IN THE ROOM
Hi, Betty!

MCCUTCHEON
My name is Betty, I'm a drug addict.
And I've been clean for nineteen
days.

The room bursts into APPLAUSE. She sees Hull at the
back; he
signals to her, but she goes on.

MCCUTCHEON
(continuing)
I've been using drugs and selling
them, and I've wanted to stop for a
long time, and the only way I did
was because I met a man I loved and
who loved me. I know that's not what
I'm supposed to say. I'm supposed to
say there was a higher power, and
maybe there was, behind it all, but
this man is strong and his love made
me strong enough that I could start,
or at least think about a life that
didn't have drugs in it...

She's looking right at Hull as she speaks. He's torn
between
the danger he knows she's in and his emotion at what
she's
saying.

EXT. SYNAGOGUE - EVENING

Hull hurrying Betty toward his car. She's protesting.

MCCUTCHEON
I've got to get clothes.

HULL
You can't go back.

INT. HULL'S CONDO - EVENING

Molto and men pouring through it. In frustration, Molto
smashes the table Hull had fussed over when Elias put
his
feet up.

EXT. MOTEL COURTYARD - NIGHT

Hull and Betty hurry toward his room carrying shopping
bags,
a newly bought suitcase. They see...
COPS

They freeze, turn, ready to bolt. But more cops behind
them.
A panic, yet no one's coming after them. They walk on.
The
cops are going into and coming out of Belinda's room.

INT. BELINDA'S ROOM - NIGHT

The fat Blonde Woman is talking to a policewoman. James
sits
on the bed staring at...

BELINDA

who lies dead on a floor littered with crack vials.
Hull
picks up a vial, holds it up to the Blonde Woman with a
question.

BLONDE WOMAN
(nodding)
She got a fever and just burned up.
She just burned up all of a sudden.
It must have been bad stuff.

MCCUTCHEON
(indicating James)
He shouldn't be here.

BLONDE WOMAN
(takes his hand)
Come on, James, we'll go get a
burrito.

The boy allows himself to be led out. Betty looks at
Hull
who's in a private hell.

EXT. COURTYARD - NIGHT

Hull and Betty are about to enter Hull's room. The door
is
ajar.

INT. HULL'S ROOM - NIGHT

Taft stands at the dresser. He's found Hull's
collection of
memorabilia and is looking at the photo of his
children.
TAFT
Cute kids...

HULL
(angry at the invasion)
Give me that.

He snatches away the photo, but not before Betty sees
it.
She reaches out her hand. He reluctantly turns it over
to
her.

TAFT
Tell me something, who the fuck are
you?

Hull doesn't answer, collects the rest of his things,
including the bloody money, stuffs it back in the
envelope.

TAFT
(continuing)
'Cause I don't think you're quite
the asshole you're trying to be.

HULL
Look, Mr. Taft, that's your name,
right? Leave me alone. I got things
on my mind.

TAFT
I'd think you would. You better have
your goddamn life on your mind, or
it's gonna get away from you. It's
gonna burn up like that poor woman
across the way. Like all of you's
gonna burn...

HULL
And what do you do, Mr. Taft, except
chase bad guys up and down the street
with your dirty partner, never
catching anybody important?

TAFT
I do what I can. Do you do what you
can?
(Hull says nothing)
Maybe my partner was dirty. Maybe
the chief's dirty. And the mayor.
And the President. Maybe God Himself's
taking something on the side. That's
their problem. But I'll bust 'em if
I can.

HULL
(without force)
Get out of my room.

TAFT
Don't deny who you are.

He leaves. Hull turns to Betty who is still holding the
photo
of his children. He gently takes it, looks at it, seems
to
draw both succor and pain from it.

He gets out Carver's flask and tries to drink, but it's
empty.

HULL
They're my children. They live in
Cleveland with their mother. I'm
divorced from her. I haven't seen
them in... some time. I want to, but
I haven't been able to arrange it.

MCCUTCHEON
How much else don't I know about
you?

HULL
(trying to make a
joke)
Everything else... Everything else
is... I don't know.

MCCUTCHEON
Taft has all the evidence about my
laundering.

Hull's upset.

MCCUTCHEON
He's going to put me in jail for a
long time unless I give you up.

HULL
Do it.

MCCUTCHEON
I can't. So, I've got to get away.
Far away. But I need money.

HULL
(laughs)
Money? I got money...

He empties his pockets of all that gushed out of the
Winnebago, empties a satchel as well until it fills the
room
like snow.
Genres: ["Crime","Drama","Thriller"]

Summary As Molto's thugs strike at Betty's jewelry store, Hull rescues her and faces off against Detective Taft, who uncovers Hull's criminal history. Amidst the chaos, they encounter a drug overdose victim, prompting reflection on their own struggles. Betty confronts Hull about the evidence against her, revealing the extent of his involvement in the underworld, leaving their bond hanging in the balance.
Strengths
  • Emotional depth
  • Character development
  • Tension
  • Revealing dialogue
Weaknesses
  • Possible lack of clarity in some character motivations
  • Slightly convoluted plot points

Ratings
Overall

Overall: 9

The scene is emotionally charged, with strong character development and high stakes. It effectively conveys the internal struggles of the characters and sets up important plot points for the story.


Story Content

Concept: 8

The concept of redemption and personal struggle is central to the scene, as characters grapple with their pasts and make decisions that will impact their futures. The exploration of addiction, betrayal, and personal growth adds depth to the narrative.

Plot: 9

The plot advances significantly in this scene, with key revelations about the characters and their motivations. The tension and conflict drive the story forward and set up future conflicts and resolutions.

Originality: 9

The scene presents a fresh take on themes of addiction, redemption, and personal responsibility. The characters' actions and dialogue feel authentic and add depth to the narrative.


Character Development

Characters: 9

The characters are complex and multi-dimensional, with each facing internal and external challenges. Their interactions reveal their vulnerabilities, strengths, and moral dilemmas, adding depth to the narrative.

Character Changes: 8

Several characters undergo significant changes in the scene, particularly Betty, who confronts her addiction and desires for a better life. Hull also reveals his past and inner turmoil, showing growth and vulnerability.

Internal Goal: 8

The protagonist's internal goal in this scene is to protect Betty, confront his own personal demons, and come to terms with his past mistakes and regrets.

External Goal: 7.5

The protagonist's external goal in this scene is to help Betty escape danger and evade law enforcement while also dealing with the consequences of his own actions.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, as characters confront their pasts, make difficult decisions, and face the consequences of their actions. The high stakes and emotional intensity heighten the conflict.

Opposition: 8

The opposition in the scene is strong, with the protagonist facing multiple challenges and obstacles that test his resolve and morality. The audience is left uncertain of how the conflicts will be resolved.

High Stakes: 9

The stakes are high in the scene, as characters face life-changing decisions, betrayals, and conflicts. The consequences of their actions have far-reaching implications, adding tension and suspense to the narrative.

Story Forward: 9

The scene moves the story forward significantly, setting up future conflicts, resolutions, and character arcs. Key revelations and decisions propel the narrative towards its climax, keeping the audience engaged and invested.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the characters' actions and decisions. The audience is kept on edge, unsure of how the situation will unfold.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the themes of redemption, forgiveness, and personal responsibility. The protagonist is torn between doing what is right and facing the consequences of his past actions.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, as characters reveal their vulnerabilities, struggles, and desires. The audience is drawn into the characters' emotional journeys, feeling their pain, hope, and regret.

Dialogue: 8

The dialogue is impactful and reveals the inner thoughts and emotions of the characters. It effectively conveys the tension and conflict in the scene, as well as the characters' motivations and struggles.

Engagement: 9

This scene is engaging because of its intense emotional moments, moral dilemmas, and high stakes. The audience is drawn into the characters' struggles and conflicts.

Pacing: 8

The pacing of the scene contributes to its effectiveness by balancing intense emotional moments with moments of tension and suspense. The rhythm of the scene keeps the audience engaged and invested in the characters' journey.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, action lines, and dialogue formatting.

Structure: 8

The scene follows the expected structure for its genre, with clear transitions between locations and a focus on character development and conflict.


Critique
  • The scene transitions abruptly from a violent robbery at Betty's jewelry shop to Hull rushing to a synagogue, which may confuse the audience.
  • The dialogue between Betty and McCutcheon at the synagogue feels forced and unrealistic, lacking depth and authenticity.
  • Hull's emotional turmoil and inner conflict are not fully explored or effectively conveyed in the scene, making it difficult for the audience to empathize with his character.
  • The interaction between Hull and Taft in his room lacks subtlety and nuance, coming across as cliched and melodramatic.
  • The revelation about Hull's children and his past lacks emotional impact and depth, failing to resonate with the audience.
  • The scene lacks a clear focus and purpose, with disjointed elements that do not contribute cohesively to the overall narrative.
Suggestions
  • Consider restructuring the scene to create a smoother transition between the robbery and Hull's arrival at the synagogue.
  • Focus on developing more authentic and meaningful dialogue between characters to enhance emotional depth and realism.
  • Explore Hull's emotional turmoil and inner conflict in more detail, allowing the audience to connect with his character on a deeper level.
  • Refine the interaction between Hull and Taft to add complexity and depth to their dynamic, avoiding cliches and melodrama.
  • Enhance the revelation about Hull's children and past by adding layers of emotion and complexity to make it more impactful for the audience.
  • Ensure that each element of the scene contributes meaningfully to the overall narrative and character development to maintain a cohesive and engaging storyline.



Scene 39 -  Airport Farewell and Business Negotiations
EXT. MOTEL - NIGHT

Hull putting Betty into an airport limousine.

HULL
(to the driver)
International terminal.
(to Betty)
I'll meet you there in a week.

She kisses him. He's about to close the door. She stops
it.

MCCUTCHEON
You know the first time, when I saw
you in the bar...?

HULL
(smiles at the memory)
You wouldn't even look at me.

MCCUTCHEON
'Cause I knew what you were thinking.
You were judging me.

HULL
No, I wasn't, I was...

MCCUTCHEON
You were. Your eyes were like an
angel in my heart telling me I should
be good, and I didn't want to hear
it.

This news startles Hull, yet, strangely, he senses its
truth,
and the sweetness is more than he can bear.

MCCUTCHEON
(continuing)
That's you, too. Maybe this is you,
I don't know, but I know that's you.

She closes the door. The car pulls away.

In an unmarked car up the street, Taft picks up the
radio.

EXT. A LATIN AMERICAN CONSULATE - DAY

A limousine pulls into the gate and disgorges RENALDO
GUZMAN,
55, and his wife, 25. They're shown into the consulate.

The limousine pulls out onto the street and parks.
Gopher
appears, knocks on the driver's window. It comes down.
They
chat briefly in Spanish. Gopher opens up a cellular
phone.

INT. A HOTEL ROOM - SANTA MONICA - DAY

Overlooking the ocean. Hull pacing nervously, Elias
relaxed,
reading the paper.

HULL
What if we forget all this? Take ten
million each and disappear. Leave
the country. New identities, new
lives...

ELIAS
What's the matter, John? Having
doubts?

HULL
Yeah.

A phone RINGS. Elias picks up his own cellular.

ELIAS
Yes... Where?... No! No way... We
pick the time and place... Otherwise
no meet...
(looks to Hull who
nods his agreement)
Got a pencil?

EXT. CONSULATE - LIMO - DAY
Gopher hands a piece of paper to the limo driver. He
walks
away...

AROUND THE CORNER

As he's about to get into a car, Taft grabs him. Gopher
is
surprised and not pleased.

EXT. PARKING GARAGE - NIGHT

Where Hull and Elias left the Winnebago. Guzman's limo
approaches. Frank, the attendant, waves it on.

INT. GARAGE - NIGHT

The limo climbs the ramps until it comes to Elias's
car,
parked where the Winnebago was; the Winnie is nowhere
in
sight. The limo pulls alongside.

Hull and Elias get out. Molto gets out of the limo.
Then
Renaldo Guzman.

ELIAS
We have a proposal to make. We regret
what happened to your nephew...

GUZMAN
Say what you have to say.

ELIAS
We all know that your cousin's
business is coming to an end. Costs
have climbed while profits and the
market --

Guzman waves: get to the point.

ELIAS
(continuing)
We have developed a new product:
simpler, cheaper to manufacture,
superior quality and completely
synthetic. Therefore, no growing, no
refining, no peasants, no importing,
no customs agents... Here's a detailed
prospectus with anticipated cash
flow and so forth.
He hands a copy to Guzman and the lawyer.

GUZMAN
(to Molto, teasing
Elias)
The racist Americans just want to
cut us poor Hispanics out of the
market.

ELIAS
There are no Americans anymore, Mr.
Guzman, you know that. No Hispanics,
no Japanese, no blacks, no whites,
no anything. There are only rich
people and poor people. We're rich,
so we're on the same side.
Genres: ["Crime","Thriller","Drama"]

Summary Hull bids farewell to Betty at the airport, promising to reunite soon. Betty reveals her initial perception of Hull's judgment but later confides that his presence challenged her. Meanwhile,Elias and Hull anxiously await a meeting with Guzman, where they present a business proposal. Elias emphasizes the potential benefits of their new product, sparking Guzman's interest.
Strengths
  • Tension-filled negotiation
  • Emotional depth of characters
  • High-stakes plot development
Weaknesses
  • Some dialogue may be overly expository

Ratings
Overall

Overall: 8

The scene effectively combines tension, emotion, and suspense, setting up a pivotal moment in the story.


Story Content

Concept: 8

The concept of introducing a new drug product and negotiating with a powerful figure adds depth to the plot and raises the stakes for the characters.

Plot: 8

The plot advances significantly with the introduction of the new drug product and the negotiation with Guzman, setting up future conflicts and developments.

Originality: 9

The scene presents a fresh take on crime and deception, with characters facing complex moral dilemmas. The dialogue feels authentic and the characters' actions are unpredictable.


Character Development

Characters: 7

The scene provides insight into the emotional struggles of characters like Hull and McCutcheon, adding layers to their personalities.

Character Changes: 7

Characters like Hull and McCutcheon experience internal changes and revelations, adding depth to their arcs.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate his doubts and fears about the criminal activities he is involved in. He is questioning his choices and considering the possibility of leaving everything behind for a new life.

External Goal: 9

The protagonist's external goal is to present a business proposal to Renaldo Guzman, offering a new product that could benefit both parties financially.


Scene Elements

Conflict Level: 9

The negotiation with Guzman and the characters' internal conflicts create a high level of tension and suspense.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult decisions and conflicting interests. The audience is left unsure of how the situation will unfold.

High Stakes: 9

The negotiation with Guzman and the introduction of the new drug product raise the stakes for the characters and the overall story.

Story Forward: 9

The scene significantly moves the story forward by introducing a new drug product, negotiating with Guzman, and deepening character relationships.

Unpredictability: 8

This scene is unpredictable because of the characters' conflicting motivations and the unexpected twists in the plot.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the idea of wealth and power, as well as the blurred lines between right and wrong in the criminal world. The protagonist is faced with moral dilemmas and conflicting values.


Audience Engagement

Emotional Impact: 8

The emotional struggles of the characters and the high-stakes negotiation contribute to the scene's emotional impact.

Dialogue: 7

The dialogue effectively conveys the tension and emotion of the scene, especially during the negotiation with Guzman.

Engagement: 9

This scene is engaging because of the high stakes, moral dilemmas, and suspenseful interactions between characters. The audience is kept on the edge of their seat.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, leading to a climactic moment with the business proposal.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with distinct locations and character actions clearly described.

Structure: 8

The scene follows a structured format that effectively builds tension and suspense. The pacing is well-executed, leading to a climactic moment.


Critique
  • The scene lacks a clear transition from the previous events, making it feel disjointed and abrupt.
  • The dialogue between Hull and McCutcheon feels forced and unnatural, lacking depth and emotional resonance.
  • The revelation of McCutcheon's feelings towards Hull comes across as contrived and melodramatic, lacking subtlety and nuance.
  • The interaction between Hull and McCutcheon does not add significant value to the overall plot or character development.
  • The scene fails to build upon the existing tension and conflicts established in the previous scenes, resulting in a lack of narrative progression.
Suggestions
  • Consider revising the dialogue between Hull and McCutcheon to make it more authentic and emotionally impactful.
  • Integrate the scene more seamlessly into the overall narrative by establishing a clearer connection to the preceding events.
  • Explore ways to deepen the emotional complexity of the characters and their relationships to enhance the scene's impact.
  • Ensure that the scene contributes meaningfully to the overarching plot and character arcs to maintain narrative coherence.
  • Consider revising the pacing and structure of the scene to maintain the audience's engagement and momentum of the story.



Scene 40 -  Tense Exchange Interrupted
EXT. GARAGE - NIGHT

Taft with Gopher in his car.

TAFT
Do they have money in there?

GOPHER
I don't know.

TAFT
They wouldn't meet here otherwise.

Gopher shrugs; a decision: Taft picks up his radio.

TAFT
(continuing)
Okay, everybody, here's the play...

INT. GARAGE - NIGHT

ELIAS
We're prepared to give you 80% of
the money. The remainder you invest
in our business with proceeds paid
out according to the figures there.

He indicates the prospectus that Guzman has been
looking
through.

GUZMAN
This looks interesting. I'd have to
confirm everything, of course. Do
you have a sample of the product?

Elias produces one. Guzman gestures to Molto. Molto
samples
it. Molto's eyes widen.

MOLTO
Buy it!

GUZMAN
Where is our money?

Elias hands him a key, points to a different Winnebago.
Molto
takes the key, unlocks the back: money. He signals okay
to
Guzman.

Suddenly: SIRENS. Police cars wail into the garage. The
THWACK-
THWACK and sweeping light of a helicopter descend
toward the
roof (though we never see the copter).

GUZMAN
(continuing; anger)
You set this up.

HULL
They're after us, not you.

Everybody scatters. The garage is a labyrinth of cement
stairwells, ramps, hundreds of RVs to hide between,
under
and so forth... Lots of NOISE, lights, but mostly we
see
Hull and Elias dodging here, avoiding the action.
Genres: ["Crime","Thriller","Drama"]

Summary In a tense garage negotiation, Elias offers Guzman 80% of the money, leading to the revelation of a hefty sum hidden in a Winnebago. However, the arrival of police sirens and a helicopter sends everyone scattering, leaving the exchange incomplete.
Strengths
  • Intense action
  • Suspenseful atmosphere
  • Sharp dialogue
  • Character development
Weaknesses
  • Violent content may be disturbing to some audiences
  • Complex plot may require close attention to follow

Ratings
Overall

Overall: 8

The scene is intense, action-packed, and filled with suspense, effectively advancing the plot and character development. The high-stakes situation and unexpected twists keep the audience engaged.


Story Content

Concept: 8

The concept of a risky business deal turning violent and leading to a confrontation with law enforcement is well-executed. It sets up a pivotal moment in the story and highlights the dangerous world the characters inhabit.

Plot: 9

The plot is gripping and full of twists, with the characters facing escalating challenges and betrayals. The scene moves the story forward significantly and sets up future conflicts and resolutions.

Originality: 8

The scene presents a fresh approach to a criminal transaction scenario, with unexpected twists and turns that keep the audience engaged. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 8

The characters' actions and decisions drive the tension and conflict in the scene. Their motivations and relationships are explored, adding depth to the narrative.

Character Changes: 7

Several characters undergo significant changes in the scene, particularly Hull, who faces moral dilemmas and betrayals. These changes drive the character arcs forward and set up future developments.

Internal Goal: 8

Taft's internal goal is to successfully execute the criminal plan and come out unscathed. This reflects his desire for power, control, and possibly financial gain.

External Goal: 9

The protagonist's external goal is to complete the criminal transaction and avoid getting caught by the police. This goal reflects the immediate challenge and danger they are facing in the scene.


Scene Elements

Conflict Level: 9

The scene is filled with conflict, both internal and external, driving the tension and drama. The characters face challenges from multiple fronts, leading to intense confrontations and decisions.

Opposition: 8

The opposition in the scene is strong, with the sudden appearance of the police creating a difficult obstacle for the protagonists to overcome. The audience is left uncertain of the outcome, adding to the suspense.

High Stakes: 9

The stakes are high in the scene, with the characters facing life-threatening situations, betrayals, and confrontations with law enforcement. The outcome of the exchange has far-reaching consequences for the characters and the story.

Story Forward: 9

The scene moves the story forward significantly, introducing new conflicts, resolutions, and character dynamics. It sets up future events and escalates the tension, keeping the audience engaged.

Unpredictability: 8

This scene is unpredictable because of the sudden appearance of the police, adding a twist to the criminal transaction plot. The audience is kept on edge, unsure of how the characters will escape the situation.

Philosophical Conflict: 7

The philosophical conflict in this scene is between the characters' moral values and their criminal actions. Guzman accuses the protagonists of setting them up, highlighting the clash between trust and deceit.


Audience Engagement

Emotional Impact: 8

The scene evokes fear, anger, excitement, and shock in the characters and the audience. The high-stakes situation and violent events heighten the emotional impact, creating a sense of urgency and suspense.

Dialogue: 8

The dialogue is sharp, intense, and reveals the characters' emotions and intentions effectively. It propels the action forward and adds layers to the characters' personalities.

Engagement: 9

This scene is engaging because of its fast-paced action, tense atmosphere, and high stakes. The audience is drawn into the suspenseful situation and invested in the characters' fates.

Pacing: 9

The pacing of the scene is well-executed, with a balance of action, dialogue, and suspenseful moments. The rhythm of the scene contributes to its effectiveness in building tension and maintaining audience engagement.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for a crime genre screenplay, with clear scene descriptions and character actions. The formatting enhances the readability and impact of the scene.

Structure: 9

The scene follows the expected structure for a tense and action-packed sequence in a crime genre screenplay. The pacing and formatting contribute to the effectiveness of the scene.


Critique
  • The scene lacks a clear buildup of tension leading to the sudden appearance of the police and helicopter, making the climax feel somewhat abrupt and disconnected from the rest of the scene.
  • The dialogue between Elias and Guzman feels a bit rushed and could benefit from more depth and nuance to make the negotiation more engaging for the audience.
  • The action of everyone scattering in the garage is described in a general way, lacking specific details that could enhance the visual impact of the scene.
  • The transition from the calm negotiation to the chaotic police arrival could be smoother to create a more seamless flow of events.
  • There is a missed opportunity to delve deeper into the characters' emotions and motivations during this high-stakes moment, which could add more depth to the scene.
Suggestions
  • Consider building up the tension gradually throughout the scene to create a more impactful climax when the police arrive.
  • Add more layers to the dialogue between Elias and Guzman to make the negotiation scene more dynamic and engaging.
  • Enhance the description of the action as everyone scatters in the garage to create a more vivid and immersive visual experience for the audience.
  • Work on creating a smoother transition between the negotiation and the police arrival to maintain the coherence of the scene.
  • Explore the characters' internal struggles and conflicting emotions during this intense moment to add complexity and depth to the scene.



Scene 41 -  Shootout and Betrayal
INT. ANOTHER PART OF THE GARAGE - NIGHT

Molto caught between the lights. He draws his gun.
GUNFIRE.
He's cut down.

TAFT
(screaming)
Where are the rest of them?

EXT. PARKING GARAGE - NIGHT

Cars with rotating dome lights, but not many cops.
Hull and Elias emerge from a shadowy doorway and make
their
way at a casual pace beyond the perimeter of police
cars,
quickly mingling with other spectators. They continue
down...

EXT. A QUIET SIDE STREET - NIGHT

Strolling now. Elias elated, uncontained joy.

ELIAS
We did it. Twenty million. Twenty
fucking million. We're going to have
synthetics. We're gonna be rich.
We're gonna...

Hull stops walking and just stands there.

ELIAS
(continuing)
What's the matter, John? Be happy.
Your whole life has just been solved.

VOICE
(behind them)
Stop! Police!

In one motion, Elias draws his gun, turns and FIRES.

The figure goes down. Elias can't believe he hit him.

Hull starts toward the figure.

ELIAS
(heading the other
way)
John, where are you going?

Taft -- on the ground.

HULL
Oh, Jesus, no...

He drops to his knees. Blood oozes from Taft's chest.

ELIAS
John, what the hell are you doing?
Let's get out of here.

Hull tries to hold closed the wound. The posture
duplicates
Hull with his dying father. He feels for a pulse. For
breath.

HULL
(distraught)
He's dying.

ELIAS
Let him die. Let him die twice. Come
one.

He pulls at Hull who won't go. Hull does mouth-to-
mouth.
Taft opens his eyes, looks up at him.

HULL
[Says to Taft whatever a CPR-trained
policeman would say in this
situation.]
(to Elias)
Get help.

ELIAS
Are you kidding me?

TAFT
(to Hull, getting it)
Oh, man, you're a cop. You're a cop,
aren't you?

HULL
(with difficulty, as
if against his will)
Yeah, I'm a cop. I'm a fucking cop...

ELIAS
(laughs)
Oh, really? Where's you badge?

HULL
I don't have one. I'm undercover.
Get help, David.

ELIAS
John, that's a cop. He tried to kill
you.

HULL
He didn't know.

ELIAS
Oh, he didn't know. I don't know.
Maybe you don't know. Maybe you think
you're a cop because... because...

HULL
Drop the gun, put your hands against
the car. Spread your legs... Police!

Taft grunts once, stiffens.

HULL
(continuing)
My God! Please...

The pulse is gone. Hull begins to perform CPR.

ELIAS
Okay, let's say you're a cop. Be a
cop.

Hull keeps doing CPR.

ELIAS
(continuing)
We've still got the money. We put it
into Randy's chemistry set. In five
years we're worth five hundred million
each, minimum. You'll be one of the
richest black men in America. Richer
than Cosby. Who gives a shit how you
got it? You think the white ones
were honest?

Hull keeps working on Taft.

ELIAS
(continuing)
Is this asshole all that stands
between you and greatness? Let me do
you a favor.

He puts a gun to Taft's head and FIRES. In a reflex,
Hull
draws his own gun, SHOOTS Elias in the stomach.
Stunned, he
wobbles backward a few steps. Sits on the street.

ELIAS
(continuing)
Gee, John, that's kind of an extreme
reaction.
Hull is stunned he did it. And this finally attracts
the
police who see a black man with a gun who just shot a
white
man.

Hull goes to Elias who's dead. A POLICEMAN pulls him
off,
beating him with a gun.

POLICEMAN
Fucking nigger...
Genres: ["Crime","Thriller","Drama"]

Summary Molto is killed in a shootout. Hull and Elias escape but Elias shoots a police officer. Hull tries to save the officer, revealing he's an undercover cop. Elias prioritizes wealth and Hull shoots him. The police arrest Hull as the shooter.
Strengths
  • Intense emotional impact
  • Dramatic tension
  • Character development
  • Compelling dialogue
  • High stakes
Weaknesses
  • Violent content
  • Tragic outcome

Ratings
Overall

Overall: 9

The scene is highly impactful, with intense emotions, dramatic tension, and a tragic outcome. It effectively conveys the high stakes and showcases significant character development.


Story Content

Concept: 8

The concept of a final confrontation leading to a tragic event is well-executed. The scene effectively explores themes of betrayal, loyalty, and the consequences of criminal activities.

Plot: 9

The plot is engaging and intense, with a high level of conflict and emotional impact. The scene moves the story forward significantly and sets up the climax of the narrative.

Originality: 9

The scene presents a fresh take on the classic crime genre by delving into complex moral dilemmas and exploring the internal conflict of the protagonist. The authenticity of the characters' actions and dialogue adds depth and realism to the scene.


Character Development

Characters: 9

The characters are well-developed and undergo significant changes in this scene. Their emotions and motivations are clearly portrayed, adding depth to the narrative.

Character Changes: 9

Significant character changes occur in this scene, particularly for Hull, who is forced to confront his identity and make difficult decisions. The tragic events lead to a transformation in his character.

Internal Goal: 8

The protagonist's internal goal in this scene is to reconcile his identity as an undercover cop with his loyalty to his criminal partner. He struggles with his moral compass and the choices he has to make in a life-threatening situation.

External Goal: 7.5

The protagonist's external goal is to escape the police and the consequences of their criminal actions. They are also focused on securing the stolen money and their future wealth.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense and reaches a climax, leading to a tragic outcome. The emotional stakes are high, adding to the tension and drama.

Opposition: 9

The opposition in the scene is strong, with conflicting values, moral dilemmas, and life-threatening situations that challenge the protagonist's decisions and actions.

High Stakes: 9

The stakes are high in this scene, with life-and-death consequences for the characters. The intense conflict and emotional impact raise the stakes to a dramatic level.

Story Forward: 9

The scene moves the story forward significantly, setting up the climax of the narrative and resolving key conflicts. It propels the plot towards its resolution.

Unpredictability: 8.5

This scene is unpredictable because of the unexpected twists and turns in the characters' actions and decisions, keeping the audience guessing about the outcome.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the protagonist's sense of duty as a cop and his loyalty to his criminal partner. It challenges his beliefs about justice, morality, and personal integrity.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, with intense emotions and tragic events unfolding. The audience is likely to be deeply affected by the dramatic tension and character transformations.

Dialogue: 8

The dialogue is impactful and contributes to the tension and emotional depth of the scene. It effectively conveys the characters' conflicting emotions and motivations.

Engagement: 9

This scene is engaging because of its intense action, moral dilemmas, and suspenseful atmosphere that keeps the audience on the edge of their seats.

Pacing: 8.5

The pacing of the scene contributes to its effectiveness by building tension, escalating the action, and allowing for emotional moments to resonate with the audience.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for a screenplay, with clear scene descriptions, character actions, and dialogue that enhance the visual and emotional impact of the scene.

Structure: 8

The scene follows the expected structure for a crime thriller genre, with a buildup of tension, a climax of action, and a resolution that leaves room for further development.


Critique
  • The scene is intense and filled with suspense, which is effective in keeping the audience engaged.
  • The dialogue between Hull and Elias reveals the tension and conflict between them, adding depth to their characters.
  • The sudden turn of events, with Taft being shot and Hull revealing he is an undercover cop, creates a dramatic twist.
  • The emotional turmoil Hull experiences while trying to save Taft's life and ultimately making a difficult decision to shoot Elias adds layers to his character.
  • The scene effectively showcases the moral dilemmas Hull faces as he navigates the criminal underworld and his true identity as a cop.
Suggestions
  • Consider adding more internal monologue or reflection from Hull to provide insight into his conflicting emotions and thought process.
  • Explore the aftermath of the shooting in more detail to show the consequences of Hull's actions on his psyche and relationships.
  • Enhance the visual descriptions to create a more vivid and immersive setting for the audience.
  • Consider delving deeper into the relationship dynamics between Hull, Elias, and Taft to further develop their characters and motivations.
  • Ensure the pacing of the scene remains consistent to maintain the tension and suspense throughout.



Scene 42 -  A Crossroads of Darkness
INT. LOS ANGELES COUNTY JAIL - DAY

Hull, bandaged, wearing prison blues, walking with
Carver.

HULL
What about Guzman?

CARVER
He vanished, thank God, or we'd both
be in deep doo-doo. At least you got
Gallegos.

HULL
Elias did. And everything goes on as
before.

CARVER
That's the drug game. Plus a change...
I want you to come back to work for
me. You'll beat all charges on a
technicality and go back to who you
were.

HULL
Who was I, Ger?

CARVER
Does anyone really know?

HULL
I have other things to do.

CARVER
Like travel? Tangiers, maybe?

Hull looks at him; how did he know?

CARVER
(continuing)
I'm God, remember?

He beckons him. He walks him over to a cell. Through a
one-
way window they see:

BETTY

alone in the cell, unaware she's being watched.

CARVER
Go back to work, she walks out of
here. Otherwise, she's up on multiple
counts, and I'll see to it the judge
runs them consecutively.

Hull just looks at him. Carver shrugs apologetically.

INT. ANOTHER ROOM

Absolutely white. Not a window, not a stick of
furniture.
The only deviation is Hull in prison blues.

The door opens, Betty comes in wearing prison yellows.
She
sits on a nearly invisible chair. They know they're
being
watched.

MCCUTCHEON
They want me to testify against you.
I said I wouldn't.

HULL
You have to. It's all set up. That's
how you're getting off.

She shakes her head in cynical understanding. How
difficult
it is to get back to an honorable life.

He takes her hand.

HULL
(continuing; with
difficulty)
My father didn't have a heart attack.

She looks at him.
HULL
(continuing)
He was shot robbing a liquor store.
Trying to rob it. I lied about that.

MCCUTCHEON
Baby, why are you telling me this?

HULL
I had to start somewhere... There're
other things you don't know...

AN IRIS SHOT - HULL AND BETTY

Silent. Kissing. Beginning to make love. Hull extracts
himself, gives the finger to the POV and stuffs a bit
of
tissue in the iris, blocking our view.

EXT. ROOM - DAY

Carver takes his eye from the now obscured peephole.

EXT. A CEMETERY - DAY

A funeral. Taft's wife and children (from the wallet
photo)
leave the graveside with the rest of the funeral party.

When everyone is gone, Hull approaches the grave. From
his
pocket, he removes the four blood-soaked bills his
father
gave him, and wedges these among the stems of flowers
that
already cover the plot.

He's silent a moment, then he gets up. He joins Carver
who's
standing with Hull's children. The kids each take his
hand,
they walk together.

CARVER
Betty walked out of court free this
morning. That's my side of the deal.

HULL
(to the children)
You two run on ahead.

They do. Hull watches them go.
CARVER
Her probation gets revoked the minute
you fuck up. I want you to stay away
from her altogether.

HULL
You know the difference between a
black man and a nigger?

Carver smiles, shakes his head. He likes a good joke.
Hull
punches him so hard in the stomach that he goes to his
knees.

HULL
(continuing)
The nigger's the one who'd even think
about doing what you tell him.

He walks away. Still on his knees, doubled over, Carver
whispers after him:

CARVER
Don't blow your cover.

FADE OUT.

THE END
Genres: ["Crime","Drama","Thriller"]

Summary Trapped in prison, Hull grapples with a sinister proposition – return to Carver's corrupt ranks or risk Betty's freedom. Battling inner turmoil, he unloads a haunting secret to Betty, sharing an intimate moment. Amidst the despair, Hull pays homage to his father's grave with blood-soaked currency, a poignant symbol of his tormented past. The climax unfolds as Hull confronts Carver, their fate left hanging amidst shadowy uncertainty.
Strengths
  • Emotional depth
  • Complex characters
  • Intense conflict
  • Raw dialogue
  • Powerful themes
Weaknesses
  • Complexity may be overwhelming for some viewers
  • Some may find the tone too dark or cynical

Ratings
Overall

Overall: 9

The scene is powerful, emotionally charged, and thought-provoking. It effectively conveys the internal struggles of the characters and sets the stage for significant developments in the story.


Story Content

Concept: 9

The concept of moral ambiguity, betrayal, and redemption is central to the scene. It challenges the characters' beliefs and values, forcing them to confront their past actions and make difficult choices.

Plot: 8

The plot advances significantly in this scene, with key revelations, conflicts, and character decisions driving the narrative forward. The tension and stakes are high, keeping the audience engaged.

Originality: 9

The scene demonstrates a high level of originality through its exploration of complex moral dilemmas and the characters' internal conflicts. The authenticity of the dialogue and the raw emotions portrayed add a fresh perspective to familiar themes of crime and redemption.


Character Development

Characters: 9

The characters are complex, multi-dimensional, and undergo significant emotional turmoil. Their interactions and choices reveal their inner conflicts and motivations, adding depth to the story.

Character Changes: 8

Several characters undergo significant changes in this scene, particularly in their moral beliefs, relationships, and understanding of themselves. These changes drive the narrative and set up future developments.

Internal Goal: 8

The protagonist's internal goal in this scene is to come to terms with his past actions and make amends for his mistakes. He struggles with his identity and the choices he has made, seeking redemption and closure.

External Goal: 7

The protagonist's external goal is to navigate the dangerous world of drugs and crime, while also protecting those he cares about. He must make difficult decisions to ensure the safety of his loved ones.


Scene Elements

Conflict Level: 9

The conflict in the scene is intense, both internally within the characters and externally in their relationships and circumstances. Betrayal, moral dilemmas, and emotional turmoil create high stakes and tension.

Opposition: 8

The opposition in the scene is strong, with characters facing difficult choices and moral dilemmas. The protagonist's conflicts with other characters create tension and uncertainty, adding depth to the narrative.

High Stakes: 8

The stakes are high in the scene, with characters facing moral dilemmas, betrayals, and life-changing decisions. The consequences of their actions have far-reaching implications, adding tension and urgency to the narrative.

Story Forward: 9

The scene moves the story forward significantly, introducing new conflicts, revelations, and character dynamics. It sets the stage for future events and developments, propelling the narrative towards its climax.

Unpredictability: 8

This scene is unpredictable because of the unexpected twists and turns in the characters' choices and actions. The audience is kept on edge, unsure of how the conflicts will be resolved and what consequences will follow.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the protagonist's moral compass and the choices he must make to survive in a corrupt world. He grapples with questions of loyalty, honesty, and justice.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions in the audience, from empathy to tension to sadness. The characters' struggles and revelations resonate deeply, creating a powerful emotional impact.

Dialogue: 8

The dialogue is raw, emotional, and impactful, capturing the characters' inner struggles and conflicts. It drives the scene forward and adds layers to the character dynamics.

Engagement: 9

This scene is engaging because of its intense emotional moments, complex character dynamics, and high stakes. The audience is drawn into the characters' struggles and dilemmas, creating a sense of suspense and empathy.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense, allowing for emotional moments to resonate with the audience. The rhythm of the dialogue and actions enhances the overall impact of the scene.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, with clear scene descriptions and character actions. The visual elements are well-defined, enhancing the overall atmosphere and mood of the scene.

Structure: 8

The structure of the scene follows the expected format for its genre, with a clear progression of events and character interactions. The pacing and rhythm of the scene contribute to its effectiveness in building tension and emotional depth.


Critique
  • The scene lacks clarity in terms of the characters' motivations and actions. It jumps between different locations and conversations without a clear throughline.
  • The dialogue feels forced and lacks authenticity, especially in the interactions between Hull and Carver. The emotional depth and complexity of the characters are not fully explored.
  • The scene introduces new elements and conflicts without resolving existing ones, leading to a disjointed narrative.
  • The visual elements, such as the iris shot and the blocking of the view, feel gimmicky and do not add depth to the storytelling.
  • The scene ends abruptly, leaving the resolution of key conflicts and character arcs unresolved.
Suggestions
  • Focus on streamlining the narrative and clarifying the characters' motivations and actions to create a more cohesive and engaging scene.
  • Work on developing more authentic and nuanced dialogue that reflects the emotional complexity of the characters and their relationships.
  • Ensure that each new element introduced in the scene serves to advance the existing conflicts and character arcs, rather than adding unnecessary complexity.
  • Avoid using gimmicky visual elements that distract from the storytelling and instead focus on creating a visual language that enhances the emotional impact of the scene.
  • Consider revising the ending to provide a more satisfying resolution to the conflicts and character arcs introduced throughout the screenplay.