Amadeus
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: The, list, of, genres, for, the, movie, based, on, given, all, scenes, is:, Drama, Historical, Biography, Comedy, Fiction, Romance, Period, Biopic, Music, Musical, Biographical
Setting: Present day, Small town in the Midwest
Overview: The screenplay demonstrates strong character development, emotional depth, and thematic exploration. However, there are opportunities to enhance originality, pacing, and emotional impact for a more compelling narrative.
Themes: Jealousy, Mediocrity vs. Genius, Betrayal, Regret, Music
Conflict and Stakes: John's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake
Overall Mood: Tense and suspenseful
Mood/Tone at Key Scenes:
- Scene 5: Intense courtroom scene with high stakes and emotional confrontations
- Scene 9: Twist reveal scene that changes the audience's perception of the story
Standout Features:
- Plot Twist: Unexpected revelation in the third act that changes everything
- Unique Setting : Small town atmosphere adds a sense of claustrophobia and tension
- Compelling Characters : Complex and morally ambiguous characters drive the narrative
Comparable Scripts:
Market Analysis
Budget Estimate:$15-20 million
Target Audience Demographics: Adults aged 25-54, fans of legal dramas and suspenseful thrillers
Marketability: Strong central conflict and relatable characters, potential for critical acclaim
Engaging storyline with twists and turns, emotional depth in character relationships
Solid genre appeal, potential for strong performances from lead actors
Profit Potential: Moderate, with potential for solid box office performance and streaming platform interest
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Summary:The writer's voice throughout the screenplay is characterized by a combination of wit, drama, and introspection. The dialogue is often humorous and irreverent, while the narrative and scene directions provide vivid descriptions and create a sense of atmosphere and tension. The writer's voice contributes to the overall mood, themes, and depth of the screenplay by capturing the complexities of the characters' emotions and their relationships with each other. The dialogue and narrative descriptions serve to reflect the characters' inner turmoil, their struggles with jealousy, and their pursuit of recognition and artistic success.
Best representation: Scene 14 - The Emperor's Decision. Scene 14 is the best representation of the author's voice as it showcases the writer's ability to blend vivid descriptions with the emotional depth of the characters. The scene captures the contrasting emotions of Salieri's desperation and Mozart's optimism, highlighting the writer's ability to create tension and evoke strong emotions in the audience. The use of music to heighten the emotions of the scene further showcases the writer's unique voice and adds to the overall depth and impact of the screenplay.
Memorable Lines:
- Old Salieri: Forgive your assassin, Mozart! Forgive me! Forgive! Forgive! (Scene 1)
- Salieri: I confess, I killed you...you, Mozart. (Scene 8)
- Mozart: They hate my music. It terrifies them. (Scene 15)
- Old Salieri: His coffin, Mozart's little coffin in the middle. And suddenly in that silence, music. (Scene 41)
- Old Salieri: From now on no one will be able to speak of Mozart without thinking of me. (Scene 53)
Story Shape
Emotions Elicited
Recommend
Executive Summary
The screenplay 'Amadeus' is a richly layered and thematically complex exploration of the lives of composers Antonio Salieri and Wolfgang Amadeus Mozart. The story is told through the lens of the aging Salieri, who recounts his lifelong obsession with and rivalry with the brilliant but often troubled Mozart. The screenplay features strong character development, particularly in the case of Salieri, and a compelling exploration of the themes of talent, artistic genius, and the nature of divine favor. While the pacing could be tightened in certain areas, the overall narrative is engaging and the musical elements, such as the performance of 'The Marriage of Figaro' and the composition of the Requiem Mass, are immersive and captivating. The screenplay is recommended for its depth of storytelling and potential to resonate with audiences interested in classical music and the lives of renowned composers.
- The opening sequence establishes a compelling sense of mystery and intrigue, drawing the audience in with the distressed cries of Old Salieri and the curious reaction of the servants and passersby. high ( Scene 1 (INT. STAIRCASE OUTSIDE OLD SALIERI'S SALON - NIGHT - 1823) Scene 2 (EXT. STREET OUTSIDE SALIERI'S HOUSE - VIENNA - NIGHT) )
- The dialogue between Salieri and the priest Vogler is rich with thematic depth, exploring the complex questions of God, talent, and the nature of artistic genius. high ( Scene 4 (INT. OLD SALIERI'S HOSPITAL ROOM - LATE AFTERNOON - 1823) )
- The performance of Mozart's 'The Marriage of Figaro' is a highlight, showcasing the composer's musical brilliance and the clash between his innovative approach and the more conventional expectations of the Viennese establishment. high ( Scene 11 (INT. OPERA HOUSE STAGE - VIENNA - NIGHT - 1780'S) )
- The scenes depicting Mozart's deteriorating mental and physical health, and Salieri's increasingly sinister involvement, are powerful and emotionally compelling. high ( Scene 36 (INT. MOZART'S APARTMENT - LIVING ROOM - NIGHT - 1780'S) Scene 41 (INT. MOZART'S APARTMENT - LIVING ROOM - NIGHT - 1790'S) )
- The collaboration between Mozart and Salieri in composing the Requiem Mass is a highlight, showcasing their musical genius and the complex dynamic between the two men. high ( Scene 50 (INT. MOZART'S APARTMENT - BEDROOM - NIGHT - 1790'S) )
- The scene with the Emperor and the court officials discussing Mozart's 'The Marriage of Figaro' feels a bit expository and could be tightened to maintain the narrative momentum. medium ( Scene 10 (INT. PALACE GRAND SALON - DAY - 1780'S) )
- The scene with Mozart teaching the Schlumberg family could be streamlined to focus more on the central conflict and character development. medium ( Scene 22 (INT. MOZART'S WORKROOM - DAY - 1780'S) )
- The parody scene in Schikaneder's theatre, while entertaining, may detract from the overall dramatic tension and could be shortened or adjusted to better serve the narrative. medium ( Scene 39 (INT. SCHIKANEDER'S SUMMER HOUSE - NIGHT - 1790'S) )
- The screenplay could benefit from more backstory and context around the relationship between Salieri and Mozart, as well as the specific events that led to the former's apparent guilt and distress in the opening scenes. medium ( Scene 1 (INT. STAIRCASE OUTSIDE OLD SALIERI'S SALON - NIGHT - 1823) Scene 2 (EXT. STREET OUTSIDE SALIERI'S HOUSE - VIENNA - NIGHT) )
- While the dialogue between Salieri and Vogler is strong, the screenplay could provide more insight into Salieri's personal motivations and the deeper psychological factors driving his conflict with Mozart. medium ( Scene 4 (INT. OLD SALIERI'S HOSPITAL ROOM - LATE AFTERNOON - 1823) )
- The screenplay could explore the emotional impact and aftermath of Mozart's death in more depth, rather than cutting away immediately after the reveal. medium ( Scene 52 (INT. MOZART'S APARTMENT - BEDROOM - DAWN - 1790'S) )
- The exploration of the themes of talent, artistic genius, and divine favor versus human mediocrity is a notable strength of the screenplay, adding depth and complexity to the central conflict. high ( Scene 4 (INT. OLD SALIERI'S HOSPITAL ROOM - LATE AFTERNOON - 1823) )
- The staging and depiction of the performance of 'The Marriage of Figaro' is a visually and musically striking element, immersing the audience in the world of 18th-century Viennese opera. high ( Scene 11 (INT. OPERA HOUSE STAGE - VIENNA - NIGHT - 1780'S) )
- The collaborative composition of the Requiem Mass between Mozart and Salieri is a compelling and emotionally charged narrative device, highlighting the complex dynamics between the two men. high ( Scene 50 (INT. MOZART'S APARTMENT - BEDROOM - NIGHT - 1790'S) )
Screenplay Insights:
Premise: 7.25, The screenplay's premise is compelling and intriguing, setting up a narrative that explores the themes of envy, obsession, and the nature of genius. The story's potential to engage the audience is evident, but there are specific areas where refinement and enhancement could significantly strengthen the overall impact. See More
Structure: 7.75, **Executive Summary:** The screenplay effectively utilizes a non-linear narrative structure and multiple perspectives to tell a complex and captivating story, although some sections could be refined to enhance the emotional core and dramatic tension. See More
Theme: 8.25, The screenplay effectively conveys its themes and messages through a well-crafted narrative that explores the complexities of human nature and the pursuit of artistic excellence. While the exploration of themes is impactful and thought-provoking, there are areas where the clarity and integration with the plot could be refined to enhance the screenplay's overall thematic depth. See More
Visual Impact: 8.25, The screenplay offers captivating visual descriptions that immerse readers in the characters' journeys and the emotional intensity of the narrative. It effectively employs symbolism and motifs to enhance the screenplay's depth, and its vivid descriptions leave a lasting impact on the reader's imagination. See More
Emotional Impact: 7.75, The screenplay presents a captivating exploration of jealousy, guilt, and the pursuit of artistic excellence, offering several opportunities to elicit profound emotional responses. The richness of the characters and the depth of their struggles create a solid foundation for emotional connection. However, certain aspects could be refined to enhance the emotional impact and create a more resonant and memorable experience for the audience. See More
Conflict: 7.5, The screenplay presents a strong foundation for conflict and stakes, primarily through the simmering rivalry between Salieri and Mozart, leading to a compelling narrative. However, there are opportunities to enhance the clarity and escalation of the conflict, as well as the significance and resolution of the stakes. See More
Originality: 7.5, The screenplay presents a creative exploration of the rivalry between Mozart and Salieri, delving into themes of envy, genius, and the nature of art. While it adheres to the historical context, the film takes creative liberties to provide a unique perspective on the characters and their motivations. Although some elements may draw inspiration from other works, the screenplay maintains originality through its introspective portrayal of Salieri's inner turmoil and his complex relationship with Mozart. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Old Salieri begs for forgiveness from Mozart for killing him, while his valet and cook try to bring him sweets. The situation escalates to Old Salieri committing suicide with a razor, being found by his servants, and a masquerade ball continuing on elsewhere in Vienna.
- Old Salieri attempts suicide but fails and ends up in the hospital where he is visited by Father Vogler. Salieri reflects on his life and plays his music for Vogler.
- Salieri plays his music for Father Vogler and reflects on his life and his envy of Mozart, confessing that he did not actually write Eine Kleine Nachtmusik. He recounts his childhood and how he prayed to be a great composer, but his father did not approve. He recounts a miracle where his father choked on a fish bone and died, allowing Salieri to pursue music.
- Salieri reflects on his life and his envy of Mozart, confessing that he did not actually write Eine Kleine Nachtmusik. He recounts his childhood and how he prayed to be a great composer, but his father did not approve. He recounts a miracle where his father choked on a fish bone and died, allowing Salieri to pursue music.
- Salieri reflects on his past while playing music for Father Vogler.
- Salieri reflects on his life and his envy of Mozart while listening to Mozart's music. He recounts his childhood and his pursuit of music after his father's death. He confesses that he did not actually write Eine Kleine Nachtmusik.
- Salieri reflects on his life and his envy of Mozart while playing music for Father Vogler.
- Salieri reflects on his past and confesses his jealousy of Mozart. He plays music for Father Vogler while recounting his childhood and his pursuit of music. Meanwhile, the Emperor is anticipating Mozart's arrival and requesting a march from Salieri.
- Mozart meets with Emperor Joseph and his court to discuss a commission for a new opera. Mozart impresses the court by playing a march, which he rearranges into a new theme.
- Salieri gives a singing lesson to Katherina Cavalieri while discussing Mozart's new opera commission and warning her against accepting a role in it.
- Salieri reflects on his past and his jealousy of Mozart while Cavalieri performs onstage. Mozart impresses the court with his music and is praised by the Emperor. Madame Weber and her daughters try to make their way backstage.
- Mozart impresses the court and receives criticism from the Emperor while Salieri warns Katherina against accepting a role in Mozart's new opera.
- Mozart helps revive Madame Weber after the performance while the Opera house is in backstage turmoil. Meanwhile, Salieri gives Katherina Cavalieri a singing lesson and warns her against accepting a role in Mozart's new opera. Later, Salieri reflects on his past and his envy towards Mozart while speaking to a priest in his hospital room.
- Leopold pleads with Archbishop Colloredo to allow Mozart to return to Salzburg, while Mozart and Constanze get married and Salieri reflects on his past in a church.
- Salieri tries to protect the emperor from suspicion of favoritism by proposing a contest to determine Mozart's suitability to teach the Princess. Mozart is angry and refuses to submit his work to a committee that includes Italians who he believes dislike his music.
- Constanze confronts Mozart about not accepting a role from the court while Salieri is teaching a student, and is interrupted by a woman who needs to talk to him urgently.
- Constanze seeks Salieri's help in promoting her husband's work, while Salieri examines Mozart's original music.
- Salieri offers to help promote Mozart's work in exchange for sexual favors from Constanze. In the present day, an elderly Salieri confesses to a priest about his past sins and regrets.
- Salieri prays for musical inspiration from God, while Constanze seeks his help in promoting Mozart's music. Salieri offers to help but demands sexual favors from her in return. Constanze comes to Salieri's apartment and attempts to seduce him, but he panics and calls for his servants. Constanze becomes enraged and throws a candelabrum at the servants.
- Mozart returns home with drunk friends and tries to cheer up his distraught wife, while Salieri schemes to undermine Mozart's reputation to the royal court.
- Mozart seeks Salieri's help in promoting his music, but Salieri is unable to do so due to a recent post being filled. Mozart pleads for help, even asking for a loan and offering to teach Salieri's future daughter for free. Salieri offers to recommend a distinguished gentleman for the loan.
- Mozart arrives at Michael Schlumberg's house to teach piano to Gertrude, but is greeted by a pack of dogs and the nervous Frau Schlumberg. He requests wine, triggering the eager Schlumberg to call for some.
- Mozart attempts to teach piano to a reluctant and shy Gertrude while dealing with her dog's constant howling. He eventually wins over the dog, much to Herr Schlumberg's delight. Mozart leaves in high spirits and bounces through the busy streets of Vienna, playing a cheerful tune on the forte-piano.
- Leopold, Mozart's father, arrives. Mozart and Constanze try to hide their financial struggles and welcome him warmly. They show him their messy home and their upcoming family addition.
- Mozart attends a Masquerade Ball with his father and wife, dressed in extravagant costumes, while Salieri watches from a corner.
- Mozart attends a Masquerade Ball with his father and wife, they play a forfeit game where they exchange wigs, and Mozart impresses the guests with his musical ability. He then parodies Salieri's music, which makes everyone laugh.
- The scene jumps between an elderly Salieri in a hospital room in 1823, haunted by the memory of Mozart, and a younger Mozart in his workroom in the 1780s, composing music while distracted by an unexpected visitor.
- Lorl arrives as a paid maid for Mozart and Constanze without revealing the identity of the benefactor. Leopold questions the offer, causing an argument with Constanze. Mozart escapes to his workroom while Leopold apologizes.
- Salieri investigates Mozart's life, trying to uncover how he pays for his extravagance. Meanwhile, Mozart plays a concerto at an outdoor concert.
- Mozart plays a concerto for the Emperor and introduces him to his father. Salieri uncovers Mozart's latest project, an Italian opera based on a banned French play. Chamberlain von Strack and Orsini-Rosenberg discuss why the play was banned.
- Mozart defends his opera based on a banned French play to the Emperor and his advisors.
- Orsini-Rosenberg confronts Mozart about a forbidden ballet in his opera; Mozart defends his use of the dance.
- Mozart implores Salieri for help after the director of his opera rips out a large section of his music. Salieri agrees to speak to the Emperor on Mozart's behalf.
- Mozart's opera is ruined when the director removes a ballet, but after being confronted by the Emperor, Orsini-Rosenberg agrees to put the scene back in. The restored opera is a success, but Salieri feels bitter about his defeat.
- Salieri's opera is a success and he receives praise and an award from the Emperor, while Mozart attends and shows his admiration.
- Mozart returns home with friends after a successful restored opera and is told of his father's death. Cut to a scene from Don Giovanni's Statue scene on stage. Salieri watches and monologues about his madness and hatred for God. The scene ends, and we see posters for Schikaneder's next troupe event.
- Schikaneder's troupe performs a parody scene using motifs, situations, and tunes from Mozart's operas. The scene involves Don Giovanni, Leporello, and the Commendatore, and features a horse, three ladies, and a grand soprano. Schikaneder is unhappy with the chaos and leaves the stage.
- Schikaneder's troupe performs a parody scene with motifs from Mozart's operas. A soprano is killed, making for a stew, and a horse produces food. Then a magic trick is performed with a dove. The scene ends with a wild dance as the curtain falls.
- Schikaneder invites Mozart to write a German opera with him, promising fantastic effects and trick animals. Constanze is skeptical and demands a down payment. Mozart is enchanted and agrees to half the house.
- Mozart struggles to make ends meet and begs for money, while Salieri plots his downfall in secret.
- Salieri commissions Mozart to write a Requiem Mass for a dead man, promising him payment. Mozart takes the money and asks for more time to finish the work. Salieri reveals his plan to kill Mozart and take credit for the Mass.
- In a state of panic, Mozart begs Schikaneder for more time to complete his vaudeville while struggling to work on his Requiem Mass. Schikaneder pressures Mozart for the vaudeville, angry at paying his troupe to wait on Mozart. Meanwhile, Constanze defends him and criticizes Schikaneder's work.
- Lorl tells Salieri about Mozart's strange and concerning behavior, while Mozart struggles to work on both a vaudeville and a Requiem Mass. Schikaneder pressures Mozart and Constanze defends him. Salieri realizes Mozart is working on an opera. The scene ends with Mozart looking very ill and gently tending to his wife and child.
- Mozart struggles to work on both a vaudeville and a Requiem Mass while under pressure from Salieri for the latter. His behavior worries those around him, including his wife and friend Lorl. Mozart's world starts to crumble when Constanze leaves him, and he is confronted by an angry Madame Weber.
- Mozart juggles writing a Requiem Mass and a vaudeville while dealing with pressure from Salieri and Schikaneder, causing his behavior to become concerning and resulting in strained relationships with those around him.
- Mozart tries to juggle writing a vaudeville, a Requiem Mass, and a possible opera while under pressure from Schikaneder, Salieri, and his own health. Papageno sings his famous aria, and the audience is drawn in, but the scene ends with Mozart's breakdown.
- Mozart's health takes a turn for the worse as he struggles to balance multiple writing projects and deal with pressure from Salieri and Schikaneder, resulting in concern and strained relationships with those around him.
- Mozart's world crumbles as he struggles to balance multiple writing projects and deal with pressure from Salieri and Schikaneder, resulting in concerning behavior that worries those around him.
- Salieri and Schikaneder visit Mozart and offer him money to finish a composition by the next day while Mozart struggles with multiple projects and deteriorating health.
- Mozart, feverish and desperate to complete multiple projects, dictates the Confutatis Maledictis segment of his Requiem Mass to Salieri, who feverishly writes down the notes.
- Mozart dictates urgently while Salieri writes down notes in a race against time to complete the composition. Meanwhile, Constanze and Karl arrive at the apartment, having made a sleepless journey through snow and icy conditions. Mozart's health continues to deteriorate while he struggles to complete multiple projects.
- Constanze returns to find Mozart ill and feverish, and Salieri and Schikaneder offer him money to finish a composition by the next day. Mozart desperately dictates his Requiem Mass to Salieri while his health deteriorates. Constanze arrives with Karl, and she and Salieri argue about Mozart's work. Later, Mozart dies, and the group mourns his passing in the rain.
- Old Salieri confesses to poisoning Mozart's life and laments his own mediocrity and meaningless fame before being pushed through a corridor of patients and blessing them as his followers. The scene ends with a fade-out, and the sound of Mozart's Masonic Funeral Music grows louder.
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Character Constanze
Description Constanze's behavior exhibits inconsistency. Initially, she seems willing to compromise her morals for Mozart's career, but later expresses disgust at the idea of him working with Schikaneder due to the vulgar nature of his work. This shift in values is not adequately explained.
( Scene 17 Scene 20 ) -
Character Salieri
Description Salieri's actions and motivations are complex and require deeper exploration. His sudden shift from devout piety to vengeful hatred towards God and Mozart feels abrupt and lacks a nuanced transition. His willingness to manipulate and harm Mozart while simultaneously admiring his genius creates a complex internal conflict that needs more development.
( Scene 19 Scene 41 Scene 43 )
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Description The opening scene portrays Old Salieri as deeply remorseful and confessing to Mozart's murder, but the subsequent narrative doesn't provide concrete evidence of Salieri directly causing Mozart's death. This creates a potential inconsistency between the initial setup and the eventual reveal.
( Scene 1 )
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Description The source of the anonymous funding that provides Mozart with a maid and financial support is never fully explained, leaving a gap in the narrative. Understanding the benefactor's identity and motives could offer further insight into the power dynamics and hidden influences surrounding Mozart.
( Scene 41 )
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Description The use of modern slang and colloquialisms, like 'shit' and 'fuck', in the dialogue of 18th-century characters may diminish the historical authenticity of the setting. While it might aim for a more contemporary and relatable feel, it could potentially clash with the period's language and social norms.
( Scene 10 )
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Element Scenes portraying Mozart's financial struggles
( Scene 22 Scene 40 )
Suggestion The repeated emphasis on Mozart's financial woes, while highlighting his impractical nature, could be streamlined. Perhaps focusing on a few key scenes that depict his financial challenges would maintain the narrative point without feeling repetitive. -
Element Scenes portraying Salieri's internal conflict
Suggestion While Salieri's internal struggle is central to the story, exploring alternative ways to convey his torment could enhance the narrative. Using internal monologues, flashbacks, or dream sequences could offer deeper insights into his psyche without relying solely on repetitive dialogues.
Mozart - Score: 84/100
Role
Protagonist
Character Analysis Overview
Salieri - Score: 86/100
Character Analysis Overview
Constanze - Score: 81/100
Character Analysis Overview
Schikaneder - Score: 67/100
Character Analysis Overview
Old - Score: 84/100
Role
Antagonist
Character Analysis Overview
Leopold - Score: 60/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation |
---|---|---|
Jealousy | Salieri's jealousy towards Mozart and his work, leading him to manipulate Mozart's career and plot his downfall. | This theme is at the core of the screenplay as Salieri's jealousy towards Mozart is the driving force behind his actions. |
Mediocrity vs. Genius | Salieri's realization of his own mediocrity compared to Mozart's genius, leading him to feel guilty for his actions. | This theme is explored throughout the screenplay, as Salieri struggles with his own talent and the comparison to Mozart's unparalleled genius. |
Betrayal | Salieri betrays Mozart by plotting his downfall and spreading rumors about him, leading to Mozart's death. | Betrayal is a secondary theme as Salieri's actions towards Mozart can be seen as a form of betrayal due to their complicated relationship. |
Regret | Salieri's regret for his actions towards Mozart and his realization of the mistakes he has made later in life. | Regret is a theme that is explored through Salieri's remorse for his actions towards Mozart, leading to a sense of redemption. |
Music | The importance of music and its impact on characters throughout the screenplay, particularly Mozart's music. | Music is a recurring motif throughout the screenplay and is used to highlight its emotional impact on the characters. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goal is to cope with guilt and seek forgiveness for his actions, as well as to understand and appreciate Mozart's talent. |
External Goals | The protagonist's external goal is to maintain his position and reputation in the music industry, while also manipulating Mozart's career and attempting to undermine him. |
Philosophical Conflict | The overarching philosophical conflict revolves around themes of jealousy, talent, artistic integrity, and the relationship between God and human creativity. |
Character Development Contribution: These goals and conflicts contribute to the character's development by challenging his beliefs, inspiring introspection, and ultimately leading to his realization of the limitations of his own talent.
Narrative Structure Contribution: The protagonist's goals and conflicts provide a framework for the narrative structure, driving the plot and shaping the interactions between characters.
Thematic Depth Contribution: The goals and conflicts delve into deeper themes such as the nature of genius, artistic integrity, the corrupting power of envy, and the search for meaning and validation in one's life and work.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
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Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - The Suicide of Old Salieri | "grim" | 9 | 9 | 9 | 5 | 9 | 7 | 7 | 8 | 8 | 0 | 8 | 9 | 0 | 9 | 8 | 8 | 8 | 10 | 9 | |
2 - Old Salieri Reflects on His Life and Music | "Reflective" | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 9 | 6 | 0 | 4 | 7 | 0 | 8 | 8 | 8 | 9 | 9 | 9 | |
3 - Old Salieri's Reflection on his Life and Envy of Mozart | "Reflective" | 8 | 8 | 7 | 7 | 9 | 7 | 8 | 7 | 4 | 0 | 3 | 6 | 0 | 7 | 8 | 8 | 9 | 10 | 10 | |
4 - Salieri's Enlightenment | "Reflective" | 8 | 8 | 7 | 7 | 9 | 6 | 9 | 8 | 5 | 0 | 4 | 6 | 0 | 7 | 8 | 8 | 7 | 9 | 8 | |
5 - Salieri's Reflections | "Reflective" | 9 | 9 | 9 | 8 | 9 | 9 | 9 | 9 | 5 | 0 | 5 | 8 | 0 | 8 | 8 | 9 | 7 | 8 | 8 | |
6 - Salieri's Envy | "Reflective" | 9 | 8 | 8 | 5 | 9 | 3 | 8 | 9 | 4 | 0 | 3 | 4 | 0 | 6 | 9 | 7 | 8 | 9 | 8 | |
7 - Salieri's Reflections | "Reflective" | 8 | 7 | 8 | 6 | 9 | 5 | 8 | 9 | 5 | 0 | 6 | 7 | 0 | 7 | 8 | 7 | 8 | 10 | 9 | |
8 - Salieri's Confession and Mozart's Arrival | "Reflective" | 8 | 7 | 8 | 5 | 9 | 6 | 9 | 9 | 6 | 0 | 5 | 7 | 0 | 7 | 8 | 8 | 9 | 10 | 9 | |
9 - Mozart Gets a Commission | "Serious" | 8 | 8 | 8 | 5 | 9 | 5 | 8 | 7 | 5 | 0 | 6 | 8 | 0 | 6 | 8 | 9 | 9 | 9 | 8 | |
10 - Salieri and Cavalieri's Lesson | "Melancholic" | 8 | 9 | 8 | 4 | 8 | 4 | 7 | 8 | 6 | 0 | 5 | 7 | 0 | 7 | 7 | 7 | 7 | 9 | 8 | |
11 - Aria and Audience | "Reflective" | 8 | 7 | 8 | 8 | 8 | 4 | 9 | 7 | 5 | 0 | 4 | 8 | 0 | 7 | 7 | 9 | 8 | 9 | 9 | |
12 - Music and Drama in the Court of Joseph | "Tense" | 8 | 7 | 8 | 6 | 9 | 5 | 8 | 9 | 7 | 0 | 6 | 8 | 0 | 7 | 8 | 9 | 8 | 9 | 8 | |
13 - Backstage Turmoil | "tense" | 9 | 9 | 9 | 7 | 8 | 7 | 8 | 9 | 8 | 0 | 7 | 8 | 0 | 9 | 8 | 8 | 9 | 10 | 9 | |
14 - The Father's Plea | "melancholic" | 7 | 8 | 7 | 6 | 8 | 5 | 8 | 8 | 6 | 0 | 5 | 6 | 0 | 8 | 7 | 9 | 7 | 9 | 8 | |
15 - The Emperor's Decision | "tense" | 8 | 8 | 8 | 5 | 8 | 6 | 8 | 9 | 8 | 0 | 7 | 8 | 0 | 7 | 8 | 7 | 9 | 8 | 8 | |
16 - A Rift Between Mozart and Constanze; Salieri's Interruption | "Tense" | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 8 | 8 | 0 | 7 | 7 | 0 | 9 | 9 | 8 | 9 | 9 | 9 | |
17 - Musical Ambitions | "Serious" | 7 | 8 | 6 | 8 | 8 | 4 | 9 | 8 | 6 | 0 | 6 | 6 | 0 | 6 | 7 | 9 | 8 | 10 | 10 | |
18 - Salieri's Temptation | "Tragic" | 8 | 7 | 6 | 8 | 9 | 7 | 8 | 8 | 9 | 0 | 9 | 6 | 0 | 10 | 8 | 9 | 8 | 10 | 9 | |
19 - Salieri's Temptation and Betrayal | "Dark" | 9 | 10 | 9 | 9 | 10 | 8 | 9 | 8 | 11 | 0 | 10 | 9 | 0 | 10 | 8 | 10 | 9 | 9 | 8 | |
20 - Mozart's Troubles | "tense" | 9 | 10 | 9 | 9 | 8 | 6 | 9 | 8 | 10 | 0 | 8 | 8 | 0 | 9 | 9 | 8 | 9 | 8 | 9 | |
21 - Mozart Seeks Salieri's Help | "Somber, pleading, desperate" | 8 | 8 | 8 | 6 | 9 | 5 | 9 | 8 | 6 | 0 | 6 | 7 | 0 | 8 | 9 | 9 | 7 | 8 | 8 | |
22 - Mozart Meets the Schlumbergs | "Light-hearted" | 7 | 7 | 6 | 5 | 7 | 2 | 8 | 9 | 3 | 0 | 2 | 4 | 0 | 4 | 7 | 7 | 9 | 9 | 8 | |
23 - Mozart Teaches Piano to the Schlumbergs | "upbeat" | 9 | 9 | 8 | 9 | 9 | 3 | 8 | 8 | 4 | 0 | 3 | 6 | 0 | 5 | 8 | 7 | 7 | 8 | 8 | |
24 - Mozart's Family Arrives | "Lighthearted" | 7 | 7 | 6 | 6 | 8 | 3 | 9 | 8 | 3 | 0 | 4 | 5 | 0 | 5 | 7 | 9 | 8 | 9 | 8 | |
25 - Masquerade Ball | "Upbeat" | 8 | 8 | 7 | 5 | 8 | 4 | 7 | 8 | 5 | 0 | 3 | 5 | 0 | 6 | 6 | 9 | 9 | 9 | 8 | |
26 - The Musical Game | "Light-hearted" | 9 | 8 | 8 | 7 | 9 | 5 | 8 | 8 | 6 | 0 | 4 | 7 | 0 | 7 | 9 | 9 | 9 | 10 | 10 | |
27 - Salieri's Revenge | "Somber, Reflective" | 8 | 9 | 7 | 9 | 8 | 6 | 8 | 8 | 7 | 0 | 7 | 6 | 0 | 8 | 7 | 9 | 9 | 10 | 8 | |
28 - The Arrival of Lorl | "tense, emotional" | 9 | 8 | 8 | 5 | 10 | 6 | 8 | 6 | 8 | 0 | 6 | 7 | 0 | 9 | 9 | 9 | 8 | 10 | 9 | |
29 - Investigating Mozart's Life | "Curious" | 8 | 8 | 8 | 9 | 9 | 6 | 9 | 7 | 6 | 0 | 6 | 8 | 0 | 6 | 7 | 9 | 9 | 9 | 8 | |
30 - Mozart Meets the Emperor | "Satirical" | 9 | 8 | 7 | 6 | 9 | 5 | 10 | 7 | 7 | 0 | 4 | 8 | 0 | 6 | 9 | 9 | 8 | 10 | 9 | |
31 - Mozart defends his opera | "Tense" | 8 | 8 | 7 | 9 | 9 | 6 | 9 | 9 | 8 | 0 | 8 | 6 | 0 | 7 | 9 | 10 | 8 | 9 | 8 | |
32 - Figaro's Forbidden Dance | "tense" | 8 | 7 | 8 | 8 | 7 | 6 | 9 | 9 | 9 | 0 | 7 | 8 | 0 | 6 | 8 | 8 | 9 | 10 | 9 | |
33 - Mozart's Plea | "Anxious" | 9 | 8 | 9 | 6 | 8 | 0 | 8 | 10 | 6 | 0 | 6 | 8 | 0 | 8 | 7 | 9 | 8 | 10 | 9 | |
34 - The Emperor's Edict | "Tense" | 8 | 8 | 9 | 7 | 7 | 6 | 8 | 9 | 9 | 0 | 8 | 8 | 0 | 7 | 7 | 8 | 8 | 9 | 8 | |
35 - Salieri's Success | "hopeful" | 8 | 7 | 6 | 8 | 9 | 3 | 8 | 9 | 2 | 0 | 2 | 4 | 0 | 5 | 8 | 9 | 9 | 10 | 9 | |
36 - Mozart's Triumph | "Upbeat" | 8 | 7 | 9 | 8 | 8 | 6 | 8 | 7 | 7 | 0 | 7 | 7 | 0 | 8 | 6 | 9 | 9 | 10 | 9 | |
37 - Parody Opera Scene | "Light-hearted" | 8 | 8 | 7 | 8 | 8 | 3 | 0 | 8 | 5 | 0 | 2 | 4 | 0 | 6 | 8 | 7 | 8 | 9 | 9 | |
38 - The Parody Scene | "humorous" | 9 | 10 | 8 | 9 | 7 | 5 | 0 | 7 | 8 | 0 | 6 | 7 | 0 | 6 | 9 | 9 | 9 | 7 | 8 | |
39 - Schikaneder's Proposition | "light-hearted" | 8 | 9 | 8 | 8 | 8 | 4 | 8 | 9 | 6 | 0 | 6 | 7 | 0 | 6 | 8 | 9 | 9 | 8 | 8 | |
40 - Mozart's Desperation | "Dark" | 9 | 7 | 9 | 5 | 8 | 6 | 8 | 10 | 7 | 0 | 8 | 8 | 0 | 9 | 8 | 9 | 10 | 10 | 8 | |
41 - Salieri's Plan | "Tense" | 8 | 9 | 8 | 8 | 7 | 7 | 8 | 9 | 9 | 0 | 10 | 9 | 0 | 8 | 7 | 9 | 10 | 10 | 9 | |
42 - Schikaneder Pressures Mozart | "tense" | 9 | 10 | 8 | 5 | 9 | 7 | 8 | 9 | 10 | 0 | 7 | 8 | 0 | 9 | 8 | 7 | 8 | 9 | 9 | |
43 - Salieri's Plot Unfolds | "Tense" | 8 | 8 | 8 | 6 | 8 | 7 | 8 | 9 | 9 | 0 | 9 | 9 | 0 | 8 | 7 | 9 | 8 | 8 | 7 | |
44 - The Breakdown | "Tense and emotional" | 9 | 8 | 9 | 7 | 8 | 8 | 8 | 9 | 10 | 0 | 10 | 9 | 0 | 10 | 8 | 9 | 8 | 10 | 9 | |
45 - The Magic Flute's Production | "Tense" | 7 | 7 | 6 | 3 | 8 | 6 | 0 | 8 | 8 | 0 | 9 | 7 | 0 | 7 | 7 | 6 | 8 | 10 | 10 | |
46 - Papageno's Aria | "Tense" | 9 | 8 | 9 | 5 | 9 | 7 | 7 | 8 | 8 | 0 | 8 | 8 | 0 | 10 | 8 | 9 | 8 | 8 | 9 | |
47 - Faltering Health | "Tense" | 8 | 7 | 8 | 5 | 8 | 8 | 8 | 9 | 9 | 0 | 7 | 9 | 0 | 9 | 7 | 7 | 8 | 9 | 8 | |
48 - Mozart's Breakdown | "Tense" | 8 | 7 | 8 | 6 | 9 | 7 | 9 | 8 | 9 | 0 | 8 | 8 | 0 | 8 | 8 | 8 | 8 | 10 | 9 | |
49 - Pressure Cooker | "Tense" | 8 | 7 | 9 | 3 | 8 | 6 | 10 | 8 | 9 | 0 | 9 | 8 | 0 | 8 | 8 | 7 | 10 | 10 | 8 | |
50 - Mozart Dictates Confutatis to Salieri | "Intense" | 9 | 8 | 8 | 9 | 9 | 6 | 9 | 8 | 9 | 0 | 9 | 8 | 0 | 8 | 6 | 9 | 8 | 10 | 8 | |
51 - The Final Dictation | "Grim" | 9 | 8 | 9 | 7 | 9 | 8 | 10 | 8 | 9 | 0 | 9 | 9 | 0 | 9 | 8 | 8 | 8 | 9 | 9 | |
52 - The Death of Mozart | "Tense" | 8 | 9 | 8 | 6 | 7 | 7 | 8 | 8 | 9 | 0 | 9 | 8 | 0 | 9 | 7 | 9 | 9 | 10 | 9 | |
53 - Salieri's Confession and Death | "Tragic" | 9 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 6 | 0 | 7 | 7 | 0 | 9 | 8 | 10 | 9 | 10 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense atmosphere, powerfully dramatic narrative, vivid characterizations.
- Strong character development for Salieri with a reflective tone that adds depth to the narrative.
- Strong introspection and character development for Old Salieri.
- Strong performances from the actors. Emotional depth and complexity of the characters.
- Powerful emotional reflection and contrast between Salieri's inner world and the glamorous stage performances. Mozart's musical talent is showcased.
Scene Weaknesses
- Lacks action and tension.
- The scene is slow-moving and lacks action or high stakes. The hospital setting is not visually interesting, and the dialogue is occasionally heavy-handed.
- Minimal plot development, with no real forward movement.
- The scene lacks significant plot developments and a high level of conflict.
- The scene's focus on Mozart's behavior with young girls feels like a cheap attempt to discredit him, rather than an authentic character flaw.
Suggestions
- Increase the stakes and tension in key scenes to keep the audience engaged and invested in the story.
- Balance dialogue-heavy scenes with more visually interesting and action-packed scenes to create a more dynamic viewing experience.
- Avoid unnecessary scenes and focus on significant plot developments to keep the story moving forward.
- Develop supporting characters beyond serving as mere representatives of a specific point of view.
- Avoid superficial character flaws and focus on more authentic and complex character motivations.
Scene 1 - The Suicide of Old Salieri
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Old Salieri Reflects on His Life and Music
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Old Salieri's Reflection on his Life and Envy of Mozart
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Salieri's Enlightenment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Salieri's Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Salieri's Envy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Salieri's Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Salieri's Confession and Mozart's Arrival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Mozart Gets a Commission
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Salieri and Cavalieri's Lesson
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Aria and Audience
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Music and Drama in the Court of Joseph
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Backstage Turmoil
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep r
Recommend
Explanation: The screenplay 'Amadeus' is a richly layered and thematically complex exploration of the lives of composers Antonio Salieri and Wolfgang Amadeus Mozart. The story is told through the lens of the aging Salieri, who recounts his lifelong obsession with and rivalry with the brilliant but often troubled Mozart. The screenplay features strong character development, particularly in the case of Salieri, and a compelling exploration of the themes of talent, artistic genius, and the nature of divine favor. While the pacing could be tightened in certain areas, the overall narrative is engaging and the musical elements, such as the performance of 'The Marriage of Figaro' and the composition of the Requiem Mass, are immersive and captivating. The screenplay is recommended for its depth of storytelling and potential to resonate with audiences interested in classical music and the lives of renowned composers.