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Scene Map 60
# PG SLUGLINE
1 1
3 EGG CREAMS
2 2
INT OFFICE - FRANKIE’S HOME NIGHT
3 3
EXT SILHOUETTE OF BRONX SKYLINE - DAYBREAK THE FOLLOWING DAY
4 6
EXT COURTYARD OF VIN’S APARTMENT BUILDING
5 11
EXT FORDHAM ROAD and UNIVERSITY AVENUE - SOON AFTER
6 27
TEEN FLASHBACK (B/W) - EXT. POE PARK BANDSHELL - NIGHT - 1968
7 28
TEEN FLASHBACK (B/W) - INT. A&P - DAY - 1968
8 29
EXT OUTSIDE THE A&P
9 32
EXT THE AQUEDUCT LOOKING TOWARD FORDHAM ROAD - NEXT DAY.
10 34
INT BERNSTEIN APARTMENT
11 35
EXT FORDHAM ROAD
12 36
INT WOOLWORTHS
13 37
INT ABE’S SODA SHOP
14 43
EXT OUTSIDE ABE’S
15 44
EXT MARQUEE OF THE LOEWS PARADISE MOVIE THEATRE
16 44
INT LOGE - LOEWS PARADISE
17 47
INT STAIRCASE OF VIN’S APARTMENT BUILDING
18 50
INT HALLWAY OUTSIDE VIN’S APARTMENT
19 50
INT LOBBY OF VIN’S APARTMENT BUILDING
20 52
EXT CROSS BRONX EXPRESSWAY EXIT RAMP
21 52
EXT CROSS BRONX EXPRESSWAY EXIT RAMP
22 57
EXT COURTYARD
23 58
EXT MONTAGE - VIN’S ODYSSEY CONTINUES
24 59
EXT PHONE BOOTH ON CORNER OF MACE AVE. & WILLIAMSBRIDGE RD.
25 60
TEENAGE FLASHBACK (B/W) EXT. MONTAGE - VIN’S ODYSSEY NIGHT
26 61
INT WHITE CASTLE
27 62
INT WHITE CASTLE
28 64
PRESENT - INT. SODA SHOP
29 67
PRESENT - INT. ABE’S SODA SHOP
30 75
ADULT FLASHBACK - INT. VIN’S BEDROOM - THANKSGIVING MORNING
31 76
INT TAXI - REAR SEAT
32 77
INT TAXI - FRONT SEAT
33 77
EXT AQUEDUCT AVENUE DAWN
34 78
INT MONTEFIORE EINSTEIN HOSPITAL CANCER CLINIC
35 85
PRESENT - INT. ABE’S SODA SHOP
36 86
EXT FORDHAM ROAD & UNIVERSITY AVENUE
37 93
CHILDHOOD FLASHBACK (B/W) - INT. SCHOOL CLASSROOM DAY
38 94
INT PRINCIPAL’S OUTER OFFICE
39 95
EXT GUS MORRONE’S TAXI
40 96
ADULT FLASHBACK - INT. ABE’S SODA SHOP
41 99
PRESENT - INT. ABE’S SODA SHOP
42 109
EXT ANDREWS AVENUE - SOON AFTER
43 110
INT ANGELA’S APARTMENT
44 118
EXT GRAND CONCOURSE - SEVERAL DAYS LATER
45 118
PRESENT - INT. ABE’S SODA SHOP
46 119
ADULT FLASHBACK - INT. ANGELA’S APARTMENT
47 120
EXT UNIVERSITY AVE. - A LATE, MISTY AFTERNOON
48 121
INT ST. NICHOLAS OF TOLENTINE CHURCH
49 123
EXT FORDHAM ROAD - VARIETY STORE ENTRANCE EVENING
50 124
PRESENT - INT. ABE’S SODA SHOP
51 126
EXT FORDHAM ROAD - OUTSIDE LOCAL VARIETY STORE DAY
52 127
INT LOBBY OF ANGELA’S BUILDING
53 128
INT ANGELA’S APARTMENT
54 130
INT ANGELA’S BATHROOM - SOON AFTER
55 133
INT ANGELA’S APARTMENT
56 135
PRESENT - INT. ABE’S SODA SHOP
57 138
EXT OUTSIDE ABE’S
58 138
INT VIN’S APARTMENT BUILDING
59 139
INT FRANKIE’S CAR DASHBOARD
60 141
EXT SIDEWALK OUTSIDE OF ABE’S SODA SHOP
Scene Map
60
# PG SLUGLINE
1 1
3 EGG CREAMS
3 EGG CREAMS
3 EGG CREAMS A RHAPSODY IN THE RAIN A Romantic Dramedy for the Screen by GEORGE CAMERON GRANT adapted from his stage play of the same name.
2 2
INT OFFICE - FRANKIE’S HOME NIGHT
INT. OFFICE - FRANKIE’S HOME - NIGHT
INT. OFFICE - FRANKIE’S HOME - NIGHT Laptop screen illuminates FRANKIE KINSELLA, tall, burly, mid 60s, ruddy-faced, wearing wire-rim glasses, white hair poking out from beneath an ancient YANKEES CAP. His CELL PHONE vibrates. He ignores it, and continues typing.
3 3
EXT SILHOUETTE OF BRONX SKYLINE - DAYBREAK THE FOLLOWING DAY
EXT. SILHOUETTE OF BRONX SKYLINE - DAYBREAK THE FOLLOWING DAY
EXT. SILHOUETTE OF BRONX SKYLINE - DAYBREAK THE FOLLOWING DAY A sea of apartment buildings, handful of windows lit with Christmas lights as it begins to rain. TITLE: BRONX, NY. THE FOLLOWING DAY - THANKSGIVING MORNING Roar and flash as camera approaches a top floor window of a
4 6
EXT COURTYARD OF VIN’S APARTMENT BUILDING
EXT. COURTYARD OF VIN’S APARTMENT BUILDING
EXT. COURTYARD OF VIN’S APARTMENT BUILDING Vin races across the wet courtyard, down the steps, and onto AQUEDUCT AVENUE, toward a waiting double-parked BLACK CADILLAC SUV, dark-tinted window sliding down to reveal a grinning PAULIE PERILLO, ultra-groomed, tanned, 80-year old,
5 11
EXT FORDHAM ROAD and UNIVERSITY AVENUE - SOON AFTER
EXT. FORDHAM ROAD and UNIVERSITY AVENUE - SOON AFTER
EXT. FORDHAM ROAD and UNIVERSITY AVENUE - SOON AFTER Vin passes St. Nicholas of Tolentine church, puddle-jumps the intersection already decorated for Christmas, and heads for a storefront with the rusting sign ABE’S SODAS-SHAKES-ICE CREAM- CANDY-NEWSPAPERS above. Reaching the door, he yanks it open,
6 27
TEEN FLASHBACK (B/W) - EXT. POE PARK BANDSHELL - NIGHT - 1968
TEEN FLASHBACK (B/W) - EXT. POE PARK BANDSHELL - NIGHT - 1968
TEEN FLASHBACK (B/W) - EXT. POE PARK BANDSHELL - NIGHT - 1968 18-YEAR-OLD VIN walks past the POE PARK BANDSHELL, where 17- YEAR-OLD ANGELA and a group of her friends are hanging out. Angela, long hair flowing over a blousy shirt and wearing tight jeans, sits on the white bandshell floor, leaning
7 28
TEEN FLASHBACK (B/W) - INT. A&P - DAY - 1968
TEEN FLASHBACK (B/W) - INT. A&P - DAY - 1968
TEEN FLASHBACK (B/W) - INT. A&P - DAY - 1968 (The Bronx was in its heyday. A thriving, bustling, pulsing borough, anything seemed possible for a kid in those days.) SHY BOY plays over the supermarket speakers. “Shy boy, ya, ya, ya, ya, ya...”
8 29
EXT OUTSIDE THE A&P
EXT. OUTSIDE THE A&P
EXT. OUTSIDE THE A&P Angela emerges, immediately bumping into Vin. ANGELA Vincent! What a surprise. VIN
9 32
EXT THE AQUEDUCT LOOKING TOWARD FORDHAM ROAD - NEXT DAY.
EXT. THE AQUEDUCT LOOKING TOWARD FORDHAM ROAD - NEXT DAY.
EXT. THE AQUEDUCT LOOKING TOWARD FORDHAM ROAD - NEXT DAY. Vin dances down the Aqueduct in the rain, same coat covering his head and white shirt, only now wearing black dress slacks. “I’M GONNA MAKE YOU MINE” plays in the background... “I’ll try every trick in the book
10 34
INT BERNSTEIN APARTMENT
INT. BERNSTEIN APARTMENT
INT. BERNSTEIN APARTMENT Street light reflects off a diamond studded INITIAL “B” PINKY RING, as BENNY “THE BULL” BERNSTEINS’s huge sausage-sized fingers pry open venetian blinds, revealing Vin and Angela in the street below, running toward Fordham Road.
11 35
EXT FORDHAM ROAD
EXT. FORDHAM ROAD
EXT. FORDHAM ROAD Vin and Angela reach and pass the Grand Concourse, instead of making the left to the Paradise. The rain falls even harder. ANGELA Where are we going? The Paradise is
12 36
INT WOOLWORTHS
INT. WOOLWORTHS
INT. WOOLWORTHS Angela enters, Vin close behind, shaking the closed umbrella. VIN Why are we in Woolworths? She stops at a PHOTO BOOTH, pulling the curtain aside.
13 37
INT ABE’S SODA SHOP
INT. ABE’S SODA SHOP
INT. ABE’S SODA SHOP (ABE’s in 1968 is beautiful, busy, and stocked to the gills.) Door rattles. Vin and Angela enter, shaking themselves off. VIN Yo, Abe!
14 43
EXT OUTSIDE ABE’S
EXT. OUTSIDE ABE’S
EXT. OUTSIDE ABE’S An umbrella-covered Vin and Angela run down Fordham Road toward the Concourse, just as a 30-year-old PAULIE, collar of his leather coat pulled up, enters frame, standing in front of Abe’s, staring down the street at the couple as the rain
15 44
EXT MARQUEE OF THE LOEWS PARADISE MOVIE THEATRE
EXT. MARQUEE OF THE LOEWS PARADISE MOVIE THEATRE
EXT. MARQUEE OF THE LOEWS PARADISE MOVIE THEATRE Vin and Angela beneath the barely intact umbrella as they make it to the MARQUEE OVERHANG, Vin stuffing whatever’s left of it into a trash can. They head toward the ticket window. CUT TO:
16 44
INT LOGE - LOEWS PARADISE
INT. LOGE - LOEWS PARADISE
INT. LOGE - LOEWS PARADISE Vin and Angela enter the loge, looking around in the semi- darkness, FROM RUSSIA WITH LOVE lighting the several COUPLES scattered throughout, most of them making out. The back row still has some empty seats.
17 47
INT STAIRCASE OF VIN’S APARTMENT BUILDING
INT. STAIRCASE OF VIN’S APARTMENT BUILDING
INT. STAIRCASE OF VIN’S APARTMENT BUILDING Vin and Angela hurriedly climb flight after flight of stairs. CUT TO: INT. THIRD FLOOR OF VIN’S APARTMENT BUILDING
18 50
INT HALLWAY OUTSIDE VIN’S APARTMENT
INT. HALLWAY OUTSIDE VIN’S APARTMENT
INT. HALLWAY OUTSIDE VIN’S APARTMENT The echo of the slammed door still ringing throughout the hallway, Angela looks off, upset, as Vin comes up beside her. VIN I’m such a freakin’ dummy,
19 50
INT LOBBY OF VIN’S APARTMENT BUILDING
INT. LOBBY OF VIN’S APARTMENT BUILDING
INT. LOBBY OF VIN’S APARTMENT BUILDING Angela sits on a lobby radiator beside the staircase, resting the rose on her lap, as Vin appears and sits beside her. VIN
20 52
EXT CROSS BRONX EXPRESSWAY EXIT RAMP
EXT. - CROSS BRONX EXPRESSWAY EXIT RAMP
CHILDHOOD FLASHBACK (B/W) - EXT. CROSS BRONX EXPRESSWAY - DAY - 1959 PULL BACK from CU of a CORNICELLO embedded in the hairy chest of GUS MORRONE, Vin’s FATHER, in his late 30s, behind the wheel of a TAXI, gridlocked on the Expressway, amid a
21 52
EXT CROSS BRONX EXPRESSWAY EXIT RAMP
EXT. - CROSS BRONX EXPRESSWAY EXIT RAMP
EXT. - CROSS BRONX EXPRESSWAY EXIT RAMP A MOISHE’S PICKLES truck leans over the divider between expressway and exit ramp, Gus’ legs twitching below it. VIN
22 57
EXT COURTYARD
EXT. COURTYARD
EXT. COURTYARD Vin races across the courtyard onto Aqueduct Avenue “She sold me magic, she sold me magic, And all of the little things I needed every day...” CUT TO:
23 58
EXT MONTAGE - VIN’S ODYSSEY CONTINUES
EXT. MONTAGE - VIN’S ODYSSEY CONTINUES
EXT. MONTAGE - VIN’S ODYSSEY CONTINUES He resumes running along Pelham Parkway. VIN (V.O.) So I just kept runnin’, but soon - Vin stops before the Grotto at St. Lucy’s. MUSIC FADES.
24 59
EXT PHONE BOOTH ON CORNER OF MACE AVE. & WILLIAMSBRIDGE RD.
EXT. PHONE BOOTH ON CORNER OF MACE AVE. & WILLIAMSBRIDGE RD.
EXT. PHONE BOOTH ON CORNER OF MACE AVE. & WILLIAMSBRIDGE RD. He enters a phone booth, shuts the door, dials, and waits. VIN (V.O.) - figurin’ who better to talk me outta’ goin’ back to Angela than
25 60
TEENAGE FLASHBACK (B/W) EXT. MONTAGE - VIN’S ODYSSEY NIGHT
TEENAGE FLASHBACK (B/W) EXT. MONTAGE - VIN’S ODYSSEY - NIGHT
TEENAGE FLASHBACK (B/W) EXT. MONTAGE - VIN’S ODYSSEY - NIGHT Snapping out of his fantasy, Vin, still inside the phone booth as the Lincoln fades from view, wipes the sweat from his forehead, opens and exits the booth, heading back toward Pelham Parkway.
26 61
INT WHITE CASTLE
INT. WHITE CASTLE
INT. WHITE CASTLE Vin wolfs down a sack of burgers, onion rings, and a coke, as TRAPEZE plays over the restaurant speakers. “Trapeze, sha-la baby, you’re never gonna’ fly with me. Trapeze, sha-la baby, you’re never gonna’ fly with me...”
27 62
INT WHITE CASTLE
INT. WHITE CASTLE
FLASHBACK - EXT. FORDHAM ROAD - A HOT DAY IN LATE AUGUST Teenage Vin, his FRIENDS, and a crowd of MEN overlook a BOCCE COURT near the Aqueduct, on which an intense game is being played by OLD ITALIAN MEN, all of whom are them very boisterous and animated. Suddenly, ANN MARIE RUGGIERO, a tall
28 64
PRESENT - INT. SODA SHOP
PRESENT - INT. SODA SHOP
PRESENT - INT. SODA SHOP Vin sitting across from Frankie, who’s taking notes. VIN I made it back up to the apartment, snuck past my mom, who was sound
29 67
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP Frankie stares intently at Vin. FRANKIE Even made it to my favorite part of the Daily News - the Crime Story -
30 75
ADULT FLASHBACK - INT. VIN’S BEDROOM - THANKSGIVING MORNING
ADULT FLASHBACK - INT. VIN’S BEDROOM - THANKSGIVING MORNING
ADULT FLASHBACK - INT. VIN’S BEDROOM - THANKSGIVING MORNING Still in street clothes, Vin enters and flops onto the bed. VIN (V.O.) Climbed back into bed and pulled the covers up to my chin. Clothes,
31 76
INT TAXI - REAR SEAT
INT. TAXI - REAR SEAT
DREAM SEQUENCE (B/W) - EXT. BRONX STREET - DAY CLOSE-UP on the REAR WINDOW of a TAXI in a downpour, terrified 9-YEAR OLD VIN’s face and hands pressed against the glass he’s trapped behind. CUT TO:
32 77
INT TAXI - FRONT SEAT
INT. TAXI - FRONT SEAT
INT. TAXI - FRONT SEAT From DRIVER’S SIDE of GLASS PARTITION looking back toward 9-Year-Old Vin, who turns away from the window, pounds on the partition, and begins screaming. 9-YEAR OLD VIN
33 77
EXT AQUEDUCT AVENUE DAWN
EXT. AQUEDUCT AVENUE - DAWN
EXT. AQUEDUCT AVENUE - DAWN An exhausted Vin staggering down Aqueduct Avenue. VIN (V.O.) Hit the Aqueduct lookin’ like death
34 78
INT MONTEFIORE EINSTEIN HOSPITAL CANCER CLINIC
INT. MONTEFIORE EINSTEIN HOSPITAL CANCER CLINIC
INT. MONTEFIORE EINSTEIN HOSPITAL CANCER CLINIC Vin enters the HOSPITAL, stops at an information desk. A GUARD points down a hallway, down which Vin meanders, reaching a FRONT DESK, where a RECEPTIONIST guards over the packed WAITING ROOM behind her.
35 85
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP Vin sits across from Frankie. VIN And pretty soon she’ll be walkin’ through that door and - holy shit!
36 86
EXT FORDHAM ROAD & UNIVERSITY AVENUE
EXT. FORDHAM ROAD & UNIVERSITY AVENUE
EXT. FORDHAM ROAD & UNIVERSITY AVENUE Traffic navigates mounds of melting, slushy snow as Frankie, in YANKEES CAP and PEA COAT, crosses the street toward Abe’s. Reaching the door, he pulls it open. CUT TO:
37 93
CHILDHOOD FLASHBACK (B/W) - INT. SCHOOL CLASSROOM DAY
CHILDHOOD FLASHBACK (B/W) - INT. SCHOOL CLASSROOM - DAY
CHILDHOOD FLASHBACK (B/W) - INT. SCHOOL CLASSROOM - DAY 9-YEAR-OLD VIN, pencil in hand, writing in a MARBLE NOTEBOOK. Hair not quite combed, the collar and cuffs of his white shirt are dingy and wrinkled. VIN (V.O.)
38 94
INT PRINCIPAL’S OUTER OFFICE
INT. PRINCIPAL’S OUTER OFFICE
INT. PRINCIPAL’S OUTER OFFICE CLOSE-UP of SR. MARGARET IMMACULATA - PRINCIPAL stenciled on an old wooden door, panning over to 9-year-old Vin sitting on a bench, head down, hand cupping his aching left ear. A door creaks opens. Loud voices are heard coming down the hallway.
39 95
EXT GUS MORRONE’S TAXI
EXT. - GUS MORRONE’S TAXI
EXT. - GUS MORRONE’S TAXI POV through front windshield at 9-year-old Vin rides shotgun, and Lucia in the back seat. Gus slides into the driver’s seat, slamming the door shut before turning on the radio. DooWop comes out of the tinny speaker.
40 96
ADULT FLASHBACK - INT. ABE’S SODA SHOP
ADULT FLASHBACK - INT. ABE’S SODA SHOP
ADULT FLASHBACK - INT. ABE’S SODA SHOP Angela listens to an emotional Vin. VIN You know the rest. She stares off into the rain.
41 99
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP SIDE VIEW of Vin and a trembling Angela. ANGELA Next morning, he threw out all my mom’s candles and statues, pulled
42 109
EXT ANDREWS AVENUE - SOON AFTER
EXT. ANDREWS AVENUE - SOON AFTER
EXT. ANDREWS AVENUE - SOON AFTER Vin and Angela reach a pre-war, three-story multi-family building on Andrews Avenue, across from St. Nicholas of Tolentine church, as MUSIC FADES. ANGELA
43 110
INT ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT DOOR opens onto a LARGE STUDIO. A large PICTURE WINDOW with a narrower, openable window on either side, is in the LIVING ROOM AREA left of the door, looking out on swaying leafless trees, a perfect view of the church behind them. A COUCH and
44 118
EXT GRAND CONCOURSE - SEVERAL DAYS LATER
EXT. GRAND CONCOURSE - SEVERAL DAYS LATER
EXT. GRAND CONCOURSE - SEVERAL DAYS LATER PAN DOWN from KRUM’S CHOCOLATEERS sign to the front entrance opening onto a busy noontime GRAND CONCOURSE sidewalk, just as BENNY, seen only from the neck down, exits the store, wades through PEDESTRIANS toward his Lincoln, as a SHADOW
45 118
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP An engrossed Frankie sits across from Vin, who looks over toward Abe. VIN
46 119
ADULT FLASHBACK - INT. ANGELA’S APARTMENT
ADULT FLASHBACK - INT. ANGELA’S APARTMENT
ADULT FLASHBACK - INT. ANGELA’S APARTMENT Vin tucking Angela beneath the blanket. ANGELA After all I just told you, you’re still here?
47 120
EXT UNIVERSITY AVE. - A LATE, MISTY AFTERNOON
EXT. UNIVERSITY AVE. - A LATE, MISTY AFTERNOON
EXT. UNIVERSITY AVE. - A LATE, MISTY AFTERNOON Vin stands at University and Kingsbridge before a line of Christmas trees, lights strung across the lot, joining a MAN standing around a metal drum spitting out a roaring fire. VIN
48 121
INT ST. NICHOLAS OF TOLENTINE CHURCH
INT. ST. NICHOLAS OF TOLENTINE CHURCH
INT. ST. NICHOLAS OF TOLENTINE CHURCH Vin, with an anxious Angela latched onto his arm, stand at the rear of the church. The sound of Lou Christie singing O HOLY NIGHT echoes throughout the cathedral-sized building. “...fall on your knees, hear the Angel’s voices
49 123
EXT FORDHAM ROAD - VARIETY STORE ENTRANCE EVENING
EXT. FORDHAM ROAD - VARIETY STORE ENTRANCE - EVENING
EXT. FORDHAM ROAD - VARIETY STORE ENTRANCE - EVENING Vin and Angela leave the store, their arms filled with bags. CUT TO: INT. ANGELA’S APARTMENT Angela’s hand places a brightly decorated CHRISTMAS BALL on a
50 124
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP Vin sits across from Frankie, who’s writing in his notebook. He looks up at Vin, still reeling from the re-lived memory. VIN And that’s the way it was for the
51 126
EXT FORDHAM ROAD - OUTSIDE LOCAL VARIETY STORE DAY
EXT. FORDHAM ROAD - OUTSIDE LOCAL VARIETY STORE - DAY
ADULT FLASHBACK - INT. FORDHAM ROAD SUPERMARKET - DAY Vin on a checkout line. VIN (V.O.) I went out to pick up her medicines, then some groceries.
52 127
INT LOBBY OF ANGELA’S BUILDING
INT. LOBBY OF ANGELA’S BUILDING
INT. LOBBY OF ANGELA’S BUILDING Stuffed grocery bag at his side, SANTA BEARD dangling around his chin, Vin awkwardly slips into the SANTA COSTUME PANTS, as an elderly SPANISH WOMAN and LITTLE DOG appear, the dog instantly barking at Vin.
53 128
INT ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT Vin tiptoes in, grabs the wrapped rose from the grocery bag, and quietly hides it under his side of the opened couch. Resting the groceries on the table, he plugs the tree in, removes his coat, slides the Santa beard into position,
54 130
INT ANGELA’S BATHROOM - SOON AFTER
INT. ANGELA’S BATHROOM - SOON AFTER
INT. ANGELA’S BATHROOM - SOON AFTER Vin finishes giving Angela a bath, dries her off, slips a long nightgown over her head, scoops her up, then exits the bathroom, crossing the apartment to the opened couch, where he gently lays her down, pulling the covers up to her chin.
55 133
INT ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT
INT. ANGELA’S APARTMENT An exuberant, breathless Angela comes back inside, rubbing her snow-covered hands over Vin’s face, as both begin crying tears of joy. She begins to shake and wobble. VIN
56 135
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP
PRESENT - INT. ABE’S SODA SHOP Frankie stares at Vin’s misty-eyed face. VIN The wrapped rose I gave her was still in her hands.
57 138
EXT OUTSIDE ABE’S
EXT. OUTSIDE ABE’S
EXT. OUTSIDE ABE’S Vin leaves Abe’s, just as a familiar face shouts out from the open passenger window of a BLACK CADDIE SUV idling in front. PAULIE Hey, Santa, give ya’ a lift?
58 138
INT VIN’S APARTMENT BUILDING
INT. VIN’S APARTMENT BUILDING
INT. VIN’S APARTMENT BUILDING POV from roof fire door looking down a staircase. An instrumental RHAPSODY IN THE RAIN and FOOTSTEPS echo throughout the hallways as thunder is heard, flashes of lightning seen through skylight above, lighting the MARBLE
59 139
INT FRANKIE’S CAR DASHBOARD
INT. - FRANKIE’S CAR DASHBOARD
INT. - FRANKIE’S CAR DASHBOARD CLOSE-UP of text popping up on Frankie’s mounted cell phone, as Lou Christie continues singing over his CAR RADIO. Pick up eggs. CUT TO:
60 141
EXT SIDEWALK OUTSIDE OF ABE’S SODA SHOP
EXT. SIDEWALK OUTSIDE OF ABE’S SODA SHOP
EXT. SIDEWALK OUTSIDE OF ABE’S SODA SHOP Frankie, holding a small stack of MAGAZINES, approaches Abe’s, grabs and opens the rattling front door. CUT TO:

3 Egg Creams - A Rhapsody in the Rain

An aging 'Jukebox Jimmy' with a Bronx heart full of regret gets a second chance at love and redemption when a childhood flame resurfaces in a hospital waiting room — and the pair use the few tomorrows they have left to reclaim joy, music, and one last great Christmas.

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Overview

Poster
Unique Selling Point

This screenplay's unique selling proposition lies in its authentic Bronx setting combined with a poignant exploration of second-chance romance between elderly characters, using the nostalgic backdrop of 1960s New York and the symbolic power of egg creams and Lou Christie's music to create a distinctive romantic dramedy that celebrates late-life redemption and the courage to love against all odds.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT5
 Recommend
Gemini
 Recommend
Claude
 Recommend
Grok
 Recommend
DeepSeek
 Recommend
Average Score: 8.2
Key Takeaways
For the Writer:
You have a warm, cinematic, character-driven love story with a clear emotional center in Vin and Angela and several unforgettable set pieces (Abe’s, the photo‑booth, the jukebox). The script’s biggest craft risk is pacing: long middle‑act flashbacks, frequent voice‑over, and montages slow the forward momentum and dilute the urgency of the present‑day reunion. Tighten the middle by compressing or merging flashback beats, show more and tell less (cut expository dialogue), and pick a single approach to the Benny/mob thread — either develop it into a purposeful external obstacle with consequences or remove/trim it so it doesn’t read as a dangling subplot. Also decide whether Frankie is a full secondary arc or simply a framing device and adjust his scenes accordingly so they either deepen his stakes or free space for Vin/Angela beats.
For Executives:
This is a commercially attractive, adult-leaning romantic dramedy with strong NYC specificity and a built‑in audience among older viewers who respond to nostalgia, music‑driven emotion and intimate holiday stories. It can be produced modestly but requires a tight rewrite to mitigate two production risks: a sagging middle that will test viewer attention and a loose crime/mob thread that creates unclear tone and potential legal/marketing complications. With one focused pass to compress flashbacks, sharpen medical and timeline clarity, and resolve or excise the Benny subplot (and a clearer role for Frankie), this can be a marketable festival/indie title with awards potential and an appealing lead role for a veteran actor.
Story Facts
Genres:
Drama 60% Romance 50% Crime 15% Fantasy 10%

Setting: 2019, with flashbacks to the late 1960s and 1950s, Dobbs Ferry, NY, and the Bronx, New York City

Themes: The Enduring Power of Love and Connection, Nostalgia and the Past, Regret and Second Chances, Fate vs. Free Will, The Search for Meaning and Purpose, Family and Legacy, Mortality and Resilience, The Bronx as a Character

Conflict & Stakes: Vin's struggle to reconnect with Angela after decades apart, facing emotional and physical challenges, while dealing with his own health issues and the ghosts of their past.

Mood: Bittersweet and nostalgic

Standout Features:

  • Unique Hook: The intertwining of past and present through flashbacks that reveal the depth of Vin and Angela's relationship.
  • Emotional Depth: The exploration of personal trauma and the impact of family history on relationships adds layers to the narrative.
  • Nostalgic Elements: The use of music and cultural references from the 60s and 70s enhances the nostalgic feel of the story.
  • Character Development: Vin's journey from regret to acceptance and his efforts to reconnect with Angela provide a compelling character arc.

Comparable Scripts: The Wonder Years, Stand By Me, A Bronx Tale, The Notebook, The Fault in Our Stars, Good Will Hunting, The Perks of Being a Wallflower, Brooklyn, The Last Picture Show

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.35
Key Suggestions:
Lean into conflict: the script’s emotional core (Vin & Angela) is strong, but many payoffs land on coincidence and sentimental beats. The single most effective rewrite move is to deepen and humanize the antagonistic force(s) (especially Benny) and to seed their motives earlier. Give the antagonist concrete, believable reasons that intersect with Vin’s choices, add a few short scenes that show their impact (not just tell), and tighten flashbacks so every sequence increases dramatic stakes rather than repeating nostalgia. Also substitute a few voice-over-heavy expositions with silent, visual beats (lingering looks, props, small rituals) to make emotional shifts feel earned and cinematic.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script already delivers a powerful, emotionally resonant love story anchored by vivid Bronx atmosphere and strong character work. To sharpen its dramatic impact, focus on clarifying and escalating the external threat (Benny) earlier so the audience understands why Vin flees and the danger Angela faces. Tighten a few transitions (notably the nightmare → immediate departure) and sprinkle more consistent motifs of ‘miracle/serendipity’ throughout. Finally, give a small, concrete epilogue beat showing Vin actively choosing life (a simple action or routine) so his growth feels earned rather than implied.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character work is strong—Vin is a believable, nostalgic everyman, Angela is empathetic and resonant, and Frankie provides a useful framing voice—but the script leans heavily on voice-over and incident-driven coincidence to carry emotional weight. The priority rewrite is to show Vin’s wound and transformation visually and behaviorally (not just narratively): tighten or reduce voice-over, replace fantasy set pieces that don’t advance his arc, and place concrete, early moments that reveal why he fled Angela and why he changes. Give Angela a few more moments of active agency earlier, and give Frankie a small, clear micro-arc (a single scene of domestic consequence or confession) so the deuteragonist feels earned rather than decorative.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script has a powerful core — a tender, nostalgia-laden love story — but its emotional pacing is uneven. Long stretches of sustained melancholy in the present-day narrative risk numbing the audience before the big payoffs. Prioritize redistributing emotional intensity: insert small beats of levity, human kindness, or ironic warmth in the darker stretches; deepen Angela’s present-day interior life in a few key moments; and add one bridging scene between Vin’s lowest point and the hospital reunion to make the turn toward hope feel earned.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The analysis shows the script's emotional core — Vin's journey from nostalgia and regret to a brief, redemptive love — is powerful and resonant. To strengthen the screenplay, sharpen Vin's agency and the immediacy of his stakes: make the health threat and the consequences of his past choices clearer earlier, tighten the flashback structure so each memory directly informs a present decision, and ensure every scene advances his emotional arc rather than simply illustrating backstory. Trim or fuse episodic moments that slow momentum and convert telling into tangible actions (small rituals, physical choices) that make Vin's transformation palpable on-screen.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The screenplay's emotional core — the decades-spanning love between Vin and Angela — is powerful and resonant. To strengthen the script, tighten the structure so every flashback and nostalgic beat directly advances the central relationship and Vin’s emotional arc. Trim or consolidate repetitive scenes that evoke the same memory, clarify the causal choices (why Vin leaves, why he returns) so the audience can track character agency, and sharpen supporting roles (Frankie, Paulie, Abe) so they consistently reflect and escalate the stakes for Vin. Preserve the rich Bronx atmosphere and music, but use them as texture rather than detours; make each scene pivot the story toward the final emotional payoff so the audience feels earned catharsis rather than being led through sentimentality.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script has a warm, nostalgic heart and a highly marketable Bronx love story, but it is weakened by structural choices that undercut stakes and slow pacing. The single biggest fix is to resolve the 'false alarm' cancer twist — as written it reads like a deus ex machina that robs the story of emotional consequence and audience trust. After that, tighten and consolidate repetitive flashbacks, clarify why Vin and Angela stayed apart for decades (make the avoidance believable), and sharpen character arcs so Vin’s transformation and Angela’s forgiveness feel earned rather than plot-driven. Also trim repeated motifs (egg creams, music cues) and soften any dialogue that reads like exposition so the intimacy remains authentic.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
Your voice — richly nostalgic, emotionally resonant, and full of authentic Bronx vernacular — is the screenplay’s greatest asset. To strengthen the script, preserve that voice while tightening narrative focus: compress or combine scenes that repeat the same emotional beats, heighten the stakes earlier (what Vin wants now and what's at risk), and sharpen moments of conflict so the melancholy never becomes meandering sentimentality. Show character change through distinct choices and consequences rather than extended reminiscence; lean on your strong dialogue and atmospheric detail, but trim scenes that primarily reiterate the same memory or mood.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
You already have a strong, emotionally resonant core: authentic dialogue, vivid nostalgic detail, and credible character work. To lift this into a tighter, more cinematic script, focus on sharpening pacing and increasing external stakes while deepening subtext in dialogue. Make every scene push a conflict forward (even subtly), pick moments to withhold information rather than explain it, and create clearer external obstacles that force characters to change. Small structural shifts—shortening or combining scenes, adding an unexpected reversal, or converting inward exposition into action—will preserve the film’s tenderness while making it dramatically compelling.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
You have a rich, sensory world and an emotionally resonant core — a Bronx-set, multi-decade love story steeped in nostalgia, music, and Italian‑American culture. The primary creative issue is structural: the script leans heavily on episodic flashbacks and scene-by-scene memory vignettes that blur forward momentum and weaken dramatic stakes. Tighten the structure by choosing fewer, sharper flashbacks that directly illuminate choices and escalate conflict in the present (Vin’s health, Angela’s past threat, Paulie/Benny pressures). Clarify each character’s active objective in every act, sharpen the emotional throughline (what Vin must change to earn a second chance), and trim or combine scenes that arematically repeat to preserve the story’s poignancy and pacing.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
Your script’s emotional heart is undeniable — nostalgia, intimacy, and revelation drive powerful audience responses. That strength is also its trade-off: long stretches of reflective, regretful scenes slow plot momentum. To tighten the screenplay without losing feeling, make those reflective beats do double-duty: force a decision, introduce a consequence or ticking clock, or intercut them with scenes that escalate stakes. Likewise, convert some lighter romantic interludes into moments that subtly complicate the relationship (misunderstanding, obstacle, or choice) so they help push the story forward rather than merely decorate it.
Loglines
Presents logline variations based on theme, genre, and hook.