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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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Crossing the Rubicon 201 and 202 part 5 of 7 an original screenplay by Richard C Richter
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EXT. HARBOR HAVANA - NIGHT Andy rows a small boat toward the SAN IGNACIO. The night sky flashes with lighting and the moon fights to provide a clear view of the ship. Andy is fixed on the ship. He turns from time to time to
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INT. SAN INGACIO GUN DECK- LATER (Andy) Andy stands on the very spot Kim was killed. Where Trinity held her body. Kim's blood is everywhere still to see. Andy lifts the lantern to light the scene.
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INT. ANDY'S BEDROOM - MORNING Trinity, Jacob, Keara and Tom stand looking at his bed. On it are Kim's last belongings. Her iPhone, I.D. wallet, etc. Plus a few other 21th century items. Missing is the "All seeing Eye" pendent. Plus Andy left all his own items,
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EXT. HOME OF FRANCISCO - COURTYARD - EVENING Jacob, Tom and a few other men ride in after a long day of searching for Andy. They step from their horses, each dirty, covered in sweat. Trinity and Keara step from the main house and meet the boys.
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INT. HOME OF FRANCISCO - TRINITY - JACOB BEDROOM - NIGHT Trinity looks at the ceiling. A single candle burns next to the bed. TRINITY We can go.
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INT. VILLA NUEVA DE SANTA CLARA - INN - LATER (Andy, Hostess) Andy sits having dinner and looks out as a new load of slaves are brought into town for sale. The hostess comes to Andy and offers him more wine.
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EXT. HARBOR HAVANA - EVENING (Francisco, Jacob, Man 1, Trinity) Subtitled: January 11, 1741 The four stand there, looking at the next part of their journey. The Europa is at anchor in the harbor. Trinity
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EXT. MAIN DECK EUROPA - MOMENTS LATER (Jacob, Keara, Merchant, Trinity, Tom) On the main deck of the Europa is the CAPTAIN. He eyes the group as they one by one step onto the deck. He stares at each of them. A MAN 2 tells them to follow them to their
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INT. EUROPA - GUN DECK - DAY (First Officer, Jacob, Keara, Trinity) Trinity and Keara are searching for water to drink. TRINITY This way.
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INT. EUROPA CABIN TRINITY JACOB - LATER (Jacob, Trinity) Trinity and Jacob return to the small cabin. Trinity is mad! She paces, then lifts her dress and from her leg she pulls Jacob's Kershaw knife. Snaps the blade open and drives
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EXT. VILLA NUEVA DE SANTA CLARA - LATER Andy saddles his horse. Finally riding southeast from Villa Nueva de Santa Clara on a small dirt road. He rides through a tall wood gate at the edge of town. As he does, a number of wagons loaded with tobacco leaf, pass him by. Andy stops
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EXT. VILLA NUEVA DE SANTA CLARA - ESTEVEZ ESTATE - NIGHT Andy and Luis ride into the estate grounds and are met by a number of BLACK AFRICAN SLAVES, who take their horses. Andy follows Luis into the main house. INT. VILLA NUEVA DE SANTA CLARA - ESTEVEZ ESATE - CONTINUOUS
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INT. EUROPA CABIN TRINITY JACOB - DAY Trinity and Keara sit looking at each other. The sway of the ship rocking them. Each looks like shit. The weeks of being stuck in a cabin are too much. To help pass the time each are listening to music on the iPhone.
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INT. EUROPA CABIN TRINITY JACOB - CONTINUOUS The SMALL BLACK SLAVE BOY enters the cabin. He starts to look around and going through things. The boy pockets a neck-less by the bed of Trinity's. The boy starts to go into a number of bags, in one he finds
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INT. SAILING SHIP SPIRIT TOUR - DAY Trinity age 8, is with Carl and Maria, and her sister Anna. They are taking part in a sailing ship tour. The tour guide reviews the finer points of life at sea in, 1700s. GUIDE
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EXT. EUROPA - MAIN DECK - CONTINUOUS (Captain, First Officer, Jacob, Trinity, Tom) On the main deck tied to the mast is the Black African Slave BOY we saw when the four boarded. The boy is being whipped by the First Officer. Each time the whip strikes, the boy
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INT. EUROPA - HALL - OUTSIDE TRINITY ROOM - LATER Trinity and Jacob return to their cabin. Jacob grabs Trinity's arm, spinning her around, stopping her dead in her tracks! JACOB
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INT. EUROPA - MESS HALL DECK - NIGHT Trinity, Jacob, Tom and Keara are in the mess hall waiting for their turn. They make their way to get food from the ship's cook. They each line up to get a plate filled. The cook slops down a pile of something which, may or may not be
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EXT. EUROPA - MAIN DECK - NIGHT Jacob walks up to Tom with a bottle of RUM in his hand. Tom and Jacob stand on the open deck as they sail east. The night is clear, the moon guiding the way. TOM
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INT. EUROPA CABIN TRINITY JACOB - LATER Trinity is asleep when she is waken by the sound of techno music! Her eyes snap open. TRINITY What the hell.
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EXT. EUROPA - MAIN DECK - DAY The four stand on the main deck of the Europa by the bow, as she comes around the southern part of Spain and starts to sail up the river Coria del by the Gulf of Cadiz. TOM
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EXT. EUROPA - MAIN DECK - EVENING The Europa sails into the port of Seville and slides dockside. INT. EUROPA CABIN TRINITY JACOB - LATER Trinity and Jacob get their belongings. TRINITY
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EXT. SEVILLE SPAIN - DOCK - LATER The four are now standing and sitting with their luggage. The last bag being thrown into a pile. Trinity tightly holds the wood box. The Merchant MAN is wandering around looking for the Black
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INT. SEVILLE SPAIN - DINNER - NIGHT The four sit having dinner, they look at each other, finally happy to be rid of the ship and the nightmare which was the last four weeks at sea. TRINITY
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EXT. SEVILLE SPAIN - STABLE - MORNING Subtitled: February 10, 1741 Trinity, Jacob, Tom and Keara. Standing in a stable talking with a COACH DRIVER. COACH DRIVER
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INT. SEVILLE SPAIN -INN - KEARA TOM ROOM - NIGHT Keara stands in the open window looking out at the night skyline of Seville. The wind catching her hair. Tom walks up behind her and holds her from behind. TOM
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EXT. SEVILLE SPAIN - MORNING A black coach being pulled by six black horses. Heads out of the city of Seville north. Winding its way through the narrow streets. LATER:
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EXT. FRENCH COUNTRYSIDE - DAY Subtitle: February 16, 1741 France Aerial shot: We pass over the southern French countryside as it passes below. 1741. The hills are a mix of colors yellow and greens. The landscape is now spotted with snow.
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INT. FRENCH INN - EVENING The door swings open and enter Trinity, Jacob, Tom and Keara. A MAN comes to their aid and begins to take some of their belongings. The Man tries to take the wood box from Trinity. TRINITY
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EXT. FRENCH INN YARD - DUSK Sunset. Trinity sits looking out over the French country side looking towards the setting sun. Bathing in the final light of the day. TRINITY (V.O.)
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INT. FRENCH INN ROOM - KEARA AND TOM - CONTINUOUS Keara and Tom are in bed making love. Their passion for one another is great. Keara kisses Tom again and again, like a school girl. INT. FRENCH INN ROOM - TRINITY / JACOB - NIGHT
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INT. COACH - TRINITY AND FRIENDS - MORNING (KEARA) The four are just drifting off to sleep as the coach rocks from side to side. The snow falls outside softly. Suddenly the coach comes to a stop. There is muffled talk
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EXT. FRENCH COUNTRYSIDE - CONTINUOUS (DRIVER 1, DRIVER 2, JACOB, KEARA, TRINITY) Then Jacob rolls under the coach to be out of sight from the robbers / shooters blocking the road. Jacob looks around and sees a figure with a scarf covering his face. The figure
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EXT. INN FRENCH BEDROOM - NIGHT (JACOB, TRINITY) Trinity and Jacob are in bed. They lay side by side, both just looking at the ceiling. Finally.... TRINITY
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EXT. DUTCH INN - NIGHT (JACOB, KEARA, TOM, TRINITY) The four find themselves in a small Dutch inn for the night. They are seated around a small table drinking... All but Trinity. It is clear that Jacob, Tom and Keara are quite
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EXT. DUTCH COUNTRY SIDE - LATER The same coach now running in rain as it makes its way toward Amsterdam. INT. COACH - TRINITY AND FRIENDS - DAY (JACOB, KEARA)
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EXT. AMSTERDAM CITY - HOTEL - NIGHT (DRIVER 1, TRINITY) The coach has stopped and is offloading the four in front of the hotel Grand, in the port area of Amsterdam. The four stand there in the light rain. Trinity pulls her
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EXT. AMSTERDAM CITY - OUTDOOR CAFE - DAY (TRINITY) Trinity sits with her friends, having a coffee at an outdoor cafe on a side street. She is dressed warm for the day and the steam is whiffing from her drink. She looks to Jacob.
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EXT. AMSTERDAM CITY - STREETS - NIGHT (JACOB, KEARA, TOM, TRINITY) The four friends walk hand in hand back to their hotel. The heavy snow is softly falling on them. A number of coaches pass them by in the night.
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EXT. DUTCH DOCKS - SHIPPING LINE - DAY (JACOB, KEARA, TOM, TRINITY) The four stand in front of a shipping line company in the dock area of the city. Trinity turns to Jacob.
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EXT. DUTCH DOCKS - SHIPPING LINE - LATER (JACOB, KEARA, TOM, TRINITY) The four stand outside the shipping office. Jacob holds a number of papers in his hands. TOM
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INT. HOTEL GRAND - BEDROOM - DAY (JACOB, KEARA, TOM, TRINITY) Keara and Trinity sit as there is a knock at the door. Slowly Keara opens the door to find Jacob and Tom. They push their way into the room.
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EXT. AMSTERDAM CITY - DOCKS - DAY (GUSTA, JACOB, KEARA, SHIPPING AGENT, TOM, TRINITY) There at anchor is the sailing ship Vlissingen, a Dutch merchant ship. Snow still covers part of the docks and deck of the ship.
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EXT. AMSTERDAM HARBOR - VLISSINGEN - EVENING The Vlissingen sets sail and now is clearing the harbor of Amsterdam, working its way towards the sea. EXT. DECK OF THE VLISSINGEN - LATER (JACOB, KEARA, TOM, TRINITY)
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INT. VLISSINGEN CARGO HOLD - NIGHT (GUSTA, KEARA) In a small corner of the cargo hold Keara enters with a lantern to light the way. She sets the lantern down and from her dress she pulls a small wood cross and places it on
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INT. VLISSINGEN CABIN TRINITY JACOB - DAY (KEARA, TRINITY) Subtitled: April 1, 1741 Trinity is on her knees and is nailing down a gold coin on the floor boards. Keara enters and looks at her.
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INT. VLISSINGEN CAPTAIN'S CABIN - NIGHT (GUSTA, JACOB, KEARA, TOM, TRINITY) The four are now seated once again for dinner with the Captain and officers. They are having a very nice meal. Keara is looking a little lost. She is not fully with the others in
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INT. VLISSINGEN CABIN TRINITY JACOB - NIGHT (JACOB, TRINITY) Trinity and Jacob are in bed. Jacob lays next to Trinity looking at the ceiling. Quiet. Trinity is listing to music on the iPhone.
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EXT. PORT OF LA PALMA - CANARY ISLANDS - MORNING The Vlissingen sails into the port of Santa Cruz. EXT. DECK OF THE VLISSINGEN - CONTINUOUS (GUSTA, TOM, TRINITY) Trinity, Jacob, Tom and Keara stand on the deck of the ship
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EXT. LA PALMA SANTA CRUZ - DAY (JACOB, KEARA, TOM, TRINITY) Trinity, Keara, Tom and Jacob walk the streets of Santa Cruz. The streets are filled with markets and small stalls selling all kinds of fruit and vegetables.
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EXT. INN SANTA CRUZ - LA PALMA - EVENING (KEARA) Trinity and Jacob stand on a balcony looking out at the port from a INN just across the street from the docks. Jacob puts his arms around Trinity and holds her.
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EXT. DECK OF THE VLISSINGEN - DAY (GUSTA, HUSBAND, JACOB, KEARA, OFFICER, TOM, TRINITY) Subtitled: May 6, 1741 The day is hot.... The sun is beating down on each of them right overhead. Not a cloud in the sky for as far as one
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INT. VLISSINGEN CABIN TRINITY JACOB - DAY (JACOB, TRINITY) Trinity is in her bed, sweat running off her body. She has the least amount of clothing on she can have. Jacob enters.
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EXT. DECK OF THE VLISSINGEN - DUSK (JACOB, TRINITY) The four stand looking to sea, thinking about the last 365 days of their lives. The sun is setting to the west. C/U: Each of their faces.....
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EXT. CHURCH MEXICO CITY COURTYARD - NIGHT Kim and Andy standing holding hands, after their wedding. Trinity, Keara and Tom look on... DISSOLVE TO: EXT. DECK OF THE VLISSINGEN - CONTINUOUS
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EXT. DECK OF THE VLISSINGEN - DAY (JACOB, KEARA, TRINITY) Subtitled: May 28, 1741 It's raining, the crew runs around setting out buckets to catch the rain water.
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INT. VLISSINGEN CAPTAIN'S CABIN - NIGHT (JACOB, TRINITY) The four with the Captain and officers eat. Trinity is having a hard time too sit in the chair. The group of people are all laughing and smiling. Wine is
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INT. VLISSINGEN MESS HALL - DAY (COOK, TRINITY) Trinity, Keara are working the the ships cook to bake a cake. The cook looks on as the two girls go at it. He tries to help the then puts up his hands. Trinity ask for some
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EXT. VLISSINGEN AT SEA - AFTERNOON Aerial: The Vlissingen passes below us, under full sail and heading toward the south. There are storm clouds building. INT. VLISSINGEN CAPTAIN'S CABIN - DAY

Crossing the Rubicon 201 and 202 part 5 of 7

Four time-traveling friends navigate the brutal realities of 18th-century Europe on a desperate quest for survival and a chance to return home.

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Overview

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Unique Selling Point

The unique selling proposition of this screenplay is its blend of historical accuracy and emotional depth. By seamlessly integrating the time-traveling conceit with the gritty realities of 18th century life, the screenwriter has created a story that is both intellectually engaging and deeply moving. The character arcs are well-developed, and the relationships between the protagonists are nuanced and authentic, making the audience invested in their journeys. Additionally, the attention to detail in the world-building, from the accurate historical references to the immersive settings, elevates the screenplay and sets it apart from more generic period pieces.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Gemini
 Consider
GPT4
 Recommend
Claude
 Recommend
Story Facts

Genres: Drama, Adventure, Historical Fiction, Romance, Historical, Historical Drama, Action, Thriller, Comedy

Setting: January 1741, Havana, Cuba and various locations in Europe including Amsterdam and La Palma

Themes: Overcoming Adversity and Resilience, Grief, Loss, and Healing, Love, Relationships, and Commitment, Moral and Ethical Dilemmas, The Search for Meaning and Purpose

Conflict & Stakes: The characters face emotional turmoil from loss, the dangers of their journey, and the struggle for survival amidst societal issues like slavery and personal relationships.

Mood: Somber yet hopeful, reflecting the characters' struggles and resilience.

Standout Features:

  • Unique Hook: The intertwining of personal loss with historical events, creating a rich emotional backdrop.
  • Plot Twist: The revelation of Andy's fate and its impact on the group, leading to a dramatic climax.
  • Distinctive Setting: The contrast between the vibrant life in Havana and the harsh realities faced during their journey.
  • Innovative Ideas: The use of modern technology (iPhone) in a historical context, creating a unique narrative device.
  • Genre Blend: Combines elements of romance, adventure, and historical drama.

Comparable Scripts: The Notebook, The Revenant, The Ghost and Mrs. Muir, The Count of Monte Cristo, The Handmaid's Tale, The Alchemist, The Last of the Mohicans, The Lovely Bones, The Road

Script Level Analysis

Writer Exec

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Overall Score: 7.45
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Goals and Philosophical Conflict
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Themes
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