Read Call me by your name with its analysis


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Scene 1 -  The Arrival of the Usurper
1 INT. ELIO’S/OLIVER’S ROOM - PERLMAN VILLA - DAY 1

The sound of an approaching car. ELIO, 17, barefoot and in
his bathing suit, is in the process of moving his clothes
from his room to the adjacent room - a wardrobe somehow
refurbished into a single bedroom. The two rooms are
separated by a ruined wooden door, with cracks all over it.
MARZIA, a girl of about his same age, is lying on the bed. It
is obvious both have been on it together.

ELIO goes to the window and looks down. A car pulls up below,
blowing up clouds of dust, and stops at the villa’s main
entrance. A young man steps out of the car, wearing a billowy
bright blue shirt with a wide-open collar, sunglasses. This
is OLIVER, 25. He is followed by the handy-man and gardener
of the house ANCHISE.

ELIO
(in French)
L'usurpateur.
(The usurper)
MARZIA jumps up to come stand next to him, looking down.

ANCHISE appears below followed by the PERLMANS who introduce
themselves to Oliver. Professor PERLMAN is in his fifties,
distinguished, vigorous. ANNELLA, his wife, is in her mid-
forties.

ANNELLA
(in Italian)
Dove è Elio?
(Where’s Elio?)
ELIO
(in French)
Il faut que je descende.
(I’d better go down.)


2 INT. STAIRCASE - PERLMAN VILLA - DAY 2
At the end of the stairs ELIO sees OLIVER being walked to
Professor Perlman’s study. Oliver’s suitcase and backpack lie
on the floor nearby. ANNELLA sees Elio approaching and
gestures towards them.

ANNELLA
(in Italian)
Aiuta Oliver a portare
le sue cose in camera tua.
(Help bring Oliver’s things up to
your room.)

3 INT. PROFESSOR PERLMAN’S STUDY - PERLMAN VILLA - DAY 3

ELIO enters his father’s studio. OLIVER, sitting on the sofa,
is having a glass of fresh water. Even if exhausted by the
heat, he remains elegant and somewhat iconic. Professor
PERLMAN introduces the two formally. They shake hands.
ELIO
I’m Elio.
OLIVER
(non committal)
Hi.
Genres: ["Drama","Romance"]

Summary In this scene, 17-year-old Elio observes the arrival of 25-year-old Oliver at the Perlman villa, feeling a mix of jealousy and rivalry as he refers to Oliver as 'the usurper.' Accompanied by Marzia, Elio is instructed by his mother, Annella, to assist Oliver with his luggage. The tension escalates as Elio and Oliver are formally introduced in Professor Perlman's study, where their handshake reveals Oliver's non-committal demeanor, leaving Elio grappling with his emotions.
Strengths
  • Strong character introductions
  • Effective tension-building
  • Intriguing dialogue
Weaknesses
  • Limited emotional impact
  • Low conflict level

Ratings
Overall

Overall: 8.2

The scene effectively introduces a new character, sets up tension, and hints at potential conflicts to come. The dialogue is intriguing and the character dynamics are well-established.


Story Content

Concept: 8

The concept of introducing a new character and setting up potential conflicts is well-executed. The scene effectively establishes the tone and themes of the screenplay.

Plot: 8

The plot is advanced by introducing Oliver and hinting at the potential impact he will have on Elio and Marzia's relationship. The scene sets up future developments and conflicts.

Originality: 9

The scene introduces a fresh take on themes of desire, identity, and societal expectations, with authentic character interactions and emotional depth.


Character Development

Characters: 8.5

The characters are well-developed in this scene, with distinct personalities and motivations. The introduction of Oliver adds a new dynamic to the existing relationships.

Character Changes: 7

While there are no significant character changes in this scene, the introduction of Oliver foreshadows potential transformations in Elio and Marzia's characters.

Internal Goal: 8

The protagonist's internal goal is to navigate his feelings towards the newcomer, Oliver, and the potential changes he may bring to his life. This reflects Elio's deeper desires for connection, understanding, and self-discovery.

External Goal: 7

The protagonist's external goal is to help bring Oliver's things up to his room, showcasing his willingness to assist and adapt to the new situation.


Scene Elements

Conflict Level: 7

The conflict in this scene is subtle but palpable, as the introduction of Oliver creates tension and uncertainty in the relationships between the characters.

Opposition: 7

The opposition in the scene is subtle but present, with underlying tensions and conflicts that create uncertainty and intrigue.

High Stakes: 6

The stakes are relatively low in this scene, but the introduction of Oliver hints at higher stakes to come in the relationships between the characters.

Story Forward: 8

The scene effectively moves the story forward by introducing a new character and setting up future conflicts and developments. It establishes the tone and themes of the screenplay.

Unpredictability: 7

This scene is unpredictable in terms of the characters' emotional responses and the potential shifts in their relationships.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the themes of identity, desire, and societal expectations. Elio's internal struggle with his feelings towards Oliver and the societal norms of the time create a tension that challenges his beliefs and values.


Audience Engagement

Emotional Impact: 7

The emotional impact of the scene is moderate, with hints of tension and curiosity. The audience is left intrigued by the potential developments to come.

Dialogue: 8

The dialogue is engaging and reveals information about the characters and their relationships. It sets up tension and hints at future conflicts.

Engagement: 9

This scene is engaging due to its rich descriptions, subtle character dynamics, and underlying tension that keeps the audience intrigued.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, leading to a compelling narrative progression.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, character names, and dialogue formatting.

Structure: 8

The scene follows a clear structure with well-defined character introductions, setting descriptions, and dialogue sequences.


Critique
  • The scene effectively establishes the tension between Elio and Oliver through Elio's internal monologue and his use of the term 'usurper.' This choice of language immediately conveys Elio's feelings of jealousy and rivalry, setting the emotional tone for their relationship. However, the scene could benefit from more visual cues to enhance the emotional stakes. For instance, showing Elio's physical reactions (like fidgeting or avoiding eye contact) when he sees Oliver could deepen the audience's understanding of his discomfort.
  • The dialogue is sparse, which can be effective in conveying tension, but it may also leave the audience wanting more context about the characters' backgrounds and motivations. Adding a few more lines of internal thoughts or subtle exchanges between Elio and Marzia could provide insight into their relationship and Elio's feelings about Oliver's arrival.
  • The introduction of Oliver is visually striking, but the description could be more vivid to create a stronger first impression. Instead of just stating that he is 'elegant and somewhat iconic,' consider using specific details about his demeanor or actions that illustrate why Elio perceives him this way. This would help the audience form a more concrete image of Oliver and understand Elio's fascination and resentment.
  • The transition from Elio's room to the staircase and then to the study feels a bit abrupt. A smoother transition could enhance the flow of the scene. For example, including a moment where Elio hesitates before descending the stairs could emphasize his reluctance and internal conflict about Oliver's presence.
  • The scene ends with a handshake that feels somewhat anticlimactic given the buildup of tension. Consider adding a moment of lingering eye contact or a subtle gesture that hints at the complexity of their relationship, which would leave the audience with a stronger emotional impact.
Suggestions
  • Incorporate more physical reactions from Elio to convey his emotional state, such as fidgeting or avoiding eye contact when Oliver arrives.
  • Add a few lines of internal thoughts or subtle exchanges between Elio and Marzia to provide more context about their relationship and Elio's feelings towards Oliver.
  • Enhance Oliver's introduction with more vivid descriptions of his demeanor or actions to create a stronger first impression and illustrate Elio's fascination and resentment.
  • Create a smoother transition between locations by including a moment of hesitation from Elio before he descends the stairs, emphasizing his reluctance.
  • Consider adding a moment of lingering eye contact or a subtle gesture during the handshake to hint at the complexity of Elio and Oliver's relationship, leaving the audience with a stronger emotional impact.



Scene 2 -  A Quiet Introduction
4 INT. STAIRCASE - PERLMAN VILLA - DAY 4

They head up the stairs together; ELIO lunges for the heavy
suitcase, OLIVER takes the backpack.

ELIO
My room is now your room. I’ll be
next door.
They meet MARZIA coming down. More introductions in the
middle of the stairs. OLIVER is curious about her and looks
back as he continues up. She looks back after he does.


5 INT. OLIVER’S ROOM - PERLMAN VILLA - DAY 5
They enter Oliver’s bedroom. OLIVER drops his backpack and
crashes on the bed, exhausted. ELIO lays the suitcase next to
the bed.

ELIO
We're sharing the bathroom. It's my
only way out...

But Oliver is not listening, already asleep. Elio walks out
and closes the door that separates their two rooms.

6 EXT. GARDEN - PERLMAN VILLA - DAY 6
In front of the kitchen is a fruit orchard with a variety of
fruit trees. From outside we see inside MAFALDA at work in
charge of the domestic duties of the place, and she is
virtually a member of the family.

One of the trees is shaking. In the dappled light under the
tree we see ANCHISE reaching up into the limbs to pick the
ripest peaches. They seem to glow within their foliage as his
long, gnarled fingers seek them out. He carefully places the
fruit he has picked in a basket.

7 INT. STAIRCASE - PERLMAN VILLA - DUSK 7

Later. MAFALDA, at the bottom of the stairs, rings a bell.
She looks up the stairs and, getting no response, rings the
bell again.
Genres: ["Drama","Romance"]

Summary Elio and Oliver arrive at the Perlman villa, where Elio offers to share his room with the tired Oliver. As they pass Marzia, Oliver shows curiosity, hinting at potential interest. Once in the room, Oliver quickly falls asleep, leaving Elio to manage the situation alone. The scene captures the contrast between Elio's eagerness and Oliver's exhaustion, setting the stage for their developing relationship.
Strengths
  • Effective introduction of characters
  • Establishing setting and dynamics
  • Setting the stage for future conflicts
Weaknesses
  • Minimal plot progression
  • Lack of emotional impact
  • Low conflict level

Ratings
Overall

Overall: 7.5

The scene effectively establishes the setting, introduces key characters, and hints at potential conflicts, but lacks significant plot progression or emotional impact.


Story Content

Concept: 7.5

The concept of exploring the initial interactions and tensions between Elio and Oliver in a shared living space is engaging and sets the stage for potential character development and conflicts.

Plot: 6.5

The plot in this scene is minimal, focusing more on establishing the setting and character relationships. While it sets the stage for future developments, it lacks significant progression in the overall story.

Originality: 8

The scene introduces familiar themes of hospitality and friendship in a fresh and authentic way. The characters' actions and dialogue feel genuine and relatable.


Character Development

Characters: 8

The scene effectively introduces the main characters, Elio and Oliver, and hints at the potential conflicts and dynamics between them. Their initial interactions are intriguing and set the stage for future character development.

Character Changes: 6

While there are subtle hints at potential character changes, such as Elio adjusting to sharing his space with Oliver, the scene does not show significant character development.

Internal Goal: 8

Elio's internal goal in this scene is to establish a sense of hospitality and connection with Oliver. It reflects his desire for closeness and friendship.

External Goal: 6

The protagonist's external goal in this scene is to show Oliver around the villa and make him feel welcome. It reflects the immediate circumstances of their new living arrangement.


Scene Elements

Conflict Level: 6

The level of conflict in this scene is relatively low, focusing more on establishing the initial dynamics between Elio and Oliver. However, it hints at potential conflicts to come in the story.

Opposition: 5

The opposition in this scene is minimal, with no significant obstacles or conflicts presented.

High Stakes: 6

The stakes in this scene are relatively low, focusing more on the initial interactions and dynamics between Elio and Oliver. However, it hints at potential higher stakes to come in the story.

Story Forward: 7

The scene moves the story forward by establishing the shared living arrangement between Elio and Oliver, setting the stage for future conflicts and developments in their relationship.

Unpredictability: 6

This scene is predictable in terms of plot progression, but the emotional nuances and character interactions add depth and interest.

Philosophical Conflict: 7

There is a subtle philosophical conflict between Elio's desire for connection and Oliver's initial aloofness. This challenges Elio's belief in the importance of forming meaningful relationships.


Audience Engagement

Emotional Impact: 6.5

The scene evokes a sense of curiosity and intimacy in the interactions between Elio and Oliver, but lacks significant emotional impact. It sets the stage for future emotional developments.

Dialogue: 7

The dialogue in the scene is minimal but serves its purpose in establishing the initial interactions between Elio and Oliver. It could be enhanced by adding more depth and emotional resonance to the conversations.

Engagement: 9

This scene is engaging because of the subtle character dynamics and emotional depth portrayed. The audience is drawn into the relationships between the characters.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing for moments of quiet reflection and emotional resonance.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings and descriptions.

Structure: 8

The scene follows the expected structure for its genre, with clear transitions between locations and character interactions.


Critique
  • The scene effectively establishes the dynamic between Elio and Oliver, showcasing Elio's eagerness to connect with Oliver while also hinting at his jealousy. However, the dialogue feels somewhat flat and could benefit from more subtext to convey Elio's internal conflict and feelings of rivalry more vividly.
  • The introduction of Marzia is a nice touch, but her presence feels underutilized. Her interaction with Oliver could be expanded to create a more pronounced tension or competition for Elio's attention, enhancing the emotional stakes.
  • The transition from the staircase to Oliver's room is a bit abrupt. A more gradual shift could help maintain the flow of the scene and allow for deeper exploration of Elio's thoughts as he enters Oliver's space.
  • Oliver's immediate collapse onto the bed after entering his room could be interpreted as a lack of interest in Elio, which is effective, but it might be more impactful if there were a brief moment where he acknowledges Elio's presence before falling asleep. This could add complexity to Oliver's character and their relationship.
  • The line about sharing the bathroom is a clever way to establish a connection, but it could be more playful or teasing to reflect Elio's youthful energy and desire for closeness. The current delivery feels a bit too straightforward.
Suggestions
  • Consider adding more internal monologue or visual cues to illustrate Elio's feelings of rivalry and jealousy as he interacts with Oliver and Marzia. This could deepen the audience's understanding of his character.
  • Expand Marzia's role in the scene by giving her a line or two that highlights her interest in Oliver or her awareness of Elio's feelings. This could create a more dynamic interaction and heighten the tension.
  • Introduce a moment of hesitation or reflection for Elio as he enters Oliver's room, allowing the audience to feel his anticipation or anxiety about sharing space with Oliver.
  • Incorporate a brief exchange between Elio and Oliver before Oliver falls asleep, perhaps a question or comment that reflects Elio's curiosity about Oliver, to create a more engaging interaction.
  • Revise the bathroom-sharing line to be more playful or flirtatious, perhaps with a hint of Elio's nervousness or excitement, to better capture the youthful energy of the characters.



Scene 3 -  A Quiet Dinner Invitation
8 INT. ELIO’S/OLIVER’S ROOM/BATHROOM - PERLMAN VILLA - DUSK 8

ELIO is at the desk in his small “new” bedroom; he is
transcribing music. Next to his desk lamp a walkman is
playing music. He hears the bell.
He enters the bathroom and the door that connects it to the
other room is open. OLIVER sleeps in the dim light of sunset.

ELIO
We’re being called to dinner.
No answer. Elio enters Oliver's room and reaches over to the
bookshelf, takes a book from it but then drops it on the
floor. It makes a sharp clatter. Oliver is briskly awoken.

ELIO (CONT’D)
(embarrassed)
We’re being called to dinner.
Oliver looks up from his pillow scarcely knowing where he is.

OLIVER
Later. I’ll have to pass.
(beat)
Can you make my excuses to your
mother?

Elio, backing out of the door with the book, nods that he
will. Oliver looks around for a moment.

OLIVER (CONT’D)
So, this is usually your room..
About to shut the door, ELIO nods.

OLIVER (CONT’D)
Thanks, buddy.

Oliver turns and goes back to sleep. Elio closes the door,
leaving the room in almost complete darkness.

9 INT. STAIRCASE/BOCCHIRALE - PERLMAN VILLA - DAY 9

The following day. OLIVER is coming down the stairs. Not
knowing where to go, he listens for the Perlmans' voices
until he sees, through a corridor, the kitchen. Just beyond
it, outside in the garden, he can see the family having
breakfast.
Genres: ["Drama"]

Summary In a dimly lit Perlman villa, Elio wakes Oliver to inform him about dinner. Oliver, disoriented and reluctant, decides to skip the meal and asks Elio to excuse him to his mother. Elio, feeling a mix of concern and embarrassment, agrees and leaves Oliver to return to sleep. The scene captures the awkward yet intimate dynamic between the two, setting the stage for their evolving relationship.
Strengths
  • Effective portrayal of tension and awkwardness
  • Realistic character interactions
  • Engaging emotional impact
Weaknesses
  • Lack of significant plot progression
  • Minimal dialogue may not appeal to all audiences

Ratings
Overall

Overall: 8.5

The scene effectively conveys the awkwardness and unease between the characters through their interactions and body language. The use of minimal dialogue and the awkward silence enhances the tone of the scene, making it engaging and realistic.


Story Content

Concept: 8.5

The concept of exploring the initial interactions between Elio and Oliver in their shared living space is well-executed. The scene effectively sets up the dynamic between the characters and foreshadows potential conflicts and developments in their relationship.

Plot: 8

The plot progresses as we see Elio and Oliver navigate their new living arrangement, setting the stage for future conflicts and character development. The scene effectively establishes the tension and unease between the characters, hinting at deeper emotions and conflicts to come.

Originality: 8

The scene introduces a fresh approach to the familiar theme of coming-of-age and self-discovery, emphasizing the complexity of human relationships and emotions. The authenticity of the characters' actions and dialogue adds depth to the narrative.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed in this scene, with their personalities and dynamics coming through in their interactions. Elio's awkward attempts at conversation and Oliver's distant demeanor create a compelling dynamic that sets the stage for future character growth.

Character Changes: 8

While there are no significant character changes in this scene, we see hints of potential growth and development in Elio and Oliver's relationship. The awkward interactions and tension between the characters set the stage for future changes and conflicts.

Internal Goal: 8

Elio's internal goal is to connect with Oliver and establish a bond with him. This reflects his desire for companionship and understanding.

External Goal: 7

Elio's external goal is to invite Oliver to dinner and make excuses to his mother on Oliver's behalf. This reflects the immediate challenge of integrating Oliver into the family dynamic.


Scene Elements

Conflict Level: 7.5

The conflict in the scene is subtle but present in the form of the tension and unease between Elio and Oliver. The conflicting personalities and dynamics between the characters create a sense of underlying conflict that drives the scene forward.

Opposition: 7

The opposition in the scene is strong, as Elio and Oliver face challenges in understanding each other's perspectives and personalities. The audience is kept on edge about the outcome of their interactions.

High Stakes: 7

While the stakes are not high in this scene, the tension and unease between Elio and Oliver suggest potential conflicts and emotional challenges to come. The scene sets the stage for deeper emotional and personal stakes in the story.

Story Forward: 8

The scene moves the story forward by establishing the dynamic between Elio and Oliver in their shared living space. The tension and unease between the characters hint at future conflicts and developments, setting the stage for the rest of the narrative.

Unpredictability: 7

This scene is unpredictable because of the unexpected reactions and emotions displayed by the characters. The audience is left wondering about the future dynamics between Elio and Oliver.

Philosophical Conflict: 7

The philosophical conflict revolves around the differences in personalities and backgrounds between Elio and Oliver. Elio is more reserved and polite, while Oliver is more laid-back and casual. This challenges Elio's beliefs about social interactions and relationships.


Audience Engagement

Emotional Impact: 8.5

The scene has a strong emotional impact, evoking feelings of awkwardness, tension, and intrigue in the audience. The realistic portrayal of the characters' emotions and the subtle interactions between them make the scene emotionally engaging and relatable.

Dialogue: 7.5

The minimal dialogue in the scene effectively conveys the awkwardness and tension between the characters. The sparse conversations and awkward silences add depth to the interactions, making them feel realistic and engaging.

Engagement: 9

This scene is engaging because of its focus on character dynamics and emotional tension. The subtle interactions between Elio and Oliver draw the audience into their world.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense through the characters' interactions. The rhythm of the dialogue enhances the emotional depth of the scene.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings and character actions. The visual descriptions enhance the atmosphere of the setting.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively establishes a sense of intimacy and tension between Elio and Oliver, showcasing Elio's eagerness to connect with Oliver contrasted against Oliver's disinterest. However, the dialogue feels somewhat flat and could benefit from more subtext to convey the underlying emotions and complexities of their relationship.
  • Elio's actions, such as transcribing music and the accidental dropping of the book, serve to illustrate his nervousness and clumsiness around Oliver. However, the transition from the bathroom to Oliver's room could be smoother, as it feels abrupt and lacks a clear emotional arc.
  • Oliver's response to Elio's invitation to dinner is dismissive, which effectively highlights his exhaustion and disconnection. However, it might be more impactful if Oliver's demeanor conveyed a hint of vulnerability or conflict about missing dinner, rather than a straightforward refusal.
  • The scene ends with Elio closing the door to Oliver's room, which is a strong visual moment. However, it could be enhanced by including Elio's internal thoughts or feelings as he leaves, providing insight into his emotional state and deepening the audience's connection to him.
Suggestions
  • Consider adding more subtext to the dialogue, allowing Elio and Oliver's words to hint at their deeper feelings and tensions. For example, Elio could express more hesitation or longing in his invitation to dinner.
  • Enhance the transition between the bathroom and Oliver's room by incorporating Elio's internal thoughts or feelings about Oliver's presence, which would help to build emotional continuity.
  • Give Oliver's refusal to join dinner a more nuanced emotional layer. Perhaps he could express a fleeting moment of regret or longing before returning to sleep, which would add depth to his character.
  • Include a brief moment of reflection from Elio after he closes the door, allowing the audience to understand his emotional turmoil or disappointment, which would create a more resonant conclusion to the scene.



Scene 4 -  Breakfast Tensions
10 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 10

The PERLMANS are eating breakfast outside, in front of the
kitchen. OLIVER comes out and sits down, watching how ELIO
expertly cracks his soft-boiled egg shell, then attempts to
do the same, but only a tiny bit of the shell is pierced, so
he pretends to busy himself with his coffee and pushes the
egg in its cup away. MAFALDA asks him if he would like juice.
He says “Please”. She looks down at the discarded egg.

MAFALDA
Lasci fare a me, Signore. (Let me)
She slices the top off and returns to her kitchen.

ANNELLA
Did you recover from your trip,
caro?
OLIVER
Big time.
ELIO, who has been trying not to stare at their guest and is
concentrating on spreading honey on a piece of bread, now
lifts his head and speaks, growing unnaturally loud:

ELIO
I can show you around.
OLIVER
Good. Are we far from the town? I
need to open a bank account.
Both Professor PERLMAN and ANNELLA look up, interested.

PERLMAN
(smiling)
None of our residents has ever had
a local bank account.

Elio turns in his seat to get a better view of Oliver, who is
sitting beside him.

ELIO
Should I take him to Montodine?
PERLMAN
I’m think they’re closed for summer
vacation. Try Crema.

OLIVER
Is that your orchard?

PERLMAN
Pesca, ciliege, albicocche...
(peaches, cherries, apricots...)

ANNELLA
Pomegranate.

MAFALDA returns with a pitcher of apricot juice on a little
tray and proceeds to fill Oliver’s glass. OLIVER tastes it,
then enthusiastically downs it. ELIO realizes he is staring
at OLIVER, his head tipped back with his throat swallowing
the juice, and notices the Star of David on a necklace around
his neck. OLIVER smacks his lips and begins to eat his second
egg, giving it a sharp crack. MAFALDA brings him a third egg.

ANNELLA (CONT’D)
Have another egg.

OLIVER
(shaking his head)
I know myself. If I have three,
I’ll have a fourth, and more.

ELIO has never heard someone Oliver’s age say, I know myself.
It’s somewhat intimidating. He lowers his eyes.
Genres: ["Drama","Romance"]

Summary During breakfast at the Perlman villa, Oliver struggles to crack a soft-boiled egg, prompting Mafalda to assist him. As the family engages in light conversation about local towns and Oliver's needs, Elio offers to show him around, revealing his fascination with Oliver. The atmosphere is playful yet tense, highlighted by Oliver's self-awareness when he declines a third egg, leaving Elio feeling intimidated.
Strengths
  • Engaging dialogue
  • Subtle character dynamics
  • Effective setting
Weaknesses
  • Lack of major conflict
  • Limited character development

Ratings
Overall

Overall: 8.2

The scene effectively sets up the dynamic between Elio and Oliver, introducing subtle tensions and interests. The dialogue is engaging and reveals character traits, while the setting adds depth to the interactions.


Story Content

Concept: 8.3

The concept of showcasing the initial interactions between Elio and Oliver over breakfast is well-executed, providing insight into their personalities and setting the stage for future developments.

Plot: 8

The plot is advanced through the introduction of key character dynamics and motivations. The scene sets the stage for future conflicts and developments, making it an important narrative point.

Originality: 9

The scene introduces fresh dynamics between the characters, such as Elio's desire to impress Oliver and Oliver's nonchalant attitude. The authenticity of the characters' actions and dialogue adds to the originality.


Character Development

Characters: 8.5

The characters are well-defined through their interactions and dialogue, with Elio's intrigue and Oliver's casual demeanor shining through. The scene sets up their relationship dynamics effectively.

Character Changes: 8

While there are no significant character changes in this scene, it sets the stage for potential developments in Elio and Oliver's relationship dynamics.

Internal Goal: 8

Elio's internal goal in this scene is to impress Oliver and show him around the town. This reflects his desire for approval and connection with Oliver.

External Goal: 7

Elio's external goal is to help Oliver open a bank account in town. This reflects the immediate challenge of navigating the local services.


Scene Elements

Conflict Level: 7.5

The conflict in the scene is subtle but present, with hints of tension and intrigue between Elio and Oliver. It adds depth to their interactions and sets the stage for future conflicts.

Opposition: 6

The opposition in the scene is subtle but present, with conflicting desires and motivations between the characters.

High Stakes: 7

The stakes are relatively low in this scene, focusing more on character dynamics and interactions. However, the subtle tensions hint at potential conflicts and developments in the future.

Story Forward: 8

The scene moves the story forward by establishing key character relationships and motivations. It sets the stage for future developments and conflicts, making it an important narrative point.

Unpredictability: 7

This scene is unpredictable because of the unexpected reactions and interactions between the characters, adding depth to the narrative.

Philosophical Conflict: 6

The philosophical conflict in this scene is between Elio's desire to impress Oliver and Oliver's casual attitude towards the situation. This challenges Elio's beliefs about the importance of making a good impression.


Audience Engagement

Emotional Impact: 8.3

The scene evokes a mix of emotions, from intrigue to awkwardness, adding depth to the character interactions. The subtle tensions and casual conversations create an engaging emotional impact.

Dialogue: 8.7

The dialogue is engaging and reveals character traits, with a mix of casual conversation and subtle tensions. It drives the scene forward and adds depth to the interactions between Elio and Oliver.

Engagement: 9

This scene is engaging because of the subtle tensions and emotions between the characters, as well as the intriguing dynamics of the breakfast interaction.

Pacing: 8

The pacing of the scene is effective in building tension and revealing character motivations, leading to a satisfying progression of the plot.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with proper scene descriptions and character actions.

Structure: 8

The scene follows the expected structure for its genre, with clear character interactions and progression of the plot.


Critique
  • The scene effectively establishes the dynamics between Elio and Oliver, showcasing Elio's admiration and intimidation towards Oliver through his actions and reactions. However, the dialogue could benefit from more subtext to enhance the tension and complexity of their relationship. For instance, Elio's offer to show Oliver around feels a bit too straightforward and lacks the underlying emotional stakes that could make it more compelling.
  • The use of food, particularly the soft-boiled eggs, serves as a metaphor for vulnerability and intimacy, but the scene could delve deeper into this symbolism. The act of cracking an egg can represent the fragility of their budding relationship, and this could be emphasized through more descriptive language or internal monologue from Elio as he observes Oliver's struggle with the egg.
  • The introduction of Mafalda and the family dynamics adds a layer of warmth to the scene, but it also risks diluting the focus on Elio and Oliver. While it's important to establish the setting and context, the scene might benefit from tighter pacing to maintain the emotional intensity between the two main characters. Consider minimizing the dialogue from secondary characters to keep the spotlight on Elio and Oliver's interactions.
  • Oliver's line about knowing himself is a strong moment that hints at his self-awareness and maturity, which intimidates Elio. However, this moment could be expanded upon with Elio's internal thoughts or reactions, allowing the audience to feel his vulnerability more acutely. This would create a stronger emotional connection between the audience and Elio's character.
Suggestions
  • Incorporate more internal monologue from Elio to convey his feelings of admiration and jealousy towards Oliver, especially during moments of silence or observation.
  • Enhance the metaphor of the eggs by adding descriptive language that reflects Elio's emotional state as he watches Oliver struggle with the egg, perhaps comparing it to his own feelings of inadequacy.
  • Streamline the dialogue from secondary characters to maintain focus on the tension between Elio and Oliver, ensuring that their interactions remain the central focus of the scene.
  • Consider adding a moment where Elio's actions inadvertently reveal his feelings, such as him accidentally spilling something or fumbling with his food while distracted by Oliver, to visually represent his internal conflict.



Scene 5 -  A Lesson in Etymology
11 INT. PROFESSOR PERLMAN’S STUDY - PERLMAN VILLA - DAY 11

PERLMAN is attempting to devise a new filing system for his
correspondence; there are packs of letters lying about and
open boxes with more letters. OLIVER is helping him, ELIO is
with them. The professor makes a joking comment like "My
guest from last year was very good at organizing. I on the
other hand...”

NARRATOR
Taking a summer guest for six weeks
is the way Professor helps young
academics revise a manuscript
before publication. They are given
full run of the house and can
basically use their time as they
like, provided they help Professor
Perlman for an hour or so every day
with his correspondence and other
paperwork.

ANNELLA enters carrying a little tray with a pitcher of more
apricot juice which she pours out into glasses. Everyone has
some; OLIVER downs his in a gulp. He smacks his lips, says
“Ah!”. Annella looks at him amused and gives him an approving
pat on the shoulder. Elio looks at his father, already
knowing what he’ll say.
PERLMAN
The word apricot comes from the
Arabic - it’s like the words
“algebra”, “alchemy”, and
“alcohol”. It derives from an
Arabic noun combined with the
Arabic article ‘al-’ before it.
(MORE)
PERLMAN (CONT'D)
The origin of our Italian
‘albicocca’ was ‘al-barquq’...
He pauses to draw breath, then continues, warming to his
subject.

PERLMAN (CONT’D)
It’s amazing that today in Israel
and many Arab countries the fruit
is referred to by a totally
different name: ‘mishmish’.

ANNELLA
When we visited Persia they called
it Zardoulou.

PROFESSOR PERLMAN, shrugging, spreads his hands as if to say,
‘Who can ever tell about these matters of present-day
etymology?’. Through all this OLIVER has been listening
carefully.

OLIVER
I beg to differ.
PERLMAN
Ah?
OLIVER
The word is not actually an Arabic
word.
PERLMAN
How so?
ELIO and ANNELLA listen carefully, surprised.

OLIVER
It’s a long story, so bear with me,
Pro. Many Latin words are derived
from the Greek. In the case of
‘apricot’, however, it’s the other
way around.
(he throws a quick, amused
look at ELIO)
Here the Greek takes over from
Latin. The Latin word was
praecoquum, from pre-coquere, pre-
cook, to ripen early, as in
precocious, meaning premature.

The others take this in. ANNELLA is clearly charmed.

OLIVER (CONT’D) The
Byzantines - to go on - borrowed
praecox, and it became prekokkia
or berikokki, which is finally
how the Arabs must have
inherited it as al-barquq.
Revision7.

There is a moment of silence. ELIO and ANNELLA look at
Perlman.

OLIVER (CONT’D)
Courtesy Philology 101.

PERLMAN
(somewhat under his
breath)
He’s right, he’s right.

ANNELLA, unable to resist, reaches out to OLIVER and ruffles
his hair, laughing.
ELIO applauds.
ELIO
He does it every year...
ANNELLA
Every year.

PERLMAN
I was testing you.
Genres: ["Drama","Comedy"]

Summary In Professor Perlman's study, he attempts to organize his correspondence with the help of Oliver and Elio. Annella brings apricot juice, sparking a discussion about the word's etymology. Oliver corrects Perlman's assertion about the word's origins, impressing the group with his knowledge. The atmosphere is light-hearted, filled with playful banter and camaraderie, as Perlman concedes to Oliver's correctness. The scene concludes with Perlman jokingly claiming he was testing Oliver, while Annella and Elio share a knowing smile.
Strengths
  • Engaging dialogue
  • Character development
  • Intellectual banter
Weaknesses
  • Lack of significant plot progression
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene is well-written, engaging, and provides insight into the characters' personalities through their interactions. The intellectual banter adds depth to the narrative and keeps the audience intrigued.


Story Content

Concept: 9

The concept of exploring the etymology of a word in a casual setting adds depth to the scene and reveals more about the characters' interests and personalities. It is a unique and engaging way to develop the narrative.

Plot: 7.5

While the scene does not significantly advance the main plot, it enriches the character development and relationships, providing valuable insights into the characters' personalities and dynamics.

Originality: 9

The scene is original in its focus on the origin of words and the study of language. The dialogue is fresh and engaging, offering a unique perspective on the etymology of the word 'apricot'. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and their personalities shine through in the scene. Oliver's intelligence and charm, Professor Perlman's scholarly nature, and Annella's warmth are all effectively portrayed.

Character Changes: 5

While there are no significant character changes in the scene, it does reveal more about the characters' personalities and relationships.

Internal Goal: 8

The protagonist's internal goal in this scene is to showcase his knowledge and intelligence, especially in front of Professor Perlman. Oliver wants to demonstrate his expertise in philology and impress those around him.

External Goal: 6

The protagonist's external goal in this scene is to assist Professor Perlman with his correspondence and paperwork, as part of the agreement for staying at the villa. Oliver wants to fulfill his responsibilities and contribute to the household.


Scene Elements

Conflict Level: 3

The scene lacks significant conflict, focusing more on intellectual discussion and character interactions.

Opposition: 7

The opposition in the scene is strong, as Oliver challenges Professor Perlman's understanding of the word 'apricot' and presents a different perspective. The audience is left unsure of how the interaction will unfold, adding a layer of complexity to the scene.

High Stakes: 2

The stakes in the scene are low, focusing more on intellectual discussion and character interactions rather than high drama or tension.

Story Forward: 6

The scene does not significantly move the main plot forward but contributes to the overall character development and relationships.

Unpredictability: 7

This scene is unpredictable because of the unexpected twist in the conversation about the origin of the word 'apricot'. Oliver's challenge to Professor Perlman's knowledge adds a layer of tension and intrigue to the scene.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the origin of words and the study of language. Oliver challenges Professor Perlman's understanding of the word 'apricot' and presents a different perspective based on his knowledge of philology.


Audience Engagement

Emotional Impact: 6.5

The scene evokes a positive and light-hearted emotional response from the audience, primarily through the characters' interactions and witty dialogue.

Dialogue: 9

The dialogue is witty, informative, and engaging, reflecting the characters' intellectual curiosity and personalities. It adds depth to the scene and keeps the audience captivated.

Engagement: 9

This scene is engaging because of the intellectual dialogue, witty banter, and playful interactions between the characters. The focus on learning and knowledge keeps the audience interested and invested in the conversation.

Pacing: 8

The pacing of the scene is well-executed, with a balance of informative dialogue, character interactions, and moments of tension. The rhythm of the scene keeps the audience engaged and maintains a sense of momentum.


Technical Aspect

Formatting: 8

The formatting of the scene is well-executed, with clear scene descriptions, character actions, and dialogue. The formatting follows the expected format for its genre and enhances the readability of the screenplay.

Structure: 8

The structure of the scene follows the expected format for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm of the scene contribute to its effectiveness and keep the audience engaged.


Critique
  • The scene effectively establishes the dynamic between the characters, particularly highlighting Oliver's confidence and knowledge, which intimidates Elio. This contrast is crucial for developing their relationship, but it could benefit from more subtlety in the way Elio's feelings are portrayed. Instead of simply lowering his eyes, consider adding internal thoughts or physical reactions that convey his admiration and jealousy more vividly.
  • The dialogue is engaging and informative, particularly the discussion about the etymology of 'apricot.' However, it risks becoming overly expository. While it's important to showcase the characters' intellect, the scene could be more dynamic by incorporating more personal stakes or emotional undercurrents in the conversation. For instance, Elio could interject with a personal anecdote related to the fruit, which would deepen his character and make the discussion feel less like a lecture.
  • The use of the narrator to provide context is effective, but it could be integrated more seamlessly into the scene. Instead of a separate narration, consider weaving this information into the dialogue or character interactions. This would maintain the flow of the scene and keep the audience engaged without breaking the immersion.
  • The physical actions of the characters, such as Annella pouring juice and Oliver gulping it down, add a nice touch of realism. However, the scene could benefit from more visual variety. Consider incorporating more sensory details, such as the warmth of the sun, the sound of the juice being poured, or the aroma of the apricots, to create a richer atmosphere.
  • The moment of silence after Oliver's explanation is a strong choice, as it allows the weight of his knowledge to settle in. However, it could be enhanced by showing Elio's internal struggle during this silence. Perhaps he could fidget or glance at Oliver, revealing his admiration and discomfort more explicitly.
Suggestions
  • Add internal monologue for Elio to express his feelings of intimidation and admiration towards Oliver during the conversation, which would provide deeper insight into his character.
  • Incorporate more personal anecdotes or emotional stakes in the dialogue about the apricot to make the conversation feel more relatable and less like a lecture.
  • Consider integrating the narrator's context into the dialogue or character interactions to maintain the scene's flow and keep the audience engaged.
  • Enhance the sensory details in the scene to create a more immersive atmosphere, allowing the audience to feel the warmth and vibrancy of the setting.
  • Show Elio's internal struggle during the moment of silence after Oliver's explanation, perhaps through physical reactions or subtle gestures, to emphasize the impact of Oliver's knowledge on him.



Scene 6 -  A Summer's Farewell
12 EXT. ROAD TO CREMA - DAY 12
ELIO and OLIVER are riding bicycles, with Elio in the lead.
They go along the main road towards the town of Crema and its
bank. The day is already hot.

13 EXT. CAFE - CREMA TOWN SQUARE - DAY 13 *

ELIO and OLIVER are sitting at the little cafe with iron
chairs and tables, drinking coffee. OLIVER examines bank
application forms, then folds them up and puts them in his
knapsack. He looks around the almost empty square.

OLIVER
What does one do around here?
ELIO
Nothing. Wait for summer to end.

OLIVER
What do you do in the winter, then?
Don’t tell me: wait for summer,
right?

ELIO
We come here only for Christmas and
some other vacation..
OLIVER
Christmas?

ELIO
And Easter too. We are Jewish,
English, American, Italian,
French... somewhat atypical.
Besides my family you are probably
the only other Jew who has set foot
in this town.

OLIVER
I am from a small town in New
England. I know what its like to be
the odd Jew out.(beat) And what
else do you do here in summer,
besides this?

ELIO smiles, says nothing. They both laugh.

OLIVER (CONT’D)
What do you do?

ELIO
Transcribe music. Read books. Swim
at the river. Go out at night.

OLIVER takes this in, his eyes hidden by dark sunglasses as
he gathers up his things, cutting their conversation off.
They silently reclaim their bikes. OLIVER seems to be miles
away, but as ELIO is getting on his bike, he loses balance
for a moment and OLIVER puts his arm around Elio’s shoulder,
steadying him. He then speeds off, saying “Later”, leaving
ELIO on his own.
Genres: ["Drama","Romance"]

Summary On a hot summer day in Crema, Elio and Oliver ride bicycles to a cafe where they share coffee and discuss their lives as Jewish individuals in small towns. Elio opens up about his summer activities, while Oliver appears distracted. As they prepare to leave, Oliver steadies Elio when he loses his balance, but ultimately rides off, leaving Elio alone in the almost empty town square, highlighting a mix of camaraderie and isolation.
Strengths
  • Rich character development
  • Engaging dialogue
  • Exploration of cultural themes
Weaknesses
  • Minimal conflict
  • Low stakes

Ratings
Overall

Overall: 8.5

The scene effectively explores the cultural differences and similarities between Elio and Oliver, setting the tone for their evolving relationship. The dialogue is engaging and reveals layers of the characters.


Story Content

Concept: 8

The concept of exploring cultural identity, belonging, and the initial stages of a relationship is well-developed in the scene. It sets the foundation for deeper exploration of these themes in the narrative.

Plot: 8

The plot progresses as Elio and Oliver engage in a meaningful conversation, showcasing their growing bond and setting the stage for further developments in their relationship. The scene adds depth to the overall narrative.

Originality: 9

The scene introduces unique cultural elements and explores the characters' backgrounds in a fresh and authentic way.


Character Development

Characters: 9

The characters of Elio and Oliver are richly portrayed in the scene, with their personalities, backgrounds, and dynamics coming to life through their dialogue and interactions. The scene effectively establishes their individual traits and the potential for character growth.

Character Changes: 7

While there are subtle shifts in Elio and Oliver's understanding of each other and themselves, the scene primarily focuses on establishing their initial dynamic and connection. It sets the stage for potential character growth in future interactions.

Internal Goal: 8

Elio's internal goal in this scene is to connect with Oliver on a deeper level and share his unique experiences and background. This reflects his desire for understanding and acceptance.

External Goal: 7

Elio's external goal is to show Oliver around his town and engage in conversation to build a connection.


Scene Elements

Conflict Level: 4

The conflict in the scene is minimal, focusing more on the introspective and conversational aspects of Elio and Oliver's interaction. The tension is subtle, setting the stage for future conflicts.

Opposition: 6

The opposition in the scene is mild, with subtle tension between the characters but no major obstacles.

High Stakes: 3

The stakes in the scene are relatively low, focusing more on the personal interactions and cultural exploration between Elio and Oliver. The scene sets the foundation for higher stakes to come.

Story Forward: 8

The scene moves the story forward by deepening the relationship between Elio and Oliver, introducing key themes and conflicts, and setting the stage for future developments. It adds depth to the narrative progression.

Unpredictability: 7

The scene is somewhat predictable in terms of character interactions, but the emotional depth adds an element of unpredictability.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the characters' different backgrounds and experiences, highlighting the theme of cultural diversity and acceptance.


Audience Engagement

Emotional Impact: 7.5

The scene evokes a sense of curiosity, introspection, and budding connection between Elio and Oliver, creating an emotional resonance with the audience. The subtle emotional nuances add depth to the characters.

Dialogue: 8.5

The dialogue between Elio and Oliver is engaging, revealing insights into their personalities, cultural backgrounds, and perspectives. It sets the tone for their relationship and adds depth to their characters.

Engagement: 9

This scene is engaging because of the natural dialogue, character dynamics, and the subtle emotional tension between Elio and Oliver.

Pacing: 8

The pacing of the scene is effective in building tension and emotional depth through the characters' interactions.


Technical Aspect

Formatting: 8

The scene follows standard formatting for its genre, making it easy to follow and understand.

Structure: 8

The scene follows a traditional structure for character interaction and development, fitting the genre expectations.


Critique
  • The scene effectively captures the dynamic between Elio and Oliver, showcasing their budding relationship through their dialogue and interactions. However, the dialogue could benefit from more subtext to enhance the tension and complexity of their feelings for each other. Currently, the conversation feels somewhat surface-level, lacking the emotional depth that could make it more engaging.
  • The setting of the cafe in Crema is visually appealing, but the scene could use more sensory details to immerse the audience in the environment. Describing the sounds of the town, the aroma of coffee, or the heat of the day could enhance the atmosphere and make the scene feel more vibrant.
  • Elio's character is established as introspective and somewhat reserved, but the scene could delve deeper into his internal conflict regarding his feelings for Oliver. Adding internal monologue or subtle physical cues could provide insight into his emotional state, making the audience more invested in his journey.
  • Oliver's character comes across as charming and somewhat aloof, but the scene could explore his motivations and vulnerabilities more. Providing a glimpse into his thoughts or feelings about being in a new place and his relationship with Elio could add layers to his character.
  • The moment when Oliver steadies Elio is a nice touch, but it could be more impactful if it were built up with more tension leading to it. The physical contact is significant, and emphasizing the moment with a pause or a lingering look could heighten the emotional stakes.
Suggestions
  • Incorporate more subtext in the dialogue to reflect the underlying tension and attraction between Elio and Oliver. Consider having them speak around their feelings rather than directly addressing them.
  • Add sensory details to the setting, such as the sounds of the town, the taste of the coffee, or the heat of the sun, to create a more immersive experience for the audience.
  • Include internal monologue or physical cues from Elio to convey his emotional state and conflict regarding his feelings for Oliver, making his character more relatable and complex.
  • Explore Oliver's character further by providing insight into his thoughts or feelings about being in Crema and his relationship with Elio, which could deepen the audience's understanding of him.
  • Build up the moment when Oliver steadies Elio by adding tension or hesitation beforehand, making the physical contact feel more significant and emotionally charged.



Scene 7 -  Unresolved Tensions
14 EXT. SOUTH TERRAZZA - PERLMAN VILLA - DAY 14

The same day. ELIO is sitting at a table in the shade of the
house, practicing his guitar. From where he sits he can see
OLIVER ride up on his bike and dismount. He has to pass by
ANCHISE, who is doing some garden work with small plants and
a ball of twine. OLIVER stops to watch and converses with
ANCHISE in Italian.

ANCHISE
Non bisogna dare troppa acqua ai
pomodori. (You dont want to douse
the tomatoes with too much water)

OLIVER
Pomodori? Oh, Tomatoes...
ANCHISE
Sì! Tomatos.. Se crescono troppo in
fretta saranno pieni di semi. No
good! (They will grow too fast.
They will be mealy.)
ELIO sees this but is too far away to hear what they say.

Later. OLIVER is lying on a towel spread on the grass nearby,
reading a book, which we see is Heraclithus. He wears a green
bathing suit and his straw hat. His belongings are spread out
around him: sun lotion, a note pad and pen, espadrilles.

At the bottom of the stairs, in the middle of the field, the
PERLMANS and some FRIENDS in bathing suits are sitting around
an old stone drinking trough, now used to freshen up. There
are always people coming and going at the Perlmans’ -
friends, relatives, acquaintances of Elio, like Marzia. We
don’t always learn who they are, but they give a sense of
ever-moving inhabitants of the place.

Oliver lowers his book and stares at ELIO, who is focused on
the fingerboard. ELIO raises his face to see if OLIVER likes
what he is playing, but OLIVER looks back without expression,
almost coldly.

Unsettled, ELIO breaks off for a moment, then returns to his
music-making, looking down. OLIVER, aware that he has caused
ELIO to interrupt his flow, gets up and comes over to where
ELIO is sitting. ELIO is non-committal, hiding hurt feelings.
In a pause, OLIVER questions Elio about the piece that broke
off - who was it, or is it yours? Do I know it?... It sounded
like... ELIO hits some notes: This? Or that?

OLIVER
Just play it again.

ELIO
I thought you didn’t like it. Hated
it...

OLIVER
Hated it? What gave you that
idea?.. Just play it, will you?

ELIO
The same one?

OLIVER
The same one.

The tall, half-naked OLIVER, hanging over him intimidatingly,
causes ELIO to get up and enter the house through the big
door.
Genres: ["Drama","Romance"]

Summary In a tense scene at the Perlman Villa, Elio practices guitar in the shade, feeling unsettled by Oliver's cold gaze as he interacts with Anchise. After Oliver lies down to read, he encourages Elio to play his music again, despite Elio's insecurities about Oliver's indifference. The emotional complexity of their interaction leaves Elio feeling intimidated, ultimately leading him to retreat into the house, leaving their conversation unresolved.
Strengths
  • Emotional depth
  • Character development
  • Tension building
Weaknesses
  • Lack of clarity in character motivations
  • Some dialogue may be too subtle

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional turmoil and underlying conflict between Elio and Oliver through their interactions and the use of music. The tension is palpable, and the character dynamics are well-developed.


Story Content

Concept: 8

The concept of exploring the emotional dynamics and tension between Elio and Oliver through music and dialogue is well-executed. The scene effectively captures the complexities of their relationship and sets the stage for further development.

Plot: 8

The plot of the scene focuses on the emotional dynamics between Elio and Oliver, highlighting the growing tension and unspoken feelings between them. It moves the story forward by deepening the audience's understanding of the characters.

Originality: 8

The scene introduces a familiar theme of seeking validation but adds a fresh perspective through the cultural and interpersonal dynamics between the characters. The authenticity of the characters' actions and dialogue enhances the originality of the scene.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed in this scene, with their emotions and inner conflicts effectively portrayed. The audience gains insight into their complex relationship and individual struggles.

Character Changes: 8

Both Elio and Oliver undergo subtle changes in this scene, as their emotions and dynamics shift in response to each other. The scene sets the stage for further character development and exploration.

Internal Goal: 8

Elio's internal goal in this scene is to impress Oliver with his musical talent and seek validation from him. This reflects Elio's desire for approval and connection with Oliver.

External Goal: 7

Elio's external goal is to showcase his musical skills to Oliver and receive positive feedback. This reflects the immediate challenge of gaining Oliver's attention and approval.


Scene Elements

Conflict Level: 7

The scene has a moderate level of conflict, primarily stemming from the emotional tension between Elio and Oliver. The conflict is more internal and emotional, adding depth to their relationship.

Opposition: 7

The opposition in the scene is strong enough to create conflict and tension between the characters, adding depth to their interactions and motivations.

High Stakes: 7

The stakes are moderate in this scene, primarily focused on the emotional tension and unspoken feelings between Elio and Oliver. The outcome of their interactions has the potential to impact their relationship and personal growth.

Story Forward: 8

The scene moves the story forward by deepening the audience's understanding of the characters and their relationship. It sets the stage for future developments and adds complexity to the narrative.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between Elio and Oliver, creating uncertainty about their relationship and reactions.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the theme of validation and acceptance. Elio seeks validation from Oliver through his music, while Oliver's initial cold reaction challenges Elio's beliefs about his talent and worth.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of tension, sadness, and confusion in the audience. The complex emotions of the characters resonate strongly, drawing the audience into their world.

Dialogue: 8

The dialogue in the scene effectively conveys the characters' emotions and the underlying tension between Elio and Oliver. It adds depth to their interactions and enhances the audience's understanding of their relationship.

Engagement: 8

This scene is engaging because of the subtle emotional tension between the characters and the desire for validation. The interactions and dialogue keep the audience invested in the characters' dynamics.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense through the characters' interactions and dialogue. The rhythm keeps the audience engaged and invested in the outcome.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions. The visual elements are well-defined, enhancing the reader's understanding.

Structure: 9

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures the tension between Elio and Oliver, showcasing Elio's vulnerability and Oliver's aloofness. However, the dialogue could be more layered to reflect the complexity of their relationship. The current exchanges feel somewhat straightforward and could benefit from subtext that hints at their deeper feelings for each other.
  • The visual elements are strong, particularly the contrast between Elio's focused music practice and Oliver's detached observation. However, the scene could be enhanced by incorporating more sensory details, such as the sounds of the environment or the warmth of the sun, to create a more immersive experience for the audience.
  • The pacing of the scene feels a bit uneven. The initial interaction with Anchise is charming but somewhat disconnected from the main emotional arc between Elio and Oliver. Consider tightening the focus on Elio and Oliver's dynamic to maintain emotional momentum throughout the scene.
  • Elio's internal conflict is evident, but it could be more explicitly conveyed through his actions and expressions. Instead of simply stating that he feels unsettled, show this through his body language or a brief internal monologue that reveals his thoughts about Oliver's coldness.
  • The ending of the scene, where Elio retreats into the house, is effective in conveying his discomfort. However, it might be more impactful if it included a moment of reflection or a brief flashback to a happier memory with Oliver, emphasizing the contrast between their past connection and the current tension.
Suggestions
  • Add more subtext to the dialogue between Elio and Oliver to reflect their complex feelings for each other. For example, they could reference shared interests or memories that hint at their deeper connection.
  • Incorporate sensory details to enhance the atmosphere of the scene. Describe the sounds of the garden, the warmth of the sun, or the smell of the flowers to create a more vivid setting.
  • Consider streamlining the interaction with Anchise to focus more on Elio and Oliver's relationship. This could involve reducing the dialogue with Anchise or finding a way to tie it back to Elio's feelings about Oliver.
  • Show Elio's internal conflict through more physical expressions or actions. For instance, he could fidget with his guitar or glance at Oliver more frequently, revealing his anxiety and desire for connection.
  • Include a moment of reflection for Elio before he retreats into the house. This could be a brief internal thought or a memory that highlights the contrast between their past interactions and the current tension.



Scene 8 -  Variations of the Heart
15 INT. LIVING ROOM - PERLMAN VILLA - DAY 15

ELIO plays the piece on the piano. OLIVER leans on the door
looking in. The music sounds very different from when he
played it on his guitar.

OLIVER
You changed it. What did you do to
it? Is it Bach?

ELIO
I just played it the way Liszt
would have played it if he’d
jimmied around with it.

OLIVER
Just play it again, please!
ELIO begins playing the piece again. OLIVER listens, then
speaks:

OLIVER (CONT’D)
I can’t believe you changed it
again.

ELIO
Not by much. That’s how Busoni
would've played it if he’d altered
Liszt’s version.

OLIVER
Can’t you just play the Bach the
way Bach wrote it?

ELIO
Bach never wrote it for guitar. In
fact, we’re not even sure it’s Bach
at all.
OLIVER
Forget I asked.

ELIO
Okay, okay. No need to get so
worked up.
ELIO begins to play the Bach in its original form. OLIVER,
who had turned away, comes back to the door. ELIO says,
softly, over his playing:

ELIO (CONT’D)
It’s young Bach, he dedicated it to
his brother.

He plays it beautifully, as if sending it to OLIVER as a
gift.

16 INT. ELIO’S BEDROOM - PERLMAN VILLA - LATER 16
ELIO is writing his diary, the wind is moving the curtains.
He then puts the open diary on the bed and goes into the
shared bathroom to pee, shutting the door behind him. The
camera moves close on to the diary and we read: “...I was too
harsh when I told him I thought he hated Bach...”

The wind blows the pages of the little book, then dies down
so that we can go on reading: “What I wanted to say was that
I thought he hated me...”
Genres: ["Drama","Romance"]

Summary In a sunlit living room, Elio plays a piano piece, infusing it with his own variations inspired by Liszt and Busoni, while Oliver listens from the doorway. Oliver's curiosity turns to frustration as he requests the original Bach piece, which Elio eventually plays, revealing its dedication to Bach's brother. The scene shifts to Elio writing in his diary, where he reflects on his earlier harshness towards Oliver and grapples with feelings of insecurity about their relationship.
Strengths
  • Emotional depth
  • Intellectual dialogue
  • Character development
Weaknesses
  • Limited plot progression
  • Low external conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys the complex emotions and dynamics between Elio and Oliver through their shared love of music, creating a poignant and thought-provoking atmosphere.


Story Content

Concept: 8

The concept of using music as a medium to explore the characters' emotions and relationship dynamics is compelling and effectively portrayed in the scene.

Plot: 7.5

While the plot progression is subtle, the scene deepens the audience's understanding of the characters and sets the stage for future developments in their relationship.

Originality: 8

The scene offers a fresh perspective on the theme of communication through art and music. The characters' actions and dialogue feel authentic and nuanced, adding depth to the narrative.


Character Development

Characters: 9

The characters of Elio and Oliver are richly developed, with their unique personalities and emotional depth shining through in their interactions.

Character Changes: 8

Both Elio and Oliver experience subtle shifts in their perceptions of each other, deepening their connection and setting the stage for further development.

Internal Goal: 8

Elio's internal goal in this scene is to express his feelings towards Oliver through music and his diary. He wants to communicate his emotions and thoughts in a subtle and artistic way.

External Goal: 6

The protagonist's external goal is to play the piece of music in its original form and share it with Oliver as a gift.


Scene Elements

Conflict Level: 6

The conflict in the scene is more internal and emotional, focusing on the characters' inner struggles and unspoken tensions.

Opposition: 7

The opposition in the scene is subtle but effective, adding tension and complexity to the characters' interactions.

High Stakes: 5

The stakes in the scene are more emotional and personal, focusing on the characters' internal struggles and budding relationship.

Story Forward: 7

While the scene doesn't significantly advance the plot, it enriches the audience's understanding of the characters and sets the tone for future events.

Unpredictability: 7

This scene is unpredictable in terms of the characters' emotional responses and the subtle shifts in their interactions.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the interpretation of classical music and the expression of emotions through art. Elio and Oliver have different perspectives on how music should be played and interpreted, reflecting their individual beliefs and values.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response from the audience, drawing them into the characters' inner worlds and complex feelings.

Dialogue: 8

The dialogue is engaging and thought-provoking, revealing the characters' intellectual prowess and emotional vulnerability.

Engagement: 9

This scene is engaging because of its emotional depth, subtle character dynamics, and the use of music as a storytelling device.

Pacing: 8

The pacing of the scene enhances its emotional impact and allows for the gradual development of character relationships.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, allowing for clear and concise storytelling.

Structure: 8

The scene follows a well-defined structure that allows for the development of character relationships and emotional arcs. The pacing and rhythm contribute to its effectiveness.


Critique
  • The scene effectively captures the tension between Elio and Oliver through their dialogue about music, which serves as a metaphor for their relationship. Elio's intricate explanations of the variations he makes to the piece reflect his complexity and depth, while Oliver's frustration highlights his desire for simplicity and authenticity. This dynamic is compelling and adds layers to their characters.
  • The dialogue is engaging, but it could benefit from more subtext. While Elio and Oliver discuss music, their conversation also mirrors their emotional states. Elio's need to impress and Oliver's impatience could be further emphasized through their body language and tone, allowing the audience to feel the underlying tension more acutely.
  • The transition from the piano scene to Elio writing in his diary is effective in showing Elio's introspection. However, the diary entries could be more vivid. Instead of simply stating his feelings, Elio could reflect on specific moments with Oliver that led to his harshness, providing a deeper emotional connection for the audience.
  • The use of music as a motif is strong, but the scene could explore the emotional impact of the music more deeply. For instance, Elio's playing could evoke memories or feelings that he associates with Oliver, enhancing the emotional weight of the moment. This would create a more immersive experience for the audience.
  • The pacing of the scene feels slightly rushed, particularly in the transition from the piano playing to the diary writing. Allowing more time for Elio's performance and Oliver's reactions could heighten the emotional stakes and give the audience a chance to fully absorb the moment.
Suggestions
  • Incorporate more physicality into the scene. Show Elio's nervousness or excitement through his movements at the piano, and Oliver's reactions could be more expressive, perhaps leaning in closer or showing visible frustration.
  • Consider adding a moment where Elio hesitates before playing the original Bach piece, reflecting his internal struggle and desire for Oliver's approval. This could heighten the emotional stakes and make the eventual performance feel more significant.
  • Enhance the diary entries by including more sensory details or specific memories that illustrate Elio's feelings towards Oliver. This could create a stronger emotional resonance and provide insight into his character.
  • Explore the musical variations Elio plays in more detail, perhaps by briefly describing how they sound or what emotions they evoke. This could help the audience connect with the music on a deeper level.
  • Allow for a longer pause after Elio finishes playing the original piece before transitioning to the diary scene. This would give the audience time to absorb the emotional impact of the performance and its significance in Elio's relationship with Oliver.



Scene 9 -  A Game of Connection
17 EXT. STREETS/CARD CAFE - TOWN STREET - DAY 17
Another day.
OLIVER and ELIO walk down a street; OLIVER steps into a cafe.
Some men inside are sitting at two or three tables with
playing cards. Waiters bring coffee and other drinks to the
customers, the place is lively.

NARRATOR
Taking in summer guests was Elio’s
dad and mom, The Perlmans, a way of
helping young academics revise
manuscript before publication.
Summer residents didn’t have to pay
anything, they were given the full
run of the house and could
basically do anything they pleased,
provided they spent an hour or so a
day helping Professor Perlman with
his correspondence and assorted
paperwork. Oliver manuscript was on
Heraclithus and already had found a
publisher in Italy for a translated
version. Elio’s father loved
nothing better than to have some
precocious rising expert in his
field of study helping him.

Some of the men look up and nod at OLIVER. A game is starting
at one of the tables and OLIVER is asked to join. He sits
down to play.

ELIO
How did you know about this place?
Oliver winks. ELIO pulls up a chair and sits, spectating. The
cards are dealt. OLIVER, accepted at once, treats his fellow
PLAYERS as equals. Despite being a ‘rich’ American
‘intellectual’, a guest at the villa of one of the area’s
richest men, he has the ‘common touch’.

ELIO is soon forgotten by OLIVER. Now and then he supplies a
translation of something said in Lombard dialect by one of
the PLAYERS, to which OLIVER replies, “Thanks, Buddy!”
Genres: ["Drama"]

Summary In a bustling cafe, Oliver joins a lively card game, quickly bonding with the players and showcasing his charm. Elio, sitting nearby, translates for Oliver but feels sidelined as Oliver becomes engrossed in the game. The scene captures the lighthearted atmosphere of the cafe while highlighting Elio's subtle longing and sense of being overlooked.
Strengths
  • Authentic character interactions
  • Engaging dialogue
  • Character development for Oliver
Weaknesses
  • Limited plot progression
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene effectively introduces a new environment and showcases Oliver's character in a dynamic and engaging way. The interactions feel authentic and add depth to Oliver's personality.


Story Content

Concept: 8.5

The concept of Oliver engaging in a card game at a local cafe adds depth to his character and explores his ability to connect with people from different walks of life. It enhances the overall narrative by showcasing Oliver's adaptability.

Plot: 7.5

While the scene does not significantly advance the main plot, it provides valuable character development for Oliver and sets the stage for future interactions. It adds richness to the story by expanding on Oliver's background.

Originality: 9

The scene introduces a fresh perspective on cultural exchange and social dynamics, with authentic character actions and dialogue that feel genuine and engaging.


Character Development

Characters: 9

The scene excels in character development, particularly for Oliver. His interactions at the card cafe reveal his sociable nature and ability to relate to others. The scene deepens the audience's understanding of Oliver's personality.

Character Changes: 6

Oliver's character undergoes subtle development in the scene, showcasing his ability to adapt to different social settings and connect with people from diverse backgrounds.

Internal Goal: 8

Elio's internal goal in this scene is to connect with Oliver and understand more about him. This reflects his deeper desire for companionship and intellectual stimulation.

External Goal: 7

Oliver's external goal is to integrate into the local community and establish relationships with the residents. This reflects the immediate challenge of fitting in and being accepted.


Scene Elements

Conflict Level: 4

The scene has a low level of conflict, focusing more on character interactions and social dynamics. The conflict arises from the cultural differences and social dynamics at play in the card cafe.

Opposition: 7

The opposition in the scene is strong enough to create tension and conflict, adding complexity to the characters' interactions and motivations.

High Stakes: 3

The scene has low stakes, focusing more on character interactions and social dynamics rather than high-stakes drama. The emphasis is on showcasing Oliver's social skills and adaptability.

Story Forward: 6

The scene contributes to character development and sets the stage for future interactions, but does not significantly advance the main plot. It adds depth to Oliver's character and enriches the narrative.

Unpredictability: 7

This scene is unpredictable because of the unexpected connections and conflicts that arise between the characters, adding depth to the narrative.

Philosophical Conflict: 6

The philosophical conflict in this scene is the clash between social status and intellectual pursuits. Oliver, as a 'rich' American intellectual, is trying to bridge the gap between his background and the local community's culture.


Audience Engagement

Emotional Impact: 7

The scene evokes a sense of camaraderie and warmth through Oliver's interactions at the card cafe. While not highly emotional, it provides a glimpse into Oliver's social skills and likability.

Dialogue: 8

The dialogue in the scene is engaging and authentic, capturing the casual banter between Oliver and the other players. It adds depth to Oliver's character and enhances the overall atmosphere of the scene.

Engagement: 9

This scene is engaging because of the dynamic character interactions and the subtle tension between the characters, keeping the audience invested in the unfolding story.

Pacing: 8

The pacing of the scene contributes to its effectiveness by balancing dialogue and action, creating a sense of rhythm that keeps the story moving forward.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings and dialogue formatting that enhance readability.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution that drive the narrative forward.


Critique
  • The scene effectively establishes the social dynamics between Elio and Oliver, showcasing Oliver's ability to connect with the locals despite his background. However, Elio's feelings of isolation are palpable, which could be emphasized further to enhance the emotional stakes.
  • The use of the narrator to provide context about the Perlman family's tradition of hosting summer guests is informative but could be more seamlessly integrated into the scene. The narration feels somewhat detached from the action and could benefit from being woven into the dialogue or character interactions.
  • The description of the cafe and the lively atmosphere is vivid, but it could be enhanced by incorporating more sensory details. For example, describing the sounds of laughter, the clinking of glasses, or the aroma of coffee could immerse the audience more fully in the setting.
  • Elio's role as a spectator in this scene is crucial, but his internal thoughts and feelings could be more explicitly conveyed. This would help the audience understand his emotional state as he watches Oliver engage with the other players, deepening the sense of longing and jealousy.
  • The dialogue is functional but lacks a certain depth that could elevate the scene. Adding subtext to Elio's questions or Oliver's responses could create a richer interaction, hinting at their complex relationship without overtly stating it.
Suggestions
  • Consider integrating the narrator's exposition into the dialogue or character actions to create a more cohesive flow. For instance, Elio could comment on the tradition of hosting guests, allowing the audience to learn through his perspective.
  • Enhance the sensory details of the cafe setting to create a more immersive experience. Describe the sounds, smells, and sights that Elio and Oliver encounter as they enter the cafe.
  • Include Elio's internal monologue or reactions to Oliver's interactions with the card players. This could be done through brief, poignant thoughts that reveal his insecurities and feelings of being overshadowed.
  • Revise the dialogue to include more subtext and emotional nuance. For example, Elio could ask questions that reveal his jealousy or admiration for Oliver, while Oliver's responses could hint at his awareness of Elio's feelings.
  • Consider adding a moment where Elio's presence is acknowledged by Oliver, even if briefly, to create a contrast between their connection and the distance that Elio feels. This could heighten the emotional tension in the scene.



Scene 10 -  Tension Under the Lime Trees
18 EXT. MAIN ENTRANCE LAWN - PERLMAN VILLA - AFTERNOON 18
A few of ELIO’S FRIENDS play a volleyball game in a makeshift
court set up on the lawn by the main entrance of the villa.
OLIVER is playing with CHIARA, MARZIA’s slightly older
sister, and another BOY.

The three make up one side of the game, while the opposing
team is made up of THREE OTHERS we haven't met.

ELIO sits on the side with MARZIA and another friend MARIA.
All eyes are on OLIVER, the glamorous American who has
unexpectedly dropped into their midst. MARZIA and her friend
ask questions about him.

MARZIA
(in Italian)
Sicuramente è meglio di quello
dell’anno scorso, ti ricordi?
(He’s certainly a big improvement
from last year, do you remember?)

ELIO and MARZIA laugh.

MARIA
(in Italian)
Oliver è un cowboy biondo
latinista!
(Oliver is a latin blonde scolar
cowboy!)
ELIO gives MARIA a look that says “Yes”, rolling his eyes.

MARIA (CONT’D)
(looking at Elio and Marzia)
Bella fregatura! Un’altra estate
nella lavanderia.
(Well, that sucks for you guys!
Another summer in the lavanderia.)

MARZIA jokingly punches MARIA’s shoulder. ELIO, bored and put
off, gets up and goes to a nearby table under the lime trees,
on it is some fresh fruit and a bottle of cold water.

He takes the bottle and goes to his friends, offering it.
OLIVER takes the bottle and drinks, then hands it back to
ELIO without thanking him. OLIVER then puts his free arm
around ELIO, gently squeezing his thumb and forefingers into
Elio’s shoulder in a friendly hug-massage.

ELIO, taken by surprise, is spellbound for an instant,
yielding to Oliver’s hand, even leaning into it -- then he
wrenches himself away from Oliver’s grab. Taken aback, OLIVER
apologizes, asking ELIO if he’d pressed a nerve or something:
“I didn’t mean to hurt you”. Honestly not wanting to
discourage OLIVER, ELIO blurts out “I’m not hurt”. ELIO has
the face of someone trying, but failing, to smother a grimace
of pain. OLIVER goes along with this charade.
OLIVER
(back to massaging Elio’s
shoulder)
Here, let me make it better. Relax.
Revision13.

ELIO
But I am relaxing.

OLIVER
You’re stiff as a board. You’re
made of knots.
(to Marzia)
Come here, feel this...
MARZIA puts her hands on Elio’s back. OLIVER presses her
flattened palm hard against it.

OLIVER (CONT’D)
Here. Feel it? He should relax
more.

MARZIA
You should relax more.
MARIA
(to Oliver)
She certainly knows how to get him
to relax.

ELIO relaxes until the others lose interest and resume the
game. The two boys are playing against the sisters now.
Elio’s view of the players and of the ball in the air over
their heads is often obscured by the OLIVER's muscular back,
moving in closer from the side. Sometimes they collide, trip,
fall into a heap. The girls shout rudely in Italian. *

Elio goes back to the table under the lime trees and sits in
the shade, far from the others. He is inadvertently rubbing
the spot that Oliver had massaged at the base of his neck
with his free hand. MAFALDA and ANNELLA are setting up the
table for dinner.
ANNELLA
(in Italian)
C’è Zia Marcella e annessi per
cena. Oliver si ferma con noi o
esce stasera? (Aunt Marcella is
coming to dinner with her tribe. Is
Oliver in or out tonight?)
ELIO
(shrugging, in French)
Je ne sais pas. (Who knows?)
MAFALDA
Che muvi star!
Genres: ["Drama","Romance"]

Summary On the lawn of the Perlman villa, Elio's friends engage in a lively volleyball game with Oliver, a charming American who draws Elio's admiration and discomfort. As Oliver playfully massages Elio's shoulder, Elio feels a mix of attraction and unease, leading him to retreat to a table under the lime trees. While his friends, including Marzia and Maria, joke about the situation, Elio grapples with his feelings, rubbing the spot where Oliver touched him, as the playful atmosphere shifts to a more introspective tone.
Strengths
  • Authentic dialogue
  • Effective portrayal of tension and awkwardness
  • Character dynamics and relationships
Weaknesses
  • Limited character development in this specific scene
  • Some interactions may feel repetitive or predictable

Ratings
Overall

Overall: 8.5

The scene effectively sets up and maintains a sense of tension and awkwardness between the characters, while also providing insight into their personalities and relationships. The dialogue and interactions feel authentic and engaging, keeping the audience intrigued.


Story Content

Concept: 8

The concept of exploring social dynamics, cultural differences, and relationships in a summer setting is well-executed in the scene. It provides depth to the characters and sets up potential conflicts and developments for the story.

Plot: 8

The plot is advanced through the interactions and conflicts introduced in the scene, setting up potential developments and character arcs. The scene adds layers to the story and builds intrigue for the audience.

Originality: 8

The scene offers a fresh take on a familiar coming-of-age theme, with nuanced character interactions and emotional depth.


Character Development

Characters: 9

The characters are well-developed and their personalities shine through in their interactions. The scene effectively showcases the dynamics between Elio, Oliver, and their friends, adding depth to their relationships.

Character Changes: 7

While there are subtle shifts in the characters' dynamics and relationships, significant character changes are not prominently featured in this scene. However, it sets up potential developments for the characters in future scenes.

Internal Goal: 8

Elio's internal goal is to navigate his feelings towards Oliver, as he is both intrigued and put off by Oliver's actions.

External Goal: 7

Elio's external goal is to maintain a sense of normalcy and composure in front of his friends, despite the tension with Oliver.


Scene Elements

Conflict Level: 7

The scene contains underlying tensions and conflicts between the characters, adding depth to their interactions. The conflicts are subtle but contribute to the overall intrigue of the scene.

Opposition: 7

The opposition in the scene is subtle but effective, adding complexity to the characters' relationships and motivations.

High Stakes: 7

The stakes are moderate in this scene, with tensions and conflicts brewing among the characters. While the stakes are not life-threatening, they add intrigue and complexity to the relationships and dynamics.

Story Forward: 8

The scene moves the story forward by introducing conflicts, relationships, and tensions that set the stage for future developments. It adds depth to the narrative and keeps the audience engaged in the unfolding story.

Unpredictability: 7

The scene is somewhat predictable in terms of character interactions, but the emotional depth and tension keep the audience guessing about the outcome.

Philosophical Conflict: 9

The philosophical conflict revolves around Elio's internal struggle with his attraction to Oliver and the societal norms and expectations around masculinity and relationships.


Audience Engagement

Emotional Impact: 8

The scene evokes a range of emotions, including confusion, discomfort, curiosity, and friendliness. The tension and awkwardness between the characters create an emotional impact on the audience, drawing them into the story.

Dialogue: 8.5

The dialogue is engaging and reveals insights into the characters' thoughts and emotions. It effectively conveys the tension, jealousy, and awkwardness present in the scene, adding depth to the interactions.

Engagement: 9

This scene is engaging because of its mix of humor, drama, and emotional tension, keeping the audience invested in the characters' relationships.

Pacing: 8

The pacing of the scene effectively builds tension and emotional depth, keeping the audience engaged in the characters' interactions.


Technical Aspect

Formatting: 9

The scene is well-formatted and easy to follow, with clear descriptions and dialogue cues.

Structure: 9

The scene follows a natural progression of events and character interactions, building tension and emotional depth effectively.


Critique
  • The scene effectively captures the playful yet tense atmosphere of Elio's interactions with Oliver and his friends. The volleyball game serves as a backdrop for the dynamics of their relationships, highlighting Elio's feelings of jealousy and insecurity. However, the dialogue could be more nuanced to deepen the emotional stakes, particularly in Elio's interactions with Marzia and Maria, which feel somewhat superficial.
  • Elio's internal conflict is palpable, especially when he reacts to Oliver's touch. The moment of surprise followed by withdrawal is well-executed, but the scene could benefit from more internal monologue or visual cues that illustrate Elio's emotional turmoil. This would help the audience connect more deeply with his character and understand the complexity of his feelings towards Oliver.
  • The use of Italian adds authenticity to the scene, but it may alienate some viewers who do not understand the language. Including translations or context clues within the dialogue could enhance accessibility without losing the cultural richness. Additionally, the humor in the banter among Elio's friends is a nice touch, but it could be sharpened to better reflect their personalities and the underlying tension regarding Oliver's presence.
  • The physicality of the volleyball game is a strong visual element, but the transitions between the game and Elio's reactions could be smoother. The scene sometimes feels disjointed, particularly when Elio retreats to the table under the lime trees. A more fluid movement between the action of the game and Elio's internal struggle would create a more cohesive narrative flow.
Suggestions
  • Consider adding more internal dialogue for Elio to express his conflicting emotions about Oliver's attention and the playful teasing from his friends. This could provide insight into his character and enhance the audience's empathy.
  • Enhance the humor in the dialogue among Elio's friends by giving each character a distinct voice or perspective on Oliver. This could create a richer dynamic and highlight the contrast between their lightheartedness and Elio's internal conflict.
  • Incorporate more visual storytelling elements, such as close-ups of Elio's expressions or body language, to convey his discomfort and longing during Oliver's interactions. This would help to visually communicate his emotional state without relying solely on dialogue.
  • Consider revising the pacing of the scene to allow for more tension-building moments. For example, elongating the moment when Oliver massages Elio's shoulder could heighten the emotional stakes and make Elio's withdrawal more impactful.



Scene 11 -  The Absence of Oliver
19 EXT. TABLE UNDER THE LIME TREES - PERLMAN VILLA - EVENING 19

A gangly TEENAGER looks on with pretended disdain; his voice
is just changing, he has a dark fuzz, unshaven, on his upper
lip, he could be Elio three or four years earlier.

PERLMAN is amusing the boy’s sisters, TWO YOUNG NIECES, aged
about seven and nine, with a card trick. He has moved plates
and cutlery around to make space for entertaining the little
nieces.

PERLMAN
Scegli una carta. OK, ricordala
bene. (Pick a card. OK, remember it
well.)
(shuffles the deck)
È questa? (Is this it?)


20 INT. ELIO’S AND OLIVER’S BATHROOM - EVENING 20
Upstairs ELIO is shaving his own upper lip. He keeps
listening for sounds of the absent Oliver from his room - at
one point he could softly knock on the door, and upon hearing
nothing, look in.

21 EXT. TABLE UNDER THE LIME TREES - PERLMAN VILLA - EVENING 21
Guests are gathering at the table. MAFALDA announces dinner
and removes the cards from the table, putting things back in
order. PERLMAN makes a funny face. Two empty seats around the
table. The absence of Signor Ulliva is commented upon.
MAFALDA asks ELIO, who just showed up, whether Oliver will be
joining them. “Sono le otto passate” she says. ANNELLA
appears from the living room, followed by her guests.
ANNELLA
(in Italian)
Noi ci mettiamo a tavola (We’ll sit
down).
ELIO
(in Italian)
Non vi sembra ineducato come dice
“Later...”? arrogante? Mi sembra
che facciamo di tutto per farlo
stare a suo agio da noi. (Don’t you
think it’s rude when he says
“Later...”? Arrogant? After all,
it’s just to show him a good time
here.)

PERLMAN
I don’t think so. I think Oliver is
shy. That’s what he is.

The camera stays on ELIO as he considers the possibility.

ELIO
You watch, this is how he’ll say
goodbye to us when the time comes.
With his gruff, slapdash, Later!

ANNELLA
Meanwhile, we’ll have to put up
with him for six long weeks. Won’t
we?

PERLMAN
I’m telling you, he’s just shy.
You’ll grow to like him.

ELIO
Yeah, but what if I grow to hate
him?

ANNELLA
(to Elio)
Mio piccino!
(My little one!)
(to Mafalda)
Può togliere i piatti di Mr.
Oliver? (You can remove Mr.
Oliver’s place setting away?)

This is performed instantly and without a hint of regret.
ELIO watches Oliver’s silverware, his place mat, glass,
napkin, disappear as if he had never existed. ELIO grows
thoughtful at the sudden violence of Mafalda’s action - may
even involuntarily put his own hand out to stop her. The
others take a seat. PERLMAN picks up his napkin to perform a
trick for the children, wrapping it around his thumb.
Genres: ["Drama"]

Summary In the evening at the Perlman villa, a gangly teenager observes Perlman entertaining his young nieces with a card trick while Elio, upstairs, anxiously awaits Oliver's arrival. As dinner guests gather, Elio expresses frustration over Oliver's absence, perceiving him as rude and arrogant. Perlman defends Oliver's shyness, but Elio fears growing resentment towards him. Annella dismisses Elio's concerns and orders the removal of Oliver's place setting, deepening Elio's sense of loss. The scene concludes with Perlman performing for the children, highlighting the tension of Oliver's absence.
Strengths
  • Effective tension-building
  • Complex character relationships
  • Emotional depth
Weaknesses
  • Limited external conflict
  • Some repetitive dialogue

Ratings
Overall

Overall: 8.5

The scene effectively builds tension and intrigue through the absence of Oliver at dinner, highlighting the discomfort and negative sentiments Elio feels towards him. The dialogue and interactions reveal underlying conflicts and dynamics within the family.


Story Content

Concept: 8

The concept of exploring social dynamics and tensions within a family setting is well-executed, providing insight into the characters' relationships and conflicts. The absence of Oliver serves as a central theme in the scene.

Plot: 8

The plot progression focuses on the family dynamics and Elio's internal conflict regarding Oliver, moving the story forward by revealing underlying tensions and emotions. The absence of Oliver adds depth to the narrative.

Originality: 9

The scene offers a fresh and authentic portrayal of family dynamics, interpersonal relationships, and internal conflicts. The characters' actions and dialogue feel genuine and relatable, adding depth and complexity to the narrative.


Character Development

Characters: 8.5

The characters are well-developed, with Elio's conflicting emotions and the family's reactions to Oliver's absence adding layers to their personalities. The interactions and dialogue showcase the complexities of their relationships.

Character Changes: 7

Elio experiences a shift in his feelings towards Oliver, showcasing his internal conflict and evolving emotions. The scene sets the stage for potential character development and changes in future interactions.

Internal Goal: 8

Elio's internal goal in this scene is to navigate his feelings towards Oliver, from curiosity and annoyance to potential dislike. This reflects his deeper desires for connection, understanding, and acceptance.

External Goal: 7

Elio's external goal in this scene is to navigate the social dynamics and expectations of the family gathering, particularly in relation to Oliver's absence and potential presence. This reflects the immediate challenge of balancing his own feelings with the expectations of others.


Scene Elements

Conflict Level: 7

The conflict in the scene is primarily internal, focusing on Elio's conflicting emotions towards Oliver and the family's reactions to his absence. The tension and discomfort add depth to the narrative.

Opposition: 7

The opposition in the scene is strong, with conflicting opinions, emotions, and expectations creating tension and uncertainty. The audience is left wondering how the characters will navigate their differences and conflicts.

High Stakes: 7

The stakes are moderate in the scene, focusing on the emotional dynamics and conflicts within the family rather than external threats. The absence of Oliver raises questions about his role in the family dynamic.

Story Forward: 8

The scene moves the story forward by revealing underlying tensions and conflicts within the family, particularly regarding Elio's relationship with Oliver. The absence of Oliver adds complexity to the narrative.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between characters, the unexpected emotional revelations, and the unresolved tensions. The audience is kept on their toes, unsure of how the relationships will evolve.

Philosophical Conflict: 8

The philosophical conflict evident in this scene is the tension between acceptance and judgment, as Elio grapples with his changing feelings towards Oliver and the family's differing opinions on him. This challenges Elio's beliefs about empathy, understanding, and personal growth.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a range of emotions, including tension, discomfort, and intrigue, particularly through Elio's internal conflict and the family's reactions. The emotional impact enhances the depth of the characters and relationships.

Dialogue: 8

The dialogue effectively conveys the tension and discomfort present in the scene, particularly through Elio's interactions with his family members. The conversations reveal underlying emotions and conflicts.

Engagement: 9

This scene is engaging because of its emotional depth, nuanced character dynamics, and subtle conflicts. The audience is drawn into the intimate and relatable moments unfolding on screen.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing moments of tension, introspection, and emotional impact to unfold naturally. The rhythm of the dialogue and character interactions enhances the overall mood and atmosphere.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, character actions, and dialogue cues. The visual descriptions and transitions are well-executed.

Structure: 8

The scene follows the expected structure for its genre, with a clear progression of events, character interactions, and emotional beats. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures Elio's internal conflict regarding Oliver's absence and his feelings of frustration and jealousy. The dialogue is rich with subtext, revealing Elio's insecurities and the dynamics of his relationship with Oliver, which adds depth to the narrative.
  • The use of Italian phrases adds authenticity to the setting and character interactions, but it may alienate some viewers who do not understand the language. Consider providing subtitles or context to ensure all viewers can follow the conversation.
  • The contrast between Perlman's light-hearted card trick and Elio's brooding thoughts creates a compelling juxtaposition that highlights Elio's emotional turmoil. However, the transition between these two tones could be smoother to maintain the scene's flow.
  • Elio's observation of the card trick and his disdainful demeanor effectively illustrate his youthful angst and longing for connection. However, the scene could benefit from more physical action or visual cues to enhance the emotional stakes, as Elio's internal struggle is primarily conveyed through dialogue.
  • The moment when Mafalda removes Oliver's place setting is powerful and visually striking, symbolizing Elio's feelings of loss and rejection. This action could be further emphasized with close-up shots or lingering camera work to heighten the emotional impact.
Suggestions
  • Consider adding a brief moment where Elio interacts with the younger nieces or Perlman during the card trick to create a more dynamic scene and showcase his character's complexity beyond his jealousy.
  • Incorporate more visual storytelling elements, such as Elio's body language or facial expressions, to convey his emotional state without relying solely on dialogue.
  • Explore the possibility of including a moment of reflection for Elio after the dinner announcement, perhaps through a voiceover or internal monologue, to deepen the audience's understanding of his feelings.
  • To enhance the tension, consider having Elio overhear a conversation about Oliver that further fuels his insecurities, making his feelings of jealousy and frustration more palpable.
  • Ensure that the pacing of the scene allows for moments of silence or stillness, giving the audience time to absorb Elio's emotional state and the significance of the actions taking place around him.



Scene 12 -  A Night of Reluctance and Revelations
22 INT. LIVING ROOM - PERLMAN VILLA - NIGHT 22

When everyone returns to the living room, PERLMAN asks his
son to play something he then goes in the bar.


ELIO
Non mi va. (I don’t feel like it)
PERLMAN
Perchè non ti va? (Why don’t you
feel like it?)

ELIO
(sharply)
Perché non mi va!
ANNELLA
(In French)
Pourquoi tu ne vas pas
à Moscazzano avec les autres?
(Why not to Moscazzano with the
others?)

ELIO
(In French)
J’en ai pas envie.
(I don’t want to.)

ANNELLA
Go see your friends. Go out. Do
something.
Ne reste pas là comme une araignée
sur le mur, mon chéri!
(Don’t just be a spider on the
wall, darling!)
Spoiling everyone’s fun.
A burst of laughter from the kids. Perlman returns from the
bar holding glasses. The TEENAGE BOY pretends to be a spider
and comes at his cousin waving his arms menacingly. ELIO
gives in, and goes over to the piano. He starts playing a
lively piece.

23 INT. ELIO’S BEDROOM - PERLMAN VILLA - NIGHT 23
ELIO is on his bed, still dressed, in a restless half-sleep.
He hears a noise outside and quickly strips off his clothes,
putting on his pajama bottoms. But no one comes, there are no
sounds on the stairs or activity in the adjoining bathroom.

24 INT. ELIO’S BEDROOM - PERLMAN VILLA - DAWN 24

A ray of sunlight hits ELIO’s sleeping face. He wakes and
gets up. He goes over to the door that separates his room
from Oliver's. He grabs the doorknob and is about to knock,
but doesn't. He looks between the cracks of the door: he can
see Oliver sleeping, still in his clothes.
Genres: ["Drama"]

Summary In the Perlman villa's living room, Elio initially resists playing music despite his father's encouragement and Annelia's playful urging to socialize. A teenage boy's humorous imitation of a spider lightens the mood, prompting Elio to finally engage with the piano. The scene shifts to Elio's bedroom, where he experiences restlessness and curiosity about Oliver, culminating in a moment of hesitation as dawn breaks.
Strengths
  • Emotional depth
  • Subtle tension
  • Character dynamics
Weaknesses
  • Slow pacing
  • Lack of resolution

Ratings
Overall

Overall: 8.5

The scene effectively conveys the growing tension and emotional turmoil within Elio, setting the stage for further character development and conflict.


Story Content

Concept: 8.5

The concept of exploring unspoken emotions and the divide between characters is effectively conveyed through the scene's interactions and dialogue.

Plot: 8

The plot progresses by deepening the conflict between Elio and Oliver, hinting at future developments and challenges in their relationship.

Originality: 9

The scene showcases originality through its nuanced portrayal of family dynamics and individual desires, as well as the use of multiple languages in dialogue.


Character Development

Characters: 9

The characters are well-developed, with Elio's internal struggles and Oliver's enigmatic demeanor adding depth and complexity to the scene.

Character Changes: 9

Elio undergoes a subtle shift in his perception of Oliver, moving from admiration to resentment and loneliness, setting the stage for further character development.

Internal Goal: 8

Elio's internal goal in this scene is to express his emotions and desires, as seen through his reluctance to play the piano and his restlessness in his bedroom.

External Goal: 7

Elio's external goal is to navigate social interactions and family dynamics, as seen through his interactions with his father and family members.


Scene Elements

Conflict Level: 8.5

The conflict between Elio's desire for connection and Oliver's aloofness creates a palpable tension that drives the scene forward.

Opposition: 7

The opposition in the scene is strong enough to create conflict and challenge the protagonist's desires, adding depth to the narrative.

High Stakes: 8

The stakes are high in terms of Elio's emotional well-being and the future of his relationship with Oliver, adding tension and complexity to the scene.

Story Forward: 8

The scene moves the story forward by deepening the conflict between Elio and Oliver, hinting at future challenges and developments in their relationship.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between characters and the unexpected actions taken by Elio.

Philosophical Conflict: 6

There is a philosophical conflict between Elio's desire for independence and self-expression, and the expectations placed on him by his family and society.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions of sadness, frustration, and isolation, drawing the audience into Elio's internal struggles and the complexities of human relationships.

Dialogue: 8.5

The dialogue effectively conveys the underlying tension and emotional subtext between the characters, enhancing the scene's impact.

Engagement: 9

This scene is engaging because of the tension between characters, the emotional depth of the dialogue, and the subtle hints at underlying conflicts.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, leading to a climactic moment of decision for Elio.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with proper scene headings and character actions.

Structure: 8

The scene follows the expected structure for its genre, with clear transitions between locations and character interactions.


Critique
  • The scene effectively captures Elio's internal conflict and reluctance to engage with his family and friends, which is a crucial aspect of his character development. However, the dialogue could benefit from more subtext to convey Elio's deeper feelings about Oliver and his own insecurities. The sharpness in Elio's responses suggests frustration, but it could be enhanced by incorporating more nuanced expressions of his emotional state.
  • The use of multiple languages (Italian and French) adds authenticity to the characters' interactions, but it may alienate some viewers who are not familiar with these languages. Consider adding brief contextual cues or translations in the dialogue to ensure clarity without losing the cultural richness.
  • The transition from the lively atmosphere of the living room to Elio's introspective moment in his bedroom is effective, but the pacing could be improved. The shift feels abrupt; a more gradual transition could enhance the emotional weight of Elio's restlessness and longing for Oliver.
  • The imagery of the 'spider on the wall' is a strong metaphor for Elio's feelings of isolation and detachment. However, the teenage boy's playful imitation of a spider feels somewhat out of place and could detract from the emotional tone. This moment might be better served by focusing on Elio's internal struggle rather than introducing a comedic element that could undermine the scene's gravity.
  • The scene ends with Elio's hesitation to knock on Oliver's door, which is a powerful moment of tension. However, it could be strengthened by providing more sensory details about Elio's surroundings or his physical sensations, which would deepen the audience's connection to his emotional state.
Suggestions
  • Consider adding more internal monologue or reflective dialogue for Elio to express his feelings about Oliver and his reluctance to engage with others, which would provide greater insight into his character.
  • Incorporate subtle body language or facial expressions to convey Elio's emotional turmoil, enhancing the visual storytelling and allowing the audience to connect with his internal conflict.
  • Revisit the teenage boy's spider imitation; either remove it or replace it with a moment that reinforces Elio's feelings of isolation, such as a brief interaction with another character that highlights his detachment.
  • Enhance the transition between the lively living room and Elio's bedroom by including a moment of reflection or a visual cue that signifies his emotional shift, such as a lingering glance at Oliver or a deep breath before he retreats to his room.
  • Add sensory details to Elio's bedroom scene, such as the sounds of the villa at night or the feel of the fabric of his pajamas, to create a more immersive experience for the audience.



Scene 13 -  Under the Lime Trees: A Moment of Reflection
25 EXT. LIME TREES - PERLMAN VILLA - AFTERNOON 25

Another day. ELIO is sitting at his usual table under the
lime trees, working. From where he's sitting, Elio can see
PERLMAN and OLIVER through an open window in his father's
study. They are discussing Oliver’s manuscript on
Heraclithus. Elio tries to listen.

PERLMAN
I think your insights here are
persuasive, but..

OLIVER
Go on, I’m okay with criticism.
PERLMAN
You are? Good. I think this needs
firming up.
(MORE)
PERLMAN (CONT'D)
It feels like you need to accept
the paradoxical nature of this
philosopher’s thinking, not just
explain it..

ANCHISE approaches Elio, carrying a large fish wrapped up in
a t-shirt, which he uncovers for Elio.

ELIO
Sei stato al fiume?
(You've been at the river?)
ANCHISE
(smiling)
Si.
Anchise takes the fish towards the kitchen. Meanwhile in the
studio the conversation continues.

OLIVER
(nodding)
I’m okay with firming up - I’m okay
with paradox. Back to the drawing
board.
PERLMAN
Wait...
(ironic, re: Oliver's
shabby look)
Did you have a good time last
night?

ELIO is distracted by the sudden burst of enthusiasm heard
from the kitchen over the fish Anchise caught.
Genres: ["Drama"]

Summary In the afternoon light at the Perlman villa, Elio sits under lime trees, absorbed in his work while listening to his father, Perlman, engage in a thoughtful critique of Oliver's manuscript on Heraclitus. Perlman encourages Oliver to embrace the philosopher's paradoxical ideas, prompting Oliver to acknowledge the need for improvement. Meanwhile, Anchise arrives with a large fish, adding a touch of familial warmth to the scene. The atmosphere blends intellectual discourse with light-hearted domesticity, culminating in Elio's distraction by the lively sounds from the kitchen.
Strengths
  • Intellectual dialogue
  • Character development
  • Realistic interactions
Weaknesses
  • Limited plot progression
  • Low emotional impact

Ratings
Overall

Overall: 8.5

The scene is well-crafted with a focus on intellectual dialogue and character interactions. It provides insight into Oliver's character and his academic pursuits while maintaining a reflective and inquisitive tone.


Story Content

Concept: 9

The concept of exploring philosophical ideas through dialogue is well-executed in this scene. It adds depth to Oliver's character and sets the stage for further intellectual exploration.

Plot: 8

While the plot does not significantly advance in this scene, it provides essential character development for Oliver and insight into his academic interests.

Originality: 8

The scene introduces a fresh approach to intellectual discussions, blending humor and philosophical depth. The characters' actions and dialogue feel authentic and engaging, adding to the scene's originality.


Character Development

Characters: 9

The scene effectively develops Oliver's character by showcasing his intellectual curiosity and willingness to engage in philosophical discussions. Perlman's role adds depth to the scene through his mentorship and guidance.

Character Changes: 7

Oliver's character undergoes a subtle change as he accepts criticism and shows a willingness to delve deeper into philosophical paradoxes.

Internal Goal: 8

Elio's internal goal is to understand and engage with the intellectual discussions happening between Perlman and Oliver, showcasing his desire for knowledge and intellectual stimulation.

External Goal: 7

Elio's external goal is to maintain his composure and focus on his work while being distracted by the conversation happening in the study and the excitement in the kitchen.


Scene Elements

Conflict Level: 4

While there is a subtle tension in Oliver's willingness to accept criticism, the scene primarily focuses on intellectual engagement rather than conflict.

Opposition: 7

The opposition in the scene is subtle but present, with conflicting viewpoints and intellectual challenges adding depth to the character interactions and narrative progression.

High Stakes: 3

The stakes are relatively low in this scene, focusing more on intellectual engagement and character development.

Story Forward: 6

While the scene does not significantly move the plot forward, it provides essential character development for Oliver and sets the stage for future intellectual exploration.

Unpredictability: 7

The scene is unpredictable in terms of character reactions and the evolving philosophical conflict, adding tension and intrigue to the narrative.

Philosophical Conflict: 9

The philosophical conflict revolves around the acceptance of paradoxical thinking, as Perlman challenges Oliver to delve deeper into the philosopher's concepts. This challenges Elio's understanding of intellectual discourse and the complexity of philosophical ideas.


Audience Engagement

Emotional Impact: 6

The scene evokes a sense of intellectual stimulation and curiosity rather than strong emotional responses.

Dialogue: 9

The dialogue in the scene is intellectually stimulating and reflective of the characters' personalities. It drives the philosophical exploration and reveals insights into Oliver's academic pursuits.

Engagement: 8

This scene is engaging due to its blend of intellectual discussions, emotional subtext, and character dynamics, keeping the audience invested in the unfolding interactions.

Pacing: 8

The pacing of the scene is well-executed, balancing dialogue-heavy moments with quieter introspective beats, creating a rhythm that enhances the scene's emotional and intellectual impact.


Technical Aspect

Formatting: 9

The scene's formatting adheres to the expected standards for its genre, with clear scene descriptions, character actions, and dialogue cues that enhance readability and visual storytelling.

Structure: 9

The scene follows a structured format that effectively balances dialogue, action, and introspection, creating a cohesive and engaging narrative flow.


Critique
  • The scene effectively captures the domestic atmosphere of the Perlman villa while intertwining Elio's internal conflict with his feelings for Oliver. The juxtaposition of Elio's mundane task of working under the lime trees with the intellectual discussion happening inside the study creates a sense of longing and separation.
  • The dialogue between Perlman and Oliver is engaging and showcases their dynamic, but it could benefit from more subtext. While Perlman's critique of Oliver's manuscript is constructive, adding a layer of tension or personal stakes could enhance the emotional weight of the conversation.
  • Elio's interaction with Anchise serves as a nice contrast to the serious discussion inside, but it feels somewhat disconnected from the main focus of the scene. This could be an opportunity to deepen Elio's character by exploring his feelings about the fish or the river, perhaps reflecting on his own desires or frustrations.
  • The use of physical space is effective, with Elio's position under the lime trees symbolizing his emotional distance from Oliver. However, the scene could be strengthened by incorporating more sensory details to evoke the setting, such as the sounds of the kitchen or the warmth of the sun, which would enhance the atmosphere.
  • The ending of the scene, with Elio distracted by the enthusiasm from the kitchen, feels abrupt. It might be more impactful to have Elio's distraction lead to a moment of introspection or a decision that propels the narrative forward, rather than simply cutting away.
Suggestions
  • Consider adding more subtext to the dialogue between Perlman and Oliver, perhaps hinting at their personal stakes or insecurities regarding the manuscript, which could create a richer emotional landscape.
  • Explore Elio's feelings more deeply during his interaction with Anchise. This could involve a brief internal monologue or a reflection on how the fish symbolizes his own desires or frustrations.
  • Incorporate more sensory details to paint a vivid picture of the setting. Describe the sounds of the kitchen, the rustling of leaves, or the warmth of the sun to immerse the audience in the scene.
  • Instead of ending the scene abruptly with Elio's distraction, consider having him reflect on the enthusiasm from the kitchen, leading to a moment of realization or a decision that connects back to his feelings for Oliver.
  • You might also consider adding a visual cue that emphasizes Elio's emotional state, such as a close-up of his expression as he listens to the conversation, which could convey his longing or frustration more powerfully.



Scene 14 -  Reflections at the South Terrazza
26 EXT. SOUTH TERRAZZA/ABBEVERATOIO - PERLMAN VILLA - DAY 26
Later. ELIO sits with his head back on the cushion of his
chair, his eyes closed. OLIVER, far away, is sitting on the
edge of the trough, his feet in the water, reading the pages
from the manuscript he showed Perlman. He looks towards Elio.
OLIVER
(loud)
Are you sleeping?
He waves a sheet of his manuscript at him.

ELIO
(to himself)
I was.

Oliver gestures him to come closer. Elio does, slowly. He
notices Oliver is wearing a red bathing suit.

OLIVER
Just listen to this drivel: “For
the early Greeks, Heidegger
contends, this underlying hidden-
ness is constitutive of the way
beings are, not only in
relation to themselves but also to
other entities generally. In other
words, they do not construe hidden-
ness merely or primarily in terms
of entities' relation to human
beings.”

Oliver looks at Elio.

OLIVER (CONT’D)
Does this make any sense to you?
Not to me. Nor to your dad.

ELIO is pleased that Oliver has asked his opinion on the
manuscript.

ELIO
Maybe it did when you wrote it.
OLIVER, as if pretending to weigh Elio’s words carefully.

OLIVER
That’s the kindest thing anyone’s
said to me in months.

He speaks ever so earnestly, as if hit by a sudden
revelation, in a low tone. This makes ELIO feel ill at ease.
He looks away.
ELIO
Kind?

OLIVER
Yes, kind.
Silence returns. ELIO looks at OLIVER, in his red bathing
suit, lying on the edge of the trough. And OLIVER lets
himself fall in the water, to ELIO's surprise.

27 STILL LIVES 27

Still lives of Oliver's swim trunks of different colors
drying on the bedroom windowsill.

NARRATOR
Oliver had three personalities
depending on which bathing suit he
was wearing. Red: for bold, set in
his ways, gruff and ill-tempered
snappy... dangerous.
(MORE)
NARRATOR (CONT'D)
Yellow: good-humored, funny, but
not without barbs - didn’t give in
too easily.
He didn’t wear his green bathing
suit that often. It meant maybe
that he was eager to learn, eager
to speak, just eager, sunny.
Genres: ["Drama","Romance"]

Summary In this scene, Elio relaxes with his eyes closed while Oliver, in a red bathing suit, reads from a manuscript he previously shared with Perlman. Oliver expresses confusion about his work, prompting Elio to offer a compliment that leads to an awkward moment. The narration explores Oliver's multifaceted personality through the symbolism of his colorful bathing suits. The setting at the Perlman villa adds to the introspective and subtly tense atmosphere, highlighting Elio's mixed feelings of admiration and discomfort in their interaction.
Strengths
  • Intellectual dialogue
  • Character depth
  • Symbolism
Weaknesses
  • Low conflict level
  • Subtle character changes

Ratings
Overall

Overall: 8.5

The scene is well-crafted, providing insight into the characters' intellectual depth and relationship dynamics. The dialogue is engaging, and the use of symbolism adds depth to the narrative.


Story Content

Concept: 9

The concept of delving into an intellectual discussion through the lens of a manuscript and the symbolism of Oliver's bathing suits is innovative and adds layers to the characters and their interactions.

Plot: 8

The plot progression in the scene is driven by the intellectual exchange between Oliver and Elio, deepening their relationship and revealing more about their personalities. The subplot of Oliver's bathing suits adds an intriguing element.

Originality: 9

The scene introduces philosophical discussions in a leisurely setting, blending intellectual depth with emotional intimacy. The characters' actions and dialogue feel authentic and nuanced.


Character Development

Characters: 9

The characters of Oliver and Elio are well-developed in this scene, with their intellectual curiosity and differing perspectives shining through. The use of symbolism with Oliver's bathing suits adds depth to their characterization.

Character Changes: 7

While there is subtle character development, particularly in Elio's response to Oliver's revelations, the changes are not drastic in this scene.

Internal Goal: 8

Elio's internal goal in this scene is to impress Oliver with his understanding of the manuscript and engage in a meaningful conversation with him.

External Goal: 6

The protagonist's external goal is to have a pleasant interaction with Oliver and potentially deepen their connection.


Scene Elements

Conflict Level: 6

The conflict in the scene is more subtle, revolving around intellectual differences and the unease felt by Elio in response to Oliver's revelations. It adds tension to the interaction but is not overtly dramatic.

Opposition: 6

The opposition in the scene is subtle, adding a layer of complexity to the characters' interactions and emotional dynamics.

High Stakes: 5

The stakes in the scene are relatively low, focusing more on intellectual and emotional dynamics than high-stakes conflict or events.

Story Forward: 8

The scene moves the story forward by deepening the relationship between Oliver and Elio, introducing intellectual themes, and setting the stage for further character exploration.

Unpredictability: 7

This scene is unpredictable due to the unexpected emotional revelations and shifts in character dynamics.

Philosophical Conflict: 7

The philosophical conflict in this scene is between understanding complex philosophical concepts and the desire for genuine connection and communication.


Audience Engagement

Emotional Impact: 7.5

The scene evokes a mix of emotions, from curiosity and contentment to unease and tension. The intellectual exchange and character dynamics create a nuanced emotional impact.

Dialogue: 8.5

The dialogue in the scene is engaging and thought-provoking, reflecting the intellectual nature of the characters. It drives the scene forward and reveals insights into their personalities.

Engagement: 8

This scene is engaging because of the intellectual dialogue, subtle emotional tension, and character dynamics that draw the audience in.

Pacing: 8

The pacing of the scene enhances the emotional tension and allows for meaningful character interactions to unfold.


Technical Aspect

Formatting: 8

The scene is formatted effectively, with clear transitions and descriptions that enhance the visual and emotional impact.

Structure: 8

The scene follows a natural flow of conversation and character interactions, maintaining engagement and coherence.


Critique
  • The scene effectively captures the dynamic between Elio and Oliver, showcasing Elio's internal conflict and admiration for Oliver. However, the dialogue could benefit from more subtext to enhance the tension between them. For instance, Elio's response to Oliver's compliment about kindness feels somewhat flat and could be enriched with more emotional depth or a witty retort that reflects his discomfort.
  • The use of the manuscript as a plot device is clever, as it serves to highlight Oliver's intellectual struggles and provides a backdrop for their interaction. However, the excerpt from the manuscript feels overly dense and may distract from the emotional core of the scene. Simplifying the text or making it more relatable could help maintain the audience's engagement.
  • The transition from dialogue to the narrator's commentary about Oliver's bathing suits is intriguing but could be better integrated. The shift feels abrupt, and the narration could benefit from a smoother transition that connects Oliver's personality traits more directly to the ongoing interaction with Elio.
  • The visual imagery of Oliver in his red bathing suit is strong, but the scene could further explore the symbolism of colors in relation to their relationship. For example, Elio's reactions to Oliver's different personalities could be more vividly illustrated through his body language or internal thoughts, enhancing the emotional stakes.
  • The scene ends with Oliver unexpectedly falling into the water, which is a playful moment but may undermine the tension built up in the preceding dialogue. A more gradual build-up to this action or a clearer emotional motivation for Oliver's dive could strengthen the scene's impact.
Suggestions
  • Consider adding more subtext to Elio's dialogue to reflect his internal struggle and feelings for Oliver. This could involve playful banter that hints at deeper emotions.
  • Revise the manuscript excerpt to make it more accessible and relatable, perhaps by summarizing its main ideas in simpler terms or having Elio react to it in a way that reflects his own understanding.
  • Integrate the narrator's commentary more seamlessly into the scene, perhaps by having Elio reflect on Oliver's personalities in real-time as they interact, rather than as a separate narration.
  • Enhance the visual storytelling by incorporating more of Elio's physical reactions to Oliver's presence and words, allowing the audience to feel his emotional turmoil more acutely.
  • Reconsider the ending of the scene; instead of Oliver abruptly falling into the water, explore a moment of hesitation or a playful challenge that leads to the dive, maintaining the tension while allowing for a light-hearted conclusion.



Scene 15 -  Playful Moments in the Orchard
28 EXT. ABBEVERATOIO - PERLMAN VILLA - AFTERNOON 28
ELIO observes OLIVER swimming in the narrow and long stone
trough. ANNELLA is close, but she's moving away with a basket
of freshly picked fruit. OLIVER comes out of the water with
his green swim trunks.

OLIVER
Elio! What are you doing?
ELIO
Reading my music.

Oliver lies down on a big towel, his belongings spread around
it.
OLIVER
No you’re not.

ELIO
Thinking, then.
OLIVER
About?
ELIO
Private.
ANNELLA, amused, listens to the conversation.

OLIVER
So you won’t tell me?
ELIO
So I won’t tell you.
OLIVER
(explaining to Annella)
So he won’t tell me.
In that case I’m going with your
mom.

Putting on his espadrilles, OLIVER takes ANNELLA's basket and
follows her to the orchard, goes up to a ladder and climbs
it, stretching into the branches for the ripe fruit as ELIO
watches. ELIO goes over to them and offers to hold the
basket, which is filling with apricots. OLIVER continues to
toss down fruit to ELIO and ANNELLA below.

DISSOLVE TO


29 EXT. PERLMAN VILLA - AFTERNOON 29
OLIVER arrives on his bike from town, wearing the blue
bathing suit and the blue billowy shirt he had when he first
arrived. The house is quiet and deserted on a Saturday
afternoon.
Genres: ["Drama","Romance"]

Summary In a light-hearted afternoon at the Perlman villa, Elio watches Oliver swim in a stone trough while his mother, Annella, picks fruit. After a playful exchange where Elio keeps his thoughts private, Oliver joins Annella in the orchard, climbing a ladder to pick ripe fruit. The scene captures their youthful curiosity and attraction as Oliver tosses apricots down to Elio and Annella, ending with a transition to a quieter moment as Oliver arrives on his bike from town.
Strengths
  • Subtle character dynamics
  • Emotional depth
  • Intimate setting
Weaknesses
  • Limited external conflict
  • Slow plot progression

Ratings
Overall

Overall: 8.5

The scene effectively captures the evolving relationship between Elio and Oliver through subtle interactions and dialogue, creating a sense of intrigue and emotional depth.


Story Content

Concept: 8

The concept of exploring the unspoken emotions and tensions between Elio and Oliver under the apricot tree is compelling and well-executed.

Plot: 7.5

While the plot progression is subtle in this scene, it deepens the emotional complexity of the characters and sets the stage for future developments in their relationship.

Originality: 9

The scene introduces a fresh approach to character interaction, emphasizing the complexity of human emotions and relationships. The authenticity of the characters' actions and dialogue adds depth and originality to the scene.


Character Development

Characters: 9

The characters of Elio, Oliver, and Annella are richly developed in this scene, showcasing their individual personalities and the dynamics between them.

Character Changes: 7

While there are subtle shifts in the characters' dynamics, particularly between Elio and Oliver, the changes are more internal and emotional in nature.

Internal Goal: 8

Elio's internal goal is to maintain his privacy and independence, as seen in his reluctance to share his thoughts with Oliver. This reflects his desire for autonomy and self-discovery.

External Goal: 7

Elio's external goal is to assist Oliver and Annella in picking fruit, showcasing his helpful and considerate nature.


Scene Elements

Conflict Level: 6

The conflict in the scene is more internal and emotional, focusing on the unspoken tensions between the characters rather than overt conflict.

Opposition: 6

The opposition in the scene is subtle, with Elio's reluctance to share his thoughts creating a small obstacle for Oliver. The audience is left wondering about the characters' true feelings and intentions.

High Stakes: 5

The stakes in the scene are more emotional and personal, focusing on the characters' internal struggles and unspoken desires.

Story Forward: 7

The scene deepens the emotional and relational aspects of the story, setting the stage for future developments in the characters' relationships.

Unpredictability: 7

This scene is unpredictable in terms of character interactions and emotional revelations. The audience is kept on their toes, unsure of how the relationships will evolve.

Philosophical Conflict: 8

The philosophical conflict revolves around the balance between privacy and connection. Elio values his personal thoughts and space, while Oliver seeks to engage and connect with him.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response from the audience, drawing them into the complex emotions and relationships of the characters.

Dialogue: 8

The dialogue in the scene is understated yet impactful, revealing the characters' emotions and motivations through subtle exchanges.

Engagement: 9

This scene is engaging due to its focus on interpersonal dynamics and emotional depth. The subtle tension and character interactions captivate the audience, drawing them into the story.

Pacing: 8

The pacing of the scene enhances its effectiveness by allowing moments of introspection and character interaction to unfold naturally. The rhythm of the scene contributes to its emotional impact.


Technical Aspect

Formatting: 8

The scene adheres to the expected format for its genre, with clear scene descriptions and character actions. The formatting enhances the readability and flow of the scene.

Structure: 8

The scene follows a natural progression of events, focusing on character interactions and emotional dynamics. The structure enhances the development of the narrative and themes.


Critique
  • The scene effectively captures the playful dynamic between Elio and Oliver, showcasing their budding relationship through light banter. However, the dialogue could benefit from more subtext to deepen the emotional stakes. While Elio's reluctance to share his thoughts is clear, adding a hint of vulnerability or longing in his responses could enhance the tension.
  • The visual imagery of Oliver swimming and the interaction with Annella adds a layer of domesticity, but the scene could be enriched by incorporating more sensory details. Describing the sounds of the water, the warmth of the sun, or the scent of the fruit could create a more immersive experience for the audience.
  • The transition from the playful exchange to Oliver climbing the ladder feels somewhat abrupt. A more gradual shift in focus could help maintain the flow of the scene. For instance, lingering on Elio's gaze as he watches Oliver could emphasize his admiration and internal conflict.
  • The use of humor in the dialogue is effective, but it risks undermining the deeper emotional currents at play. Balancing the light-heartedness with moments of introspection or tension could create a richer emotional landscape. For example, Elio could reflect on his feelings for Oliver while pretending to be absorbed in his music.
  • The scene ends with a dissolve to the next scene, which can be effective, but it might be more impactful to conclude with a moment that encapsulates Elio's feelings. A lingering shot of Elio's expression as he watches Oliver could serve as a poignant transition, highlighting his internal struggle.
Suggestions
  • Incorporate more sensory details to enhance the atmosphere, such as the sounds of the water or the warmth of the sun on their skin.
  • Add subtext to Elio's dialogue to reveal more of his internal conflict and feelings for Oliver, making his reluctance to share more poignant.
  • Consider a smoother transition between the playful banter and Oliver climbing the ladder, perhaps by lingering on Elio's gaze or thoughts as he watches Oliver.
  • Balance the humor with moments of introspection to deepen the emotional stakes, allowing Elio's feelings for Oliver to surface more clearly.
  • End the scene with a shot that captures Elio's emotional state, such as a close-up of his expression as he watches Oliver, to create a more impactful transition to the next scene.



Scene 16 -  Awkward Tensions
30 INT. ELIO’S BEDROOM - PERLMAN VILLA - AFTERNOON 30

ELIO is on his bed wearing only a bathing suit. His right
hand is down inside his swim suit. He is tense, expectant,
alert to every sound. There are footsteps just outside his
door. OLIVER, shirtless, enters the room from the bathroom.
ELIO quickly pulls his bathing suit higher with a jerking
movement as if caught in an embarrassing position.

OLIVER
Why aren’t you with the others at
the river?

ELIO is speechless, out of breath, says:
ELIO
I’m... I’m... I have... an allergy.
OLIVER
Me too. We might have the same one.
ELIO shrugs. A beat.

OLIVER (CONT’D)
Want to go for a swim? Just the two
of us?

ELIO
(still out of breath)
Later, maybe.

OLIVER
(extending his hand)
Let’s go now.
ELIO grabs his hand and turns on his side facing the wall,
away from OLIVER, to prevent him from seeing his confusion -
but in his movement is also a slight tugging which could have
pulled OLIVER down on the bed.
ELIO
Must we?
OLIVER straightens up, pauses again to look down, and still
grasping Elio’s hand, succeeds in pulling him upright.

OLIVER
I’m going to change. What about
you?

He leaves Elio’s room. ELIO puts his hand - the one Oliver
had been holding - down inside his bathing suit, finds it
damp, pulls it out, then hits his forehead with his fist
saying: “Stupid! Stupid!”

He strips off the trunks and, naked and defiant, goes out
into the bathroom while grabbing a new pair of trunks.

31 INT. ELIO’S AND OLIVER’S BATHROOM - PERLMAN VILLA - AFTERNO3O1N

ELIO, while wearing his swimsuit, gets a glimpse of OLIVER
naked in his room.

OLIVER
(calling out as he gets
into his bathing suit)
See you downstairs!
Genres: ["Drama","Romance"]

Summary In Elio's bedroom, he finds himself in an embarrassing situation when Oliver enters shirtless from the bathroom. Elio awkwardly claims to have an allergy to avoid swimming with others, but Oliver suggests they swim together, intensifying Elio's internal struggle with his feelings. After Oliver leaves to change, Elio, frustrated with himself, decides to change his bathing suit and catches a glimpse of Oliver getting dressed, leaving him in a state of heightened awareness and confusion.
Strengths
  • Effective portrayal of tension and vulnerability
  • Nuanced character development
  • Emotional depth
Weaknesses
  • Limited dialogue
  • Relatively slow pacing

Ratings
Overall

Overall: 8.5

The scene effectively captures the complex emotions and dynamics between Elio and Oliver, creating a palpable sense of tension and vulnerability. The awkwardness and confusion are portrayed realistically, drawing the audience into the characters' inner turmoil.


Story Content

Concept: 8

The concept of exploring a moment of intimacy and vulnerability between Elio and Oliver is compelling and well-executed. The scene effectively delves into the characters' internal struggles and conflicting emotions.

Plot: 8

The plot progression in the scene focuses on the evolving relationship between Elio and Oliver, highlighting their emotional complexities and vulnerabilities. The scene adds depth to their characters and sets the stage for further development.

Originality: 9

The scene presents a fresh approach to the theme of hidden desires and societal expectations. The authenticity of the characters' actions and dialogue adds to its originality.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed in this scene, showcasing their internal conflicts and vulnerabilities. The nuanced portrayal of their emotions adds depth to their relationship and drives the scene forward.

Character Changes: 8

Both Elio and Oliver experience subtle changes in this scene, revealing their vulnerabilities and internal conflicts. The moment of intimacy and awkwardness prompts introspection and growth in their characters.

Internal Goal: 8

Elio's internal goal in this scene is to hide his confusion and desire for Oliver. It reflects his deeper need for acceptance and fear of rejection.

External Goal: 7

Elio's external goal is to maintain a facade of indifference towards Oliver's advances. It reflects the immediate challenge of navigating his feelings in a socially complex situation.


Scene Elements

Conflict Level: 7.5

The scene contains a moderate level of conflict, primarily stemming from the internal struggles and emotional tension between Elio and Oliver. The conflict adds depth to the characters and drives the scene forward.

Opposition: 7

The opposition in the scene is strong, with Elio's internal conflict and Oliver's advances creating a sense of uncertainty and tension.

High Stakes: 7

The stakes are moderate in this scene, focusing more on the emotional and relational aspects between Elio and Oliver. The vulnerability and tension between the characters heighten the stakes on a personal level.

Story Forward: 8

The scene moves the story forward by deepening the relationship between Elio and Oliver, setting the stage for further character development and emotional exploration. It adds complexity to the narrative and enhances the overall plot.

Unpredictability: 7

This scene is unpredictable because of the subtle shifts in power dynamics and emotional revelations between the characters.

Philosophical Conflict: 7

The philosophical conflict in this scene is between Elio's desire for authenticity and his fear of vulnerability. It challenges his beliefs about self-expression and societal norms.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, effectively conveying the tension, vulnerability, and conflicting emotions of the characters. The audience is drawn into the intimate and awkward moment, feeling the characters' internal turmoil.

Dialogue: 7.5

The dialogue in the scene effectively conveys the tension and awkwardness between Elio and Oliver. The sparse yet impactful exchanges enhance the emotional depth of the scene.

Engagement: 9

This scene is engaging because of the tension between the characters and the unspoken desires driving their actions.

Pacing: 8

The pacing of the scene builds tension effectively, drawing the audience into the characters' emotional turmoil.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, adhering to industry standards for screenplay writing.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution.


Critique
  • The scene effectively captures Elio's internal conflict and tension regarding his feelings for Oliver, which is a central theme of the screenplay. The physicality of Elio's actions, such as pulling up his bathing suit and hitting his forehead, conveys his embarrassment and confusion without needing excessive dialogue.
  • The dialogue between Elio and Oliver is natural and reflects their dynamic well. However, Elio's excuse about having an allergy feels somewhat forced and could benefit from a more authentic or relatable reason for his hesitation to join Oliver. This would enhance the believability of his character's emotional state.
  • The use of physical space is strong, with Elio's bedroom serving as a private sanctuary that contrasts with the outside world. However, the transition from Elio's tension to his defiance when he strips off his trunks could be more gradual. This would allow the audience to better understand his emotional journey from insecurity to a moment of boldness.
  • Oliver's character comes across as confident and inviting, but his motivations could be clearer. Why is he so eager to swim with Elio? Adding a line or two that hints at his own feelings or desires could deepen the emotional stakes of the scene.
  • The scene ends with a visual glimpse of Oliver getting dressed, which is a strong moment that reinforces Elio's feelings of longing and confusion. However, it might benefit from a more explicit emotional reaction from Elio after seeing Oliver, which would heighten the tension and anticipation for their relationship.
Suggestions
  • Consider revising Elio's excuse for not going to the river to make it feel more genuine. Perhaps he could express a fear of swimming or a desire to stay behind for a personal reason, which would resonate more with the audience.
  • Enhance the gradual transition of Elio's emotions by adding internal thoughts or a brief flashback that illustrates his feelings for Oliver, making his defiance feel more impactful.
  • Add a line or two of dialogue from Oliver that hints at his own feelings or motivations for wanting to swim with Elio, which would create a more balanced dynamic between the two characters.
  • After Elio sees Oliver getting dressed, include a moment where Elio reflects on his feelings, whether through a facial expression or a brief internal monologue, to emphasize the emotional weight of the moment.
  • Consider incorporating more sensory details to enhance the atmosphere of the scene, such as the sounds of the villa or the warmth of the afternoon sun, which could further immerse the audience in Elio's experience.



Scene 17 -  Flirtations and Rivalries
32 INT. STAIRCASE/BOCCHIRALE - PERLMAN VILLA - AFTERNOON 32

OLIVER comes down the stairs of the house followed by ELIO.
They are surprised to find CHIARA and MARZIA there. OLIVER
isn’t wearing any shirt and CHIARA makes a ball of the
billowy blue shirt he’d been wearing earlier and tosses it at
him. He puts it over the head of a bronze bust of Elio’s
grandmother.

CHIARA
Enough now. We’re going to the
river and you’re coming.

There are a number of Professor Perlman’s loose papers lying
on a chair in the bocchirale [hallway]. OLIVER starts
gathering them up.

OLIVER
Let me sort these papers out. Or
his father will skin me alive.

CHIARA
(in French)
En parlant de peau, approche.
(Talking about skin, come here.)
She goes up to him and with her fingernails gently and slowly
tries to pull a sliver of peeling skin from his tanned
shoulder. ELIO watches with envy, wishing he was the one
doing that.

CHIARA (CONT’D)
Tell his father that I crumpled his
papers. We'll see what he says
then..

He takes the Perlman papers to the study. While he’s gone
CHIARA looks at Oliver’s manuscript lying on the chair.
CHIARA (CONT’D)
(shouting)
I could do a better job translating
than whoever this is.

OLIVER
(returning)
Do you type good too?

CHIARA
I type good.

OLIVER
As good as you speak good?
CHIARA
Bettah. And I’d give you a bettah
price too. Stand still.
She pulls another patch of skin off his shoulder. As she’s
doing this he stands very close to her.

OLIVER
I need five pages translated per
day, to be ready for pickup every
morning.
Looking up at him.

CHIARA
Then I won’t do nu’in for you.
Don’t move.
(she extracts another
patch from his arm)
Find yuh-sef somebuddy else.
She drops the bits of peeled-off skin into a plant.

MARZIA
(in French)
Allons nous baigner.
(Let’s go swimming.)
ELIO
Yeah, come on.

He hands OLIVER his sunglasses and hands him the red edition
of Lucretius, it was lying on a table and never leaves his
side.

OLIVER
(mumbled to Elio)
Thanks, Buddy.
There is an intimacy in these actions that ELIO both enjoys
and slightly flaunts. In return, CHIARA takes Oliver’s arm to
move him through the door, leaving the other two to follow.
As he leaves, OLIVER puts on his blue shirt.
Genres: ["Drama","Romance"]

Summary In the Perlman villa's bocchirale, Oliver descends shirtless, followed by Elio, and encounters Chiara and Marzia. Chiara playfully tosses Oliver's shirt and insists on going to the river, while teasingly flirting with Oliver, much to Elio's envy. As Oliver gathers loose papers, Chiara boasts about her translation skills, and Oliver humorously engages with her. Elio hands Oliver his sunglasses and a book, highlighting their intimacy. The scene culminates with Chiara leading Oliver out as he puts on his blue shirt, leaving Elio feeling a mix of admiration and jealousy.
Strengths
  • Intimate character interactions
  • Subtle emotional depth
  • Authentic dialogue
Weaknesses
  • Limited plot progression
  • Internal conflict focus

Ratings
Overall

Overall: 8.5

The scene effectively conveys the intimate relationships between the characters through subtle actions and dialogue, creating a sense of closeness and tension.


Story Content

Concept: 8

The concept of exploring intimacy and envy through physical touch and dialogue is well-realized in the scene, adding depth to the character relationships.

Plot: 7.5

While the plot progression is subtle in this scene, the focus on character dynamics and relationships adds layers to the overall story.

Originality: 9

The scene offers a fresh approach to exploring desire, intimacy, and envy. The characters' actions and dialogue feel authentic and relatable, adding to the originality of the scene.


Character Development

Characters: 9

The characters are well-developed and their interactions feel authentic, especially in showcasing intimacy and envy. Each character's personality shines through in their actions and dialogue.

Character Changes: 8

The characters experience subtle shifts in their relationships and emotions, particularly in terms of envy and intimacy.

Internal Goal: 8

Elio's internal goal in this scene is to be closer to Oliver and to experience the intimacy and connection that Oliver shares with Chiara. This reflects Elio's deeper desire for love and acceptance.

External Goal: 7

The protagonist's external goal in this scene is to go swimming with the group. This reflects the immediate circumstances of a leisurely afternoon.


Scene Elements

Conflict Level: 6.5

The conflict in the scene is more internal and emotional, focusing on the characters' feelings of envy and intimacy rather than external conflicts.

Opposition: 6

The opposition in the scene is subtle, with tensions and desires conflicting among the characters, adding depth to the interactions.

High Stakes: 6

The stakes in the scene are more personal and emotional, focusing on the characters' feelings and relationships rather than external conflicts.

Story Forward: 7

While the scene doesn't significantly move the plot forward, it deepens the audience's understanding of the characters and their relationships.

Unpredictability: 7

This scene is unpredictable due to the subtle shifts in emotions and desires among the characters, keeping the audience engaged and curious.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around intimacy and boundaries. Elio is envious of the connection between Oliver and Chiara, highlighting his own desires and insecurities.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a range of emotions, from affection to awkwardness, creating a strong emotional impact on the audience.

Dialogue: 8

The dialogue effectively conveys the emotions and relationships between the characters, adding depth to the scene.

Engagement: 9

This scene is engaging because of the intimate interactions, subtle tensions, and emotional depth portrayed by the characters.

Pacing: 8

The pacing of the scene enhances its effectiveness by allowing the interactions and emotions to unfold naturally, keeping the audience engaged.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, enhancing the reader's understanding of the interactions and setting.

Structure: 8

The scene follows a natural flow of interactions and dialogue, capturing the characters' emotions and desires effectively.


Critique
  • The scene effectively captures the playful dynamics between the characters, particularly the tension between Elio's feelings for Oliver and Chiara's flirtation with him. However, the dialogue could benefit from more subtext to deepen the emotional stakes. For instance, Chiara's teasing could hint at her awareness of Elio's feelings, creating a more layered interaction.
  • The physical actions, such as Chiara pulling skin from Oliver's shoulder, are visually engaging but may come off as overly playful without a deeper emotional context. This could be an opportunity to explore Elio's internal conflict more vividly, perhaps through his reactions or thoughts as he observes this intimate moment.
  • The use of French adds an interesting layer to the dialogue, but it may alienate some viewers who do not understand the language. Consider providing context or translations that enhance the scene's emotional impact without losing the authenticity of the characters' interactions.
  • The scene transitions smoothly from the previous one, but the stakes could be raised further. Elio's envy is mentioned, but it could be more explicitly tied to his internal struggle with his feelings for Oliver, making the audience more invested in his emotional journey.
  • The ending, where Oliver puts on his blue shirt, is visually striking but could be enhanced by a more poignant emotional beat. This moment could serve as a metaphor for Elio's feelings of inadequacy or longing, which would resonate more deeply with the audience.
Suggestions
  • Incorporate more internal monologue or visual cues to illustrate Elio's emotional turmoil as he watches Chiara and Oliver interact. This could help the audience connect with his feelings of envy and desire.
  • Consider adding a moment where Elio's jealousy manifests in a more overt way, perhaps through a sarcastic comment or a physical reaction, to heighten the tension and make his feelings more palpable.
  • Explore the dynamics of Chiara's flirtation with Oliver further. Perhaps she could make a comment that hints at her awareness of Elio's feelings, creating a more complex love triangle.
  • Provide translations for the French dialogue or use body language and context to convey the meaning, ensuring that all viewers can engage with the scene fully.
  • Enhance the final moment with Oliver putting on his shirt by adding a line of dialogue or a shared glance between him and Elio that underscores the emotional weight of the moment, reinforcing Elio's internal conflict.



Scene 18 -  Dancing with Desire
33 EXT. RESTAURANT WITH DANCE FLOOR - NIGHT 33

A restaurant bar with an open air dancing floor. Everyone
dances. CHIARA does her sexy dancing for OLIVER, who is
enjoying himself and is a very good dancer. The music is
“Paris Latino” by Bandolero.

ELIO goes back to their table with MARZIA and one or two of
the others. He watches CHIARA and OLIVER on the little dance
floor. She moves her thighs in between his. Their moves are
not the moves of people who stop at heavy petting.

MALE FRIEND # ONE
Ma ci sta provando? (Is he hitting
on her?)

MALE FRIEND # TWO
Ha già cuccato? (Are they doing it,
then?)

ELIO
Che ne so. (I don’t care.)
MALE FRIEND # ONE
Quanto vorrei essere nei suoi
panni. (I’d love to be in his
shoes.)
FEMALE FRIEND # ONE
(to Marzia)
Chi non vorrebbe essere nei panni
di lei, piuttosto.. (Who wouldn’t
want to be in her shoes, I say..)

ELIO watches them dancing, thinks he’d give anything to be in
her shoes. MARZIA studies the look on his face. He pretends
to like watching them dance together.
MARZIA
(to EVERYONE)
Lo vuole a tutti i costi, eh.
(She’s really after him, that’s
clear.)

The music changes, “Love my way” by Psychedelic Furs hits the
dance floor. At the sound of this song OLIVER changes his way
of dancing to a more self-obsessed style. A perfect new-wave
style.

They all watch OLIVER’s solo act with surprise and amusement.
ELIO looks at him, mesmerized, until MARZIA pulls him back on
the dance floor. There is a strange energy and exchange of
glances between them.

Elio chooses not to be embarrassed and lets loose with a
sharp little solo of his own. The others applaud. Close on
Marzia amused.
Genres: ["Drama","Romance"]

Summary In a vibrant restaurant with an open-air dance floor, Chiara dances seductively with Oliver, igniting Elio's jealousy and longing as he watches from a distance with Marzia and friends. As Oliver showcases his charm, Elio struggles with his feelings but is encouraged by Marzia to join the dance. The scene captures the playful energy and underlying tension of attraction, culminating in Elio's confident dance that earns him applause from his friends, while Marzia observes with amusement.
Strengths
  • Effective portrayal of emotions and desires
  • Engaging character interactions
  • Compelling setting and atmosphere
Weaknesses
  • Subtle conflict resolution
  • Limited plot progression

Ratings
Overall

Overall: 8.5

The scene effectively conveys a range of emotions and desires through the characters' interactions and reactions, creating a compelling and engaging moment in the story.


Story Content

Concept: 8

The concept of desire, envy, and amusement is effectively explored through the characters' interactions and reactions during the dance scene, adding depth to their relationships and motivations.

Plot: 8

The plot is advanced through the exploration of the characters' desires and emotions, adding complexity to their relationships and setting the stage for future developments.

Originality: 9

The scene introduces a fresh perspective on jealousy and desire, exploring the complexities of human emotions and relationships. The authenticity of the characters' actions and dialogue adds depth and realism to the scene.


Character Development

Characters: 9

The characters' emotions, desires, and interactions are well-developed and portrayed, adding depth and complexity to their personalities and relationships.

Character Changes: 7

The scene shows a subtle shift in Elio's emotions and desires as he watches Oliver and Chiara dance, hinting at potential changes in his relationships and motivations.

Internal Goal: 8

Elio's internal goal in this scene is to suppress his jealousy and desire for Oliver, while also trying to maintain a facade of indifference. This reflects his deeper fear of rejection and his desire for acceptance and love.

External Goal: 7

Elio's external goal in this scene is to appear nonchalant and unaffected by the interactions between Chiara and Oliver, despite his inner turmoil. This reflects the immediate challenge of controlling his emotions and maintaining his image in front of others.


Scene Elements

Conflict Level: 7

The scene contains a subtle conflict of desires and emotions between the characters, adding tension and dynamics to the interactions.

Opposition: 7

The opposition in the scene is strong, as Elio faces internal and external challenges that test his emotional resilience and self-control. The uncertainty of his feelings and actions adds complexity to the narrative.

High Stakes: 6

The stakes are relatively low in this scene, focusing more on the characters' desires and emotions rather than major plot developments.

Story Forward: 8

The scene moves the story forward by deepening the relationships and emotions of the characters, setting the stage for future developments and conflicts.

Unpredictability: 7

This scene is unpredictable because it subverts expectations and challenges traditional gender roles and societal norms. The characters' actions and reactions are unexpected and add layers of complexity to the narrative.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the tension between desire and self-control. Elio struggles with his feelings for Oliver and the societal expectations of masculinity and heteronormativity.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a strong emotional response from the audience through the characters' desires, envy, and amusement, creating a compelling and engaging moment.

Dialogue: 7.5

The dialogue effectively conveys the characters' emotions and desires, adding depth to their interactions and relationships.

Engagement: 9

This scene is engaging because it captures the audience's attention with its emotional depth and subtle character dynamics. The tension and conflict keep viewers invested in the outcome.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, keeping the audience engaged and invested in the characters' emotional journey. The rhythm of the scene enhances its impact and effectiveness.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and concise, following the expected format for a screenplay in this genre. The scene directions and dialogue are well-organized and easy to follow.

Structure: 8

The structure of the scene effectively builds tension and develops the characters' relationships, following a natural progression of events and interactions.


Critique
  • The scene effectively captures the tension and jealousy Elio feels as he watches Oliver and Chiara dance, which is a pivotal moment in their relationship. However, the dialogue among Elio's friends feels somewhat clichéd and could benefit from more unique character voices to enhance the authenticity of their interactions.
  • The use of music to reflect the emotional tone of the scene is a strong choice, particularly with the transition from 'Paris Latino' to 'Love My Way.' However, the description of Oliver's change in dancing style could be more vivid to better convey the shift in mood and how it affects Elio.
  • Elio's internal conflict is well-represented through his observations and reactions, but the scene could delve deeper into his emotional state. Adding more internal monologue or visual cues that illustrate his feelings of longing and envy would enhance the audience's connection to his character.
  • The pacing of the scene is generally good, but it could benefit from a moment of stillness or reflection from Elio before he joins the dance floor. This would heighten the emotional stakes and allow the audience to fully grasp his internal struggle before he takes action.
  • The camaraderie among Elio's friends is a nice touch, but their dialogue could be more dynamic and less expository. Instead of directly stating their thoughts, consider showing their reactions through body language or more subtle exchanges that reveal their personalities.
Suggestions
  • Consider giving Elio a brief internal monologue that reflects his feelings of jealousy and longing as he watches Oliver and Chiara dance. This would provide deeper insight into his emotional turmoil.
  • Enhance the description of Oliver's dancing style change to make it more vivid and impactful. Use metaphors or similes that connect his movements to Elio's feelings.
  • Revise the dialogue among Elio's friends to make it feel more natural and less clichéd. Focus on unique character traits that can be expressed through their conversations.
  • Introduce a moment of hesitation or reflection for Elio before he joins the dance floor, allowing the audience to feel the weight of his decision and the emotional stakes involved.
  • Incorporate more visual storytelling elements, such as close-ups of Elio's expressions or body language, to convey his internal conflict without relying solely on dialogue.



Scene 19 -  Secrets by the River
34 EXT. RIVER - NIGHT 34

ELIO and MARZIA are at the river. They strip their clothes
off.
MARZIA
(in french)
Tu n'es pas avec moi
parce que tu es fâché contre
Chiara?
(You’re not with me because you’re
angry with Chiara?)

ELIO
(in french)
Pourquoi je serais fâché contre
Chiara ?
(Why should I be angry with
Chiara?)

MARZIA
(in french)
A cause de lui.
(Because of him.)
ELIO shakes his head, feigning a puzzled look meant to show
that he can’t begin to guess where she’d gotten such a
notion. They run into the river. They swim and then come
ashore.

MARZIA (CONT’D)
(towelling herself dry
with her sweater)
Retourne-toi. Ne me
regarde pas.
(Turn around. Don’t stare at me.)

She looks the other way while he gets back into his own
clothes. When they are no longer naked he takes her hand and
kisses it on the palm, then kisses the space between her
fingers, then her mouth. She’s slow to kiss him back.

ELIO
(in french)
Retrouvons-nous ici demain soir.
Je serai là avant toi.
(Let’s meet tomorrow night. I’ll be
here before you.)

MARZIA
(in french)
Ne le dis à personne.
(Just don’t tell anyone.)
Genres: ["Romance","Drama"]

Summary Elio and Marzia share an intimate night by the river, undressing and swimming together, which highlights their playful connection. Marzia questions Elio about his feelings for Chiara, revealing underlying tension, but Elio denies any anger. After a tender moment of kissing, they agree to meet again the next night, with Marzia insisting on secrecy about their rendezvous.
Strengths
  • Emotional depth
  • Intimate dialogue
  • Character vulnerability
Weaknesses
  • Limited plot progression
  • Low external stakes

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional depth and complexity of the characters, creating a sense of intimacy and longing that resonates with the audience. The dialogue and actions reveal the inner turmoil and unspoken desires of Elio and Marzia, adding depth to their relationship.


Story Content

Concept: 8

The concept of the scene revolves around exploring the emotional complexities of Elio and Marzia's relationship through a private conversation by the river. The scene effectively conveys their inner thoughts and desires, adding depth to their characters.

Plot: 7.5

While the scene does not significantly advance the main plot, it serves as a crucial moment of character development for Elio and Marzia. Their emotional exchange sets the stage for future conflicts and resolutions in their relationship.

Originality: 9

The scene presents a fresh approach to the theme of forbidden love and explores the complexities of relationships through nuanced dialogue and gestures. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The scene delves deep into the emotional complexities of Elio and Marzia, showcasing their vulnerabilities, desires, and unspoken feelings. The characters are portrayed with depth and authenticity, drawing the audience into their inner world.

Character Changes: 7

Both Elio and Marzia experience subtle shifts in their emotional dynamics and understanding of each other during the scene. Their vulnerabilities and unspoken desires contribute to a gradual evolution in their relationship.

Internal Goal: 8

The protagonist's internal goal in this scene is to seek comfort and connection with Marzia, possibly as a way to escape or distract himself from his feelings for Chiara. This reflects his deeper need for intimacy and emotional connection.

External Goal: 7

The protagonist's external goal in this scene is to arrange a secret meeting with Marzia for the next night. This reflects the immediate challenge of maintaining a clandestine relationship while navigating his feelings for Chiara.


Scene Elements

Conflict Level: 6

While there is an underlying tension and confusion between Elio and Marzia, the scene focuses more on emotional intimacy and vulnerability rather than overt conflict.

Opposition: 7

The opposition in the scene is strong enough to create conflict and tension, but not overwhelming to the point of overshadowing the emotional dynamics between the characters.

High Stakes: 5

The stakes in the scene are relatively low, focusing more on emotional intimacy and personal revelations between Elio and Marzia. The outcome of their conversation by the river may have personal consequences but does not involve high external stakes.

Story Forward: 6

While the scene does not significantly move the main plot forward, it lays the groundwork for future developments in Elio and Marzia's relationship. The emotional depth and complexities explored in the scene will likely impact the narrative trajectory.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between the characters and the unresolved tension that leaves the audience uncertain about the outcome of their relationships.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the protagonist's internal struggle between loyalty to Chiara and his growing feelings for Marzia. This challenges his beliefs about love, fidelity, and honesty.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of longing, intimacy, and vulnerability in the audience. The raw emotions displayed by Elio and Marzia resonate deeply, creating a poignant and memorable moment.

Dialogue: 8.5

The dialogue in the scene is intimate, reflective, and emotionally charged, capturing the unspoken desires and tensions between Elio and Marzia. The conversations reveal the characters' inner thoughts and feelings, adding depth to their relationship.

Engagement: 9

This scene is engaging because of the intimate and emotionally charged interactions between the characters, as well as the underlying tension and conflict that drives the narrative forward.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and emotional depth through the characters' interactions and gestures.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear dialogue and scene descriptions that enhance the visual and emotional impact of the scene.

Structure: 8

The scene follows the expected structure for a romantic drama, with a focus on character interactions and emotional development. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures the tension between Elio's feelings for Chiara and his relationship with Marzia. However, the dialogue could be more nuanced to reflect Elio's internal conflict. Instead of feigning puzzlement, Elio could express a hint of vulnerability or frustration about his feelings for Chiara, which would deepen the emotional stakes.
  • The physical intimacy between Elio and Marzia is portrayed well, but the pacing feels rushed. The transition from swimming to kissing could benefit from a moment of hesitation or reflection from Elio, emphasizing his emotional turmoil and the complexity of his feelings. This would create a more layered interaction.
  • The use of French adds authenticity to the characters' interactions, but it may alienate some readers who are not fluent. Including a brief translation or context for key phrases could enhance accessibility without losing the scene's charm.
  • Marzia's character could be developed further in this scene. While she initiates the conversation about Chiara, her motivations and feelings about Elio's connection to Oliver are not fully explored. Adding a line or two that reveals her own insecurities or desires would create a richer dynamic between the two characters.
  • The setting of the river at night is visually evocative, but the scene could benefit from more sensory details. Describing the sounds of the water, the coolness of the night air, or the stars above would enhance the atmosphere and immerse the audience in the moment.
Suggestions
  • Consider adding a moment of hesitation or reflection for Elio before he kisses Marzia, allowing the audience to feel his internal struggle more acutely.
  • Explore Marzia's character further by including lines that reveal her own feelings about Elio's connection to Chiara, which would add depth to their interaction.
  • Incorporate more sensory details about the river setting to create a more immersive experience for the audience.
  • Revise Elio's dialogue to express more vulnerability regarding his feelings for Chiara, rather than simply feigning confusion.
  • Provide translations or context for the French dialogue to ensure accessibility for all readers while maintaining the authenticity of the characters' interactions.



Scene 20 -  Morning Banter and Anticipation
35 INT. ELIO’S BEDROOM - PERLMAN VILLA - NIGHT 35

The same night. All the lights are off. ELIO, sleeping in his
bed, is woken up by the sound of Oliver peeing in the
adjoining bathroom - the careless, uninhibited male force of
it. ELIO listens, then stands up and goes towards the door.

36 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 36
The next morning. OLIVER shows off his newly acquired talent
with a soft-boiled egg, neatly shearing off the shell. He
looks a bit hung-over, with circles under his eyes.

ELIO
(in something of an antic
mood we haven’t seen
before, self-mocking)
We almost did it. Marzia and me.
PERLMAN
(from behind his paper,
and raising his eyebrows)
And why didn’t you?
ELIO
Dunno.
OLIVER
(half-comforting, half-
mocking)
Better to have tried and failed...

ELIO
All I had to do was find the
courage to reach out and touch, she
would have said yes.

OLIVER
(seemingly off-hand)
Try again later.

ANNELLA comes in and while she is seating herself, asks:

ANNELLA
Try later, what?
PROFESSOR PERLMAN and OLIVER laugh, then the Professor
changes the subject.

PERLMAN
(to OLIVER)
I just heard from the people in
Sirmione, they say they’ve come up
with something. I’m going there
today, would you like to go with
me?

OLIVER
I’d like that very much.
ELIO
Can’t I come too?

PERLMAN
On condition that you remain
silent.

OLIVER
(teasing)
Silent as in too many opinions on
things, or silent as in Security:
not telling anybody what fabulous
things have been dug up?

PERLMAN
Nothing is being dug up. It’s what
has been brought up - out of the
water.
OLIVER looks awed.
Genres: ["Drama","Romance"]

Summary Elio wakes up to the sound of Oliver in the bathroom, leading to a playful breakfast scene where Oliver showcases his skills with a soft-boiled egg. Amidst light-hearted teasing about Elio's romantic pursuits, Professor Perlman invites Oliver on a trip to Sirmione, humorously insisting that Elio must remain silent. The scene captures a blend of self-reflection and humor, culminating in a sense of curiosity for the adventures ahead.
Strengths
  • Nuanced character interactions
  • Engaging dialogue
  • Intertwining of domestic and intellectual themes
Weaknesses
  • Minimal conflict
  • Low stakes

Ratings
Overall

Overall: 8.5

The scene effectively combines elements of reflection, playfulness, and intimacy, providing depth to the characters and advancing the plot.


Story Content

Concept: 8

The concept of intertwining domestic life with intellectual discussions adds depth to the scene and enhances character development.

Plot: 8

The plot progresses through the interactions between the characters and the introduction of intellectual discussions, setting the stage for future developments.

Originality: 9

The scene offers a fresh take on coming-of-age themes, exploring complex emotions and relationships with authenticity and depth.


Character Development

Characters: 9

The characters are well-developed, with nuanced personalities and relationships that drive the scene forward.

Character Changes: 6

There is minimal character change in the scene, but it sets the stage for potential developments in the future.

Internal Goal: 8

Elio's internal goal is to find the courage to express his feelings and desires, particularly towards Marzia. This reflects his deeper need for connection and intimacy.

External Goal: 7

The protagonist's external goal is to navigate his relationships and interactions with Oliver and his family in a sophisticated and witty manner.


Scene Elements

Conflict Level: 5

The conflict in the scene is minimal, focusing more on character dynamics and intellectual discussions.

Opposition: 7

The opposition in the scene is subtle yet impactful, adding tension and complexity to the character dynamics and conflicts.

High Stakes: 4

The stakes in the scene are relatively low, focusing more on personal interactions and intellectual discussions.

Story Forward: 7

The scene moves the story forward by introducing new dynamics between the characters and setting up future plot points.

Unpredictability: 7

This scene is unpredictable in its emotional twists and character revelations, keeping the audience engaged and intrigued.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the themes of courage, honesty, and self-expression. Elio struggles with his internal desires and societal expectations, leading to a clash of values.


Audience Engagement

Emotional Impact: 7

The scene has a moderate emotional impact, primarily driven by the characters' reflections and interactions.

Dialogue: 8.5

The dialogue is engaging and reflective of the characters' personalities, adding depth to the interactions.

Engagement: 9

This scene is engaging due to its blend of emotional depth, witty dialogue, and subtle character dynamics.

Pacing: 8

The pacing of the scene enhances its emotional impact and character interactions, allowing for meaningful moments to unfold naturally.


Technical Aspect

Formatting: 8

The formatting adheres to the expected format for its genre, enhancing readability and clarity.

Structure: 8

The scene follows a traditional structure for character-driven drama, allowing for meaningful interactions and developments.


Critique
  • The scene effectively captures the transition from night to day, highlighting Elio's internal conflict and the dynamics of his relationships with Oliver and Marzia. However, the abrupt shift from a private moment of vulnerability to a more public breakfast setting could benefit from a smoother transition to maintain emotional continuity.
  • Elio's self-mocking tone adds depth to his character, showcasing his insecurities and the pressure he feels regarding his romantic pursuits. However, the dialogue could be more nuanced to reflect the complexity of his feelings towards both Marzia and Oliver, rather than simplifying it to a mere joke.
  • The interaction between Elio and Oliver is playful yet layered with tension, which is well-executed. However, Oliver's responses could be more reflective of his own feelings towards Elio, as they seem somewhat detached. Adding subtle hints of Oliver's internal struggle could enhance the emotional stakes.
  • The introduction of Professor Perlman and Annella provides a familial context, but their dialogue feels somewhat disconnected from the main emotional thread of the scene. Integrating their comments more organically into Elio's internal conflict could strengthen the scene's cohesion.
  • The humor in the scene is effective, but it risks undermining the emotional weight of Elio's earlier moment with Marzia. Balancing the comedic elements with the underlying tension of Elio's romantic struggles would create a more impactful scene.
Suggestions
  • Consider adding a brief moment of reflection for Elio as he transitions from the night to the morning, perhaps showing him grappling with his feelings for Marzia and Oliver before joining the breakfast scene.
  • Enhance the dialogue between Elio and Oliver to include more subtext about their feelings for each other, allowing for a deeper exploration of their relationship dynamics.
  • Integrate Professor Perlman and Annella's dialogue more seamlessly into the scene, perhaps by having them comment on Elio's mood or the dynamics at play, which would help ground the scene in the family context.
  • Introduce a moment where Elio observes Oliver's reaction to the conversation about Sirmione, allowing for a visual cue that hints at Oliver's feelings and adds complexity to his character.
  • Maintain the humor but ensure it complements the emotional stakes of the scene. Consider using humor as a defense mechanism for Elio, which could add layers to his character and make the scene more relatable.



Scene 21 -  A Tense Farewell
37 EXT. MAIN ENTRANCE - PERLMAN VILLA - DAY 37

Later. ANCHISE is wiping the windshield of the Perlmans’ car.
ELIO comes out just as CHIARA arrives on her bike. She asks
him where Oliver is.

ELIO
(in French)
On va au lac de Garde
avec mon père. Il veut montrer à
Oliver l'endroit où ils draguent.
(We’re going to Lake Garda with
dad. He wants to show Oliver where
they’re dredging.)

CHIARA is disappointed.

CHIARA
(in French)
Dis-lui que je suis passée.
(Tell him I came by.)

ELIO
(in French)
Il est à l'intérieur, il aide mon
père. Tu étais incroyable sur la
piste, hier soir.
(He’s inside helping dad. You were
great on the dance floor last
night.)
CHIARA
(in French)
Il danse très bien.
(He dances great.)
ELIO
(in French)
Et il est beau aussi, non?
(And he’s great looking, isn’t he?)
CHIARA
(in French)
Tu veux jouer les entremetteurs?
(What are you trying to do, fix us
up?)

She leaves him and goes into the house. ELIO gets in the back
seat of the car and waits. Then OLIVER and CHIARA come out.
They speak for a moment, standing close. She kisses him on
the cheek, then gets on her bike and takes off.
OLIVER gets into the front seat of the car, but ELIO tells
him to sit in the back.

ELIO
Dad always sits up front with
Anchise to navigate.
OLIVER gets in the back next to ELIO. He watches CHIARA
riding away.

ELIO (CONT’D)
She seems to like you a lot - She’s
more beautiful than she was last
year.

OLIVER doesn’t respond.

ELIO (CONT’D)
I saw her naked on a night swim.
She has a great body.

OLIVER turns to look at ELIO, surprised.

OLIVER
Are you trying to make me like her?
While talking their bare legs briefly collide.

ELIO
What would be the harm in that?

OLIVER
No harm. Except I like to go at it
alone, if you don’t mind.

There is a long pause as PROFESSOR PERLMAN comes out and
speaks to ANCHISE.

PERLMAN
(to Anchise)
Guido io oggi, non ti preoccupare.
Non fare quella faccia Anchise!
prenditi il pomeriggio libero.
(I think I will drive myself today.
Anchise, don’t be so upset! take
the afternoon off.)

OLIVER
Don’t play at being the good host,
just don’t.

PERLMAN gets in the front seat. As there seems to be a tense
silence behind, he turns around as the engine starts.

PERLMAN
What’s going on, boys? Oliver, come
sit up front and be my navigator.
OLIVER smiles at Elio as if to say: "See?"
Genres: ["Drama","Romance"]

Summary Elio cleans the Perlmans' car when Chiara arrives on her bike, asking about Oliver. Disappointed to learn they are leaving for Lake Garda, she shares a moment with Oliver before kissing him goodbye. Elio playfully comments on Chiara's beauty and hints at matchmaking, but Oliver prefers solitude. The tension escalates when Professor Perlman suggests Oliver sit in the front seat, shifting the dynamics among the characters.
Strengths
  • Nuanced character interactions
  • Subtle tension and awkwardness
  • Effective dialogue
Weaknesses
  • Relatively low stakes
  • Limited character development

Ratings
Overall

Overall: 8.5

The scene effectively captures the complexities of relationships and character dynamics through nuanced interactions and dialogue, creating tension and intrigue.


Story Content

Concept: 8

The concept of exploring relationships and attraction through subtle interactions is well-executed, adding depth to the characters and advancing the plot.

Plot: 8

The plot progresses as the characters navigate their relationships and reveal underlying tensions, adding depth to the narrative.

Originality: 8

The scene introduces a fresh approach to the theme of unrequited love and desire, with subtle hints of emotional tension and unspoken longing.


Character Development

Characters: 9

The characters are well-developed, with nuanced personalities and interactions that drive the scene's emotional impact and reveal underlying tensions.

Character Changes: 7

The characters experience subtle changes in their relationships and dynamics, setting the stage for further development in the story.

Internal Goal: 8

Elio's internal goal is to subtly matchmake Oliver and Chiara, possibly reflecting his desire for their happiness or his own unspoken feelings for Oliver.

External Goal: 7

Elio's external goal is to navigate the social dynamics between Oliver and Chiara, showcasing his role as a mediator or observer in their interactions.


Scene Elements

Conflict Level: 7

The scene contains subtle conflicts and tensions between characters, adding depth to their relationships and driving the plot forward.

Opposition: 7

The opposition in the scene is subtle yet impactful, adding layers of complexity to the characters' relationships and motivations.

High Stakes: 6

The stakes are relatively low in this scene, focusing more on character relationships and dynamics than high-stakes conflicts.

Story Forward: 8

The scene moves the story forward by revealing underlying tensions and dynamics between characters, setting the stage for further developments.

Unpredictability: 7

The scene is unpredictable in its emotional dynamics and character interactions, keeping the audience intrigued by the shifting relationships.

Philosophical Conflict: 7

The philosophical conflict lies in Elio's attempt to influence Oliver's romantic interests, challenging the idea of personal autonomy and the boundaries of relationships.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a range of emotions, including tension, awkwardness, and surprise, enhancing the audience's engagement with the characters and their relationships.

Dialogue: 8.5

The dialogue effectively conveys the tension and awkwardness between characters, adding depth to their relationships and advancing the plot.

Engagement: 9

This scene is engaging due to its subtle tension and emotional subtext, drawing the audience into the characters' complex relationships.

Pacing: 8

The pacing of the scene enhances its emotional impact, allowing for moments of tension and reflection to resonate with the audience.


Technical Aspect

Formatting: 8

The formatting adheres to the standard screenplay format, allowing for clear visualization of the scene's setting and character interactions.

Structure: 8

The scene follows a natural flow of conversation and action, adhering to the expected structure for a character-driven drama.


Critique
  • The scene effectively captures the tension between Elio and Oliver, as well as the playful dynamic with Chiara. However, the dialogue could benefit from more subtext to deepen the emotional stakes. For instance, Elio's comments about Chiara's beauty and body feel somewhat superficial and could be enhanced to reflect his internal conflict regarding his feelings for Oliver.
  • The use of French adds an interesting layer to the dialogue, but it may alienate some readers who are not fluent. Consider providing translations or context clues within the scene to ensure clarity without losing the authenticity of the characters' interactions.
  • The physicality of the characters, particularly the moment when Elio and Oliver's legs collide, is a nice touch that hints at their underlying attraction. However, this moment could be expanded upon to heighten the tension. A more prolonged or charged interaction could emphasize the complexity of their feelings.
  • The introduction of Professor Perlman and Anchise at the end of the scene feels abrupt. While it serves to break the tension, it might be more effective to integrate their presence earlier in the scene to create a more seamless transition. This could also provide an opportunity for more character interaction and development.
  • The humor in Elio's attempts to play matchmaker for Oliver and Chiara is a nice touch, but it could be more pronounced. Elio's motivations for wanting to set them up could be explored further, revealing his own insecurities and desires in a more nuanced way.
Suggestions
  • Consider adding more internal monologue or reflection from Elio to convey his emotional turmoil regarding Oliver and Chiara. This could help readers connect more deeply with his character.
  • Enhance the dialogue between Elio and Oliver to include more playful banter that hints at their attraction, rather than just focusing on Chiara. This could create a more layered interaction that reflects their complicated feelings.
  • Explore the physicality between Elio and Oliver further. Perhaps include a moment where they accidentally touch or share a lingering gaze, heightening the tension and attraction between them.
  • Integrate Professor Perlman and Anchise earlier in the scene to create a more cohesive flow. This could also allow for more character dynamics and interactions that enrich the scene.
  • Infuse more humor into Elio's matchmaking attempts, perhaps through exaggerated or awkward comments that reveal his own feelings for Oliver, making the scene both light-hearted and poignant.



Scene 22 -  A Moment of Discovery
38 INT./EXT. PERLMAN CAR - DAY - LATER 38

PERLMAN drives the car through the countryside, OLIVER has a
map open on his legs. Hot air blows in through all the open
windows. They are silent as the news plays on the radio,
reporting on the P2 Masonic lodge.

ELIO looks outside but his attention is drawn to Oliver’s
neck.

NARRATOR
(ENTRY ON THE FACTS OF THIS ITALIAN
SUMMER 1983)

39 EXT. SIRMIONE - GROTTE DI CATULLO (VILLA) - DAY 39
PERLMAN, OLIVER and ELIO walk through the magnificent ruins
of the roman villa overlooking Lake Garda, the Grotte di
Catullo (Caves). Perlman is explaining to Oliver that only
part of the archaeological treasures of this area has come to
light.

PERLMAN
The ship went down in 1827 on the
way to the villa of Count Lechi
here on this island.

A delegation of archaeologists is waiting for them. The
senior member rushes up to PERLMAN and greets him. They all
gather in the small beach that is dominated by the ruins.

Perlman is showed with the arm of a statue. He is very
excited.

40 EXT. SIRMIONE - GROTTE DI CATULLO (BEACH)- DAY 40

A salvage operation is in progress. Some small boats surround
a floating platform. At the center of the platform is a
winch. There are scuba divers and other people all around.
PERLMAN goes in the water and walks through the shallows
towards an inflatable boat that is standing by, ready to take
him to the platform. ELIO is proud of his father and like
Oliver is excited. The professor gestures them to join him.

41 EXT. FLOATING PLATFORM - LAKE GARDA - DAY 41
PERLMAN, OLIVER, ELIO and other men are on the boat, now next
to the platform.

At the center of the platform below the cable of the winch is
a large opening. A steel cable is lowered into the water and
steadied by the site workers.

The wait. Finally the cable is pulled back up - it pulls an
antique statue out of the water. PERLMAN, edging closer,
watches the operation minutely. A bronze Boxer slowly comes
up through the opening in the platform, secured by the husky
divers, and as it does a chain-metal trap inches underneath
it to prevent it from falling back into the water if
something should go wrong.

The statue, missing its left arm but otherwise intact, is of
an athlete, a boxer, naked, a kind of finger-less glove and
wrist-strap. Like the damaged arm and gloved hand, the statue
is encrusted with the lake water deposits of a century. It is
still possible to admire the beauty of the athlete’s face,
set with enamelled eyes that seem to be staring straight out
through the murky water at his rescuers. A photographer in
fins goes in for a close-up. There is great excitement.
Genres: ["Drama","Adventure"]

Summary Perlman drives through the Italian countryside with Oliver and Elio, who is captivated by Oliver. They arrive at the Grotte di Catullo, where Perlman shares his enthusiasm for the archaeological site. As they witness the recovery of a bronze statue of a boxer from Lake Garda, excitement and admiration fill the air, highlighting the beauty of the ancient artifact and the bond between the characters.
Strengths
  • Engaging portrayal of archaeological discovery
  • Authentic character interactions
  • Effective pacing and execution
Weaknesses
  • Lack of significant conflict
  • Limited character development in this specific scene

Ratings
Overall

Overall: 8.5

The scene is well-structured, engaging, and effectively conveys the sense of discovery and excitement surrounding the archaeological find. The pacing is appropriate, and the execution is compelling.


Story Content

Concept: 8

The concept of the scene revolves around the archaeological exploration and the unveiling of the statue, adding depth to the storyline and showcasing the characters' interests and passions.

Plot: 8

The plot of the scene revolves around the discovery at Lake Garda, moving the story forward and adding an element of adventure and intrigue. It contributes to the overall narrative progression.

Originality: 8

The scene offers a fresh approach to the archaeological expedition trope by focusing on the characters' emotional reactions and the philosophical conflict surrounding the discovery.


Character Development

Characters: 8

The characters' reactions and interactions in the scene are authentic and engaging, reflecting their individual interests and personalities. Their involvement in the discovery adds depth to their development.

Character Changes: 6

While there is not a significant character change in this scene, the characters' passion for archaeology and the thrill of discovery are further highlighted, deepening their interests and motivations.

Internal Goal: 8

Elio's internal goal in this scene is to feel proud of his father and to share in his excitement over the archaeological discovery. This reflects his desire for connection and admiration for his father.

External Goal: 9

The protagonist's external goal is to assist in the salvage operation and witness the recovery of the antique statue from the lake. This goal reflects the immediate challenge of the archaeological expedition.


Scene Elements

Conflict Level: 3

The scene lacks significant conflict, focusing more on the excitement of the archaeological discovery and the characters' shared interest in the exploration.

Opposition: 7

The opposition in the scene comes from the challenges of the salvage operation and the need to carefully extract the statue from the lake.

High Stakes: 6

The stakes are moderate in this scene, focusing more on the excitement of the archaeological discovery rather than high-risk situations or intense conflicts.

Story Forward: 8

The scene propels the story forward by introducing a new element of adventure and exploration, setting the stage for further developments in the narrative.

Unpredictability: 7

The scene is somewhat predictable in terms of the outcome of the salvage operation, but the emotional reactions of the characters add an element of unpredictability.

Philosophical Conflict: 7

There is a philosophical conflict between the preservation of historical artifacts and the excitement of discovery. Perlman's enthusiasm for the find contrasts with the need to carefully extract and preserve the statue.


Audience Engagement

Emotional Impact: 7.5

The scene evokes a sense of pride, excitement, and curiosity, resonating with the audience's emotions and drawing them into the characters' experience.

Dialogue: 7.5

The dialogue in the scene is informative and serves to enhance the audience's understanding of the archaeological exploration. It effectively conveys the characters' excitement and curiosity.

Engagement: 9

This scene is engaging because of the anticipation and excitement surrounding the archaeological discovery, as well as the emotional connections between the characters.

Pacing: 8

The pacing of the scene effectively builds tension and excitement as the statue is recovered, keeping the audience engaged.


Technical Aspect

Formatting: 9

The formatting of the scene is clear and easy to follow, with distinct locations and actions described effectively.

Structure: 9

The scene follows a clear structure that builds tension and excitement as the statue is recovered from the lake.


Critique
  • The scene effectively captures the excitement of the archaeological discovery, which serves as a metaphor for the characters' own explorations of identity and desire. However, the transition from the car to the archaeological site could benefit from more emotional depth, particularly in Elio's internal conflict regarding his feelings for Oliver.
  • The use of the narrator to provide context about the summer of 1983 is a nice touch, but it could be more seamlessly integrated into the dialogue or actions of the characters. This would enhance the flow of the scene and keep the audience engaged without feeling like they are being lectured.
  • The dialogue from Perlman about the shipwreck and archaeological treasures is informative but lacks a personal connection to the characters. It would be more impactful if Perlman related the history to his own experiences or feelings, thereby deepening the emotional stakes of the scene.
  • Elio's fixation on Oliver's neck is a subtle but effective way to convey his attraction. However, this moment could be expanded to include more of Elio's internal thoughts or feelings, allowing the audience to better understand his emotional turmoil as he grapples with his desires in the presence of Oliver.
  • The excitement surrounding the statue's recovery is palpable, but the scene could benefit from more sensory details to immerse the audience in the moment. Describing the sounds of the water, the feel of the sun, or the expressions on the characters' faces would enhance the visual storytelling.
Suggestions
  • Consider adding a brief moment of Elio's internal monologue as they drive, reflecting on his feelings for Oliver and how they contrast with the excitement of the archaeological discovery.
  • Integrate the narrator's commentary more fluidly into the scene, perhaps through Perlman's dialogue or Elio's thoughts, to maintain a natural flow and keep the audience engaged.
  • Enhance Perlman's dialogue about the archaeological site by connecting it to his own passions or experiences, making it more relatable and emotionally resonant for the characters and the audience.
  • Expand on Elio's fixation on Oliver by including a moment where he almost reaches out to touch Oliver or expresses his feelings in a more tangible way, heightening the tension between them.
  • Incorporate more sensory details to create a vivid atmosphere during the statue's recovery, allowing the audience to feel the excitement and tension of the moment alongside the characters.



Scene 23 -  A Serene Discovery at Sirmione
42 EXT. SIRMIONE - GROTTE DI CATULLO (BEACH) - AFTERNOON 42

Later, back on the beach. The bronze has been dried and
cleaned. PERLMAN is speaking in Italian with the other men
and women who took part in the operation, and who are
analyzing the find.

ELIO
Dad, why are we only finding him
now?

PERLMAN
A good question. His partner -
they’re a pair - is in the Vatican.
There are four known sets, after
the Praxiteles originals. This
fellow is Number Three. The Emperor
Hadrian had a pair, dug up at
Tivoli, but one of the more
philistine of the Farnese popes
melted them down and had them
recast as a particularly voluptuous
Venus that was traded to Napoleon
later on.

OLIVER
I guess they didn’t need two pairs.
PERLMAN
No..
The sun is setting, casting its last rays on the long-missing
athlete for the first time in more than a hundred years.
Armed Carabinieri assemble to guard it for the night.
PERLMAN (CONT’D)
Who would like to go for a swim
before we head back?

43 EXT. WATER - LAKE GARDA - SUNSET 43

They swim in a little cove not far from the rig that pulled
up the bronze Boxer. It is almost dark, with a cloud streaked
sky reflected in the water. The lights on the rig go on,
including a big floodlight. The lake is surrounded by snow
capped mountains.

Treading water, PERLMAN says to ELIO and OLIVER, who are
nearby, and referring to the armed guards left on the
floating platform with the athlete:
PERLMAN
They’re all such rogues. Our boxer
could be on a plane to the Geneva
antiquities market tonight for all
I know.
They laugh. The moon is beginning to rise over the water.

44 EXT. RIVER - NIGHT 44

The same moon shines on the water of the river where MARZIA
waits for ELIO, as promised. She looks at her wristwatch.

45 EXT. PERLMAN VILLA / MAIN ENTRANCE - NIGHT 45

The Perlman car reaches the villa and all get out. ELIO runs
around the house to get his bike and wheels it out on to the
road.

ELIO
I have to go!!

The two men smile at Elio's passionate haste.

PERLMAN
Are you going too?

OLIVER
No Prof, I have to work.
PERLMAN
How about a drink to celebrate the
day?

OLIVER
That would be great.
Genres: ["Drama","Romance"]

Summary On the beach at Sirmione, Perlman shares the historical significance of a newly discovered bronze statue with Elio and Oliver, highlighting its connection to the Vatican. As the sun sets, they share light-hearted jokes about the statue's fate before enjoying a swim in the tranquil lake. Afterward, Elio expresses his urgency to leave, contrasting with Perlman and Oliver's desire to celebrate with a drink. The scene captures a blend of wonder and celebration against the backdrop of a picturesque evening.
Strengths
  • Rich storytelling elements
  • Engaging dialogue
  • Seamless transitions between themes
Weaknesses
  • Lack of high-stakes conflict
  • Some dialogue may be overly informative

Ratings
Overall

Overall: 8.5

The scene effectively combines multiple layers of storytelling, providing depth to the characters and advancing the plot while maintaining a reflective and informative tone. The playful interactions add a touch of lightness to the scene, balancing the more serious themes.


Story Content

Concept: 8

The concept of combining intellectual discussion, archaeological discovery, and personal relationships in a single scene is well-executed, providing a rich tapestry of storytelling elements.

Plot: 8.5

The plot is advanced through the archaeological discovery, personal interactions, and character dynamics, adding depth to the overall narrative and setting up future developments.

Originality: 9

The scene is original in its blend of historical facts with personal relationships, creating a unique and engaging narrative. The authenticity of the characters' dialogue adds to the originality of the scene.


Character Development

Characters: 8

The characters are well-developed, with their personalities shining through in their interactions and dialogue. The scene allows for character growth and showcases the complexity of their relationships.

Character Changes: 7

There are subtle shifts in the characters' dynamics and personal growth, particularly in Elio's reflections and interactions with Oliver and his family.

Internal Goal: 8

The protagonist's internal goal in this scene is to understand the historical significance of the bronze statue and to connect with his father through their shared interest in archaeology and history.

External Goal: 7

The protagonist's external goal in this scene is to enjoy a swim with his family and friends after the successful operation of finding the bronze statue.


Scene Elements

Conflict Level: 6

While there are tensions and conflicts present in the scene, they are not the central focus. The conflicts serve to enhance character dynamics and add depth to the relationships.

Opposition: 7

The opposition in the scene is strong enough to create tension and uncertainty, as the characters face the possibility of the bronze statue being stolen.

High Stakes: 6

While there are stakes involved in the archaeological discovery and personal relationships, they are not portrayed as high-intensity in this scene.

Story Forward: 8

The scene moves the story forward by introducing new elements, deepening character relationships, and setting up future developments, particularly in Elio and Oliver's connection.

Unpredictability: 7

This scene is unpredictable because of the potential threat of the bronze statue being stolen and the unexpected appearance of armed guards.

Philosophical Conflict: 7

There is a philosophical conflict between preserving historical artifacts and the potential for them to be sold on the black market. This challenges the protagonist's values of respecting history and cultural heritage.


Audience Engagement

Emotional Impact: 7.5

The scene evokes a sense of nostalgia, curiosity, and hope, engaging the audience emotionally through the characters' interactions and the discovery of the bronze boxer.

Dialogue: 8.5

The dialogue is engaging and serves to deepen the relationships between the characters while also providing information about the archaeological discovery and intellectual discussions.

Engagement: 9

This scene is engaging because it combines historical intrigue with personal relationships, creating a sense of discovery and connection.

Pacing: 8

The pacing of the scene is effective in building tension and suspense, particularly with the mention of the potential theft of the bronze statue.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with distinct locations and character actions clearly described.

Structure: 8

The structure of the scene follows a natural progression of events, starting with the discussion of the bronze statue and ending with the characters enjoying a swim in the lake.


Critique
  • The scene effectively captures a moment of discovery and excitement, showcasing the characters' engagement with history and each other. However, the dialogue could benefit from more emotional depth to reflect the significance of the moment. While Perlman's explanation of the statue's history is informative, it feels somewhat detached from the characters' personal experiences and emotions.
  • The transition from the archaeological find to the swimming scene is smooth, but the emotional stakes could be heightened. The characters are in a beautiful setting, yet their interactions lack a sense of urgency or deeper connection. This is a missed opportunity to explore the dynamics between Elio, Oliver, and Perlman in a more intimate way.
  • The humor in Perlman's dialogue about the rogue nature of the guards adds levity, but it could be balanced with a more poignant reflection on the statue's history and its significance to the characters. This would enhance the thematic depth of the scene, connecting the past with their present experiences.
  • The visual imagery of the sunset and the lake is evocative, but it could be further enhanced by incorporating more sensory details. Describing the sounds of the water, the feel of the cool evening air, or the emotions on the characters' faces would create a more immersive experience for the audience.
  • The scene ends with a sense of anticipation as Elio rushes off to meet Marzia, but it could benefit from a stronger emotional resonance. Exploring Elio's internal conflict about his feelings for both Marzia and Oliver in this moment would add complexity and depth to his character.
Suggestions
  • Consider adding a moment of reflection for Elio after Perlman's explanation of the statue, allowing him to express his thoughts or feelings about the discovery and its implications for his own life.
  • Incorporate more intimate dialogue between Elio and Oliver during the swimming scene, perhaps discussing their feelings about the day or their relationship, to deepen their connection.
  • Enhance the sensory details in the scene by describing the sounds, smells, and feelings associated with the lake and the sunset, creating a more vivid atmosphere.
  • Explore Elio's internal conflict more explicitly as he rushes off to meet Marzia. This could involve a brief moment of hesitation or reflection on his feelings for both Marzia and Oliver, adding emotional weight to his actions.
  • Consider using Perlman's character to provide a contrasting perspective on the significance of the statue, perhaps reflecting on the fleeting nature of beauty and art, which could resonate with Elio's own experiences of love and longing.



Scene 24 -  Reflections in the Storm
46 INT. OLIVER’S ROOM - PERLMAN VILLA - NIGHT 46
OLIVER is sitting at his desk in his boxer shorts only,
working; only the desk light is on. A lit cigarette between
his fingers. A radio plays some summer music at a low volume.

Oliver wraps up his corrections on a page and marks it: “to
be typed”.

47 EXT. ROAD / RIVER - NIGHT 47
ELIO is riding on his bike on the way to the river, trying to
catch his date with Marzia. When he gets there, no one is
waiting. He calls her name. There is a soft sound, little
waves lapping on the river shore. The moon is brighter than
ever and has risen considerably.
NARRATOR
[TBC]

48 EXT. GARDEN - PERLMAN VILLA - DAY 48
The following day. A thunderstorm and heavy rain dashes the
plants in the garden and pours from the roof spouts.

49 INT. LIVING ROOM - PERLMAN VILLA - DAY 49

Inside the villa the three PERLMANS are sitting on a row on a
big couch as the lights flicker.

ANNELLA
Have you seen my Heptameron?

PERLMAN
It must be over there...
ANNELLA finds the book.

ANNELLA
This version is in German, but I’ll
translate: Ein gut aus sehender
junger Ritter ist wahnsinnig
verliebt in eine Prinzessin. Sie
auch ist in ihn verliebt.
“...A handsome young knight is
madly in love with a princess. She
too is in love with him...
...obwohl es so scheint, als sei
sie sich nicht vollig ihrer eigenen
Liebe bewusst.
...though she seems not to be
entirely aware of it.
Despite the friendship...
Freundschaft... that blossoms
between them, or perhaps because of
that very friendship, the young
knight finds himself so humbled and
speechless that he is totally
unable to bring up the subject of
his love. One day he asks the
princess point-blank: Ich bitte
euch ratet mir was besser ist...
reden oder sterben. ‘Is it better
to speak or die’.

The lights suddenly all go out in the house; the music from a
long-playing record dies to a stop. There is a shout in the
kitchen, MAFALDA.

ELIO
(still thinking about the
Knight and the princess)
I’d never have the courage to ask
such a question.

PERLMAN
We were your age once. The things
you feel and think only you have
felt, believe me, We’ve suffered
through all of them, and more than
once - some you never get over and
others you’re as ignorant about as
you are today.

ANNELLA
(nodding in agreement)
Make new friends if the old ones
don’t interest you but stop haning
around the house all the time.
Books, books, books, always books,
et toutes ces partitions... (is all
those score books)... play more
tennis, go dancing more often with
Chiara and Marzia - tu les aimes
no? (you like them, don’t you?) Get
to know people...

PERLMAN
Find out why others are so
necessary in life and not just
foreign bodies to be sidled up to.

They have been sitting in near darkness. The rain beats
against the window panes. ANNELLA spreads an afghan over the
knees of the three of them, saying “It’s getting cold in
here”. Just then the lights come back on and the music
resumes. She looks at her son and runs her fingers through
his hair tenderly.

ANNELLA
Fai anche pazzie se devi. (Do crazy
things if you must.) (Fais des
folies, s’il le faut.)
Genres: ["Drama"]

Summary In a cozy yet tense atmosphere at the Perlman villa during a thunderstorm, Oliver works late while Elio seeks connection with Marzia. The family gathers as the lights flicker, prompting Annelia to read from the Heptameron, exploring themes of love and courage. As the lights go out, discussions about youth and relationships unfold, with Annelia encouraging Elio to embrace risks in love. The scene culminates in a tender moment between mother and son, reinforcing their bond as the lights return.
Strengths
  • Emotional depth
  • Character development
  • Thematic exploration
Weaknesses
  • Limited external conflict
  • Slow plot progression

Ratings
Overall

Overall: 8.5

The scene effectively conveys a sense of introspection and emotional depth through the dialogue and interactions between the characters. The power outage adds a layer of vulnerability and reflection to the scene, enhancing its impact.


Story Content

Concept: 8

The concept of exploring love, courage, and self-discovery through a conversation during a power outage is engaging and thought-provoking. The scene effectively delves into the characters' inner thoughts and feelings.

Plot: 7.5

While the plot progression is subtle, the scene focuses more on character development and thematic exploration. The conversation about love and courage adds depth to the overall narrative.

Originality: 9

The scene offers a fresh take on coming-of-age themes, blending literary references with personal growth narratives. The characters' actions and dialogue feel authentic and relatable.


Character Development

Characters: 8.5

The characters are well-developed, with each contributing to the thematic exploration of love, courage, and growth. Their interactions feel authentic and reveal layers of complexity.

Character Changes: 7

While there are subtle shifts in the characters' perspectives and emotions, the scene primarily focuses on introspection and self-discovery rather than dramatic character changes.

Internal Goal: 8

Elio's internal goal is to navigate his feelings of love and courage, as seen in his reflections on the knight and princess story. He is grappling with his own emotions and desires.

External Goal: 7

Elio's external goal is to find his place in the world and form meaningful connections with others. He is encouraged to make new friends and explore new experiences.


Scene Elements

Conflict Level: 5

The conflict in the scene is more internal and emotional, focusing on the characters' struggles with love, courage, and self-expression. The power outage serves as a metaphorical conflict that heightens the emotional stakes.

Opposition: 7

The opposition in the scene is subtle but present, as the characters grapple with internal conflicts and external challenges. The uncertainty adds depth to the narrative.

High Stakes: 4

The stakes in the scene are more emotional and personal, focusing on the characters' internal struggles and growth. While the conversation is meaningful, the external stakes are relatively low.

Story Forward: 6

The scene contributes to the overall narrative by deepening the audience's understanding of the characters and themes. It adds layers of complexity and emotional depth to the story.

Unpredictability: 7

This scene is unpredictable in its emotional twists and turns, as the characters grapple with complex feelings and relationships. The audience is kept on their toes.

Philosophical Conflict: 9

The philosophical conflict revolves around the themes of love, courage, and personal growth. The characters discuss the importance of relationships and self-discovery.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of nostalgia, reflection, and empathy. The characters' vulnerabilities and struggles resonate with the audience, creating a poignant and memorable moment.

Dialogue: 8

The dialogue is poignant and reflective, capturing the emotional depth of the characters' thoughts and feelings. It drives the scene forward while also revealing insights into the characters' inner worlds.

Engagement: 9

This scene is engaging because of its emotional depth, rich dialogue, and relatable themes. The characters' interactions and personal reflections draw the audience in.

Pacing: 8

The pacing of the scene is well-balanced, with a mix of introspective moments and lively dialogue. The rhythm of the scene enhances its emotional impact and thematic resonance.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions. The formatting enhances the readability and flow of the scene.

Structure: 8

The scene follows a coherent structure, with a clear progression of events and character interactions. The dialogue flows naturally and contributes to the overall narrative.


Critique
  • The scene effectively juxtaposes the intimate, personal struggles of Elio with the broader themes of love and communication presented through the Heptameron reading. This creates a rich emotional tapestry that resonates with the audience, highlighting the tension between desire and fear of vulnerability.
  • The dialogue between Annella and Perlman is insightful and serves to deepen the audience's understanding of Elio's internal conflict. However, the transition from the intimate moment in Oliver's room to the thunderstorm feels abrupt. A smoother transition could enhance the flow of the narrative.
  • The use of the thunderstorm as a backdrop is a strong visual metaphor for Elio's emotional turmoil. However, the scene could benefit from more sensory details to immerse the audience in the atmosphere. Describing the sound of the rain, the smell of wet earth, or the feeling of cold air could enhance the emotional weight of the moment.
  • While the dialogue is poignant, it occasionally feels expository. The characters' insights into love and relationships could be woven more organically into the conversation, allowing for a more natural flow that feels less like a lesson and more like a genuine exchange.
  • The ending, where Annella runs her fingers through Elio's hair, is a tender moment that effectively conveys maternal affection. However, it might be more impactful if it were preceded by a moment of silence or reflection, allowing the audience to fully absorb the weight of the preceding conversation.
Suggestions
  • Consider adding more sensory details to the scene, particularly during the thunderstorm, to create a more immersive experience for the audience.
  • Work on the transitions between different parts of the scene to ensure a smoother narrative flow. This could involve adding brief moments of reflection or action that connect the emotional beats more cohesively.
  • Revise the dialogue to make it feel more organic and less expository. This could involve incorporating subtext or allowing characters to express their thoughts in a more indirect manner.
  • Explore the use of silence or pauses in the dialogue to emphasize the emotional weight of the conversation, particularly before the tender moment between Annella and Elio.
  • Consider expanding on Elio's internal thoughts during the scene to provide deeper insight into his emotional state, which could enhance the audience's connection to his character.



Scene 25 -  Longing in Silence
50 INT. LIVING ROOM / KITCHEN - PERLMAN VILLA - DAY 50

The next day. The storm has passed, leaving a coolness. ELIO
is playing the piano. He is immersed in thought, his mind is
elsewhere. He breaks off, gets up, moves from room to room
downstairs. The kitchen is empty as well. It’s the hour of
siesta. Oliver’s bike is missing.

51 INT. STAIRCASE / CORRIDOR - PERLMAN VILLA - DAY 51

ELIO goes back inside and up the stairs very quietly and
along the corridor he shares with Oliver. He approaches
Oliver’s door like a detective looking for clues. He is about
to open it when he hears the sounds of someone coming up the
back stairs; he opens the door to his own room instead, and
walks in.


52 INT. CORRIDOR / ELIO’S - OLIVER’S ROOM / SHARED BATHROOM - 52
DAY
MAFALDA appears in the corridor, holding the laundry of the
two young men. She brusquely opens Oliver’s door, puts
Oliver’s shorts, socks, handkerchiefs, maybe the blue
“billowy” shirt, on his dresser. She goes out, then knocks on
Elio’s door.

ELIO says “Avanti” and she goes in with a pile of the same
sort of clothes belonging to him. He’s lying on his bed,
pretending to read a book. She leaves; he can hear her
retreating footsteps. When she is safely gone he stealthily
goes into Oliver’s room through the bathroom they share. He
looks around Oliver’s room.

53 INT. OLIVER’S ROOM - PERLMAN VILLA - DAY 53

He goes to the little pile of laundry and examines it, sees
the folded boxer shorts (or Jockey) - passes his finger tips
over them, then goes to the closet. Hanging on a hook is the
red bathing suit. He picks it up - it’s dry - and brings it
to his face. He rubs his face inside it, smelling it, looks
inside it as if searching for something, kisses every inch of
it, licks the inside of the supporter as if trying to find a
taste of Oliver.

ELIO quickly slips out of his own bathing suit and pulls on
Oliver’s. He undoes Oliver’s bed and gets into it, putting
the pillow over his face and kissing it savagely, smelling it
again and again, searching for Oliver’s scent, then wraps his
bare legs around it.

Suddenly he hears the sound of a bicycle approaching goes to
look out the window. He can just partly see OLIVER leaving
his bike by a wall and coming in the villa. Elio removes
Oliver’s trunks and tidies up the bed, exiting the room.

54 INT. CORRIDOR (1ST FLOOR) - PERLMAN VILLA - DAY 54
ELIO runs towards the window at the end of the corridor and
looks down from it. No one. Finally Oliver appears going down
the steps and moving towards the stone trough. Elio runs to
the stairs and goes down to the ground floor.
Genres: ["Drama","Romance"]

Summary The day after a storm, Elio finds himself lost in thought while playing the piano. He notices Oliver's bike is missing and, driven by longing, sneaks into Oliver's room through the bathroom. There, he intimately explores Oliver's belongings, particularly his bathing suit, which he smells and kisses. Seeking a connection to Oliver, Elio puts on the bathing suit and lies in his bed, but is interrupted by the sound of Oliver's bicycle. He quickly tidies up and exits the room, still grappling with his unspoken feelings.
Strengths
  • Intense emotional portrayal
  • Subtle gestures and actions
  • Effective use of silence
Weaknesses
  • Minimal plot progression
  • Limited external conflict

Ratings
Overall

Overall: 8.5

The scene effectively captures Elio's internal struggle and desire for Oliver, creating a sense of yearning and obsession that resonates with the audience.


Story Content

Concept: 8

The concept of obsession and longing is central to the scene, and it is executed well through Elio's actions and thoughts.

Plot: 7.5

While the plot progression is minimal in this scene, the focus on Elio's emotions and desires adds depth to the overall story.

Originality: 9

The scene presents a fresh and authentic portrayal of complex emotions and desires, with a unique approach to exploring intimacy and self-discovery. The characters' actions and dialogue feel genuine and relatable, adding to the authenticity of the scene.


Character Development

Characters: 9

Elio's character is well-developed in this scene, with his internal struggles and desires portrayed in a nuanced manner.

Character Changes: 8

Elio undergoes a significant emotional journey in this scene, grappling with his desires and obsessions.

Internal Goal: 9

Elio's internal goal in this scene is to uncover his feelings for Oliver and explore his own desires and fears. His actions reflect his deep emotional connection to Oliver and his struggle to understand and accept his own identity.

External Goal: 7

Elio's external goal in this scene is to investigate Oliver's whereabouts and actions, leading to a deeper understanding of their relationship dynamics.


Scene Elements

Conflict Level: 6

The conflict in the scene is primarily internal, focusing on Elio's emotional turmoil and desires.

Opposition: 7

The opposition in the scene is strong, as the protagonist faces internal and external challenges that test his beliefs and desires, leading to a moment of self-realization and growth.

High Stakes: 6

The stakes are primarily emotional in this scene, focusing on Elio's internal struggles and desires.

Story Forward: 7

While the scene does not significantly move the plot forward, it adds depth to Elio's character development and emotional arc.

Unpredictability: 7

This scene is unpredictable because of the unexpected emotional depth and vulnerability displayed by the protagonist, leading to a surprising and impactful revelation.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around Elio's internal struggle with his own desires and societal expectations. His actions challenge traditional norms and values, leading to a conflict between personal fulfillment and societal norms.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, drawing the audience into Elio's intense feelings of obsession and longing.

Dialogue: 7

The minimal dialogue in the scene effectively conveys the emotions and tension between the characters.

Engagement: 9

This scene is engaging because it delves into the protagonist's inner turmoil and desires, creating a sense of suspense and emotional intensity that keeps the audience invested in the story.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, leading to a climactic moment of self-discovery and emotional revelation.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, with clear scene descriptions and character actions that enhance the visual storytelling.

Structure: 8

The scene follows a structured format that effectively builds tension and emotional depth, leading to a climactic moment of self-discovery and realization.


Critique
  • The scene effectively captures Elio's internal struggle and longing for Oliver, using the physical space of the Perlman villa to reflect his emotional state. The empty kitchen and the absence of Oliver's bike create a sense of isolation and yearning, which is palpable throughout the scene.
  • Elio's stealthy movements and the way he approaches Oliver's door like a detective add a layer of tension and intrigue. This choice of action emphasizes his desire to connect with Oliver while also highlighting his hesitance and fear of being discovered.
  • The use of sensory details, particularly when Elio interacts with Oliver's belongings, is powerful. The act of smelling and kissing Oliver's bathing suit is intimate and conveys Elio's deep infatuation. However, this could be further enhanced by exploring Elio's thoughts during these actions, providing insight into his emotional turmoil.
  • The pacing of the scene is effective, building tension as Elio navigates the villa and his feelings. However, the transition from Elio's exploration to the moment he hears Oliver's bike could be more pronounced to heighten the suspense. A brief moment of reflection or hesitation before he hears the bike could amplify the emotional stakes.
  • Mafalda's presence serves as a reminder of the domestic life surrounding Elio and Oliver's relationship, but her role feels somewhat abrupt. A more gradual introduction of her character or a brief interaction with Elio could enhance the scene's flow and provide additional context for her actions.
Suggestions
  • Consider adding internal monologue or thoughts from Elio as he interacts with Oliver's belongings. This could deepen the emotional resonance of the scene and provide clarity on his feelings.
  • Enhance the transition between Elio's exploration and the moment he hears Oliver's bike by incorporating a moment of reflection or hesitation, allowing the audience to feel the weight of his emotions.
  • Introduce Mafalda's character more gradually or include a brief interaction with Elio to create a smoother flow in the scene and provide context for her actions.
  • Explore the sensory details further by describing the textures and scents of Oliver's belongings in more depth, allowing the audience to fully immerse themselves in Elio's experience.
  • Consider using visual motifs or symbols throughout the scene that reflect Elio's emotional state, such as the contrast between the empty spaces in the villa and the intimacy of Oliver's belongings.



Scene 26 -  A Moment of Connection
55 EXT. ABBEVERATOIO - PERLMAN VILLA - DAY 55

Later. ELIO is sitting under the trees with his score book
open. OLIVER sits on the edge of the stone trough with his
feet in the water, he is wearing his straw hat.

ELIO
My mom’s been reading this 16th
century French romance. She read
some of it to my Dada and I the day
the lights went out.

OLIVER
About the knight who doesn’t know
whether to speak or die? You told
me already.
ELIO
Yes.

OLIVER
Well, does he or doesn’t he?

ELIO
Better to speak, she said. But
she’s on her guard. She senses a
trap somewhere.

OLIVER
So does he speak?

ELIO
No, he fudges.

OLIVER
That figures. Listen, I need to
pick up something in town.

ELIO
I’ll go, if you want me to.
Beat.
OLIVER
Let’s go together.
ELIO
Now?
OLIVER
Why, have you got anything better
to do?
ELIO
No.
OLIVER puts some pages of his manuscript into his old frayed
book bag.
OLIVER
So let’s go.

ELIO puts down his fountain pen, closes his score book, and
in doing so knocks a half-full glass of lemonade onto the
grass. It doesn’t break. OLIVER, who is close by, comes over,
picks it up, and puts it back where it was.

ELIO
You didn’t have to.
Creating a little pause before replying, for emphasis.

OLIVER
I wanted to.
Genres: ["Drama","Romance"]

Summary Elio and Oliver share a contemplative moment under the trees at the Perlman villa, discussing a 16th-century French romance that reflects Elio's internal struggles. As they prepare to go into town, Elio accidentally spills lemonade, and Oliver's instinctive act of picking it up signifies his caring nature. Their interaction reveals a growing bond, marked by unspoken feelings and a sense of companionship as they decide to leave together.
Strengths
  • Intimate dialogue between Elio and Oliver
  • Reflective tone that deepens their relationship
  • Subtle character development
Weaknesses
  • Lack of significant plot progression
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene effectively conveys a sense of intimacy and reflection through the dialogue and actions of the characters, setting a contemplative tone that adds depth to their relationship.


Story Content

Concept: 8

The concept of exploring a 16th-century French romance as a reflection of Elio and Oliver's relationship adds depth and complexity to the scene, highlighting their intellectual and emotional connection.

Plot: 7.5

While the scene does not significantly advance the plot, it deepens the relationship between Elio and Oliver, providing insight into their personalities and shared interests.

Originality: 9

The scene offers a fresh approach to exploring themes of communication and companionship through nuanced dialogue and character interactions. The authenticity of the characters' actions and dialogue adds to the originality.


Character Development

Characters: 9

The scene effectively develops the characters of Elio and Oliver, showcasing their intellectual curiosity, emotional depth, and growing bond through their conversation and interactions.

Character Changes: 7

While there is subtle development in the characters of Elio and Oliver, particularly in their emotional connection and shared experiences, the scene does not lead to significant character changes.

Internal Goal: 8

Elio's internal goal is to understand the dynamics of communication and decision-making, as reflected in the discussion about the knight in the romance novel. This reflects his desire for clarity and honesty in relationships.

External Goal: 7

The protagonist's external goal is to accompany Oliver to town, reflecting a desire for companionship and shared experiences.


Scene Elements

Conflict Level: 3

The scene lacks significant conflict, focusing more on introspection and emotional connection between the characters.

Opposition: 6

The opposition in the scene is mild, with minor conflicts and obstacles that add depth to the characters' interactions.

High Stakes: 4

The stakes are relatively low in this scene, focusing more on emotional intimacy and reflection rather than high drama or tension.

Story Forward: 6

The scene provides insight into the relationship between Elio and Oliver and deepens their connection, but does not significantly advance the overall plot.

Unpredictability: 6

The scene is somewhat predictable in terms of character interactions and dialogue, with no major unexpected twists or turns.

Philosophical Conflict: 7

The philosophical conflict revolves around the theme of honesty and authenticity in communication, as seen in the discussion about the knight's decision to speak or remain silent.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a strong emotional response through its intimate and reflective tone, highlighting the deepening bond between Elio and Oliver.

Dialogue: 8.5

The dialogue in the scene is engaging, reflective, and emotionally resonant, capturing the intimacy and connection between Elio and Oliver as they discuss the 16th-century French romance.

Engagement: 9

This scene is engaging due to the intimate and authentic interactions between the characters, drawing the audience into their emotional journey.

Pacing: 8

The pacing of the scene is effective in building tension and emotional depth through pauses and character interactions.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows a natural flow of conversation and character interactions, adhering to the expected structure for its genre.


Critique
  • The scene effectively captures the intimate dynamic between Elio and Oliver, showcasing their developing relationship through dialogue that reflects both tension and camaraderie. However, the dialogue could benefit from more subtext to enhance the emotional stakes. While the conversation about the 16th-century romance is interesting, it feels somewhat detached from their immediate feelings for each other. Adding more personal reflections or emotions tied to the story could deepen the connection.
  • The physical actions in the scene, such as Elio knocking over the lemonade, serve as a nice metaphor for his clumsiness in expressing his feelings. However, the moment could be expanded to explore Elio's internal reaction to this mishap. Does he feel embarrassed, or does it serve as a moment of levity? This could add depth to his character and the scene's emotional resonance.
  • Oliver's response to picking up the glass of lemonade is a subtle but significant moment that hints at his feelings for Elio. However, the dialogue could be more layered. Instead of a straightforward 'I wanted to,' consider a response that reveals more about Oliver's character or his feelings towards Elio, perhaps hinting at his desire to take care of him or to bridge the emotional distance between them.
  • The pacing of the scene is generally good, but the transition from their conversation to the decision to go into town feels a bit abrupt. A moment of hesitation or a deeper exploration of Elio's feelings about going with Oliver could enhance the scene's emotional weight. This could also serve to build anticipation for their outing together.
  • Visually, the setting under the trees and the stone trough is evocative, but it could be further utilized to reflect the characters' emotional states. For instance, the imagery of water could symbolize the fluidity of their relationship, and incorporating more sensory details about the environment could enhance the atmosphere.
Suggestions
  • Incorporate more subtext in the dialogue to reflect the characters' internal struggles and feelings for each other. This could involve Elio sharing a personal anecdote related to the romance story that resonates with his feelings for Oliver.
  • Expand on Elio's reaction to knocking over the lemonade. Consider adding a moment where he feels embarrassed or tries to make a joke to lighten the mood, which could reveal more about his character.
  • Revise Oliver's response to picking up the glass to include more emotional depth. Perhaps he could say something that reflects his desire to connect with Elio or to show that he cares about him.
  • Add a moment of hesitation or internal conflict for Elio before agreeing to go into town with Oliver. This could help build tension and anticipation for their outing.
  • Enhance the visual imagery of the scene by incorporating more sensory details about the setting, such as the sounds of nature or the warmth of the sun, to create a more immersive atmosphere that reflects the characters' emotions.



Scene 27 -  A Lost Soul's Care
56 EXT. PERLMAN VILLA - DAY 56
On the way to the shed to collect their bikes, they pass
ANCHISE, who hands OLIVER his bike with a wry smile. OLIVER
smiles back.

ANCHISE
(Mixture of Italian and
English)
(I straightened the wheel. It took
some doing. I also put air in the
tires.)
OLIVER
Grazie.
ELIO and OLIVER reach the road, where they pause for a
moment. OLIVER pulls up his shirt and pulls down the top of
his shorts to expose a big scrape and bruise on his left hip.

OLIVER (CONT’D)
(showing ELIO his wound)
I fell the other day on the way
back and scraped myself pretty
badly. Anchise insisted on applying
me some sort of witch’s brew. He
also fixed the bike for me.

ELIO leans over closely to see Oliver’s scrape, which is
smeared with a black unguent.

ELIO
Does he give you the creeps?
OLIVER
Who?
ELIO
That’s what my aunt says. Anchise.

OLIVER
(pulling his clothes
together and turning out
on the road)
Of course not. Just a lost soul,
really, like most of us.
Genres: ["Drama","Romance"]

Summary In this light-hearted scene outside the Perlman villa, Oliver receives his repaired bike from Anchise and shows Elio a scrape on his hip, treated with an unusual remedy. Elio expresses concern about Anchise's character, questioning if he gives Oliver the creeps. Oliver reassures him, describing Anchise as a lost soul, which alleviates Elio's worries. The scene captures their camaraderie as they prepare to ride their bikes together.
Strengths
  • Intimate character exploration
  • Emotional depth
  • Subtle gestures conveying vulnerability
Weaknesses
  • Minimal plot progression
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene effectively delves into the characters' vulnerabilities and emotions, creating a sense of intimacy and reflection. The dialogue and actions reveal deeper layers of the characters, enhancing the overall impact.


Story Content

Concept: 8

The concept of exploring vulnerability and connection through physical injury is compelling and adds depth to the characters. The scene effectively conveys the inner thoughts and emotions of Elio and Oliver.

Plot: 7.5

While the plot progression is subtle in this scene, it focuses more on character development and emotional depth. The interaction between Elio and Oliver adds layers to their relationship.

Originality: 8

The scene introduces a fresh approach to character interactions by focusing on vulnerability and empathy. The authenticity of the characters' actions and dialogue adds to the originality.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed in this scene, showcasing vulnerability, intimacy, and reflection. Their interactions reveal deeper emotions and connections.

Character Changes: 8

Both Elio and Oliver experience subtle changes in their emotional states and connection, deepening their relationship and revealing new layers of their characters.

Internal Goal: 8

The protagonist's internal goal in this scene is to show vulnerability and build a connection with Elio. This reflects his deeper desire for acceptance and understanding.

External Goal: 7

The protagonist's external goal in this scene is to share a personal experience with Elio and bond over it. This reflects the immediate challenge of opening up emotionally.


Scene Elements

Conflict Level: 3

The conflict in the scene is minimal, focusing more on emotional depth and character exploration.

Opposition: 6

The opposition in the scene is moderate, with internal conflicts driving the character interactions.

High Stakes: 4

The stakes in the scene are relatively low, focusing more on emotional depth and character exploration.

Story Forward: 6

While the scene does not significantly move the main plot forward, it adds depth to the characters and their relationship, enriching the overall narrative.

Unpredictability: 6

The scene is somewhat predictable in terms of character interactions and outcomes.

Philosophical Conflict: 7

There is a philosophical conflict between Elio's aunt's perception of Anchise as creepy and Oliver's more empathetic view of him as a lost soul. This challenges Elio's beliefs about people and their intentions.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, drawing the audience into the characters' vulnerabilities and emotions. It evokes feelings of longing, affection, and curiosity.

Dialogue: 8

The dialogue in the scene is intimate and reflective, adding depth to the characters' interactions. It effectively conveys their emotions and inner thoughts.

Engagement: 9

This scene is engaging because of the intimate character interactions and the emotional depth of the dialogue.

Pacing: 8

The pacing of the scene is effective in building tension and emotional resonance.


Technical Aspect

Formatting: 8

The formatting of the scene is well-executed, with clear descriptions and dialogue cues.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution.


Critique
  • The scene effectively captures a moment of intimacy and camaraderie between Elio and Oliver, showcasing their developing relationship. However, the dialogue could benefit from more subtext to enhance the emotional stakes. The mention of Anchise's 'witch's brew' and the scrape on Oliver's hip serves as a metaphor for vulnerability, but it feels somewhat surface-level. Delving deeper into Elio's feelings about Oliver's injury could add layers to their interaction.
  • The use of Anchise as a character adds a layer of complexity, but his role could be expanded to create a more significant impact on the scene. Currently, he serves as a minor character without much depth. Exploring his relationship with Oliver or Elio could provide additional context and enrich the narrative.
  • The dialogue between Elio and Oliver is natural, but it lacks a sense of urgency or tension that could elevate the scene. Given the emotional weight of their relationship, incorporating more nuanced exchanges that hint at their deeper feelings for each other would enhance the overall impact.
  • The visual elements of the scene are effective, particularly the description of Oliver's scrape and the black unguent. However, the setting could be more vividly described to create a stronger atmosphere. Adding sensory details about the environment, such as the sounds of the villa or the warmth of the sun, could immerse the audience further into the scene.
  • The transition from the previous scene to this one feels a bit abrupt. A smoother segue that reflects the emotional state of Elio and Oliver after their last interaction would help maintain continuity and deepen the audience's connection to the characters.
Suggestions
  • Consider adding more subtext to the dialogue, allowing Elio and Oliver to express their feelings indirectly. This could create a richer emotional landscape and heighten the tension between them.
  • Expand Anchise's role in the scene to provide more depth. Perhaps include a brief flashback or a comment from Oliver that reflects on his past experiences with Anchise, adding layers to their relationship.
  • Incorporate more sensory details to enhance the setting. Describe the sounds, smells, and sights around the Perlman villa to create a more immersive experience for the audience.
  • Introduce a moment of hesitation or vulnerability from Elio when he leans in to inspect Oliver's scrape. This could serve as a visual cue of his feelings and create a more intimate atmosphere.
  • Create a smoother transition from the previous scene by including a brief moment of reflection or dialogue that connects the emotional states of Elio and Oliver, reinforcing their bond.



Scene 28 -  Moments of Connection
57 EXT. TOWN SQUARE - DAY 57

They arrive on their bikes at the little town square. OLIVER
buys a pack of cigarettes, Gauloises. He lights one up, then
offers one to ELIO.

OLIVER
You want to try one?

ELIO nods and OLIVER cups his hands very near Elio’s face and
lights his cigarette.

OLIVER (CONT’D)
Not bad, right?

ELIO
(drawing on it)
Not bad at all. I thought you
didn’t smoke.
OLIVER
I don’t.
(taking another drag)
They walk their bikes towards the little World War I memorial
in the center of the square which is dedicated to the youth
of the town who perished in the Battle of Piave. They pause a
moment to read the plaque.

OLIVER (CONT’D)
World War II? Did the Allies fight
near here?

ELIO
No. This is World War I. You’d have
to be at least eighty years old to
have known any of them.

OLIVER
Is there anything you don’t know? I
never heard of the Battle of Piave.
ELIO looks at OLIVER. He hesitates, then bursts out:

ELIO
I know nothing Oliver. Nothing,
just nothing.
OLIVER
(looking at him steadily)
You know more than anyone around
here.

ELIO
If you only knew how little I know
about the things that really
matter.

OLIVER
What things that matter?
ELIO looks him straight in the eye for once, summoning up his
courage:

ELIO
You know what things. By now you of
all people should know.

Silence.

OLIVER
Why are you telling me all this?
ELIO
Because I thought you should know.

OLIVER
(he repeats ELIO’s words
slowly, playing for time
as he considers them)
Because you thought I should know.

ELIO
Because I want you to know
(blurting it out)
Because there is no one else I can
say this to but you.

There is a magnificent view. A tiny bus works its way uphill,
with some bikers struggling behind it. To buy time, OLIVER
turns to look at it before replying:

OLIVER
Are you saying what I think you’re
saying?
ELIO
Yes.
Now that he’s spilled the beans at last, ELIO takes on the
laid-back, mildly exasperated air which the felon has, once
he surrendered to the police, when he confesses how he robbed
the store.

OLIVER looks at ELIO for a long moment, then gestures towards
the shop front where he takes his manuscript to be typed up.
OLIVER
Wait for me here. Don’t go away.
ELIO
(looking at OLIVER with a
confiding smile)
You know I’m not going anywhere.
Two buses stop nearby to unload their passengers - older
women arriving from adjoining villages to shop. ELIO turns to
read the names listed on the monument. OLIVER returns.

OLIVER
(frowning)
They’ve mixed up my pages and now
they have to retype the whole
thing. So I have nothing to work on
this afternoon. Which sets me back
a whole day. Damn!

ELIO looks as if it has been his fault the typist made a
mistake.

ELIO
I wish I hadn’t spoken.

OLIVER
I’m going to pretend you never did.
ELIO
(unfazed)
Does this mean we’re on speaking
terms - but not really?
OLIVER thinks about this.

OLIVER
Look, we can’t talk about such
things, we really can’t.

He slings his bag with its papers around him and the two are
off down hill.
Genres: ["Drama","Romance"]

Summary In a quaint town square, Oliver and Elio share a moment of vulnerability as they discuss history and Elio's feelings of inadequacy. Oliver, taking on a mentor-like role, encourages Elio while grappling with his own emotions. Their conversation hints at deeper feelings, but tension arises as Elio confesses his self-doubt. The scene captures a blend of light-heartedness and emotional depth, culminating in Oliver asking Elio to wait while he resolves a mix-up, leaving their deeper conversation momentarily paused.
Strengths
  • Emotional depth
  • Character development
  • Poignant dialogue
Weaknesses
  • Potential lack of clarity in Oliver's response

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted with intense emotions, deep character development, and significant plot progression. The dialogue is poignant and impactful, setting the stage for a crucial turning point in the story.


Story Content

Concept: 9

The concept of confession and revelation in the scene is crucial to the development of the relationship between Elio and Oliver. It explores themes of love, longing, and vulnerability in a poignant manner.

Plot: 9

The plot is significantly advanced through the emotional revelation and confession in the scene. It sets the stage for further exploration of the characters' dynamics and relationships.

Originality: 8

The scene offers a fresh approach to the theme of forbidden love, with nuanced character interactions and a focus on emotional complexity. The authenticity of the characters' actions and dialogue adds depth to the narrative.


Character Development

Characters: 9.5

The characters of Elio and Oliver are deeply explored in this scene, showcasing their vulnerabilities, desires, and emotional complexities. The dialogue reveals layers of their personalities and deepens the audience's connection to them.

Character Changes: 9

Both Elio and Oliver undergo significant emotional changes in the scene, with Elio finally expressing his feelings and Oliver being confronted with the depth of Elio's emotions. This moment marks a turning point in their relationship.

Internal Goal: 9

Elio's internal goal in this scene is to confess his feelings to Oliver, revealing his vulnerability and desire for connection. This reflects his deeper need for acceptance and understanding.

External Goal: 7

The protagonist's external goal in this scene is to have his manuscript typed up, showcasing his dedication to his work and the setback he faces due to a mistake by the typist.


Scene Elements

Conflict Level: 8.5

The conflict in the scene is primarily internal, revolving around Elio's struggle to express his feelings and Oliver's reaction to the confession. The emotional tension drives the narrative forward.

Opposition: 6

The opposition in the scene is subtle, with the characters facing internal conflicts and societal norms that restrict their expression of love. The audience is left unsure of how the characters will navigate these obstacles.

High Stakes: 8

The stakes are high in the scene as Elio risks rejection and vulnerability by confessing his feelings to Oliver. The emotional intensity and significance of the moment elevate the stakes for both characters.

Story Forward: 9

The scene propels the story forward by revealing the true feelings of the characters and setting the stage for further exploration of their relationship dynamics. It adds depth and complexity to the narrative.

Unpredictability: 7

This scene is unpredictable because of the characters' complex emotions and the unexpected confession of feelings. The audience is left wondering about the outcome of their interaction and the impact it will have on their relationship.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the characters' struggle with their emotions and the societal norms that restrict their expression of love. It challenges their beliefs about identity and self-acceptance.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of empathy, longing, and vulnerability in the audience. The raw emotions displayed by the characters resonate deeply, creating a memorable and powerful moment.

Dialogue: 9.3

The dialogue in the scene is poignant, intense, and emotionally charged. It effectively conveys the inner turmoil and longing of the characters, creating a powerful and memorable moment.

Engagement: 9

This scene is engaging because of the emotional depth and tension between the characters, as well as the subtle hints at their hidden desires and struggles. The dialogue and interactions draw the audience in, creating a sense of intimacy and connection.

Pacing: 8

The pacing of the scene enhances its effectiveness by building tension and suspense, allowing the emotional depth of the characters to shine through. The rhythm of the dialogue and actions keeps the audience engaged and invested in the outcome.


Technical Aspect

Formatting: 8

The scene follows the expected format for its genre, with clear scene descriptions and character actions. The formatting enhances the readability and impact of the scene.

Structure: 8

The scene follows a natural progression of events, with a clear focus on character development and emotional tension. The dialogue and actions flow smoothly, contributing to the overall effectiveness of the scene.


Critique
  • The scene effectively captures the tension and complexity of Elio and Oliver's relationship, particularly through their dialogue about knowledge and feelings. However, the pacing feels slightly uneven, especially during the moments of silence. While silence can be powerful, it may benefit from a bit more action or visual cues to maintain engagement.
  • Elio's confession about knowing 'nothing' is a poignant moment that reveals his vulnerability. However, the dialogue could be tightened to enhance clarity and impact. For instance, Elio's line about knowing 'nothing' could be more specific to what he feels he lacks, which would deepen the emotional resonance.
  • The setting of the town square and the World War I memorial adds a layer of historical context that parallels the characters' struggles. However, the connection between the memorial and their conversation could be more explicitly drawn. Perhaps a line that ties the memorial's significance to their personal battles would enrich the scene.
  • Oliver's reaction to Elio's confession is somewhat muted. While this can reflect his internal conflict, it might be more compelling if he displayed a mix of surprise and contemplation, which would add depth to his character and the moment. This could also create a stronger emotional response from Elio.
  • The transition from the heavy emotional moment to the mundane issue of Oliver's manuscript feels abrupt. While it serves to lighten the mood, it might be more effective if the transition was smoother, perhaps by having Oliver's frustration lead to a moment of shared humor or understanding between them.
Suggestions
  • Consider adding more physical actions or reactions during the silences to maintain engagement. For example, Elio could fidget or look around the square, which would visually convey his discomfort and anticipation.
  • Refine Elio's dialogue to be more specific about what he feels he lacks. This could involve him mentioning specific experiences or knowledge that he feels disconnected from, enhancing the emotional weight of his confession.
  • Strengthen the thematic connection between the memorial and Elio and Oliver's conversation by incorporating a line that reflects on the sacrifices made by those commemorated, paralleling their own emotional struggles.
  • Explore Oliver's reaction to Elio's confession further. Allow him to express a mix of surprise and contemplation, which would add complexity to his character and the dynamics of their relationship.
  • Smooth the transition from the emotional confession to the practical issue of the manuscript by incorporating a moment of shared humor or understanding, which could help maintain the emotional tone while introducing a lighter element.



Scene 29 -  Whispers by the Water
58 EXT. COUNTRY ROAD/SPRINGS - FONTANILI GAVERINE - DAY 58
Now that ELIO has laid his cards on the table, the scenery
and the fine weather buoy his spirits. They ride together on
the empty country road that at this time of day is all for
them. The sun pounds exposed patches along the way, exposing
the undergrowth. Thirsty they stop by a factory. They look
for water and in the factory Oliver is surprised to see a
Mussolini picture hanging on a wall. They laugh.

Later, at another crossroad.

ELIO
Follow me. I’ll show you a spot
visitors have never seen. That is,
if you have time.

ELIO turns off into a little path towards some spring water
ponds surrounded by willow trees. ELIO leans his bike against
one of them, followed by OLIVER.

ELIO (CONT’D)
This is my spot. All mine. I come
here to read. I can’t begin to tell
you the number of books I’ve read
here.

Oliver puts his hands in the water.

OLIVER
It's freezing cold!

ELIO
The spring is in the mountains, the
Alpi Orobie. The water comes
straight down from there.

Oliver freshens up his face with this water.

OLIVER
Do you like being alone?

ELIO
No one likes being alone. But I’ve
learned how to live with it.

OLIVER
Are you always so wise? So very
wise?

ELIO
I’m not wise at all. I told you, I
know nothing. I know books, and I
know how to string words together -
it doesn’t mean I know how to speak
about the things - about the things
that matter most to me.

OLIVER
But you’re doing it now - in a way.
ELIO
Yes, in a way - that’s how I always
say things: in a way.
Staring out at the view so as not to look at him, ELIO sits
down on the grass. OLIVER crouches a few yards away from ELIO
on the tips of his toes, as if at any moment he might spring
to his feet and go back to the bicycles.

ELIO (CONT’D)
I come here to escape the known
world.

OLIVER
I like the way you say things. Why
are you always putting yourself
down?
ELIO
(shrugging)
I don’t know. So you won’t, I
suppose.

OLIVER
Are you so scared of what others
think? Or what I think?

ELIO shakes his head. OLIVER waits for ELIO to say something.
He stares at him.

In the silence of the moment, ELIO stares back. It is the
first time ELIO has dared to stare back at OLIVER openly.
Before this moment he has always cast a glance, then looked
away from Oliver’s steely gaze. It is as if, finally, ELIO is
saying to Oliver: This is who I am, this is who you are, this
is what I want. He stares back with an I-dare-you-to-kiss-me
gaze.

OLIVER (CONT’D)
You’re making things very difficult
for me.

ELIO doesn’t back down. Neither does OLIVER.

ELIO
Why am I making things difficult?
OLIVER
Because it would be very wrong.
ELIO
Would?
OLIVER sits down on the grass, then lies down on his back,
his arms under his head, staring at the sky.

OLIVER
Yes, would. I’m not going to
pretend this hasn’t crossed my
mind.

ELIO
I’d be the last to know.
OLIVER
Well, it has. There! What did you
think was going on?

ELIO
Going on? Nothing...nothing.
After a long silence:

OLIVER
I see. You’ve got it wrong, my
friend - if it makes you feel
better, I have to hold back. It’s
time you learned to do that too.

Each leaning on one arm, both stare out at the view.

OLIVER (CONT’D)
You’re the luckiest kid in the
world.

ELIO
(in something of a mocking
tone)
You don’t know the half of it.
OLIVER thinks about this. Then ELIO blurts out:

ELIO (CONT’D)
So much of it is wrong.
OLIVER
What? Your family?
ELIO
That too.
OLIVER
Us, you mean?

ELIO doesn’t reply. OLIVER moves up close to him. Very close.
He stares right in Elio’s face, as though he likes Elio’s
face and wants to study it, linger on it.
OLIVER touches Elio’s lower lip with his finger, lets it
travel left and right, then right and left again. OLIVER
smiles at ELIO as he lies there, and that very smile fills
ELIO with a kind of apprehension about what will happen next.

What happens next is that OLIVER brings his lips to Elio’s
mouth in a warm I’ll-meet-you-halfway-but-no-further kiss, a
conciliatory kiss. ELIO’s return kiss is so famished he loses
himself in it.
OLIVER (CONT’D)
(afterwards)
Better now?
ELIO doesn’t answer. He kisses OLIVER again, lifting his
face, as if to discover more, know more. Even with their
faces touching, their bodies are angles apart. ELIO lifts one
knee as if to face OLIVER.

OLIVER (CONT’D)
I think we should go.
ELIO
Not yet.
OLIVER
We can’t do this - I know myself.
So far we’ve behaved. We’ve been
good. Neither of us has done
anything to feel ashamed of. Let’s
keep it that way. I want to be
good.

ELIO
Don’t be. I don’t care. Who is to
know?

ELIO reaches for OLIVER in a quick, desperate move, lets his
hand rest on Oliver’s crotch. OLIVER doesn’t move. With total
composure, in a gesture that is both gentle and commanding,
he brings his own hand there, letting it rest on Elio’s for a
second. He twines his fingers into Elio’s, then lifts his
hand. A moment of silence.

ELIO (CONT’D)
(suddenly abashed by his
own action)
Did I offend you?

OLIVER
Just don’t.

He gives Elio his hand and helps him stand up. He pulls up
his shirt to examine the scrape.

OLIVER (CONT’D)
I should make sure it doesn’t get
infected.

ELIO
We can stop by the pharmacist on
the way back.
Genres: ["Romance","Drama"]

Summary Elio and Oliver explore a picturesque country road, sharing laughter over a Mussolini picture before retreating to a tranquil spot by spring water ponds. In this serene setting, they delve into deep conversations about loneliness and their feelings for each other, leading to a tentative kiss. However, Oliver expresses a need for boundaries, creating tension as Elio's boldness clashes with Oliver's desire for propriety. The scene captures a blend of playful exploration and emotional vulnerability, ending with Oliver helping Elio up, symbolizing both care and the return to reality.
Strengths
  • Emotional depth
  • Intimate moments
  • Character complexity
  • Forbidden love theme
Weaknesses
  • Potential for controversy
  • Risk of misinterpretation

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, capturing the complex emotions and desires of the characters with depth and authenticity. The intimate moments, conflicted feelings, and forbidden nature of the relationship are portrayed with sensitivity and nuance, creating a powerful and emotionally resonant scene.


Story Content

Concept: 9

The concept of forbidden love and the exploration of deep emotional and physical connections between the characters are central to the scene. It delves into the complexities of desire, longing, and inner conflict, creating a rich and compelling narrative.

Plot: 9

The plot of the scene focuses on the evolving relationship between Elio and Oliver, delving into their inner conflicts, desires, and the forbidden nature of their connection. It moves the story forward by deepening the emotional stakes and character dynamics.

Originality: 9

The scene offers a fresh and authentic portrayal of a burgeoning romantic relationship, exploring themes of desire, intimacy, and self-discovery in a unique and compelling way.


Character Development

Characters: 9.2

The characters of Elio and Oliver are portrayed with depth and complexity, capturing their conflicting emotions, desires, and inner turmoil. The scene showcases their evolving relationship and the challenges they face, creating compelling and multi-dimensional characters.

Character Changes: 9

Both Elio and Oliver experience subtle but significant changes in the scene, as they confront their desires, inner conflicts, and the forbidden nature of their relationship. Their interactions lead to moments of self-discovery and emotional growth.

Internal Goal: 9

Elio's internal goal is to express his true feelings and desires to Oliver, despite his fear of judgment or rejection. This reflects his deeper need for authenticity and connection.

External Goal: 7.5

The protagonist's external goal is to maintain a sense of control and composure in his interactions with Oliver, despite their growing attraction and desire for intimacy.


Scene Elements

Conflict Level: 8

The scene has a moderate level of conflict, primarily stemming from the internal struggles and desires of the characters. The forbidden nature of their relationship creates tension and emotional conflict, driving the narrative forward.

Opposition: 7.5

The opposition in the scene is strong, with conflicting desires and societal expectations creating tension and uncertainty in Elio and Oliver's interactions.

High Stakes: 9

The scene has high stakes due to the forbidden nature of Elio and Oliver's relationship, the internal conflicts and desires they face, and the potential consequences of their actions. The emotional and personal risks involved add depth and tension to the scene.

Story Forward: 9

The scene effectively moves the story forward by deepening the emotional stakes, developing the relationship between Elio and Oliver, and exploring the complexities of their forbidden love. It sets the stage for further character development and narrative progression.

Unpredictability: 8

This scene is unpredictable because of the shifting power dynamics, unspoken desires, and unexpected moments of intimacy between the characters.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the tension between societal norms and personal desires. Elio struggles with the expectations of others and his own yearning for genuine connection.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of desire, longing, tension, and regret. The intimate moments between Elio and Oliver, coupled with their inner conflicts and forbidden love, create a powerful emotional resonance that resonates with the audience.

Dialogue: 9

The dialogue in the scene is intimate, tense, and emotionally charged, reflecting the inner conflicts and desires of the characters. It effectively conveys the complexity of their relationship and the forbidden nature of their love.

Engagement: 9

This scene is engaging because of its emotional intensity, subtle character dynamics, and the underlying tension between Elio and Oliver. The audience is drawn into their complex relationship and desires.

Pacing: 8

The pacing of the scene effectively builds tension and emotional depth, allowing for moments of intimacy and vulnerability to unfold naturally.


Technical Aspect

Formatting: 8

The scene adheres to the expected formatting for its genre, with clear scene descriptions, character actions, and dialogue that enhance the overall narrative.

Structure: 8

The scene follows a well-paced and structured format, with a clear progression of events and character interactions that build tension and emotional depth.


Critique
  • The scene effectively captures the tension and intimacy between Elio and Oliver, showcasing their evolving relationship. The dialogue is rich with subtext, allowing the audience to feel the weight of their unspoken emotions. However, the pacing could be improved; some moments feel drawn out, which may detract from the urgency of their connection.
  • Elio's internal conflict about his feelings for Oliver is well portrayed, but the dialogue could benefit from more variation in tone. At times, the exchanges feel repetitive, particularly in Elio's self-deprecating remarks. This could be streamlined to maintain engagement and enhance the emotional impact.
  • The visual imagery of the setting is strong, with the natural surroundings reflecting the characters' emotional states. However, the description of their actions could be more dynamic. For instance, instead of simply stating that Oliver puts his hands in the water, consider showing how this action affects Elio's perception of him, deepening the emotional resonance.
  • The moment of tension when Elio reaches for Oliver is pivotal, but the transition into this moment could be more gradual. Building up to this action with more subtle cues in their body language or dialogue could heighten the stakes and make the eventual kiss feel more earned.
  • The ending of the scene, where Oliver expresses a desire to maintain boundaries, is effective in creating tension. However, it might benefit from a stronger emotional reaction from Elio. This could further emphasize his desperation and the stakes of their relationship, making the audience more invested in their outcome.
Suggestions
  • Consider tightening the dialogue to eliminate repetitive phrases and enhance the emotional stakes. Focus on making each line count towards character development or plot progression.
  • Incorporate more physical actions that reflect the characters' emotional states. For example, show Elio fidgeting or Oliver's body language shifting as the conversation deepens, which can add layers to their interaction.
  • Build up to the kiss with more subtle tension. Use pauses, glances, or shifts in body language to create a sense of anticipation before the moment occurs.
  • Explore Elio's internal thoughts more explicitly during the scene. This could be done through brief internal monologues that reveal his fears or desires, adding depth to his character.
  • Consider ending the scene with a more definitive emotional note from Elio, whether it's frustration, longing, or acceptance. This can leave the audience with a stronger impression of his emotional state and the stakes of their relationship.



Scene 30 -  A Moment of Connection and Crisis
59 EXT. ROAD - DAY 59

They glide down the slope on their bikes, with wind in their
hair.

ELIO
We’ll never speak again, you know..
OLIVER
Don’t say that.

ELIO
I just know it. We’ll chit-chat,
chit-chat, chit-chat. And the funny
thing is, I can live with that.

OLIVER
You just rhymed.

60 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 60

Lunch. A middle-aged ART HISTORIAN COUPLE have been invited
to lunch. The man is pompous, his wife no less so, dropping
Italian expressions constantly into her conversation. Both
are English. ELIO and OLIVER can hardly keep from laughing.
PERLMAN shoots his son a warning glance.

Before dessert, as MAFALDA is clearing away the plates, and
as the others are pre-occupied with a conversation about
Antonello da Messina, ELIO feels a warm, bare foot casually
brush his. ELIO, thrilled, waits a few moments before
withdrawing his foot, so as not to give Oliver the impression
he is recoiling in panic.

ELIO’s foot, after a few seconds, begins to seek the other
out. His toe suddenly bumps Oliver’s foot, which had not
moved away.

Without warning, Oliver’s foot at once moves onto Elio’s.
Softly, gently, it begins a caressing motion, never holding
still, but rubbing the arch of Elio’s foot with the smooth
round ball of Oliver’s heel, holding Elio’s foot in place.
The caresses are sometimes tied to the lady art historian’s
more ludicrous comments in Italian, Oliver’s way of
commenting on the pair. But it also is telling Elio that this
is strictly between the two of them, and is a return to the
intimacy of their secret kisses on the grass.

We see the stealthy foot-play. For Oliver it is all fun and
games, punctuating the conversation.

ELIO becomes giddy as MAFALDA serves him ice-cream. As he
begins to eat, it notices red spots appearing on the dessert.
It’s coming from above his head. He realizes that it is
streaming from his nose, that he is having a nosebleed.

ELIO
(covering his nose with
his napkin)
Ghiaccio, ice, Mafalda, per favore,
presto!

OLIVER, astounded, leaps up and hands him his napkin. ELIO
tries to be calm, explains to everyone how "It happens all
the time”. Holding the napkin to his nose to stanch the
stream of blood falling into his dessert, he rises and
leaves.

61 INT. KITCHEN - PERLMAN VILLA - DAY 61

ELIO is in the kitchen looking for ice to stop his nose
bleeding, but the freezer is empty.
Genres: ["Romance","Drama"]

Summary Elio and Oliver share a playful footsie moment during lunch at the Perlman villa, deepening their intimate bond amidst the pompous chatter of an art historian couple. However, Elio's joy turns to panic when he suddenly experiences a nosebleed, prompting him to leave the table in search of ice, highlighting his internal struggle with their impending separation.
Strengths
  • Intimate moments between characters
  • Emotional depth and vulnerability portrayed effectively
  • Subtle gestures and interactions add layers to the scene
Weaknesses
  • Low level of external conflict
  • Limited plot progression

Ratings
Overall

Overall: 8.5

The scene effectively captures the intimacy and tenderness between Elio and Oliver through the footplay, creating a sense of closeness and connection. The addition of the nosebleed incident adds a touch of vulnerability and anxiety, enhancing the emotional depth of the scene.


Story Content

Concept: 8

The concept of showcasing intimacy through subtle gestures like footplay and vulnerability through the nosebleed incident is well-executed, adding depth to the characters and their relationship.

Plot: 7.5

The plot of the scene focuses on the intimate moment between Elio and Oliver, as well as Elio's vulnerability with the nosebleed incident. While it doesn't significantly advance the overall plot, it adds emotional depth to the characters.

Originality: 9

The scene presents a fresh and authentic portrayal of a forbidden love story, with unique moments of intimacy and vulnerability between the characters. The dialogue feels natural and organic, adding to the authenticity of the scene.


Character Development

Characters: 9

The scene effectively portrays the characters of Elio and Oliver, showcasing their intimacy, vulnerability, and emotional connection. The subtle gestures and reactions reveal layers of their personalities and feelings.

Character Changes: 7

While there are no significant character changes in the scene, it deepens the emotional connection between Elio and Oliver, revealing more about their personalities and feelings.

Internal Goal: 8

Elio's internal goal in this scene is to maintain the intimacy and connection he shares with Oliver, despite the external pressures and challenges they face. This reflects his deeper desire for love and acceptance.

External Goal: 7

Elio's external goal is to handle the embarrassing situation of his nosebleed with grace and composure in front of the guests. This reflects the immediate challenge he is facing in maintaining his reputation and dignity.


Scene Elements

Conflict Level: 3

The scene has a low level of conflict, focusing more on the emotional dynamics between the characters rather than external conflicts.

Opposition: 7

The opposition in the scene is strong, as Elio faces the challenge of handling his nosebleed in front of the guests while maintaining his composure. The audience is unsure of how he will overcome this obstacle.

High Stakes: 2

The stakes in the scene are relatively low, focusing more on the emotional dynamics between the characters rather than high-stakes conflicts or events.

Story Forward: 6

The scene doesn't significantly move the main plot forward but adds depth to the characters and their relationship, enriching the overall narrative.

Unpredictability: 7

This scene is unpredictable because of the unexpected turn of events, such as Elio's sudden nosebleed and the intimate foot-play between the characters. The audience is kept on their toes, unsure of what will happen next.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the secrecy and intimacy of Elio and Oliver's relationship, contrasting with the societal expectations and norms of the time. This challenges Elio's beliefs about love and acceptance.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of intimacy, tenderness, and vulnerability in the audience. The subtle gestures and emotional depth create a poignant moment.

Dialogue: 7

The dialogue in the scene is minimal but impactful, conveying the emotions and dynamics between the characters effectively. The non-verbal communication through gestures adds depth to the interaction.

Engagement: 9

This scene is engaging because of the emotional depth, tension, and intimacy between the characters. The subtle gestures and actions keep the audience invested in the unfolding drama.

Pacing: 8

The pacing of the scene is well-executed, with a gradual build-up of tension and emotion leading to the climactic moment of Elio's nosebleed. The rhythm of the dialogue and actions adds to the effectiveness of the scene.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, character names, and dialogue formatting. The visual descriptions enhance the atmosphere and mood of the scene.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures the tension between Elio and Oliver, showcasing their playful yet intimate connection through the footsie moment. This physical interaction serves as a metaphor for their deeper emotional bond, which is well-executed and adds layers to their relationship.
  • The dialogue at the beginning sets a tone of resignation and inevitability regarding their future, which is poignant. Elio's line about never speaking again is impactful, reflecting his internal struggle and fear of loss. However, the transition from this serious moment to the light-hearted lunch scene feels slightly abrupt, which could be smoothed out for better flow.
  • The introduction of the pompous art historian couple adds a comedic element, contrasting with the underlying tension between Elio and Oliver. This juxtaposition works well, but the characters could be given more distinct traits or quirks to enhance their comedic value and make them more memorable.
  • The nosebleed incident serves as a dramatic and humorous climax to the scene, effectively breaking the tension. However, the lead-up to this moment could benefit from more foreshadowing or subtle hints that Elio is becoming overwhelmed, making the nosebleed feel more organic rather than sudden.
  • The visual imagery of the foot caressing adds a sensual layer to the scene, but it could be described with more sensory detail to enhance the reader's experience. For instance, incorporating descriptions of the textures or sensations involved could deepen the intimacy of the moment.
Suggestions
  • Consider adding a brief moment of reflection for Elio after his initial line about never speaking again, allowing the audience to feel the weight of his emotions before transitioning to the lighter lunch scene.
  • Enhance the characterization of the art historian couple by giving them more distinct dialogue or actions that highlight their pompousness, making them more engaging and humorous.
  • Introduce subtle hints of Elio's growing anxiety before the nosebleed, such as physical cues (e.g., fidgeting, sweating) or internal thoughts, to create a more seamless buildup to the incident.
  • Expand on the sensory details during the foot caressing moment, describing the warmth, texture, and sensations involved to heighten the intimacy and emotional stakes of the scene.
  • Consider ending the scene with a stronger emotional note, perhaps by having Elio reflect on the moment as he leaves the table, reinforcing the tension between his feelings for Oliver and the reality of their situation.



Scene 31 -  Tender Moments in the Villa
62 INT. BAR - PERLMAN VILLA - DAY 62
Later. In a very tight and confined space beside the living
room is the Perlman bar. ELIO is sitting on the floor, his
head tilted back, and is holding a napkin full of ice - now a
mixture of blood and water - on his nose. Beside him is an
ice bucket.
OLIVER
Elio! Where are you?

OLIVER is the bocchirale [hallway], looking for him. Elio
waves from the bar. Oliver goes over to him. ELIO smiles
ruefully.
OLIVER (CONT’D)
Was it my fault?

ELIO
I’m a mess, aren’t I?
OLIVER
I guess. The ancients said it never
hurts to be bled from time to time.

ELIO
Sit for a second.
ELIO shifts a little to make room. The place is very tight,
his bare feet touch Oliver's ankles for a moment.

OLIVER takes Elio's feet in his hands and begins massaging
them, pulling on his toes until they crack. ELIO cries out in
mingled pleasure and pain.

ELIO (CONT’D)
Where did you learn to do that?
OLIVER
My Jewish grandmother. She did it
all the time to us.

Elio looks again at Oliver’s necklace with the Star of David
on his chest.

ELIO
I have one of those.
OLIVER
You don’t ever wear it?
ELIO
My mother says we are Jews of
discretion.

OLIVER
I guess that fits your mom...

ELIO
You’re going to kill me, you know
that? Ouch!

OLIVER
(giving a final tug to one
of Elio’s big toes, and
getting up)
I hope not.

OLIVER (CONT’D)
Are you going to be okay?

ELIO
I’ll get over it.

OLIVER
Come on, stand up. Lie on the
couch, rest a little. I’ll stick
around.
Oliver helps Elio up.

63 INT. BOCCHIRALE - PERLMAN VILLA - DAY 63
In the bocchirale OLIVER meets the sisters MARZIA and CHIARA.
They’re giggling.
CHIARA
How is he? Will he live?

OLIVER
I think so. He gave me a scare.
Bleeding all over the dining table.

CHIARA
Really? I’ll be back in a minute.
Don’t go anywhere.
Genres: ["Romance","Drama"]

Summary In a vulnerable moment at the Perlman villa's bar, Elio tends to his bleeding nose while Oliver finds him and expresses concern. Their interaction deepens as Oliver massages Elio's feet, leading to a light-hearted conversation about their Jewish heritage and Elio's mother's views on discretion. Chiara and Marzia add a playful atmosphere, but the focus remains on the intimacy and care Oliver provides. The scene concludes with Oliver helping Elio to his feet and suggesting he rest on the couch, highlighting their growing connection.
Strengths
  • Intimate moments between Elio and Oliver
  • Exploration of cultural identity and family heritage
  • Authentic dialogue and emotions portrayed by the actors
Weaknesses
  • Low on plot progression
  • Lack of external conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys a mix of emotions, from playful banter to intimate moments, while delving into deeper themes of identity and connection. The interaction between Elio and Oliver is engaging and reveals more about their characters.


Story Content

Concept: 8

The concept of exploring vulnerability, cultural identity, and connection through a simple yet intimate interaction is well-developed in the scene.

Plot: 7.5

While the scene doesn't significantly advance the main plot, it deepens the relationship between Elio and Oliver and adds layers to their characters.

Originality: 8

The scene introduces a fresh approach to exploring cultural identity and connection through physical touch and dialogue. The authenticity of the characters' actions and dialogue adds to the originality.


Character Development

Characters: 9

The characters of Elio and Oliver are richly portrayed, with their vulnerabilities, cultural backgrounds, and growing affection for each other shining through in the scene.

Character Changes: 7

While there is not a significant character change in this scene, it deepens the bond between Elio and Oliver, showcasing their vulnerability and care for each other.

Internal Goal: 8

Elio's internal goal in this scene is to seek comfort and connection, as seen through his interaction with Oliver and the physical touch they share. This reflects Elio's deeper need for understanding and support.

External Goal: 7

The protagonist's external goal in this scene is to recover from a physical injury and receive care from Oliver. This reflects the immediate circumstances of Elio's injury and the challenge of dealing with pain.


Scene Elements

Conflict Level: 3

The scene is low on conflict, focusing more on the emotional connection between Elio and Oliver.

Opposition: 6

The opposition in the scene is not strong, as the conflict is more internal and emotional rather than external.

High Stakes: 2

The stakes are low in this scene, focusing more on the emotional connection between Elio and Oliver.

Story Forward: 6

The scene doesn't propel the main plot forward significantly but adds depth to the characters and their relationship.

Unpredictability: 6

This scene is somewhat predictable in terms of character interactions and outcomes, but the emotional depth adds a layer of unpredictability.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the contrast between Elio's family's discreet Jewish identity and Oliver's more open connection to his Jewish heritage. This challenges Elio's beliefs about identity and tradition.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a range of emotions, from tenderness to playfulness, leaving a strong emotional impact on the audience.

Dialogue: 8.5

The dialogue is engaging, capturing the playful banter and deeper conversations between Elio and Oliver. It reveals their personalities and feelings effectively.

Engagement: 8

This scene is engaging because of the intimate and emotional interactions between the characters, drawing the audience into their relationship.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing for moments of intimacy and reflection, balancing emotional depth with narrative progression.


Technical Aspect

Formatting: 9

The scene follows the expected formatting for its genre, with clear scene descriptions and dialogue formatting.

Structure: 9

The scene follows the expected structure for its genre, with clear character interactions and progression of events.


Critique
  • The scene effectively captures a moment of intimacy and vulnerability between Elio and Oliver, showcasing their developing relationship. The physicality of Oliver massaging Elio's feet is a strong visual representation of their connection, and it adds a layer of tenderness to the scene.
  • The dialogue is light and playful, which contrasts well with the underlying tension of Elio's injury. However, the line 'The ancients said it never hurts to be bled from time to time' feels somewhat forced and could benefit from a more natural integration into the conversation. It may come off as a bit too philosophical for the moment.
  • Elio's comment about being a 'mess' is relatable and adds to his character's self-deprecating nature. However, the transition from the physical pain of the nosebleed to the playful banter could be smoother. The scene could benefit from a moment of silence or reflection before the humor resumes, allowing the audience to fully absorb Elio's discomfort.
  • The mention of their Jewish heritage through the Star of David necklace adds depth to their characters and their shared background. However, the dialogue could explore this theme further, perhaps by having Elio express more about his feelings regarding discretion and identity, which would enrich the emotional stakes of the scene.
  • The pacing of the scene is generally good, but the transition to the next location with the sisters feels abrupt. It might be beneficial to include a brief moment of connection or a shared look between Elio and Oliver before Oliver leaves to meet Marzia and Chiara, reinforcing their bond.
Suggestions
  • Consider revising the line about the ancients to make it feel more organic to the conversation. Perhaps Oliver could share a personal anecdote related to the saying, making it more relatable.
  • Add a moment of silence or a brief pause after Elio's initial discomfort before transitioning back to playful banter. This would allow the audience to feel the weight of the situation before lightening the mood.
  • Expand on the discussion of their Jewish heritage. Elio could share a brief story or sentiment about his family's views on discretion, which would deepen the emotional resonance of the scene.
  • Include a moment of connection between Elio and Oliver before Oliver leaves to meet the sisters. This could be a shared glance or a subtle gesture that reinforces their bond and the tension of their relationship.
  • Consider adding a visual element that emphasizes the confined space of the bar, perhaps through a description of the surroundings or the way the characters physically interact within that space, enhancing the intimacy of the moment.



Scene 32 -  Playful Tensions
64 INT. LIVING ROOM - PERLMAN VILLA - DAY 64
The girls burst into the living room where Elio is lying on
the couch. CHIARA sits at the foot of it, MARZIA stands
peering down at ELIO. He looks up at her a bit sheepishly.
CHIARA takes a cigarette out of a pack and lights it. She
takes a drag on it, then holds it out close to the sole of
Elio’s bare foot. He pulls it up fast.

CHIARA
(in French)
Ça t'a fait mal ? Pourtant,
tu as des pieds de paysan
qui ne sentent rien. Paysan!
(You felt that? You have peasant
feet. They don’t feel things.
Peasant!)

MARZIA
(in French)
Laisse-le tranquille!
(Leave him alone!)
Marzia caresses his hair softly.

CHIARA
(in French)
Doucement. Tu vas encore le faire
saigner.
(Easy. You’ll make him bleed
again.)

She holds out her pack of cigarettes to him and he takes one.
She lights it for him and he smokes it. CHIARA looks at him
coolly, as if looking at a rival.

CHIARA (CONT’D)
(in French)
Alors... On sort ou pas?
(So... are we going somewhere?)
ELIO
(in french)
Peut-être. Mais si on sort, il ne
faut pas que ma mère me voie, elle
s'inquiéterait.
(regardant autour de lui)
Où est Oliver?
(Maybe. But if I go out my mother
can't see me. She'll get worried.
(looking around)
Where’s Oliver?)

CHIARA
(in french)
Qu’est-ce que j’en sais?
(How would I know?)

65 EXT. RIVER - AFTERNOON 65

ELIO walks into the fresh water and swims. Down the river is
a group of his FRIENDS playing on the grass, Oliver isn’t
there. Elio is not unhappy. There is a rippling shaft of
sunlight on the water directly towards him. He swims into it.
Genres: ["Romance","Drama"]

Summary In the Perlman villa's living room, Chiara playfully teases Elio about his 'peasant feet,' provoking a shy yet playful reaction from him. Marzia defends Elio, providing comfort amidst Chiara's competitive teasing. Elio expresses concern about his mother seeing him and asks about Oliver, but Chiara dismisses his inquiry. The scene captures a playful yet tense dynamic among the characters, ending with Elio swimming in the river, symbolizing a moment of freedom from the earlier tension.
Strengths
  • Emotional depth
  • Authentic character interactions
  • Intimate tone
Weaknesses
  • Subtle plot progression
  • Lack of external conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional dynamics between the characters, creating a sense of intimacy and tension that keeps the audience engaged.


Story Content

Concept: 8

The concept of exploring the complex relationships and emotions between the characters is well-developed and adds depth to the overall narrative.

Plot: 7.5

While the plot progression is subtle in this scene, the focus on character dynamics and emotions adds depth to the overall story.

Originality: 9

The scene introduces complex relationships and internal conflicts in a subtle and nuanced way, offering a fresh perspective on coming-of-age themes and romantic dynamics.


Character Development

Characters: 9

The characters are well-developed and their interactions feel authentic, adding richness to the scene.

Character Changes: 7

There are subtle shifts in the characters' emotions and relationships, particularly between Elio, Chiara, and Marzia.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate his relationships with Chiara and Marzia while also dealing with his feelings towards Oliver. This reflects his deeper need for connection and understanding in his romantic and social interactions.

External Goal: 7

The protagonist's external goal is to figure out his plans for the day without his mother finding out. This reflects the immediate challenge of balancing his desires with his family's expectations.


Scene Elements

Conflict Level: 6

While there is tension and conflict between the characters, it is more subtle and emotional rather than overt.

Opposition: 7

The opposition in the scene is subtle but present, with conflicting desires and societal expectations challenging the protagonist's choices and actions.

High Stakes: 5

The stakes are more emotional and personal in this scene, focusing on the characters' feelings and relationships rather than external conflicts.

Story Forward: 7

While the scene doesn't significantly move the main plot forward, it adds depth to the characters and their relationships.

Unpredictability: 7

This scene is unpredictable due to the subtle shifts in character dynamics and the protagonist's internal conflicts, keeping the audience guessing about his choices and motivations.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the protagonist's internal struggles with his identity, desires, and societal expectations. Chiara and Marzia represent different aspects of his romantic and social life, challenging his beliefs and values.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, drawing the audience into the complex relationships and emotions of the characters.

Dialogue: 8

The dialogue effectively conveys the emotions and tensions between the characters, adding depth to their relationships.

Engagement: 9

This scene is engaging because of its nuanced character dynamics, emotional depth, and subtle conflicts that draw the audience in.

Pacing: 8

The pacing of the scene effectively builds tension and emotional depth, allowing for meaningful character interactions and conflicts to unfold.


Technical Aspect

Formatting: 8

The scene follows the expected format for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows a natural flow of character interactions and emotional beats, effectively building tension and conflict.


Critique
  • The scene effectively captures the playful yet tense dynamic between Elio, Chiara, and Marzia, showcasing their relationships and the underlying feelings Elio has for Oliver. However, the dialogue could benefit from more subtext to enhance the emotional stakes. Chiara's teasing about Elio's 'peasant feet' is humorous but could also hint at deeper insecurities Elio feels about his social status and his relationship with Oliver.
  • The use of French adds authenticity to the characters' interactions, but it may alienate some viewers who do not understand the language. Including a brief translation or context for key phrases could help maintain engagement without losing the scene's cultural richness.
  • The physicality of the scene, particularly Chiara holding the cigarette close to Elio's foot, is a strong visual metaphor for the tension and rivalry between the characters. However, the scene could explore Elio's internal conflict more deeply. How does he feel about Chiara's presence and her teasing? Adding internal monologue or subtle physical reactions could enhance the emotional depth.
  • The transition from the living room to the river feels abrupt. While it effectively conveys a shift in Elio's mood, a more gradual transition or a moment of reflection could provide a smoother narrative flow. Perhaps Elio could express a fleeting thought about Oliver before leaving, reinforcing his emotional state.
  • The scene ends with Elio swimming into a shaft of sunlight, which is visually striking but could be more thematically connected to his feelings for Oliver. Consider incorporating a moment of introspection or a memory of Oliver as he swims, which would deepen the emotional resonance of the scene.
Suggestions
  • Enhance the dialogue with subtext that reveals Elio's insecurities and feelings for Oliver, making Chiara's teasing more impactful.
  • Consider providing translations or context for the French dialogue to ensure all viewers can follow the emotional nuances.
  • Incorporate Elio's internal thoughts or physical reactions to Chiara's teasing to deepen the emotional stakes of the scene.
  • Create a smoother transition from the living room to the river by adding a moment of reflection or a thought about Oliver before Elio leaves.
  • Connect the imagery of Elio swimming in sunlight to his feelings for Oliver by including a brief moment of introspection or a memory as he swims.



Scene 33 -  Betrayal in the Night
65A INT. KITCHEN / PATIO - PERLMAN VILLA - LATER 65A

ELIO makes himself a smoothie in Mafalda’s kitchen, cutting
up a peach, a banana, then a pear, dates. Mafalda wants to do
it for him and tries to take the knife away. To her, a
smoothie is a foreign concoction.
MAFALDA
Faccio io.
(Let me)

ELIO
No, no, faccio da solo.
(No, I’m doing it by myself)

He puts the cut-up fruit into a blender. While the blender
makes the smoothie he glances from the window out in the
garden at ANNELLA sitting on the bench overlooking the south
garden. She is working on a manuscript. He takes the smoothie
out into the garden, it is the last hour of the sun in the
waning day.

He drinks the smoothie, feeling rested. He calls to his
mother.
ELIO (CONT’D)
Est-ce qu’Oliver est là?
(Is Oliver around?)

ANNELLA
N’est il pas sorti?
(Didn’t he go out?)

MAFALDA exits from the kitchen. While ELIO goes to sit with
his mother.

MAFALDA
Signora vuole un frullato pure lei?
(Madame do you want a smoothie
too?)

ANNELLA
No grazie Mafalda, ceniamo tra
poco. (No, thanks Mafalda, we’re
going to dinner)

ELIO
Io esco stasera, non ceno (I’m
going out this evening, I won’t
have dinner)

MAFALDA
Ma dove vai a quest’ora? Mi fai
preoccupare. (But where at this
hour? I worry)

ELIO
Ma di che? (about what?)

MAFALDA
Secondo me non va bene. Signora...
(I’d advise against it)

ANNELLA
(Smiling)
Lasciamolo fare.
(Let’s leave him)

MAFALDA enters the kitchen.
Revision49.

ANNELLA (CONT’D)
Tu l’aimes bien, n’est-ce pas,
Oliver?
(You like him, don’t you? Oliver?)

ELIO
Tout le monde aime Oliver.
(Everyone likes Oliver.)
ANNELLA
Il t’aime bien aussi - plus que
toi, je pense.
(He likes you too - more than you
do, I think.)

ELIO
C’est ton impression?
(Is that your impression?)
ANNELLA
Non c’est celle d’Oliver.
(No, it was Oliver’s.)
ELIO
Quand t’a-t-il dit cela?
(When did he tell you that?)
ANNELLA
Il y a un moment.
(A while ago.)

ANNELLA caresses ELIO’s hair. He abruptly stands up. Then
sits down again.

66 EXT. SOUTH TERRAZZA - PERLMAN VILLA - EVENING 66
After dinner. ELIO is in the terrazza, waiting for Oliver to
return. He tries to read a book but he cannot concentrate.(We
notice that he is now wearing his Star of David.)

67 INT. ELIO’S BEDROOM - PERLMAN VILLA - NIGHT 67 *

Late night. ELIO is sitting at his desk, wide awake. He has
left the bathroom door intentionally ajar, hoping that the
light from the foyer might stream in just enough to reveal
his body. As ELIO hears OLIVER step onto the landing in the
hall, he jumps back in his bed pretending to be asleep.

OLIVER walks past Elio’s room without stopping, without even
a hesitation, and goes into his own room and shuts the door.

A few moments later ELIO hears Oliver open the door from his
bedroom into their common bathroom. Then he hears the door
into his own room from the bathroom click shut, as if being
locked. ELIO sits up in bed.
Revision50.

ELIO
(to himself, under his
breath)
Traitor. Traitor!
Genres: ["Drama"]

Summary Elio prepares a smoothie in the kitchen with the help of Mafalda, who is unfamiliar with the process. He takes the smoothie outside to join his mother, Annella, who encourages his feelings for Oliver. As they discuss Oliver, Elio grows anxious about his absence. Later, he waits for Oliver on the terrace, struggling to focus on a book. When Oliver finally arrives, Elio pretends to be asleep but feels betrayed when Oliver walks past his room without stopping, leaving him in disappointment.
Strengths
  • Emotional depth
  • Character exploration
  • Tension-building
Weaknesses
  • Limited dialogue
  • Slow pacing

Ratings
Overall

Overall: 8.5

The scene effectively conveys a mix of emotions, particularly highlighting Elio's vulnerability and sense of betrayal, setting up a significant turning point in the story.


Story Content

Concept: 8

The concept of betrayal and shifting relationships is effectively portrayed through Elio's perspective, adding depth to the character dynamics.

Plot: 8

The plot progresses as Elio's feelings towards Oliver evolve, leading to a significant moment of realization and conflict.

Originality: 8

The scene is original in its portrayal of a quiet and intimate moment between characters, focusing on subtle gestures and emotions rather than dramatic events. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9

The scene delves deep into Elio's character, showcasing his vulnerability, insecurities, and evolving emotions, while also hinting at Oliver's impact on him.

Character Changes: 8

Elio undergoes a significant emotional change in the scene, moving from vulnerability to a sense of betrayal and resentment.

Internal Goal: 8

Elio's internal goal in this scene is to assert his independence and autonomy, as seen in his insistence on making the smoothie by himself and his decision to go out for the evening. This reflects his desire to break free from the expectations and constraints placed on him.

External Goal: 7

Elio's external goal is to find out if Oliver is around and to interact with him. This reflects his immediate desire for connection and closeness.


Scene Elements

Conflict Level: 8

The internal conflict within Elio and the subtle tension between him and Oliver create a palpable sense of conflict.

Opposition: 6

The opposition in the scene is subtle but present, as seen in the conflicting views of Annela and Elio regarding Oliver. The audience is left wondering about the true nature of Oliver's feelings.

High Stakes: 8

The emotional stakes are high as Elio grapples with feelings of betrayal and the shifting dynamics in his relationship with Oliver.

Story Forward: 7

The scene sets up a crucial turning point in Elio and Oliver's relationship, hinting at future conflicts and developments.

Unpredictability: 6

This scene is unpredictable because of the subtle shifts in emotions and relationships between the characters. The audience is kept on their toes, unsure of how the interactions will unfold.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the characters' perceptions of Oliver and their relationships with him. Annela and Elio have differing views on Oliver's feelings towards Elio, highlighting the complexity of human emotions and relationships.


Audience Engagement

Emotional Impact: 9

The scene evokes strong emotions, particularly empathy for Elio's internal struggle and the sense of betrayal he experiences.

Dialogue: 7.5

The dialogue is minimal but impactful, conveying the tension and unspoken emotions between the characters.

Engagement: 9

This scene is engaging because it focuses on subtle emotions and interactions, drawing the audience into the characters' inner worlds and relationships. The dialogue and actions are compelling and thought-provoking.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing moments of quiet reflection and emotional intensity to unfold naturally. The rhythm of the scene enhances the emotional impact.


Technical Aspect

Formatting: 8

The scene follows the expected format for its genre, with clear scene headings and dialogue formatting. The formatting enhances the readability and clarity of the scene.

Structure: 8

The scene follows a natural flow of events and interactions, with a clear progression of emotions and relationships. The pacing and structure contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures Elio's internal conflict and longing for Oliver, which is a central theme of the screenplay. The dialogue between Elio and Annella subtly reveals their relationship dynamics and Elio's feelings without being overly explicit, maintaining a sense of mystery and tension.
  • The use of language adds depth to the characters and their interactions. The mix of Italian and French reflects their cultural backgrounds and enhances the authenticity of the setting. However, the dialogue could benefit from more emotional weight in certain exchanges, particularly when discussing Oliver's feelings.
  • The transition from the kitchen to the garden is visually appealing and symbolizes Elio's desire for connection with Oliver. However, the pacing feels slightly rushed, especially when Elio abruptly stands up and sits down again. This moment could be expanded to better convey his emotional turmoil.
  • The scene's tone shifts from light-hearted to tense, which is effective in showcasing Elio's anxiety about Oliver's absence. However, the abruptness of the shift could be smoothed out with more transitional dialogue or actions that reflect Elio's growing unease.
  • The ending of the scene, where Elio feels betrayed by Oliver's indifference, is powerful but could be enhanced by providing more context for Elio's feelings. A brief internal monologue or a visual cue could help the audience better understand his emotional state.
Suggestions
  • Consider adding more subtext to the dialogue between Elio and Annella, allowing for deeper emotional resonance. For example, Annella could share a personal anecdote about love or longing that parallels Elio's feelings for Oliver.
  • Expand on the moment when Elio stands up and sits down again. This could be an opportunity to visually represent his internal struggle, perhaps by showing him fidgeting or glancing towards the door, indicating his anticipation for Oliver's return.
  • Incorporate more sensory details to enhance the atmosphere of the scene. Describe the sounds of the garden, the warmth of the sun, or the taste of the smoothie to create a more immersive experience for the audience.
  • Consider revising the pacing of the scene to allow for a more gradual build-up of tension. This could involve extending the conversation between Elio and Annella or adding a moment where Elio reflects on his feelings before the scene shifts to the terrace.
  • To strengthen the emotional impact of the ending, include a brief moment of reflection for Elio after Oliver walks past his room. This could be a visual cue, such as Elio looking at a photo of them together or a close-up of his expression, to emphasize his feelings of betrayal.



Scene 34 -  Morning Reflections
68 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 68 *

The next day. ELIO is the last to arrive. He pretends to
ignore OLIVER, who is cracking open the top of his soft-
boiled egg. ANNELLA looks at OLIVER in a worried way:

ANNELLA
Guarda un po’ quanto sei pallido.
(How gaunt you look!)
PERLMAN looks up from his paper.

PERLMAN
I pray to God you made a killing
last night, otherwise I’ll have to
answer to your father.

OLIVER
(speaking down into the
messy egg-cracking
business)
I never lose, Pro.
PERLMAN
Does your father approve?

OLIVER
I pay my own way. I’ve paid my way
since high school. My father
couldn’t possibly disapprove.

PERLMAN
Did you have a lot to drink last
night?

OLIVER
(buttering his bread)
That - and other things.

PERLMAN
I don’t think I want to know.
OLIVER
Neither does my father. And to be
perfectly frank, I don’t think I
care to remember myself.

ELIO looks up at this.

PERLMAN
Do you save your winnings?

OLIVER
Save and invest, Pro.

PERLMAN
I wish I’d had your head at your
age; I would have spared myself
many mistaken turns.

OLIVER
Mistaken turns? I can’t picture you
even imagining a mistaken turn.

PERLMAN
That’s because you see me as a
figure, not a human being. Worse
yet: as an old figure. But there
were. Mistaken turns, that is.
Everyone goes through a period of
traviamento - when we take, say, a
different turn in life, the other
via. Dante himself did. Some
recover, some pretend to recover,
some never come back, some chicken
out before ever starting, and some,
for fear of taking any turns, find
themselves leading the wrong life
all life long.
Both young men listen. At the end OLIVER proceeds to crack
another egg. He has big bags under his eyes. He does look
gaunt.

OLIVER
Sometimes the traviamento turns out
to be the right way, Pro. Or as
good a way as any. I know myself.

PERLMAN
(lighting a cigarette, and
nodding)
At your age I knew nothing. But
today everyone knows everything,
and everyone talks, talks, talks.

ANNELLA
Perhaps what Oliver needs is sleep,
sleep, sleep.

OLIVER
Tonight, I promise, Signora P., No
poker, no drinking. I’ll put on
clean clothes, go over my
manuscript, and after dinner we’ll
all watch TV and play canasta, like
old folks in Little Italy.

ANNELLA sighs melodiously, relieved that Perlman’s words have
convinced him to stay home and rest.

She offers Oliver more coffee, tells her seventeen year old
son not to slouch in his chair. MAFALDA brings in some
apricot juice in a chilled silver pitcher.
Genres: ["Drama","Romance"]

Summary In the garden of the Perlman villa, Elio arrives last, avoiding eye contact with Oliver, indicating tension. Oliver, weary, engages in a conversation with Perlman and Annella about his lifestyle choices, particularly his gambling and drinking habits. Perlman expresses concern for both Oliver and Elio, while Annella worries about Oliver's health and encourages him to rest. The scene concludes with Oliver agreeing to take it easy that night, alleviating Annella's concerns, as she offers him more coffee and reminds her son to sit up straight, reinforcing the familial atmosphere.
Strengths
  • Intimate character interactions
  • Reflective dialogue
  • Thematic depth
Weaknesses
  • Low external conflict
  • Slow pacing

Ratings
Overall

Overall: 8.5

The scene effectively explores the theme of self-discovery and growth through reflective dialogue and intimate character interactions. The tone is consistent and sets a melancholic and contemplative atmosphere, engaging the audience in the characters' emotional journey.


Story Content

Concept: 8

The concept of exploring the theme of mistaken turns and self-discovery is well-developed in the scene. The dialogue and character interactions effectively convey the complexities of making choices and finding one's path in life.

Plot: 8

The plot progression in the scene focuses on character interactions and thematic exploration rather than action-driven events. It moves the story forward by delving into the characters' emotional journeys and inner conflicts.

Originality: 9

The scene offers a fresh perspective on coming-of-age themes and family dynamics. The characters' actions and dialogue feel authentic and engaging, contributing to the overall originality.


Character Development

Characters: 9

The characters are well-developed and engaging, with depth and complexity that adds to the scene's emotional impact. Their interactions and dialogue reveal layers of their personalities and motivations.

Character Changes: 8

The characters undergo subtle changes in their perspectives and self-awareness, particularly in relation to the theme of mistaken turns and self-discovery. Their interactions and reflections contribute to their emotional growth.

Internal Goal: 8

Elio's internal goal in this scene is to understand and connect with Oliver on a deeper level. He is intrigued by Oliver's mysterious past and wants to uncover more about him.

External Goal: 7.5

Oliver's external goal is to convince the others that he will take a break from his usual activities and rest. He wants to appear responsible and mature in their eyes.


Scene Elements

Conflict Level: 4

The scene has a low level of external conflict but focuses more on internal conflicts and emotional struggles within the characters. The tension arises from their reflections on past choices and future paths.

Opposition: 7.5

The opposition in the scene is subtle but present, as Oliver's intentions and actions are met with skepticism and concern from the other characters.

High Stakes: 3

The scene has low stakes in terms of external conflict or dramatic tension. The focus is more on internal struggles and emotional depth, creating a contemplative and introspective atmosphere.

Story Forward: 7

The scene moves the story forward by deepening the characters' emotional journeys and thematic exploration. It adds layers of complexity to the narrative and sets the stage for further character development.

Unpredictability: 7

The scene is somewhat predictable in terms of character dynamics and outcomes, but the philosophical conflict adds a layer of unpredictability.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the idea of taking different paths in life and the consequences of those choices. Perlman reflects on his own past mistakes and advises Oliver on the importance of self-awareness and growth.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact due to its reflective tone, intimate character interactions, and thematic depth. It resonates with the audience on an emotional level, evoking feelings of nostalgia and introspection.

Dialogue: 8.5

The dialogue is reflective, intimate, and emotionally resonant, capturing the characters' inner thoughts and feelings. It enhances the scene's thematic exploration and character development.

Engagement: 9

This scene is engaging because of the dynamic interactions between the characters, the humor, and the underlying tension of personal growth and self-discovery.

Pacing: 8

The pacing of the scene is well-balanced, allowing for moments of reflection and tension to build naturally.


Technical Aspect

Formatting: 8

The formatting adheres to standard screenplay conventions, making the scene easy to follow and visualize.

Structure: 8

The scene follows a traditional format for character-driven dialogue scenes, allowing for natural development of relationships and themes.


Critique
  • The scene effectively captures the tension between Elio and Oliver, particularly through Elio's initial pretense of ignoring Oliver. This dynamic sets the stage for the emotional undercurrents that define their relationship. However, the dialogue could benefit from more subtext to enhance the tension; Elio's feelings of betrayal and jealousy could be more explicitly woven into the conversation, perhaps through his reactions or internal thoughts.
  • The dialogue between Perlman and Oliver is engaging and provides insight into Oliver's character, but it risks overshadowing the emotional stakes for Elio. While Perlman’s philosophical musings about 'mistaken turns' are interesting, they could be streamlined to maintain focus on the immediate emotional conflict. The scene might feel more cohesive if Perlman's reflections were more directly tied to Elio's feelings of uncertainty and longing.
  • Annella's concern for Oliver adds a maternal layer to the scene, but her dialogue could be more impactful if it reflected her awareness of the tension between the two young men. This could deepen the emotional stakes and create a more complex family dynamic. Additionally, her line about Oliver needing sleep could be rephrased to hint at her understanding of the emotional turmoil he is experiencing.
  • The visual elements, such as Oliver cracking his egg and the mention of his gaunt appearance, effectively convey his state of mind. However, the scene could benefit from more sensory details to enhance the atmosphere. Describing the garden setting, the sounds of nature, or the taste of the apricot juice could create a richer backdrop that contrasts with the emotional tension.
  • The ending, where Annella offers Oliver more coffee and instructs Elio not to slouch, feels somewhat abrupt and lacks a strong emotional resolution. It might be more effective to end on a moment that encapsulates Elio's internal struggle, perhaps through a lingering shot of his expression or a subtle action that reflects his feelings towards Oliver.
Suggestions
  • Incorporate more internal monologue or subtle reactions from Elio to convey his emotional state and feelings of betrayal more clearly. This could help the audience connect with his character on a deeper level.
  • Streamline Perlman's philosophical dialogue to ensure it serves the emotional core of the scene. Consider making his reflections more relevant to Elio's situation to maintain focus on the central conflict.
  • Enhance Annella's dialogue to reflect her awareness of the tension between Elio and Oliver. This could add depth to her character and create a more complex family dynamic.
  • Add sensory details to the setting to create a more immersive atmosphere. Describing the sights, sounds, and smells of the garden could enhance the emotional weight of the scene.
  • Consider ending the scene with a moment that encapsulates Elio's internal struggle, such as a lingering shot of his expression or a subtle action that reflects his feelings towards Oliver, rather than a more mundane exchange.



Scene 35 -  Restless Longing
69 EXT. MAIN ENTRANCE LAWN - PERLMAN VILLA - DAY 69

OLIVER is doing some work for Perlman, specify. He seems hard
at work and does not look up as ELIO approaches. ELIO doesn’t
know how to break the silence. Then he sees and kicks the
volleyball lying under the nearby lime trees. The ball hits
Oliver “waking him up” from his work.

ELIO
(despite himself, sounding
peevish)
I waited for you last night.
Oliver throws back the ball at him.

OLIVER
Why didn’t you come into town?
Elio stops the ball.
ELIO
Dunno.
OLIVER
We had a nice time. You would have
too. Did you rest at least? Mafalda
said you went swimming.

ELIO
I was okay. Restless, I guess.
OLIVER goes back to staring at the page he is writing and
mouthing the syllables. Elio kicks the ball again.

ELIO (CONT’D)
Are you headed into town this
morning?

OLIVER
Later, maybe.
ELIO
I was going to head into town
myself.

OLIVER
Ummmm. I see.
ELIO
A book I ordered finally arrived.

70 INT PERLMAN STUDIO - PERLMAN VILLA - DAY 70

From inside his studio PERLMAN watches the two boys talking
on the lawn.
Genres: ["Drama","Romance"]

Summary In a tense and awkward encounter on the Perlman Villa lawn, Elio attempts to connect with Oliver, who is absorbed in his work. Elio's restlessness prompts him to kick a volleyball at Oliver, breaking the silence and leading to a conversation about their previous night. While Elio expresses his desire to go into town and share his feelings, Oliver remains indifferent, highlighting their emotional disconnect. Perlman observes the interaction from his studio, adding a layer of parental oversight to the scene.
Strengths
  • Subtle tension building
  • Emotional depth in character interactions
  • Effective portrayal of unspoken emotions
Weaknesses
  • Limited plot progression
  • Low external conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys the complex emotions and dynamics between the characters, setting the stage for further development.


Story Content

Concept: 8

The concept of unspoken tension and unresolved feelings is effectively portrayed through the characters' interactions and dialogue.

Plot: 7.5

While the plot does not significantly progress in this scene, it sets the stage for future developments in the relationship between Elio and Oliver.

Originality: 8

The scene offers a fresh approach to depicting a moment of quiet tension and emotional connection between characters. The authenticity of the dialogue and actions adds to its originality.


Character Development

Characters: 9

The characters of Elio and Oliver are richly portrayed, with their complex emotions and unspoken feelings adding depth to the scene.

Character Changes: 7

While there are no significant character changes in this scene, it sets the stage for potential growth and development.

Internal Goal: 8

Elio's internal goal in this scene is to express his feelings of restlessness and possibly seek connection with Oliver. This reflects his deeper need for understanding and emotional connection.

External Goal: 7

Elio's external goal in this scene is to engage Oliver in conversation and potentially spend time together in town. This reflects the immediate circumstances of their current interaction and Elio's desire for companionship.


Scene Elements

Conflict Level: 6

The conflict in the scene is primarily internal, focusing on the emotional tension between Elio and Oliver.

Opposition: 6

The opposition in the scene is subtle, with Elio's restlessness contrasting with Oliver's focus on work, creating a small obstacle to their potential connection.

High Stakes: 6

The stakes are relatively low in this scene, focusing more on the emotional dynamics between the characters.

Story Forward: 7

The scene does not significantly move the plot forward but lays the groundwork for future developments in the story.

Unpredictability: 7

This scene is unpredictable because of the underlying emotional complexities and unspoken desires that drive the characters' interactions.

Philosophical Conflict: 6

There is a subtle philosophical conflict between Elio's restlessness and Oliver's focus on work. This challenges Elio's desire for connection and Oliver's dedication to his tasks, highlighting their differing priorities and values.


Audience Engagement

Emotional Impact: 8.5

The scene evokes a strong emotional response from the audience, highlighting the complex feelings between the characters.

Dialogue: 8

The dialogue effectively conveys the tension and underlying emotions between Elio and Oliver, adding depth to their relationship.

Engagement: 9

This scene is engaging because of the subtle emotional tension and unspoken desires between the characters, drawing the audience into their dynamic.

Pacing: 8

The pacing of the scene is effective in building tension and emotional depth, enhancing the overall impact of the interaction between the characters.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and concise, following the expected format for its genre.

Structure: 8

The scene follows a natural flow of conversation and interaction, maintaining the expected structure for its genre of drama/romance.


Critique
  • The scene effectively captures the tension and awkwardness between Elio and Oliver, showcasing their evolving relationship. However, the dialogue feels somewhat stilted and could benefit from more naturalistic exchanges that reflect their emotional states more vividly.
  • Elio's initial action of kicking the volleyball is a good physical representation of his restlessness, but it could be enhanced by adding more internal thoughts or feelings to convey his emotional turmoil. This would deepen the audience's understanding of his character.
  • Oliver's responses are somewhat passive, which aligns with his character but may come off as disengaged. Adding more layers to his dialogue could create a richer interaction, perhaps by revealing more of his thoughts or feelings about Elio's absence the previous night.
  • The transition from the outdoor setting to Perlman's studio is abrupt. A smoother transition could help maintain the flow of the scene and provide a clearer connection between the characters' dialogue and Perlman's observations.
  • The scene lacks a strong emotional climax or turning point. While it establishes the tension, it doesn't escalate to a moment of revelation or deeper connection between Elio and Oliver, which could leave the audience wanting more.
Suggestions
  • Consider adding more subtext to the dialogue, allowing Elio and Oliver to express their feelings indirectly. This could create a more engaging and layered conversation.
  • Incorporate Elio's internal monologue to provide insight into his feelings of restlessness and his desire for connection with Oliver. This could be done through voiceover or brief reflective moments.
  • Enhance Oliver's character by giving him a more active role in the conversation. Perhaps he could share a memory or a thought that reveals his feelings about Elio, making their interaction more dynamic.
  • Use the setting to reflect the emotional tone of the scene. For example, the weather or the surrounding environment could mirror the tension or unease between the characters.
  • Introduce a moment of physical closeness or tension that could serve as a turning point in their relationship, such as a shared laugh or a moment of eye contact that lingers longer than usual.



Scene 36 -  A Moment of Connection
71 EXT. MAIN ENTRANCE LAWN - PERLMAN VILLA - DAY (CONT’D) 71

The conversation continues.

OLIVER
I’ll pick it up for you if you
want.

ELIO
It was just that I was hoping we’d
go together.

OLIVER
You mean like the other day?
ELIO
I don’t think we’ll ever do
anything like that again. But yes,
like that.
(beat)
That day belongs to a different
time warp. We should leave sleeping
dogs -
OLIVER listens, now looking at Elio straight in the face.

OLIVER
That voice of wisdom is your most
winning trait. Do you like me that
much, Elio?

ELIO
Do I like you? Do I like you,
Oliver? I worship you.

OLIVER’s face softens. He is touched by Elio’s forthright and
brave avowal.

OLIVER
I’ll go with you but - no speeches.
ELIO
No speeches, not a word.
OLIVER
(gathering his things)
What do you say we grab our bikes
in half an hour?
Genres: ["Romance","Drama"]

Summary On the main entrance lawn of the Perlman Villa, Elio and Oliver share a heartfelt conversation about their relationship. Elio expresses a longing to spend time together again, reminiscing about a previous day, while acknowledging the passage of time. Oliver compliments Elio's wisdom and inquires about his feelings, leading Elio to fervently admit he worships him. This emotional exchange resolves Elio's hesitation, and Oliver agrees to meet in half an hour for a bike ride, requesting no formalities. The scene captures their deepening bond in a tender and introspective atmosphere.
Strengths
  • Emotional depth
  • Intimate character exploration
  • Poignant dialogue
Weaknesses
  • Limited plot progression
  • Low external conflict

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, showcasing vulnerability, intimacy, and emotional depth between the characters. The dialogue is poignant and reveals the complex emotions at play.


Story Content

Concept: 9

The concept of vulnerability and emotional honesty is central to the scene, highlighting the characters' internal struggles and desires. The exploration of unspoken feelings adds layers to their relationship.

Plot: 8.5

While the scene focuses more on character development and emotional dynamics than plot progression, it serves as a pivotal moment in the evolving relationship between Elio and Oliver.

Originality: 9

The scene offers a fresh and nuanced portrayal of admiration and affection between characters, avoiding cliches and stereotypes. The dialogue feels authentic and emotionally resonant.


Character Development

Characters: 9.5

Elio and Oliver are portrayed with depth and authenticity, allowing their emotions and vulnerabilities to shine through. The scene showcases their complex inner worlds and the evolving dynamics between them.

Character Changes: 8

Elio's brave confession and Oliver's softened demeanor indicate a shift in their relationship dynamics, with Elio expressing his true feelings and Oliver responding with tenderness.

Internal Goal: 9

The protagonist's internal goal in this scene is to express his deep admiration and affection for the other character, Oliver. This reflects his need for emotional connection and validation.

External Goal: 7

The protagonist's external goal is to spend time with Oliver and go on a bike ride together. This reflects his desire for companionship and shared experiences.


Scene Elements

Conflict Level: 3

While there is emotional tension and vulnerability in the scene, the conflict is more internal and emotional rather than external. The focus is on the characters' inner struggles and desires.

Opposition: 6

The opposition in this scene is subtle, primarily stemming from the characters' internal conflicts and emotional barriers. It adds a layer of tension and uncertainty to their interactions.

High Stakes: 4

The stakes are more emotional and personal in this scene, focusing on the characters' vulnerabilities and desires rather than external conflicts. The risk lies in expressing true feelings and facing potential rejection.

Story Forward: 7

While the scene does not significantly move the plot forward, it deepens the emotional connection between Elio and Oliver, setting the stage for further developments in their relationship.

Unpredictability: 7

This scene is unpredictable in terms of the characters' emotional responses and revelations, keeping the audience invested in their evolving relationship.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the protagonist's feelings of admiration and worship towards Oliver, which may challenge societal norms or personal beliefs about relationships and emotions.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of tenderness, longing, and vulnerability in the audience. The raw emotions displayed by the characters resonate deeply.

Dialogue: 9

The dialogue is poignant and heartfelt, capturing the raw emotions of the characters in a subtle and nuanced manner. It conveys the unspoken feelings and desires between Elio and Oliver effectively.

Engagement: 9

This scene is engaging because of the emotional intensity and vulnerability displayed by the characters. The audience is drawn into their complex relationship dynamics and inner conflicts.

Pacing: 8

The pacing of the scene is well-balanced, allowing for moments of reflection and emotional intensity to unfold naturally. It contributes to the scene's effectiveness in conveying the characters' emotions.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with proper scene headings and dialogue formatting. It aligns with the expected format for its genre.

Structure: 8

The scene follows a natural flow of conversation, with a clear progression of emotions and intentions. It adheres to the expected structure for a character-driven drama.


Critique
  • The dialogue in this scene effectively captures the tension and complexity of Elio and Oliver's relationship. Elio's admission of 'worship' for Oliver is a powerful moment that reveals his deep feelings, but it could benefit from more subtext to enhance the emotional weight. The phrase 'that day belongs to a different time warp' is intriguing but may come off as slightly abstract; grounding it in a specific memory or feeling could make it resonate more with the audience.
  • Oliver's response to Elio's confession is appropriately soft, indicating his emotional investment in their relationship. However, the transition from Elio's intense admission to Oliver's casual suggestion of grabbing bikes feels abrupt. A more gradual shift in tone could help maintain the emotional momentum of the scene.
  • The use of 'no speeches' as a line from Oliver is a clever way to inject humor and lightness into an otherwise serious conversation. However, it might be more impactful if it were delivered with a hint of vulnerability, suggesting that Oliver is also afraid of the weight of their feelings.
  • The setting of the Perlman villa's lawn is visually appealing, but the scene could benefit from more sensory details to immerse the audience in the moment. Describing the sounds of nature, the warmth of the sun, or the feeling of the grass could enhance the atmosphere and reflect the emotional state of the characters.
Suggestions
  • Consider adding a brief flashback or a more explicit reference to the previous day they shared, which would provide context for Elio's statement about it belonging to a different time warp. This could deepen the audience's understanding of their relationship.
  • Explore the physicality of the characters more. Small gestures, like Elio fidgeting or Oliver's body language softening, could add layers to their emotional exchange and make the scene feel more dynamic.
  • Incorporate more internal thoughts or feelings from Elio during this exchange. This could be done through voiceover or brief moments of silence where his expressions convey his inner turmoil, enhancing the emotional stakes.
  • Consider ending the scene with a more poignant image or line that encapsulates the tension and hope of their relationship, rather than simply transitioning to the next action. This could leave the audience with a lasting impression of their connection.



Scene 37 -  Unspoken Bonds
72 EXT. SPRINGS - FONTANILI GAVERINE - DAY 72

The vital, pure, and joyful sight of a fresh water spring,
the unstoppable stream gushing out from earth.

NARRATOR (V.O.)
Two young men travelling by bike,
riding into town and back... They
swam, played volley-ball, ate,
drank, and late at night ran into
each other on the very same
piazzetta where two mornings before
so much - but actually nothing -
was said between them. Oliver was
with a girl, Elio also was with a
girl. If he hadn't messed things up
with his dramatics, Elio could have
enjoyed this for its own sake.
Every day they could have ridden
into town and back, and even if
that was all Oliver was willing to
give Elio, he would have taken it.

73 OMITTED 73

74 EXT. STREETS OF CREMA - DAY 74

ELIO and OLIVER walk their bikes along the streets of Crema.

ELIO stops and gives a book to OLIVER, who opens it and reads
what he has written.

OLIVER
Zwischen Immer und Nie... (For you
in silence, somewhere in Italy in
the mid-eighties). This is the best
present I’ve received all year.

ELIO
I’m glad then. I just wanted to...
(lightly)
I know - no speeches. Ever.
Genres: ["Romance","Drama"]

Summary In a picturesque setting by a fresh water spring in Crema, Italy, Elio and Oliver enjoy their carefree days together, filled with swimming and volleyball. Their connection deepens when Elio gifts Oliver a book he has written, symbolizing his affection. Despite the joy of their companionship, an underlying tension from Elio's feelings for Oliver remains unresolved. The scene captures a nostalgic and bittersweet tone, ending with Elio playfully reminding Oliver of their unspoken agreement to avoid speeches, hinting at the complexities of their relationship.
Strengths
  • Emotional depth
  • Subtle tension
  • Authentic character portrayal
Weaknesses
  • Lack of overt conflict
  • Limited plot progression

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional depth and tension between the characters, setting the stage for further development in their relationship. The intimate moments and unspoken feelings create a poignant atmosphere.


Story Content

Concept: 8

The concept of exploring the silent affections and unspoken desires between Elio and Oliver is compelling and well-executed. The scene delves into the complexities of their relationship with subtlety and depth.

Plot: 7.5

While the scene does not significantly advance the plot, it deepens the emotional connection between the characters and sets the stage for future developments in their relationship.

Originality: 9

The scene offers a fresh perspective on romantic relationships, blending youthful innocence with emotional complexity. The characters' actions and dialogue feel authentic and relatable.


Character Development

Characters: 9

The scene focuses on the emotional depth and complexity of Elio and Oliver, showcasing their unspoken desires and internal struggles. The characters are portrayed with authenticity and vulnerability.

Character Changes: 7

While there are no significant character changes in this scene, it deepens the audience's understanding of Elio and Oliver's internal struggles and unspoken desires.

Internal Goal: 8

Elio's internal goal is to enjoy the present moment and the company of Oliver without overthinking or dwelling on past mistakes. It reflects his desire for connection and acceptance.

External Goal: 7

Elio's external goal is to give Oliver a meaningful gift and express his feelings without being too sentimental. It reflects his desire to show his appreciation and affection.


Scene Elements

Conflict Level: 5

The scene lacks overt conflict but is rich in emotional tension and unspoken desires, creating a subtle yet compelling dynamic between the characters.

Opposition: 7

The opposition in the scene comes from Elio's internal struggle to express his feelings honestly while maintaining a facade of nonchalance.

High Stakes: 4

The stakes in the scene are emotional and internal, focusing on the unspoken desires and yearning between Elio and Oliver rather than external conflicts.

Story Forward: 6

The scene does not propel the plot forward significantly but adds depth and complexity to the relationship between Elio and Oliver, setting the stage for future developments.

Unpredictability: 7

This scene is unpredictable in terms of the characters' emotional responses and the evolving dynamics between Elio and Oliver.

Philosophical Conflict: 9

The philosophical conflict revolves around the fear of vulnerability and the need for authenticity in expressing emotions. Elio struggles with being open and honest with Oliver while maintaining a sense of self-preservation.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response from the audience, drawing them into the intimate and tender moments shared between Elio and Oliver.

Dialogue: 7

The dialogue in the scene is minimal but impactful, conveying the unspoken emotions and tensions between Elio and Oliver effectively.

Engagement: 9

This scene is engaging because of its emotional depth, character development, and subtle tension between the protagonists.

Pacing: 8

The pacing of the scene enhances its emotional impact, allowing moments of reflection and intimacy to resonate with the audience.


Technical Aspect

Formatting: 8

The scene adheres to standard screenplay formatting conventions, making it easy to follow and visualize.

Structure: 8

The scene follows a natural progression of events and dialogue, building tension and emotional resonance effectively.


Critique
  • The scene effectively captures the emotional tension and complexity of Elio and Oliver's relationship, particularly through the narrator's voiceover. The contrast between their carefree activities and the underlying feelings of regret and longing adds depth to the narrative.
  • The imagery of the fresh water spring serves as a powerful metaphor for vitality and the potential of their relationship, which is juxtaposed with Elio's feelings of having 'messed things up.' This duality enriches the scene, but it could be further emphasized by showing more of Elio's internal struggle visually rather than relying solely on narration.
  • The dialogue between Elio and Oliver is succinct and meaningful, particularly the exchange about the book. However, the line 'I know - no speeches. Ever.' feels slightly forced as a callback to their previous conversation. It might benefit from a more natural integration into the flow of their dialogue, perhaps by having Elio express his feelings in a more subtle way that aligns with their established dynamic.
  • The scene transitions smoothly from the narrator's reflection to the action, but the pacing could be improved. The shift from the narrator's voice to the dialogue feels abrupt. A brief moment of silence or a visual cue could enhance the transition, allowing the audience to absorb the narrator's words before diving into the dialogue.
  • The mention of both characters being with girls adds an interesting layer of complexity to their relationship, hinting at their struggles with identity and societal expectations. However, this aspect could be explored further to deepen the emotional stakes. A brief interaction or glance between Elio and Oliver while with the girls could highlight their unspoken connection.
Suggestions
  • Consider adding a visual moment that illustrates Elio's internal conflict, such as a close-up of his expression as he watches Oliver interact with the girl, to enhance the emotional weight of the scene.
  • Revise Elio's line about 'no speeches' to feel more organic. Perhaps he could express a desire to share something meaningful without explicitly referencing their previous conversation, allowing for a more natural flow.
  • Incorporate a brief pause or visual transition after the narrator's voiceover to give the audience a moment to reflect on the weight of the words before moving into the dialogue.
  • Explore the dynamics of Elio and Oliver's relationships with the girls more subtly, perhaps through body language or fleeting glances, to emphasize the tension and complexity of their feelings for each other.
  • Consider expanding the narrator's reflection to include more about Elio's feelings of regret and longing, which could provide a richer context for the audience and enhance the emotional stakes of the scene.



Scene 38 -  Bittersweet Reunion at Sunset
75 EXT. COUNTRY ROAD - FONTANILI GAVERINE - DAY 75
On the return ride, ELIO ignores the turn to “his place”, i
Fontanili. OLIVER, on the other hand, recognizes it, and as
he passes sees the pathway disappearing into the trees.
Oliver’s POV of the path.

76 EXT. SOUTH TERRAZZA - PERLMAN VILLA - SUNSET 76

The PERLMANS are sitting having a drink at sundown. They are
joined by OLIVER, his hair glistening and slicked back after
his late afternoon shower. He makes himself a light drink and
eases back into his chair with a sigh of content. His ‘star’
look beams all over his features.

ANNELLA
Our muvi star...

OLIVER
I’ll miss all this, Mrs. P.
ANNELLA
And we will certainly miss you.

PERLMAN
You must think of this place as
your second home - or third, or
fourth, whatever. But the welcome
mat will definitely be out
(to ELIO, who has just
strolled in).)
Isn’t that true?
ELIO
(cautiously)
Any time...
ANNELLA
Ennnnnni taaim...
PERLMAN
How is the work going?
OLIVER
It’s going.

PERLMAN
Planning to go into town tonight?
OLIVER
Not tonight. Maybe tomorrow.
PERLMAN
No poker either?
OLIVER smiles and shakes his head.
Genres: ["Drama","Romance"]

Summary Elio and Oliver return from a ride, with Elio avoiding the turn to his home, signaling his inner conflict. At the Perlman villa, the family enjoys drinks as Oliver joins them, appearing refreshed and charismatic. They share light conversation about missing each other and Oliver's fondness for the villa, while Elio remains cautious and reserved. Anella expresses warmth towards Oliver, and Perlman encourages him to consider their home as his own. The scene is set against a sunset backdrop, highlighting the bittersweet emotional tension between Elio's unacknowledged feelings and Oliver's relaxed charm, leaving the emotional stakes unresolved.
Strengths
  • Authentic character interactions
  • Emotional depth
  • Subtle storytelling
Weaknesses
  • Lack of significant plot progression
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene effectively conveys a sense of intimacy and connection between the characters, setting the stage for deeper emotional exploration.


Story Content

Concept: 8

The concept of the scene revolves around quiet conversations and reflections, emphasizing the emotional depth of the characters.

Plot: 7.5

While the plot progression is subtle, the scene contributes to the overall development of the characters' relationships and emotions.

Originality: 7

The scene introduces familiar themes of hospitality and familial relationships but adds originality through the nuanced portrayal of characters' emotions and interactions.


Character Development

Characters: 9

The characters are well-developed, with their emotions and dynamics portrayed authentically, adding depth to the scene.

Character Changes: 7

While there are subtle shifts in the characters' emotions and dynamics, the scene primarily focuses on reinforcing existing relationships.

Internal Goal: 8

Elio's internal goal in this scene is to maintain a sense of composure and hide any deeper feelings he may have towards Oliver. This reflects his fear of rejection or judgment based on his emotions.

External Goal: 7

Oliver's external goal is to maintain a friendly and polite demeanor towards the Perlman family, showing gratitude for their hospitality. This reflects the immediate circumstances of his stay at their villa.


Scene Elements

Conflict Level: 3

The scene lacks significant conflict, focusing more on emotional depth and character dynamics.

Opposition: 7

The opposition in the scene is moderate, with subtle conflicts and tensions that add depth to the character interactions.

High Stakes: 4

The stakes are relatively low in this scene, emphasizing emotional connections and reflections over dramatic tension.

Story Forward: 6

The scene contributes to character development and emotional depth rather than significant plot progression.

Unpredictability: 6

The scene is somewhat predictable in terms of character interactions and dialogue, with no major plot twists or surprises.

Philosophical Conflict: 6

There is a subtle philosophical conflict between Elio's internal emotions and his external behavior. This challenges his beliefs about self-expression and vulnerability.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response, particularly in terms of nostalgia, appreciation, and the characters' bond.

Dialogue: 8.5

The dialogue is meaningful and reflective, capturing the characters' thoughts and feelings with subtlety and depth.

Engagement: 8

This scene is engaging because of the subtle tension between the characters and the emotional subtext underlying their interactions.

Pacing: 8

The pacing of the scene is effective in building tension and revealing character dynamics through dialogue and action.


Technical Aspect

Formatting: 9

The scene follows standard formatting conventions for a screenplay, with clear scene headings and dialogue formatting.

Structure: 9

The scene follows a traditional structure for a dialogue-driven interaction, with clear character motivations and development.


Critique
  • The scene effectively captures the emotional tension between Elio and Oliver, particularly through Elio's decision to ignore the turn to his home. This choice symbolizes his internal conflict and desire to prolong their time together, which is a strong character moment.
  • Oliver's entrance is visually striking, with his slicked-back hair and relaxed demeanor, which contrasts with Elio's cautiousness. This juxtaposition highlights their differing emotional states and adds depth to their relationship dynamics.
  • The dialogue is light and playful, particularly with Annella's comment about Oliver being a 'movie star.' However, it could benefit from more subtext to convey the underlying emotions. The characters are aware of the impending separation, and this could be more explicitly reflected in their exchanges.
  • The scene transitions smoothly from the country road to the terrace, but the shift could be enhanced by incorporating more sensory details about the environment, such as the sounds of nature or the warmth of the sunset, to create a more immersive experience for the audience.
  • Elio's cautious response to Perlman's question about the work feels somewhat flat. This could be an opportunity to explore Elio's feelings more deeply, perhaps by having him express a mix of pride and insecurity about his work, which would add layers to his character.
Suggestions
  • Consider adding a moment where Elio reflects on his decision to ignore the turn to Fontanili, perhaps through a brief internal monologue or a visual cue that emphasizes his longing for Oliver's company.
  • Enhance the dialogue with more subtext that hints at the characters' feelings about their impending separation. For example, Oliver could make a more poignant remark about missing the Perlman villa that reflects his deeper emotions.
  • Incorporate more sensory details in the setting description to evoke the atmosphere of the sunset and the garden, which can help to heighten the emotional stakes of the scene.
  • Explore Elio's character further by allowing him to express his feelings about his work or his relationship with Oliver in a more nuanced way, perhaps through a metaphor or a personal anecdote.
  • Consider adding a moment of physical interaction or eye contact between Elio and Oliver that conveys their unspoken connection, reinforcing the emotional tension in the scene.



Scene 39 -  Restless Longing
77 INT. KITCHEN - PERLMAN VILLA - NIGHT 77
Later, after dinner. MAFALDA is cleaning up the kitchen.
ELIO, restless, comes in and goes to the fridge, scoops up
some ice cream into a bowl, and goes outside, eating as he
walks.

78 EXT. GARDEN - PERLMAN VILLA - NIGHT 78
ELIO stands in the garden with the bowl of ice cream and
looks up at Oliver’s window. There is a faint glow, like that
of a desk lamp. A red bathing suit is drying.
From inside we hear the sound of the Perlmans’ television.

79 INT. LIVING ROOM - PERLMAN VILLA - NIGHT 79

ELIO, restless, uncharacteristically idle, sits down with his
parents to watch tv. The news on tv talk about the first
socialist government presently taking power in Italy, under
the guide of Bettino Craxi. ELIO half watches. He lights a
cigarette.

ANNELLA
(engrossed)
Not in here!
ELIO gets up and goes into his father’s study, to his desk,
at the telephone. He dials Marzia’s number and she answers.

MARZIA (VOICE)
(in French, there is a
flatness of tone)
Tu es encore malade?
(Are you still sick?)

ELIO
(in French)
C'était rien. Tu veux sortir ? Je
peux passer te prendre en vélo, on
peut aller...
(It was nothing. Do you want to go
out? I can come on my bike and pick
you up. We can go to...)

MARZIA
(in French)
OK, je viens.
(Yeah. I’ll come.)


80 OMITTED 80
Genres: ["Drama","Romance"]

Summary After dinner, Elio feels restless and seeks connection, first gazing at Oliver's window and noticing a drying red bathing suit. He joins his parents in the living room but is distracted by the news and lights a cigarette. Elio then calls Marzia, inviting her out, and they agree to meet, indicating a shift in his focus from Oliver to her.
Strengths
  • Subtle emotional depth
  • Authentic character interactions
  • Effective mood and tone
Weaknesses
  • Lack of external conflict
  • Limited plot progression

Ratings
Overall

Overall: 8.5

The scene effectively conveys Elio's inner turmoil and desire for connection with Oliver, while also providing insight into the family dynamics and historical context of the time.


Story Content

Concept: 8

The concept of exploring Elio's internal struggles and external interactions in a reflective nighttime setting is compelling and adds depth to the overall story.

Plot: 8

The plot of the scene focuses on Elio's emotional journey and his longing for connection with Oliver, while also touching on broader themes of family and historical events.

Originality: 8

The scene presents a fresh approach to depicting restlessness and longing through subtle actions and dialogue, with authentic character interactions.


Character Development

Characters: 8.5

The characters, particularly Elio, are well-developed and their interactions feel authentic and emotionally resonant. The scene allows for subtle character growth and reveals layers of complexity.

Character Changes: 8

Elio experiences subtle shifts in his emotions and perceptions, particularly in his interactions with Oliver and his family, hinting at deeper personal growth and understanding.

Internal Goal: 8

Elio's internal goal is to connect with Marzia and potentially go out with her, showcasing his desire for companionship and distraction from his restlessness.

External Goal: 7

Elio's external goal is to make plans with Marzia and potentially go out with her, reflecting his immediate desire for social interaction.


Scene Elements

Conflict Level: 6

While there is emotional tension and internal conflict within Elio, the scene lacks overt external conflict, focusing more on introspection and relationships.

Opposition: 6

The opposition in the scene is mild, with Elio facing internal conflicts rather than external obstacles.

High Stakes: 6

The stakes in the scene are more internal and emotional, focusing on Elio's longing and relationships, rather than high external stakes.

Story Forward: 7

While the scene deepens the emotional and thematic layers of the story, it does not significantly propel the plot forward in terms of external events or developments.

Unpredictability: 6

This scene is somewhat predictable in terms of character actions and outcomes, but the emotional depth adds an element of unpredictability.

Philosophical Conflict: 7

The philosophical conflict of restlessness and idleness versus companionship and distraction is evident in this scene, challenging Elio's beliefs and values.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response, particularly in capturing Elio's yearning and restlessness, as well as the complexities of his relationships with others.

Dialogue: 7.5

The dialogue in the scene is understated yet impactful, conveying the characters' emotions and relationships effectively. It adds depth to the interactions and enhances the overall mood.

Engagement: 8

This scene is engaging because it captures the internal conflict and longing of the protagonist through subtle actions and dialogue.

Pacing: 8

The pacing of the scene effectively conveys Elio's restlessness and longing, building tension and emotional depth.


Technical Aspect

Formatting: 9

The formatting adheres to the expected format for a screenplay, with clear scene headings and character actions.

Structure: 9

The scene follows a clear structure with distinct locations and character actions, contributing to the overall narrative flow.


Critique
  • The scene effectively captures Elio's restlessness and longing for connection, particularly with Oliver, which is a central theme of the screenplay. However, the transition from the kitchen to the garden feels somewhat abrupt. A more gradual shift could enhance the emotional weight of Elio's actions as he moves from the domestic space to the outside world, where his feelings for Oliver are more pronounced.
  • The use of the television news segment about the socialist government adds a layer of social context, but it may distract from the emotional core of the scene. The news could be more subtly integrated, perhaps by having it play in the background while Elio's internal conflict takes center stage. This would allow the audience to focus more on Elio's emotional state rather than the political commentary.
  • Elio's dialogue with Marzia is brief and serves its purpose, but it lacks depth. This interaction could be an opportunity to explore Elio's feelings further, perhaps by having him express more about his current emotional turmoil or his thoughts on Oliver. This would create a stronger contrast between his feelings for Marzia and his longing for Oliver.
  • The description of Elio lighting a cigarette is a nice touch that conveys his restlessness, but it could be expanded to show more of his internal struggle. For example, describing his thoughts or feelings as he lights the cigarette could provide insight into his state of mind and enhance the scene's emotional impact.
  • The scene ends rather abruptly after Elio's phone call with Marzia. A moment of reflection or a visual cue that emphasizes Elio's feelings of isolation or longing after the call could provide a more poignant conclusion to the scene.
Suggestions
  • Consider adding a moment of hesitation or reflection for Elio as he stands in the garden, looking up at Oliver's window. This could deepen the emotional resonance of his longing and create a more poignant visual moment.
  • Integrate the television news segment more subtly, perhaps by having it play softly in the background while Elio's thoughts or feelings are foregrounded. This would allow the audience to absorb the political context without overshadowing Elio's emotional journey.
  • Expand the dialogue with Marzia to include more of Elio's internal conflict. This could involve him expressing doubts about his feelings or his current state of mind, which would enhance the contrast between his relationship with Marzia and his feelings for Oliver.
  • Add descriptive elements that convey Elio's internal struggle while he lights the cigarette. This could include his thoughts or memories of Oliver, which would enrich the scene and provide a deeper understanding of his emotional state.
  • End the scene with a moment of introspection for Elio after the phone call with Marzia. This could involve him reflecting on his feelings for both Marzia and Oliver, perhaps with a visual cue that emphasizes his sense of isolation or longing.



Scene 40 -  Whispers of the Night
81 EXT. STREETS - CREMA - NIGHT 81

Elio and Marzia are wheeling their bikes through the town
streets. Elio sees a bookstand and asks Marzia to hold his
bicycle. We stay with Marzia who sees Elio feverishly browse
through the stand. He finds something he likes and buys it.
Returns to her and gives her the book.

On impulse, ELIO kisses MARZIA behind the ear. She seems to
freeze. He kisses her again and whispers:

ELIO
Ca t’a dérangé?
(Did it bother you?)
MARZIA
(whispering back, in
French)
Bien sûr que non.
(Of course not.)


82 OMITTED 82

83 EXT. STREETS/PIAZZA PREMOLI - CREMA - NIGHT 83

Outside in the street. They converse as they walk in French.

MARZIA
Pourquoi tu m’as acheté ce livre?
(Why did you buy me this book?)
ELIO
Parce que j'en avais envie.
(Because I felt like it.)
MARZIA
Oui, mais pourquoi tu l'as acheté
pour moi?
Pourquoi m'acheter un livre à moi?
(Yes but why did you buy it for me?
Why buy me a book?)


ELIO
Je comprends pas ta question.
(I don’t understand what you’re
asking.)

MARZIA
N’importe qui comprendrait pourquoi
et toi tu ne comprends pas!
(An idiot would understand why I’m
asking but you don’t.)


ELIO
Je te suis toujours pas.
(I still don’t follow.)

MARZIA
Tu es désespérant.
(You’re hopeless.)
ELIO
Si tu ne me le dis pas, je vais
imaginer des choses...
(MORE)
ELIO (CONT'D)
(If you don’t tell me, I’ll imagine
all sort of things...)


MARZIA
Sei un coglione. (Tu n'es qu'un
crétin) Donne-moi une cigarette.
(Give me a cigarette.)



They are walking very slowly, wheeling their bikes. There are
frequent bursts of sound from behind shuttered windows: TVs,
family arguments, music.

MARZIA (CONT’D)
Tu lis vraiment autant que ça ?
Je veux direi: moi aussi,
j'aime lire, mais je ne le dis à
personne. (Do you really read that
much? Don’t get me wrong. I like to
read, too. But I don’t tell
anyone.)


ELIO
Pourquoi tu ne le dis pas?
(Why don’t you tell anyone?)
MARZIA
Je ne sais pas... Les gens qui
lisent sont cachottiers. Ils
cachent ce qu'ils sont vraiment.
Les gens qui cachent n'aiment pas
toujours ce qu'ils sont.
(I don’t know.. People who read are
hiders. They hide who they are.
People who hide don’t always like
who they are.)


They wheel their bikes in the direction of Piazza Premoli, a
beautiful town square dominated by a marvellous 18th century
palazzo.

ELIO
Tu caches qui tu es vraiment?
(Do you hide who you are?)
MARZIA
Parfois. Pas toi?
(Sometimes. Don’t you?)

ELIO
Si, sûrement. Tu le fais avec moi
aussi?
(I suppose. Do you hide from me?)

MARZIA
Non, pas avec toi. Ou si, peut-
être, un petit peu.
(No, not from you. Or maybe, yes, a
bit.)

ELIO
Comment ça?
(Like what?)

MARZIA
Tu sais très bien ce que je veux
dire.
(You know exactly like what.)
ELIO
Pourquoi tu dis ça?
(Why do you say that?)

MARZIA
Pourquoi? Parce que je pense
que tu peux me faire souffrir
et que je ne veux pas souffrir.
(Why? Because I think you can hurt
me and I don’t want to be hurt.)

She thinks for a moment.

MARZIA (CONT’D) Pas
parce que tu cherches à blesser,
mais parce que tu changes toujours
d'avis, alors, on ne sait donc
jamais à quoi s'en tenir. Tu
m'effraies. (Not that you mean to
hurt anyone, but because you’re
always changing your mind, so no
one knows where to find you. You
scare me.)


ELIO leans over in one of their pauses and kisses MARZIA
lightly on the lips. She stops by the gate of Palazzo
Premoli.

MARZIA (CONT’D)
Tu m'embrasses encore?
(Kiss me again?)

Once they are close, he holds her face with both hands and
leans into her as they begin to kiss, his hand going up under
her shirt, hers goes in his hair. They enter the Palazzo
courtyard and enter a dimly lit corner. Her hips respond to
his, without inhibition. There is nothing between their
bodies but their clothes. She slips a hand between them and
down into his trousers.

MARZIA (CONT’D)
(in a surprised tone)
Comme tu es dur!
(You’re so hard.)

He tries to speak, tells her “You’re making me harder” - but
she cuts him off.

MARZIA (CONT’D)
Embrasse-moi encore.
(Kiss me again.)
He does so.
MARZIA (CONT’D)
Ma tu mi vuoi veramente bene? (Tu
tiens vraiment à moi?) (Do you
really care for me?)

She is frank, human, vulnerable, eager to confide. She keeps
her hand down in his pants as they kiss more passionately,
and his hands stray all over her body.
Genres: ["Romance","Drama"]

Summary Elio and Marzia stroll through the enchanting streets of Crema at night, where Elio impulsively buys a book for her. Their conversation in French reveals Marzia's fears of emotional pain and Elio's struggle with vulnerability. A brief kiss ignites a passionate moment, leading them to explore each other's bodies in a secluded corner of Palazzo Premoli. The scene captures the romantic tension and vulnerability of young love, culminating in Marzia's poignant question about Elio's true feelings.
Strengths
  • Intimate interactions between characters
  • Emotional depth and complexity
  • Effective dialogue and pacing
Weaknesses
  • Potential for confusion in character motivations

Ratings
Overall

Overall: 8.5

The scene effectively captures the intimate and vulnerable moments between Elio and Marzia, showcasing their complex emotions and desires. The dialogue and actions create a sense of confusion and passion, adding depth to their relationship.


Story Content

Concept: 8

The concept of exploring the complex emotions and desires between Elio and Marzia in an intimate setting is well-executed, adding depth to their relationship and character development.

Plot: 8

The plot of the scene focuses on the evolving relationship between Elio and Marzia, highlighting their intimate interactions and the emotional complexities they face. It contributes to the overall narrative by deepening the characters' connections.

Originality: 9

The scene presents a fresh approach to exploring the complexities of relationships and intimacy, with authentic dialogue and nuanced character interactions.


Character Development

Characters: 8.5

The characters of Elio and Marzia are portrayed with depth and complexity, showcasing their vulnerabilities, desires, and fears. Their interactions reveal layers of their personalities and emotions.

Character Changes: 8

Both Elio and Marzia experience changes in their emotions and desires throughout the scene, deepening their relationship and revealing new aspects of their characters.

Internal Goal: 8

The protagonist's internal goal in this scene is to understand Marzia's feelings towards him and to navigate the complexities of their relationship. This reflects his deeper need for connection and his fear of causing harm or being hurt.

External Goal: 7

The protagonist's external goal in this scene is to express his feelings for Marzia and to engage in a physical relationship with her. This reflects the immediate challenge of navigating their romantic and sexual tension.


Scene Elements

Conflict Level: 7

The scene contains internal conflicts within the characters, such as Elio's confusion and Marzia's fear of being hurt. The emotional conflicts drive the interactions and add tension to the scene.

Opposition: 7

The opposition in the scene is strong, with the characters facing internal and external conflicts that challenge their beliefs and desires.

High Stakes: 7

The stakes are moderate in the scene, focusing on the emotional risks and vulnerabilities of Elio and Marzia's relationship. The potential for hurt and confusion adds tension to their interactions.

Story Forward: 8

The scene moves the story forward by developing the relationship between Elio and Marzia, adding complexity to their interactions and setting the stage for future events.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between the characters and the unexpected turns in their conversation and actions.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the characters' differing approaches to vulnerability and honesty in relationships. Marzia values honesty and vulnerability, while Elio struggles with expressing his true feelings and intentions.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of intimacy, vulnerability, and passion. The interactions between Elio and Marzia resonate with the audience, creating a powerful emotional connection.

Dialogue: 8.5

The dialogue in the scene effectively conveys the emotions and desires of Elio and Marzia, adding depth to their interactions. The intimate and vulnerable conversations enhance the character development and thematic elements.

Engagement: 9

This scene is engaging because of the emotional depth of the characters, the tension between them, and the intimate nature of their interactions.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and intimacy gradually, allowing the emotional depth of the characters to shine through.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character dialogue.

Structure: 8

The scene follows the expected structure for its genre, with a clear progression of events and character interactions.


Critique
  • The scene effectively captures the tension and complexity of Elio and Marzia's relationship, showcasing their flirtation and emotional vulnerability. However, the dialogue can feel somewhat repetitive, particularly in the back-and-forth about the book and Elio's intentions. This could be streamlined to maintain the scene's momentum.
  • The use of French adds an authentic touch to the characters' interactions, but it may alienate some readers who are not fluent. Consider providing context or translations for key phrases to ensure the emotional weight is accessible to all audiences.
  • The physical intimacy between Elio and Marzia is portrayed well, but the transition from their conversation to the more passionate moments could be smoother. The shift feels a bit abrupt, and adding more internal thoughts from Elio could enhance the emotional stakes and clarify his motivations.
  • The setting of Crema at night is visually appealing, but the scene could benefit from more sensory details to immerse the audience further. Describing the sounds, smells, and sights of the town would enhance the atmosphere and make the moment feel more vivid.
  • Marzia's character is intriguing, but her motivations could be explored more deeply. Her fear of being hurt is mentioned, but expanding on her backstory or providing more context for her feelings would create a richer character dynamic and deepen the audience's investment in their relationship.
Suggestions
  • Consider tightening the dialogue to eliminate redundancy, focusing on key emotional beats that drive the scene forward.
  • Provide translations or context for the French dialogue to ensure all readers can grasp the emotional nuances.
  • Smooth the transition from conversation to physical intimacy by incorporating Elio's internal thoughts, revealing his conflicting feelings about Marzia and their relationship.
  • Enhance the sensory details of the setting to create a more immersive experience for the audience, allowing them to feel the atmosphere of Crema at night.
  • Explore Marzia's character further by adding layers to her motivations and fears, which would enrich the emotional stakes of the scene.



Scene 41 -  Whispers of Longing
84 EXT. RIVER - NIGHT 84
A deserted spot on the river, later. MARZIA and ELIO make
love on the grass. He pulls out just in time and ejaculates
on her belly. They burst out laughing.

ELIO
Je suis désolé! Je suis désolé!
(I’m sorry! I’m sorry...)

85 INT. ELIO’S BEDROOM - PERLMAN VILLA - DAWN 85
Later. It is now dawn. ELIO is in his room sitting naked at
his desk. His small lamp is on. He takes up a school notebook
and tears out a page. He begins writing the note to Oliver:
Please don’t avoid me.
He crumples that up.

Please don’t avoid me. It kills me.
He crumples that up too, and writes:

Your silence is killing me.
He says to himself, out loud,
ELIO

Way over the top.

He writes:


Can’t stand thinking you hate me.

He tears that up too, and tries again:

I’d sooner die than know you hate
me.
He laughs, tears that one up, and writes once more:

Can’t stand the silence. I need to
speak to you.
He reads this, liking it. He lifts his right hand to his
face, smells his fingertips, his palm, then his other hand
liking that too.

ELIO gets up, folds the last note, and slips it under the
door that separates his room from Oliver’s.
Genres: ["Romance","Drama"]

Summary In this poignant scene, Elio and Marzia share a playful and intimate moment by the river at night, filled with laughter and love. As dawn breaks, Elio finds himself in a state of emotional turmoil, grappling with his feelings for Oliver while attempting to write a heartfelt note expressing his longing and anxiety over Oliver's silence. After several drafts, he finally pens a note that captures his need for communication, reflecting on his emotions as he smells his hands. The scene concludes with Elio slipping the note under Oliver's door, symbolizing his hope for connection amidst uncertainty.
Strengths
  • Emotional depth
  • Vulnerability
  • Character development
Weaknesses
  • Limited external conflict
  • Reliance on internal monologue

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, delving deep into Elio's inner turmoil and unrequited love for Oliver. The emotional depth and vulnerability portrayed make it a poignant and impactful moment in the story.


Story Content

Concept: 9

The concept of unrequited love and silent yearning is central to the scene, driving the emotional core of the story forward. Elio's desperate attempts to communicate his feelings to Oliver create a compelling narrative arc.

Plot: 9

The plot advances significantly as Elio grapples with his emotions and takes a bold step in reaching out to Oliver. The scene sets the stage for further character development and relationship dynamics.

Originality: 9

The scene presents a fresh and authentic portrayal of intimate emotions and struggles, with unique character interactions and dialogue that feel genuine and relatable.


Character Development

Characters: 9

The characters of Elio and Oliver are portrayed with depth and complexity, showcasing their internal struggles and desires. Elio's vulnerability and Oliver's unknowingness add layers to their relationship dynamics.

Character Changes: 8

Elio undergoes a significant emotional transformation in the scene, as he confronts his feelings for Oliver and takes a bold step towards expressing them. His vulnerability and yearning mark a pivotal moment in his character arc.

Internal Goal: 9

Elio's internal goal in this scene is to express his feelings of longing and vulnerability towards Oliver. It reflects his deeper need for connection and fear of rejection.

External Goal: 7

Elio's external goal is to communicate with Oliver and break the silence between them. It reflects the immediate challenge of dealing with their strained communication.


Scene Elements

Conflict Level: 7

The conflict in the scene is primarily internal, as Elio grapples with his feelings and struggles to express them to Oliver. The tension lies in his silent yearning and fear of rejection.

Opposition: 6

The opposition in the scene is subtle but present in Elio's internal conflict and fear of rejection, adding complexity to the narrative.

High Stakes: 8

The stakes are high in the scene as Elio risks rejection and heartbreak by reaching out to Oliver. His emotional well-being and future interactions with Oliver hang in the balance.

Story Forward: 9

The scene propels the story forward by deepening the emotional connection between Elio and Oliver, setting the stage for further developments in their relationship. Elio's actions have consequences that will shape future events.

Unpredictability: 7

This scene is unpredictable in terms of how Elio will express his feelings towards Oliver, keeping the audience engaged and uncertain about the outcome.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the themes of love, vulnerability, and fear of rejection. It challenges Elio's beliefs about expressing his emotions and the consequences of being open with his feelings.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of empathy, longing, and heartache in the audience. Elio's vulnerability and desperation are palpable, creating a deeply moving moment.

Dialogue: 8.5

The dialogue in the scene is poignant and heartfelt, reflecting Elio's inner turmoil and longing for connection. The unspoken words and written notes convey more than verbal communication could.

Engagement: 9

This scene is engaging because of its emotional depth, relatable character struggles, and intimate atmosphere that draws the audience into Elio's internal conflict.

Pacing: 8

The pacing of the scene effectively builds tension and emotion, allowing for a gradual exploration of Elio's internal struggles and desires.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows a well-paced and structured format that effectively conveys the emotional journey of the protagonist.


Critique
  • The scene effectively captures a pivotal moment in Elio's emotional journey, transitioning from a physical encounter with Marzia to a moment of introspection regarding his feelings for Oliver. This juxtaposition highlights the complexity of Elio's emotions and the conflict between his physical desires and emotional needs.
  • The use of humor in Elio's apology after the intimate moment with Marzia adds a light-hearted touch, which contrasts nicely with the deeper emotional turmoil he experiences afterward. However, the humor could be further developed to enhance the emotional stakes, making Elio's transition from laughter to introspection more impactful.
  • Elio's struggle to articulate his feelings in the note to Oliver is relatable and effectively conveys his vulnerability. The repetition of crumpling up notes emphasizes his anxiety and the weight of his emotions, but it could benefit from a clearer progression in his thought process, showing how he arrives at his final message.
  • The sensory detail of Elio smelling his hands after the intimate moment is a strong visual that conveys his connection to Marzia, but it could be expanded to include more sensory elements that reflect his emotional state, such as the sounds of the river or the feeling of the dawn light.
  • The scene's pacing is generally effective, but the transition from the physical intimacy with Marzia to Elio's solitary moment in his room could be smoother. A brief moment of reflection or a visual cue could help bridge these two emotional states more seamlessly.
Suggestions
  • Consider adding a brief moment of reflection for Elio after the intimate encounter with Marzia, allowing him to process his feelings before transitioning to his room. This could enhance the emotional depth of the scene.
  • Explore the use of more sensory details in Elio's introspection, such as the sounds of the river or the feeling of the morning air, to create a more immersive experience for the audience.
  • Clarify Elio's thought process as he writes the note to Oliver. Perhaps include snippets of his internal dialogue that reveal his fears and desires more explicitly, making his emotional struggle more relatable.
  • Enhance the humor in Elio's apology by incorporating more playful dialogue or physical comedy, which could serve to lighten the mood while still acknowledging the gravity of his feelings for Oliver.
  • Consider revising the final note to Oliver to make it more poignant or impactful, perhaps by including a specific memory or moment that encapsulates their relationship, making Elio's longing feel more tangible.



Scene 42 -  Morning Whispers
86 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 86
Breakfast. PROFESSOR PERLMAN sits behind his newspaper, while
a very sleepy ELIO cracks his egg.

OLIVER walks in, sits down, and without looking at ELIO,
says:

OLIVER
Did you enjoy yourself last night?

ELIO
Insomma (so-so).
PERLMAN
(from behind his paper)
Must be tired then. Or were you
playing poker too?

ELIO
(busy with his egg)
I don’t play poker.

PERLMAN and OLIVER exchange glances.

PERLMAN
Several hundred color slides of our
boxer and the others like him
arrived yesterday from Berlin. We
should start cataloging them. That
will keep us busy until lunch I
imagine.
Revision62.

87 INT. ELIO’S BEDROOM - PERLMAN VILLA - DAY 87
ELIO enters his room. He sees the folded note he wrote to
Oliver lying on his desk and opens it. Oliver has added:
Grow up. I’ll see you at midnight.

ELIO feels weak-kneed and has to sit down on his bed. He
kisses the slip of paper, then holds it against his heart.
Then he looks at the time on his watch: 10:30 AM.
Genres: ["Drama","Romance"]

Summary In the garden of the Perlman villa during breakfast, Professor Perlman reads the newspaper while a sleepy Elio cracks an egg. Oliver joins them, casually asking Elio about his night, which Elio brushes off. Perlman hints at upcoming work with color slides from Berlin. The scene shifts to Elio's bedroom, where he discovers a note he wrote to Oliver, now with Oliver's addition urging him to grow up and meet at midnight. Overwhelmed, Elio kisses the note and realizes it's only 10:30 AM, leaving him excited yet anxious about their connection.
Strengths
  • Emotional depth
  • Authentic character interactions
  • Poignant dialogue
Weaknesses
  • Limited external conflict
  • Relatively low stakes

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, focusing on the emotional depth of the characters and their evolving relationship. The anticipation and vulnerability portrayed create a poignant and engaging moment for the audience.


Story Content

Concept: 9

The concept of the scene revolves around the emotional connection between Elio and Oliver, focusing on their longing and anticipation. The note serves as a catalyst for their upcoming meeting, adding depth to their relationship.

Plot: 9

The plot of the scene revolves around Elio's reaction to the note from Oliver and sets the stage for their midnight meeting. It advances the emotional arc of the characters and builds tension for the audience.

Originality: 9

The scene offers a fresh approach to the coming-of-age romance genre, focusing on the internal struggles and desires of the characters rather than external conflicts. The authenticity of the characters' actions and dialogue adds to the originality of the scene.


Character Development

Characters: 9.2

The characters of Elio and Oliver are portrayed with depth and authenticity, allowing the audience to empathize with their emotional journey. Their interactions and reactions feel genuine and compelling.

Character Changes: 8

Elio experiences a shift in his emotional state upon receiving the note from Oliver, moving from anticipation to vulnerability. This moment marks a significant development in his character.

Internal Goal: 8

Elio's internal goal in this scene is to navigate his feelings for Oliver and the growing attraction between them. It reflects his deeper desire for connection and love, while also hinting at his fears of rejection and vulnerability.

External Goal: 7

Elio's external goal in this scene is to maintain composure and hide his feelings for Oliver, as well as to engage in the task of cataloging slides with Professor Perlman. It reflects the immediate challenge of balancing his emotions with his responsibilities.


Scene Elements

Conflict Level: 3

While there is emotional tension and anticipation in the scene, the conflict is more internal and emotional rather than external. The focus is on the characters' feelings and relationships.

Opposition: 7

The opposition in the scene is strong enough to create tension and conflict, with Elio's internal struggles and the unspoken dynamics between the characters adding complexity and unpredictability.

High Stakes: 7

The stakes are relatively high in the scene as Elio eagerly awaits his meeting with Oliver at midnight, unsure of what the encounter will bring. The emotional investment of the characters adds weight to the moment.

Story Forward: 8

The scene moves the story forward by setting up a crucial meeting between Elio and Oliver at midnight. It advances the emotional arc of the characters and builds anticipation for the audience.

Unpredictability: 7

This scene is unpredictable because of the subtle shifts in emotions and the unspoken tension between the characters, keeping the audience guessing about their true feelings and intentions.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the tension between desire and duty, as Elio grapples with his growing feelings for Oliver while also trying to fulfill his academic responsibilities. This challenges Elio's beliefs about love, responsibility, and self-expression.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of longing, affection, and anxiety in the audience. The vulnerability and anticipation of the characters resonate deeply with viewers.

Dialogue: 9

The dialogue in the scene is poignant and reflective, capturing the inner thoughts and emotions of the characters. It enhances the intimacy and vulnerability of the moment.

Engagement: 9

This scene is engaging because of the subtle tension and emotional depth between the characters, as well as the nuanced dialogue and gestures that convey their internal struggles and desires.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense, as well as allowing for moments of emotional depth and reflection.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, dialogue formatting, and action descriptions. The formatting enhances the readability and flow of the scene.

Structure: 8

The scene follows the expected structure for its genre, with a clear setup, conflict, and resolution. The pacing and rhythm contribute to its effectiveness in conveying the emotional depth of the characters.


Critique
  • The scene effectively captures the tension and emotional complexity between Elio and Oliver, particularly through their sparse dialogue and the subtext of their interactions. Elio's sleepiness and nonchalant response to Oliver's question about the previous night hints at his internal conflict and desire for connection, which is a strong choice.
  • Professor Perlman's presence adds a layer of normalcy and familial warmth, contrasting with Elio's emotional turmoil. However, the dialogue could benefit from more subtlety; Perlman's comment about poker feels slightly forced and could be rephrased to maintain the natural flow of conversation.
  • The transition from the breakfast scene to Elio's bedroom is effective, as it highlights Elio's emotional state and the significance of the note from Oliver. The act of kissing the note is a poignant moment that conveys Elio's longing and vulnerability, but it could be enhanced by showing more of Elio's physical reactions to the note, such as trembling hands or a deep breath.
  • The pacing of the scene is generally good, but the dialogue could be tightened to create a more dynamic rhythm. For instance, Elio's response to his father about poker could be more dismissive or sarcastic to reflect his irritation, which would add depth to his character.
  • The visual elements are strong, particularly the imagery of the breakfast setting and the note. However, incorporating more sensory details, such as the sounds of the garden or the smell of breakfast, could further immerse the audience in the scene.
Suggestions
  • Consider revising Perlman's poker comment to be more subtle or indirect, perhaps by having him make a light-hearted joke about Elio's tiredness without directly referencing poker.
  • Enhance Elio's physical reactions to the note from Oliver by adding more descriptive actions, such as him clutching the note tightly or taking a moment to breathe deeply before reacting.
  • Tighten the dialogue to create a more dynamic exchange, allowing Elio's irritation or emotional state to come through more clearly in his responses.
  • Incorporate more sensory details to enrich the scene, such as the sounds of birds in the garden or the aroma of breakfast, to create a more immersive experience for the audience.
  • Consider adding a brief moment of reflection for Elio after he reads the note, perhaps showing him looking out the window or contemplating the implications of their meeting at midnight.



Scene 43 -  Art, Anxiety, and Dinner Plans
88 INT. PROFESSOR PERLMAN’S STUDY - PERLMAN VILLA - DAY 88 *
OLIVER and PROFESSOR PERLMAN project images of classical
athletes in his study. On the screen is a close-up detail of
a bronze navel in an impressively muscled stomach. There are
several of these, and PERLMAN points out stylistic
differences:

PERLMAN
(pointing at the images)
Beautiful aren’t they?

OLIVER
They’re amazing. But these are far
more... sensual.

PERLMAN
Because these are more Hellenistic
than fifth-century Athenian, most
likely sculpted under the influence
of the greatest sculptor in
antiquity: Praxiteles. Their
muscles are firm- look at his
stomach for example- and yet never
a straight body in these statues,
they are all curves, sometimes
impossibly curved and so
nonchalant, hence their ageless
ambiguity. As if they’re daring you
to desire them.

OLIVER, not unmoved by these images, grins, pats his own
belly and sucks in.

89 EXT. TABLE UNDER THE LIME TREES - PERLMAN VILLA - DAY 89

At the lunch table. A clock strikes two. Lunch is over and
everyone folds his napkin and pushes back their chairs.

ANNELLA
And don’t forget Mr. Keller and Mr.
Hodell are coming for dinner
tonight.

ELIO
(to Oliver)
Otherwise known as Laurel and
Hardy.

PERLMAN
(gently admonishing)
Okay...
ANNELLA
I want you to wear the shirt they
gave you for your birthday. It
will make them happy.

ELIO
It’s way too big on me. It looks
ridiculous.

Elio turning to OLIVER to bring him into the conversation and
to test his mood.
ELIO (CONT’D)
See if Oliver doesn’t think I look
like a scarecrow in it. I’ll model
it for you.

But OLIVER is non-committal and won’t be drawn into the
decision.

ELIO can’t help glancing at his wrist watch, but attempts to
hide the gesture from OLIVER by reaching out for an uneaten
cookie on a plate just as MAFALDA is removing it. Then, to
tease ELIO:
OLIVER
What's the time?

Oliver reaches for Elio’s wrist, But Elio pulls away and runs
up the stairs.

90 INT. KITCHEN - PERLMAN VILLA - DAY 90

MAFALDA is cleaning up after lunch. OLIVER comes in.

OLIVER
(in his halting Italian)
Mafalda, non sarò con voi a cena
stasera. (I won’t be home for
dinner this evening).
Genres: ["Drama"]

Summary In Professor Perlman's study, Oliver and Perlman discuss the sensuality of Hellenistic sculptures, captivating Oliver with their stylistic differences. The scene shifts to a lunch under lime trees, where Annella reminds the group about dinner guests. Elio feels self-conscious about a large birthday shirt and seeks Oliver's opinion, but Oliver remains non-committal. Anxious about the time, Elio tries to hide his watch but ultimately runs upstairs, frustrated. The scene concludes with Oliver informing Mafalda that he won't be home for dinner, indicating a change in his plans.
Strengths
  • Exploration of desire and sensuality
  • Character dynamics
  • Thematic depth
Weaknesses
  • Some moments could be more emotionally resonant
  • Low conflict level

Ratings
Overall

Overall: 8.5

The scene effectively blends the exploration of art and sensuality with the everyday interactions of the characters, creating a nuanced and engaging atmosphere. The dialogue and character dynamics add depth to the scene, although some moments could have been more impactful.


Story Content

Concept: 9

The concept of exploring desire through classical sculptures and everyday interactions is unique and engaging. The scene effectively weaves together art, sensuality, and character dynamics to create a rich and layered narrative.

Plot: 8

The plot progression in the scene is subtle but effective, focusing more on character interactions and thematic exploration rather than major plot developments. The scene adds depth to the characters and sets the stage for future events.

Originality: 9

The scene demonstrates a high level of originality through its exploration of art, desire, and cultural dynamics. The characters' actions and dialogue feel authentic and fresh, offering a unique perspective on relationships and self-discovery.


Character Development

Characters: 8.5

The characters are well-developed, with distinct personalities and motivations. Their interactions feel authentic, and the scene provides insights into their relationships and inner conflicts.

Character Changes: 7

There are subtle shifts in the characters' dynamics and emotions, particularly in Oliver's response to the sculptures and Elio's attempts to engage him. These changes hint at deeper feelings and tensions within the characters.

Internal Goal: 8

Oliver's internal goal in this scene is to navigate his feelings towards the art and cultural discussions happening around him. His reactions to the sculptures and his interactions with Elio and Professor Perlman reflect his deeper desires for understanding and connection.

External Goal: 7.5

Oliver's external goal in this scene is to navigate social interactions and expectations, such as wearing the shirt for dinner and engaging in conversation with Elio and the others. This reflects the immediate challenges he faces in fitting into the social dynamics of the Perlman Villa.


Scene Elements

Conflict Level: 6

While there are subtle tensions and unspoken emotions in the scene, the conflict level is relatively low. The focus is more on character dynamics and thematic exploration than on overt conflicts.

Opposition: 7

The opposition in the scene is moderate, with social expectations and personal conflicts creating obstacles for the characters. The audience is kept guessing about the outcomes of the interactions, adding tension and intrigue.

High Stakes: 7

While there are personal stakes involved for the characters in terms of their relationships and desires, the overall stakes in the scene are relatively low. The focus is more on emotional and thematic exploration than on high-stakes conflicts.

Story Forward: 8

The scene moves the story forward by deepening the relationships between the characters, introducing thematic elements, and setting the stage for future developments. It adds layers to the narrative and builds anticipation for what's to come.

Unpredictability: 7.5

This scene is unpredictable because of the shifting dynamics between the characters and the unexpected emotional revelations. The interactions and conflicts keep the audience on their toes and add depth to the narrative.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the interpretation of art and beauty. Professor Perlman's discussion of the sculptures challenges traditional notions of beauty and invites a deeper exploration of desire and ambiguity in art. This conflict challenges Oliver's beliefs and perceptions.


Audience Engagement

Emotional Impact: 7.5

The scene has a moderate emotional impact, with moments of reflection, playfulness, and sensuality evoking a range of emotions. The interactions between the characters add depth and nuance to the emotional landscape.

Dialogue: 8

The dialogue is engaging and serves to reveal character dynamics and thematic elements. It blends reflective moments with playful banter, adding depth to the scene.

Engagement: 9

This scene is engaging because of its blend of intellectual discussions, emotional depth, and subtle character dynamics. The dialogue and interactions draw the audience in and create a sense of intrigue and connection.

Pacing: 8

The pacing of the scene contributes to its effectiveness by balancing dialogue, action, and emotional beats. The rhythm of the scene keeps the audience engaged and allows for moments of reflection and tension.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, with clear scene headings, character names, and dialogue formatting. The visual descriptions and character actions are effectively conveyed through the formatting.

Structure: 8

The structure of the scene follows the expected format for its genre, with clear transitions between locations and well-paced dialogue. The scene flows smoothly and effectively conveys the themes and conflicts at play.


Critique
  • The scene effectively juxtaposes the intellectual discussion between Oliver and Professor Perlman with Elio's emotional turmoil, creating a layered narrative. However, the transition between the two settings could be smoother to maintain the emotional continuity.
  • The dialogue between Perlman and Oliver is rich in detail and showcases their shared passion for art and history. However, it may benefit from a more personal touch or anecdote that connects their discussion to Elio's feelings, enhancing the emotional stakes.
  • Elio's attempt to engage Oliver in the conversation about the shirt feels somewhat forced. While it demonstrates his desire for Oliver's attention, it could be more organic. Consider adding a moment where Elio reflects on his feelings for Oliver before making the comment, which would deepen the emotional impact.
  • The use of humor with the 'Laurel and Hardy' reference is a nice touch, but it could be expanded to further illustrate Elio's character and his relationship with Oliver. This would provide a more nuanced understanding of Elio's feelings and the dynamics at play.
  • The scene ends abruptly with Oliver's declaration about dinner, which feels disconnected from the emotional build-up. A more reflective moment for Elio after Oliver leaves could enhance the scene's emotional resonance, allowing the audience to feel his internal conflict more acutely.
Suggestions
  • Consider adding a brief moment of Elio's internal monologue or reflection during the discussion about the sculptures to connect his feelings for Oliver with the themes of desire and beauty being discussed.
  • Incorporate a subtle physical interaction between Elio and Oliver during the lunch scene, such as a shared glance or a light touch, to emphasize their growing connection and tension.
  • Enhance the dialogue by including a playful banter between Elio and Oliver that hints at their deeper feelings for each other, making their relationship more palpable.
  • After the lunch scene, include a moment where Elio expresses his feelings about the upcoming dinner guests, perhaps revealing his anxiety about Oliver's absence, to create a stronger emotional throughline.
  • Consider ending the scene with Elio's lingering thoughts about Oliver as he watches him leave, providing a more poignant conclusion that encapsulates his longing and anticipation.



Scene 44 -  Afternoon Whispers
91 EXT. ABBEVERATOIO - PERLMAN VILLA - AFTERNOON 91
By the abbeveratoio. ELIO is asleep, his face resting on his
hand. MARZIA arrives on her bike just as OLIVER leaves on
his. They pause in the road to say hello. MARZIA continues
towards the house and approaches the sleeping ELIO.

She plants a light kiss on his forehead, waking him up. He
darts a look at his watch: three fifty-five.

Later. MARZIA and ELIO are in the abbeveratoio. She slips her
hand inside his bathing suit and takes hold of him like she
did in the street the night before.

MARZIA (IN FRENCH)
Tu ne bandes pas.
(You aren’t hard.)
ELIO (IN FRENCH)
Ne fais pas ça ici.
(Don’t do that here.)
MARZIA (IN FRENCH)
Montons dans ta chambre.
(Let’s go up to your room.)

ELIO (IN FRENCH)
J'ai une meilleure idée.
(I have a better idea.)

92 INT. KITCHEN - PERLMAN VILLA - AFTERNOON 92
ELIO and MARZIA, in their swimsuits, run through the kitchen.
Elio holds her hand, almost dragging her. They haven't dried
up, and are wetting the floor as they go.


93 INT. STAIRCASE/CORRIDOR (1ST FLOOR) - PERLMAN VILLA - 93
AFTERNOON

ELIO and MARZIA go up the stairs that take to the upper floor
of the building.
MARZIA
(riant)
On va où???
(laughing)
(Where are we going???)
They enter a small door on the left end of the corridor.

94 INT. SMALL SPIRAL STAIRCASE - PERLMAN VILLA - DAY 94

A small and narrow spiral staircase. ELIO jogs up the steps
with MARZIA.


95 INT. ATTIC - PERLMAN VILLA - AFTERNOON 95

ELIO and MARZIA enter the attic, it is filled with old
furniture, books, and other unused stuff.

Elio moves a mattress that was leaning on the wall and lays
it on the ground. They pull off their bathing suits and lie
on the mattress, ELIO on top. He takes off his watch, places
it on a bed-side table, where he can see it. It is 4:29.

The windows are open, but the shutters are half closed. The
subdued afternoon light draws slatted patterns on the bed, on
the wall, on MARZIA and ELIO making love.

96 EXT. PERLMAN VILLA - LATE AFTERNOON 96

MARZIA leaves just before dinner time. ELIO comes down with
her as the evening guests pull up in their car: a GAY COUPLE
one tall and thin, the other short and rotund. Both are
professors on holiday, and both are wearing purple shirts.
Each carries a bouquet of white flowers which they present to
ANNELLA. ELIO introduces them to MARZIA. They speak terrible
Italian, one starting a sentence loaded with compliments, the
other having to finish it. ELIO leads them into the house as
MARZIA bikes off.
Genres: ["Romance","Drama"]

Summary Elio is awakened by Marzia's kiss at the abbeveratoio, leading to a playful and intimate moment between them. They decide to escape to the attic, where they share a romantic encounter on a mattress, illuminated by the soft afternoon light. As the scene concludes, Marzia leaves just before dinner, and Elio introduces her to arriving guests, a gay couple, marking a shift from their private intimacy to the social atmosphere of the villa.
Strengths
  • Intimate atmosphere
  • Emotional depth
  • Character development
Weaknesses
  • Limited external conflict
  • Focus on internal struggles

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional depth and complexity of the characters, creating a sense of intimacy and vulnerability. The dialogue and actions reveal the desires and anxieties of Elio and Marzia, adding depth to their relationship.


Story Content

Concept: 8

The concept of exploring the intimate relationship between Elio and Marzia in a secluded attic is well-executed, highlighting their emotional connection and physical attraction.

Plot: 7.5

The plot of the scene focuses on the intimate encounter between Elio and Marzia, deepening their relationship and revealing their inner desires and vulnerabilities.

Originality: 9

The scene introduces a fresh approach to romantic encounters, blending cultural elements and societal dynamics to create a unique and authentic portrayal of human relationships.


Character Development

Characters: 8.5

The characters of Elio and Marzia are well-developed in this scene, showcasing their emotional complexity and inner conflicts. Their interactions and dialogue reveal their desires and anxieties, adding depth to their relationship.

Character Changes: 8

Both Elio and Marzia experience emotional growth and self-discovery in this scene, deepening their relationship and revealing new aspects of their personalities.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate his feelings and desires for both Marzia and Oliver, reflecting his deeper needs for connection, intimacy, and self-discovery.

External Goal: 7

The protagonist's external goal in this scene is to engage in a romantic encounter with Marzia, reflecting the immediate circumstances of their physical attraction and desire.


Scene Elements

Conflict Level: 6

The conflict in the scene is internal, focusing on the characters' desires and anxieties rather than external obstacles. The tension arises from their emotional vulnerability and the complexities of their relationship.

Opposition: 7

The opposition in the scene is strong enough to create tension and uncertainty, as the protagonist grapples with conflicting desires and societal expectations.

High Stakes: 6

The stakes in the scene are emotional, focusing on the characters' desires, vulnerabilities, and fears. The outcome of their encounter has the potential to impact their relationship and personal growth.

Story Forward: 7

The scene moves the story forward by developing the relationship between Elio and Marzia, adding complexity and depth to their characters and setting the stage for future conflicts and resolutions.

Unpredictability: 7

This scene is unpredictable in the sense that the audience is unsure of how the protagonist will navigate his relationships with Marzia and Oliver, adding tension and intrigue to the narrative.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the protagonist's struggle between societal expectations and personal desires, as he navigates his relationships with Marzia and Oliver.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of desire, love, and vulnerability in the characters and the audience. The intimate and passionate moments between Elio and Marzia resonate deeply.

Dialogue: 8

The dialogue in the scene effectively conveys the emotions and desires of the characters, adding depth to their relationship and highlighting their inner conflicts.

Engagement: 9

This scene is engaging because of its intimate and emotionally charged interactions between the characters, drawing the audience into their complex relationships and desires.

Pacing: 8

The pacing of the scene contributes to its effectiveness by creating a sense of intimacy and tension, building towards a climactic moment of emotional and physical connection.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, descriptions, and dialogue formatting.

Structure: 8

The scene follows the expected structure for its genre, with a clear progression of events and character interactions that build towards a climax.


Critique
  • The scene effectively captures the youthful exuberance and spontaneity of Elio and Marzia's relationship, showcasing their physical intimacy and playful banter. However, the transition from the previous scene to this one feels abrupt. The reader may benefit from a smoother segue that connects Oliver's departure with Marzia's arrival, enhancing the flow of the narrative.
  • The dialogue in French adds authenticity to the characters' interactions, but it may alienate readers who are not fluent in the language. Consider providing context or translations for key phrases to ensure all readers can fully grasp the emotional weight of the exchanges.
  • The setting of the attic is a strong choice, symbolizing a hidden space for their intimacy. However, the description could be more vivid to evoke the atmosphere. Adding sensory details about the attic's smell, the feel of the mattress, or the sounds of the villa could enhance the reader's immersion in the scene.
  • While the physical intimacy between Elio and Marzia is portrayed, the emotional stakes could be heightened. Elio's internal conflict regarding his feelings for Oliver is not addressed in this scene, which may leave readers wanting more depth. Exploring Elio's thoughts or hesitations about being with Marzia could add layers to the scene.
  • The introduction of the gay couple at the end serves as a humorous contrast to the preceding intimate moment, but it may feel jarring. The scene could benefit from a more gradual transition to this new dynamic, perhaps by foreshadowing their arrival earlier in the scene.
Suggestions
  • Consider adding a brief moment of reflection for Elio before Marzia arrives, allowing readers to understand his emotional state and the weight of his feelings for Oliver.
  • Incorporate more sensory details in the attic scene to create a vivid atmosphere that enhances the intimacy of the moment.
  • Provide translations or context for the French dialogue to ensure all readers can engage with the emotional nuances of the conversation.
  • Explore Elio's internal conflict regarding his feelings for Oliver during his interaction with Marzia, perhaps through his thoughts or hesitations, to deepen the emotional impact of the scene.
  • Smooth the transition between the intimate moment with Marzia and the arrival of the gay couple by foreshadowing their presence earlier in the scene, creating a more cohesive narrative flow.



Scene 45 -  A Lesson in Acceptance
97 INT. ELIO’S BEDROOM - PERLMAN VILLA - EVENING 97
ELIO finds his father in his room going through all his son’s
shirts hanging in the closet in order to pick out the
unwanted present. He hands it to ELIO, who groans.
ELIO
I can’t put it on now! They’ve
already met me. It will look like a
put-up job.

PERLMAN
(in a very amused tone)
No misbehaving tonight. When I tell
you to play, then play! You’re too
old not to accept people as they
are. What’s wrong with them? I
don’t think it’s very attractive of
you to call them ‘Laurel and Hardy’
behind their backs...


ELIO
Mom called them that.
PERLMAN
...and then accept gifts from them.
Is it because they’re gay or
because they’re ridiculous? Is that
it? I hope not. And if you know as
much about economics when you’re
Zafar’s age you’ll be a very wise
man indeed and a credit to me. Now
get into this.

The shirt isn’t so bad: a loose Hawaiian one with big white
flowers on a black background. ELIO changes into it.

98 EXT. TABLE UNDER THE LIME TREES - PERLMAN VILLA - EVENING 98
ELIO bounds into the living room, where PERLMAN is serving
LAUREL and HARDY champagne, making something of an entrance.
They rise and salute him with their glasses, exclaiming and
exchanging delighted glances as their host’s beautiful son
descends in their midst wearing the shirt they had given him.
PERLMAN and ANNELLA look at ELIO for a moment, as if seeing
him anew, then pour out a glass of champagne for him. On the
table in front of them are a number of big black and white
photographs of the bronze Boxer being pulled up out of the
water.
Genres: ["Drama","Romance"]

Summary In Elio's bedroom, his father, Perlman, encourages him to wear a Hawaiian shirt gifted by their guests, whom he playfully refers to as 'Laurel and Hardy.' Despite Elio's initial reluctance and teenage angst, Perlman teaches him about acceptance and maturity. The scene shifts to an outdoor table under lime trees, where Elio makes a lively entrance in the shirt, delighting their guests and marking a moment of familial connection and growth.
Strengths
  • Strong character development
  • Humorous interactions
  • Insightful reflection on relationships
Weaknesses
  • Minimal conflict
  • Low stakes

Ratings
Overall

Overall: 8.5

The scene effectively combines humor, reflection, and character development, providing insight into the relationships between the characters and their growth.


Story Content

Concept: 8

The concept of accepting others as they are and the growth that comes from it is effectively explored through the unwanted shirt subplot.

Plot: 8

The plot of the scene revolves around the unwanted shirt and the interactions between the characters, providing insight into their relationships and growth.

Originality: 9

The scene offers a fresh take on family dynamics and social expectations, with authentic character interactions and emotional depth.


Character Development

Characters: 9

The characters are well-developed, with distinct personalities and growth arcs. Their interactions and dialogue showcase their relationships and development.

Character Changes: 8

The characters experience growth and acceptance throughout the scene, particularly Elio as he learns to accept others and himself.

Internal Goal: 8

Elio's internal goal in this scene is to navigate his feelings of discomfort and judgment towards the guests, Laurel and Hardy, while also trying to please his father and adhere to social norms.

External Goal: 7.5

Elio's external goal is to make a good impression on the guests and his father by wearing the shirt they gave him and behaving appropriately.


Scene Elements

Conflict Level: 5

The conflict in the scene is minimal, focusing more on the dynamics between the characters and their personal growth.

Opposition: 7.5

The opposition in the scene is strong, with conflicting emotions and social expectations creating tension and uncertainty for the characters.

High Stakes: 4

The stakes in the scene are relatively low, focusing more on personal growth and acceptance rather than high drama.

Story Forward: 7

The scene moves the story forward by deepening the relationships between the characters and setting the stage for further development.

Unpredictability: 7

This scene is unpredictable in terms of character reactions and emotional dynamics, adding depth and complexity to the narrative.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around acceptance and judgment. Elio struggles with accepting people as they are, as advised by his father, while also judging the guests for their behavior and appearance.


Audience Engagement

Emotional Impact: 8

The scene has a moderate emotional impact, particularly in the moments of reflection and acceptance between the characters.

Dialogue: 8.5

The dialogue is engaging and serves to deepen the relationships between the characters, providing insight into their thoughts and emotions.

Engagement: 9

This scene is engaging due to the dynamic character interactions, emotional tension, and subtle humor that keeps the audience invested in the story.

Pacing: 8

The pacing of the scene is well-executed, with a balance of dialogue and action that maintains the audience's interest and drives the story forward.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene descriptions and character actions.

Structure: 8

The scene follows a clear structure with well-defined character arcs and narrative progression.


Critique
  • The scene effectively captures the dynamic between Elio and his father, Perlman, showcasing a blend of humor and parental guidance. Perlman's playful admonishment about Elio's attitude towards their guests adds depth to their relationship, highlighting the generational differences in acceptance and understanding of others.
  • Elio's reluctance to wear the Hawaiian shirt serves as a metaphor for his struggle with identity and acceptance, both of himself and of others. This internal conflict is well-illustrated through his dialogue and physical reactions, making it relatable for the audience.
  • The dialogue flows naturally, with Perlman's questions prompting Elio to reflect on his biases. However, the scene could benefit from more emotional stakes. While the humor is present, the underlying tension regarding Elio's feelings for Oliver and the guests could be more pronounced to enhance the dramatic weight of the moment.
  • The transition from the intimate setting of Elio's bedroom to the lively atmosphere under the lime trees is effective, but the shift could be more pronounced. The contrast between Elio's private insecurities and the public celebration could be emphasized further to heighten the emotional impact.
  • The visual elements, such as the Hawaiian shirt and the champagne toast, are vivid and contribute to the scene's atmosphere. However, the significance of the shirt could be explored more deeply, perhaps through Elio's internal monologue or a brief flashback to his initial reaction to the gift.
Suggestions
  • Consider adding a moment of internal reflection for Elio as he changes into the shirt, allowing the audience to see his thoughts on wearing it and what it represents for him.
  • Enhance the emotional stakes by incorporating a brief exchange between Elio and Perlman that touches on Elio's feelings for Oliver, perhaps hinting at his discomfort with the guests in relation to his own identity.
  • Use visual metaphors more effectively; for instance, the Hawaiian shirt could symbolize Elio's struggle with acceptance and identity. A close-up shot of Elio's face as he puts it on could convey his mixed feelings.
  • Strengthen the transition to the outdoor scene by incorporating sound design, such as the laughter and chatter of guests, to contrast with the more intimate and serious tone of the previous scene.
  • Consider adding a moment where Elio observes the guests' reactions to him in the shirt, allowing for a visual representation of his internal conflict and the acceptance he is grappling with.



Scene 46 -  Introspection in the Night
99 INT. LIVING ROOM - PERLMAN VILLA - LATER 99

ELIO is playing the piano. For his final selection, he has
chosen a piece by Poulenc. The others listen almost
reverently. His wristwatch is on the piano.
As he is concluding, OLIVER comes in from outside and makes
his way towards the stairs. The others turn as he passes. He
smiles in greeting, and makes “I don’t want to disturb you”
motions with his hands before disappearing. ELIO is
unperturbed. The sudden appearance of OLIVER may inject a
dash of fire to the final - if wee-bit hurried - notes.

ELIO stands up as his audience applauds and makes a little
bow.
ELIO
(nodding in appreciation)
I’m afraid I have to go to bed now.
He shakes hands with the guests, thanks them anew for his
shirt, kisses his mother, and runs up the stairs. The big
clock shows almost eleven.

100 INT. ELIO’S BEDROOM - PERLMAN VILLA - NIGHT 100

Later still. ELIO sits at his desk. He has taken off the
Hawaiian shirt and is now wearing a T-shirt. He smokes a
cigarette while he writes in his journal. We see his pen
forming his thoughts.

ELIO breaks off to listen for sounds coming from Oliver’s
room. Dead silence. His watch says a quarter to twelve.
Barefoot, he gets closer to the door that separates the two
rooms. He looks through the cracks but sees no light. He
returns to his post.

He glimpses himself in the mirror and says to his reflection:
“Do I know you?”.

He turns his face from side to side to catch different
lights. He goes at the bathroom door to listen, but there are
no sounds from inside.

101 INT. OLIVER’S ROOM - PERLMAN VILLA - NIGHT 101
OLIVER is lying fully dressed on his bed, in the dark,
smoking a cigarette. A half-full ashtray is resting on the
pillow next to him. His espadrilles lie on the floor where he
kicked them off. Oliver’s expression is enigmatic compared to
Elio’s, calmness itself. He hears Elio run the tap in their
adjoining bathroom and looks up.

102 INT. ELIO’S AND OLIVER’S BATHROOM - PERLMAN VILLA - NIGHT 102

In the bathroom ELIO pees. He’s careful not to make any noise
and aims high. He says softly, looking down at his penis, “Do
I know you?” He flushes the toilet and turns off the tap.
Genres: ["Drama","Romance"]

Summary Elio performs a piano piece by Poulenc in the living room of the Perlman villa, captivating his audience, including the enigmatic Oliver. After the performance, Elio retreats to his bedroom, where he reflects on his identity and feelings for Oliver while writing in his journal. The scene captures Elio's internal struggle and longing, juxtaposed with Oliver's calm demeanor in his room. As Elio questions himself in the bathroom, the atmosphere is filled with introspection and curiosity, leaving him in contemplation about his emotions.
Strengths
  • Emotional depth
  • Subtle character development
  • Introspective atmosphere
Weaknesses
  • Minimal external plot progression
  • Lack of overt conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional depth and inner turmoil of the characters through subtle actions and introspective moments. The quiet tension and yearning between Elio and Oliver are palpable, creating a poignant atmosphere.


Story Content

Concept: 8

The concept of exploring the quiet, introspective moments of Elio and Oliver as they grapple with their emotions and desires is compelling and well-executed. The scene delves deep into the characters' inner worlds.

Plot: 7.5

While the plot progression is minimal in terms of external events, the scene focuses on the internal conflicts and emotional journeys of the characters, driving the narrative forward in a subtle yet impactful way.

Originality: 9

The scene offers a fresh and authentic portrayal of self-discovery and desire, with nuanced character interactions and introspective moments. The dialogue feels natural and poetic, adding to the authenticity of the characters' emotions.


Character Development

Characters: 9

The characters of Elio and Oliver are richly developed, with their inner thoughts and desires portrayed with depth and authenticity. The scene highlights their complex emotions and unspoken connection.

Character Changes: 8

Both Elio and Oliver experience subtle shifts in their emotions and desires throughout the scene, reflecting their internal growth and evolving relationship. The quiet moments of reflection hint at deeper changes to come.

Internal Goal: 8

Elio's internal goal in this scene is to understand his own identity and feelings towards Oliver. He is questioning his own emotions and desires, as shown by his introspective moments and interactions with Oliver.

External Goal: 7

Elio's external goal is to maintain a sense of composure and normalcy in front of his guests and family, while also trying to connect with Oliver on a deeper level.


Scene Elements

Conflict Level: 3

The conflict in the scene is primarily internal, focusing on the characters' inner struggles and desires rather than external conflicts. The tension arises from the unspoken emotions between Elio and Oliver.

Opposition: 6

The opposition in the scene is subtle but effective, adding a layer of complexity to the characters' interactions and emotions.

High Stakes: 4

The stakes in the scene are primarily emotional, focusing on the characters' inner conflicts and desires. The emotional intensity and unspoken tension between Elio and Oliver heighten the stakes of their evolving relationship.

Story Forward: 6

While the scene does not significantly move the external plot forward, it delves deep into the internal journeys of the characters, setting the stage for future developments in their relationship and personal growth.

Unpredictability: 7

This scene is unpredictable because of the subtle shifts in emotions and the unspoken tension between the characters. The audience is left wondering about the true nature of Elio and Oliver's relationship.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around self-discovery and acceptance. Elio is grappling with his own identity and desires, which may challenge societal norms and expectations.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of longing, yearning, and melancholy in the audience. The quiet moments of reflection and the unspoken connection between Elio and Oliver resonate deeply.

Dialogue: 7

The minimal dialogue in the scene enhances the introspective nature of the characters' reflections and adds to the quiet, contemplative atmosphere. The unspoken communication between Elio and Oliver is poignant.

Engagement: 9

This scene is engaging because of its quiet tension, introspective moments, and emotional depth. The audience is drawn into the characters' inner struggles and desires.

Pacing: 8

The pacing of the scene enhances its emotional impact, allowing for moments of introspection and tension to unfold naturally.


Technical Aspect

Formatting: 8

The formatting of the scene is consistent with the genre and enhances the visual and emotional elements of the story.

Structure: 8

The scene follows a well-paced structure, with a clear progression of events and character development. The formatting enhances the emotional impact of the scene.


Critique
  • The scene effectively captures Elio's internal conflict and longing for Oliver, which is a central theme of the screenplay. The juxtaposition of Elio's piano performance with Oliver's entrance adds a layer of tension and urgency, highlighting Elio's emotional state.
  • The use of physical actions, such as Elio listening for sounds from Oliver's room and looking through the cracks, conveys his desire for connection and his anxiety about Oliver's presence. This is a strong visual representation of his inner turmoil.
  • The dialogue is minimal, which works well in this context, allowing the audience to focus on Elio's thoughts and feelings. However, the line 'Do I know you?' feels slightly repetitive as it is echoed in both Elio's reflection and his bathroom dialogue. This could be streamlined to enhance impact.
  • The transition between the scenes is smooth, but the pacing could be improved. The shift from the piano performance to Elio's introspection feels a bit abrupt. A brief moment of reflection or a lingering shot on Elio's face after the applause could enhance the emotional weight of the scene.
  • Oliver's characterization in this scene is somewhat passive. While his enigmatic presence adds intrigue, it would be beneficial to provide a hint of his internal conflict or feelings towards Elio, even if subtly, to create a more dynamic interaction.
Suggestions
  • Consider adding a brief moment of silence or a lingering shot on Elio's face after he finishes playing the piano, allowing the audience to absorb the emotional weight of the performance before transitioning to his bedroom.
  • Streamline the repetition of the line 'Do I know you?' by either removing one instance or rephrasing it to maintain the thematic resonance without feeling redundant.
  • Introduce a subtle action or expression from Oliver as he enters the scene, such as a fleeting glance towards Elio or a slight hesitation, to hint at his feelings and create a more dynamic interaction.
  • Explore the use of sound design to enhance the atmosphere during Elio's introspection. The absence of sound when he listens for Oliver could be emphasized with a soft, ambient score that fades in and out, reflecting his emotional state.
  • Consider incorporating a brief flashback or memory that Elio recalls while looking in the mirror, which could deepen his character development and provide context for his feelings towards Oliver.



Scene 47 -  Nervous Connections
103 INT. ELIO’S BEDROOM - PERLMAN VILLA - NIGHT 103

When ELIO emerges from the bathroom he hears voices coming up
from below as the guests are leaving. He reaches the window
and looks down at “Laurel and Hardy” who stand by the car
saying their goodbyes and laughing affectionately. The two
men get into their car, the PERLMANS waving as it drives
away.

Right in that moment ELIO rises his gaze and sees OLIVER on
the balcony above the main entrance.

104 INT. CORRIDOR/EXT. BALCONY - PERLMAN VILLA - NIGHT 104

ELIO runs into the corridor and reaches the balcony where
OLIVER is smoking.

OLIVER
I’m glad you came. I could hear you
moving in your room and for a while
I thought you were getting ready to
go to bed, had changed your mind.

ELIO
Change my mind? Of course I was
coming.

ELIO steps close to the ledge.

ELIO (CONT’D)
So you do smoke?
OLIVER
Sometimes.

ELIO
(not knowing what else to
say)
I’m nervous.
OLIVER
Me too.
ELIO
I am more so.
Genres: ["Romance","Drama"]

Summary Elio, after hearing guests leave the Perlman villa, rushes to join Oliver on the balcony. They share a moment of vulnerability, both admitting their nervousness about their feelings for each other, creating an intimate connection amidst the tension of the night.
Strengths
  • Emotional depth
  • Intimate atmosphere
  • Strong character development
Weaknesses
  • Limited external conflict
  • Slow pacing in some parts

Ratings
Overall

Overall: 8.5

The scene effectively conveys the emotional tension and connection between Elio and Oliver through their dialogue and body language, creating a sense of anticipation and intimacy.


Story Content

Concept: 8

The concept of the scene, focusing on the nervousness and intimacy between Elio and Oliver, is well-executed and adds depth to their relationship.

Plot: 8

The plot of the scene advances the relationship between Elio and Oliver, revealing their growing connection and emotional complexity.

Originality: 9

The scene offers a fresh approach to depicting a moment of connection and vulnerability between characters, with authentic dialogue and emotional depth.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed and their interactions in this scene showcase their vulnerability, desires, and unspoken feelings.

Character Changes: 7

Both Elio and Oliver experience a shift in their emotional state and connection during the scene, deepening their relationship.

Internal Goal: 8

Elio's internal goal is to connect with Oliver on a deeper level, expressing his nervousness and vulnerability. This reflects his desire for emotional intimacy and understanding.

External Goal: 7

Elio's external goal is to engage in conversation with Oliver and establish a connection. This reflects the immediate challenge of breaking the ice and overcoming nervousness.


Scene Elements

Conflict Level: 6

While there is emotional tension and inner conflict present, the scene focuses more on the intimacy and connection between Elio and Oliver.

Opposition: 7

The opposition in the scene comes from the characters' internal struggles and emotional barriers, adding complexity and depth to their interactions.

High Stakes: 5

While the emotional stakes are high for Elio and Oliver in their relationship, the scene focuses more on the personal and intimate moments between them.

Story Forward: 7

The scene moves the story forward by advancing the relationship between Elio and Oliver and revealing new layers of their feelings and connection.

Unpredictability: 7

This scene is unpredictable in terms of how the characters' emotions and interactions will unfold, keeping the audience engaged and curious.

Philosophical Conflict: 7

The philosophical conflict is between Elio's nervousness and vulnerability, and Oliver's calm demeanor. This challenges Elio's beliefs about expressing emotions and connecting with others.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of nervousness, intimacy, and vulnerability in the characters and the audience.

Dialogue: 8.5

The dialogue in the scene effectively conveys the nervousness and intimacy between Elio and Oliver, adding depth to their relationship.

Engagement: 9

This scene is engaging because of its emotional depth, authentic dialogue, and the gradual build-up of tension and connection between characters.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing for moments of tension, reflection, and emotional vulnerability to unfold gradually.


Technical Aspect

Formatting: 8

The formatting adheres to the expected format for a dialogue-heavy scene in a screenplay, with clear character actions and dialogue cues.

Structure: 8

The scene follows a traditional structure for a character-driven interaction, allowing for a gradual development of emotions and connections.


Critique
  • The scene effectively captures the tension and nervousness between Elio and Oliver, which is a central theme of their relationship. The dialogue is natural and reflects their insecurities, making it relatable for the audience.
  • The transition from Elio observing the guests leaving to his interaction with Oliver is smooth, creating a sense of urgency and anticipation. However, the scene could benefit from more sensory details to enhance the atmosphere, such as the sounds of the night or the ambiance of the villa.
  • Elio's nervousness is conveyed well, but it could be deepened by incorporating more internal thoughts or physical reactions. For instance, describing Elio's body language or his heart racing could heighten the emotional stakes.
  • Oliver's character remains somewhat enigmatic in this scene, which is effective, but adding a line or two that reveals his own internal conflict or feelings about Elio could create a more balanced dynamic between the two characters.
  • The dialogue, while realistic, could be enriched with subtext. For example, instead of stating 'I’m nervous,' Elio could express his feelings through a metaphor or a more indirect statement, which would add depth to their conversation.
Suggestions
  • Incorporate more sensory details to create a vivid atmosphere, such as the sounds of the night, the smell of smoke, or the warmth of the balcony.
  • Enhance Elio's internal conflict by adding more physical reactions or thoughts that reflect his nervousness, such as fidgeting or recalling a moment with Oliver that heightens his anxiety.
  • Consider adding a line for Oliver that hints at his own feelings or insecurities, which would create a more dynamic exchange and deepen their connection.
  • Revise Elio's dialogue to include more subtext or metaphorical language, allowing the audience to infer his feelings rather than stating them outright.
  • Explore the use of pauses or silences in the dialogue to emphasize the tension and allow the characters' emotions to resonate more with the audience.



Scene 48 -  A Night of Intimacy
105 INT. OLIVER’S BEDROOM - PERLMAN VILLA - NIGHT 105

OLIVER sits on the bed, his legs crossed, looking smaller,
younger. ELIO stands awkwardly at the foot of the bed, not
knowing what to do with his hands. He keeps putting them in
his pockets, then taking them out again.

OLIVER
(placing the full ashtray
onto the floor)
Come, sit.
Hestitating, ELIO crawls onto the bed and sits facing him,
cross-legged like Oliver, making sure their knees don’t
touch. Needing suddenly to shed his shyness and inhibitions,
ELIO decides he has to lean against something and slides up
to the top of the bed, resting his back against the headboard
beside OLIVER.

ELIO looks down at the bed and at the two of them side by
side on it, a moment he has dreamed of. Now here we are, he
thinks, hardly able to believe it. As if to highlight that
moment, OLIVER stretches his legs out, his bare feet next to
ELIO’s own.
OLIVER (CONT’D)
You okay?
ELIO
Me okay.
With his toes, ELIO reaches over to Oliver’s toes and touches
them. He slips his big toe in between Oliver’s big toe and
his second toe. OLIVER does not respond. Since he is sitting
on Oliver’s left he figures these are not the toes that
touched him at lunch the other day. It was his right foot
that was guilty, so ELIO tries to reach it with his own right
foot, in a kind of desperately playful mood.

OLIVER
What are you doing?
ELIO
Nothing.

Somewhat absentmindedly, awkwardly and without conviction,
OLIVER reciprocates the movement, seeking out Elio’s other
foot. ELIO moves closer to OLIVER, then hugs him. A kind of
child’s hug, which OLIVER responds to only by saying, half-
humorously:
OLIVER
That’s a start.
ELIO shrugs, not wanting to speak.

OLIVER (CONT’D)
Does this make you happy? You
aren’t going to have a nosebleed
are you?

It does, and ELIO nods yes, then no. Finally, OLIVER brings
his arm around ELIO. He doesn’t stroke him, doesn’t hold him
tight. ELIO loosens his own hold for a moment, giving him
time enough to bring both his hands, seeking skin, under
Oliver’s loose shirt and resume his embrace.

OLIVER (CONT’D)
You sure you want this?
ELIO nods again, Yes.

OLIVER (CONT’D)
We haven’t talked.
ELIO shrugs his shoulders, meaning "No need to."

OLIVER lifts Elio’s face with both hands and stares at him
the way he did on the cliff, even more intensely.

OLIVER (CONT’D)
Can I kiss you?

Then he suddenly pulls back, as if he might laugh, and runs
his fingers through Elio’s hair, messing it up.

ELIO brings his mouth to Oliver’s in a fiercely eager kiss.
Something seems to clear away between them, and both abandon
themselves to the kiss. ELIO hungrily kisses Oliver’s closed
eyes, his nose, his ears, his throat, discovering them with
his lips. OLIVER kisses him back as eagerly, even roughly.

ELIO gets under the covers. There are some things lying on
the bed that hadn’t been removed - a book, some magazines, a
pack of cigarettes, and ELIO slips a foot under them as if
they weren’t there; they all fall onto the floor.
OLIVER gets under the covers too and starts to undress ELIO.

OLIVER (CONT’D)
(whispering)
Off, and off, and off, and off...
(tossing them away)

ELIO is soon naked and lies back under the sheet in a kind of
ecstasy as OLIVER moves his hands over his body, as
inquisitive as Marzia’s had been the night before in the
street. When OLIVER pulls the sheet back, ELIO loves being
naked before him. No secrets. OLIVER kisses him, kisses his
body, takes his penis (off-screen) briefly in his mouth, then
returns to kiss Elio’s open lips again more deeply, as if he
too is finally letting go. OLIVER is also naked, and not a
part of him isn’t touching ELIO now. They stare at each
other.
ELIO looks away, because OLIVER is staring at him. Then he
looks back, and now stares at OLIVER, as they settle into a
mock wrestling position with Oliver’s shoulders rubbing
Elio’s knees. ELIO looks into Oliver’s eyes in an intensity
of love and expectation, wanting this moment to last forever,
knowing there will be no coming back from this.

When it happens - when OLIVER enters ELIO - there is a degree
of pain and discomfort. ELIO flinches and fights an impulse
to stop him, which OLIVER sees.
OLIVER (CONT’D)
You’re okay?

An eternity seems to pass between Elio’s reluctance to make
up his mind and Oliver’s instinct to make it up for him.

They fuck. Bodies are entangled. Elio is flushed, turning
from side to side as he alternates obscenities with Oliver’s
name; Oliver’s face is more implacable, his lips softly
repeating what ELIO says, until he bends forward to say to
him:

OLIVER (CONT’D)
Call me by your name and I’ll call
you by mine.

They continue their rhythm, taking ELIO in a realm he has
never known before, and murmuring his own name as if it were
Oliver’s: Elio... Elio... Elio. The Star of David bounces on
Oliver’s chest.
A LITTLE LATER

OLIVER pulls out and says to ELIO (Oliver) that he is going
to come. ELIO watches the formidably discreet, formidably
cool OLIVER make faces and peak before his very eyes. When he
comes, it’s all over Elio’s chest, saying “I want to! I want
to!”. It is a shock at first when OLIVER spreads his semen
out with the palm of his hand over Elio’s stomach and chest.
OLIVER, still straddling ELIO, picks up his billowy blue
shirt from the floor and cleans him with it.

ELIO
Did we make noise?

OLIVER
Nothing to worry about.

ELIO
Mafalda always looks for signs.
OLIVER
She won’t find any.

ELIO
You wore that shirt on your first
day here. Will you let me have it,
leave it here when you go?

OLIVER doesn’t answer and tosses the shirt aside. He takes
ELIO in his arms, looks down into his face. He smooths out
Elio’s hair with his hand. ELIO is falling asleep. OLIVER
continues to hold him.
Genres: ["Romance","Drama"]

Summary In Oliver's bedroom at the Perlman villa, Elio and Oliver share a tender and intimate moment. Initially hesitant, Elio moves closer to Oliver, leading to playful foot touching and a heartfelt hug. As they kiss passionately, they undress each other, experiencing a mix of pain and pleasure during their sexual encounter. This moment deepens their emotional connection, culminating in a shared sense of vulnerability. Afterward, Oliver comforts Elio, holding him as he falls asleep, encapsulating a sense of safety and intimacy.
Strengths
  • Intense emotional connection between characters
  • Raw and vulnerable portrayal of intimacy
  • Powerful performances by actors
Weaknesses
  • Limited dialogue
  • Focus on character development over plot progression

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, capturing the intense emotions and desires of the characters in a raw and vulnerable manner. The intimate moments shared between Elio and Oliver are portrayed with sensitivity and depth, creating a powerful and memorable scene.


Story Content

Concept: 9

The concept of exploring the intimate and vulnerable moments between Elio and Oliver is executed with depth and sensitivity, capturing the complexities of their relationship and desires.

Plot: 8.5

While the scene focuses more on character development and emotional connection than plot progression, it serves as a pivotal moment in the relationship between Elio and Oliver, deepening their bond and setting the stage for future developments.

Originality: 9

The scene explores themes of desire and intimacy in a fresh and authentic way, capturing the complexity of human emotions and relationships. The characters' actions and dialogue feel genuine and true to their experiences.


Character Development

Characters: 9.5

The characters of Elio and Oliver are portrayed with depth and complexity, showcasing their emotional vulnerabilities and desires. The scene allows for significant character development and exploration of their relationship.

Character Changes: 9

Both Elio and Oliver experience significant emotional and physical changes in the scene, deepening their connection and revealing new layers of their characters.

Internal Goal: 9

Elio's internal goal in this scene is to shed his shyness and inhibitions and fully embrace his feelings for Oliver. He desires to connect with Oliver on a deeper level and explore his own desires and emotions.

External Goal: 7

The protagonist's external goal in this scene is to engage in a physical relationship with Oliver, exploring their mutual attraction and desire for each other.


Scene Elements

Conflict Level: 7

The scene is more focused on emotional intimacy and connection than external conflict, highlighting the internal struggles and desires of the characters.

Opposition: 6

The opposition in the scene is subtle, as Elio and Oliver must navigate societal expectations and their own desires in their relationship. The audience is left unsure of how their actions will be received.

High Stakes: 7

The stakes are high in terms of emotional vulnerability and intimacy between Elio and Oliver, but the scene is more focused on personal connection than external conflict.

Story Forward: 8

While the scene focuses more on character development than plot progression, it sets the stage for future developments in the relationship between Elio and Oliver.

Unpredictability: 7

This scene is unpredictable in its exploration of desire and intimacy, as the characters navigate their feelings and emotions in unexpected ways.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around societal norms and expectations regarding relationships and sexuality. Elio and Oliver must navigate their feelings within the context of a society that may not accept their relationship.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of love, desire, and vulnerability in the audience. The raw and intimate moments shared between Elio and Oliver resonate deeply.

Dialogue: 8.8

The dialogue in the scene is minimal but impactful, conveying the unspoken emotions and desires between Elio and Oliver. The silence and physical interactions speak volumes about their connection.

Engagement: 9

This scene is engaging because of the emotional depth and tension between the characters, as well as the exploration of desire and intimacy in a complex and authentic way.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and intimacy between the characters, leading to a climactic moment of emotional connection.


Technical Aspect

Formatting: 8

The scene follows the expected format for its genre, with clear descriptions of the characters' actions and emotions. The formatting enhances the emotional impact of the scene.

Structure: 8

The scene follows a natural progression, building tension and intimacy between the characters as they navigate their desires and emotions. The pacing and rhythm contribute to the effectiveness of the scene.


Critique
  • The scene effectively captures the tension and vulnerability between Elio and Oliver, showcasing their emotional and physical connection. The use of physical touch, such as the playful foot touching and the hesitant hugs, conveys their awkwardness and desire for intimacy, which is relatable and authentic.
  • The dialogue is minimal yet impactful, allowing the characters' actions to speak volumes. Phrases like 'Can I kiss you?' and 'Does this make you happy?' highlight the uncertainty and longing present in their relationship, enhancing the emotional weight of the scene.
  • The pacing of the scene is well-executed, gradually building up to the intimate moment. The transition from playful foot touching to passionate kissing feels organic, reflecting the characters' evolving feelings. However, the shift to sexual intimacy could benefit from a clearer emotional arc, emphasizing Elio's internal conflict more distinctly.
  • The description of Elio's physical sensations during the encounter adds depth to the scene, illustrating the complexity of first-time experiences. However, the portrayal of discomfort during penetration could be expanded to explore Elio's emotional state more thoroughly, providing a richer understanding of his character's journey.
  • The ending of the scene, where Oliver cleans Elio with his shirt, is a poignant moment that encapsulates their intimacy and the tenderness of their relationship. However, it may benefit from a more explicit acknowledgment of the emotional implications of their encounter, as this is a pivotal moment in their relationship.
Suggestions
  • Consider adding more internal monologue from Elio to provide insight into his emotional state during the intimate moments. This could help the audience connect more deeply with his character and understand his conflicting feelings.
  • Explore the aftermath of the encounter in more detail. How does Elio feel about what just happened? Is there a sense of euphoria, confusion, or regret? This could add layers to the emotional complexity of the scene.
  • Incorporate more sensory details to enhance the atmosphere. Describe the sounds, smells, and tactile sensations in the room to immerse the audience in the moment and heighten the emotional stakes.
  • Clarify the transition from playful intimacy to sexual intimacy. A few more lines of dialogue or actions that reflect Elio's hesitation could strengthen the emotional impact of this pivotal moment.
  • Consider revising the dialogue to include more vulnerability. For example, Elio could express his fears or desires more explicitly, which would deepen the connection between the characters and make their intimacy feel more significant.



Scene 49 -  Morning Reflections
106 INT. OLIVER’S ROOM - PERLMAN VILLA - DAWN 106
Dawn. Light is coming in. OLIVER is still cradling ELIO in
his arms but has shifted to a more comfortable position for
them both. ELIO opens his eyes, sees OLIVER looking down at
him but instead of smiling or lifting his face to be kissed,
he closes his eyes again, as if blotting OLIVER, the bed, the
room, and all that has happened out. He tries to sit up,
stretches his limbs, and pulls the sheet over his nakedness.
OLIVER stares at him, as if to register Elio’s morning after
emotions.

OLIVER
You’re not happy. You’re feeling
sick about it, aren’t you?

ELIO shrugs the comment away not wanting Oliver looking into
his heart.

OLIVER (CONT’D)
I knew we shouldn’t have. I knew
it. We should have talked.
ELIO
Maybe.
OLIVER
(stung, “maybe” isn’t the
word he wanted to hear)
Did you hate it?

ELIO
No, I didn’t hate it at all.
ELIO stays put on Oliver’s bed out of an exaggerated sense of
courtesy. Relenting, he smiles back at OLIVER for the first
time, though he wishes at that moment for OLIVER to be miles
away.

OLIVER
You can go back to sleep, if you
want.

ELIO reaches up and hugs him, then closes his eyes. OLIVER
continues to study his face, his own expression one of
uncertainty. With his eyes still shut, ELIO says, “You’re
staring at me.” But at once he opens them again and sits up,
brushing Oliver’s hand away, and rises gingerly from the bed.

ELIO
Let’s go swimming.

107 INT. BOCCHIRALE - PERLMAN VILLA - DAWN 107
In the dim light of dawn, OLIVER and ELIO leave the villa on
bikes.
Genres: ["Romance","Drama"]

Summary As dawn breaks in Oliver's room, he cradles Elio, who wakes but avoids confronting the emotions from their intimate night. Oliver expresses concern for Elio's feelings, hinting at the need for discussion about their actions. Elio, while evasive, admits he didn't hate the experience, yet his smile suggests a wish for distance. After a moment of intimacy, Elio decides to shift their focus by suggesting they go swimming, indicating a desire to move forward despite lingering uncertainties.
Strengths
  • Emotional depth
  • Vulnerability of characters
  • Intimate exploration of relationship dynamics
Weaknesses
  • Limited external conflict
  • Slow pacing in some moments

Ratings
Overall

Overall: 8.5

The scene effectively captures the emotional complexity and vulnerability of the characters, providing a reflective and intimate exploration of their relationship.


Story Content

Concept: 8

The concept of exploring the morning after an intimate moment adds depth to the characters and their relationship, highlighting their vulnerabilities and uncertainties.

Plot: 8

The plot progression in the scene focuses on the emotional aftermath of the intimate encounter, advancing the character dynamics and setting the stage for further development.

Originality: 9

The scene explores the aftermath of an intimate encounter in a fresh and authentic way, delving into the complex emotions and societal pressures faced by the characters. The dialogue feels genuine and raw, adding to the authenticity of the scene.


Character Development

Characters: 9

The scene delves deep into the emotional complexities of Elio and Oliver, showcasing their vulnerabilities, uncertainties, and evolving relationship dynamics.

Character Changes: 8

Both Elio and Oliver experience emotional shifts and vulnerabilities in the scene, deepening their connection and evolving their relationship dynamics.

Internal Goal: 8

Elio's internal goal in this scene is to hide his true feelings of vulnerability and confusion after the intimate encounter with Oliver. He wants to protect himself emotionally and maintain a sense of control.

External Goal: 7

The protagonist's external goal in this scene is to maintain a sense of normalcy and composure after the intimate encounter with Oliver. He suggests going swimming as a way to distract from the emotional tension.


Scene Elements

Conflict Level: 6

The conflict in the scene is more internal and emotional, focusing on the characters' uncertainties and vulnerabilities rather than external conflicts.

Opposition: 7

The opposition in the scene is strong, with the characters facing internal conflicts and societal pressures that challenge their desires and beliefs.

High Stakes: 5

The stakes in the scene are more emotional and internal, focusing on the characters' vulnerabilities and uncertainties in their evolving relationship.

Story Forward: 7

The scene moves the story forward by delving into the emotional aftermath of the intimate encounter, setting the stage for further character development and relationship dynamics.

Unpredictability: 7

This scene is unpredictable because of the subtle and nuanced emotions and conflicts that drive the characters' actions, keeping the audience guessing about their true feelings and motivations.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the struggle between desire and societal expectations. Elio is torn between his feelings for Oliver and the societal norms that dictate how he should behave.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of vulnerability, intimacy, and uncertainty in the characters' relationship.

Dialogue: 8

The dialogue effectively conveys the mixed emotions and uncertainties of the characters, adding depth to their interactions and inner thoughts.

Engagement: 9

This scene is engaging because of the raw and authentic emotions portrayed by the characters, drawing the audience into their internal struggles and desires.

Pacing: 8

The pacing of the scene effectively builds tension and suspense, drawing the audience into the emotional turmoil of the characters.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and concise, following the expected format for its genre and effectively conveying the emotional depth of the characters.

Structure: 8

The structure of the scene effectively conveys the emotional tension and internal conflicts of the characters, following a natural progression that builds towards the resolution.


Critique
  • The scene effectively captures the emotional aftermath of intimacy between Elio and Oliver, showcasing their vulnerability and uncertainty. The contrast between Elio's initial desire to distance himself and Oliver's concern creates a palpable tension that reflects the complexities of their relationship.
  • The dialogue is poignant and reveals the characters' inner turmoil. Oliver's question about whether Elio hated their experience is particularly impactful, as it highlights his own insecurities and the weight of their actions. Elio's response, while affirming, is layered with ambiguity, suggesting a mix of emotions that could be explored further.
  • The visual elements, such as the dawn light filtering into the room, symbolize a new beginning but also the potential for discomfort and regret. This setting enhances the emotional stakes of the scene, making it feel intimate yet fraught with tension.
  • Elio's physical actions, such as pulling the sheet over his nakedness and brushing Oliver's hand away, effectively convey his conflicting feelings about their encounter. These gestures add depth to his character and illustrate his struggle with intimacy and vulnerability.
  • The pacing of the scene is well-executed, allowing moments of silence and reflection that heighten the emotional impact. However, the transition to the next scene could be smoother, as the abrupt shift to them leaving on bikes feels slightly disjointed from the emotional weight established in the previous moments.
Suggestions
  • Consider adding more internal monologue or reflection from Elio to deepen the audience's understanding of his emotional state. This could provide insight into his conflicting feelings about the intimacy and his relationship with Oliver.
  • Explore the physicality of the characters further. For instance, you could describe more of their body language and how it reflects their emotional states, enhancing the tension and intimacy of the moment.
  • To improve the transition to the next scene, consider incorporating a brief moment of dialogue or action that connects Elio's decision to go swimming with his emotional state. This could help bridge the gap between the intimate moment and their departure.
  • You might want to clarify the implications of their actions in the dialogue. For example, Elio could express a desire for clarity or reassurance about their relationship moving forward, which would add depth to their conversation and set the stage for future conflicts.
  • Consider using more sensory details to enhance the atmosphere of the scene. Describing the sounds of the villa waking up or the feel of the morning air could further immerse the audience in the moment and reflect the characters' emotional states.



Scene 50 -  Awkward Longing
108 EXT. RIVER - FIRST LIGHT OF DAY 108
At the river, OLIVER walks knee-deep in the water with the
blue shirt on, then dives in and swims away. Elio is swimming
200 meters away, from a distance they look like two complete
strangers.

109 EXT. RIVER - DAY 109

ELIO and OLIVER walk towards their bikes.

OLIVER
Are you going to hold last night
against me?
ELIO
No.
He said this too swiftly to sound convincing.

110 INT. STAIRS/ELIO’S ROOM - PERLMAN VILLA - DAY 110
Back at the villa. There are some sounds from the kitchen but
OLIVER and ELIO succeed to get back home without being seen.
They reach their respective doors and, while ELIO is going
in, OLIVER hesitates before going through his and steps into
Elio’s room instead. ELIO is taken by surprise. OLIVER shuts
the door.
OLIVER
Take your trunks off.
Surprised, ELIO, who doesn’t have it in him at this moment to
disagree, lowers them and gets out of them. He feels awkward.
Revision73.

OLIVER (CONT’D)
Sit down.
ELIO does, and almost before he’s settled, OLIVER brings his
mouth to Elio’s penis and takes it all in (off-screen).

OLIVER (CONT’D)
(with a wry smile)
Well, this is promising. You’re
hard again. Good.

He jumps up and goes out in an instant. ELIO lifts himself
out of the low chair carefully and pulls on his pajama
bottoms. Then he throws himself across his bed.

111 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 111 *

Breakfast. The PERLMANS, MAFALDA coming in and out from the
kitchen, ELIO.

Then OLIVER comes in and sits next to him. When no one is
looking, OLIVER slips his smooth foot under Elio’s, as if
snuggling it there, instead of placing it on top as he always
had before. Calmly, he focuses on his soft-boiled egg. They
eat breakfast.

OLIVER
I’m going to town, I have to
collect my typed up pages. Later
I'd like to show them to you,
Professor.

PERLMAN
(imitating Oliver)
Later.
Everyone laughs, Oliver also is amused.

PERLMAN (CONT’D)
Before you leave we'll certainly
find the time to go over these
revisions.

The thought of Oliver's departure marks a shadow on Elio's
face.
OLIVER
So.. Later!

More laughing. OLIVER leaves the table and walks away. ELIO
stands and follows, as his parents look at him.

112 EXT. MAIN ENTRANCE - PERLMAN VILLA - DAY 112
ELIO pulls his bike out and at the gate, a bit gingerly, sits
on it. It hurts, but he goes after Oliver.
Genres: ["Romance","Drama"]

Summary In this scene, Oliver and Elio share a tense morning after a secretive encounter the night before. While swimming in the river, Elio feels distant from Oliver, who later asks if Elio will hold their previous night against him. Their awkward dynamic continues as they sneak into the villa, where Oliver surprises Elio in his room, leading to an off-screen sexual encounter that leaves Elio feeling uncomfortable. At breakfast with the Perlman family, Oliver subtly initiates physical contact with Elio, but the mood shifts as Oliver announces his plans to leave for town, heightening Elio's anxiety about Oliver's impending departure. The scene concludes with Elio feeling conflicted as he prepares to follow Oliver outside.
Strengths
  • Intimate portrayal of desire and vulnerability
  • Effective character development
  • Emotional resonance
Weaknesses
  • Minimal external conflict
  • Limited dialogue

Ratings
Overall

Overall: 8.5

The scene effectively captures the intimate and vulnerable moments between Elio and Oliver, creating a sense of desire and tension while also hinting at deeper emotions and uncertainties.


Story Content

Concept: 8

The concept of exploring desire and intimacy between Elio and Oliver in a subtle and nuanced way is effectively realized in the scene, adding depth to their relationship and character development.

Plot: 8

The plot progression in the scene focuses on the evolving relationship between Elio and Oliver, moving towards a moment of heightened intimacy that has implications for their future interactions.

Originality: 9

The scene offers a fresh and authentic portrayal of complex emotions and desires, with a unique approach to exploring themes of identity and sexuality.


Character Development

Characters: 9

The characters of Elio and Oliver are portrayed with depth and complexity, showcasing their desires, vulnerabilities, and uncertainties in a compelling manner. The scene allows for character development and exploration of their relationship dynamics.

Character Changes: 8

Both Elio and Oliver experience a shift in their relationship dynamics and emotional states during the scene, leading to a deeper understanding of their desires and vulnerabilities.

Internal Goal: 8

The protagonist's internal goal in this scene is to navigate his conflicting emotions and desires towards Oliver. He is torn between his attraction to Oliver and his uncertainty about his own feelings and identity.

External Goal: 7

The protagonist's external goal is to maintain a facade of normalcy and composure in front of his family and Oliver, despite the intense emotions and desires he is experiencing.


Scene Elements

Conflict Level: 6

The scene has a low level of external conflict but is rich in internal conflict, as the characters navigate their desires and uncertainties in the context of their evolving relationship.

Opposition: 7

The opposition in the scene is subtle but effective, creating a sense of tension and uncertainty in the characters' interactions.

High Stakes: 6

The stakes are moderate in the scene, focusing more on the emotional and relational aspects of the characters rather than external conflicts or dramatic events.

Story Forward: 7

The scene moves the story forward by deepening the relationship between Elio and Oliver, setting the stage for further developments and conflicts in their interactions.

Unpredictability: 7

This scene is unpredictable because of the unexpected emotional shifts and subtle gestures that reveal the characters' true feelings and desires.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around societal norms and expectations regarding sexuality and relationships. Elio is grappling with his own desires and the societal pressure to conform to traditional norms.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of desire, vulnerability, and tension in the audience. The intimate moments between Elio and Oliver resonate on an emotional level.

Dialogue: 7.5

The dialogue in the scene is minimal but impactful, conveying the emotions and desires of the characters effectively. The silences and non-verbal communication also play a significant role in building tension and intimacy.

Engagement: 9

This scene is engaging because of its emotional depth, complex character dynamics, and subtle tension between the characters.

Pacing: 8

The pacing of the scene enhances its emotional impact and tension, with a gradual build-up of intensity and suspense.


Technical Aspect

Formatting: 8

The scene adheres to the expected formatting for its genre, with clear scene headings, descriptions, and dialogue.

Structure: 8

The scene follows a coherent and engaging structure, with a clear progression of events and character interactions.


Critique
  • The scene effectively captures the tension and complexity of Elio and Oliver's relationship, particularly in the aftermath of their intimate encounter. The contrast between their physical distance while swimming and their subsequent closeness in Elio's room highlights the emotional turmoil they are experiencing.
  • The dialogue is succinct and impactful, particularly Oliver's question about whether Elio will hold last night against him. This line encapsulates the uncertainty and vulnerability both characters feel, but Elio's quick response lacks conviction, which effectively conveys his internal conflict.
  • The transition from the river to the villa is smooth, but the pacing could be improved. The scene feels rushed, especially when Oliver unexpectedly enters Elio's room. This moment could benefit from a brief pause or a more gradual build-up to enhance the tension and surprise.
  • The depiction of the sexual act is handled off-screen, which maintains a level of intimacy without being explicit. However, the abruptness of Oliver's actions may come off as jarring. It would be beneficial to explore Elio's emotional response more deeply during this moment to provide a clearer understanding of his feelings.
  • The breakfast scene following the intimate moment serves as a stark contrast to the previous scene, effectively showcasing the tension in Elio's demeanor. However, the shift in tone could be more pronounced to emphasize the emotional weight of Oliver's impending departure.
Suggestions
  • Consider adding a moment of hesitation or reflection for Elio before Oliver enters his room. This could heighten the tension and allow the audience to feel Elio's apprehension more acutely.
  • Expand on Elio's internal thoughts during the intimate moment to provide insight into his conflicting emotions. This could be done through voiceover or internal monologue, allowing the audience to connect more deeply with his character.
  • In the breakfast scene, enhance the contrast between the light-hearted atmosphere and Elio's internal struggle by incorporating subtle visual cues, such as close-ups of Elio's face or body language that indicate his discomfort.
  • Explore the dynamics of the family breakfast further by including more interactions between Elio and his parents, which could serve to highlight his emotional state and the weight of Oliver's departure.
  • Consider revising the dialogue to include more subtext, allowing the characters to communicate their feelings indirectly. This could add depth to their interactions and enhance the overall tension of the scene.



Scene 51 -  A Moment of Longing
113 EXT. PIAZZA DUOMO - CREMA - DAY 113
The central square with Crema's Duomo. ELIO sees OLIVER at
the newstand, sitting on his bike and scanning the headlines
of the International Herald Tribune, before heading in the
direction of the post office. ELIO rushes up to him.

OLIVER
Something wrong?

ELIO
I just had to see you.
OLIVER
Aren’t you sick of me?

ELIO
I just wanted to be with you.
If you want, I’ll go back now.

OLIVER stands still, dropping his hand with the bundle of
unsent letters, and simply stands there staring at ELIO,
shaking his head.

OLIVER
Do you have any idea how glad I am
we slept together?
ELIO
I don’t know.

OLIVER
It’s just like you not to know. I
don’t want you to regret any of it.
I just dread the thought of having
messed you up. I don’t want either
of us to have to pay one way or
another.

ELIO
I’m not telling anyone. There won’t
be any trouble.

OLIVER
I didn’t mean that. I’m sure I’ll
pay for it somehow, though. For
you, however you think of it, it’s
still fun and games, which it
should be. For me it’s something
else which I haven’t figured out,
and the fact that I can’t scares
me.

ELIO
Are you sorry I came here?
OLIVER
I’d kiss you if I could.

ELIO
(coming up close to
Oliver)
Fuck me, Elio.

OLIVER repeats his own name three times in Elio’s ear.

LIFE IN THE GARDEN
A second unit series of shots of life in the garden.

114 INT. KITCHEN - PERLMAN VILLA - EARLY AFTERNOON 114

MAFALDA is washing dishes in the kitchen. She clears away the
dessert plates from lunch with their fruit peelings. ANCHISE
enters the room with a basket full of huge, glowing,
succulent-looking peaches.
MAFALDA
(in Italian)
Put them over there.

MAFALDA points to the fruit bowl at the center of the table.

ELIO enters the kitchen from the outside, with a book in his
hands and a towel on his shoulders. His eyes fall on the
freshly picked fruit. He picks out two and leaves the room.

115 INT. STAIRCASE - PERLMAN VILLA - EARLY AFTERNOON 115

On the stairs he meets ANNELLA on her way up to nap and
kisses her. She looks pleased by this unexpected show of
affection from her teenage son. He eats a peach.
Genres: ["Romance","Drama"]

Summary In the central square of Crema, Elio rushes to Oliver, expressing his desire to be close while Oliver reveals his fears about their relationship's emotional implications. Despite Elio's reassurances, uncertainty lingers between them. The scene transitions to a montage of life in the garden and a brief kitchen interaction between Mafalda and Anchise, before concluding with a tender moment between Elio and his mother as he picks peaches.
Strengths
  • Nuanced portrayal of emotions
  • Deep character exploration
  • Intimate and vulnerable tone
Weaknesses
  • Potential for ambiguity in character motivations
  • Limited external conflict

Ratings
Overall

Overall: 8.5

The scene effectively captures the complex emotions and dynamics between Elio and Oliver, providing a deep insight into their internal struggles and desires. The vulnerability and intimacy portrayed add depth to their characters and relationship.


Story Content

Concept: 8

The concept of exploring the aftermath of Elio and Oliver's physical encounter is compelling and adds depth to their relationship. The scene effectively delves into their conflicting emotions and fears, providing a nuanced portrayal of their connection.

Plot: 8

The plot of the scene focuses on the emotional aftermath of Elio and Oliver's encounter, delving into their internal struggles and uncertainties. It moves the story forward by deepening their relationship and setting up future conflicts.

Originality: 9

The scene offers a fresh and authentic portrayal of a complex relationship, with nuanced character dynamics and emotional depth.


Character Development

Characters: 9

The characters of Elio and Oliver are richly developed in this scene, showcasing their vulnerability, conflicting emotions, and evolving dynamic. The scene allows for significant character growth and exploration of their complex relationship.

Character Changes: 8

Both Elio and Oliver experience significant emotional changes in the scene, as they confront their conflicting feelings and fears. The encounter deepens their relationship and sets the stage for further character development.

Internal Goal: 8

The protagonist's internal goal in this scene is to express his feelings for Oliver and seek reassurance about their relationship. This reflects his deeper desire for connection and intimacy.

External Goal: 7

The protagonist's external goal is to maintain a sense of normalcy and avoid any potential consequences of their relationship. This reflects the immediate challenge of navigating their feelings in a conservative environment.


Scene Elements

Conflict Level: 7

The scene contains internal conflicts within the characters, as they grapple with their emotions and fears following their physical encounter. The tension arises from their conflicting desires and uncertainties.

Opposition: 7

The opposition in the scene is subtle but present, as the characters navigate their conflicting emotions and fears about their relationship.

High Stakes: 7

The stakes are moderately high in the scene, as Elio and Oliver grapple with the emotional aftermath of their encounter and the uncertainties it brings to their relationship. The decisions they make have the potential to impact their future.

Story Forward: 8

The scene moves the story forward by delving into the aftermath of Elio and Oliver's encounter, deepening their relationship and setting up future conflicts. It adds layers to the narrative and advances the character arcs.

Unpredictability: 7

The scene is somewhat predictable in terms of the characters' emotional arcs, but the uncertainty surrounding their relationship adds a layer of unpredictability.

Philosophical Conflict: 9

The philosophical conflict in this scene revolves around the characters' differing perspectives on their relationship and the potential consequences. Oliver's fear of the unknown contrasts with Elio's desire for authenticity and connection.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of vulnerability, intimacy, and yearning in the audience. The nuanced portrayal of Elio and Oliver's conflicting emotions creates a powerful emotional resonance.

Dialogue: 8.5

The dialogue in the scene is poignant and reflective, capturing the inner turmoil and yearning of Elio and Oliver. It effectively conveys their conflicting emotions and fears, adding depth to their characters.

Engagement: 9

This scene is engaging due to its emotional intensity and the characters' complex dynamics, drawing the audience into their intimate conversation.

Pacing: 8

The pacing of the scene effectively builds tension and emotional depth, allowing the characters' interactions to unfold naturally.


Technical Aspect

Formatting: 8

The scene adheres to standard formatting conventions for a screenplay, with clear scene headings and dialogue formatting.

Structure: 8

The scene follows a traditional structure for a character-driven drama, with a clear focus on the protagonist's internal and external goals.


Critique
  • The scene effectively captures the tension and complexity of Elio and Oliver's relationship, showcasing their emotional vulnerability. However, the dialogue could benefit from more subtext to enhance the depth of their feelings. For instance, instead of directly stating their emotions, they could use metaphors or references that reflect their internal struggles.
  • The pacing of the scene feels slightly rushed, particularly in the dialogue exchange. While the urgency of Elio's feelings is clear, allowing for more pauses or moments of silence could heighten the emotional weight of their conversation. This would give the audience time to absorb the gravity of their situation.
  • The transition from the intimate conversation to the montage of life in the garden feels abrupt. While it serves to contrast the heaviness of their discussion with the lightness of daily life, it may benefit from a smoother segue. Perhaps a visual cue or a line of dialogue that hints at the juxtaposition could enhance this transition.
  • Elio's line, 'If you want, I’ll go back now,' feels somewhat passive and could be rephrased to reflect his determination to stay and confront their feelings. This would strengthen his character's agency and commitment to Oliver.
  • The repetition of 'Elio' by Oliver is a powerful moment, but it could be expanded upon. Instead of just repeating his name, Oliver could express a specific desire or fear that encapsulates his feelings for Elio, making the moment more poignant.
Suggestions
  • Consider adding more subtext to the dialogue to convey deeper emotions without explicitly stating them. This can create a richer experience for the audience.
  • Allow for more pauses in the dialogue to enhance the emotional tension and give the audience time to process the characters' feelings.
  • Create a smoother transition between the intimate conversation and the montage by incorporating a visual or auditory cue that connects the two moments.
  • Rephrase Elio's line about going back to reflect his determination to stay and confront their feelings, showcasing his agency in the relationship.
  • Expand on the moment where Oliver repeats Elio's name by having him articulate a specific desire or fear, adding depth to their connection.



Scene 52 -  Summer Confessions
116 INT. ATTIC - PERLMAN VILLA - EARLY AFTERNOON 116
ELIO enters the attic. Puts the remaining peach on the old
bedside table and lies down on the mattress where he made
love with Marzia. He opens his book and starts reading but,
easily distracted, starts looking outside the window at the
glorious summer sky.

He tries reading again, but still no chance. His gaze scans
the room, the abandoned objects, the dark corners... the
peaches.

He stretches out his hand to one and plays with it. He turns
its crease towards him. Then opens it half-way with his
thumbs and pushes the pit out. The pit falls on the attic
floor. He brings the fuzzy, blush-colored peach to his groin
and lowers his swim trunks. He presses himself into it until
the parted fruit slides down his erection. The fruit is
leaking on him. Though firm, it breaks apart.

Holding the two halves of the reddened core in either hand,
he begins to rub himself with them.

When his orgasm comes, very soon, he carefully aims the
spurts into the open peach. “What a crazy thing this was!” he
thinks, as he holds the fruit in both hands and looks around.
He places the two halves of the raped peach on the bedside
table and covers himself with the towel.

Later. Elio wakes to the sound of someone entering the attic.

OLIVER
I was looking everywhere for you...
What are you doing up here?

OLIVER sits next to him on the mattress. He starts kissing
him on one arm. He removes the towel to reveal, to his
surprise, that Elio is not wearing his swimsuit. He then
swiftly leans down bringing his lips to Elio's groin, but
after a moment he looks up with a questioning expression.

OLIVER (CONT’D)
What have you done?
OLIVER looks at the broken peach beside them. He picks it up.

OLIVER (CONT’D)
(holding it out)
Is this what I think it is?
ELIO nods in mock shame.

OLIVER (CONT’D)
You tried out the plant kingdom?
Next will be minerals? You’re
rejecting the animal kingdom
already? That would be me, I
suppose.

ELIO
I’m sick, aren’t I?
Oliver pulls off his bathing suit.

OLIVER
I wish everyone were as sick as
you. Want to see sick?

He peers into the peach for a moment, ELIO pretends to hide
his eyes.
OLIVER (CONT’D)
Now may I taste it?
ELIO
Don’t!

But OLIVER dips a finger into the core of the peach and
brings it to his mouth.

OLIVER
The peach juice helps a lot.
(offering it)
Want to try it?

ELIO
(reaching for Oliver’s
hand holding the peach)
Let it go! No!
OLIVER holds it farther away.

ELIO (CONT’D)
Look, you don’t have to do this.
I’m the one who came after you.
Everything that’s happened is
because of me -

OLIVER
(still holding the peach
away from ELIO)
Nonsense. I wanted you from day
one. I just hid it better.

ELIO lunges out again to grab the fruit from Oliver’s hand,
but with his other hand OLIVER catches hold of his wrist and
squeezes it hard.
ELIO
You’re hurting me.

OLIVER
Then let go.


ELIO reaches out to him, bursting into tears. He muffles his
sobs against Oliver’s bare shoulder. Then OLIVER holds him
close.

OLIVER (CONT’D)
(as if soothing a child)
Whatever happens between us, Elio,
I just want you to know..

ELIO
(sobbing)
What?
OLIVER
(taking hold of Elio’s
hand)
Don’t ever say you didn’t know.
They kiss as lovers committing themselves.
Genres: ["Drama","Romance"]

Summary In the attic of the Perlman villa, Elio reflects on his intimate moment with Marzia while distracted by the summer sky and peaches. Engaging in a sexual act with a peach, he grapples with feelings of absurdity and shame before falling asleep. Oliver discovers him, leading to a playful yet intimate exchange where Oliver teases Elio about his actions. This moment of vulnerability culminates in a kiss, solidifying their emotional connection and commitment to each other.
Strengths
  • Intimate exploration of emotions
  • Unique use of symbolism with peaches
  • Strong character development
Weaknesses
  • Limited external conflict
  • Slow plot progression

Ratings
Overall

Overall: 8.7

The scene is powerful in its exploration of intimacy and vulnerability, with a mix of desire and shame adding depth to the characters' emotions. The unconventional use of peaches as a symbol of intimacy adds a unique layer to the scene.


Story Content

Concept: 9

The concept of using peaches as a symbol of intimacy and exploring the characters' emotional vulnerability in a unique way is innovative and engaging.

Plot: 8

The plot progression in this scene focuses more on character development and emotional exploration rather than advancing the overall story. It delves deep into the relationship dynamics between Elio and Oliver.

Originality: 9

The scene presents a fresh and authentic exploration of desire and intimacy, with unique character interactions and emotional depth.


Character Development

Characters: 9

The characters of Elio and Oliver are richly developed in this scene, showcasing their emotional complexity, desires, and vulnerabilities. Their interactions reveal layers of their personalities and deepen the audience's connection to them.

Character Changes: 8

Both Elio and Oliver experience emotional growth and vulnerability in this scene, deepening their connection and understanding of each other.

Internal Goal: 8

The protagonist's internal goal is to explore his desires and emotions, reflecting his deeper needs for connection and self-discovery.

External Goal: 7

The protagonist's external goal is to navigate his relationship with Oliver and explore his sexuality.


Scene Elements

Conflict Level: 6

The conflict in this scene is more internal and emotional, focusing on the characters' struggles with desire, shame, and vulnerability rather than external conflicts.

Opposition: 7

The opposition in the scene is strong, with conflicting desires and emotions between the characters, adding complexity and tension to their interactions.

High Stakes: 6

The stakes in this scene are more emotional and personal, focusing on the characters' internal struggles with desire, shame, and vulnerability.

Story Forward: 7

While the scene focuses more on character development and emotional exploration, it does contribute to the overall progression of the relationship between Elio and Oliver.

Unpredictability: 7

The scene is unpredictable in its exploration of desires and intimate moments, keeping the audience engaged and uncertain about the characters' actions.

Philosophical Conflict: 8

The philosophical conflict revolves around the exploration of desires and the acceptance of one's true self, challenging societal norms and expectations.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of intimacy, vulnerability, desire, and shame in the audience. The characters' emotional journey resonates deeply.

Dialogue: 8.5

The dialogue in the scene is intimate, emotional, and reflective of the characters' inner thoughts and feelings. It adds depth to the exploration of intimacy and vulnerability.

Engagement: 9

This scene is engaging due to its emotional intensity, intimate moments, and character dynamics that draw the audience into the protagonist's internal struggles.

Pacing: 8

The pacing of the scene enhances its emotional impact and tension, allowing moments of intimacy and reflection to unfold effectively.


Technical Aspect

Formatting: 8

The scene follows the expected format for its genre, with clear scene descriptions and character interactions.

Structure: 8

The scene follows a structured progression of events that build tension and emotional depth, fitting the genre's expectations.


Critique
  • The scene is provocative and explores themes of desire and vulnerability, but it risks alienating some readers due to its explicit nature. The use of the peach as a sexual metaphor is creative but may come off as overly surreal or absurd for some audiences, potentially detracting from the emotional weight of the characters' relationship.
  • The dialogue between Elio and Oliver is playful yet charged, effectively conveying their complex feelings for each other. However, the transition from Elio's solitary act to Oliver's entrance feels abrupt. A smoother transition could enhance the flow and maintain the emotional intensity.
  • Elio's internal conflict is palpable, but the scene could benefit from deeper exploration of his emotional state before Oliver arrives. This would provide a clearer understanding of his motivations and feelings, making the subsequent interaction with Oliver more impactful.
  • The use of humor in Oliver's teasing about the peach is effective in lightening the mood, but it may also undermine the gravity of Elio's emotional turmoil. Balancing humor with the seriousness of the situation is crucial to maintain the scene's emotional integrity.
  • The physicality of the scene is strong, but the emotional connection could be further developed. While the characters share a kiss and a moment of intimacy, the dialogue could delve deeper into their fears and desires, enhancing the stakes of their relationship.
Suggestions
  • Consider adding a brief moment of reflection for Elio before Oliver enters, allowing readers to connect with his emotional state and the absurdity of his actions. This could create a stronger foundation for the subsequent interaction.
  • Explore the emotional implications of Elio's actions more thoroughly. Perhaps include Elio's thoughts on the peach and what it represents for him, which could deepen the metaphor and enhance the scene's thematic resonance.
  • To improve the transition between Elio's solitary moment and Oliver's entrance, consider using sound or visual cues that foreshadow Oliver's arrival, creating a sense of anticipation.
  • Balance the humor in Oliver's teasing with more serious dialogue that addresses the emotional stakes of their relationship. This could involve Oliver expressing his own fears or desires, making the moment feel more significant.
  • Consider revising the ending to include a more explicit acknowledgment of their feelings for each other. This could involve a deeper conversation about their relationship, reinforcing the emotional stakes and commitment they share.



Scene 53 -  A Night of Longing
117 INT./EXT. HUT - PERLMAN VILLA - NIGHT 117
The same night. The Perlman house is mostly dark, the window
shutters all closed. There is a little light out in the hut
next to the garage, where Anchise sleeps. We see him through
the window, sitting at a table working on something. He has
taken some tool apart and is cleaning the pieces, filing an
edge of metal and so forth.

118 INT./EXT. PERLMAN VILLA - NIGHT 118

Through another lit window, in Mafalda’s part of the house,
we can see MAFALDA ironing. She is carefully pressing the
sleeve of Oliver’s blue shirt.

119 EXT. GARDEN - PERLMAN VILLA -NIGHT 119

The garden of the villa in the darkness, alluring and
enigmatic.

ELIO
What are you thinking about?

OLIVER
Things. Going back to the States.
The courses I have to teach this
fall. My book. You.

ELIO
No one else?

OLIVER
No one else.

Silence.
ELIO
In two weeks you’ll be back at
Columbia. I don’t know what I’ll do
then. At least you’ll be somewhere
else, where there aren’t any
memories... We wasted so many days -
so many weeks.
OLIVER
Wasted? I don’t know.

ELIO
...why didn’t you give me a sign?
OLIVER
I did. At least I tried.
ELIO
When?
Revision79.

OLIVER
Once, when we were playing
volleyball, I touched you... Just
as a way of showing... I liked you.
The way you reacted made me feel
I’d almost molested you. I decided
to keep my distance.

120 INT. MASTER BEDROOM - PERLMAN VILLA - NIGHT 120 *

From the open window of their bedroom the Perlmans can hear
Elio and Oliver talking. Not the words. But the tone of the
conversation is undeniably intimate.

ANNELLA is on a small sofa. PERLMAN is already in bed, they
look at each other for a long moment. The off-screen voices
are almost whispers, they continue. PERLMAN stands, moves a
sofa chair to be closer to his wife, then sits on it. He
takes her hand and kisses it.

PERLMAN
Elio e Oliver si sono proprio
trovati. (Elio and Oliver have
grown quite fond of each other)

ANNELLA
Sì, hanno una bella amicizia.(Yes.
They have a beautiful friendship)

PERLMAN
È un peccato che parta.. (It’s a
shame he’s leaving)
(beat)
Sta tornando il fresco. (The nights
are getting cool again)

ANNELLA smiles at her husband. Aroused, he reaches over for
Annella to pull her toward him.
Genres: ["Romance","Drama"]

Summary At the Perlman villa, Elio and Oliver share an intimate conversation in the garden, grappling with their feelings and the pain of impending separation as Oliver prepares to return to the States. Elio expresses his anxiety and regrets about their time together, while Oliver reassures him of their bond. Meanwhile, Mafalda irons in the background, symbolizing domesticity, and Anchise works in a hut, contrasting the emotional turmoil of the young lovers. The Perlman parents, Perlman and Annella, listen to the conversation, acknowledging the depth of their son's relationship with Oliver. The scene is filled with a melancholic tone, highlighting longing and unspoken emotions amidst the warm light of the villa.
Strengths
  • Intimate dialogue
  • Emotional depth
  • Nuanced performances
Weaknesses
  • Limited plot progression
  • Low external conflict

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, focusing on the emotional depth of the characters and their relationship. The intimate dialogue and reflective tone create a poignant atmosphere that resonates with the audience.


Story Content

Concept: 9

The concept of exploring the emotional depth of Elio and Oliver's relationship in a quiet, intimate moment is executed with sensitivity and depth. The scene delves into their inner thoughts and feelings, adding layers to their characters.

Plot: 8.5

While the scene doesn't significantly advance the plot, it deepens the emotional connection between Elio and Oliver and sets the stage for their impending separation. The focus on their relationship adds depth to the overall narrative.

Originality: 8

The scene offers a fresh approach to the theme of unrequited love and missed opportunities, with authentic dialogue and nuanced character interactions.


Character Development

Characters: 9.5

The scene allows for a deeper exploration of Elio and Oliver's characters, revealing their vulnerabilities, regrets, and affection for each other. The nuanced portrayal of their emotions adds richness to their personalities.

Character Changes: 8

Both Elio and Oliver experience emotional growth and vulnerability in the scene, deepening their connection and revealing new layers of their characters.

Internal Goal: 9

Elio's internal goal in this scene is to express his feelings of longing and regret towards Oliver, as well as his fear of being left behind when Oliver returns to the States.

External Goal: 7

Oliver's external goal is to prepare for his departure back to the States and to navigate the complex emotions between him and Elio.


Scene Elements

Conflict Level: 3

While there is emotional tension between Elio and Oliver regarding their relationship and impending separation, the scene is more focused on introspection and reflection than external conflict.

Opposition: 7

The opposition in the scene is strong, as the characters face internal conflicts and emotional barriers that create obstacles to their relationship.

High Stakes: 6

The emotional stakes are high for Elio and Oliver as they navigate their feelings for each other and the impending separation, but the scene focuses more on internal conflict than external risks.

Story Forward: 7

While the scene doesn't significantly move the plot forward in terms of external events, it advances the emotional arc of Elio and Oliver's relationship, setting the stage for future developments.

Unpredictability: 7

This scene is unpredictable because of the characters' complex emotions and the unresolved tension between them.

Philosophical Conflict: 8

The philosophical conflict in this scene revolves around the characters' differing perspectives on their relationship and the missed opportunities for connection.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of nostalgia, regret, and affection in the audience. The intimate conversation and poignant tone resonate deeply with viewers.

Dialogue: 9.3

The dialogue in the scene is intimate, heartfelt, and revealing, capturing the complex emotions of Elio and Oliver. The whispered conversation conveys a sense of closeness and vulnerability between the characters.

Engagement: 9

This scene is engaging because of the intimate and emotionally charged dialogue, the characters' internal conflicts, and the impending departure that adds tension to the scene.

Pacing: 8

The pacing of the scene effectively builds tension and emotional depth, allowing the audience to feel the characters' internal struggles.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, with distinct settings and character actions.

Structure: 8

The scene follows a coherent structure that effectively conveys the emotional tension between the characters and advances the narrative.


Critique
  • The scene effectively captures the emotional weight of Elio and Oliver's relationship as they confront the reality of their impending separation. The dialogue is intimate and reflective, allowing the audience to feel the tension and longing between the characters.
  • The use of contrasting settings—Anchise working in the hut, Mafalda ironing Oliver's shirt, and the dark, alluring garden—creates a rich atmosphere that enhances the emotional stakes of the conversation. This juxtaposition emphasizes the domesticity of the Perlman villa against the backdrop of Elio and Oliver's complex relationship.
  • Elio's dialogue reveals his vulnerability and fear of losing Oliver, which is relatable and poignant. However, the pacing of the scene could benefit from a more gradual build-up to the emotional climax, allowing the audience to fully absorb the weight of their words.
  • Oliver's response about touching Elio during volleyball is a crucial moment that highlights the miscommunication and missed opportunities in their relationship. This moment could be expanded to explore Oliver's internal conflict further, providing more depth to his character.
  • The Perlman parents' eavesdropping adds an interesting layer to the scene, suggesting their awareness of the boys' relationship. However, their dialogue feels somewhat detached from the emotional intensity of Elio and Oliver's conversation. It could be more integrated to enhance the overall impact.
Suggestions
  • Consider adding more physical actions or gestures during the conversation to visually represent the emotional tension. For example, Elio could fidget or pace, while Oliver might lean against a wall, creating a more dynamic interaction.
  • Expand on Oliver's feelings about the volleyball incident. This could involve a brief flashback or a more detailed explanation of his thought process, allowing the audience to understand his hesitance and the weight of his actions.
  • Incorporate more sensory details to enhance the atmosphere. Describe the sounds of the night, the feel of the cool air, or the scents in the garden to immerse the audience further in the scene.
  • Consider revising the Perlman parents' dialogue to reflect their emotional investment in Elio and Oliver's relationship. This could involve them sharing their own experiences or concerns, making their presence more impactful.
  • To heighten the emotional stakes, you might include a moment where Elio physically reaches out to Oliver, only to pull back, symbolizing his internal struggle and desire for connection despite the fear of loss.



Scene 54 -  Tangled Emotions
121 INT. ELIO’S BEDROOM - PERLMAN VILLA - DAY 121

Next day. Oliver’s blue shirt is on a hanger, all clean and
pressed by Mafalda, with an attached note: “For Oliver, from
Elio.” Elio strips off the shirt he’s wearing and puts on the
fresh one from Oliver. He looks at himself approvingly in the
mirror after buttoning it up, then says to his image: “I do
know you, and you’re not so bad.” He unbuttons the top couple
of buttons in order to acquire Oliver’s more laid-back look.

122 EXT. GARDEN IN FRONT OF THE KITCHEN - PERLMAN VILLA - DAY 122

ELIO wears the shirt down to breakfast. No one comments on
it, including OLIVER, who puts his bare foot under Elio’s
when he takes a seat.

MAFALDA puts an egg down in front of OLIVER, but before she
can prepare it for him ELIO takes it and expertly cracks the
top for him with his spoon.

PERLMAN observes his son’s protective concern that no speck
of the shell should fall into Oliver’s egg.

ELIO
Americans never know how to do it.
PERLMAN
I’m sure we have our way..
Oliver’s foot under the table resting on Elio’s signals that
maybe he should let it go and he seizes the second egg,
cracking it himself.

123 INT. STAIRCASE - PERLMAN VILLA - DAY 123

Later. ELIO runs down the stairs wearing a bathing suit and
OLIVER’s blue shirt, carrying a towel.
The front door opens and MARZIA walks in. She looks at him
questioningly. ELIO would like her not to be there.

MARZIA
(in French)
Tu as disparu pendant trois jours.
(You’ve been gone three days.)

ELIO
I.. had to work.

MARZIA
(in French)
Mais tu as disparu...
(But you disappeared.)


Elio doesn’t know what to say, or do.

MARZIA (CONT’D)
Am I your girl?
(Est-ce que je suis ta copine?)
Elio doesn't reply. MARZIA leaves, trying to keep from
crying.

124 EXT. ABBEVERATOIO - PERLMAN VILLA - AFTERNOON 124
By the pool. PERLMAN and ANNELLA sit at a table in their
bathing suits having a drink. ELIO and OLIVER sit on the edge
of the pool at the other end, their feet in the water.

ELIO
I hurt her feelings. Love hurts.
Revision81.

OLIVER, thinking they are unobserved by the others, caresses
Elio’s foot next to his in the water with one of his own.
Perlman sees this from where he is sitting with ANNELLA, and
nods to her in the boys’ direction. She looks over towards
OLIVER and ELIO.

PERLMAN
Oliver told me he has to go to
Bergamo for a couple of days to do
some research at the university
there before he leaves. He would
then fly home directly from Linate

ANNELLA
Oh... maybe Elio could go with him?
It would be nice for them to get
away for a couple of days. (beat)
Where would they stay?

PERLMAN
He said something about a pensione.
ANNELLA
(laughing and pretendinf
to be horrified)
Oh, no! Let’s make them a hotel
reservation. A pensione, oy!
Perlman laughs with his wife.
Genres: ["Romance","Drama"]

Summary In this poignant scene, Elio dons Oliver's blue shirt, symbolizing his growing affection. At breakfast, he tenderly cracks an egg for Oliver, while their connection deepens with a subtle foot touch under the table. Elio faces tension with Marzia, who confronts him about his feelings, leaving her hurt and him speechless. By the pool, Elio expresses regret for Marzia's feelings, yet shares an intimate moment with Oliver. Perlman and Annella discuss Oliver's upcoming trip, adding humor that contrasts with Elio's emotional turmoil, highlighting the complexities of young love.
Strengths
  • Nuanced performances
  • Emotional depth
  • Intimate moments
Weaknesses
  • Lack of external conflict
  • Limited external action

Ratings
Overall

Overall: 8.5

The scene effectively captures the emotional complexity of the characters and their evolving dynamics. It provides insight into their internal struggles and desires, creating a sense of intimacy and tension that keeps the audience engaged.


Story Content

Concept: 8

The concept of exploring the emotional complexities of a burgeoning romance and impending separation is well-executed in the scene. It delves into the characters' internal struggles and desires, adding depth to their relationship.

Plot: 8

The plot progression in the scene focuses on the emotional development of the characters and their evolving dynamics. It moves the story forward by highlighting key moments of intimacy, regret, and tension.

Originality: 9

The scene offers a fresh perspective on themes of love, identity, and family dynamics, with authentic character interactions and dialogue that feel true to life.


Character Development

Characters: 9

The characters of Elio and Oliver are well-developed, with their vulnerabilities and desires effectively portrayed. The scene allows for a deeper understanding of their emotional complexities and the evolving nature of their relationship.

Character Changes: 8

Both Elio and Oliver experience emotional growth and vulnerability in the scene, leading to a shift in their dynamics and a deeper understanding of their feelings for each other.

Internal Goal: 8

Elio's internal goal in this scene is to navigate his feelings for both Marzia and Oliver, as well as his own sense of identity and self-worth. His dialogue and actions reflect his internal struggle with his emotions and desires.

External Goal: 7

Elio's external goal is to maintain his relationships with both Marzia and Oliver while also dealing with the expectations of his family. He wants to balance his personal desires with his responsibilities.


Scene Elements

Conflict Level: 7

The scene contains emotional conflict and tension between the characters, particularly in their evolving relationship and impending separation. The internal struggles and desires of the characters create a sense of conflict that drives the emotional depth of the scene.

Opposition: 7

The opposition in the scene is subtle but effective, creating tension and conflict that challenge the characters' beliefs and motivations.

High Stakes: 7

The stakes are relatively high in the scene, as the characters grapple with their emotions, impending separation, and the evolving nature of their relationship. The emotional depth and vulnerability of the characters add weight to the stakes.

Story Forward: 8

The scene moves the story forward by delving into the emotional complexities of the characters and their evolving relationship. It sets the stage for further development and exploration of their feelings and desires.

Unpredictability: 7

This scene is unpredictable because of the shifting dynamics between the characters and the unexpected emotional revelations that drive the narrative forward.

Philosophical Conflict: 7

The philosophical conflict in this scene revolves around the themes of love, identity, and societal expectations. Elio is torn between his feelings for Marzia and Oliver, as well as the pressure to conform to traditional norms.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, eliciting feelings of intimacy, regret, and tension from the audience. The nuanced performances and emotional depth of the characters enhance the emotional resonance of the scene.

Dialogue: 8.5

The dialogue in the scene is poignant and reflective, capturing the emotional nuances of the characters' interactions. It adds depth to their relationship and conveys their internal struggles and desires effectively.

Engagement: 9

This scene is engaging because it delves into the complex emotions and relationships of the characters, creating tension and intrigue that keeps the audience invested in the story.

Pacing: 8

The pacing of the scene is well-balanced, with a mix of introspective moments and interpersonal interactions that maintain the audience's interest and drive the story forward.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and concise, with a focus on visual and emotional details that enhance the reader's understanding of the characters and their motivations.

Structure: 8

The scene follows a coherent structure that effectively develops the relationships between the characters and advances the plot.


Critique
  • The scene effectively captures Elio's emotional state through his actions, such as putting on Oliver's shirt and his interaction with Marzia. However, the transition between Elio's internal conflict regarding his feelings for Oliver and his relationship with Marzia could be more pronounced. The juxtaposition of these two relationships is crucial, and the scene could benefit from deeper exploration of Elio's guilt and confusion.
  • The dialogue between Elio and Marzia feels somewhat abrupt and lacks emotional depth. Marzia's question about being Elio's girl is significant, yet Elio's non-response could be expanded to reflect his inner turmoil more vividly. This would enhance the tension and stakes of their relationship.
  • The physical intimacy between Elio and Oliver is subtly portrayed through their foot contact under the table, which is effective. However, the scene could further emphasize the contrast between this intimacy and Elio's unresolved feelings for Marzia. This would heighten the emotional stakes and create a more compelling narrative tension.
  • The humor in Perlman and Annella's banter about the pensione adds a light-hearted touch, but it risks undermining the emotional weight of Elio's situation. Balancing humor with the gravity of Elio's feelings is essential to maintain the scene's emotional integrity.
  • The pacing of the scene feels uneven, particularly in the transition from breakfast to the encounter with Marzia. A smoother transition could help maintain the emotional flow and keep the audience engaged with Elio's internal conflict.
Suggestions
  • Consider adding a brief internal monologue for Elio as he puts on Oliver's shirt, reflecting on what it symbolizes for him. This could deepen the audience's understanding of his emotional state.
  • Expand the dialogue between Elio and Marzia to include more of Elio's thoughts and feelings about their relationship. This could involve him grappling with his guilt or confusion, making his eventual silence more impactful.
  • Enhance the physicality of Elio and Oliver's connection by incorporating more subtle gestures or glances that convey their intimacy, especially in the presence of Marzia.
  • Reassess the balance of humor in the scene. While Perlman and Annella's banter is enjoyable, consider whether it serves to distract from or enhance Elio's emotional journey. Adjusting the timing or placement of this humor could help maintain focus on Elio's internal conflict.
  • Smooth out the transitions between different parts of the scene to create a more cohesive narrative flow. This could involve adding brief moments of reflection or action that connect Elio's experiences more seamlessly.



Scene 55 -  A Moment at the Memorial
125 EXT. WAR MEMORIAL - PANDINO - DUSK 125 *

OLIVER and ELIO, still wearing their swimsuits, are in front *
of the War World I Memorial for Fallen Soldiers, in the
nearby town of Pandino. Elio crosses the steps and tries to *
put his arms around it; he stands there spread-eagled. *
ELIO *
They’re too big for even two men to *
get their arms around. *

OLIVER *
Let’s see. *

OLIVER goes up and his arms flung out. Then attacks the *
problem from the other side of the monument, facing it, and *
putting his arms around it in a kind of embrace. *

Unseen by them, a young couple – a boy and a girl – are *
embracing in the underbrush nearby. They smile at the two *
young men and renew their own hugging. They look like a *
shepherd and shepherdess, wearing simple, everyday work *
clothes. *

Unseen, they watch ELIO and OLIVER, whose extended fingertips *
almost touch, but not quite. *
Revision82.

They are still several inches apart as they stretch their *
bodies, exhaling with their effort. But the stone gleams *
stubbornly in the space between their fingers. *

OLIVER decides to cheat, and moves in ELIO’s direction, until *
they make contact. They yell and OLIVER gathers ELIO into his *
arms and kisses him. *
The boy and girl in the shadows resume their own kiss. *

OLIVER puts a hand inside ELIO’s bathing suit, but ELIO *
pushes him away. *
ELIO *
Not here. Not in all this, not on *
this stone. *

The two young men run back to their bikes and ride off, *
watched by the young couple. The “Shepherd” moves his hand *
on the breast of the “Shepherdess,” and she lets him keep it *
there. *

126 EXT. COACH STATION - MONTODINE - DAY 126 *
OLIVER puts his suitcases in the open trunk of a waiting
coach. He is saying his goodbyes to the PERLMANS before he
and ELIO get on it. ANNELLA kisses Oliver with great
affection; PERLMAN shakes his hand warmly, all formality
gone. Both say “Come back soon!" The driver closes the trunk.
ELIO says goodbye to his parents, unable to hide an honest
smile of happiness.

Chiara arrives driving her bike to salute Oliver but the
coach is leaving...

The Perlmans and Chiara watch the coach drive away as Elio
and Oliver take seats inside it.

127 INT./EXT. BUS - FROM CREMA TO ALPI OROBIE - DAY 127

Oliver smiles and waves to Chiara on the half-crowded bus.
OLIVER dozes off, his head on ELIO’s shoulder. ELIO looks at
him, his gaze full of unaccountable emotions.
Outside the window the summer landscape changes from the flat
plains into the first alps, the Orobie.

128 EXT. BOSCO/PRATO - CASCATE DEL SERIO - DAY 128

A small forest of beech and fir trees. ELIO and OLIVER walk
on a trail with their backpacks.

They cross a small bridge over a creek and reach a large
grass field, looking towards the mountain patiently awaiting
something.

Oliver looks at ELIO and hugs him, a friendly grab-hug. Then
a hand moves down on Elio's thigh, and he looks around.

The explosion of water in the mountain is violent and
unexpected. The river leaps three times on the rocks before
it reaches the bottom of the valley. OLIVER jumps up and in a
very American impulse howls at this spectacle of water. ELIO
laughs. They run to the water and disappear into the cascade.
Genres: ["Romance","Drama"]

Summary At dusk in front of the War World I Memorial in Pandino, Oliver and Elio, still in their swimsuits, share a playful yet intimate moment as they attempt to embrace the large monument. Their fingertips almost touch, but when Oliver leans in for a kiss, Elio pushes him away, insisting it's not the right place for such intimacy. They leave the memorial together on their bikes, observed by a young couple nearby, reflecting the innocence and complexity of young love.
Strengths
  • Emotional depth
  • Intimate moments
  • Character development
Weaknesses
  • Subtle conflict
  • Lack of external action

Ratings
Overall

Overall: 8.5

The scene effectively conveys the intimacy and vulnerability between Elio and Oliver, setting the stage for their emotional journey. The playful and reflective tones add depth to their interactions, making it a compelling and memorable moment in the screenplay.


Story Content

Concept: 8

The concept of capturing a tender moment between Elio and Oliver at a War Memorial is unique and adds depth to their relationship. The scene explores themes of intimacy, vulnerability, and the complexities of love in a compelling way.

Plot: 8

The plot progression in the scene focuses on the emotional connection between Elio and Oliver, setting the stage for their evolving relationship dynamics and the challenges they face. The scene moves the story forward by deepening the bond between the characters.

Originality: 9

The scene offers a fresh approach to depicting a same-sex relationship in a historical context, with authentic dialogue and actions.


Character Development

Characters: 8.5

The characters of Elio and Oliver are well-developed in the scene, showcasing their emotional depth, vulnerability, and the complexities of their relationship. The interactions between the characters feel authentic and engaging, drawing the audience into their journey.

Character Changes: 8

Both Elio and Oliver experience emotional growth and vulnerability in the scene, deepening their connection and setting the stage for their evolving relationship dynamics. The intimate moment at the War Memorial marks a significant shift in their bond.

Internal Goal: 8

Elio's internal goal in this scene is to express his feelings for Oliver and navigate the complexities of their relationship.

External Goal: 7

The external goal for both characters is to share a moment of intimacy and connection.


Scene Elements

Conflict Level: 6

The conflict in the scene is subtle, focusing more on the internal struggles and emotional complexities of the characters rather than external conflicts. The tension arises from the evolving relationship between Elio and Oliver and the impending separation.

Opposition: 6

The opposition in the scene comes from societal norms and expectations, adding complexity to the characters' actions.

High Stakes: 7

The stakes are moderately high in the scene, as Elio and Oliver navigate their evolving relationship dynamics and the challenges they face. The emotional intensity and vulnerability of their interactions heighten the stakes as they confront their feelings for each other.

Story Forward: 8

The scene moves the story forward by deepening the emotional connection between Elio and Oliver, setting the stage for their evolving relationship dynamics and the challenges they face. The intimate moment at the War Memorial adds depth to the narrative.

Unpredictability: 7

The scene is unpredictable in terms of the characters' actions and the outcome of their interaction.

Philosophical Conflict: 6

The philosophical conflict in this scene revolves around societal norms and expectations regarding same-sex relationships.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of intimacy, vulnerability, and affection between Elio and Oliver. The tender moments and passionate kiss resonate with the audience, creating a poignant and memorable experience.

Dialogue: 8

The dialogue in the scene effectively conveys the emotions and intentions of Elio and Oliver, adding depth to their interactions. The playful banter and intimate exchanges enhance the character dynamics and the overall tone of the scene.

Engagement: 9

This scene is engaging because of the emotional depth and tension between the characters.

Pacing: 8

The pacing of the scene builds tension effectively and keeps the reader engaged.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and easy to follow, enhancing the reader's understanding.

Structure: 8

The scene follows a clear structure with a buildup of tension and resolution.


Critique
  • The scene effectively captures the tension and intimacy between Elio and Oliver, using the War Memorial as a poignant backdrop that symbolizes both their emotional struggles and the weight of their relationship. However, the dialogue could be more nuanced to reflect the complexity of their feelings. Elio's line about the monument being too big for two men to embrace is clever, but it could be expanded to include more emotional depth, perhaps reflecting on their own inability to fully connect due to external pressures.
  • The visual imagery of the young couple in the underbrush watching Elio and Oliver adds a layer of contrast to the scene, highlighting the innocence of young love versus the more complicated feelings of Elio and Oliver. However, the transition between their actions and the couple's reactions could be smoother. The scene might benefit from a brief moment where the couple's expressions are more explicitly tied to Elio and Oliver's actions, enhancing the thematic resonance.
  • The moment when Oliver puts his hand inside Elio's bathing suit is a significant escalation in their intimacy, but Elio's reaction feels somewhat abrupt. It would be more impactful if Elio's internal conflict was more clearly articulated, perhaps through a brief internal monologue or a flash of memory that illustrates his hesitation. This would deepen the emotional stakes of the moment and provide insight into Elio's character.
  • The ending, where they run back to their bikes, feels a bit rushed. While the urgency of their actions is understandable, it might be beneficial to linger on their emotions for a moment longer before they leave. A brief exchange or a shared look could encapsulate their feelings of both joy and fear, making the moment more poignant.
  • Overall, the scene is visually engaging and thematically rich, but it could benefit from deeper character exploration and emotional nuance. The dialogue and actions should reflect the complexity of their relationship, balancing humor, longing, and the weight of societal expectations.
Suggestions
  • Consider adding more dialogue that reflects Elio's internal struggle with his feelings for Oliver, perhaps through a line that hints at his fear of being seen or judged in such a public space.
  • Enhance the connection between the young couple watching Elio and Oliver by including a moment where their expressions mirror the emotions of Elio and Oliver, reinforcing the theme of love in different forms.
  • Explore Elio's hesitation more deeply when Oliver becomes more intimate. This could be done through a brief flashback or a line that reveals his conflicting emotions about their relationship.
  • Allow for a moment of stillness at the end of the scene before they ride off, where Elio and Oliver share a look or a few words that encapsulate their feelings about the kiss and the implications of their relationship.
  • Ensure that the physical actions of Elio and Oliver are matched with their emotional states, creating a more cohesive and impactful scene that resonates with the audience.



Scene 56 -  A Night of Laughter and Discomfort
129 INT. HOTEL BEDROOM - BERGAMO - AFTERNOON 129
ELIO and OLIVER enter their hotel bedroom in Bergamo. They
look around and laugh, for no apparent reason.

Later. There is a large window looking out over the front
entrance of the hotel and a parking lot adjoining it.

OLIVER stands looking out as ELIO comes up from behind him,
putting his arms around Oliver’s waist. Both are wearing
boxer shorts.

130 EXT. STREETS - BERGAMO - NIGHT 130
Elio and Oliver are drunk. They stroll in the streets of the
old town, stumbling, laughing. Taking advantage of a deserted
alley OLIVER pushes ELIO against the wall and kisses him.
Then suddenly stops.
ELIO
What?

OLIVER
Listen!
ELIO
Listen to what?
Among the soft sounds of the sleeping city is a distant
melody.
OLIVER
This song!
ELIO
There’s no song. You’re
hallucinating.

Elio tries to kiss him again but Oliver grabs his hand and
pulls him away.
OLIVER
Let’s go!

131 EXT. PIAZZETTA - BERGAMO - NIGHT 131
In a small square in the old part of town three young men and
a girl are leaning on a wall. They are wearing oversized
jackets and make-up; they are early examples of the "New
Romantic" fashion.

At their feet is a radio playing “Love My Way”, the song that
was also playing at the open-air dancing bar a few weeks
earlier. OLIVER looks at ELIO as if to say "See?", then
salutes the youngsters, only to be ignored.

OLIVER
Psychedelic Furs. The best!
The New Romantics seem uninterested. OLIVER starts dancing,
as we already saw him do, alone. He then grabs the girl,
intending for her to dance with him, and it seems like the
situation could go badly.

OLIVER (CONT’D)
(in lousy Italan)
Li ho visti a New York l’anno
scorso. Richard Butler..
spettacolo!
(I saw them in New York last year.
Richard Butler... awesome!)

RAGAZZA NEW ROMANTIC
(romagnolo accent)
Davvero? Li abbiam visti anche noi
in concerto! Siamo andati a Londra
facendo l’àutostop...
(Really? We saw them in concert
too! We hitch-hiked to London...)

OLIVER
Best way to travel around!
So the other New Romantics join the dance, with their
syncopated moves. ELIO doesn't dance, he looks, uncertain. At
the song's climax he bursts out puking suddenly and
abundantly.
Genres: ["Romance","Drama"]

Summary Elio and Oliver share a playful and intimate moment in their hotel room before venturing into the lively streets of Bergamo. As they stumble through the night, their romantic connection is tested when Oliver kisses Elio but is distracted by a distant melody. At a small square, Oliver engages with a group of New Romantics, expressing his admiration for the band Psychedelic Furs, while Elio feels increasingly out of place. The scene culminates in Elio's unexpected vomiting, highlighting his discomfort amidst the carefree atmosphere.
Strengths
  • Intimate character moments
  • Emotional depth
  • Nuanced performances
Weaknesses
  • Limited external conflict
  • Some ambiguity in character motivations

Ratings
Overall

Overall: 8.7

The scene effectively conveys the emotional depth and complexity of the characters while introducing a new location and adding layers to their relationship dynamics.


Story Content

Concept: 8.6

The concept of exploring Elio and Oliver's relationship in a new location while delving into their emotional complexities is well-realized in this scene.

Plot: 8.4

The plot progression in this scene focuses on the evolving dynamics between Elio and Oliver, deepening their connection and setting the stage for further developments.

Originality: 8

The scene offers a fresh take on a familiar theme of young love and self-discovery. The authenticity of the characters' actions and dialogue adds originality to the scene.


Character Development

Characters: 9

The characters of Elio and Oliver are richly portrayed, showcasing their vulnerabilities, desires, and the intricacies of their relationship.

Character Changes: 9

Both Elio and Oliver experience emotional growth and vulnerability in this scene, deepening their connection and revealing new layers of their personalities.

Internal Goal: 8

Elio's internal goal in this scene is to navigate his feelings for Oliver and his own uncertainty about their relationship. It reflects his deeper desire for acceptance and understanding of his own identity.

External Goal: 7

The protagonist's external goal in this scene is to enjoy the night out with Oliver and potentially explore their romantic connection further. It reflects the immediate circumstances of being in a new place and experiencing new things together.


Scene Elements

Conflict Level: 7.5

While there is emotional conflict and tension between Elio and Oliver, the scene focuses more on their internal struggles and evolving relationship dynamics.

Opposition: 7

The opposition in the scene is strong, with conflicting emotions and societal expectations creating obstacles for the characters.

High Stakes: 8

While the emotional stakes are high for Elio and Oliver in terms of their relationship and self-discovery, the scene focuses more on internal conflicts than external threats.

Story Forward: 8

The scene moves the story forward by developing the relationship between Elio and Oliver, setting the stage for further exploration of their dynamics.

Unpredictability: 7

This scene is unpredictable because of the sudden shift in emotions and the unexpected reactions of the characters.

Philosophical Conflict: 7

The philosophical conflict evident in this scene is the clash between societal norms and personal desires. Elio's internal struggle with his feelings for Oliver and the societal expectations of masculinity and relationships creates tension.


Audience Engagement

Emotional Impact: 9

The scene evokes a strong emotional response from the audience, delving into the complex feelings of love, desire, and uncertainty experienced by the characters.

Dialogue: 8.2

The dialogue in the scene effectively conveys the emotions and tensions between Elio and Oliver, adding depth to their interactions.

Engagement: 9

This scene is engaging because of the emotional depth of the characters, the tension between them, and the uncertainty of their relationship.

Pacing: 8

The pacing of the scene contributes to its effectiveness by building tension and suspense, leading to a climactic moment.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, with clear scene descriptions and character actions.

Structure: 8

The structure of the scene follows the expected format for its genre, with a clear progression of events and character interactions.


Critique
  • The scene effectively captures the playful and carefree nature of Elio and Oliver's relationship, showcasing their intimacy and the joy of youth. However, the transition from the hotel bedroom to the streets of Bergamo feels abrupt. A smoother transition could enhance the flow of the narrative.
  • The dialogue between Elio and Oliver is engaging, particularly the playful banter about the 'hallucinated' song. This moment highlights their chemistry, but it could benefit from a bit more context or emotional weight to deepen the connection. The humor is present, but the stakes feel low, which may lessen the impact of their relationship's complexity.
  • The introduction of the New Romantics adds an interesting cultural layer, but their indifference towards Oliver could be more pronounced to emphasize his outsider status. This would enhance the theme of longing for acceptance and connection, which is central to Elio and Oliver's journey.
  • Elio's sudden vomiting serves as a comedic moment, but it may come off as jarring given the preceding romantic tension. This could detract from the emotional buildup. A more gradual shift in tone or a clearer setup for this moment could help maintain the scene's overall emotional arc.
  • The scene ends on a somewhat abrupt note with Elio's vomiting, which may leave the audience feeling disconnected from the emotional journey. A more reflective moment for Elio after this incident could provide closure and deepen the audience's understanding of his character's state of mind.
Suggestions
  • Consider adding a brief moment of reflection or dialogue in the hotel bedroom that hints at their feelings about the impending separation, creating a stronger emotional foundation before they head out into the streets.
  • Enhance the dialogue between Elio and Oliver by incorporating more personal stakes or deeper emotional undertones, allowing the audience to feel the weight of their relationship amidst the humor.
  • Develop the interaction with the New Romantics further, perhaps by having them engage more with Oliver, which could highlight his desire for connection and the contrast between his experience and theirs.
  • Reframe the vomiting moment to either build up to it more clearly or follow it with a moment of vulnerability for Elio, allowing him to express his feelings about the situation, thus maintaining the emotional continuity.
  • Consider ending the scene with a more introspective moment for Elio, perhaps reflecting on his feelings for Oliver or the chaos of the night, to provide a more satisfying emotional resolution.



Scene 57 -  Bittersweet Farewell
132 EXT. STRADA CON FONTANA - BERGAMO - DAWN 132

OLIVER holds ELIO's forehead as he pukes. Elio stands away
from the wall making an "I'm okay now" gesture, and goes to
the fountain nearby to splash water on his face.

ELIO
It's the best day of my life and I
end it with puking!
Oliver looks around to check that nobody is looking and
starts kissing him again. Elio lets himself go.

With his eyes still closed he hears male voices passing
nearby muttering something against them, but he doesn't care.
IT’S THE KISS OF A LIFETIME.

133 INT. HOTEL BEDROOM - DAWN 133

OLIVER and ELIO are hugging on their hotel bed. OLIVER looks
at ELIO sleeping. A HISSING sound in the distance.

134 EXT. BINARIO - STAZIONE DI CLUSONE - DAY 134

It is the sound of a train arriving at the station, on the
main platform.

ELIO and OLIVER together look at the train come to a stop.
ELIO is wearing Oliver’s blue shirt. On the platform are a
few travellers ready to leave. Oliver's bags are those for
his trip back home; they are about to say goodbye.

The train doors open, some people come out, others get in
while saying their goodbyes to their counterparts.

Elio and Oliver aren't moving, they try to delay the
inevitable, if only for a few seconds. The voice on the
intercom informs that the Express train for Rome is about to
depart from Platform 1.

ELIO
Did you get your passport?
OLIVER
Yeah, I did.
The travellers are all on the train, except for Oliver..

The conductor is a few cars down, looking at his watch. A
moment of suspended, cruel silence.
OLIVER (CONT’D)
There's emptiness behind your eyes/
there's dust in our hearts/ Love my
way, it's a new road...

Elio listens to these words, which Oliver starts to sing
sweetly, whispering.

OLIVER (CONT’D)
I follow where my mind goes, so
swallow all your tears, my love/
And put on your new face/ You can
never win or lose, if you don't run
the race.

They hug. OLIVER grabs his bags and enters the train.

The train leaves. Elio watches it disappear in the distance.
Wiped out, he walks along the platform and sits on a bench,
his gaze lost in thoughts. After a long beat he stands and go
to the...

135 EXT. PHONE BOOTH - STAZIONE DI CLUSONE - DAY 135

ELIO dials a number on a public phone, he does so
mechanically. A few moments later somebody picks up.

ELIO
Mafalda? Maman... Bonjour. Oui, je
vais bien. Je suis à Clusone, à la
gare. Oui... il est parti. Maman,
s'il te plaît, tu pourrais venir me
chercher?
(Mafalda? Mom... Hey. Yes, I'm
fine. I'm in Clusone, at the
station. Yes.. he left. Mom..
please could you come pick me up?)
Genres: ["Romance","Drama"]

Summary In this emotionally charged scene, Oliver comforts Elio after a bout of vomiting, leading to a passionate kiss that defies the judgment of onlookers. Their intimacy deepens in the hotel room, but the mood shifts as Oliver prepares to leave for Rome. At the train station, he sings a heartfelt song that encapsulates their feelings, leaving Elio visibly affected as the train departs. Alone on the platform, Elio grapples with the pain of separation before calling his mother for a ride home.
Strengths
  • Emotional depth
  • Authentic performances
  • Intimate atmosphere
Weaknesses
  • Limited external conflict
  • Pacing may be slow for some viewers

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, evoking a strong emotional response from the audience through its intimate and reflective tone. The dialogue, character interactions, and overall atmosphere contribute to a poignant portrayal of love and loss.


Story Content

Concept: 9

The concept of the scene revolves around the emotional climax of Elio and Oliver's relationship, focusing on their deep connection and the pain of separation. It effectively conveys the themes of love, longing, and acceptance.

Plot: 9

The plot of the scene centers on the emotional farewell between Elio and Oliver, moving the story forward towards a significant moment of departure. It effectively builds tension and sets the stage for future developments.

Originality: 9

The scene presents a fresh take on a romantic farewell, with authentic dialogue and emotional authenticity.


Character Development

Characters: 9.2

The characters of Elio and Oliver are portrayed with depth and complexity, showcasing their love, vulnerability, and inner turmoil. Their interactions and emotional journey drive the scene with authenticity and resonance.

Character Changes: 8

Both Elio and Oliver undergo emotional changes in the scene, as they confront their feelings for each other and the pain of parting ways. Their relationship evolves, leading to a deeper understanding of themselves and each other.

Internal Goal: 8

Elio's internal goal in this scene is to come to terms with the end of his relationship with Oliver and find closure.

External Goal: 7

Elio's external goal is to say goodbye to Oliver as he leaves on a train back home.


Scene Elements

Conflict Level: 7

The conflict in the scene is primarily internal, focusing on the emotional turmoil and inner struggles of Elio and Oliver as they grapple with their feelings and the impending separation.

Opposition: 7

The opposition in the scene comes from societal norms and the characters' internal conflicts, adding complexity to the farewell.

High Stakes: 8

The stakes are high in the scene as Elio and Oliver face the reality of their separation and the uncertainty of their future. The emotional intensity and vulnerability of the characters heighten the stakes.

Story Forward: 9

The scene significantly moves the story forward by setting up a pivotal moment of departure for Elio and Oliver. It marks a turning point in their relationship and sets the stage for future developments.

Unpredictability: 7

This scene is unpredictable in terms of the characters' emotional reactions and the outcome of their farewell.

Philosophical Conflict: 9

The philosophical conflict in this scene is the struggle between societal expectations and personal desires, as Elio and Oliver must part ways due to societal norms.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, eliciting strong feelings of love, sadness, and longing from the audience. The intimate moments between Elio and Oliver create a powerful connection that resonates deeply.

Dialogue: 9

The dialogue in the scene is poignant and heartfelt, capturing the emotional nuances of Elio and Oliver's relationship. It conveys their inner thoughts, fears, and desires with honesty and vulnerability.

Engagement: 9

This scene is engaging because of its emotional depth and the audience's investment in the characters' relationship.

Pacing: 8

The pacing of the scene effectively builds tension and emotion, keeping the audience engaged.


Technical Aspect

Formatting: 8

The formatting of the scene is clear and follows industry standards for a screenplay.

Structure: 8

The scene follows a traditional structure for a romantic drama, effectively building tension and emotion.


Critique
  • The scene effectively captures the emotional aftermath of a night filled with both joy and chaos, showcasing Elio's vulnerability and the intensity of his relationship with Oliver. However, the transition from the vomiting incident to the tender moment between Elio and Oliver feels abrupt. The juxtaposition of humor and intimacy is interesting, but it could be more seamlessly integrated to enhance the emotional flow.
  • The dialogue in this scene is poignant, particularly Oliver's song lyrics, which resonate with the themes of love and loss. However, the lyrics could be more clearly connected to the characters' emotional states. As it stands, they feel somewhat detached from the immediate context of their farewell, which could diminish their impact.
  • The visual elements, such as Elio splashing water on his face and the train arriving, are strong and create a vivid atmosphere. However, the scene could benefit from more sensory details to immerse the audience further. Describing the sounds, smells, and sights of the train station could enhance the emotional weight of the moment.
  • Elio's internal conflict is palpable, but the scene could delve deeper into his emotional state as he watches Oliver leave. Instead of just showing him sitting on the bench, consider incorporating more of his thoughts or memories about their time together, which would heighten the sense of loss and longing.
  • The ending, where Elio mechanically dials the phone, effectively conveys his emotional numbness. However, it might be more impactful if the scene included a brief moment of hesitation or reflection before he makes the call, emphasizing his struggle to process the events that just transpired.
Suggestions
  • Consider adding a brief moment of reflection for Elio after he vomits, allowing him to process the mix of emotions he feels before transitioning to the kiss with Oliver.
  • Enhance the connection between Oliver's song lyrics and the emotional stakes of the scene by incorporating more dialogue or internal monologue that ties Elio's feelings to the themes of the song.
  • Include more sensory details in the train station setting to create a richer atmosphere, such as the sounds of the train, the chatter of travelers, or the smell of coffee from a nearby kiosk.
  • Explore Elio's emotional state more deeply as he watches Oliver leave. Incorporate flashbacks or memories that highlight their relationship, making the farewell feel more significant.
  • Add a moment of hesitation or internal conflict for Elio before he dials the phone, showcasing his emotional turmoil and the weight of the moment as he reaches out for comfort.



Scene 58 -  Moments of Comfort
136 INT./EXT. CAR/COUNTRY ROAD - AFTERNOON 136
ANNELLA is with ELIO in the car. She is driving back to the
villa. ELIO is silent. Oliver’s blue shirt is open over
Elio's bare chest and blows in the wind.

She looks at him. She reaches out with her free hand and
caresses his cheek, the sweetest gesture.

Elio’s face crumples. He starts to cry. She wipes his tears
away with her free hand but he cannot stop.

137 EXT STREETS OF TOWN - AFTERNOON 137

The Perlman car is parked in town. ELIO is alone, sitting on
the passenger seat. The car's radio is playing some summer
song.

In the distance, a group of Elio's friends are walking about.
Among them is MARZIA, who notices the Perlman car, then Elio.
She waves at her friends and leaves them to come towards him.
MARZIA
Ciao.
Elio notices her only when she is close.

MARZIA (CONT’D)
How are you?

ELIO
Good, thanks.

Elio tries straightening up to hide his emotions, his face
recently upset by tears.

MARZIA
(in French)
J'ai lu le livre que
tu m'as offert, les poèmes.
Ils sont très beaux. J’aime
beaucoup cette Antonia Pozzi.
(I read the book you gave me, the
poems, they are beautiful. I really
love Antonia Pozzi.)
“Nell’aria della stanza - non te
guardo - ma già il ricordo del tuo
viso” (In the room’s air - not you
do I look at - but already the
memory of your face)

Elio nods, smiling back at her.

MARZIA (CONT’D)
I'm sorry you feel so bad. I just
wanted to tell you that I'm not mad
at you. I love you. (Je suis
désolée que tu sois si malheureux.
Je voulais juste te dire que je ne
t'en veux pas. Je t'aime.)


Elio is surprised and comforted by Marzia's words. She
extends her hand to him.

MARZIA (CONT’D)
On reste amis?
(Friends.)
Elio shakes her hand, then exits the car and hugs her,
sighing. Annella is approaching.

ELIO
Pour la vie?
(Forever?)

MARZIA
Pour la vie.
(Forever)

138 EXT. PERLMAN VILLA - AFTERNOON 138
The car comes through the gate. ANCHISE comes forward and
offers to carry the backpack up to his room, ELIO tells him
that backpacks should be carried by their owners.

ANCHISE
Il signor Ulliva è partito? (Has
mister Ulliva left?)

ELIO
Sì, stamattina. (Yes, this morning)

ANCHISE
Anche a me duole. (I too am
saddened).

ELIO avoids his eyes, not wanting to encourage him to say
anything further, and goes inside.
Genres: ["Drama","Romance"]

Summary Elio is driven back to the villa by Anella, visibly upset and crying over Oliver's departure. In the parked car, he encounters Marzia, who expresses her love and reassures him, leading to a heartfelt moment where they agree to remain friends. Upon returning to the villa, Elio briefly interacts with Anchise, who shares his sadness about Oliver, but Elio chooses to avoid further discussion, highlighting his emotional struggle with loss.
Strengths
  • Emotional depth
  • Authentic character interactions
  • Heartfelt performances
Weaknesses
  • Limited plot progression
  • Minimal external conflict

Ratings
Overall

Overall: 8.5

The scene effectively conveys a range of emotions through the interactions between Elio and Marzia, providing depth to their relationship and exploring themes of love, friendship, and forgiveness.


Story Content

Concept: 8

The concept of exploring the aftermath of a significant event through the lens of friendship and love is compelling and adds depth to the characters' development.

Plot: 7.5

While the plot progression is subtle in this scene, the focus on character emotions and relationships adds layers to the overall narrative, deepening the audience's understanding of the characters.

Originality: 8

The scene offers a fresh approach to exploring themes of friendship, love, and emotional turmoil. The authenticity of the characters' actions and dialogue adds to its originality.


Character Development

Characters: 8.5

The characters of Elio and Marzia are well-developed in this scene, with their emotions and interactions feeling authentic and relatable. Their growth and dynamics are effectively portrayed.

Character Changes: 8

Both Elio and Marzia experience emotional growth and change in this scene, with Elio confronting his feelings and finding comfort in Marzia's friendship, while Marzia expresses her love and forgiveness towards Elio.

Internal Goal: 8

The protagonist's internal goal is to come to terms with his emotions and find comfort in the support of his friends.

External Goal: 7.5

The protagonist's external goal is to navigate his relationships with his friends and find solace in their understanding and support.


Scene Elements

Conflict Level: 3

The conflict in the scene is primarily internal, focusing on Elio's emotional turmoil and his struggle to come to terms with his feelings. The external conflict is minimal but adds depth to the character development.

Opposition: 7.5

The opposition in the scene comes from the protagonist's internal struggles and emotional vulnerability, creating a sense of uncertainty and tension.

High Stakes: 4

The stakes in the scene are primarily emotional, focusing on the characters' personal connections and feelings. The outcome of their interactions has a significant impact on their emotional well-being.

Story Forward: 6

While the scene does not significantly move the main plot forward, it adds depth to the characters' relationships and emotional arcs, enriching the overall narrative.

Unpredictability: 7

This scene is unpredictable in its emotional twists and turns, keeping the audience invested in the protagonist's journey.

Philosophical Conflict: 7

The philosophical conflict revolves around the complexities of friendship, love, and emotional vulnerability. It challenges the protagonist's beliefs about relationships and the depth of human connection.


Audience Engagement

Emotional Impact: 9

The scene has a high emotional impact, evoking feelings of sadness, comfort, and love through the characters' heartfelt interactions and expressions of emotion.

Dialogue: 7

The dialogue in the scene is poignant and heartfelt, capturing the emotional nuances of the characters' interactions. The use of French adds a layer of intimacy and authenticity to the conversation.

Engagement: 9

This scene is engaging because of its emotional depth, relatable character dynamics, and subtle moments of connection and vulnerability.

Pacing: 8

The pacing of the scene effectively builds tension and emotional resonance, allowing for moments of reflection and connection to unfold naturally.


Technical Aspect

Formatting: 8

The formatting adheres to the expected format for its genre, allowing for clear visualization of the scene's setting and character interactions.

Structure: 8

The scene follows a coherent structure that effectively conveys the protagonist's emotional journey and interactions with other characters.


Critique
  • The emotional weight of the scene is palpable, particularly in the interaction between Elio and Annella. The mother's gentle touch and Elio's subsequent breakdown effectively convey the depth of his sorrow. However, the transition from the car to the town could be smoother; the abrupt shift might disrupt the emotional flow.
  • Marzia's entrance serves as a pivotal moment, providing a contrast to Elio's grief. Her dialogue is heartfelt and poetic, which adds a layer of complexity to her character. However, the dialogue could benefit from more subtext; while she expresses love and forgiveness, the scene might feel more impactful if her emotions were conveyed through actions or nuanced expressions rather than explicit statements.
  • The use of French in Marzia's dialogue adds authenticity and depth to her character, but it may alienate viewers who do not understand the language. Including a brief visual cue or a reaction shot from Elio that emphasizes his emotional response to her words could enhance the scene's accessibility.
  • The scene's pacing is generally effective, but the emotional beats could be emphasized further. For instance, lingering on Elio's reactions after Marzia's confession could heighten the tension and allow the audience to fully absorb the moment.
  • The final exchange between Elio and Marzia is touching, but it feels somewhat rushed. Expanding on their hug and the emotional significance of their promise to remain friends could provide a more satisfying conclusion to this emotional arc.
Suggestions
  • Consider adding a brief moment of silence or a visual cue after Annella wipes Elio's tears to allow the audience to fully absorb the emotional impact before transitioning to the next scene.
  • Enhance Marzia's dialogue with more subtext or non-verbal cues that reflect her feelings, allowing the audience to infer her emotions rather than stating them outright.
  • Incorporate a reaction shot from Elio during Marzia's French lines to emphasize his emotional response, making the scene more relatable for viewers who may not understand the language.
  • Slow down the pacing during key emotional moments, particularly after Marzia's confession, to give the audience time to connect with the characters' feelings.
  • Expand the final hug between Elio and Marzia, perhaps by including a moment of hesitation or a lingering look that signifies the complexity of their relationship, before they make their promise to remain friends.



Scene 59 -  Embracing Memories
139 INT. STAIRCASE - PERLMAN VILLA - AFTERNOON 139

ELIO meets MAFALDA coming down the stairs.

MAFALDA
I fixed up your room the way it
was.

ELIO frowns, angered by this news.


140 INT. OLIVER’S ROOM - PERLMAN VILLA - AFTERNOON 140
Elio’s room, in which Oliver has stayed. Alone now, ELIO
enters it and looks around. Everything of his has been put
back, his clothes in the closet and drawers. He drops his
backpack on the floor and throws himself down on the sunlit
bed. The bedspread is the same. He closes his eyes. He is
glad to be back in his old room, now full of sustaining
memories of Oliver.

141 INT. PERLMAN STUDIO - PERLMAN VILLA - EVENING/NIGHT 141
Professor PERLMAN is sitting in his usual place, but his
chair is turned out to face the garden. On his lap are proofs
of his latest book. He is drinking. Three large citronella
candles next to him keep the mosquitoes away.

ELIO comes into the room to say good night. His father puts
away his manuscript with a toss and lights a cigarette - his
last of the day - using one of the citronella candles.

PERLMAN
So? Welcome home. Did Oliver enjoy
the trip?
ELIO
I think he did.

PERLMAN takes a drag from his cigarette, then pauses a moment
before speaking.

PERLMAN
You two had a nice friendship.

ELIO
(somewhat evasive)
Yes.
Another pause, and another drag on his cigarette.

PERLMAN
You’re too smart not to know how
rare, how special, what you two had
was.

ELIO
Oliver was Oliver.

PERLMAN
“Parce-que c’etait lui, parce-que
c’etait moi.”

ELIO
(trying to avoid talking
about Oliver with his
father)
Oliver may be very intelligent -
PERLMAN
(interrupting his son)
Intelligent? He was more than
intelligent. What you two had had
everything and nothing to do with
intelligence. He was good, and you
were both lucky to have found each
other, because you too are good.

ELIO
I think he was better than me.

PERLMAN
I’m sure he’d say the same thing
about you, which flatters the two
of you.

In tapping his cigarette and leaning toward the ashtray, he
reaches out and touches Elio’s hand. PERLMAN alters his tone
of voice (his tone says: We don’t have to speak about it, but
let’s not pretend we don’t know what I’m saying).

PERLMAN (CONT’D)
When you least expect it, Nature
has cunning ways of finding our
weakest spot. Just remember: I am
here. Right now you may not want to
feel anything. Perhaps you never
wished to feel anything. And
perhaps it’s not to me that you’ll
want to speak about these things.
But feel something you obviously
did.

ELIO looks at his father, then drops his eyes to the floor.

PERLMAN (CONT’D) Look -
you had a beautiful friendship.
Maybe more than a friendship. And I
envy you. In my place, most parents
would hope the whole thing goes
away, to pray that their sons land
on their feet. But
I am not such a parent. In your
place, if there is pain, nurse it.
And if there is a flame, don’t
snuff it out. Don’t be brutal with
it. We rip out so much of ourselves
to be cured of things faster, that
we go bankrupt by the age of thirty
and have less to offer each time we
start with someone new. But to make
yourself feel nothing so as not to
feel anything - what a waste!
ELIO is dumbstruck as he tries to take all this in.

PERLMAN (CONT’D)
Have I spoken out of turn?
ELIO shakes his head.

PERLMAN (CONT’D)
Then let me say one more thing. It
will clear the air. I may have come
close, but I never had what you two
had. Something always held me back
or stood in the way. How you live
your life is your business.
Remember, our hearts and our bodies
are given to us only once. And
before you know it, your heart is
worn out, and, as for your body,
there comes a point when no one
looks at it, much less wants to
come near it. Right now there’s
sorrow. Pain. Don’t kill it and
with it the joy you’ve felt.
PERLMAN takes a breath.

PERLMAN (CONT’D)
We may never speak about this
again. But I hope you’ll never hold
it against me that we did. I will
have been a terrible father if, one
day, you’d want to speak to me and
felt that the door was shut, or not
sufficiently open.

ELIO
Does mother know?
Revision91.

PERLMAN
I don’t think she does.
(but his voice means “Even
if she did, I am sure her
attitude would be no
different than mine”)
Genres: ["Drama"]

Summary Elio confronts his anger upon learning from Mafalda that his room has been restored, leading him to reflect on his cherished memories with Oliver in the latter's former room. A heartfelt conversation with his father, Professor Perlman, follows, where they discuss the significance of Elio's relationship with Oliver and the importance of embracing emotions. Perlman shares his own regrets, fostering a deep understanding between father and son as they navigate themes of love, loss, and the passage of time.
Strengths
  • Emotional depth
  • Poignant dialogue
  • Character development
  • Parental guidance
  • Reflective tone
Weaknesses
  • Low external conflict
  • Limited action
  • Relatively static setting

Ratings
Overall

Overall: 9.2

The scene is beautifully crafted, delving deep into the emotional core of the characters and providing valuable insights into their relationship dynamics. The dialogue is poignant and thought-provoking, creating a powerful and memorable moment.


Story Content

Concept: 9.5

The concept of the scene, centered around a father imparting wisdom to his son, is powerful and resonant. The exploration of love, loss, and self-acceptance through the lens of familial relationships adds depth and complexity to the narrative.

Plot: 9

The scene contributes significantly to character development and thematic exploration, advancing the emotional arc of the story. The father's advice and the son's introspection add layers to the narrative, deepening the audience's engagement.

Originality: 9

The scene offers a fresh approach to exploring complex emotions and relationships, with authentic character actions and dialogue that feel genuine and relatable.


Character Development

Characters: 9.2

The characters are richly developed, with the father offering wisdom and support while the son grapples with complex emotions and self-discovery. Their dynamic is authentic and compelling, driving the emotional core of the scene.

Character Changes: 9

Both characters experience emotional growth and self-reflection in the scene, particularly the son who grapples with his feelings and learns from his father's wisdom. The interaction leads to a shift in perspective and understanding.

Internal Goal: 9

Elio's internal goal in this scene is to come to terms with his feelings for Oliver and the impact of their relationship on him. It reflects his deeper need for emotional connection and understanding.

External Goal: 7

Elio's external goal is to navigate his relationship with Oliver and his own emotions in the context of his family dynamics. It reflects the immediate challenge of processing complex feelings and experiences.


Scene Elements

Conflict Level: 3

The scene is low on conflict, focusing more on emotional resolution and introspection. The conflict lies in the son's internal struggle with his feelings and the father's attempt to offer guidance and support.

Opposition: 7

The opposition in the scene is strong, with emotional barriers, conflicting beliefs, and internal struggles creating tension and uncertainty for the characters.

High Stakes: 7

The stakes are moderate in the scene, focusing more on emotional and personal growth rather than external conflicts or dramatic tension. The emotional stakes for the characters are high in terms of self-acceptance and understanding.

Story Forward: 9

The scene moves the story forward by deepening the emotional stakes and character dynamics. It sets the stage for further exploration of the father-son relationship and the son's journey of self-discovery.

Unpredictability: 7

This scene is unpredictable because of the unexpected emotional revelations, deep character insights, and surprising dialogue that challenge the audience's expectations.

Philosophical Conflict: 8

The philosophical conflict in this scene is between embracing and expressing one's emotions versus suppressing them to avoid pain. It challenges Elio's beliefs about love, loss, and personal growth.


Audience Engagement

Emotional Impact: 9.6

The scene has a high emotional impact, evoking feelings of nostalgia, empathy, and introspection in the audience. The heartfelt conversation between the father and son resonates deeply, leaving a lasting impression.

Dialogue: 9.4

The dialogue is poignant and profound, capturing the essence of the characters' emotions and relationships. The father's words of wisdom and the son's introspective responses create a moving and thought-provoking exchange.

Engagement: 9

This scene is engaging because of its emotional depth, authentic character interactions, and thought-provoking dialogue that keeps the audience invested in the characters' journey.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing for emotional resonance, character introspection, and meaningful dialogue exchanges that drive the narrative forward.


Technical Aspect

Formatting: 8

The scene follows the expected formatting for its genre, with clear scene headings, character names, and dialogue formatting that enhances readability.

Structure: 8

The scene follows the expected structure for its genre, with clear transitions between locations, well-paced dialogue, and effective character interactions.


Critique
  • The scene effectively captures the emotional weight of Elio's experience following Oliver's departure. The dialogue between Elio and his father, Professor Perlman, is poignant and reveals a deep understanding of the complexities of love and loss. However, the pacing feels slightly uneven; while the conversation is rich, it could benefit from moments of silence or reflection to allow the audience to absorb the emotional gravity.
  • Professor Perlman's character is well-developed in this scene, showcasing his wisdom and empathy. His advice to Elio about embracing pain and not suppressing emotions is powerful. However, the dialogue could be tightened to avoid redundancy. For instance, some of Perlman's lines reiterate similar sentiments, which could be streamlined for greater impact.
  • Elio's reactions are authentic, but there could be more physicality to his emotions. Instead of just looking down or avoiding eye contact, incorporating subtle gestures or movements could enhance the portrayal of his internal struggle. This would help the audience connect more deeply with his emotional state.
  • The setting of the Perlman villa is a fitting backdrop for this intimate conversation, but it could be described in more detail to enhance the atmosphere. For example, mentioning the sounds of the evening or the visual elements of the garden could create a more immersive experience for the audience.
  • The transition from Elio's anger about his room being restored to the deeper conversation with his father feels abrupt. A brief moment of reflection or a visual cue could help bridge these emotional shifts, making the scene flow more naturally.
Suggestions
  • Consider adding a moment of silence or a visual cue after significant lines to allow the audience to process the emotional weight of the conversation.
  • Streamline Professor Perlman's dialogue to eliminate redundancy and enhance the impact of his wisdom. Focus on the most poignant lines that encapsulate his message.
  • Incorporate more physicality into Elio's reactions to convey his emotional turmoil. Small gestures, such as fidgeting or pacing, could add depth to his character.
  • Enhance the setting description to create a more immersive atmosphere. Include sensory details that reflect the mood of the scene, such as the sounds of the evening or the visual beauty of the garden.
  • Create a smoother transition between Elio's initial anger and the deeper conversation with his father. A brief moment of reflection or a visual cue could help connect these emotional shifts.



Scene 60 -  Echoes of the Past
142 EXT. CAMPAGNA - PERLMAN VILLA - WINTER DAY 142
The Perlman villa in Winter. A foggy day. Six months later,
ELIO walks in the countryside that surrounds the villa.

NARRATORE
They had become each other that
summer. And long after every
forked road in life had done its
work this would always be true.
Their lives scarcely touched in
those weeks together, but they had
crossed to the other side, where
time stops and heaven reaches down
to earth and gives us that ration
of what is from birth divinely
ours. They could look the other way
and speak of everything but, they
would always know. They had found
the stars, Elio and Oliver. And
this is given once only.
He crosses the gate and comes back in the garden. He enters
the house.

143 INT. KITCHEN/STAIRCASE/BOCCHIRALE - PERLMAN VILLA - AFTERN1O4O3N *

ELIO walks through the kitchen and up the stairs. The
telephone rings and ELIO runs down the stairs to answer it,
an expression of excited expectancy on his face. It is
OLIVER, calling from New York.

OLIVER (V.O.)
Elio? Are you there?

ELIO
I’m here, I’m here. How are you?
OLIVER (V.O.)
Fine. How are your parents?

ELIO
Fine, too... I miss you.
OLIVER (V.O.)
I miss you too. Very much. (long
beat) I have some news.

ELIO
What news? You’re getting married,
I suppose.
(laughing)

OLIVER (V.O.)
I might be getting married this
spring.

ELIO
(dumbfounded)
You never said anything.

OLIVER (V.O.)
It’s been off and on for two years.
ELIO
But that’s wonderful news!
OLIVER (V.O.)
Do you mind?

ELIO
You’re being silly.

There is a long silence. ELIO’s genuine congratulatory smile
fades.

Just then ANNELLA appears, and ELIO hands it to his mother.

ANNELLA
Why aren’t you here? When are you
coming? Elio misses you terribly,
going around all the time with such
a long face!
She and PERLMAN exchange greetings with OLIVER.

PERLMAN
You caught us while in the process
of choosing the new you for next
summer..

“Wonderful, wonderful!” they say. When they go out, PERLMAN
hands the receiver back to ELIO, who reaches for it before
they can hang up.

ELIO
(lowering his voice when
he is sure they’ve left
the room)
They know about us...
OLIVER (V.O.)
I figured.

ELIO
How?

OLIVER (V.O.)
From the way your father spoke - he
made me feel like a member of the
family - almost like a son-in-law.
You’re lucky. My father would have
carted me off to a correctional
facility.
ELIO
(daringly)
“Elio, Elio”
OLIVER (V.O.)
(After a very long beat)
Oliver.. I remember everything ...

144 INT.PROFESSOR PERLMAN’S STUDY - PERLMAN VILLA - AFTERNOON 144

The PERLMANS and MAFALDA are at a big table spread out with
what look like application letters, with photos attached.
It’s the ritual that takes place every year, they evaluate
several letters of proposal sent by advanced graduate
students in America, or young aspiring scholars from there.
It's the ritual that brought about the choice of Oliver last
year.

ELIO enters the room, he looks over the photos, the resumés.
There are half a dozen young men and a couple of young women.
ANNELLA
E questo?
(This one?)
But Elio is not interested in this. They watch him leave the
study.

145 INT. DINING ROOM - PERLMAN VILLA - NIGHT 145
Elio enters the dining room all dressed for the celebration
lunch. Light is dimming outside the windows. Activities
around the table between Annella and Mafalda (placing
flowers, lighting candles etc).
Elio crouches in front of the fire.

His face lost in thoughts.

The entire end credit scrolls on his close up.
Near the end
ANNELLA
Elio, Elio

Elio is so deeply in his thoughts that only after a long beat
after Annella calling him he turns toward the sound of her
voice.
Fade to black.
Genres: ["Drama","Romance"]

Summary Six months after their summer together, Elio wanders the foggy countryside, reflecting on his deep connection with Oliver. Upon returning to the Perlman villa, he receives a phone call from Oliver, who shares news of his potential marriage, leaving Elio feeling a mix of longing and sadness. As they discuss their feelings and the awareness of Elio's parents regarding their relationship, the scene shifts to the Perlman family evaluating new scholar applications, which Elio finds uninteresting. The emotional tension culminates as Elio prepares for a celebration dinner, lost in thought, before the scene fades to black.
Strengths
  • Emotional depth
  • Nuanced performances
  • Reflective dialogue
  • Thematic richness
Weaknesses
  • Lack of external conflict
  • Limited character development for supporting characters

Ratings
Overall

Overall: 9.2

The scene effectively conveys the complex emotions and dynamics between Elio and Oliver, providing a poignant and memorable conclusion to their story. The dialogue, character interactions, and thematic depth contribute to a powerful and emotionally resonant scene.


Story Content

Concept: 9

The concept of exploring the farewell between Elio and Oliver in a reflective and emotional manner is well-realized. The scene effectively conveys the themes of love, acceptance, and the passage of time, providing a meaningful conclusion to their relationship.

Plot: 9

The plot of the scene focuses on the emotional farewell between Elio and Oliver, delving into their complex feelings and the changes in their relationship. The progression of their interaction and the resolution of their storylines are well-developed and impactful.

Originality: 9

The scene offers a fresh approach to the theme of love and acceptance, exploring the complexities of relationships and societal expectations with authenticity and depth.


Character Development

Characters: 9.2

The characters of Elio and Oliver are portrayed with depth and authenticity, allowing the audience to connect with their emotions and experiences. Their interactions, dialogue, and emotional arcs are compelling and well-developed, adding richness to the scene.

Character Changes: 8

Both Elio and Oliver undergo emotional changes in the scene as they come to terms with their farewell and the changes in their relationship. Their growth and acceptance contribute to the emotional depth of the scene.

Internal Goal: 8

Elio's internal goal in this scene is to come to terms with his feelings for Oliver and navigate the complexities of their relationship. It reflects his deeper need for acceptance, love, and understanding.

External Goal: 7

Elio's external goal is to maintain a sense of normalcy and composure in the face of Oliver's news about getting married. It reflects the immediate challenge of dealing with unexpected emotions and changes in their relationship.


Scene Elements

Conflict Level: 7

While there is emotional conflict present in the scene as Elio and Oliver navigate their farewell and the changes in their relationship, the primary focus is on emotional resolution and acceptance rather than external conflict.

Opposition: 7

The opposition in the scene is strong enough to create conflict and tension, but not overwhelming, allowing for character growth and development.

High Stakes: 7

The stakes are emotional and personal in the scene, as Elio and Oliver confront their feelings, regrets, and the changes in their relationship. While there are no external high stakes, the emotional stakes are significant for the characters.

Story Forward: 8

The scene moves the story forward by providing a resolution to the relationship between Elio and Oliver, showcasing their emotional journey and personal growth. While it marks the end of their story, it sets the stage for new beginnings and reflections.

Unpredictability: 7

This scene is unpredictable in terms of emotional revelations and character interactions, keeping the audience engaged and uncertain about the outcome.

Philosophical Conflict: 9

The philosophical conflict evident in this scene is the clash between societal expectations and personal desires. Elio and Oliver must navigate their feelings within the constraints of societal norms and family dynamics.


Audience Engagement

Emotional Impact: 9.5

The scene has a high emotional impact, evoking feelings of love, regret, longing, and sadness in the audience. The poignant farewell between Elio and Oliver resonates deeply, leaving a lasting emotional impression.

Dialogue: 9

The dialogue in the scene is poignant, emotional, and reflective, capturing the inner thoughts and feelings of Elio and Oliver as they navigate their farewell. The conversations between the characters are meaningful and contribute to the emotional impact of the scene.

Engagement: 9

This scene is engaging because of its emotional depth, character dynamics, and the tension between internal and external conflicts.

Pacing: 8

The pacing of the scene contributes to its effectiveness by allowing moments of reflection and tension to unfold naturally, building emotional resonance.


Technical Aspect

Formatting: 8

The formatting of the scene adheres to the expected format for its genre, with clear scene headings and dialogue formatting.

Structure: 8

The structure of the scene follows a natural progression, moving seamlessly between internal and external conflicts while maintaining a reflective atmosphere.


Critique
  • The scene effectively captures the emotional weight of Elio's relationship with Oliver, emphasizing the passage of time and the lingering impact of their summer together. The use of narration adds a reflective quality, allowing the audience to understand Elio's internal struggle and nostalgia.
  • The dialogue between Elio and Oliver is poignant, showcasing their deep connection despite the physical distance. However, the transition from the phone call to the family dynamics feels abrupt. The shift from a personal moment to a family scene could be smoother to maintain emotional continuity.
  • Elio's reaction to Oliver's news of potential marriage is well-portrayed, capturing the complexity of his feelings. However, the dialogue could benefit from more subtext; Elio's initial excitement followed by his fading smile could be enhanced with more nuanced expressions or gestures to convey his internal conflict.
  • The scene's pacing is generally effective, but the transition from the phone call to the family gathering could be tightened. The audience may feel a jarring shift in tone, moving from a deeply personal moment to a more mundane family interaction.
  • The ending, with Elio lost in thought by the fire, is visually striking and thematically resonant. However, it could be strengthened by incorporating more sensory details or visual cues that reflect Elio's emotional state, enhancing the audience's connection to his experience.
Suggestions
  • Consider adding more visual cues or actions that reflect Elio's emotional state during the phone call, such as fidgeting or a change in posture, to enhance the subtext of his feelings.
  • Smooth the transition between the phone call and the family scene by incorporating a brief moment of silence or reflection from Elio before he joins his family, allowing the audience to process the emotional weight of the conversation.
  • Enhance the dialogue with more subtext, allowing Elio's reactions to Oliver's news to be conveyed through his tone and body language, rather than just through verbal expressions.
  • Incorporate more sensory details in the final moments of the scene, such as the warmth of the fire or the sounds of the family preparing for dinner, to create a richer atmosphere that mirrors Elio's internal conflict.
  • Consider extending the narration to provide deeper insights into Elio's thoughts and feelings about Oliver's potential marriage, allowing the audience to fully grasp the complexity of his emotions.