SCENES
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Scene Map 60
# PG SLUGLINE
1 1
Freeze
2 3
2 INT. RU-1050 / AFT SECTION - NIGHT 2
3 3
3 EXT. PARLIAMENT HILL / OTTAWA - NIGHT 3
4 5
6 EXT. PARLIAMENT HILL - NIGHT 6
5 6
9 INT. BUILDING - NIGHT 9
6 7
13 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 13
7 8
16 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 16
8 10
19 INT. HARRIS APARTMENT - NIGHT / CHRISTMAS EVE 19
9 15
20 EXT. NORTHWEST TERRITORIES - TWILIGHT 2012 AD 20
10 16
22 INT. AFT CARGO DECK / SU-120 - TWILIGHT 22
11 17
23 INT. FLIGHT DECK / SU-120 - TWILIGHT 23
12 20
24 INT. AFT CARGO DECK / SU-120 - TWILIGHT 24
13 23
25 INT. FLIGHT DECK / SU-120 - TWILIGHT 25
14 24
28 INT. FLIGHT DECK / SU-120 - TWILIGHT 28
15 25
31 INT. AFT CARGO DECK / SU-120 - TWILIGHT 31
16 26
35 INT. AFT CARGO DECK / SU-120 - TWILIGHT 35
17 28
46 INT. OTTAWA CONTROL / SENTINEL - NIGHT 46
18 29
47 INT. BEDROOM / CONNELY HOME - NIGHT 47
19 30
48 EXT. CASCADIA AIR COMMAND BUNKER - NIGHT 48
20 30
50 INT. OPERATIONS DIRECTORS OFFICE - NIGHT 50
21 33
51 INT. CASCADIAN AIR COMMAND BUNKER - NIGHT 51
22 33
52 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 52
23 34
53 INT. FLIGHT DECK / SU-120 - NIGHT 53
24 35
55 EXT. PARLIAMENT HILL - NIGHT 55
25 38
57 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 57
26 41
58 INT. OTTAWA CONTROL / SENTINEL - NIGHT 58
27 41
60 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 60
28 42
61 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 61
29 43
62 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 62
30 44
63 INT. FLIGHT DECK / SU-120 - NIGHT 63
31 46
65 INT. AFT CARGO DECK / SU-120 - NIGHT 65
32 48
66 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 66
33 51
68 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 68
34 52
69 INT. NORDOIL COMPLEX / LUNCH ROOM - NIGHT 69
35 53
71 EXT. NORDOIL COMPLEX - NIGHT 71
36 54
73 INT. AFT CARGO DECK / SU-120 - NIGHT 73
37 55
75 INT. AFT CARGO DECK / SU-120 - NIGHT 75
38 58
76 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 76
39 60
77 EXT. SNOW COVERED PLAINS - NIGHT 77
40 61
79 EXT. SNOW COVERED PLAINS - NIGHT 79
41 62
83 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 83
42 63
84 INT. OTTAWA CONTROL - NIGHT 84
43 65
85 INT. FLIGHT DECK / SU-120 - NIGHT 85
44 67
88 INT. GALLEY / SU-120 - NIGHT 88
45 68
91 INT. AFT CARGO DECK / SU-120 - NIGHT 91
46 73
92 INT. OTTAWA CONTROL - NIGHT 92
47 76
93 EXT. SNOW COVERED PLAINS - NIGHT 93
48 77
95 INT. CASCADIA COMPLEX / ATRIUM LOUNGE - NIGHT 95
49 81
96 INT. AFT CARGO DECK / SU-120 - NIGHT 96
50 85
97 INT. RU-1050 - NIGHT 97
51 86
98 INT. RU-1050 - NIGHT 98
52 87
100 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 100
53 88
101 INT. RU-1050 - NIGHT 101
54 89
102 EXT. SNOW COVERED PLAINS / SU-120 - NIGHT 102
55 93
104 INT. NORDOIL TRACK VEHICLE - NIGHT 104
56 94
105 INT. AFT CARGO DECK / SU-120 - NIGHT 105
57 99
107 INT. OTTAWA CONTROL - NIGHT 107
58 100
110 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 110
59 101
114 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 114
60 102
115 INT. AFT CARGO DECK / SU-120 - NIGHT 115
INT EXT INT/EXT hover for full slug
Scene Map
60
# PG SLUGLINE
1 1
Freeze
Freeze
Freeze an original screenplay by Richard Richter RC Richter Draft 1
2 3
2 INT. RU-1050 / AFT SECTION - NIGHT 2
2 INT. RU-1050 / AFT SECTION - NIGHT 2
2 INT. RU-1050 / AFT SECTION - NIGHT 2 Seated in the comfortable aft section, is a man in his late 50's. His name is ANDRE LeBLANC, the Prime Minister of what now remains of Canada. In his lap rests a folder of documents bearing the title "Native Land Claims - Disputed Territories;
3 3
3 EXT. PARLIAMENT HILL / OTTAWA - NIGHT 3
3 EXT. PARLIAMENT HILL / OTTAWA - NIGHT 3
3 EXT. PARLIAMENT HILL / OTTAWA - NIGHT 3 TITLE CARD READS: PARLIAMENT HILL OTTAWA, CANADA
4 5
6 EXT. PARLIAMENT HILL - NIGHT 6
6 EXT. PARLIAMENT HILL - NIGHT 6
6 EXT. PARLIAMENT HILL - NIGHT 6 Burns slowly turns and begins to walk away. As she does, she talks into a small headset. BURNS Harris... he doesn't believe you.
5 6
9 INT. BUILDING - NIGHT 9
9 INT. BUILDING - NIGHT 9
9 INT. BUILDING - NIGHT 9 Harris stands thinking for a moment, pondering his next move. HARRIS Where are you? BURNS (V.O.)
6 7
13 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 13
13 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 13
13 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 13 HARRIS Burns... get your cute ass up here! BURNS (V.O.) Fuck you Harris.
7 8
16 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 16
16 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 16
16 INT. BUILDING / FIFTH FLOOR / STAIRS - NIGHT 16 Burns talks to Harris. BURNS Harris?... Harris, where are you now?
8 10
19 INT. HARRIS APARTMENT - NIGHT / CHRISTMAS EVE 19
19 INT. HARRIS APARTMENT - NIGHT / CHRISTMAS EVE 19
19 INT. HARRIS APARTMENT - NIGHT / CHRISTMAS EVE 19 OUR VIEW BEGINS on a framed photo of Harris on his graduation from the Police Academy. Happily he shakes the hand of the Police Chief who hands him his diploma. Moving off this memento, we PAN ACROSS the fireplace mantle,
9 15
20 EXT. NORTHWEST TERRITORIES - TWILIGHT 2012 AD 20
20 EXT. NORTHWEST TERRITORIES - TWILIGHT 2012 AD 20
20 EXT. NORTHWEST TERRITORIES - TWILIGHT 2012 AD 20 All is quiet. Stretching out before us to the horizon is the desolate northern tundra. The sun sinks below the distant horizon while ominous dark storm clouds move toward us. Then, a high-speed SU-120 aircraft streaks beneath us, heading
10 16
22 INT. AFT CARGO DECK / SU-120 - TWILIGHT 22
22 INT. AFT CARGO DECK / SU-120 - TWILIGHT 22
22 INT. AFT CARGO DECK / SU-120 - TWILIGHT 22 In the foreground, a hand grips the armrest. In the background, Burns sits into her rear-facing seat and straps herself in. She turns her head. BURNS
11 17
23 INT. FLIGHT DECK / SU-120 - TWILIGHT 23
23 INT. FLIGHT DECK / SU-120 - TWILIGHT 23
23 INT. FLIGHT DECK / SU-120 - TWILIGHT 23 The technology of the flight deck is advanced, with fly-by- wire controls and computer instrumentation. The design is military; stark and efficient. The interior looks very well used, with worn fabric and paint. Various personal items
12 20
24 INT. AFT CARGO DECK / SU-120 - TWILIGHT 24
24 INT. AFT CARGO DECK / SU-120 - TWILIGHT 24
24 INT. AFT CARGO DECK / SU-120 - TWILIGHT 24 A small cardboard box smashes to the floor as the aircraft shudders. Several cans spill from it, rolling across the grating. A label on the side of the box reads: Ship to Fairbanks Correctional Facility, Fairbanks, Alaska.
13 23
25 INT. FLIGHT DECK / SU-120 - TWILIGHT 25
25 INT. FLIGHT DECK / SU-120 - TWILIGHT 25
25 INT. FLIGHT DECK / SU-120 - TWILIGHT 25 Cardinal responds to the intercom. CARDINAL Say again? HARRIS (V.O.)
14 24
28 INT. FLIGHT DECK / SU-120 - TWILIGHT 28
28 INT. FLIGHT DECK / SU-120 - TWILIGHT 28
28 INT. FLIGHT DECK / SU-120 - TWILIGHT 28 Cardinal struggles with the controls. CARDINAL No good! Still sinking! SORENSON
15 25
31 INT. AFT CARGO DECK / SU-120 - TWILIGHT 31
31 INT. AFT CARGO DECK / SU-120 - TWILIGHT 31
31 INT. AFT CARGO DECK / SU-120 - TWILIGHT 31 Harris grips the armrest tighter and closes his eyes. Burns struggles with the clips on the harness, trying desperately to engage them. CUT TO:
16 26
35 INT. AFT CARGO DECK / SU-120 - TWILIGHT 35
35 INT. AFT CARGO DECK / SU-120 - TWILIGHT 35
35 INT. AFT CARGO DECK / SU-120 - TWILIGHT 35 Both Burns and Harris are violently tossed about in their seats as they struggle to hold on. CUT TO:
17 28
46 INT. OTTAWA CONTROL / SENTINEL - NIGHT 46
46 INT. OTTAWA CONTROL / SENTINEL - NIGHT 46
46 INT. OTTAWA CONTROL / SENTINEL - NIGHT 46 A dimly lit command center sits quietly as only two personnel are on duty. The glow of the various consoles cast a dream- like feel over the room. The shift controller is quietly sitting at his workstation sipping a coffee when...
18 29
47 INT. BEDROOM / CONNELY HOME - NIGHT 47
47 INT. BEDROOM / CONNELY HOME - NIGHT 47
47 INT. BEDROOM / CONNELY HOME - NIGHT 47 The quiet of the dark is broken with the SOUND of a phone beeping. CONNELY, a man in his late forties, wakes from his sleep and fumbles to the phone on the bedside table.
19 30
48 EXT. CASCADIA AIR COMMAND BUNKER - NIGHT 48
48 EXT. CASCADIA AIR COMMAND BUNKER - NIGHT 48
48 EXT. CASCADIA AIR COMMAND BUNKER - NIGHT 48 A large concrete structure protrudes from the side of a mountain range, overlooking a valley below. The lights from the few visible windows are the only sign of life coming from this imposing fortress.
20 30
50 INT. OPERATIONS DIRECTORS OFFICE - NIGHT 50
50 INT. OPERATIONS DIRECTORS OFFICE - NIGHT 50
50 INT. OPERATIONS DIRECTORS OFFICE - NIGHT 50 The office belongs to DYANN RICHARDS, the on-duty Director of the complex. She sits behind a large glass desk. Next to her is a computer and behind her, a large painting of a beautiful sunset. She is working her way through what appears
21 33
51 INT. CASCADIAN AIR COMMAND BUNKER - NIGHT 51
51 INT. CASCADIAN AIR COMMAND BUNKER - NIGHT 51
51 INT. CASCADIAN AIR COMMAND BUNKER - NIGHT 51 The Junior Controller makes her way over to Reese with several printouts in hand. Seated nearby is JANE. JUNIOR CONTROLLER What we've heard from Fairbanks is
22 33
52 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 52
52 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 52
52 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 52 Paul and William have now made themselves at home in front of Dyann's desk. DYANN Gentlemen...
23 34
53 INT. FLIGHT DECK / SU-120 - NIGHT 53
53 INT. FLIGHT DECK / SU-120 - NIGHT 53
53 INT. FLIGHT DECK / SU-120 - NIGHT 53 Sorenson and Cardinal are now half buried by snow, shards of glass and parts of the flight deck. Sorenson is slumped in her harness with her head hanging down. Her long hair swirls around in the icy wind.
24 35
55 EXT. PARLIAMENT HILL - NIGHT 55
55 EXT. PARLIAMENT HILL - NIGHT 55
55 EXT. PARLIAMENT HILL - NIGHT 55 The Parliament buildings still lay in ruin. CUT TO: 56 INT. OTTAWA CONTROL / SENTINEL - NIGHT 56 Connely enters, handing his heavy winter coat to an assistant.
25 38
57 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 57
57 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 57
57 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 57 Reese sits at his workstation keeping an eye on the situation when Jane taps him on the shoulder. JANE Connely is on line one from Ottawa.
26 41
58 INT. OTTAWA CONTROL / SENTINEL - NIGHT 58
58 INT. OTTAWA CONTROL / SENTINEL - NIGHT 58
58 INT. OTTAWA CONTROL / SENTINEL - NIGHT 58 Connely stands facing the large wall map, as Nelson moves up behind him. NELSON What the hell was that all about?
27 41
60 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 60
60 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 60
60 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 60 A man in his late forties is playing with his indoor golf putting game. His name is COL. FRANK YENNS, the commander of Fairbanks operations.
28 42
61 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 61
61 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 61
61 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 61 Connely sits at his desk talking to Yenns on the com line. CONNELY It would take weeks to clear every-
29 43
62 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 62
62 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 62
62 INT. FAIRBANKS CONTROL / OFFICE - NIGHT 62 YENNS I'm still here... CONNELY I'm only asking because I believe
30 44
63 INT. FLIGHT DECK / SU-120 - NIGHT 63
63 INT. FLIGHT DECK / SU-120 - NIGHT 63
63 INT. FLIGHT DECK / SU-120 - NIGHT 63 Harris makes his way into the flight deck. Cardinal's face is now buried by the snow that has blown in through the smashed window. The lifeless Captain is slumped in her harness, eyes fixed on the destroyed controls.
31 46
65 INT. AFT CARGO DECK / SU-120 - NIGHT 65
65 INT. AFT CARGO DECK / SU-120 - NIGHT 65
65 INT. AFT CARGO DECK / SU-120 - NIGHT 65 Burns is now awake as Harris returns with the thermal suit, first-aid kit and blankets. He kneels next to her. BURNS (straining)
32 48
66 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 66
66 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 66
66 INT. OTTAWA CONTROL / CONNELYS OFFICE - NIGHT 66 Connely sits behind his desk, playing with a letter opener when an operator suddenly appears on a large screen on the wall facing him. OPERATOR
33 51
68 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 68
68 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 68
68 INT. OPERATIONS DIRECTOR OFFICE - NIGHT 68 Dyann is at her desk when the phone rings. She answers. DYANN Hello... Just a minute. She passes the phone off to William who is occupying himself
34 52
69 INT. NORDOIL COMPLEX / LUNCH ROOM - NIGHT 69
69 INT. NORDOIL COMPLEX / LUNCH ROOM - NIGHT 69
69 INT. NORDOIL COMPLEX / LUNCH ROOM - NIGHT 69 TWO MEN are preparing lunches for themselves. LARRY, a balding and bespectacled man is making a sandwich while BRYAN, a tall beefy sort, screws the lid onto a thermos. Carlton appears at the door of the lunch room and looks in.
35 53
71 EXT. NORDOIL COMPLEX - NIGHT 71
71 EXT. NORDOIL COMPLEX - NIGHT 71
71 EXT. NORDOIL COMPLEX - NIGHT 71 A howling wind blasts the fortified Nordoil complex. A klaxon SOUNDS as a set of giant gantry doors with a large U.S. flag painted on them, begin to roll open. Rotating beacons begin to flash, illuminating the blowing snow.
36 54
73 INT. AFT CARGO DECK / SU-120 - NIGHT 73
73 INT. AFT CARGO DECK / SU-120 - NIGHT 73
73 INT. AFT CARGO DECK / SU-120 - NIGHT 73 Harris is wrapping a makeshift splint around his broken leg. Burns is now covered with several blankets. HARRIS How's that?
37 55
75 INT. AFT CARGO DECK / SU-120 - NIGHT 75
75 INT. AFT CARGO DECK / SU-120 - NIGHT 75
75 INT. AFT CARGO DECK / SU-120 - NIGHT 75 Entering the cargo deck, he stops and holds up the case for Burns to see. HARRIS Surprise! We're in luck.
38 58
76 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 76
76 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 76
76 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 76 Dyann, Paul and William sit around a large table, pouring over charts and other papers. The intercom cuts in. DYANN
39 60
77 EXT. SNOW COVERED PLAINS - NIGHT 77
77 EXT. SNOW COVERED PLAINS - NIGHT 77
77 EXT. SNOW COVERED PLAINS - NIGHT 77 The giant Nordoil vehicle lumbers through the storm, cutting its path through trees and rocks. CUT TO: 78 INT. NORDOIL TRACK VEHICLE - NIGHT 78
40 61
79 EXT. SNOW COVERED PLAINS - NIGHT 79
79 EXT. SNOW COVERED PLAINS - NIGHT 79
79 EXT. SNOW COVERED PLAINS - NIGHT 79 The aircraft continues to disappear under the gathering snow. CUT TO: 80 INT. AFT CARGO DECK - NIGHT 80 Harris sits staring at Burns.
41 62
83 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 83
83 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 83
83 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 83 Dyann makes her way into the control room with William. Reese makes his way over to them. REESE The forecast looks like it will clear
42 63
84 INT. OTTAWA CONTROL - NIGHT 84
84 INT. OTTAWA CONTROL - NIGHT 84
84 INT. OTTAWA CONTROL - NIGHT 84 Connely is standing by a computer station drinking a coffee. CONNELY What else can you tell me about Canforce 8.
43 65
85 INT. FLIGHT DECK / SU-120 - NIGHT 85
85 INT. FLIGHT DECK / SU-120 - NIGHT 85
85 INT. FLIGHT DECK / SU-120 - NIGHT 85 Hands desperately dig through the snow. They find and retrieve a laminated map. Harris brushes the snow from it and looks at it for a moment, verifying it's what he's after. Hobbling to a side console, he comes upon the Emergency
44 67
88 INT. GALLEY / SU-120 - NIGHT 88
88 INT. GALLEY / SU-120 - NIGHT 88
88 INT. GALLEY / SU-120 - NIGHT 88 Harris picks up three of the dead batteries from the snow and cleans them off. He tosses them into an orange dufflebag, then picks up Burns' machine pistol from the floor and and heaves it through the gaping hole in the fuselage. He leaves
45 68
91 INT. AFT CARGO DECK / SU-120 - NIGHT 91
91 INT. AFT CARGO DECK / SU-120 - NIGHT 91
91 INT. AFT CARGO DECK / SU-120 - NIGHT 91 Harris jolts to attention with the beep of the Cryo-con cylinder. Re-orienting himself, Harris struggles to his feet and hobbles over to the small heater. Removing the last glass tube, he inserts it into the unit. It comes to
46 73
92 INT. OTTAWA CONTROL - NIGHT 92
92 INT. OTTAWA CONTROL - NIGHT 92
92 INT. OTTAWA CONTROL - NIGHT 92 Connely sits at a small duty desk in one corner of the room. When Nelson comes over, Connely is just finishing a phone call.
47 76
93 EXT. SNOW COVERED PLAINS - NIGHT 93
93 EXT. SNOW COVERED PLAINS - NIGHT 93
93 EXT. SNOW COVERED PLAINS - NIGHT 93 The Nordoil track vehicle continues on its mission, rolling over everything in its path along the rugged terrain. CUT TO: 94 INT. NORDOIL TRACK VEHICLE - NIGHT 94
48 77
95 INT. CASCADIA COMPLEX / ATRIUM LOUNGE - NIGHT 95
95 INT. CASCADIA COMPLEX / ATRIUM LOUNGE - NIGHT 95
95 INT. CASCADIA COMPLEX / ATRIUM LOUNGE - NIGHT 95 A small man-made garden sits quietly. The warm, soft overhead lighting illuminates the lush vegetation with the feel of a mid-summer's sunset. In one corner sits a lounge area for the personnel of the complex. As we move upon the scene, we
49 81
96 INT. AFT CARGO DECK / SU-120 - NIGHT 96
96 INT. AFT CARGO DECK / SU-120 - NIGHT 96
96 INT. AFT CARGO DECK / SU-120 - NIGHT 96 Waneta and Harris still sit in silence until... HARRIS You still haven't told me... what's it like?
50 85
97 INT. RU-1050 - NIGHT 97
97 INT. RU-1050 - NIGHT 97
97 INT. RU-1050 - NIGHT 97 The CAMERA moves towards the rear end of the aircraft's open ramp. First Officer KAREN JEFFERIES stands outside the air frame, finishing the last of her smoke. Behind her are FIVE MEN who are checking their bags and weapons. All are dressed
51 86
98 INT. RU-1050 - NIGHT 98
98 INT. RU-1050 - NIGHT 98
98 INT. RU-1050 - NIGHT 98 Dagel and Jefferies move to their seats and begin strapping themselves in. JEFFERIES Did you see their shoulder emblem?
52 87
100 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 100
100 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 100
100 INT. CASCADIA AIR COMMAND BUNKER - NIGHT 100 Dyann, William and Paul enter and make their way to Reese and Jane who tend to their stations. DYANN Talk to me.
53 88
101 INT. RU-1050 - NIGHT 101
101 INT. RU-1050 - NIGHT 101
101 INT. RU-1050 - NIGHT 101 One of the WOLF PACK boys pokes his head into the cockpit. Jefferies looks up but says nothing. The man just continues to look out into the blinding snow. CAPTAIN DAGEL
54 89
102 EXT. SNOW COVERED PLAINS / SU-120 - NIGHT 102
102 EXT. SNOW COVERED PLAINS / SU-120 - NIGHT 102
102 EXT. SNOW COVERED PLAINS / SU-120 - NIGHT 102 The SU-120 transport continues to disappear under the drifting snow, and at the present rate, it will most likely vanish from sight in the coming hours. CUT TO:
55 93
104 INT. NORDOIL TRACK VEHICLE - NIGHT 104
104 INT. NORDOIL TRACK VEHICLE - NIGHT 104
104 INT. NORDOIL TRACK VEHICLE - NIGHT 104 Bryan and Larry find themselves now in potential jeopardy. Larry continues to try and move the vehicle but his efforts are in vain. BRYAN
56 94
105 INT. AFT CARGO DECK / SU-120 - NIGHT 105
105 INT. AFT CARGO DECK / SU-120 - NIGHT 105
105 INT. AFT CARGO DECK / SU-120 - NIGHT 105 Waneta reluctantly helps Harris into the Cryo-con suit. It is a slow process and Harris grits his teeth, cursing with the pain. Waneta notices the bullet wound in the middle of his chest.
57 99
107 INT. OTTAWA CONTROL - NIGHT 107
107 INT. OTTAWA CONTROL - NIGHT 107
107 INT. OTTAWA CONTROL - NIGHT 107 Connely and Nelson sit looking up at the big map. Both look like hell. Just then, the flashing marker on the map dies. NELSON
58 100
110 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 110
110 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 110
110 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 110 Waneta lies beside her rifle, sighting through it. CUT TO: 111 EXT. PARLIAMENT HILL - NIGHT 111 POV
59 101
114 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 114
114 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 114
114 INT. BUILDING / ROOFTOP MACHINE ROOM - NIGHT 114 Waneta quickly crawls to her feet and slings the rifle. She moves to Harris who now lays unconscious. She pulls a handgun from a holster and points it at his head.
60 102
115 INT. AFT CARGO DECK / SU-120 - NIGHT 115
115 INT. AFT CARGO DECK / SU-120 - NIGHT 115
115 INT. AFT CARGO DECK / SU-120 - NIGHT 115 The outline of a dark shapeless figure is suddenly awash in light. It is the face of an almost frozen woman. BRYAN Over here!
INT EXT INT/EXT tap to expand
Take the Tour
Take the Tour

Freeze

In a fractured North America, a disgraced cop must thaw a notorious indigenous assassin from cryogenic prison after their transport crashes in hostile territory, only to uncover a conspiracy that implicates them both in the murder of Canada's last hope.

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Overview

Poster
Unique Selling Point

The script's unique selling proposition is its fresh take on Canadian dystopia, blending indigenous rights, separatist politics, and cryogenic technology into a conspiracy thriller. Unlike typical American-centric dystopian stories, it explores the fracturing of Canada and Cascadia's rise, offering a novel geopolitical landscape. The twist that the protagonist's partner and colleagues were part of the conspiracy adds psychological depth to what initially appears to be a survival story.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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GPT5
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Gemini
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Grok
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Claude
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DeepSeek
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Average Score: 6.9
Key Takeaways
For the Writer:
To elevate your script, focus on resolving key character arcs and thematic payoffs by providing clearer emotional closures for characters like Harris and Waneta, ensuring their journeys feel complete and impactful. Tighten pacing by reducing expository dialogue in political scenes and integrating backstory through visual or action-driven moments, making the narrative more dynamic and engaging. Additionally, deepen antagonist motivations, such as those of William and the Wolf Pack, to add layers of moral ambiguity and enhance the overall tension and realism.
For Executives:
The script has solid value as a mid-budget political thriller with a unique alternate-history setting and strong visual potential, appealing to festival crowds and fans of survival and conspiracy genres. However, risks include unresolved plot threads that could confuse audiences and pacing issues that might bore viewers, potentially limiting commercial appeal and requiring significant rewrites to avoid a muddled final product in a competitive market.
See Details in P/C/R/HR Section
Story Facts
Genres:
Drama 45% Action 30% Thriller 35% Crime 20% Science Fiction 15%

Setting: 2010-2012, Canada, Cascadia, and the Yukon Territories, primarily in and around the SU-120 aircraft and various military and command centers.

Themes: Political Division and Societal Collapse, The Legacy of Colonialism and Indigenous Struggle, Survival and Human Resilience in Extremis, Corruption and Political Machinations, Duty vs. Personal Morality, The Nature of Power and Control, Loss and Grief, Trust and Betrayal

Conflict & Stakes: The struggle for survival amidst political turmoil, personal betrayals, and the moral dilemmas faced by characters in a post-apocalyptic setting.

Mood: Tense and foreboding, with moments of desperation and introspection.

Standout Features:

  • Unique Hook: The intertwining of personal survival stories with broader political conflicts in a post-apocalyptic setting.
  • Plot Twist: The revelation of Waneta's past involvement in a high-profile assassination adds depth and complexity to her character.
  • Distinctive Setting: The harsh, unforgiving landscapes of the Canadian wilderness and the high-tech military environments create a stark contrast.
  • Innovative Ideas: The use of cryogenic technology as a plot device raises ethical questions about life, death, and survival.
  • Genre Blend: Combines elements of action, thriller, and drama, appealing to a diverse audience.

Comparable Scripts: The Road, The Revenant, The Handmaid's Tale, Snowpiercer, Children of Men, The 100, The Last of Us, Battlestar Galactica, The Expanse

Data Says…
Feature in Alpha - Could have inaccuracies

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

1. Visual Impact (Script Level)
Big Impact Script Level
Your current Visual Impact (Script Level) score: 7.7
Typical rewrite gain: +0.4 in Visual Impact (Script Level)
Gets you ~4% closer to an "all Highly Recommends" score
Confidence: High (based on ~3,341 similar revisions)
  • This is currently your highest-impact lever. Improving Visual Impact (Script Level) is most likely to move the overall rating next.
  • What writers at your level usually do: Writers at a similar level usually raise Visual Impact (Script Level) by about +0.4 in one rewrite.
  • Why it matters: At your level, improving this one area alone can cover a meaningful slice of the climb toward an "all Highly Recommends" script.
2. Theme (Script Level)
Big Impact Script Level
Your current Theme (Script Level) score: 7.6
Typical rewrite gain: +0.6 in Theme (Script Level)
Gets you ~4% closer to an "all Highly Recommends" score
Confidence: High (based on ~4,351 similar revisions)
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • What writers at your level usually do: Writers at a similar level usually raise Theme (Script Level) by about +0.6 in one rewrite.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.
3. Concept
Moderate Impact Scene Level
Your current Concept score: 8.3
Typical rewrite gain: +0.3 in Concept
Gets you ~2% closer to an "all Highly Recommends" score
Confidence: High (based on ~4,083 similar revisions)
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • What writers at your level usually do: Writers at a similar level usually raise Concept by about +0.3 in one rewrite.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.58
Key Suggestions:
To improve the script from a creative and craft perspective, prioritize deepening the backstories and emotional arcs of secondary characters like Connely and William, as this will enhance audience empathy and narrative cohesion. Additionally, refine pacing in exposition-heavy scenes by integrating more dynamic dialogue and action, drawing from successful films like 'Breaking Bad' for character evolution and 'Pulp Fiction' for engaging exposition, to create a more immersive and emotionally resonant story.
> Go to Screenplay Insights
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To enhance this script's creative impact, prioritize tightening the pacing for a more consistent rhythm, reduce reliance on expository dialogue by weaving historical and political elements into visual and character-driven sequences, and sharpen the antagonist and conflict to heighten emotional stakes. This will make the story more engaging and immersive, allowing the strong character relationships and themes of survival and betrayal to shine through more effectively.
> Go to Story Critique
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals a rich foundation for a compelling narrative, with strong protagonists like Harris and Burns driving emotional stakes. To elevate the script, focus on deepening backstories and character arcs—particularly for Harris and Waneta—to create more nuanced motivations and transformations. Enhancing dialogue with subtext and exploring relationship dynamics will improve emotional resonance, making the story more engaging and immersive from a craft perspective.
> Go to Characters
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script's emotional landscape is strong in high-stakes moments but suffers from monotony in expository scenes, leading to potential audience fatigue. To enhance creative impact, focus on infusing more emotional variety, such as adding humor or hope in tense sequences, and deepen character backstories to build empathy, ensuring a more dynamic and engaging narrative that balances intensity with relatable human elements.
> Go to Emotional Analysis
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
To enhance the script's creative depth, focus on tightening the integration of philosophical conflicts with character arcs, ensuring that internal struggles like understanding historical context and seeking redemption are woven more fluidly into action sequences. This will amplify emotional resonance and make the themes of justice versus violence more impactful, while refining the narrative structure to avoid late resolutions that could dilute tension, ultimately leading to a more cohesive and engaging story.
> Go to Goals and Philosophical Conflict
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The script masterfully weaves themes of political division and historical trauma into a gripping narrative, but to elevate its craft, focus on deepening character development and emotional arcs. For instance, while the survival scenes are intense, adding more subtle moments of internal conflict or redemption could prevent the story from feeling overly deterministic, making characters more relatable and the overall narrative less predictable, thus enhancing audience engagement and emotional depth.
> Go to Themes
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script's core issues stem from character inconsistencies and plot holes that disrupt immersion and emotional depth. To enhance the narrative, focus on grounding character decisions in authentic motivations—such as reworking Harris's arc to reflect his bitterness more consistently—and resolving logical gaps in key events like the assassination and rescue operations. This will create a more cohesive story, improve audience engagement, and allow the thriller elements to shine through better pacing and believable character development.
> Go to Logic & Inconsistencies

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The script's voice excels in building high-stakes tension and realistic dialogue, effectively immersing readers in chaotic scenarios, but to elevate the craft, focus on adding more nuanced character development and emotional depth in quieter moments. This would balance the relentless urgency, preventing potential viewer fatigue and making personal stakes more compelling, as seen in the contrast between action-heavy scenes and reflective flashbacks.
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Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
To enhance the screenplay's craft, focus on refining dialogue to incorporate more subtext and emotional nuance, streamline pacing through tighter scene transitions, and deepen character development by exploring internal motivations and backstories. This will create a more immersive and resonant narrative, leveraging the script's strong tension and themes while addressing current weaknesses to boost overall engagement and authenticity.
> Go to Writer's Craft
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
> Go to Memorable Lines
Tropes
Highlights common or genre-specific tropes found in the script.
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World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world-building effectively creates a dystopian atmosphere that drives conflict and character development, but to enhance creative impact, focus on tightening the integration of environmental and technological elements with personal stakes, ensuring that the harsh physical world and cultural tensions amplify emotional arcs without overwhelming the narrative pace. This could involve streamlining descriptive passages to heighten tension and make character motivations more visceral, turning the world's fragmentation into a mirror for internal struggles.
> Go to World Building
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The script demonstrates strong escalation in emotional depth and conflict, leading to a powerful climax, but could be enhanced by introducing earlier hints of character development and tightening reflective scenes to avoid pacing issues. Focusing on more nuanced dialogue in tense moments would add depth, ensuring a more engaging and seamless narrative flow from the outset.
> Go to Correlations
Loglines
Presents logline variations based on theme, genre, and hook.
> Go to Loglines