Backgrounders
A group of aspiring actors navigate the hilarious and often absurd world of background work, while chasing their dreams of Hollywood stardom.
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Unique Selling Point
This script offers a unique blend of mafia drama, dark humor, and behind-the-scenes filmmaking chaos, all brought to life through sharp dialogue, authentic character interactions, and unexpected plot twists. The writer's voice excels in creating a dark and suspenseful mood, emphasizing themes of power, loyalty, and betrayal. The standout scene, which encapsulates the script's unique voice, is the mafia funeral hostage situation, where a young man takes the crowd hostage and accuses the newly-appointed mafia boss of murder. The scene masterfully combines tension, dark humor, and an unexpected plot twist, making it a captivating opening for the screenplay.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines' ratings to compare.
Hover over verdict cards for Executive Summaries
Consider
Consider
Story Facts
Genres: Drama, Comedy, Crime, Action, Mystery, Thriller
Setting: Present day, A mix of locations including a funeral home, a movie studio sound stage, and a rooftop parking deck
Themes: Revenge, Family, Deception, Professionalism, Humor
Conflict & Stakes: The primary conflict is between Tom's desire to experience movie magic and his responsibilities as a teacher, as well as the challenges he faces as a new extra in the film industry. The stakes are high for Tom as he risks his teaching career and reputation to pursue his dream.
Mood: Playful and collaborative, with a hint of tension and excitement for the future
Standout Features:
- Unique Hook: A middle-school teacher pursues his dream of experiencing movie magic and learning about filmmaking as an extra.
- Plot Twist: Tom's friendship with Alistair leads to unexpected consequences.
- Distinctive Setting: A mix of locations including a funeral home, a movie studio sound stage, and a rooftop parking deck.
- Innovative Ideas: Explores the challenges of the film industry in a relatable way.
Comparable Scripts: The Godfather (1972) , A Bronx Tale (1993), The Sopranos (1999-2007) , The Departed (2006), The Irishman (2019), The Long Goodbye (1973), Pulp Fiction (1994), The Big Sleep (1946), The Usual Suspects (1995), Casino (1995)
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- The screenplay has a very high 'originality_score' of 93.44, indicating a unique and inventive story.
- The 'engagement_score' is 74.59, suggesting a compelling narrative that keeps the reader interested.
- The 'character_changes' score is 3.45, indicating well-developed characters that evolve throughout the story.
- The 'formatting_score' is relatively low at 16.4, suggesting the need for improvement in screenplay format and structure.
- The 'plotrating' and 'conceptrating' scores are lower, indicating room for improvement in the story's concept and plot development.
- The 'pacing_score' is 54.09, suggesting the need to work on the story's pacing to maintain reader engagement.
The high 'dialoguerating' and 'charactersrating' scores suggest the writer's potential strength in character-driven stories with engaging dialogue.
Balancing Elements- The writer could focus on balancing the 'conceptrating' and 'plotrating' scores with the high 'originality_score' to create a more cohesive story.
- Improving the 'formatting_score' and 'structure_score' will help balance the strong character development and dialogue.
The high 'dialoguerating' and 'charactersrating' scores, along with lower 'conceptrating' and 'plotrating' scores, suggest an intuitive writing style.
Overall AssessmentThe screenplay shows promise with its unique story, engaging narrative, and well-developed characters. With improvement in plot development, formatting, and pacing, it has the potential to be a compelling and dynamic screenplay.
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Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Pass / Consider / Recommend Analysis
Gemini
Executive Summary
- The screenplay excels at creating a vibrant and humorous world within the setting of a film set. The interactions between background actors and crew members are witty, engaging, and offer a unique perspective on the filmmaking process. high ( Scene 1 Scene 13 Scene 18 )
- The character introductions are well-paced and memorable. Each character has a distinct voice and personality, making them instantly recognizable and intriguing. high ( Scene 4 Scene 9 Scene 14 )
- The dialogue is sharp, witty, and often laugh-out-loud funny. The script balances humor with moments of genuine emotion, creating a well-rounded and engaging experience. high ( Scene general )
- The twist ending with Alistair Rumplestinch's secret dietary habits and the video reveal adds a layer of surprise and amusement to the narrative. medium ( Scene 17 Scene 18 )
- The post-credit scene with the mysterious Asian woman leaves the audience with a sense of intrigue and potential for future storylines. medium ( Scene 19 )
- The overall plot of the pilot episode feels somewhat thin. While the character interactions are entertaining, a stronger central conflict or driving force for the series would enhance the narrative. high ( Scene general )
- The subplot with the breakfast burritos, while humorous, feels slightly repetitive and could be streamlined or integrated more effectively into the main story. medium ( Scene 12 Scene 14 Scene 15 )
- The motivations of some characters, such as Gloria and Penny, could be explored further to provide greater depth and understanding of their actions. medium ( Scene general )
- The pilot episode lacks a clear sense of the overarching series storyline and the main character's journey. Establishing a stronger sense of direction and purpose for the series would be beneficial. high ( Scene general )
- The romantic relationships hinted at, such as between Tom and his wife Sarah, could be explored further to add emotional depth and stakes to the narrative. medium ( Scene general )
- The use of the 'film within a film' device is clever and adds a layer of meta-humor to the story. high ( Scene 1 Scene 13 )
- The screenplay effectively captures the mundane and often chaotic reality of working as a background actor. high ( Scene 4 Scene 18 )
- Gloria Haynes emerges as a particularly intriguing and complex character with her own agenda and secrets. high ( Scene 14 Scene 15 Scene 18 )
Claude
Executive Summary
- The screenplay demonstrates a strong sense of humor and wit, with several comedic moments and quippy dialogue that help engage the reader. medium ( Scene general )
- The narrative structure, with its cold open leading into the reveal of the production setting, is an effective way to introduce the characters and establish the central conflict. medium ( Scene general )
- The diverse ensemble cast of characters, each with their own distinct personalities and arcs, adds depth and interest to the overall story. high ( Scene general )
- The pacing could be tightened in certain sections, particularly during the montage and some of the transitional moments, to maintain a stronger sense of momentum. medium ( Scene general )
- While the characters are well-developed, some of their motivations and relationships could be further explored and clarified to enhance the overall narrative. medium ( Scene general )
- The tone shifts between comedic and dramatic elements could be better balanced to create a more cohesive and tonally consistent screenplay. medium ( Scene general )
- The screenplay could benefit from a more defined central theme or message that ties the various storylines and character arcs together more cohesively. medium ( Scene general )
- Although the pilot establishes an intriguing premise, some key pieces of world-building or backstory information are missing that could help ground the audience in the setting and stakes of the story. medium ( Scene general )
- The unique blend of genres, including elements of comedy, drama, and action, creates an engaging and distinctive tone that sets this screenplay apart. high ( Scene general )
- The diverse and well-developed cast of characters, each with their own compelling storylines and arcs, provides a strong foundation for an ensemble-driven narrative. high ( Scene general )
- The behind-the-scenes setting of a film production provides a unique and intriguing backdrop for the story, allowing for meta-commentary on the industry and creative process. high ( Scene general )
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In a mafia funeral during the day, Don Vincenzo Cocotti becomes the new Capo di tutti capi and proposes a toast to his 'one true Family'. The funeral is interrupted by a young man named Elvis Worley, who takes the crowd hostage and accuses Don Vincenzo of murdering his grandfather. The scene is filled with tension, dark humor, and surprise, and ends with the revelation that the 'dead' gangster in the casket is actually alive. The main conflict between Don Vincenzo and Elvis is not fully resolved, but Don Vincenzo attempts to de-escalate the situation by offering Elvis a cigarette. The scene is visualized with a brunette teen singer performing Ave Maria, the casket of the 'deceased' gangster, and Elvis's suicide vest. The scene ends with Gerhardt Kluundt calling 'cut' and a title card for 'backgrounders'.
- In a tense and dismayed funeral home filming set, director Gerhardt Kluundt calls 'cut' after an accident involving a rubber prop. The actor 'Blue' Lou Boyle apologizes, and British Shakespearean thespian Alistair Rumplestinch, who is playing Don Vincenzo, explains it as an accident. The scene concludes with filming set to continue.
- The scene takes place on a studio sound stage where a film is being shot. The director, Gerhardt Kluundt, is frustrated with background noise and tries to reset the scene. The prop master gives the okay, and the assistant director, Jeffrey Lachman, relays commands to reset. Tension arises when gaffer Lawrence Malone approaches with a concern about an actor, Alistair Rumplestinch, who is feeling unwell. The scene ends with uncertainty about Rumplestinch's health.
- In this light-hearted scene, an middle-aged extra named Thomas Covington discovers that he arrived at the wrong time for a funeral scene filming. After a brief interaction with an elderly Asian woman extra, Thomas meets Benjamin Patel, who works in IT and does background work. Benjamin informs Thomas that the call time has been changed to 7:15 AM. The scene takes place on an empty rooftop parking deck in the early morning, and the visual elements include the vast parking space and Thomas wiping coffee off his suit. The conflict of Thomas's arrival at the wrong time is resolved by Benjamin's information, and the scene ends with them getting on the elevator and more cars parking.
- Thomas Covington and Benjamin Patel are in an elevator, discussing the rain and their opinions on the director Gerhardt Kluundt. Thomas is excited about the possibility of making cinematic history, while Benjamin is more skeptical and nonchalant. They also interact with each other by making small talk and discussing their opinions on the director. The setting is an interior of an elevator and it is raining outside. There is a minor conflict as Thomas and Benjamin have different opinions on the director. The tone of the scene is light-hearted and humorous, with a touch of sarcasm. The scene ends with Benjamin listening to K-pop with headphones and watching a raindrop trace its path down the glass.
- In a parking garage, Anastasia Glass becomes furious when she can't enter the elevator before the doors close. Meanwhile, at a studio sound stage, Jeff Lachman deals with his own annoyances as he tries to smoke and have his coffee, only to be thwarted by the rain. His cigarette is extinguished by a drop of rain from an awning, leaving him feeling defeated. Both characters face setbacks in their respective goals, creating a tone of frustration and annoyance in this scene.
- The group gathers on a movie studio sound stage, discussing the previous scene where an actor vomited. They learn that the production assistant, Kelley, has been dumped and the stand-in for the sick actor has been sent home. The main conflict is the absence of the lead actor and his stand-in, causing a debate on how to proceed. Gerhardt Kluundt expresses despair, while Kelley cries and leaves. Jeff takes charge, offering to find a solution. The scene ends with Jeff leaving to find the missing stand-in in Holding.
- As day breaks, Tom and Ben arrive at a warehouse studio, where rainwater has created a swampy area. While Ben seems relaxed and mentions they are 'home', Tom looks anxious and confused, leading to a small conflict between them. The scene ends with Tom's anxiety unresolved, creating a tense and uncertain atmosphere.
- Tom, a new extra, meets Helen and Wayne in the extras holding tent on a movie set. They warn him about Kelley, the assistant director known for her temper. The ground is wet and muddy due to the rain, and Tom struggles with a sinking chair. Helen encourages Tom to get another form and reminds him to eat before the chicken biscuits run out. The scene ends with Tom leaving to get food, after thanking Helen and Wayne for their advice.
- Nervous man, Jeffrey Lachman, meets with a middle-aged wardrobe department worker to choose mourning attire based on a photo. Despite no explicit conflicts, Jeff's anxious behavior and haste create a tense atmosphere as he rushes through the department after making his selection.
- Tom Covington, a new stand-in, gets his hair and makeup done and meets other stand-ins including Benjamin Patel, Matthew O'Leary, Rebecca Lynn Deering, Chadrick Rasmussen, and Anastasia Glass. They exchange light-hearted banter while preparing for their roles, with Tom being the focus of their attention due to his important stand-in role as the replacement Godfather. Second unit director Jeff Lachman gives them instructions to go to set, but Tom is left behind to continue preparing. The scene is friendly, cooperative, and anticipatory, with no significant conflicts.
- Tom assists Brianna when her dress gets stuck, only to find out she isn't wearing underwear, causing him discomfort. Deontae adds to his embarrassment by confirming it. The line running out of chicken biscuits forces Tom to take a burrito and orange drink, which he immediately regrets. This scene takes place in the Extras Holding in the morning, where Tom and Deontae share a friendly conversation, while Brianna's intimidating father figure, Brock, is mentioned.
- On a funeral home set, the crew prepares for filming as the Darrells adjust light panels, cameramen set up equipment, and a director of photography blocks out shots. Stand-ins and background actors take their positions. Deontae dances with Penelope, while Becky Lynn ignores him. Blue Lou Boyle approaches the platform. Wayne Scanlon naps in a casket. Matt shares a scandal about Alistair Rumplestinch, and Jeff approves Tom's performance as a stand-in. The scene is lively and energetic, with a mix of excitement, humor, and potential conflicts arising from the gossip.
- Tom, a new extra, is eating breakfast when Gloria Haynes, an experienced extra, arrives late with food and manila folders. They introduce themselves and Gloria shares her food with Tom, establishing a friendly rapport. Other extras, Wayne and Helen, make comments about their interactions. The scene takes place in the extras holding area in the morning and has a light-hearted and friendly tone.
- Jeff and the Director of Photography review a scene's raw feed while Kelley vents her phone frustration. Gerhardt Kluundt, the director, awaits input from Lawrence Malone and Michael Wurtz via earpieces. Tom confronts Gloria about a stolen script, which Penelope reveals she turned Alistair's stand-in over to the studio. Amidst these conflicts, Gloria and Penelope excitedly discuss upcoming opportunities, creating a tense yet exhilarating atmosphere.
- In this emotional funeral home scene, Kelley DeLorenzo, the heartbroken P.A., struggles to maintain silence as Helen Mitchell and Anastasia Glass try to comfort her with a spa day idea. Kelley's anger is revealed when she snaps at chatty extras, demanding silence. Gloria Haynes briefly appears, while Kelley's visual cues of watching cat videos and dabbing her eyes with a napkin add depth to her internal conflict. The scene ends on a tense note as Kelley angrily demands silence.
- Tom, a background actor and teacher, meets the famous British actor Alistair Rumplestinch on set. Starstruck, Tom offers Alistair his breakfast burrito, which the vegan actor happily accepts. Tom requests an autograph and a picture, but Alistair has to leave for wardrobe. Alistair promises to fulfill Tom's request later, leaving Tom excited for their next meeting.
- The group, including Doubting Thomas, Gloria, Ben, Penelope, and a mention of Alistair, exits a parking garage and discusses the plot of their movie. Gloria's character, a witness protection informant seeking revenge, and Penelope's character, who sacrifices herself to save Gloria's character, are discussed in detail. Tom reveals his new role as the Lady Godfather of Detroit. The scene has a playful and collaborative tone with a hint of tension and excitement for the future. It ends with Gloria showing Tom the studio's master call sheet and Tom finding a video of himself with Alistair, with a warning not to share it with TMZ.
- An unidentified Asian woman, carrying a wheeled overnight bag and a cooler, has a rendezvous with a white cargo van in a deserted parking garage. The van, bearing the vanity plate YKZA-1, drives away with the woman, leaving the garage empty once more. The scene is shrouded in a mysterious and suspenseful tone, with no dialogue or conflicts presented.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Alistair Rumplestinch | In the tv_pilot, Alistair Rumplestinch starts off as a respected Shakespearean actor who is struggling to find his place in the modern entertainment industry. As the pilot progresses, he is faced with challenges that force him to adapt his traditional acting style to fit the demands of contemporary audiences. Through a series of comedic and heartfelt moments, Alistair learns to embrace his eccentricities and find success in a new era of entertainment. | The character arc for Alistair Rumplestinch is engaging and allows for growth and development throughout the tv_pilot. However, there could be more clarity in defining the specific challenges he faces and how he overcomes them. Additionally, the arc could benefit from more depth in exploring Alistair's internal struggles and motivations. | To improve the character arc, consider adding more specific obstacles that Alistair must overcome in order to succeed in the modern entertainment industry. This could include conflicts with other characters, personal doubts about his abilities, or external pressures from the industry. Additionally, delve deeper into Alistair's backstory and motivations to provide a more nuanced portrayal of his character development. |
Kelley Delorenzo | Throughout the tv_pilot, Kelley starts off as a no-nonsense and bitter production assistant, but as the story progresses, she begins to open up and show her emotional side. She learns to cope with the chaos on set and finds a balance between being assertive and vulnerable. By the end of the pilot, Kelley has grown into a more well-rounded and empathetic character, able to handle the challenges of her job with grace and understanding. | The character arc for Kelley is well-developed and allows for growth and change throughout the pilot. However, it may be beneficial to provide more specific moments or scenes that showcase her transformation more clearly. Additionally, adding more depth to Kelley's backstory and motivations could further enhance her character arc and make her more relatable to the audience. | To improve the character arc for Kelley, consider incorporating flashbacks or dialogue that reveal more about her past experiences and why she is the way she is. This will help the audience understand her motivations and struggles on a deeper level. Additionally, focus on creating more nuanced interactions between Kelley and the other characters to show her growth and development more effectively. |
Thomas Covington | Throughout the tv_pilot, Thomas Covington starts off as a curious and enthusiastic middle-school teacher who is eager to experience movie magic and learn about filmmaking. As he delves deeper into the world of filmmaking, he begins to grow and evolve, gaining confidence and knowledge along the way. By the end of the pilot, Thomas has transformed into a more seasoned and confident filmmaker, ready to take on new challenges and make cinematic history. | The character arc for Thomas Covington is well-developed and shows growth and progression. However, to make it more engaging for a tv_pilot, it could benefit from more obstacles and conflicts that Thomas has to overcome. This would create more tension and drama, keeping the audience invested in his journey. | To improve the character arc for Thomas Covington in the tv_pilot, consider introducing more challenges and conflicts that he must face throughout the episode. This could include setbacks in his filmmaking endeavors, personal struggles, or conflicts with other characters. By adding more obstacles for Thomas to overcome, the character arc will become more dynamic and engaging for the audience. |
Benjamin Patel | Throughout the tv_pilot, Benjamin Patel starts off as a cynical and world-weary individual who is unimpressed by the film industry. However, as he interacts with Thomas and the other characters, he begins to open up and show a more humorous and laid-back side. By the end of the pilot, Benjamin learns to appreciate the industry in a new light and finds a balance between his skepticism and enthusiasm. | The character arc for Benjamin Patel is well-developed and allows for growth and change throughout the tv_pilot. However, it may benefit from more specific moments or interactions that highlight his transformation. Additionally, there could be more exploration of Benjamin's backstory or personal motivations to add depth to his character. | To improve the character arc for Benjamin Patel, consider adding scenes that delve into his past experiences in the film industry or moments that challenge his beliefs and perspective. This could help the audience better understand his cynicism and eventual growth. Additionally, incorporating more interactions with other characters that showcase different facets of Benjamin's personality could add complexity and depth to his character development. |
Jeffrey Lachman | Throughout the tv_pilot, Jeffrey Lachman starts off as a nervous and frantic assistant director, constantly trying to keep things under control. As the pilot progresses, he learns to channel his chaotic energy into problem-solving and taking charge in difficult situations. By the end of the pilot, Jeffrey has evolved into a confident and resourceful assistant director who remains calm in the face of challenges, using his dry sense of humor and practical approach to lead his team effectively. | The character arc for Jeffrey Lachman is well-developed and shows growth and progression throughout the tv_pilot. However, it would be beneficial to further explore his backstory and motivations to provide a deeper understanding of his character. Additionally, incorporating more personal stakes or conflicts for Jeffrey could add depth and complexity to his arc. | To improve the character arc for Jeffrey Lachman, consider adding flashback scenes or dialogue that reveal more about his past experiences in the film industry and how they have shaped his approach to his work. Introducing personal conflicts or relationships that challenge Jeffrey's leadership skills could also create more dynamic storytelling and character development. Overall, focusing on developing Jeffrey's character beyond his role as an assistant director will enhance the depth and complexity of his arc in the tv_pilot. |
Anastasia Glass | Anastasia Glass starts off as a determined and slightly hot-headed woman who is passionate about her work. Throughout the tv_pilot, she learns to channel her emotions in a more constructive way and becomes more empathetic and optimistic. By the end of the pilot, Anastasia has grown into a more balanced individual who still maintains her fiery nature but uses it to uplift others. | The character arc for Anastasia Glass is well-developed and shows growth and change throughout the tv_pilot. However, it could benefit from more specific challenges or obstacles that Anastasia faces to further highlight her growth. Additionally, her interactions with other characters could be more dynamic to showcase different facets of her personality. | To improve the character arc for Anastasia Glass, consider introducing specific challenges or conflicts that force her to confront her impulsive nature and learn to channel her emotions in a more constructive way. Additionally, explore deeper connections with other characters to bring out different aspects of her personality and show her growth more effectively. |
Tom Covington | In the pilot, Tom starts off as a star-struck and genuine middle-school teacher who is excited to experience movie magic. As he becomes more involved in the film set, he begins to learn the realities of the industry and faces challenges that test his naivety. By the end of the pilot, Tom has grown more confident and knowledgeable about filmmaking, while still maintaining his kind-hearted nature and enthusiasm for the craft. | The character arc for Tom is well-developed and allows for growth and change throughout the pilot. However, there could be more specific challenges or conflicts that Tom faces to further enhance his character development. Additionally, it would be beneficial to explore deeper emotional layers within Tom to make him more relatable and engaging to the audience. | To improve the character arc for Tom, consider introducing personal stakes or obstacles that directly impact him and force him to confront his beliefs and values. This could involve relationships with other characters, internal struggles, or moral dilemmas that push Tom out of his comfort zone. Additionally, adding more depth to Tom's backstory and motivations can help the audience connect with him on a deeper level and invest in his journey throughout the series. |
Gloria Haynes | In the tv_pilot, Gloria starts off as a friendly and welcoming extra who offers to share her food with Tom. As the story progresses, her manipulative and scheming side is revealed as she becomes involved in a stolen script subplot. Gloria's arc culminates in her using her knowledge and resourcefulness to gain power and control over the production, setting the stage for future conflicts and developments. | The character arc for Gloria Haynes is intriguing and sets up potential conflicts and storylines for future episodes. However, it may benefit from more gradual development and foreshadowing of Gloria's manipulative side earlier in the pilot. This would create a more seamless transition from her warm and welcoming persona to her scheming and confident behavior. | To improve the character arc for Gloria Haynes, consider adding subtle hints or foreshadowing of her manipulative nature earlier in the pilot. This could be done through small interactions or dialogue that hint at her true intentions. Additionally, exploring Gloria's motivations and backstory further could add depth to her character and make her actions more understandable to the audience. |
Theme | Theme Details | Theme Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Revenge (35%) | Elvis Worley seeks revenge for his grandfather's murder, Don Vincenzo Cocotti becomes the new Capo di tutti capi after the previous capo's death, and Gloria's character is a witness protection informant seeking revenge. | The theme of revenge is strongly represented in the screenplay through various characters' motivations and actions. It explores the consequences of seeking revenge and the impact it has on their lives and those around them. | ||||||||||||
Strengthening Revenge:
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Family (25%) | Don Vincenzo Cocotti proposes a toast to his 'one true Family' at the mafia funeral, and Elvis Worley accuses Don Vincenzo of murdering his grandfather. Additionally, Tom takes over as the new Lady Godfather of Detroit. | The theme of family is present in the screenplay as it explores the concept of loyalty, betrayal, and power dynamics within families, both biological and criminal. It highlights the importance of family ties and the lengths people will go to protect them. | ||||||||||||
Deception (20%) | Elvis Worley holds the funeral attendees hostage and accuses Don Vincenzo of murder, while the 'dead' gangster in the casket is actually alive. Penelope turns Alistair's stand-in to the studio, and Tom confronts Gloria about a stolen script. | The theme of deception is woven throughout the screenplay as characters manipulate and deceive one another for personal gain or survival. It highlights the complex nature of trust and the consequences of dishonesty. | ||||||||||||
Professionalism (15%) | The film crew faces various challenges, such as background noise, accidents, and a missing stand-in, while trying to maintain control and complete the filming. Tom is excited about the possibility of making cinematic history. | The theme of professionalism is present in the screenplay as it showcases the dedication and hard work required to bring a film to life. It highlights the importance of teamwork, communication, and adaptability in the face of challenges. | ||||||||||||
Humor (5%) | There are moments of dark humor and surprise throughout the screenplay, such as Gerhardt Kluundt calling 'cut' during the accident, Alistair's apology for the mishap, and the tension between Benjamin and Thomas Covington. | The theme of humor is lightly present in the screenplay, providing moments of relief and contrast to the more serious themes. It showcases the human side of the characters and adds depth to their personalities. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goal is to maintain control and professionalism in various challenging situations. |
External Goals | The protagonist's external goal is to successfully complete filming scenes, navigate challenges on set, and interact with other characters. |
Philosophical Conflict | The overarching philosophical conflict is between appearances and reality, as well as the clash between artistic integrity and practicality. |
Character Development Contribution: The goals and conflicts challenge the protagonist's beliefs, pushing them to adapt, grow, and confront personal and professional challenges.
Narrative Structure Contribution: The goals and conflicts create tension, drive the plot forward, and provide opportunities for character development and interpersonal dynamics.
Thematic Depth Contribution: The exploration of control, professionalism, resilience, authenticity, and artistic integrity enriches the thematic depth of the screenplay, highlighting the complexity of human emotions and relationships within the film industry.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
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Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - New Mafia Boss Takes the Throne, Young Avenger Seeks Revenge Improve | Somber, Tense, Humorous | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | |
2 - Accident on Set: A Mishap with a Rubber Prop Improve | Humorous, Apologetic, Dramatic | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
3 - Behind the Scenes: Chaos on the Studio Sound Stage Improve | Irritated, Frantic, Apologetic | 7 | 8 | 6 | 9 | 7 | 5 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 5 | 6 | 9 | 9 | 8 | 8 | |
4 - Movie Magic Mix-Up on the Parking Deck Improve | Light-hearted, Informative, Friendly | 8 | 7 | 7 | 9 | 8 | 4 | 8 | 7 | 3 | 7 | 2 | 6 | 7 | 5 | 9 | 9 | 8 | 8 | 8 | |
5 - Rainy Elevator Ride and Different Opinions Improve | Sarcastic, Reflective, Light-hearted | 8 | 8 | 7 | 9 | 9 | 4 | 8 | 7 | 4 | 7 | 3 | 5 | 7 | 5 | 9 | 9 | 8 | 8 | 8 | |
6 - Frustrations Amid Rain Improve | Frustration, Disappointment, Mundane | 7 | 8 | 6 | 8 | 7 | 3 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 4 | 6 | 8 | 8 | 9 | 9 | |
7 - Chaos on Set: The Search for a Solution Improve | Humorous, Frustrated, Desperate | 8 | 8 | 7 | 9 | 8 | 4 | 8 | 7 | 6 | 8 | 4 | 7 | 8 | 5 | 7 | 9 | 9 | 7 | 8 | |
8 - Anxiety and Confusion at the Swampy Warehouse Studio Improve | Anxious, Skeptical, Excited, Nonchalant, Frustrated, Furious | 7 | 7 | 6 | 9 | 8 | 4 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 5 | 6 | 9 | 9 | 8 | 8 | |
9 - New Extra Meets Veterans on a Muddy Movie Set Improve | Humorous, Light-hearted, Sarcastic | 8 | 7 | 7 | 9 | 9 | 4 | 8 | 7 | 3 | 6 | 2 | 5 | 7 | 5 | 8 | 9 | 8 | 8 | 8 | |
10 - Jeff's Anxious Wardrobe Selection Improve | Frantic, Quirky, Humorous | 8 | 7 | 7 | 9 | 8 | 5 | 8 | 7 | 5 | 8 | 4 | 6 | 7 | 6 | 8 | 9 | 9 | 8 | 8 | |
11 - New Stand-In Tom Covington Prepares for His Role as the Replacement Godfather Improve | Sarcastic, Light-hearted, Nervous, Encouraging | 8 | 7 | 6 | 8 | 9 | 4 | 8 | 7 | 4 | 7 | 3 | 5 | 7 | 6 | 9 | 9 | 8 | 8 | 9 | |
12 - Unpleasant Surprises: The Chicken Biscuit Dilemma Improve | Humorous, Light-hearted, Sarcastic | 8 | 8 | 7 | 9 | 9 | 3 | 8 | 7 | 4 | 7 | 2 | 5 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
13 - Preparations and Gossip on the Funeral Home Set Improve | Humorous, Sarcastic, Light-hearted | 8 | 8 | 7 | 9 | 8 | 3 | 8 | 7 | 5 | 7 | 3 | 7 | 7 | 4 | 9 | 9 | 9 | 8 | 8 | |
14 - New Extra Meets Seasoned Veteran and Shares Breakfast Improve | Amusing, Friendly, Welcoming | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 3 | 5 | 2 | 5 | 6 | 6 | 8 | 9 | 8 | 8 | 8 | |
15 - Confrontations and Excitement at the Funeral Home Set Improve | Sarcastic, Humorous, Dramatic | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 9 | 9 | 8 | 8 | |
16 - Kelley's Struggle: A Tense Funeral Home Scene Improve | Dejected, Sympathetic, Light-hearted | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 6 | 5 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
17 - A Morning Encounter with a Vegan Actor Improve | Humorous, Whimsical, Light-hearted | 8 | 7 | 7 | 8 | 9 | 4 | 8 | 7 | 3 | 6 | 2 | 6 | 7 | 6 | 8 | 9 | 8 | 9 | 9 | |
18 - Resolving Character Conflicts and Revealing Future Roles in a Parking Garage Improve | Humorous, Exciting, Dramatic | 8 | 8 | 8 | 9 | 9 | 6 | 8 | 7 | 7 | 6 | 7 | 8 | 7 | 7 | 8 | 9 | 9 | 8 | 8 | |
19 - Mysterious Encounter in the Parking Garage Improve | Mysterious, Suspenseful, Intriguing | 8 | 8 | 7 | 9 | 6 | 3 | 8 | 7 | 4 | 7 | 5 | 6 | 8 | 6 | 5 | 9 | 8 | 8 | 8 |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Effective blend of drama and comedy
- Authentic character reactions
- Engaging dialogue
- Witty dialogue
- Humorous dialogue
Scene Weaknesses
- Minimal conflict
- Low emotional impact
- Lack of significant plot advancement
- Limited character development
- Some confusion in character relationships
Suggestions
- While maintaining the authentic reactions, incorporate a stronger conflict to raise the stakes and increase emotional impact
- Consider adding additional scenes that focus on character development
- Spend more time building the relationships between characters to avoid confusion
- Continue to focus on witty and humorous dialogue, but make sure it aligns with the overall tone and mood of the story
- Use visual storytelling elements to enhance plot advancement and emotional impact
Scene 1 - New Mafia Boss Takes the Throne, Young Avenger Seeks Revenge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Accident on Set: A Mishap with a Rubber Prop
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Behind the Scenes: Chaos on the Studio Sound Stage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Movie Magic Mix-Up on the Parking Deck
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Rainy Elevator Ride and Different Opinions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Frustrations Amid Rain
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Chaos on Set: The Search for a Solution
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Anxiety and Confusion at the Swampy Warehouse Studio
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - New Extra Meets Veterans on a Muddy Movie Set
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Jeff's Anxious Wardrobe Selection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - New Stand-In Tom Covington Prepares for His Role as the Replacement Godfather
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Unpleasant Surprises: The Chicken Biscuit Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Preparations and Gossip on the Funeral Home Set
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - New Extra Meets Seasoned Veteran and Shares Breakfast
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Confrontations and Excitement at the Funeral Home Set
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Kelley's Struggle: A Tense Funeral Home Scene
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - A Morning Encounter with a Vegan Actor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Resolving Character Conflicts and Revealing Future Roles in a Parking Garage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Mysterious Encounter in the Parking Garage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The screenplay takes place in various settings, including a mafia funeral home, a film studio, a parking garage, and an extras holding area. These settings range from mundane to chaotic, with a mix of indoor and outdoor environments. The physical characteristics of these settings contribute to the overall atmosphere of the scenes, creating a sense of tension, urgency, or relaxation depending on the context.
- Culture: The cultural elements in the screenplay revolve around the film industry, mafia traditions, and Southern hospitality. The societal structure is hierarchical, with clear leaders and followers in both the mafia and film sets. The cultural elements shape the characters' experiences and actions, as they navigate the complex dynamics of their respective worlds.
- Society: The societal structure is depicted as hierarchical, with power dynamics at play in both the mafia and film sets. The characters interact with each other based on their positions in the hierarchy, and their actions are influenced by their desire to maintain or improve their status.
- Technology: The technological elements in the screenplay are primarily related to filmmaking, such as cameras, lighting equipment, and recording devices. However, there are also mentions of modern technology like smartphones and text messages. The technological aspects contribute to the atmosphere of the scenes, particularly in the film studio settings.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a sense of urgency, tension, or familiarity. The characters must navigate these elements to achieve their goals, whether it's filming a scene, taking hostages, or seeking revenge.
- Narrative contribution: The world elements contribute to the narrative by creating a sense of place and atmosphere. The mafia funeral home, film studio, and parking garage settings all have distinct feels that add to the tension, excitement, or mundanity of the scenes. The cultural and societal elements also contribute to the narrative by shaping the characters' motivations and actions.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by highlighting themes of power, hierarchy, and ambition. The mafia and film sets both have clear leaders and followers, and the characters must navigate these power dynamics to achieve their goals. Additionally, the themes of artistic ambition and high stakes are emphasized through the film industry setting and the characters' discussions of their careers.
Voice Analysis | |
---|---|
Summary: | The writer's voice is characterized by sharp dialogue, tension-building descriptions, and unexpected twists. |
Voice Contribution | The writer's voice contributes to the script by creating a dark and suspenseful mood, emphasizing the themes of power, loyalty, and betrayal. |
Best Representation Scene | 1 - New Mafia Boss Takes the Throne, Young Avenger Seeks Revenge |
Best Scene Explanation | This scene is the best representation of the writer's voice because it effectively combines sharp dialogue, tension-building descriptions, and an unexpected plot twist to create a compelling opening for the screenplay. |
Style and Similarities
The screenplay showcases a blend of sharp dialogue, witty banter, and unique character interactions, creating engaging and dynamic scenes. The writing is characterized by its fast-paced storytelling, humor, and effective combination of drama and tension.
Style Similarities:
Writer | Explanation |
---|---|
Aaron Sorkin | His influence is evident throughout the screenplay, with a strong focus on character-driven interactions, sharp dialogue, and quick pacing. |
Quentin Tarantino | His style is also prominent, with unique character dynamics, quirky humor, and a distinctive voice that adds originality and unexpected twists to the story. |
Other Similarities: While Sorkin and Tarantino are the most dominant screenwriters in this piece, there are also traces of other notable writers such as Nora Ephron, David Fincher, and Raymond Chandler. These influences contribute to the richness and depth of the story, making it a compelling and engaging screenplay.
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
Humorous tone correlates with higher scene grades | Scenes with a humorous tone have a higher overall grade, suggesting that humor may be a successful element in this screenplay. |
Scenes with higher emotional impact also have higher scene grades | There is a positive correlation between emotional impact and scene grade, indicating that emotionally charged scenes contribute to the overall quality of the screenplay. |
Scenes with character changes have higher scene grades | Scenes where characters undergo changes have higher grades, suggesting that character development is an important aspect of this screenplay. |
Scenes with high stakes have lower scene grades | Despite the general trend of higher scene grades correlating with higher stakes, there are some exceptions. It may be worth revisiting scenes with high stakes but lower grades to ensure they are as engaging as possible. |
Dialogue quality does not significantly impact scene grades | There is no clear correlation between dialogue quality and scene grade, indicating that dialogue may not be a major factor in the success of this screenplay. |
Writer's Craft Overall Analysis
The screenplay showcases the writer's talent for creating engaging and dynamic storytelling, with a unique voice and strong character dynamics. The scenes effectively balance humor, drama, tension, and witty dialogue, creating a vivid world that draws the audience in. However, there is room for improvement in character depth, narrative structure, and scene pacing.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Book | Save the Cat! by Blake Snyder | This book provides valuable insights into crafting compelling characters, story arcs, and screenplay structure, which will help the writer enhance character depth and narrative structure. |
Exercise | Character MonologuesPractice In SceneProv | Writing monologues for each main character will help the writer explore the inner thoughts and motivations of their characters, adding depth and complexity to their storytelling. |
Exercise | Scene Pacing DrillsPractice In SceneProv | Practice writing scenes with varying paces, focusing on quickening the pace during high-stakes moments and slowing it down for emotional beats, to enhance the overall impact of the story. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
The Chosen One | A young man named Elvis Worley is chosen to take a stand against the new Capo di tutti capi, Don Vincenzo Cocotti. | The Chosen One is a trope where a character is selected, often by prophecy or destiny, to accomplish a crucial task that only they can do. This trope is common in fantasy and hero's journey narratives. An example of this trope is in Star Wars, where Luke Skywalker is chosen to be a Jedi and defeat the Empire. |
Mistaken Identity | Tom Covington, a middle-school teacher, is mistaken for Don Vincenzo, the new Capo di tutti capi, and is asked to stand in as a stand-in for the movie scene. | Mistaken Identity is a trope where a character is mistaken for someone else, often leading to comedic or dramatic consequences. An example of this trope is in The Princess Bride, where Wesley is mistaken for the Dread Pirate Roberts. |
The Impostor | Alistair Rumplestinch, a British Shakespearean thespian, is impersonating Don Vincenzo Cocotti, the new Capo di tutti capi, in a movie scene. | The Impostor is a trope where a character pretends to be someone else, often to gain power or advantage. An example of this trope is in The Talented Mr. Ripley, where Tom Ripley impersonates Dickie Greenleaf to win over his friends and family. |
The Mentor | Helen, an 80+ year old woman dressed as an Italian widow, mentors Tom Covington, a new extra, and encourages him to get food before the chicken biscuits run out. | The Mentor is a trope where a character with more experience and knowledge guides and advises a less experienced character. An example of this trope is in Star Wars, where Obi-Wan Kenobi mentors Luke Skywalker. |
The Hero's Journey | Tom Covington, a new extra, goes on a journey from being a newcomer to becoming the new Lady Godfather of Detroit in a movie scene. | The Hero's Journey is a narrative structure where a character goes on a journey, faces challenges and obstacles, and ultimately transforms into a hero. An example of this trope is in The Lord of the Rings, where Frodo Baggins goes on a journey to destroy the One Ring. |
The Misfit | Tom Covington, a middle-school teacher, is a misfit in the world of movie making and struggles to fit in. | The Misfit is a trope where a character does not fit in with their surroundings or society. An example of this trope is in The Breakfast Club, where five high school students from different cliques come together and discover their shared struggles. |
The Prophecy | Elvis Worley receives a prophecy that he will take a stand against the new Capo di tutti capi, Don Vincenzo Cocotti. | The Prophecy is a trope where a character receives a prediction or forecast of future events. An example of this trope is in The Matrix, where Neo is prophesied to be the One who will defeat the machines. |
The Trickster | Kelley, the heartbroken P.A., struggles to maintain silence during a funeral home scene and snaps at the chatty extras, demanding silence. | The Trickster is a trope where a character uses wit, humor, or deception to achieve their goals. An example of this trope is in Loki, where the titular character uses trickery and deceit to manipulate others. |
The Shadow | Don Vincenzo Cocotti, the new Capo di tutti capi, is a shadowy figure who hides behind a facade of respectability and power. | The Shadow is a trope where a character hides their true nature or intentions behind a mask or facade. An example of this trope is in Batman, where the titular character hides his true identity behind a bat mask. |
The Quest | Tom Covington, a new extra, goes on a quest to become the new Lady Godfather of Detroit in a movie scene. | The Quest is a narrative structure where a character goes on a journey to achieve a specific goal. An example of this trope is in Indiana Jones, where the titular character goes on a quest to find the Lost Ark. |
Memorable lines in the script:
Some Loglines to consider:
A group of aspiring actors navigate the hilarious and often absurd world of background work, while chasing their dreams of Hollywood stardom. |
When a middle-school teacher moonlights as a background actor, he discovers the surprising secrets and hidden talents of his fellow extras. |
A veteran background actor takes a newbie under her wing, revealing the tricks of the trade and the unexpected adventures that come with life on set. |
When a veteran actor's food poisoning forces a middle-school teacher to step in as the lead in a high-profile film, he must navigate the egos, ambitions, and schemes of the eccentric cast and crew to pull off the performance of a lifetime. |
On the set of a mafia-themed film, a diverse group of background actors find themselves drawn into a deadly power struggle between a grieving mob boss and a vengeful outsider, testing their loyalties and putting their lives at risk. |
A struggling teacher with aspirations of becoming a screenwriter gets his big break when he's recruited to fill in as the lead actor in a film production, but he must balance his newfound fame with the demands of his day job and his family life. |
In the chaotic world of a film set, a group of background actors band together to take down a corrupt and abusive production assistant, uncovering a web of secrets and scandals that threaten to derail the entire production. |
When a vegan method actor's food poisoning leads to a top-secret replacement, a motley crew of background performers must work together to keep the leading man's identity a secret and ensure the film's completion, all while navigating their own personal dramas. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
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