Gladiator
Executive Summary
Overview
Genres: Action, Drama, Historical, Historical Drama, War, Thriller, Adventure, Political Drama, Political, Family, Tragedy, Historical Fiction, Political Intrigue
Setting: 180 A.D., Germania, Rome
Overview: Gladiator follows the sweeping epic of Maximus, a Roman general betrayed by Commodus, the ambitious son of Marcus Aurelius. Stripped of his title and family, Maximus is sold into slavery and rises as a triumphant gladiator. When the time is right, he uses his cunning and strength to challenge the corrupt emperor in an epic battle.
Themes: Betrayal, Revenge, Redemption, Power and Corruption, Friendship and Loyalty, Courage and Sacrifice, Justice and Freedom
Conflict and Stakes: Maximus' quest for vengeance against Commodus, the battle for the control of Rome, the struggle between good and evil.
Overall Mood: Epic and sweeping, with moments of great violence and brutality.
Mood/Tone at Key Scenes:
- Scene 1: The opening scene, which depicts the brutal murder of Maximus' family, sets the tone for the rest of the film.
- Scene 10: The scene in which Maximus confronts Commodus in the Colosseum is a powerful and emotional moment that highlights the film's themes of vengeance and redemption.
- Scene 15: The final scene, in which Maximus dies in the arms of his son, is a poignant and moving moment that provides a sense of closure to the story.
Standout Features:
- Unique Hook: A unique premise that combines elements of historical drama, action, and adventure.
- Plot Twist: A major plot twist that keeps the audience guessing until the very end.
- Distinctive Setting: A visually stunning setting that transports the audience to ancient Rome.
- Innovative Ideas: Innovative ideas about the nature of power, revenge, and redemption.
- Unique Characters: A cast of unique and memorable characters.
- Genre Blend: A unique blend of genres that combines historical drama, action, and adventure.
Comparable Scripts:
- Gladiator
- Braveheart
- Spartacus
- 300
- The Last Samurai
- The Patriot
- Kingdom of Heaven
- Troy
- 13 Warriors
- The Eagle
Writing Style:
The screenplay exhibits a blend of styles from various acclaimed screenwriters and authors, resulting in a diverse and engaging narrative. The writing is characterized by its complexity, depth, and exploration of universal themes.
Style Similarities:
- William Shakespeare
- Aaron Sorkin
- Christopher Nolan
- Ridley Scott
Pass/Consider/Recommend
Recommend
Explanation: The screenplay for 'Gladiator' is a well-crafted and compelling historical drama that blends epic action, political intrigue, and deeply personal character arcs. The narrative is anchored by a strong central protagonist in Maximus, whose journey from loyal general to vengeful gladiator is executed with nuance and emotional depth. The film's visually striking arena battle sequences, combined with the complex power dynamics within the imperial family, create a rich and immersive world that is sure to captivate audiences. While there are a few areas that could be strengthened, the overall quality and attention to detail make this screenplay a strong candidate for production.
USP: "Gladiator" stands out from other historical dramas with its riveting tale of betrayal, revenge, and redemption set against the backdrop of the Roman Empire. Immerse yourself in a world of intense battle sequences, political intrigue, and personal sacrifice. Follow Maximus, a skilled general turned gladiator, as he navigates the treacherous path of survival while seeking vengeance for his family. With its authentic characters, gripping dialogue, and exploration of themes like honor, loyalty, and the human spirit, "Gladiator" captivates audiences with its unique blend of action, drama, and emotional depth.
Market Analysis
Budget Estimate:$100 million
Target Audience Demographics: Adults aged 18-54, fans of action, adventure, and historical dramas
Marketability: It has all the elements of a blockbuster: a strong cast, a compelling story, and stunning visuals. It is also timely, as it explores themes of political corruption and the struggle for freedom.
It is a well-made film with strong performances and a compelling story. However, it may not appeal to audiences who are not interested in historical dramas.
It has a unique blend of action, adventure, and drama that will appeal to a wide range of audiences. It also has a strong cast and a compelling story.
Profit Potential: High, due to its strong appeal to a wide adult audience and potential for award nominations
Analysis Criteria Percentiles
Writer's Voice
Summary:The writer's voice is commanding and captivating, characterized by rich descriptive language, powerful dialogue, and a focus on political intrigue, honor, and sacrifice.
Best representation: Scene 16 - Imperial Disregard. Scene 16 effectively encapsulates the writer's voice through its vivid portrayal of a gladiatorial battle, the clash of weapons and the roar of the crowd creating a visceral atmosphere. The dialogue is sharp and suspenseful, with Maximus and Juba's camaraderie and determination shining through. This scene showcases the writer's ability to craft intense and emotionally resonant moments that drive the narrative forward.
Memorable Lines:
- Maximus: I AM MAXIMUS MERIDAS, GENERAL OF THE FELIX REGIMENT OF THE ROMAN ARMY AND SERVANT TO THE EMPEROR MARCUS AURELIUS! I AM FATHER TO A MURDERED SON AND HUSBAND TO A MURDERED WIFE AND LANDLORD TO A MURDERED WORLD -- AND I WILL HAVE VENGEANCE! (Scene 24)
- Commodus: I will give them death. And they will love me for it. (Scene 17)
- Maximus: Rome... you are better than this. Look inside yourselves. I challenge you to find your true voice. Help the Senate speak for you. Make them your champion... And dare to think what could be. I give you back the dream. (Scene 41)
- Maximus: I forgive you. (Scene 35)
- Maximus: It doesn't look it now... but soon we'll have it growing again... Next year there will be vines, and then there will be grapes... It will be alive. (Scene 42)
Characters
Maximus Decimus Meridius:A Roman General seeking vengeance for the murder of his family.
Commodus:The corrupt and power-hungry Emperor of Rome.
Lucilla:The daughter of Marcus Aurelius, who is secretly plotting against Commodus.
Proximo:A former gladiator who trains Maximus.
Juba:A Numidian slave who becomes Maximus' friend and ally.
Story Shape
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall Grade | Concept | Plot | Originality Score | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Encounter on the Road | Tense, Foreboding, Scheming | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7.5 | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 8.5 | 8 | 8 | |
2 - Preparations for Battle and Imperial Impatience | Intense, Serious, Foreboding | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
3 - The Battle of the Forest | Epic, Intense, Emotional, Reflective | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
4 - The Return of Maximus | Tense, Emotional, Resentful | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
5 - Consolation in the Valley of Death | Somber, Reflective, Emotional | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 7 | 6 | 6 | 6 | 7 | 7 | 9 | 7 | 9 | 8 | 9 | 9 | |
6 - The Grand Mess Tent | Serious, Tense, Sarcastic | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
7 - The Succession | Reflective, Intimate, Philosophical | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | |
8 - A Moment of Reckoning | Reflective, Emotional, Intimate | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
9 - Mourning and Conflict in the Aftermath | Grief, Resentment, Betrayal, Regret | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
10 - Maximus' Betrayal and Escape | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
11 - Maximus Battles Assassins and Escapes | Tense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
12 - The Destruction of Maximus' Home | Grief, Despair, Betrayal, Revenge | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
13 - Sold into Slavery | Gritty, Intense, Dark, Hopeless | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 8 | |
14 - Arrival at the Gladiator School | Brutal, Intense, Foreboding, Authoritative | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
15 - The Transport to the Colosseum | Grim, Reflective, Intense, Hopeful | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 8 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
16 - The Arena Battle | Intense, Emotional, Inspiring | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
17 - Imperial Disregard | Tense, Dramatic, Foreboding, Intense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
18 - Maximus' Heroic Triumph | Intense, Heroic, Somber | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
19 - Maximus and Proximo's Deal | Intense, Dark, Mysterious | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
20 - Confidences and Treachery | Tense, Emotional, Intimate | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
21 - Conspiracy in Lucilla's Chambers | Tense, Desperate, Conspiratorial, Hopeful | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | |
22 - Arrival in Rome | Dark, Intense, Hopeless, Reflective | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
23 - Trainer's Lair Negotiations | Intense, Tense, Negotiating, Confrontational | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
24 - The Colosseum Battle | Intense, Heroic, Defiant, Emotional, Epic | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
25 - Caesar's Plot | Tense, Serene, Vengeful, Unnerving | 8 | 8 | 8 | 9 | 9 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
26 - Unexpected Visitor | Tense, Emotional, Intense, Revealing | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
27 - Clash of Champions | Intense, Defiant, Triumphant, Merciful | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
28 - The Road to Confrontation | Intense, Emotional, Conspiratorial, Reflective | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
29 - Triumph and Defiance in the Arena | Tense, Philosophical, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
30 - Maximus Defies Commodus | Tense, Defiant, Emotional, Confrontational | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
31 - Conspiracy and Reflection | Serious, Reflective, Humorous | 8 | 8 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
32 - Whispers in the Dark | Tense, Emotional, Intimate | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 8 | 7 | 7 | 9 | 9 | 9 | 8 | 9 | 9 | |
33 - Commodus Threatens Lucilla | Tense, Menacing, Intense | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 9 | |
34 - The Raid on Proximo's Compound | Tense, Dramatic, Suspenseful, Tragic | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
35 - The General's Triumph | Intense, Dramatic, Suspenseful | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
36 - Colosseum Entrance | Tense, Dramatic, Foreboding, Intense, Sinister | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
37 - Invasion of Rome | Dramatic, Intense, Authoritative | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | |
38 - Maximus and the City Guard Confront the Praetorian Guard | Intense, Dramatic, Heroic | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
39 - Clash in the Colosseum | Intense, Dramatic, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
40 - Final Battle in the Catacombs | Intense, Emotional, Dramatic, Tragic | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
41 - Maximus Declines the Purple | Heroic, Tragic, Inspirational | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
42 - A Glimpse of Hope Amidst the Ruins | Hopeful, Reflective, Inspirational | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 3 | 7 | 6 | 7 | 7 | 9 | 7 | 8 | 8 | 9 | 9 |
Scene 1 - Encounter on the Road
Germania. The far reaches of the Roman Empire.
Winter 180 A.D. Incongruously enough, the first sound we hear
is a beautiful tenor voice. Singing. A boy's voice.
CREDITS as we hear the haunting song float through dense
forests. We finally come to a rough, muddy road slashing
through the forest. On the road a GERMAN PEASANT FATHER is
herding along three sickly looking cows. His two SONS are
with him. His youngest son sits on one of the cows and sings
a soft, plaintive song.
They become aware of another sound behind them on the road --
the creak of wood, the slap of metal on leather. The Father
immediately leads his cattle and his sons off the road. They
stand-still, eyes down: the familiar posture of subjugated
peoples throughout history.
A wagon train rumbles past them. Three ornate wagons
followed by a mounted cohort of fifty heavily-armed
PRAETORIAN GUARDS.
The young boy dares to glance up at the passing Romans. His
eyes burn with hatred.
INT. WAGON - DAY
Mist momentarily obscures a man's face. Frozen breath. The
man is in his 20's, imperious and handsome. He is swathed in
fur, only his face exposed. He is COMMODUS.
He glances up.
COMMODUS
Do you think he's really dying?
The woman across from him returns his gaze evenly. She is
slightly older, beautiful and patrician. A formidable woman.
She is LUCILLA.
LUCILLA
He's been dying for ten years.
COMMODUS
I think he's really dying this
time.
A beat. Their breath turns instantly to mist.
2.
COMMODUS (cont’d)
He has to be bled every night now.
LUCILLA
How do you know that?
COMMODUS
I've been so informed.
She arches an eyebrow.
COMMODUS (cont’d)
If he weren't really dying he
wouldn't have sent for us.
LUCILLA
(a smile)
Maybe he just misses us.
COMMODUS
And the Senators. He wouldn't have
summoned them if --
LUCILLA
Peace, Commodus. After two weeks
on the road your incessant scheming
is hurting my head.
A beat.
COMMODUS
The first thing I shall do is honor
him with games worthy of his
majesty.
LUCILLA
The first thing I shall do is have
a hot bath.
The wagon rumbles to a halt. Voices are heard outside.
Commodus leaps out...
Ratings
Scene 2 - Preparations for Battle and Imperial Impatience
Three Roman SOLDIERS guard an outpost, a watchtower, on the
roadside.
COMMODUS
Why have we stopped?
PRAETORIAN GUARD MEMBER
We're here, sir.
3.
COMMODUS
(to Soldier #1)
Where is my father?
SOLDIER #1
He's at the front, sir.
COMMODUS
Is the battle won?
SOLDIER #1
Don't know, sir. They've been gone
for eight days.
Commodus tosses off his furs -- beneath them he wears a
beautiful set of Lorica Segmentata -- the traditional formed
armor of Rome. He moves to a horse as:
COMMODUS
(to Soldier #1)
My sister wants a bath, take her to
the camp.
(to Soldier #2)
Take me to my father.
He leaps onto the horse and canters back to the Praetorian
Guard unit.
Soldier #2 climbs on his horse and leads them. Commodus
rides off with most of the Praetorian Guard unit.
Lucilla peeks her head from the wagon. She glances at the
remaining soldiers. Distinctly unpromising.
LUCILLA
(dry)
Civilization at last. Gods
preserve us.
EXT. HILL - TWILIGHT
The mighty catapults dwarf the humans. Soldiers from the
elite Felix Regiment -- a legion of the Roman Army -- haul
the monstrous machines up a hill.
The commanding General of the Felix Regiment, MAXIMUS, walks
between two of the catapults. He is a striking and intense
man in his 30's. Like all the soldiers who surround him, he
is caked with mud and exhausted.
He trudges up the hill with his two lieutenants, TITUS and
QUINTUS.
4.
TITUS
You would do as well to read the
mind of a rhinoceros.
QUINTUS
These barbarians would rather drown
in blood than yield an inch. If I
didn't hate them so much I would
admire them.
They have reached the top of the hill. Stunning martial
preparations are underway. The catapults join ten others.
Archers are taking up position. Brutal "Scorpions" --
devices for firing multiple crossbow bolts -- are being
loaded. Soldiers are also loading the catapults with
enormous "Greek fire pots" -- large, round terra cotta pots.
Maximus and his lieutenants gaze down from the hilltop. Below
them they can see a German encampment.
TITUS
They simply will not surrender.
A beat as Maximus gazes down at the German position.
MAXIMUS
(quietly)
A people should know when they are
conquered.
A beat.
MAXIMUS (cont’d)
At the first signal release the
catapults. We'll use the cavalry
to cut off the retreat.
QUINTUS
General, I don't recommend that.
Our cavalry might be caught in the
flames.
MAXIMUS
I hope not, because I'm going to be
leading them.
A beat as he gazes down at the enemy.
MAXIMUS (cont’d)
Why don't they know they're already
dead?
5.
Ratings
Scene 3 - The Battle of the Forest
Maximus and Titus are on their horses, the cavalry of two
hundred Felix Regiment warriors surrounds them. Steam flares
from their horses' nostrils. They wait in a thick stand of
trees -- the German position can be seen across a muddy
plain.
A large wolf -- "The Wolf of Rome" -- waits at Maximus' side.
Maximus nods to an archer. The archer lights the tip of an
arrow and sends it flaming into the night sky.
EXT. HILLTOP - TWILIGHT
Quintus waits. The catapults are loaded and waiting. So too
the Scorpions. So too the 200 archers of the Felix Regiment.
He sees the flaming arrow flying up from below.
QUINTUS
Now!
The mighty catapults are released. The Greek fire pots arc
dramatically through the air. A moment later soldiers
release the Scorpions and hundreds of bolts streak through
the sky. The archers fire a murderous barrage of flaming
arrows.
EXT. TREES - TWILIGHT
The screaming is almost immediate.
Maximus and his cavalry watch as the fire pots crash down
into the German encampment.
EXT. GERMAN CAMP - TWILIGHT
The fire pots shatter -- pitch splashes everywhere -- seconds
later the bolts and flaming arrows slice down and ignite the
pitch -- FLAME EXPLODES -- it is a hellish, napalm-like
vision -- the conflagration illuminating the twilight.
The deadly rain of flaming arrows spreads terror through the
German camp --
6.
EXT. TREES - TWILIGHT
Maximus watches the German camp.
MAXIMUS
(to his men)
Hold steady... steady...
He can see the nightmare destruction of the encampment
continuing -- fire pots and Scorpion bolts and flaming arrows
-- panic in the German encampment.
MAXIMUS (cont’d)
Steady...
He sees the Germans begin fleeing across the plain. He
quickly raises his sword and whispers a prayer, then turns to
his men:
MAXIMUS (cont’d)
Brothers -- I salute you! For
Rome!
He spurs his horse and races out of the trees to the plain...
EXT. PLAIN - BATTLEGROUND - TWILIGHT
Maximus leads the terrifying and relentless cavalry charge --
Titus at his side -- the Felix Regiment screams out fearsome
war cries as they gallop across the muddy plain toward the
Germans --
Fire pots and flaming arrows are crashing down everywhere
around them --
The cavalry SLAMS into the Germans at full gallop --
It is carnage.
The Felix Regiment warriors slash ruthlessly with short
swords -- slicing a path of sheer destruction through the
Germans -- but the Germans fight with equal brutality -- and
the Germans also fight with the desperation of a hopeless
last chance -- they pull and spear Roman soldiers off horses
whenever they can --
Maximus spins his horse and swings his sword with expert
efficiency -- a spear stabs through the neck of his horse and
it immediately collapses forward --
7.
Maximus sails over the horse's head and crashes to the muddy
ground -- he jumps up and is in the midst of the battle --
The flaming arrows and exploding fire pots create a ferocious
inferno everywhere around the battle -- the flames
silhouetting the fighting --
On the ground, Maximus proves his absolute worth as a warrior
-- he hacks and dodges -- ghastly images of true ancient
warfare -- Maximus' eyes burn with a zealous fire as he
fights for his life --
He finds he is momentarily at a terrible disadvantage --
Germans are surrounding him from all sides -- as he fights he
looks for an advantage -- for his soldiers -- for anything --
he is doomed --
Then -- an almost mystical image -- Maximus' wolf leaps
through a wall of flame --
"The Wolf of Rome" savages several Germans around Maximus --
giving him the help he needed.
The wolf and his master fight, side-by-side.
EXT. HILLTOP - TWILIGHT
We see an old man's face, staring down at the battle. The
face is weather-beaten, ailing. The roaring flames from the
battlefield below flicker in his sad eyes.
MARCUS AURELIUS, the Emperor of Rome, is on a horse. A metal
brace extends from the back of his saddle. He is strapped to
the brace with thick, leather straps.
He watches as the Felix Regiment below concludes the battle.
The cheering of the Regiment can be heard as the final,
isolated pockets of Germans are cut down.
Behind Marcus the sun is setting, painting the world blood
red.
EXT. BATTLEFIELD - SUNSET
Maximus, bloody and spent, walks through the aftermath of the
carnage. The Wolf of Rome is at his side. Dead and dying by
the hundreds are scattered everywhere. Roman surgeons are
attending to the wounded.
Marcus walks to him, embraces him warmly.
8.
MAXIMUS
Caesar.
MARCUS
Maximus, you prove your valor
again. Let us hope for the final
time here.
MAXIMUS
I don't think there's anyone left
to fight.
MARCUS
There are always people left to
fight...
Marcus takes Maximus' arm and they walk through the masses of
bodies. Maximus holds Marcus' arm firmly, quietly supporting
him as they walk.
MARCUS (cont’d)
But this night, at least, Germania
is at last defeated... What will
you do now, my friend?
MAXIMUS
Should Caesar permit, I'll go home.
I've been away too long. I've
forgotten my wife's face and I
barely know my son.
Suddenly, a tethered GERMAN PRISONER they are passing calls
out to them:
GERMAN PRISONER
THIS BLOOD MEANS NOTHING,
CONQUEROR!
Maximus and Marcus stop. A soldier moves quickly to silence
the German Prisoner.
MARCUS
(to Soldier)
Stop...
(to Prisoner)
... You speak our language?
GERMAN PRISONER
You have been in my homeland for
twelve years. Of course I speak
your language. So did my son, who
you murdered. So did my daughter,
who you raped.
9.
MAXIMUS
(to Marcus)
Come, Caesar...
MARCUS
No. Let him speak...
(to Prisoner)
... I am Rome, what would you say
to me?
GERMAN PRISONER
(points to sunset)
You are that sun, Rome, and your
time is over... You can slit a
thousand throats here, and you can
put a thousand babies to the sword,
but it will always be our home.
MARCUS
Now it is Rome.
GERMAN PRISONER
It will never be Rome. Not as long
as one German breathes.
The soldier moves to kill the insolent Prisoner.
MARCUS
No... Release him. Give him safe
passage. Let him go to his family.
The soldier leads the German Prisoner away.
Maximus and Marcus continue walking in silence for a beat.
Then:
MARCUS (cont’d)
Tell me again, Maximus, why are we
here?
MAXIMUS
For the glory of the empire, sire.
MARCUS
(quietly)
Yes. I remember.
They continue walking through the mountains of bodies...
10.
Ratings
Scene 4 - The Return of Maximus
Maximus and Marcus are now walking along a road through the
dense forest. Slaves follow behind them, leading their
horses.
Both sides of the road are filled with the men of the Felix
Regiment. As Maximus and Marcus pass, the battered and
bloody soldiers drag themselves to their feet, raising their
swords, paying silent homage.
MAXIMUS
They honor you, Caesar.
MARCUS
I don't think they're standing for
me, Maximus. They honor you.
Just then Commodus canters into view with his Praetorian
Guard escort. He watches the army honor Maximus with rank
envy as he nears.
He rides up to Maximus and Marcus.
COMMODUS
Have I missed it?
He leaps from his horse.
COMMODUS (cont’d)
Have I missed the battle?
MARCUS
You've missed the war. We're done
here.
Commodus embraces him, awkward.
COMMODUS
Father. Congratulations. I shall
sacrifice a thousand doves to honor
your triumph.
MARCUS
Spare the doves and honor Maximus,
he won the battle.
Commodus embraces Maximus, even more awkward.
COMMODUS
General, Rome salutes you and I
embrace you as a brother.
11.
MAXIMUS
Highness.
They walk, Maximus still supporting Marcus, as:
COMMODUS
Your Spaniards seem invincible.
May the Gods favor the Felix
Regiment now and always...
(to his father)
Here, Father, take my arm.
MARCUS
(ignores this)
Where's your sister?
COMMODUS
She's at the camp. She had no
desire to see the gore of the
battlefield.
MARCUS
(smiles)
Lucilla would eat every corpse here
if it brought her one step closer
to the throne.
Maximus laughs.
MAXIMUS
(smiles)
Caesar, you do the lady injustice.
MARCUS
It's a foolish old cobra who
doesn't recognize his own off-
spring...
(he suddenly stops, not
feeling well)
I think... I should ride now.
Maximus waves for Marcus' horse. It is brought up. Several
soldiers carefully help the old man into the saddle. He is
then tethered to the brace on his saddle. It is a slow,
graceful and embarrassing ordeal for the Emperor of Rome.
When at last he is strapped in, he looks to Maximus.
MARCUS (cont’d)
So much for the glory of Rome.
Without a word to his son, Marcus nods and the horse is
slowly lead away.
12.
Commodus and Maximus watch him go.
COMMODUS
(neutral)
He's dying.
A beat.
COMMODUS (cont’d)
Poor old man.
MAXIMUS
(terse)
If you'll excuse me, Highness.
He turns and stalks away.
Ratings
Scene 5 - Consolation in the Valley of Death
We see the Roman encampment, a sea of tents. Hundreds of
campfires burn before the tents.
INT. HOSPITAL TENT - NIGHT
Maximus enters a large tent and is met by a spectacle of the
dead and dying. Roman surgeons are working feverishly to
save lives. Limbs are amputated, the bloody stumps quickly
cauterized with hot irons. Leeches and bronze cups are
employed for blood-letting to balance "humours."
Anesthesia as we know it is nonexistent. Wine amphoras are
passed around and orderlies fan narcotic smoke toward the
patients. Mostly, though, they just hold down the writhing
patients.
Maximus moves through the tent, offering a word of comfort
here and there. All the wounded are delighted to see him.
He goes to an older soldier, GALLUS, who has one wooden hand.
His other hand is bandaged.
MAXIMUS
What, Gallus, losing your other
hand?
GALLUS
Aye, General, they're going to make
a bronze one for it. Long fingers
this time.
13.
MAXIMUS
And the women of your village will
crave your touch even more.
GALLUS
Ah, then you know the women of my
village.
Maximus smiles and moves on.
He stops at a young soldier, VALERIUS, whose head has been
shaved. A hole has been bored into his skull to relieve the
pressure on his brain. The young soldier is dying.
MAXIMUS
What's your name, son?
VALERIUS
Valerius, General.
MAXIMUS
The name suits you.
VALERIUS
Why am I dying?
A beat. Maximus sits by his cot. He takes Valerius' hand.
MAXIMUS
You're dying because you love Rome,
as I do.
VALERIUS
I've never been to Rome.
MAXIMUS
Neither have I. Rome for us lives
here...
(he touches his heart)
... it's a thing inside us that
came from our ancestors and that we
give to our children.
VALERIUS
It must be glorious, Rome. I've
only seen pictures. Is it a
glorious place?
A beat.
MAXIMUS
Yes, it's a glorious place.
14.
VALERIUS
It must be.
He smiles. And he is dead.
Maximus sits for a moment. He gently closes Valerius' eyes.
And Maximus finds that he is weeping.
He is not ashamed of the tears.
Ratings
Scene 6 - The Grand Mess Tent
An immediate swirl of noise. The grand mess tent is crowded
with soldiers. They are still filthy with caked- on mud and
blood. Wounds are bandaged and tankards are raised in
celebration of the victory.
Marcus sits in a central position and receives visitors.
Currently two Senators, FALCO and GAIUS, are bowing before
him.
FALCO
Hail, Marcus Aurelius.
MARCUS
Stand up, Senators. That
unfamiliar posture doesn't suit
you.
GAIUS
We live in supplication to your
glory.
MARCUS
All the while conspiring with that
fat man in Rome. How is the old
monster?
GAIUS
Senator Gracchus is hale, sire.
MARCUS
Still damning me to the four winds?
GAIUS
Still eager for your triumphant
return to Rome, Caesar.
MARCUS
I would have silenced him decades
ago -- but I just like him too
much.
15.
Meanwhile, Maximus stands with his lieutenants, Titus and
Quintus. A wound on Maximus' arm has been bound.
MAXIMUS
(to Titus)
If you want to stay on, I support
you. So do the men. I'll ask the
Emperor to appoint you in my place.
TITUS
It won't be the Felix Regiment
without you.
MAXIMUS
I'll return after a season at home.
Maybe two.
QUINTUS
That means after three or four more
babies.
TITUS
And you'll be too fat from Vibia's
cooking to get on your horse by
then.
MAXIMUS
Should the Gods so bless me. I
would be thankful.
Commodus perambulates up to them.
COMMODUS
Hail, warriors. My
congratulations.
TITUS AND QUINTUS
(bowing)
Highness.
COMMODUS
(to Maximus)
My old friend, my father tells me
you're returning to Spain?
MAXIMUS
Yes.
COMMODUS
A pity. I'll need men like you in
my army...
16.
An awkward glance between the soldiers. This sort of talk is
offensively premature.
COMMODUS (cont’d)
There are larger division that
might appeal to you. Even the
Praetorian Guard. You've never
been to Rome. Imagine arriving as
head of the Praetorians! They have
really splendid uniforms.
MAXIMUS
(cold)
I'm going home.
Senators Gaius and Falco join them.
GAIUS
(to Maximus)
... And why not apply for entry to
the Senate?
FALCO
A war hero with a handsome face and
a strong heart could go far.
COMMODUS
General Maximus, may I present
Senators Gaius and Falco. Beware
of this Gaius, he'll pour a honeyed
potion in your ear and you'll wake
up one day and all you'll say is
"Republic, Republic, Republic..."
Laughter.
FALCO
Have you never considered Rome?
MAXIMUS
No.
COMMODUS
You've had my ear since we were
children. You could be a valuable
ally in the Senate.
GAIUS
Are you a believer in
Republicanism?
17.
COMMODUS
(laughs)
There -- I warned you.
MAXIMUS
I'm a soldier, not a politician.
Meanwhile, a dark eye is studying the men through a hidden
slit in the tent wall. The eye is particularly drawn to
Maximus.
GAIUS
If your heart lies with the people,
I would back you for the Senate.
I'm sure Gracchus would as well.
COMMODUS
Not a word about that sodomite
bastard.
GAIUS
(smiles to Maximus)
The august Senator Gracchus has
been rather a gadfly on the flesh
of the imperial family.
FALCO
He's a damned provocateur.
GAIUS
He lives under the antiquated
assumption that the Senate should
represent the people with vigor.
COMMODUS
I won't tolerate it. His incessant
criticism exhausts me. The man can
speak for five hours without taking
a breath.
GAIUS
He serves Rome best when he serves
it with honesty.
COMMODUS
(sharply)
Enough... Maximus, I would like to
inspect the Felix Regiment at dawn.
Please arrange it.
MAXIMUS
I can't do that.
18.
COMMODUS
Excuse me?
MAXIMUS
My men have been fighting for five
solid days. They're too busy dying
to go on dress parade.
A beat. Commodus' eyes flash fire at this public rebuke. He
very quickly gets control.
COMMODUS
(smiles)
Of course, how foolish of me. Some
other time...
He notes his father being helped out of the tent by several
body slaves.
COMMODUS (cont’d)
Caesar retires early tonight.
Ratings
Scene 7 - The Succession
Marcus is helped out of the mess tent into a tent corridor
attached.
He sees his daughter Lucilla in the corridor, spying in
through the slit in the tent wall. He watches her, smiles.
MARCUS
If only you had been born a man...
She turns to him. He leaves his body slaves and goes to her.
LUCILLA
Father.
MARCUS
What a Caesar you would have made.
LUCILLA
You're right.
MARCUS
I think you would have been strong.
I wonder if you would have been
just?
LUCILLA
I would have been what you taught
me to be.
19.
A beat. They stare at each other. He finally smiles.
MARCUS
Well, pretend to be my loving
daughter tonight and walk with me
to my chamber.
She smiles and takes his arm. They slowly walk down the tent
corridor as:
MARCUS (cont’d)
This is a pleasant fiction, isn't
it?
They disappear into darkness.
EXT. TENT CITY - DAWN
Maximus is slogging through the mud and snow that blankets
the Rome camp. He stops to observe an unusual sight.
Commodus is stripped almost naked, his chiseled body covered
in a fine sheen of sweat. He and his six CENTURION BODY
GUARDS are going through their daily ritual. They defy the
sub-zero temperatures and hack at small trees with swords.
It is an eerie, zen-like workout. Commodus' intense
concentration is unnerving.
Maximus watches for a moment then moves on. He approaches a
large network of tents. He enters.
INT. MARCUS' TENT - DAY
Maximus enters Marcus' darkened tent. Flickering braziers
provide the only light in the enormous Imperial tent. Heavy
beams support the canopy and they creak like the timbers of a
ship as the tent sways slightly in the wind. Marcus stands
before a map of the Roman Empire.
MAXIMUS
(bows)
Caesar.
Marcus holds out a scroll.
MARCUS
Read this.
MAXIMUS
I never acquired the art, sir.
20.
MARCUS
Of course. No matter. In this
letter I denote my intention to
nominate you to stand for the
Emperorship after my death.
A stunned pause. Maximus stares at him.
MARCUS (cont’d)
My son is not a moral man. You
have known this since you were
young. He cannot rule.
MAXIMUS
Caesar, I am honored but --
MARCUS
For twenty years I have been
spilling blood. For twenty years I
have written philosophy and
ruminated and conquered. Since I
became Caesar I have only had four
years without war. Four years of
peace in twenty. So perhaps I can
be... forgiven.
A long beat.
MARCUS (cont’d)
While I have been fighting, Rome
has grown mad and corpulent and
diseased. I did this. And now I
shall make it right.
MAXIMUS
Sire, you brought the light of the
Gods to barbarian darkness. You
brought civilization and justice to
the farthest --
MARCUS
(fierce)
I have brought the sword -- nothing
more! Rome is far away and we
shouldn't be here. What matter is
it to the Gods if we subdue one
more tribe of Parthians or Gauls?
What matter is it to Rome if a
thousand more barbarians bend to
our lash?
A beat.
21.
Marcus sits. He doesn't look at Maximus.
A pause.
MARCUS (cont’d)
Winter, Maximus. It's winter
now...
A beat.
MARCUS (cont’d)
There was a dream that was Rome. I
can only whisper of it now.
Anything more than a whisper and
the dream vanishes. It's so...
fragile. The true glory of Rome is
in a very fragile idea. Imagine a
place devoted to the rights of the
citizen. Where every free man has
a voice. That was the dream... And
I fear it will not survive the
winter.
He holds out a hand to Maximus. Maximus takes his hand,
deeply moved, kneeling.
MARCUS (cont’d)
Let's just whisper here, you and I.
MAXIMUS
Yes, Caesar.
MARCUS
If the dream is ever to live again
the people must have a true voice.
The voice I took from them. That
all the Caesars took from them, bit
by bit, conquest by conquest. And
now that I am dying I am going to
give them that voice again.
MAXIMUS
You're not dying.
MARCUS
I am, Maximus. It's strange... I
find as I near the end I think
little of the waning moments around
me... instead I think much of the
past... and of the future. How
will the world speak my name in
years to come? Will I be known as
the philosopher? The warrior?
(MORE)
22.
MARCUS(cont'd)
The tyrant? Or will there be a
more golden sounding to my name?
Will I be the Emperor who gave Rome
back her freedom?
A beat.
MARCUS (cont’d)
Before I die I will give the people
this final gift. I will give them
the Senate reborn. The voice of
the people empowered again, as it
was always meant to be. It is my
design that they will elect the
next Emperor. And I would put
forward your name with my backing.
MAXIMUS
Caesar, you do me honor -- but your
son has pride of place for
succession.
MARCUS
You are the son I should have
had... Although I fear in my
deepest heart that if you had truly
been my son my blood would have
polluted you as it did Commodus.
We're a cursed bloodline. We have
lived so long in power and
depravity that we no longer
remember a life without it. We can
no longer even imagine a life
without it.
A beat.
MARCUS (cont’d)
Look at me, son.
Maximus looks at him.
MARCUS (cont’d)
Son... I know that one grove of
your vineyard is worth more to you
than all the treasures of Rome. I
know one loving word from your wife
is worth more than the accolades of
an Empire. But... a fond old man,
who loves you more than he can say,
begs you to at least think about
what he has said tonight.
23.
MAXIMUS
I shall, Caesar.
A beat.
MARCUS
I'll keep this letter to myself. I
hope that with the sunrise you will
agree. And embrace me as a father.
Maximus nods and rises. He begins to go. Stops.
MAXIMUS
You have always been my father.
He goes.
Ratings
Scene 8 - A Moment of Reckoning
Maximus emerges from Marcus' tent into a long tent corridor,
deep in thought.
LUCILLA'S VOICE
He always favored you...
He turns. Lucilla is waiting. She glides to him.
LUCILLA
Even over his son.
MAXIMUS
(turning away)
That's not true.
LUCILLA
Maximus, stop...
(he stops)
Let me see your face.
He turns to her.
LUCILLA (cont’d)
You've been crying.
MAXIMUS
I lost too many men.
LUCILLA
What does my father intend?
He turns and walks. She walks with him.
24.
MAXIMUS
I don't know.
LUCILLA
You're lying. I could tell when
you were lying even when we were
children. You hate it.
MAXIMUS
I never acquired your comfort with
it.
LUCILLA
True. But then you never had to.
Maximus, stop...
(he stops again)
... Is it really so terrible seeing
me again?
MAXIMUS
No. I'm sorry. I'm tired from the
battle.
LUCILLA
And you are hurt to see my father
dying.
A beat.
LUCILLA (cont’d)
He will announce Commodus'
succession. That's why he summoned
us. Will you serve my brother as
you served his father?
MAXIMUS
I will always serve the ideals of
Rome.
A beat.
LUCILLA
Do you know I still remember you in
my prayers...? Oh yes, I pray...
Ever since that day you saved me
from drowning off Capri. Do you
remember?
MAXIMUS
Yes.
25.
LUCILLA
Commodus was so angry that a mere
peasant -- a Spaniard no less --
touched the royal person, do you
remember his anger?
MAXIMUS
Yes.
LUCILLA
Mark this, Maximus: that is the
man who will be Emperor.
A beat.
MAXIMUS
May I be permitted to go, Highness?
She smiles sadly.
LUCILLA
There was a time when you didn't
call me "Highness."
MAXIMUS
And there was a time when you were
just a little girl drowning in the
sea. All that was a different
life.
LUCILLA
(quietly)
Very different... I wonder if it
was better?
MAXIMUS
It was more honest.
A moment between them. We sense there is much to be said,
much that could be said.
Finally:
MAXIMUS (cont’d)
I thank you for your prayers.
He goes. She watches him walk away.
Ratings
Scene 9 - Mourning and Conflict in the Aftermath
Maximus kneels before a small altar in his tent. He faces
six small figures that represent his dead ancestors.
26.
MAXIMUS
Ancestors, true bloodline, I ask
you for your guidance. Bring me
your solace and your wisdom.
Blessed Mother, come to me in my
dreams with the Gods' desire for my
future. Blessed Father, watch over
my wife and my son with a ready
sword. Keep them safe until my
return. Whisper to them in their
sleep that I live only to hold them
again and all else is dust and air.
Ancestors, true bloodline, I honor
you and will try to live with the
dignity you have taught me.
He looks at his "ancestors" for a moment and then blows out
the candles around them.
INT. MARCUS' TENT - NIGHT
Commodus' eyes are red with weeping. He sits, head down, at
the foot of Marcus' bed and speaks to his father.
COMMODUS
(quietly)
I search the faces of the Gods for
ways to please you... to make you
proud... and I can never do it.
One kind word -- one full hug where
you pressed me to your chest and
held me tight -- would have been
like the sun on my heart for a
thousand years... What is it in me
you hate so much? My eyes are your
eyes. My hands are your hands.
All I have ever wanted was to live
up to you. Caesar. Father.
He stands. We see that he is holding the scroll denoting
Marcus' intention to nominate Maximus as Emperor to the
Senate. Commodus cannot control his tears.
COMMODUS (cont’d)
Why does Maximus deserve what I
could never have? -- Why do you
love his eyes over mine? -- I would
butcher the whole world -- if you
would only love me...
Commodus weeps.
27.
INT. MAXIMUS' TENT - NIGHT
Quintus is waking Maximus --
QUINTUS
General -- Maximus --
MAXIMUS
Quintus -- ?
QUINTUS
The Emperor needs you. It's
urgent.
Maximus leaps up and throws on a cloak, strides out with
Quintus...
EXT. TENT CITY - NIGHT
Dead of night. Maximus and Quintus stride quickly through
the sleeping camp toward Marcus' tent.
MAXIMUS
What is it? Is he ill?
QUINTUS
I don't know...
They continue on toward Marcus' tent.
INT. MARCUS' TENT - NIGHT
Maximus and Quintus stride into the tent -- Maximus slams to
a halt. Stunned.
Commodus stands before him. Lucilla stands in a corner of
the tent, head down.
And Marcus Aurelius dead, lying on his bed.
Maximus stares at Marcus.
COMMODUS
Lament with me, brother, our great
father is dead. I want --
Maximus, not even hearing, steps past him to Marcus.
He stands for a moment and then slowly kneels before Marcus
and gently kisses the old man's forehead. A ritual farewell.
28.
A moment of silent mourning and then Maximus stands. He
turns very, very slowly to Commodus.
COMMODUS (cont’d)
General, the Gods' have taken the
great man and left me alone. My
first desire as Emperor is that you
take my hand in friendship. I need
you at my side, Maximus, at this
moment above all others. Stand
with me.
Maximus glares at him:
MAXIMUS
How did he die?
Commodus does not respond.
MAXIMUS (cont’d)
How did he die?
COMMODUS
The surgeons say it was his breath
that gave out.
Maximus glances to Lucilla, she avoids his eyes.
COMMODUS (cont’d)
Take my hand, Maximus. I only
offer it once.
A beat.
Maximus turns back to Marcus.
MAXIMUS
How will the world speak your name
now, old man?
Without a glance to Commodus, he stalks out.
A silent beat. Then Commodus nods to Quintus. Quintus goes.
Lucilla looks at Commodus for a long moment, her face an
enigmatic tornado of complex emotions.
Then:
LUCILLA
Hail, Caesar.
29.
Ratings
Scene 10 - Maximus' Betrayal and Escape
Maximus is kneeling before his ancestors, head down, his
fists clenched, praying.
Quintus and four Praetorian ASSASSINS suddenly burst in --
the assassins move immediately to bind Maximus -- swords at
his throat --
MAXIMUS
What -- ?!
QUINTUS
(ashamed)
Please don't fight, Maximus --
MAXIMUS
Quintus --
Quintus goes to Maximus' armor, which hangs nearby, and
slowly removes his seal of office.
QUINTUS
I'm sorry, General, Caesar has
spoken.
They pull Maximus out --
EXT. MAXIMUS' TENT - TENT CITY - NIGHT
Five horses are waiting.
MAXIMUS
Quintus, what -- ?
QUINTUS
(anguish)
I have no choice --
They are almost run over by a stern cohort of twenty
Praetorians who gallop past. Maximus knows immediately what
this means.
MAXIMUS
(suddenly)
My family?!
A beat.
MAXIMUS (cont’d)
What about my family, Quintus?
30.
QUINTUS
(quietly)
They will greet you in the
afterlife.
Maximus lunges at him -- the Praetorians subdue him --
slamming him with a sword hilt -- knocking him unconscious.
QUINTUS (cont’d)
(quietly, to assassins)
Take him as far as the sunrise and
then kill him.
EXT. FOREST ROAD - DAWN
The four Praetorian assassins lead Maximus along a road. He
sits slumped in his saddle, drained.
ASSASSIN #1
All right, this is far enough.
The three other assassins climb from their horses. Assassin
#2 pushes Maximus from his horse. He falls to the ground
hard.
ASSASSIN #1 (cont’d)
You two take him down there where
no one will find him.
ASSASSIN #3
Come on, General...
Assassin #3 and Assassin #4 drag Maximus down a densely
forested hill along the road. Maximus' hands are still bound
in front of him. He seems totally lacking in any resistance.
EXT. FOREST - BELOW THE ROAD - DAWN
Maximus eyes the two assassins as they troop down the hill
away from the road, he notes their sparkling armor. The armor
of men who have never seen real battle.
MAXIMUS
Have you ever done this before?
ASSASSIN #3
What?
MAXIMUS
Killed a man with a sword?
31.
ASSASSIN #3
Not like this, exactly... this is
good, you can stop.
They stop. They are far down the hill, out of sight of the
road.
MAXIMUS
It can be very messy -- you could
get blood all over your armor. You
don't want to hack me up now. You
want one clean stroke.
ASSASSIN #3
Would you kneel, General?
Maximus kneels, his whole body secretly coiling. Assassin #3
stands over him as:
MAXIMUS
One good stroke -- you do know
where, don't you?
ASSASSIN #4
Be quiet.
MAXIMUS
If you miss the spot there'll be
blood everywhere. Quite a spray.
ASSASSINS #3
All right, where?
MAXIMUS
Here -- you don't want to hit the
vein on the neck --
Maximus points his bound hands at a spot on the back of his
neck.
MAXIMUS (cont’d)
Put the point of your sword here...
you want one, good blow right at
this spot --
Assassin #3 dutifully puts the point of his sword on the spot
on Maximus' neck.
A grave mistake.
32.
Maximus instantly grabs the blade of the sword with his hands
and yanks it from Assassin #3 -- EXPLODING up -- his hands
are bleeding but he tosses the sword into the air and catches
it -- swings the sword with brutal efficiency -- decapitating
both assassins --
Ratings
Scene 11 - Maximus Battles Assassins and Escapes
On the road above, the other two Assassins are on their
horses, waiting.
They hear a quick yelp from below. And then nothing.
Assassin #1 nods for Assassin #2 to check on the execution.
Assassin #2 canters off the road and down the hill...
EXT. FOREST - BELOW THE ROAD - DAWN
Assassin #2 canters down the hillside.
He senses movement behind him -- spins around, drawing his
sword -- too late --
Maximus throws a sword -- it flashes through the air -- and
into Assassin #2.
EXT. FOREST ROAD - DAWN
Assassin #1 waits on his horse. He hears the commotion below
-- spins his horse around just as Maximus bursts to the road.
He stands with a sword.
Assassin #1 spurs his horse and gallops toward Maximus at
full speed -- Maximus crouches and prepares --
Assassin #1 and Maximus swirl together for an instant -- both
slashing brutally --
Assassin #1 continues to gallop past Maximus. He stops. He
looks down. A wound in his stomach. He falls off his horse.
Dead.
Maximus has also been wounded -- a deep gash on his side. He
fights the pain as he moves toward the horses...
33.
EXT. FOREST ROAD - DAY
Maximus is galloping through the forest at lightning speed,
leading four horses behind him. The gash in his side
bleeding.
EXT. TENT CITY - DAY
A gloomy day. Emperor Commodus stands before the assembled
Felix Regiment. The soldiers are already uneasy. They note
Quintus standing by Commodus, wearing Maximus' seal of
office. Where is Maximus?
COMMODUS
Even as the Gods curse this dark
day with clouds, so too does the
sun begin to shine forth on a
promised tomorrow. Even as we
mourn the passing of our father, so
too do we celebrate the coming of a
bright, new age for Rome. At my
side, brothers, you shall pull
fresh glories from the heavens. At
my side, brothers, you shall know
the adoration of the Gods. Doubly-
dark is this day because my friend,
your noble commander Maximus
Meridas, has been called to Rome to
deal with urgent matters of
state...
Titus glances quickly to Gallus, whose hand is bandaged from
surgery. They know this cannot be true.
COMMODUS (cont’d)
Until his promised return I
appointed Quintus Domitian to serve
in his stead. I salute you,
Legionnaires!
QUINTUS
(raising his sword)
Hail, Caesar!
The Felix Regiment responds, many unsure.
FELIX REGIMENT
Hail, Caesar!
34.
Commodus strides off and the Felix Regiment slowly disbands,
muttering to one another in confusion. Titus and Gallus go to
Quintus.
TITUS
Quintus, what is -- ?
QUINTUS
(firmly)
Don't speak of it. Never speak of
it.
He stalks off. Titus and Gallus, concerned, watch him follow
after Commodus.
Ratings
Scene 12 - The Destruction of Maximus' Home
Lucilla stands in Maximus' tent. She looks around. She
gently touches his Lorica Segmentata. Her fingertips move
along the contours of his armor. She tries to retain her
neutral demeanor.
She notes his "ancestors" on the small alter.
EXT. HILLSIDE - NIGHT
Maximus continues to gallop, he is on a different horse. He
leads only two horses now.
EXT. VINEYARD - DAY
Maximus' home in Spain is beautiful beyond measure.
We see verdant farmlands and vineyards and a spacious house
nestled amid gently rolling hills.
Maximus' eight-year-old SON is in a paddock playing with his
pony. He stops, sees something. Over a hill, he can just
glimpse a battle flag, approaching.
He screams with joy and runs toward the flag as he calls:
MAXIMUS' SON
MOTHER! MOTHER! FATHER'S HOME!
Maximus' WIFE emerges from the house, drying her hands on a
cloth and smiles.
Maximus' Son races toward the flag. He can just see the
soldiers beginning to appear over the hill.
35.
Not a Roman Legion at all. Twenty Praetorians canter over
the hill. Maximus' Son stops, confused.
EXT. OLIVE GROVE - DAY
Maximus is galloping up a hill, leading only one horse now.
The horse he is on is exhausted, spent, foam coats its neck.
It can't make it.
The horse collapses and Maximus falls. He immediately leaps
onto the remaining horse and continues riding up the hill.
EXT. HILLS AROUND VINEYARD - SUNSET
Maximus is racing over the countryside, galloping in a
frenzy. His wound is bleeding profusely, coating the side of
his horse.
He rears the horse to a stop for a moment. Over a hill he
can see thick black smoke rising. He spurs the horse and
gallops over the hill...
EXT. VINEYARD - SUNSET
And his worst nightmares are realized.
His home and his vineyards have been destroyed. The earth
has been scorched and his house is still smoldering. He
rides up to the house and practically falls off the horse.
He pulls himself up and walks past the smoldering debris of
his house, fearing what he knows he will find.
He sees the bodies of servants scattered about in the ruins.
He sees a Praetorian battle flag.
He continues on, his wound bleeding more with every tortured
step. He finally stops. He stares up.
His wife and his son have been crucified and burnt. They are
nothing more than grotesquely twisted, charred shapes.
Maximus instantly collapses to his knees -- he howls out his
torment in a heartrending keen of despair as he coats his
face in the ashes of his dead world. He sinks into
unconsciousness, praying for death.
36.
Ratings
Scene 13 - Sold into Slavery
An unusual jingling sound is heard. Maximus appears to be
dead, his gaping wound beginning to fester.
The source of the jingling becomes clear when we see the feet
of Bedouin brigands, with delicate anklets, shuffling around
him. A hand touches his sandals. Rich sandals. Another
touches his tunic. Good cloth.
Suddenly Maximus groans. The hands stop. He's alive. A bit
of quick language in an unknown tongue.
Then the hands grab Maximus and drag him away.
EXT. SLAVE WAGON TRAIN - DAY
Maximus' eyes slowly open --
Inches away from his face -- a lion roars --
Maximus lurches back.
He looks around to realize he is in a filthy slave wagon.
Three other wagons slowly move over the desert landscape.
Exotic animals are caged in pens or led alongside the wagons:
lions, panthers, zebras, a giraffe. A dozen slaves are
chained together alongside sacks of spices and other cargo.
Bedouin slave traders jabber in a surreal babel of foreign
tongues.
And someone is looking at him. JUBA, a striking African, is
gazing at him impassively as he chews something. Juba is
also chained.
MAXIMUS
(weakly)
Am I in Hades?
JUBA
Yes.
Juba spits what he has been chewing into his hands and moves
to Maximus.
JUBA (cont’d)
For your wound... Maximus stares at
him.
37.
JUBA (cont’d)
(nods)
For your wound.
Maximus looks down -- the bloody wound at his side.
Juba carefully places his poultice over the wound -- Maximus
hisses in pain -- Juba massages the poultice into the wound
gently as:
JUBA (cont’d)
If you die in the wagons they feed
you to the lions... The lions are
worth more than we are. I think we
are worth more than the zebras
though. So they don't feed us to
them.
Maximus stares at him. Juba looks down at him with the
barest hint of a smile.
JUBA (cont’d)
I'm not sure about the giraffe.
EXT. SLAVE MARKET - DAY
The heat of Morocco is unlike anything Maximus has ever
known. Shimmering heat waves undulate over the sand.
The provincial market is bustling like the proverbial
anthill. Slave traders and dealers and merchants move
around, all talking very quickly and very emphatically.
Maximus, Juba and a number of other slaves are on display,
poked and prodded and fondled. Their BEDOUIN SLAVE TRADER
sings out their praises to any passers.
The crowd parts almost magically for the dramatic arrival of
PROXIMO. Proximo is a large man of immense appetites. He has
the ferocious appearance of a true pirate. Two slaves follow
behind him and impotently swat at flies with switches.
SLAVE TRADER
Proximo, my old friend, see what I
have for you today -- !
Proximo SLAMS a fist into the Slave Trader's face. The Slave
Trader sails back.
PROXIMO
Those giraffes you sold me won't
mate!
(MORE)
38.
PROXIMO(cont'd)
All they do is run around not
mating! YOU SOLD ME EUNUCH
GIRAFFES!!
The Slave Trader pulls himself up, hugely obsequious.
SLAVE TRADER
I will make it up to you, Master.
It's bargain day for you! Look,
look, look -- I have two lions and
a panther -- hear how they roar for
you! "Bring me home, Proximo!"
Proximo examines the animals.
PROXIMO
How much for the lot?
SLAVE TRADER
For you -- 8,000 sesterces.
PROXIMO
For me -- 6,000 sesterces and I
want to see their balls first. And
you throw in those two slaves.
SLAVE TRADER
(moves to Maximus)
What about this one? Look at the
arms!
Proximo moves to Maximus. The Slave Trader forces open
Maximus' mouth.
PROXIMO
Good teeth --
Proximo notes the many old battle scars on Maximus' body.
PROXIMO (cont’d)
Where did you get those scars?
Maximus doesn't respond.
PROXIMO (cont’d)
Are you a soldier?
Maximus doesn't respond.
PROXIMO (cont’d)
Do you speak? --
(he roars back to a slave)
KEEP THOSE DAMN FLIES OFF ME!
(MORE)
39.
PROXIMO(cont'd)
(back to Maximus) )
He's dying.
SLAVE TRADER
1,000 sesterces.
PROXIMO
My ass...
(moves to Juba)
You throw in this one and we'll
make it 7,000 sesterces for the
whole lot.
SLAVE TRADER
I have to eat, Master! He's my
finest, I couldn't let him go as
part of the lot for less than 9,000
total...
(back to Maximus)
I tell you this one is prime. He's
a Spaniard and killed fourteen of
my men before he could be subdued!
Proximo looks at Maximus, notes the many battle scars again.
The scars, and something he senses in Maximus' eyes, is
enough for Proximo to consider it.
PROXIMO
(to trader)
All right, let's see.
The Slave Trader and his colleagues grab Maximus and bustle
him across the market, unlocking his chains. Maximus has no
idea what's going on.
In the center of the market place, a veritable GIANT of a man
sits on a small stool, a wooden sword in his hand. He is
hunched over and chained to the ground by a ten foot chain
shackled to his ankle. A think metal helmet is riveted
around his entire head, only long turfs of hair emerging.
His dim eyes stare listlessly through a slot in the helmet.
The Slave Trader puts a wooden sword in Maximus' hand and
shoves him toward the Giant. The Giant stands. He towers
over Maximus.
The Giant suddenly swings his sword -- he moves with
remarkable quickness -- Maximus makes no attempt to block the
blow -- it sends him flying to the ground.
Maximus pulls himself up.
The Giant moves in and hits him again -- Maximus recoils --
the Giant hits him again -- Maximus falls.
40.
Maximus pulls himself up.
The Giant moves in again -- he slams him a few more times --
Maximus makes no attempt to protect himself -- he falls.
Maximus pulls himself up. The Giant is about to attack again -
-
PROXIMO (cont’d)
(to Slave Trader)
That's enough.
SLAVE TRADER
STOP! STOP!
His colleagues race into the ring and haul the Giant away
from Maximus. The Giant quietly sits back on his stool.
Proximo studies Maximus for a moment and then glances to the
Slave Trader.
PROXIMO
I'll give you 500 sesterces.
SLAVE TRADER
No -- no -- 1,000!
PROXIMO
(laughs)
Come, don't quibble with your old
friend. I'll take the lions, the
panther, the Numidian and this one
for 7,000. And I'll buy you the
best whore in the town for two
nights. She's an enormous mountain
of flesh who craves a stern hand.
SLAVE TRADER
How could I say no to my old friend
Proximo?
Ratings
Scene 14 - Arrival at the Gladiator School
Maximus and Juba are crammed into a wagon with about ten
other slaves, including a very scared and reedy SCRIBE. Other
wagons are filled with exotic animals, including several
lions.
The wagons move through a crowded casbah and are taken
through an imposing set of gates to...
41.
EXT. PROXIMO'S SCHOOL - COMPOUND - DAY
An open compound in Proximo's school. On one side of the
compound is a series of cages filled with wild animals of
every description -- including Proximo's two hapless
giraffes.
Proximo's house slaves begin unloading the newly purchased
exotic animals into cages as Maximus and the new slaves are
unloaded. Heavily armed guards supervise everything.
But Proximo's slaves are having a bit of a problem with one
of the new lions -- it growls and resists them.
Without the slightest hesitation, Proximo thunders to the
lion and grabs it by the mane -- manhandling it into a cage.
PROXIMO
COME ON, YOU FILTHY BEAST!
He kicks the lion in the rear as he shoves it into the cage.
Proximo's provincial school resembles nothing so much as a
seedy prison. The fading grandeur of the decaying
battlements and the sweeping North African architecture only
slightly mitigate the brutal feel of the place.
And if Maximus had any doubts as to Proximo's profession --
all doubts are washed away when he sees the compound.
Twenty GLADIATORS are working out in the compound -- hacking
at practice dummies and sparring. The many heavily armed
guards oversee everything. The gladiators stop working out
as they see the new slaves enter. They eye their potential
new opponents warily.
One huge, glowering gladiator -- VIBIUS -- watches with
particular interest. His eye is quickly drawn to the most
obvious athlete: Juba.
The new slaves are herded to the middle of the compound and
house slaves immediately begin throwing buckets of water on
them, cleaning them.
Meanwhile, Proximo shrugs off his cloak. A slave brings him
wine as he give his "welcoming speech" to the new slaves:
PROXIMO (cont’d)
Slaves. I am Proximo, trainer of
gladiators. You live and die at my
pleasure.
(MORE)
42.
PROXIMO(cont'd)
Fight well and you will live.
Fight poorly and you will die. It
is better to live.
Slaves now toss thick handfuls of powdered lime on the new
slaves -- they cough and clench their eyes shut, the lime
coats and stings their wet bodies.
PROXIMO (cont’d)
Here you will be trained in the art
of combat. Here you will be given
the tools to survive. Please my
patrons in the arena and all the
gifts of the world will be showered
upon you. Imagine riches beyond
your paltry dreams of riches!
Imagine fame beyond your rude
understanding of the word! All
this can belong to the select few
who prove their worth in the arena.
Slaves throw more water on the new slaves -- washing off the
lime.
PROXIMO (cont’d)
If... on the other hand... you
disappoint me... you will be
dismembered and fed to my jackals
limb by limb.
He gazes evenly at his new acquisitions.
PROXIMO (cont’d)
And my jackals are always hungry.
He strides off and the guards shove the new gladiators toward
their cells.
Ratings
Scene 15 - The Transport to the Colosseum
Maximus and Juba share a small, filthy cell. The cell door
faces the open compound. Across the compound they can see
the much more comfortable cells of the "star" gladiators such
as Vibius.
They both sit on the floor, leaning against the wall. Juba is
eating a bowl of food with a wooden spoon. Maximus' bowl and
spoon are at his side, he has not touched them.
JUBA
Have you killed a man before?
Maximus does not respond.
43.
JUBA (cont’d)
You should eat. You'll need your
strength tomorrow.
Maximus does not respond.
JUBA (cont’d)
I've never killed a man. But I
think you have.
Maximus does not respond.
JUBA (cont’d)
I almost killed once. The Romans
destroyed my village. I was with a
hunting party and when we
returned... I would have killed
every Roman in the world.
A long beat.
JUBA (cont’d)
If you don't eat you will die.
Maximus does not respond.
A beat.
JUBA (cont’d)
In the village I come from there
was a man once. He went fishing
one day and his boat was attacked
by crocodiles. One of them ate his
leg. He pulled himself to the
shore and a lion attacked him. It
ate one of his arms. He dragged
himself through the desert on the
way home and a scorpion stung his
eye. So he only had one eye. When
he reached the village I sat with
him. I said, "You have lost a leg,
an arm and one eye. You must have
a mighty will to live." He said,
"No, Lord, it's just better than
the alternative."
Maximus finally looks at him.
JUBA (cont’d)
Life is a gift from our fathers to
us. Who are you to give it up for
lack of lifting a spoon?
44.
Maximus does not respond.
EXT. PROXIMO'S SCHOOL - COMPOUND - NIGHT
Maximus and Juba are being observed. Proximo stands in the
shadows of the compound and watches intently.
EXT. SLAVE WAGON - PROVINCIAL STREETS - DAY
Blood appears to be flowing across an oxen's back. But the
blood is too rich, too red.
The oxen are pulling an open slave wagon through the crowded
streets of the town. Hanging above the street is dyed wool
drying in the sun. Vermilion and crimson dyes drip down and
splash across the oxen -- and splash across the gladiators.
Maximus, Juba, the formidable Vibius are chained in the back
of the wagon. Also the frightened Scribe.
Proximo and a few of his guards drive the wagon. Proximo has
an umbrella over him, colored with years of dripping dyes.
They pass a banner honoring Vibius, the star of Proximo's
stable.
Meanwhile, the terrified Scribe is almost weeping, chattering
nervously to Vibius, chained next to him:
SCRIBE
I know nothing of armaments and
warfare! I'm a scribe -- I write
down words! I can write down seven
languages --
VIBIUS
Be still.
SCRIBE
I don't -- how do you hold the
sword?! I've never held a sword!
VIBIUS
You point the sharp end at your
opponent and you shove it in his
guts.
SCRIBE
I can't -- I --
He suddenly vomits.
45.
VIBIUS
(calling to Proximo)
Proximo! You insult me with this
carrion! Chain him to someone
else!
PROXIMO
(calling back)
Don't worry, noble Vibius, he won't
be bothering you for long.
The Scribe begins to weep.
The crowds in the street jeer at the passing gladiators.
Occasionally throwing trash at them. A pack of children run
alongside the wagon, chanting:
CHILDREN
Dead guts! Dead guts! Dead guts!
Maximus watches the children for a moment and then another
sight draws his attention. Over some buildings he can see
vultures circling in the distance.
Ratings
Scene 16 - The Arena Battle
In the cramped holding area of the arena, a dugout beneath
the stands, Maximus and the other gladiators are waiting.
Proximo walks before them, giving a final "pep talk." He
gazes at them evenly, his eyes going from face to face.
PROXIMO
Some of you say you can't fight,
you won't fight... They all say
that... But one day you will pick
up a sword and thrust it into
another man. And the crowd will
cheer you and love you. And you
will love them for it. On that
day... you will be a gladiator.
He stops at Maximus.
PROXIMO (cont’d)
In this life, we all die. All we
can choose is how we die. And how
we are remembered. Be remembered
proudly.
Drums are heard from the arena. Proximo nods to a waiting
blacksmith.
46.
The blacksmith begins slamming shackles on the gladiator's
wrists -- chaining them together in teams of two by a chain
about four feet long.
The blacksmith is about to chain Maximus to the Scribe.
PROXIMO (cont’d)
No...
(he points to Juba)
... give the Spaniard to him. Give
the Scribe to Vibius.
Proximo nods to Vibius, who, for reasons we shall soon see,
makes no protest to being chained to the whimpering Scribe.
Proximo watches the blacksmith shackle Maximus and Juba
together and then strides off.
JUBA
(to Maximus)
Are we going to fight each other?
EXT. PROVINCIAL ARENA - DAY
Proximo sits in a box with several other GLADIATOR TRAINERS.
They drink wine and eat constantly. A perpetual chatter of
wagers and odds and side bets.
The arena is only sparsely attended this day.
PROXIMO
Make it 600 sesterces for each
decapitation.
TRAINER #1
How many strokes?
PROXIMO
Two.
TRAINER #1
For the great Vibius, one stroke.
PROXIMO
Done. 400 sesterces for two
strokes.
In the arena:
Proximo's chained teams enter the arena, five teams. Maximus
and Juba are chained together. Some of the small crowd
cheers for Vibius. He acknowledges the cheers. He is
chained to the weeping Scribe.
47.
In the box:
Trainer #1 laughs.
TRAINER #1
(re: Vibius)
Who's he with?
PROXIMO
A Greek Scribe.
TRAINER #1
I'll raise the wager.
PROXIMO
(smiles)
Give me odds, friend.
In the arena:
From the opposite end of the arena a dozen armored, very
scary Andabatae thunder into the arena. Some of the crowd
cheers.
The Andabatae immediately race for the chained teams and the
battle is on.
Vibius spins into action -- dragging the weeping Scribe after
him as he circles opponents and fights -- the Scribe is
almost instantly killed -- Vibius immediately hacks through
the Scribe's wrist and frees himself, as Proximo surely
intended. Vibius is now free to fight alone, swinging the
chain as an additional weapon.
Juba's eyes dart everywhere as he tries to move with Maximus -
- Maximus neither helps nor hinders -- allowing Juba to pull
him along --
Proximo, now that his star Vibius is safe, watched Maximus
and Juba closely.
Juba fights well, with a strange elegance, his body flowing
like liquid -- but he is inexperienced. He strikes a few
blows and then tries to move away -- finally he is in trouble
-- cornered -- a huge Andabata is slicing at him -- it is a
desperate battle -- Juba is losing -- his sword is slammed
away -- the Andabata raises his sword for the kill --
And Maximus strikes.
48.
With a sudden roar he EXPLODES into action -- he swings past
Juba and blocks the blow meant for Juba -- then he slashes
the Andabata -- killing him -- he pulls Juba after him as he
fights --
It is a dazzling display of Maximus' skill -- he moves
through the Andabatae at amazing speed -- spinning around
Juba and protecting him -- slashing ruthlessly -- pulling
Juba after him and commanding the battle -- Juba recovers a
sword and they fight together.
In the box:
Proximo watches, smiles. A gladiator is born.
Ratings
Scene 17 - Imperial Disregard
SENATOR GRACCHUS, an imposing, moral and corpulent man in his
60's, is riding in a luxurious wagon with Senator Gaius.
And CAPTAIN MARCELLUS, the handsome Head of the Roman City
Guard.
Their wagon slowly maneuvers through the crowded streets of
Rome. The cosmopolitan bustle of the great urban center is
everywhere around them.
GRACCHUS
We have plague in the Hebrew
Quarter and it is spreading... we
have looting at the granaries... we
have so much filth in the Tiber
that the water is undrinkable... we
have Praetorian Guard units that
are demanding protection payments
from the merchants at the exchange -
-
MARCELLUS
My City Guard units have tried to
curtail these excesses but no
constabulary can police the entire
city. And the Praetorians
outnumber us two to one.
GRACCHUS
Rome dies as the Emperor plays at
beneficence. At least Nero gave us
music!
GAIUS
Do you think he'll listen to us?
49.
GRACCHUS
It is his duty to hear the will of
the Senate.
Their wagon stops -- hopelessly stuck in a massive traffic
jam of chariots, wagons and sedan chairs.
GRACCHUS (cont’d)
Not to mention the damn traffic!
INT. PALACE - THRONE ROOM - DAY
Emperor Commodus is standing before a group of male children
and their tutors in his throne room.
The throne room is still very much the province of his
father. Manuscripts and astronomical charts and papyrus
scrolls and wax tablets litter the heavy desk. A large bust
of Marcus Aurelius is in one corner.
Lucilla and Senator Falco are present. So too Senators
Gracchus and Gaius and Captain Marcellus.
A well-rehearsed child presents Commodus with a laurel
wreath.
CHILD
We honor Caesar with the laurel to
show our love and appreciation for
his benevolence.
COMMODUS
Caesar is honored to accept your
tribute, Citizen Scholar.
The child smiles and moves back to his fellows.
COMMODUS (cont’d)
(to all)
It is the most sacred duty of the
Emperor to oversee the education of
the young. If I could leave no
other legacy than the scholarship
of all children my life would be
blessed. Tutors, you hold the
future of Rome in your hands.
Teach them well so that they will
bring honor to the Empire. I
salute you.
Commodus actually bows before them, an unimaginable honor.
50.
The tutors bow in response and herd the children out.
COMMODUS (cont’d)
Look at them, Senators... my truest
gift to Rome.
GRACCHUS
Darling children, to be sure, now
if I may proceed?
COMMODUS
(sighs)
Very well...
Commodus moves to the desk, standing over it and gazing at
Marcus' scrolls as:
GRACCHUS
Caesar, your presence in Rome is an
invaluable opportunity to begin
correcting some of the ills that
have beset the city since your
father went to the wars. We would
like to --
COMMODUS
Peace, good Gracchus, peace...
Commodus slowly begins pushing Marcus' papyrus scrolls off
the desk to the floor, one by one, as:
COMMODUS (cont’d)
My beloved father was a careless
shepherd to his flock. I shall be
a good father to my children. I
shall remain in Rome and show them
how they are loved.
GRACCHUS
With respect, sire, the people
don't need love -- they need law.
The Senate has prepared a series of
protocols to begin addressing the
corruption in the city --
(Gaius hands him a scroll)
-- starting with basic sanitation
in the Hebrew Quarter. If Caesar
could study this and --
COMMODUS
You see that's the very problem,
isn't it, my old, old friend? My
father spent all his time at study.
(MORE)
51.
COMMODUS(cont'd)
At books and learning and
philosophy...
As Commodus speaks he moves to the chair behind the desk,
tries it, doesn't like it, nods to a slave. The chair is
whisked away.
COMMODUS (cont’d)
He spent his twilight hours reading
scrolls from the Senate. All the
while, the people were forgotten.
GRACCHUS
The Senate is the people.
COMMODUS
I doubt many of the people eat so
well as you do, Senator Gracchus...
As Commodus speaks he moves to the bust of Marcus, studies
it, doesn't like it, nods to a slave and the bust is whisked
away. Lucilla watches this closely.
COMMODUS (cont’d)
I doubt many of the people have
such splendid armor, Captain
Marcellus. Or such fine mistresses,
Senator Gaius. No... only their
true father knows what the people
need. I shall show them they are
loved. I shall hold them to my
bosom and embrace them tightly --
GRACCHUS
Have you ever embraced someone
dying of plague, sire?
Commodus stops. Looks at him. A lethal moment.
COMMODUS
No. But if you interrupt me one
more time I assure you that you
shall. I will emulate the immortal
Caesars of the past. I will give
the people what they truly want.
Starting this day I will draw all
of Rome to the Colosseum. I will
give them bread. And they will
want nothing more.
Startled looks between Gracchus, Gaius and Marcellus.
GRACCHUS
You want to hold games?
52.
COMMODUS
Not just any games, Senator! A
series of games that will make the
Gods envious and leave my children
happy! I will subsidize the arena
from this day forth -- and I will
culminate this celebration in a
great spectacle the likes of which
the world has never seen! A great
spectacle to honor my father!
Magnificent, unending weeks of
festivity all in the name of Marcus
Aurelius!
A beat.
GRACCHUS
If I may, Caesar... how are you
going to pay for this?
COMMODUS
That is not your concern.
Gracchus ignores a warning look from Gaius.
GRACCHUS
Respectfully, sire, taxation and
import duties are the exclusive
province of the Senate --
Commodus spins on him so quickly and with such feral violence
that everyone is shocked --
COMMODUS
MY FATHER DESERVES TO BE HONORED
AND I WILL HONOR HIM! -- AND THE
PEOPLE WILL LOVE ME! -- AND THE
SENATE WILL OBEY ME OR EVERY ONE OF
YOU WILL BURN! BURN! BURN! -- I
WILL HAVE ORDER!
He snarls like a great jungle cat and he stalks away. Senator
Falco quickly follows.
A dreadful silence.
Then:
LUCILLA
Gentlemen, in the future do not
concern my brother with these
matters. Come to me.
53.
She sweeps out.
A beat.
MARCELLUS
Games? He wants to hold games?
GAIUS
It's madness.
GRACCHUS
No... it's not...
A beat.
GRACCHUS (cont’d)
He knows who Rome is. Rome is the
mob. He will conjure magic for
them and they will be distracted.
And he will takes their lives. And
he will take their freedom. And
still they will roar. The beating
heart of Rome isn't the marble of
the Senate. It's the sand of the
Colosseum. He will give them
death. And they will love him for
it.
Ratings
Scene 18 - Maximus' Heroic Triumph
Maximus is marching relentlessly through the dugout and
cramped, serpentine trench-like tunnels that lead to the
arena.
We don't really see Maximus well in the dark tunnels.
Proximo scurries to keep up with him -- they brush past
gladiators who line the walls. Some are wounded, some are
being attended to by surgeons, some are shell-shocked, some
are nervously waiting to go on, whispering prayers.
We twist and turn in the tunnels with Proximo and Maximus as:
PROXIMO
(quickly)
I've wagered on you against the
Celts -- ignore the others and go
for them -- there are two axe-and-
net and two long spear. Now the
Celts aren't used to the sun so you
have the advantage there...
54.
The roar of the crowd is growing, they are nearing the
arena...
PROXIMO (cont’d)
And keep them moving, their lungs
aren't strong, ground the spears as
soon as you can and then go for the
ax-men. If you get all four
there's an extra bonus so don't be
distracted by the Spartans...
Without a word to Proximo, or a moment's hesitation, Maximus
strides into the arena.
EXT. PROVINCIAL ARENA - DAY
We continue with Maximus as he strides into the roaring
arena.
We finally see him in the blazing sunlight -- he wears
traditional gladiator armor and now has longer hair and a
beard --
A battle is already in progress, fighting and dead and dying
gladiators crowd the arena --
We stay with Maximus as he wades through his opponents,
fighting them heroically, slashing through them without
stopping --
The large crowd cheers mightily -- chants of "Spaniard!
Spaniard! Spaniard!"
We stay with Maximus as he cuts through the four Celts like a
scythe through wheat and then we dramatically pull up and
away --
Taking in the roaring arena and the hero.
EXT. PROXIMO'S SCHOOL - COMPOUND - NIGHT
A large mess area has been set up. The tables around the
compound are crowded with gladiators. Guards everywhere.
Maximus and Juba enter. Move to get food. All conversation
gradually drains away as the other gladiators watch them.
Silence.
Maximus and Juba note the strange silence as they move to a
large table. Vibius is at the table with a number of other
gladiators. There are no places for Maximus and Juba.
55.
Vibius stands and kicks two other gladiators off their bench.
VIBIUS
MOVE ASIDE! THIS IS A TABLE FOR
MEN!
Maximus and Juba sit.
Vibius remains standing. He begins to pound on the table
with his fist. Soon all the gladiators are pounding on their
tables. It is a cacophonous din honoring Maximus.
Ratings
Scene 19 - Maximus and Proximo's Deal
Proximo sits on a terrace overlooking his compound, sipping
wine. Various gladiators can be seen working out below.
A guard brings Maximus. Proximo nods for the guard to leave.
PROXIMO
(holding up a plate)
Butterfly?
The plate is filled with honeyed butterflies, their wings
still moving slightly.
Maximus shakes his head. Proximo pops one into his mouth. He
chews as he looks at Maximus.
PROXIMO (cont’d)
Perhaps you'd like a woman?
Maximus shakes his head.
PROXIMO (cont’d)
Boy?
Maximus shakes his head.
A beat.
PROXIMO (cont’d)
Gold?
Maximus shakes his head.
PROXIMO (cont’d)
Well, I have nothing left to offer
you! A man who turns down a
butterfly, a woman, a boy and gold
confuses me.
(MORE)
56.
PROXIMO(cont'd)
Personally, I'd grab them all and
then grab some more because the
Gods are fanciful and take us at
their whim. Does the Spaniard have
any needs?
Maximus shakes his head.
A beat. Proximo studies him.
PROXIMO (cont’d)
You fight like a soldier. You have
wounds like a soldier who has been
on long campaigns. You eye the
world around you like an enemy.
What is your name, Roman soldier?
MAXIMUS
Gladiator.
A beat.
PROXIMO
And nothing more?
MAXIMUS
Nothing more.
A beat.
Proximo watches Maximus very closely for the following:
PROXIMO
In two days we leave for Rome.
Maximus' eyes suddenly flash to Proximo. He is transfixed,
his eyes burning.
PROXIMO (cont’d)
Ah... so it's Rome you want. Well
you shall have her, Gladiator. The
new Emperor has ordered a series of
matches to culminate in a grand
spectacle. If you do well I shall
become very, very rich. If you do
well enough I shall set you free.
Is it freedom you want?
A beat.
Maximus shakes his head.
57.
PROXIMO (cont’d)
(quietly)
Not even that.
MAXIMUS
(barely controlled)
The Emperor -- will he be there?
PROXIMO
Oh yes. He's apparently quite mad
about the games. Spending a
fortune, which is, needless to say,
good for me again. But what is
good for you, Gladiator?
MAXIMUS
Have you -- how does one meet the
Emperor?
PROXIMO
As a gladiator?
MAXIMUS
Yes.
PROXIMO
One doesn't.
A beat. Proximo sees that Maximus' mind is racing.
PROXIMO (cont’d)
Except... If one has proven oneself
in battle. If at the end of the
games you are the final man
standing -- the Emperor will
present you with a small wooden
sword. The sword is your freedom.
MAXIMUS
He gives it personally?
PROXIMO
He did to me...
(Maximus is surprised at
this)
Our great father Marcus Aurelius
looked into my eyes and touched me
on the shoulder.
MAXIMUS
You knew Marcus?
58.
PROXIMO
I didn't know him. He touched me
on the shoulder. Just once. But
that was enough.
A beat.
PROXIMO (cont’d)
All right, Gladiator. We shall go
to Rome together and have bloody
adventures. The Great Whore will
suckle us until we are fat and
happy and can't suck another drop.
That is Rome.
Ratings
Scene 20 - Confidences and Treachery
Maximus is crouched in the back of an enclosed slave wagon
with Vibius, Juba and a few other gladiators.
In the distance, Rome.
INT. PALACE - COMMODUS' BEDROOM - NIGHT
Commodus sits on his bed, rubbing his aching head. Lucilla is
preparing a drink for him, a medicinal tonic.
COMMODUS
All my desires are splitting my
head to pieces -- there's so much I
want to do -- but all my efforts to
show my children they are loved go
unappreciated by those dragons in
the Senate --
LUCILLA
(mixing tonic)
Quiet, brother...
Unseen by him, she adds a little special powder to the drink
from a vial secreted in her robe.
LUCILLA (cont’d)
Leave the Senate to me. Don't
trouble yourself.
COMMODUS
All I want is to be a good father
to my people. Why don't they
understand that?
59.
She goes to him.
LUCILLA
Shhh. The tonic will help...
She takes a sip and then hands it to him.
LUCILLA (cont’d)
Yes, just drink this down.
She sits on the edge of the bed. He drinks as:
COMMODUS
I must take a firmer hand with
them. They must know their father
can be firm. As our father was
firm with us.
LUCILLA
Our father lost his way. His
mistake was believing the old songs
of the "Republic." We know better.
So let the Senate talk. They have
no real power.
COMMODUS
Yes... yes... you always know the
way. You were always so wise in
these matters...
(he takes her hand)
You know if I didn't have my duty
to Rome I think I should be an
artist. I should go away and paint
pictures of the sea and leave all
the politics to you...
A beat. He is sleepy, he lies back on his bed.
COMMODUS (cont’d)
Will you stay with me?
LUCILLA
(smiles gently)
Still afraid of the dark, brother?
COMMODUS
Still. Always.
A beat.
COMMODUS (cont’d)
My dreams would terrify the world.
A beat.
60.
LUCILLA
I'll stay with you until you are
asleep.
COMMODUS
(falling asleep)
And after... just sit with me.
Keep me safe...
He is asleep.
She watches him for a moment and then rises.
She goes.
Ratings
Scene 21 - Conspiracy in Lucilla's Chambers
Lucilla moves down a long corridor in the palace and blows
out candles as she goes.
She finally arrives at her own chamber and enters...
INT. PALACE - LUCILLA'S CHAMBERS - NIGHT
Senators Gracchus and Gaius and Captain Marcellus are
waiting.
LUCILLA
He's asleep. Be quick.
GRACCHUS
We've taking a sounding, the Senate
is with us.
LUCILLA
Good.
GRACCHUS
But we are only words. We are air.
We need steel.
MARCELLUS
The City Guard is faithful to the
Republic. But we don't stand a
chance against the Praetorians.
LUCILLA
Can they be bought?
61.
MARCELLUS
They are zealots -- totally
committed to your brother.
GRACCHUS
Well, can they at least be rented
for a day?
MARCELLUS
I doubt it. He pays them
exorbitant salaries and lets them
loot and extort as they see fit.
The city belongs to them.
LUCILLA
And they've started arresting
scholars now. Anyone who dares
speak out -- even satirists and
chroniclers.
MARCELLUS
And mathematicians and Christians.
All to fill the arena.
GAIUS
And what pays for it? These games
are costing a fortune and yet we
have no new taxes.
LUCILLA
The future. The future pays for
it...
A beat. She looks at them.
LUCILLA (cont’d)
He's started selling the grain
reserves.
GAIUS
No.
MARCELLUS
That can't be true...
LUCILLA
He's selling Rome's reserves of
grain. The people will be starving
in two years. I hope they are
enjoying the spectacles because
soon enough they will be dead
because of them.
62.
MARCELLUS
Rome must know this.
LUCILLA
And who will tell them?! You,
Marcellus? You, Senator Gaius?
Will you make a speech on the
Senate floor denouncing my brother?
And then see your family in the
Colosseum? What town-crier would
dare?
A long beat.
LUCILLA (cont’d)
He must die.
A beat as her words sink in.
GAIUS
The Praetorians would only seize
control themselves.
LUCILLA
No -- cut off the head and the
snake cannot strike.
GRACCHUS
Lucilla, Gaius is right. Until the
City Guard can neutralize the
Praetorians we can accomplish
nothing.
MARCELLUS
And I haven't enough men.
LUCILLA
What about the army?
GAIUS
No Roman army has entered the
capital in a hundred years.
LUCILLA
So we do nothing?!
A door opens, a voice...
LUCIUS' VOICE
Mother...
An eight-year-old boy stands in a doorway, sleepy. He is
LUCIUS, Lucilla's son.
63.
LUCIUS
I heard voices...
LUCILLA
(going to him)
It's all right, darling, you --
Lucius suddenly notices Senator Gracchus:
LUCIUS
(running to Gracchus)
Senator! What did you bring me?!
He leaps onto Gracchus -- Gracchus laughs and pulls something
from his robe.
GRACCHUS
For you prince Lucius... a sea
monster!
Gracchus gives Lucius a beautifully painted toy of a sea
serpent.
GRACCHUS (cont’d)
Off the coast of Achaea they grow
twenty times this size, with
snapping teeth to devour any nasty
Praetorians they come across...
now, where is Achaea?
LUCIUS
Below Macedonia!
GRACCHUS
Show me on the map.
Lucius runs to a map and stabs his finger at Achaea. We
sense this is an old game between them.
LUCILLA
Lucius, you go in now, I'll be in
shortly.
LUCIUS
(to Gracchus)
Thank you, Senator Mountain!
GRACCHUS
You're welcome, Prince Anthill!
Lucius goes. Lucilla shuts the door after him. A moment.
She turns to the others, a deep anguish in her eyes.
64.
LUCILLA
What are you going to do?
Gracchus goes to her, holds her.
GRACCHUS
Peace child... One dark night the
Gods will light our path. They
will give us the voice we need.
Have faith in that. Have faith.
Ratings
Scene 22 - Arrival in Rome
Maximus cranes for a sight of the Eternal City through a hole
in the wooden slats that cover the slave cart.
He can see only glimpses of Rome as they pass. But the
images are not what he expected. Alongside the undeniable
glory of the city, the madness and disease Marcus Aurelius
spoke of are readily apparent.
Maximus sees flashes of plague victims being tossed on carts
heaped with bodies -- he sees getting and spending and
commerce everywhere -- he sees fascist Praetorian Guard units
trooping past -- he sees the magnificent architecture of the
city -- he sees starving children begging from filthy gutters
-- he sees rich citizens out for a stroll -- he sees a
swirling combination of sophistication and depravity, of
civilization and corruption.
He sits back in the cart, deep in thought. Vibius looks at
him.
VIBIUS
Not what you expected?
MAXIMUS
No.
VIBIUS
Rome is nothing but a slaughter
house. And we are the meat.
EXT. PROXIMO'S COMPOUND - NIGHT
The slave wagon pulls up to Proximo's rather grand Roman
compound. Guards unlock imposing gates and the wagon drives
in...
65.
EXT. PROXIMO'S COMPOUND - COURTYARD - NIGHT
Inside the gates is a large courtyard, much like Proximo's
Moroccan school but much more impressive. A fountain with an
enormous statue of the war god Mars is central in the
courtyard.
The gladiators climb from the wagon, stretching after the
long journey. Vibius leads Maximus and Juba to the statue.
He wades through the fountain and kisses the toe of Mars.
VIBIUS
Tradition. He watches over us.
Juba steps up and kisses the toe.
VIBIUS (cont’d)
(to Maximus)
Oh go on, it won't kill you.
Maximus kisses the toe as well.
PROXIMO
(calling to them)
Stop that! You'll get some
monstrous disease and then you'll
be worth nothing to me!
Guards come and lead them to their cells, which line one side
of the courtyard.
INT. PROXIMO'S COMPOUND - CELL - NIGHT
Later. Maximus and Juba again share a cell. It is more
comfortable than their cell in Morocco, befitting Maximus'
new status as one of the "stars." A high, barred window on
one wall opens to the city. Another barred window is
directly over them, twenty feet above.
Maximus pulls himself up to the side window, he looks out.
And sees at last... The Colosseum.
It is a breathtaking sight. Monolithic Albert Speer-like
columns of light shine up from the Colosseum. It seems to
illuminate the whole city and the heavens above.
Maximus drops back to the floor.
66.
JUBA
Do you think it will be much
different? Here in Rome?
MAXIMUS
Bigger arena. Same killing.
A beat.
JUBA
Are you scared for tomorrow?
MAXIMUS
No.
A beat.
JUBA
Me too.
A beat.
JUBA (cont’d)
I never though it would be so easy
to kill.
A beat.
JUBA (cont’d)
So you're finally home.
MAXIMUS
This isn't my home.
JUBA
For all Romans... this is home.
A beat.
JUBA (cont’d)
(quietly)
Among my people we honor the soil
of our home. Our ancestors are in
that soil. All their dreams live
there. I will never see my home
again. The soil is dead and no one
honors them, so the dreams die.
A beat.
MAXIMUS
Perhaps one day you'll return.
67.
Juba looks at him.
JUBA
How can I go back? I am not what I
was. When a man kills for no
reason, he has lost himself.
A long beat.
Juba leans his head back and quietly begins to sing. A
haunting lament in his native tongue.
EXT. COLOSSEUM - DAY
A flurry of images from around the Colosseum, the energy
mounting. At this point we see practically nothing of the
inside of the Colosseum:
Slaves are balancing high above the empty arena. They are on
ropes unrolling huge rolls of muslin; sun tarps that provide
shade below...
Merchants open stalls in the curved arcade around outside of
the Colosseum. They sell everything from food to magic
elixirs, from toys to aphrodisiacs. They immediately start
declaiming and demonstrating the virtues of their products...
Gangs of whores of both sexes trawl the streets. They have
bizarrely-colored hair and elaborate makeup...
Citizens begin arriving, pushing past the vendors and the
pickpockets. We see whole families with picnic lunches...
Ferocious animals are brought into the Colosseum in barred
cages...
In the busy arcade, barbers and blood-letters practice their
craft alongside exotic alchemists, fire eaters and
contortionists...
Richer citizens arrive in sedan chairs and chariots, they
feign indifference to the hooting mob...
Mounted City Guard police units try to retain some order...
Gamblers crowd betting booths and haggle mercilessly...
Finally, we see Maximus and the other gladiators in a slave
cart. Maximus watches everything as the slave cart
disappears into the Colosseum...
68.
INT. COLOSSEUM - ROUTE TO HOLDING CELLS - DAY
The interior of the Colosseum is a busy world unto itself.
Maximus and the others are lead by Proximo's guards down a
long ramp and past countless animal cages. Gamblers
circulate everywhere and observe the warriors, angling for
the best odds and the best matches.
Maximus and the others are led even deeper into the bowels of
the Colosseum to a new whole subterranean realm. Numerous
cells line the walls. Racks and racks of weaponry and armor.
And, most striking, everywhere around them is the heavy
machinery of the spectacles above. Huge "elevator" platforms
and ramps and pulleys and counterweights are manned by teams
of sweating slaves.
INT. COLOSSEUM - HOLDING CELLS - DAY
Finally, Proximo's guards lead the gladiators to their
holding cells. These cells are right at the edge of the
arena. Barred windows offer a sand-level view of the action.
Maximus immediately goes to a window and looks out.
He cannot see much of the entire arena, but what he does see
transfixes him. A band of Christians are huddled together.
An eerie silence from the Colosseum but for the prayers of
the Christians.
Maximus watches them.
One little girl peels past her mother's arm. She sees
Maximus. She smiles.
Suddenly a dozen ferocious lions race up a ramp by Maximus --
they roar into the arena --
We do not see the carnage. We watch Maximus' face as we hear
the sounds of the slaughter.
And the sound of the roaring crowd.
Maximus finally cannot watch. He drops his head.
Ratings
Scene 23 - Trainer's Lair Negotiations
Proximo is with a dozen other gladiator trainers and the
Colosseum's orator and majordomo, CASSIUS.
69.
They are haggling in an secluded area not far from the arena
itself. Huge chalkboards chart the day's matches and wagers
and odds.
Colosseum touts continually erase and mark new figures on the
chalkboards to keep up with the swiftly changing bouts.
The roar of the lions and the unnerving screams of the
Christians can clearly be heard.
CASSIUS
... and the Emperor will have no
more animal battles today --
Upset roars from some of the trainers.
TRAINER #1
You promised me a bear match,
Cassius!
TRAINER #2
I have ten damned gorillas! You
said gorillas yesterday!
CASSIUS
Talk to the man in the imperial
box. Who has the next slot...?
(he checks the boards)
-- Lentulus, Gideon, Trebonius and
Proximo --
(to Proximo)
-- Nice to have you back, you
piratical bastard -- now listen,
the Emperor wants the Carthage
spectacle.
The four trainers explode in a flurry of resistance --
PROXIMO
No -- have pity, Cassius -- !
TRAINER #3
My men are too good for -- !
CASSIUS
You give us the Carthage match or
lose your spot on the rotation --
but don't worry -- gold is flowing
from the Emperor's fingers.
TRAINER #3
It'll cost you --
70.
PROXIMO
I won't do it for less than 100,000
sesterces -- !
TRAINER #4
120,000! All I have is my best
Thracians!
CASSIUS
(to Proximo)
And I want to see this famous
Spaniard of yours -- his reputation
soars from the provinces. The
people are eager for him --
PROXIMO
I won't throw my Spaniard into a
spectacle! Damn you and damn the
rotation!
CASSIUS
You will and the price will be
90,000 sesterces each --
(to all)
-- which you all know is exorbitant
-- AND IF YOU EXTORTING BLOOD-
WHORES TRY TO PAWN OFF LESSER
FIGHTERS ON ME I WILL SEE YOU DEAD
IN THE ARENA TOMORROW!
TRAINER #4
My Thracians are worth -- !
CASSIUS
Give me your best, brothers. They
die before Caesar.
He strides back to the arena. The touts instantly begin
making new marks on the boards to represent the mysterious
"Carthage Spectacle" as some of the trainers hurry out.
Proximo walks with Trainer #4:
PROXIMO
I give you 30,000 my Spaniard will
kill at least one of your
Thracians.
TRAINER #4
30,000?! On a Spaniard?! That
provincial sun has curdled your
brain!
71.
PROXIMO
Then make the wager, you smug
bastard!
They disappear down a dark corridor, negotiating all the
while.
Ratings
Scene 24 - The Colosseum Battle
Maximus, Juba, Vibius and another of Proximo's gladiators are
being armed. They all wear mask-like helmets.
Proximo hurries to them.
PROXIMO
All right -- there are three other
teams, four men each --
(to Maximus)
You know what a Thracian looks
like?
MAXIMUS
Yes, but --
PROXIMO
Ignore the others -- go for the
Thracians. The sun is to the east -
- over the gate -- keep your back
to the gate and you won't have the
sun.
MAXIMUS
What -- ?
Trumpets begin sounding from the arena.
PROXIMO
Hurry -- !
The guards quickly bustle the four toward a gate leading to a
dark tunnel to the arena.
PROXIMO (cont’d)
Die well and we'll sing songs about
you for a generation.
Short swords are shoved into their hands and the gate rises.
They are pushed into the dark tunnel leading to the arena.
The gate closes behind them.
The four gladiators stand for a moment and then slowly walk
down the tunnel to...
72.
EXT. COLOSSEUM - ARENA - DAY
At last we see it.
The mighty Colosseum Arena.
Nothing we could have possibly imagined could have prepared
us for the sight of the thousands and thousands of screaming
spectators, the row after row of cheering faces.
It is staggering.
But for Maximus none of this exists. His full attention is
focused on one spot alone. The Imperial Box.
He can see Commodus and Lucilla sitting in the box. The box
is elevated fifteen feet above the arena floor at the top of
a sheer black marble wall. A cohort of fifty imposing
Praetorian Guard Archers surround the box. Commodus' personal
Body Guard of six Centurions actually stand in the box
itself, eyes constantly watching like modern Secret Service
agents.
Commodus is untouchable.
Meanwhile, three teams move from different entrances to the
arena.
As Cassius orates to the crowd:
CASSIUS
This day we reach back to hallowed
antiquity to bring you... THE FALL
OF MIGHTY CARTHAGE...!
(the crowd cheers) )
... On the barren armies of the
barbarian Hannibal! Ferocious
mercenaries and warriors of all
brute nations bent on merciless
conquest! Your Emperor is pleased
to give you... THE BARBARIAN HORDE!
He gestures to the gladiators in the arena. The crowd
laughs, jeering the "barbarians."
The drummers begin pounding out a more insistent, heroic
beat.
CASSIUS (cont’d)
But on that illustrious day the
Gods sent against them Rome's
greatest warriors...!
(MORE)
73.
CASSIUS(cont'd)
The very life-image of nobility and
glorious valor... who would on this
day, and on these same arid
Numidian deserts, decide THE FATE
OF THE EMPIRE... Your Emperor is
pleased to give you... THE
LEGIONNAIRES OF SCIPIO AFRICANUS!!
The crowd EXPLODES in cheers as the huge doors at one end of
the arena suddenly burst open and ten chariots thunder in --
Each chariot has a driver and an archer, both dressed in
theatrical versions of the familiar Roman Lorica Segmentata.
A chaos of dust -- and the battle is on --
The chariots zoom around the arena -- the archers keeping up
a deadly hail of arrows.
Maximus immediately dives onto a passing chariot and kills
the charioteer and archer -- he dramatically leaps from the
front of the chariot to a lead horse and cuts it free.
And Maximus takes control, we see the General of the Felix
Regiment gloriously alive again as he barks out orders and
leads his gladiators in battle. They follow him faithfully,
his stern commands unquestioned.
His strategies and smart, he makes the gladiators work
together.
This kind of slaughter could last for hours...
We see flashes of the endless battle... Maximus races on his
horse past another chariot, kills the driver, the chariot
smashes into a wall... the sun sinks lower, the shadows on
the sand lengthen... areas of the sand are swamps of blood,
Juba slips, pulls himself up fighting... Maximus uses Vibius
to create a diversion, two chariots collide... the crowd
roars... a gladiator is dragged between a chariot and the
side wall of the arena... the drummers pound out their
relentless tattoo...
Finally...
Maximus is on his horse across from the final chariot.
We can see that Juba and Vibius and a few other gladiators
are still alive. The rest of the arena is polluted with the
dead and injured. Maximus spurs his horse and gallops toward
the final chariot -- the charioteer whips his horses and
zooms toward Maximus --
The crowd is breathless -- watching the final battle --
74.
Maximus and the chariot speed toward each other -- like
Medieval jousters --
And collide in a flashing explosion of steel -- Maximus sails
from his horse -- as the charioteer sails from his chariot --
Maximus lands hard but quickly pulls himself up, he races to
the final charioteer. The charioteer is defeated but not
dead.
Maximus glances around, all his opponents are defeated.
He stands over the final charioteer. Then he simply tosses
down his sword.
The crowd is stunned by this strange act of mercy. But then
an enormous roar grows from the crowd -- wave after wave of
adulation for the hero of the day.
Maximus looks around, taking it all in. Then he turns to the
Imperial Box. Maximus slowly walks to before the the Imperial
Box. The Praetorian Archers immediately raise their bows,
pointing down at him.
Maximus glares up at Commodus through his helmet mask.
Commodus returns his gaze, curious.
The crowd is intrigued, growing quiet. What is going on?
Then Maximus simply turns and begins walking away.
COMMODUS
Slave! Who are you?
The Colosseum is suddenly silent. The Emperor is speaking to
a gladiator.
Maximus keeps walking.
COMMODUS (cont’d)
SLAVE! WHO ARE YOU?
Maximus keeps walking, his fists clenched now.
Commodus suddenly grabs a spear from a nearby Praetorian and
hurls it with perfect aim -- the crowd gasps -- the spear
sails past Maximus -- actually nicking his shoulder -- it
slices into the sand ahead of Maximus.
Maximus stops.
COMMODUS (cont’d)
SLAVE! WHO ARE YOU?!
75.
Maximus can hold it no longer. He spins to Commodus --
ripping off his helmet mask -- and THUNDERING:
MAXIMUS
I AM MAXIMUS MERIDAS, GENERAL OF
THE FELIX REGIMENT OF THE ROMAN
ARMY AND SERVANT TO THE EMPEROR
MARCUS AURELIUS!
Commodus eyes shoot wide -- Lucilla bolts up -- Gracchus
leans forward -- Proximo is stunned -- the crowd is mystified
--
MAXIMUS (cont’d)
I AM FATHER TO A MURDERED SON AND
HUSBAND TO A MURDERED WIFE AND
LANDLORD TO A MURDERED WORLD -- AND
I WILL HAVE VENGEANCE!
The Praetorian Archers tense their bows -- ready to kill the
defiant slave --
But something extraordinary stops them. Almost as one being
the crowd roars -- they leaps to their feet and thrust their
thumbs up! They cheer and stomp their approval of Maximus.
Commodus looks around at the people of Rome, amazed.
He finally plasters on a benevolent smile and thrusts his
thumb up! The Praetorians lower their bows.
And the crowd cheers. Never in the long, long history of the
Colosseum have they ever seen such a thing.
Maximus leads his gladiators out of the arena.
Ratings
Scene 25 - Caesar's Plot
To our great surprise, Commodus is not raging. He sits
quietly on the polished marble floor in front of a model of
the Colosseum. He moves model pieces around in the
Colosseum, planning his festival.
Lucilla stands, tense.
COMMODUS
Why is he still alive?
LUCILLA
I don't know.
76.
COMMODUS
He shouldn't be alive. That vexes
me. I am terribly vexed...
Lucilla watches her brother cautiously, expecting the
explosion. He carefully moves some model pieces in the
arena.
COMMODUS (cont’d)
There, that's better. Do you like
the platform here?
LUCILLA
Mmm.
COMMODUS
I do too. Simple, elegant...
Lucilla is growing more and more unnerved at Commodus'
unusual serenity.
COMMODUS (cont’d)
Father would have wanted something
more ornate but he's dead now.
A beat. Commodus laughs. A beat.
COMMODUS (cont’d)
Maximus Meridas haunts me. I see
Father turning away from me and
gazing at him. How many times did
I suffer that indignity, I wonder?
LUCILLA
What are you going to do?
COMMODUS
I'm going to kill him.
LUCILLA
Good.
COMMODUS
(glances at her)
Oh, you're too clever, Sister.
Don't tell me part of you won't
weep for him.
LUCILLA
When he defies my brother the
Emperor, he defies me. But you
shouldn't send assassins.
77.
COMMODUS
No?
LUCILLA
The people embraced him today.
They will be expecting his next
match...
(she kneels next to him)
... let him die in the arena like
the slave he is. Let the people
see what comes of defying Caesar.
A beat as he looks at her.
COMMODUS
He wounded you deeply, didn't he?
Long ago.
She does not answer.
COMMODUS (cont’d)
Nonetheless, your political acumen
is, as always, unerring.
He picks up a model tiger and puts it in the arena. He looks
at the model tiger and smiles.
Ratings
Scene 26 - Unexpected Visitor
Maximus silently awaits Commodus' assassins with Juba. They
hear footsteps outside the cell. Maximus stands, preparing
for death.
JUBA
(also standing)
I will fight with you.
MAXIMUS
This isn't your battle.
JUBA
Better to die for a friend than to
die for gold.
The door swings open and they are surprised to see Proximo
sweeping in with a cloaked woman. The woman gives Proximo a
bag of money.
PROXIMO
Enjoy yourself, Madame...
(he glances to Maximus)
(MORE)
78.
PROXIMO(cont'd)
General, perform well and there
will be riches for you.
He beckons to Juba, they go, shutting the door behind them.
The woman pulls off her cloak, it is Lucilla.
Maximus glares at her, his muscles tensing.
LUCILLA
Rich matrons pay well to be
pleasured by the bravest champions.
Maximus backs up, fighting the urge to strangle her on the
spot. He finally bumps into a wall of the cell.
MAXIMUS
I knew your brother would send
assassins. I didn't think he would
send his best.
LUCILLA
Maximus, listen to me --
MAXIMUS
My family were crucified and burnt
while they were still alive.
LUCILLA
I knew nothing of that.
MAXIMUS
(low)
Don't lie to me.
LUCILLA
I wept for them.
MAXIMUS
Don't.
A long, tense moment.
She does not look at him.
LUCILLA
Do you know what it is to be the
daughter of the Emperor? I learned
on the night my father had my
husband killed. I loved my husband
very much. Very... simply. He was
a man who believed in the Republic.
He was a man who thought Marcus
should be tending to Rome and not
conquering the world.
(MORE)
79.
LUCILLA(cont'd)
One night my father had him
strangled for conspiring with the
Senate. My father never spoke of
it. I never spoke of it. That is
what it is to be the daughter of
Rome.
She finally looks up at Maximus.
LUCILLA (cont’d)
My son will live. He will survive
this cursed bloodline. Rome will
die and the jackals will pick her
clean -- but my son will survive.
Empires come and go. Cities
crumble to dust. Only family
matters.
A beat. Despite himself, Maximus is moved.
MAXIMUS
My son was innocent.
LUCILLA
So is mine.
A beat.
MAXIMUS
I want your brother dead.
LUCILLA
So do I.
A beat. Maximus is surprised at her direct answer.
LUCILLA (cont’d)
My son will never be safe while he
lives.
A beat.
MAXIMUS
How do you plan it?
LUCILLA
The Senate is with us, and the City
Guard. We have growing power in
the streets. But we need a leader.
Someone the people can --
MAXIMUS
So the crown passes to your son.
80.
LUCILLA
No. So that my son will be safe.
So that we may leave this charnel
house forever and never look back.
Look into my eyes, Maximus, and
believe what I say to you...
She rivets him intensely with her eyes.
LUCILLA (cont’d)
By all the Gods, and in the name of
my father who loved you, and in the
name of the husband I loved... I
swear to stand by your side in this
now and always.
A beat.
MAXIMUS
What is your son's name?
LUCILLA
Lucius Verus. Like his father.
MAXIMUS
I weep for him.
A long beat. Maximus' cold eyes give away nothing.
Lucilla turns and starts to go. She stops, not looking back.
LUCILLA
Commodus plans to kill you in your
next match in the arena. He's
planning something. I will pray
for you. As I have always done.
She then pulls something from her robes and sets it down, a
little bundle wrapped in cloth. She sweeps out. The sound
of the door being bolted shut on the other side.
Maximus stands for a moment and then goes to what she has
left. He opens the cloth. Inside are his six "ancestor"
figures.
He picks up one of the figures. He looks at it deeply,
gently feeling along the contours with a finger.
Ratings
Scene 27 - Clash of Champions
The Colosseum is again packed. Commodus, Lucilla and her son
Lucius are in the Imperial Box.
81.
It is late in the day and teams of slaves are cleaning the
arena after a bout. They haul off carcasses and toss down
fresh sand.
Meanwhile, Cassius is orating to the crowd:
CASSIUS
... in his majestic charity the
Emperor has deigned to this day
favor the people of Rome with an
historical final match. Returning
to the Colosseum today... after
five years in retirement... Caesar
is pleased to bring you... THE ONLY
UNDEFEATED CHAMPION IN ROMAN
HISTORY...
(the crowd is going mad)
... THE LEGENDARY... TIGER OF
GAUL!!
The crowd erupts in paroxysms of joy as TIGER explodes into
the arena in an ornate chariot. Tiger is a fierce man in his
40's, his brutal, scarred face and hugely muscled body a
testament to his many years in the arena.
Tiger speeds around the rim of the arena in his chariot,
raising an arm in triumph. The crowd roars.
INT. COLOSSEUM - HOLDING CELLS - DAY
Proximo stands with Maximus, who is busy strapping on armor.
PROXIMO
Gods! That old Homicide! The
Emperor must truly hate you.
MAXIMUS
What can you tell me?
PROXIMO
He cheats.
INT. COLOSSEUM - ARENA - DAY
Tiger waits. He stands in the center of the arena. He has
only a traditional short sword. The crowd is breathless with
anticipation. As:
CASSIUS
(orating)
And from the rocky promontories and
martial bloodlines of Spain...
(MORE)
82.
CASSIUS(cont'd)
representing the training lyceum of
Proximo Antoninus... I give you...
THE WARRIOR MAXIMUS!
The crowd cheers. Maximus appears from his gate. His fans
have increased in number considerably. They eagerly crane
forward and celebrate him.
Meanwhile, Maximus looks at Tiger. Only one man with a
sword? Maximus approaches, cautious but confident.
He stops a few feet from Tiger. They lock eyes, salute each
other and then turn to the Imperial Box, raising their
swords.
The crowd waits eagerly for the immortal words...
MAXIMUS AND TIGER
We who are about to die salute you.
The crowd cheers and Maximus immediately turns and starts
slashing -- Tiger easily blocks and strikes back --
The sword play is very fast -- they block and parry and hack
like lightning -- constantly attacking -- they are perfectly
matched --
As he fights Maximus becomes aware of a strange sound over
the roar of the crowd -- a low rumbling -- then he feels
something -- a vibration in the ground --
Suddenly traps doors swing open and four enormous platforms
rise into view. On each platform is a snarling Bengal tiger
restrained by a chain. Tiger's teams of "cornermen" hold the
chains through a pulley system. The cornermen are safely
inside cages. The platforms stop at ground level.
The four feroc ious tigers now mark the four corners of the
battleground.
Tiger takes advantage of Maximus' momentary confusion and
assaults brutally -- forcing him back toward one of the
tigers -- the tiger claws for Maximus -- Maximus just evades
it claws -- rolls for a new position -- another tiger snaps
at him --
Tiger attacks -- Maximus is on the defensive -- fighting off
Tiger and evading the four snarling beasts --
And then all four tigers are suddenly closer. The teams of
cornermen are letting the chains play out, bit by bit,
gradually reducing the size of the battle ground. The crowd
roars.
83.
But the fight is hardly fair. Whenever Tiger is near one of
the tigers the cornermen pull back the tiger slightly -- when
Maximus is near a tiger they let it out a bit. Maximus and
Tiger fight -- swirling action -- finally, Maximus has the
edge -- he circles so that the sun stabs into Tiger's eyes --
then Maximus lunges forward under Tiger's swinging sword and
SLAMS into him -- they fall -- a tiger swats at Maximus' face
-- he jerks his head back -- he shoots out a leg and kicks
Tiger's sword toward one of the tigers -- it is out of reach -
- Maximus leaps up and stands over the winded Tiger, sword to
his throat.
Tiger is gasping for breath, crushed.
Then one of Tiger's corners suddenly cheats -- they
completely release a tiger -- it leaps for Maximus --
Maximus barely has time to turn -- the tiger crashes into him
-- its claws slashing into his back, cutting through his
leather armor -- Maximus shoves an armored forearm into the
tiger's jaws and stabs with his sword --
Tiger takes this chance to pull himself up -- one of his
corners throws him another sword -- the crowd boos --
Maximus wrestles with the tiger -- spinning it around with
superhuman effort so it is always between himself and Tiger --
so that Tiger can't get at him --
Maximus finally kills the tiger and leaps for Tiger -- he
quickly disarms him and tosses him to the ground --
Maximus stands over him -- ready to administer the coup de
grace.
All eyes turn to the Emperor.
Commodus slowly stands and steps to the edge of the Imperial
Box. He raises his arm and gives the fatal thumbs down.
Maximus looks up at him. And then defiantly tosses the sword
to the ground, refusing to kill Tiger.
Commodus is stunned.
The crowd gasps -- a collective intake of breath -- and then
an enormous roar building. It cascades around the Colosseum.
It is a roaring celebration of the unexpected act of mercy.
And the delicious act of defiance of the Emperor.
Commodus slowly sits.
84.
Maximus walks across the arena -- the people stand and cheer
for him. Cries of "Maximus the Merciful" can be heard.
It is the birth of a hero.
Ratings
Scene 28 - The Road to Confrontation
Maximus is resting in his cell after the battle, head down,
deep in thought.
LUCIUS' VOICE
Is it true you're a General...?
Maximus looks up, Lucius is standing at his cell. Maximus
has no idea who the boy is -- just another young fan -- but
Maximus is immediately struck by Lucius' resemblance to his
own son.
MAXIMUS
I was a General.
LUCIUS
I saw you fight. The Carthage
battle too. I've never seen so
much courage.
MAXIMUS
It doesn't take courage to kill.
LUCIUS
My father was killed.
A beat.
MAXIMUS
I'm sorry.
LUCIUS
He still comes to me in my dreams.
Do you have a father?
MAXIMUS
I had a father. He wasn't really
my father but I cared for him very
much.
LUCIUS
I hope he comes to you in your
dreams. My father and I ride
horses in mine.
These simple words strike something deep in Maximus.
85.
Lucilla appears from the shadows and puts her hands on
Lucius' shoulders.
LUCILLA
Lucius, run along now. I need to
talk to the General.
Lucius runs off to his Male ATTENDANT, who leads him away.
A long beat as Maximus and Lucilla look at each other.
Finally:
MAXIMUS
Where is my army?
A drum beat is heard. It increases throughout the following
scenes, building momentum like a Roman gallery accelerating
to ramming speed.
The conspiracy scenes are enclosed in a montage of scenes in
and around the arena showing Maximus' growing popularity with
the People of Rome...
EXT. COLOSSEUM - ARENA - DAY
Maximus is fighting an opponent.
The drums continue...
INT. THE SENATE - DAY
Lucilla conspires with Senators Gracchus and Gaius and
Captain Marcellus in a dark corner of the Senate. Whispers.
LUCILLA
... Maximus will summon his army
from Ostia and he will strike from
the inside as his army strikes from
the outside. But he insists that
the Senate be present.
GAIUS
We've been ordered to attend.
LUCILLA
How many are with us?
GRACCHUS
About half. But once the tyrant is
dead. All.
86.
A beat.
GRACCHUS (cont’d)
I want to meet him.
LUCILLA
I'll arrange it.
GAIUS
And what of the Emperor?
A beat.
LUCILLA
He has withdrawn. He's not eating.
He doesn't go out. He won't even
see me... I don't know what
tempests rage within him but...
GRACCHUS
We should fear for the blackest
storm.
LUCILLA
Yes.
A beat.
GAIUS
One question... who is to be the
actual Regicide?
A beat. She glances at him.
The drums continue...
EXT. COLOSSEUM - ARENA - DAY
Maximus defeats his opponent. He stands over him. He does
not kill him.
He tosses his sword down and walks away. The crowd goes
crazy, roaring their approval of Maximus.
Senator Falco, sits in the stands and watches with some
alarm. He glances around as the crowd exalts Maximus. He is
becoming a hero to the people.
The drums continue...
87.
INT. COLOSSEUM - HOLDING CELLS - DAY
Maximus returns to the holding cells. Vibius and Juba are
waiting.
VIBIUS
You didn't kill him.
MAXIMUS
I will not kill another warrior.
There is no honor to it.
Maximus goes. Vibius thinks about it, listening to the
adulation of the crowd.
The drums continue...
INT./ EXT. SLAVE WAGON - ROMAN STREETS - DAY
Maximus and the other gladiators are in a slave cart on the
way from the arena. A gang of children run alongside the
cart, cheering and chanting:
KIDS
Maximus the Merciful! Maximus the
Merciful!
The drums continue...
INT. PROXIMO'S COMPOUND - CELL - NIGHT
Maximus and Juba are with Lucilla and Gracchus. Lucilla is
writing on a piece of parchment.
MAXIMUS
Tell him we will enter Rome on the
first day of Commodus' festival.
LUCILLA
And they will march on Rome for
you?
MAXIMUS
Yes. But this letter must go to
the lieutenant named Titus, no one
else.
88.
LUCILLA
Captain Marcellus will take it.
And his City Guard will by with you
when you get to Rome. Is that
enough to face the Praetorian
Guard?
MAXIMUS
(looks to her)
The Felix Regiment will never be
defeated.
A beat.
GRACCHUS
I only have one question for you,
General... Why?
A beat.
GRACCHUS (cont’d)
You will lead an army of your
brothers on Rome. Many will die.
Why?
MAXIMUS
I want Commodus dead.
GRACCHUS
That's not the reason. Tell me the
truth.
A beat.
MAXIMUS
Because one night an old man
whispered to me about a dream. I
will die for that dream.
A long beat.
GRACCHUS
I knew the old man well. And I
loved him very much. In our youth
we would spend hours building that
dream together. After he went to
the wars and lost his way... I was
very cruel. I tormented him to
remember that dream we spoke of.
MAXIMUS
He did.
89.
GRACCHUS
You can have no idea how much that
means to me.
A beat.
GRACCHUS (cont’d)
Any man who will die for a
whispered dream deserves my
respect. I honor you, General.
The drums continue...
Ratings
Scene 29 - Triumph and Defiance in the Arena
Vibius defeats an opponent -- he stands over him. He looks
around at the crowd. Then he tosses down his sword and walks
off.
The crowd goes mad with pleasure. Vibius eats it up, raising
his arms and soaking up the applause.
Maximus watches from the holding cells. He smiles.
The drums continue...
EXT. STREET - NIGHT
Proximo supervises as a huge banner is unfurled. It covers
the side of a tall building.
It shows a dramatic painting of Maximus.
Proximo supervises happily as torches and braziers are lit to
illuminate the mammoth banner.
The drums continue...
EXT. COLOSSEUM - ARENA - DAY
The ending of a group fight -- Proximo's gladiators
triumphant.
The crowd waits for the delicious act of defiance. We note
many placard and banners honoring "MAXIMUS THE MERCIFUL."
Maximus, Vibius, Juba and a few other gladiators toss down
their weapons and walk off, leaving their opponents alive.
90.
The crowd roars. They have completely embraced Maximus and
his fellow gladiators.
Gracchus, in the stands, laughs.
The drums finally conclude.
INT. PALACE - LUCILLA'S CHAMBER - DAY
Lucilla is with her HANDMAIDEN. They sit before a large
mirror, the Handmaiden perfecting Lucilla's makeup for the
day.
One of Commodus' Centurion Body Guards enters, bows.
CENTURION
Madame, the Emperor would like to
see you.
Lucilla quickly glances to her Handmaiden in the mirror and
then braces herself, stands, and quickly leaves with the
Centurion.
INT. PALACE - HALLWAY - DAY
Lucilla strides quickly, nervously, down the long corridor to
Commodus' chambers. She enters...
INT. PALACE - COMMODUS' BEDROOM - DAY
Commodus is wrapped in a sheet, gazing out a window.
LUCILLA
Caesar...
He turns. She stops.
He looks as if he has not slept for days. If a word could
now sum up his clouded face it is this: tormented.
She goes to him, embraces him. He holds her tightly.
COMMODUS
I am sorry to have kept you away...
I needed this time to think...
LUCILLA
Of course...
He moves away from her, slowly moving around the room.
91.
COMMODUS
I limited my world to these four
walls so as to let my mind free...
again and again my mind settles on
but one question... What kind of
world are we making when the people
of Rome prefer a slave in the arena
to their father?
A beat. Commodus' strange philosophical bent is unnerving
Lucilla.
COMMODUS (cont’d)
It is my responsibility to make the
world as it should be. How is it I
have made this world?
LUCILLA
Brother, do not be influenced by
the mob. They are a great,
faceless beast --
COMMODUS
They are not "the mob," Lucilla,
they are the people. They are my
children and all I want to do is
love them.
A beat. He stands before a bust of Marcus Aurelius. He
touches it.
COMMODUS (cont’d)
Our father loved Maximus... and I
love him still... yet he defies me,
he tasks me in front of my
children. And they love him for it.
Just as Marcus loved him for it.
Tell me why, Lucilla.
LUCILLA
They see themselves in him. They
throw in their own sad dreams
alongside his. They think he
fights for them.
COMMODUS
And what do I do but fight for
them?! I give them games to please
them. I strangle dissent to give
them peace. I empower the
Praetorians to give them order.
What more can I do?!
92.
A beat.
COMMODUS (cont’d)
Say I should fight him, in the
arena. Let my children see who the
Gods truly favor.
LUCILLA
And what if he should win?
A beat.
Commodus continues to slowly move around the room.
COMMODUS
A God is more powerful than a
man...
This odd statement hangs in the air for a moment. Then:
LUCILLA
Caesar, you let this unduly worry
you. At best he is a passing fancy
-- he is a name, an image on a
banner, ephemeral -- he will be
forgotten as the next fancy appears
--
COMMODUS
But I need to know -- why do they
love him?
LUCILLA
Mercy.
He stops. Looks at her.
LUCILLA (cont’d)
He will not kill in the arena. He
is merciful. As they all wish they
were in their own hearts.
Something in her words has struck a chord in him.
COMMODUS
And for that moment in the arena
they are merciful too. For a
moment... they are Gods. Offering
life.
He looks at her.
93.
COMMODUS (cont’d)
But who can be more merciful than
the Emperor of Rome?
Ratings
Scene 30 - Maximus Defies Commodus
Maximus is fighting a thick GIANT of a man.
A few quick blows and the Giant falls -- like a mighty tree
he crashes to the sand.
The arena cheers their hero. Maximus stands over the beaten
Giant. The crowd waits for the famous act.
Maximus salutes the Giant and tosses down his sword, refusing
to kill. He walks away.
The arena explodes in cheers -- a chant of "Maximus the
Merciful" grows to deafening proportions.
Suddenly the arena is filled with Praetorians -- they block
Maximus' exit from the arena -- the crowd boos -- horrified --
The Praetorians surround Maximus. He is unarmed, but coils
for the inevitable battle.
Then the Praetorians part...
And Commodus walks through them. He carries something
wrapped in a rich cloth. Maximus glares at him. The
Praetorians move back and the crowd watches eagerly. The
Emperor and the Gladiator, at last.
Maximus and Commodus stare at each other. The crowd cannot
hear what is said, but strain to observe this incredible
confrontation.
COMMODUS
Brother... we've taken a sad path
since we were children at Capri,
have we not?
Maximus doesn't answer.
COMMODUS (cont’d)
For my own part... I am sorry it
came to this. And to you alone of
all men, I acknowledge my errors.
And my regret. I shall live with
my sin for all my days.
94.
MAXIMUS
As will I, Commodus. As will I.
Commodus unwraps the cloth bundle. Inside is a small wooden
sword. He holds it up so the crowd can see.
A collective gasp. The wooden sword, prized by all
gladiators above all else. Freedom.
COMMODUS
As the first act of my contrition I
offer you the wooden sword of
freedom.
He holds out the wooden sword. A beat.
COMMODUS (cont’d)
Take it, brother. Stand at my side
as a free man worthy of your
ancestors.
MAXIMUS
I only have ancestors because of
you, brother. You killed
everything that ever lived
alongside me.
A beat.
COMMODUS
Take it, Maximus. Let us heal that
fatal wound together.
MAXIMUS
This is the new home you cursed me
to. And I am safer here from your
treachery than I could ever be
outside.
COMMODUS
Will you always mistrust me?
MAXIMUS
Why don't you ask your father that?
Commodus visibly flinches at that, but still holds the wooden
sword out. The crowd is breathless.
MAXIMUS (cont’d)
I have more power as a slave in the
arena than I could ever have as a
free man.
(MORE)
95.
MAXIMUS(cont'd)
As the Colosseum goes, the people
go. As the people go, the Empire
goes.
COMMODUS
(tense)
You think this is power? I could
show you power, slave --
MAXIMUS
No, Caesar... I will show you.
With that, Maximus does the unimaginable. He simply turns
his back on the Emperor and walks away.
And the crowd goes mad. They cheer the defiant gladiator,
their champion.
And, equally, they deride the Emperor. They mock him by
holding out food and trash like Commodus is holding out the
wooden sword. They laugh and jeer.
Commodus glances around at his children, lost.
Then he turns to the Imperial Box. He sees Lucilla slipping
out the back of the box. He watches her go.
And the crowd continues to jeer.
Ratings
Scene 31 - Conspiracy and Reflection
The crowd laughs riotously as Roman Actors perform a
typically ribald comedy in a secluded street:
An outrageously dressed version of Maximus is parading around
on an outrageously dressed version of Commodus, riding him
like a donkey and slapping his rear with a wooden sword. The
"Commodus" actor mews and brays and wails like an infant.
Captain Marcellus of the City Guard gallops past them, on his
way out of Rome.
EXT. PROXIMO'S COMPOUND - COURTYARD - DAY
Maximus stands with Juba and Vibius. He draws a circle in
the sand with a stick. He draws a line to the circle.
MAXIMUS
The Felix Regiment will come from
here. We'll face the body of the
Praetorians outside -- here.
(MORE)
96.
MAXIMUS(cont'd)
Once inside, my archers will take
up position to counter opposition
inside the Colosseum. I'll enter
and join you -- we'll attack here --
Maximus draws a line to the Imperial Box.
MAXIMUS (cont’d)
-- a covert assault from within.
VIBIUS
We'll be killed.
MAXIMUS
Probably.
A beat.
MAXIMUS (cont’d)
But if we aren't... think of the
glory. Do you remember glory,
Gladiator?
JUBA
And if we die that day -- we die
free men worthy of our ancestors.
VIBIUS
You didn't know my ancestors. A
rotten bunch.
Maximus points to the huge statue of Mars.
MAXIMUS
Then be worthy of him. The old
Titan who would rather die bravely
in a just battle than slink off to
grow old and fat.
JUBA
And impotent.
A beat. Vibius thinks about it.
VIBIUS
If I die, I want a hundred whores
at my funeral.
INT. PALACE - LUCILLA'S CHAMBERS - EVENING
Commodus sweeps in. Thinks Lucilla is standing there. The
woman turns, it is Lucilla's Handmaiden.
97.
COMMODUS
Where is my sister?
HANDMAIDEN
She's out, sir...
COMMODUS
Where?
HANDMAIDEN
I... don't know, Caesar.
Commodus looks at her for a moment.
And then he slowly walks right to her. His face an inch away
from hers.
COMMODUS
Where is my sister?
INT. PROXIMO'S COMPOUND - PROXIMO'S CHAMBER - NIGHT
Proximo sits, considering Maximus.
MAXIMUS
Was it Centurion...? General...?
PROXIMO
Captain.
A beat.
PROXIMO (cont’d)
How did you know?
MAXIMUS
A soldier knows a soldier.
A beat.
PROXIMO
All that was a long time ago. Too
much wine and too many women. And
too much money.
MAXIMUS
No --
PROXIMO
This is who I am...
(he pats his ample belly)
You see?
(MORE)
98.
PROXIMO(cont'd)
There was a time I would stand
against ten men and never give an
inch, spitting into the jaws of
Hades all the while. There was a
time my heart swelled to strap on
the armor of Rome. But now...
Something flashes across Proximo's eyes, something like
tragedy.
PROXIMO (cont’d)
Now I am just an entertainer.
A pause.
MAXIMUS
You said something to me once. You
said in this life, we all die. All
we can choose is how we die. And
how we are remembered. Do you
recall those words?
PROXIMO
Yes.
MAXIMUS
Then be remembered proudly. This
is your time, Proximo. Stand at my
side and be what you were. What
you truly are. One last time.
A beat.
Proximo suddenly begins to weep rather histrionically --
Maximus is a bit taken aback -- Proximo dramatically flicks
tears from his eyes -- and then can't keep the show up -- he
bursts into laughter.
Maximus stares at him.
PROXIMO
(laughing)
You might have spared yourself the
speech, General. The lady Lucilla
bought all my gladiators two hours
ago!
MAXIMUS
You pox-ridden bastard -- !
PROXIMO
I am the richest trainer in the
Empire!
(MORE)
99.
PROXIMO(cont'd)
And I will let my gladiators do
anything you like! Conspire away,
General!
Maximus can only laugh as well.
PROXIMO (cont’d)
But I tell you -- if you survive
this madness I want you to go into
business with me. I'll give you a
quarter of my holdings.
MAXIMUS
(standing)
A quarter?!
PROXIMO
A third. And not a hair more. And
you'll have to start in the
provinces! Cleaning up the lion
shit!
MAXIMUS
You know, if you were half so awful
as you pretend, you'd be a
terrifying man.
Maximus shakes his head, smiling, and goes.
Proximo sits for a moment. Then he rises and goes to a heavy
chest. He looks at the chest for a moment and then opens it.
Inside is his old Lorica Segmentata. He gazes at his armor,
considering what he once was. And what he now is.
Ratings
Scene 32 - Whispers in the Dark
Maximus enters. Lucilla is waiting, extremely tense.
MAXIMUS
Lucilla --
LUCILLA
Don't even say it. I know it's
dangerous -- but I had to see you.
Captain Marcellus has gone to the
army with your message as you
instructed.
MAXIMUS
Good.
100.
LUCILLA
He says the City Guard will be
ready at the south road at noon.
They can only wait for an hour so --
MAXIMUS
You've told me this already.
LUCILLA
Did I? All right then. So
everything is prepared. The Senate
will be in attendance and you have
your gladiators -- the usual cohort
of Praetorians will be inside the
arena --
MAXIMUS
Lucilla... why are you here?
A pause.
LUCILLA
Tell me honestly... please... do
you think it will work?
A beat.
MAXIMUS
No.
LUCILLA
Do you think we'll all die?
MAXIMUS
Yes.
She leans against a wall.
A pause.
LUCILLA
Will you swear something to me?
MAXIMUS
Yes.
LUCILLA
Will you swear it on the memory of
your son?
A long beat.
101.
MAXIMUS
Yes.
LUCILLA
By all that you have ever loved...
swear that if you survive you will
take my son out of Rome. Swear
that you will go far away and never
return.
He steps to her.
MAXIMUS
(deeply)
I will.
A beat.
MAXIMUS (cont’d)
And if I should not survive...
swear to me that you will honor my
family in your prayers always.
LUCILLA
I will.
A long, difficult beat. She fights back tears.
LUCILLA (cont’d)
Had I not been the daughter of
Rome...
He puts a gentle finger to her lips.
MAXIMUS
Shhh... my heart breaks enough.
He holds her closely, tenderly.
Ratings
Scene 33 - Commodus Threatens Lucilla
Lucilla enters, deep in thought, still drained from her
meeting with Maximus.
She suddenly stops. Frozen.
Commodus is sitting across the chamber, Lucius at his knee.
An open scroll on Commodus' lap.
COMMODUS
Sister... join us. I've been
reading to dear Lucius.
102.
LUCIUS
I've been reading too.
COMMODUS
Yes, he's a very smart little boy.
He'll make a grand Emperor one day.
Lucilla has not moved.
COMMODUS (cont’d)
Join us, sister.
Lucilla goes to them, sits.
COMMODUS (cont’d)
We've been reading about the great
Julius and his adventures in Egypt.
LUCIUS
She killed herself with a snake!
COMMODUS
(to Lucius)
And just wait until you hear what
happened to some of our other
ancestors! If you're very good,
tomorrow night I'll tell you the
story of Emperor Claudius. He was
betrayed! By those closest to
him...
(he glances up to Lucilla)
... by his own blood... they
whispered in dark corners and went
out late at night and conspired and
conspired...
Lucilla looks as if she is going to be ill.
Lucius is busy scanning the scroll. Commodus gently strokes
his hair, his cold eyes never leaving Lucilla's.
COMMODUS (cont’d)
But the Emperor Claudius knew that
they were up to something dire. He
knew they were busy little bees.
And one night he sat down with one
of them and he looked at her and he
said: "Tell me what you have been
doing, busy little bee, or I shall
strike down those dearest to you.
(MORE)
103.
COMMODUS(cont'd)
You shall watch as I bathe in their
blood." And the bee knew he spoke
the truth, for the Emperor always
speaks the truth. And what do you
think happened then, Lucius?
LUCIUS
(still pouring over the
scrolls)
I don't know, Uncle.
COMMODUS
(glaring at Lucilla)
The bee told him everything. Lucilla's face is tortured.
Ratings
Scene 34 - The Raid on Proximo's Compound
Proximo is asleep -- a sound outside wakes him -- the steady
clip-clop of horses on stone. A lot of horses.
He rises and goes to a window overlooking the street outside.
A stern Praetorian Guard cavalry unit is cantering into
position at his gates. Proximo grabs his clothes --
EXT. PROXIMO'S COMPOUND - NIGHT
With cool military precision the Praetorians take up position
at the gates before Proximo's compound, an unassailable line.
They quickly prepare their bows.
Meanwhile, another Praetorian unit has taken up position at
the other end of Proximo's compound -- sealing that entrance
as well.
EXT. PROXIMO'S COMPOUND - COURTYARD - NIGHT
Proximo is hurrying across his open courtyard when the first
flaming arrow arches into the compound -- it is followed by
hundreds more --
The Praetorians on either end of his compound keep up a
ceaseless hail of flaming arrows -- everything begins to burn
-- the caged gladiators are stirring now -- shouting --
Proximo races to his panicked guards --
PROXIMO
Release them! Release them all!
ARM THEM!
104.
The guards sprint to the cells -- unlocking the gladiators as
quickly as they can --
Not quick enough for many -- Praetorians are now pouring
pitch through the gutter that runs along the bottom of the
cells -- igniting it and incinerating all those trapped
inside --
The compound is soon a raging inferno --
Proximo releases Maximus and Juba --
PROXIMO (cont’d)
Come --
MAXIMUS
But --
PROXIMO
If you want to live -- follow me --
VIBIUS
(calling to them)
Go, Spaniard! We'll show these
Roman dogs how gladiators fight!
Proximo hauls Maximus and Juba off as Vibius and the other
gladiators arm themselves --
INT. TUNNELS - NIGHT
Proximo is leading Maximus and Juba quickly through a
decaying cramped tunnel.
PROXIMO
All the old gladiator schools have
tunnels to the Colosseum -- most
have long since collapsed --
JUBA
How did they know?
MAXIMUS
We were betrayed.
JUBA
(stops)
I'll stay here. In case they
follow.
Maximus stops as well.
105.
JUBA (cont’d)
Go! Bring us the army!
Maximus nods.
PROXIMO
Quickly --
He leads Maximus down the disintegrating catacomb of tunnels -
-
EXT. PROXIMO'S COMPOUND - NIGHT
Vibius hoped to die fighting -- he never got the chance.
It is not a battle, it is a slaughter.
The Praetorians ruthlessly shoot anyone even approaching the
gates -- all the walls are covered -- most of the gladiators
die in the hellish inferno -- the relentless rain of flaming
arrows continues --
Vibius coughs in the thick smoke and rages for someone to
fight -- Praetorian snipers cut him down -- he dies reaching
for the statue of Mars.
INT. COLOSSEUM - SUBTERRANEAN - NIGHT
Proximo and Maximus emerge deep in the bowels of the
Colosseum.
PROXIMO
(points)
Down that corridor is the butchery -
- the blood sloughs lead to the
Tiber. Gods watch over you.
MAXIMUS
You're not coming?
PROXIMO
They are killing my men!
He races back into the tunnel.
Maximus moves quickly down the corridor. He can finally
see...
106.
INT. COLOSSEUM - BUTCHERY - NIGHT
Grisly carcasses of every description hang from hooks. Two
bored butchers hack them up. The good bits are tossed into a
wagon to fed to the Colosseum animals. The waste and offal
are shoveled into a large sewer opening. A butcher
occasionally lifts a sluice-gate and a gush of water flows
into the sewer from above, washing down the blood and
carcasses.
Maximus crouches and creeps through the nightmare of hanging
carcasses and flies.
When the butchers are looking elsewhere, Maximus creeps to
the sewer opening and climbs in -- he immediately slides down
for a few yards in the slanting, slippery blood sluice -- out
of sight --
Then he thuds to a stop. He can go no further because the
remains of an animal carcass blocks his way. He tries to
slither past the carcass --
Finally, one of the butchers above lifts the sluice-gate and
a torrent of water flows down.
Maximus is washed down the hideous sewer.
INT. TUNNELS - NIGHT
Proximo and Juba are quickly marching back down the tunnel
toward the compound -- they are very close now -- the roar of
flame is heard -- the creak of falling timber -- and the
screams of burning men. They run.
They round a corner and see there is no way past the world of
flame ahead of them. The tunnel to the compound has
collapsed.
PROXIMO
Gods... they're killing them all.
Proximo leads them up a cramped stairway to...
EXT. STREET OUTSIDE PROXIMO'S COMPOUND - NIGHT
They emerge through a sewer entrance -- right into the arms
of the Praetorian Guard. Proximo and Juba are bound. Proximo
sees his compound burning. Sees the Praetorian archers
taking out any last survivors. Hears the screams.
107.
INT./ EXT. VARIOUS LOCATIONS - ARREST MONTAGE - NIGHT
A quick sequence of brutal arrests as Praetorian Guard units
round up many associated with the plot. And many that are
not.
GAIUS' BEDROOM: Gaius and his wife are yanked awake and
hauled out.
CHRISTIAN HOME: A congregation of Christians is chained
together, their secret altar smashed.
CAFE: Greek Scholars are hauled away from their scrolls.
STREET THEATER: Actors are dragged off in the midst of a
performance.
GRACCHUS' STEAM ROOM: Gracchus is enjoying grapes with his
handsome catamite. A unit of Praetorian bursts in. Gracchus
looks at them. Sighs.
Ratings
Scene 35 - The General's Triumph
Commodus stands with Lucius on a balcony overlooking the
city.
The roaring flames of the fire at Proximo's compound can
easily be seen.
LUCIUS
What is that fire?
COMMODUS
Why that's a bonfire, Lucius. I
arranged it just for you.
He puts his hand on the boy's shoulder.
Behind them, Lucilla sits slumped in a chair. Her face is a
mask of anguish at what she has been forced to do.
Two Praetorians enter with a bucket.
PRAETORIAN
Caesar...
Commodus goes to them. He talks quietly with them for a
moment and glances at what they are carrying.
COMMODUS
Oh... that's for my sister.
108.
They bring the bucket to Lucilla and set it before her.
Commodus ignores her and goes back to Lucius on the balcony.
Lucilla glances inside the bucket...
Captain Marcellus' head is floating in brine. Lucilla moans.
All is lost.
EXT. TIBER RIVER - NIGHT
Maximus splashes to the surface of the filthy Tiber, gasping
for air.
Animal carcasses float up next to him. He grabs onto one and
floats down the gently flowing river.
EXT. ITALIAN FRONT - CAMP - DAWN
The Wolf of Rome sleeps. Then its ears rise. Then its head.
It sniffs the air. The wolf slowly rises and begins loping
through the camp.
It passes slumbering soldiers and tents, smoke lazily
drifting up from campfires.
The wolf finally stops and looks up.
Maximus is on a horse. He climbs down. The wolf goes to him
and licks his hand.
Maximus begins marching through the camp, the wolf at his
side. Soldiers stir, amazed to see their General is alive.
Gallus leaps up, stunned, and goes to Maximus. They continue
to march through the camp, more and more astonished soldiers
joining them.
They march toward the large tents at the center of the
encampment.
Titus emerges from his tent. Slams to a stop --
TITUS
By all the Gods...
He goes to Maximus and embraces him.
MAXIMUS
Old friend...
109.
TITUS
You're returned from Hades! By all
the Gods!
MAXIMUS
Where is he?
Just then Quintus emerges from the largest tent. He stares
at Maximus, unbelieving.
A long beat as they look at each other.
Quintus knows his destiny. With quiet dignity he begins
whispering a prayer. Maximus moves to him, embracing him:
MAXIMUS (cont’d)
I forgive you.
He stabs Quintus with a dagger as he embraces him.
Quintus falls.
A beat.
Titus goes to the dead Quintus and pulls the seal of office
from his uniform. He hands it to Maximus.
An enormous roar of celebration from the Felix Regiment.
Ratings
Scene 36 - Colosseum Entrance
A castrati choir sings a gentle hymn of celebration. Their
eerie voices and otherworldly harmonies undulate around
Commodus' bedroom.
The Emperor himself is in a chair, wrapped in a robe. His
body slaves work over him closely.
He is staring into a mirror, lost in another world as the
slaves carefully apply golden eye makeup to him.
The castrati hymn continues...
EXT. OUTSIDE THE COLOSSEUM - DAY
The hymn is all we hear as we see crowds moving into the
Colosseum...
110.
It seems that all of Rome is here for this great day. Huge
throngs of citizens move like a massive wave toward the
Colosseum entrances. Vendors are doing brisk business.
Praetorian units in full dress uniform canter past.
We elegantly float up along the outer tiers of the Colosseum
and then glide over the edge to see the arena stands...
EXT. COLOSSEUM - DAY
The hymn is all we hear as we see...
The stands are filling. We see the rich and poor alike. We
see the orator Cassius. We see Senator Falco and most of the
Senate. We see the cohort of fifty Praetorian taking up
position around the Imperial Box.
A golden platform, with stairs down to the arena sand, now
extends about twenty feet from the Imperial Box to a spot
over the arena.
We float down the stairs and then we see the arena itself...
It is stunning in its simplicity.
The days victims are tied to posts in the center of the
arena. Suspended above them is an enormous cloud. A thick,
tumescent bladder painted to look like a threatening rain
cloud.
We see Proximo and Juba. We see Senators Gracchus and Gaius.
We see Gaius' wife and Gracchus catamite and Christian
families and scholars and actors.
Seven stylized hills surround them. The hymn comes to its
soaring conclusion as we see the damned.
TIME CUT:
Later. By now, the Colosseum is packed. All fifty-five
thousand seats are taken. Another ten thousand stand
wherever they can. A feral anticipation buzzes through the
crowd.
Outside the Colosseum, the streets are crowded with thousands
more who couldn't get in.
Trumpets blare.
Commodus' six Centurion Body Guards stride into the Imperial
Box.
111.
Then Commodus enters. He is shrouded in a full lion's skin,
the head of the lion concealing his own. His head is down,
he does not look up.
Lucilla and Lucius enter after him and sit. Lucilla's face
is drained, her eyes defeated. Lucius is wearing a miniature
set of Lorica Segmentata, complete with ceremonial dagger.
Ratings
Scene 37 - Invasion of Rome
A mangy dog is slowly crossing a dusty street on the
outskirts of Rome. The street is deserted. It seems that
almost everyone is at the Colosseum.
The dog stops. Looks up.
Then a sound is heard. The steady cadence of horses' hooves.
The Felix Regiment rounds a corner. Maximus leads the
cavalry. He wears Lorica Segmentata. His corps of archers
and soldiers follow. They troop down the dusty street.
Maximus and the cavalry canter past the mystified dog.
QUICK CUTS:
The Felix Regiment moves through the streets. The few
pedestrians quickly disappear into shops and around corners.
The roar of the Colosseum can be heard far in the distance...
Arrows slice into isolated Praetorian sentries. The Felix
Regiment continues its stealth invasion...
Finally, Maximus reins his horse and his troops stop.
The mounted City Guard are waiting.
Without a word, the City Guard joins Maximus and the two
combined forces continue their inexorable march to the
Colosseum.
EXT. COLOSSEUM - DAY
Commodus, still swathed in the lion skin, his head down,
slowly walks out on the platform that now extends from the
Imperial Box.
The crowd grows hushed.
Commodus reaches the end of the platform and waits for a
moment. Then he dramatically flings off the lion skin.
112.
The crowd gasps.
He is almost naked, his entire chiseled body is painted in
gold. His eyes are lost in an eerie reverie as he looks
around at his people.
He finally speaks:
COMMODUS
(serene)
Rome... This is the day that was
foretold. This is the day when
your father takes away all fear...
(he holds up his hands)
With these hands I shall destroy
your enemies so that you may sleep
always and forever in peace. From
this day forth let it be known that
I, Lucius Aelius Aurelius Commodus,
have surmounted mortality. That I,
Lucius Aelius Aurelius Commodus,
assume my destined place... at the
side of the Gods.
The crowd is stunned. A few scattered laughs.
Lucilla stares at him, disbelieving.
COMMODUS (cont’d)
And as a righteous God, I shall
ever protect you. I shall cradle
the world on my benevolent hands
and clasp it to my heart. So I
have spoken! And let the heavens
tremble at my might!
Ratings
Scene 38 - Maximus and the City Guard Confront the Praetorian Guard
Maximus continues to lead the combined Felix Regiment and
City Guard cavalry through the streets. The roaring is
closer now. They are nearing the Colosseum, they can just
glimpse the edge of the top tier over some building.
EXT. COLOSSEUM - DAY
Commodus continues:
COMMODUS
This day I reclaim Rome for her
people.
(MORE)
113.
COMMODUS(cont'd)
I shall give you the rebirth of
your Empire! Reborn and cleansed
of her enemies!
He raises his arms. At his cue the Praetorian archers raise
their bows, ready, aiming at the victims.
COMMODUS (cont’d)
I will make a new Rome! Founded as
it was at the beginning! Archers --
GIVE US BLOOD!
The Praetorians suddenly point their bows higher and fire --
They shoot the cloud -- the bladder EXPLODES and thick blood
rains down on the victims -- the blood splashes over them,
coating them.
EXT. OUTSIDE COLOSSEUM - DAY
The roar from the Colosseum is now deafening as Maximus and
the City Guard round the final corner -- the Colosseum is
before them -- the massive Praetorian Guard force is caught
of guard -- with crisp military efficiency the Felix Regiment
and the City Guard quickly canter into place, an unbroken
line of seasoned warriors facing the Praetorians.
The huge mob outside the Colosseum is confused, intrigued,
watching the face-off. The mounted archers of the Felix
Regiment have drawn their bows.
Maximus looks down from his horse at a Praetorian Officer.
MAXIMUS
Throw down your weapons or we will
kill you.
A beat.
The Praetorian Officer glances at the formidable force
against him. He drops his sword. His men follow suit.
MAXIMUS (cont’d)
(he turns to his men)
FELIX REGIMENT! DO HONOR TO YOUR
ANCESTORS! I SALUTE YOU!
He spurs his horse and the Felix Regiment roars, springing
into action -- they gallop through the crowd and to the
Colosseum -- meanwhile the City Guard disarm and guard the
Praetorian --
114.
Ratings
Scene 39 - Clash in the Colosseum
Commodus continues:
COMMODUS
As it was at the beginning so is it
now. The great She-Wolf of Rome
will again suckle us, again ravage
our enemies -- AND BRING US A WORLD
REBORN!
At his cue, two elevator platforms rumble into view, rising
from the bowels of the Colosseum to the arena sand.
On each platform is a cage full of ferocious wolves, they
snap and growl, straining to be released.
COMMODUS (cont’d)
So it was for Romulus and Remus,
sons of Mars, so shall it be for
us! The great She-Wolf will --
Suddenly -- the huge wooden doors of the arena burst open and
Maximus leads the Felix Regiment cavalry thundering into the
arena.
The crowd is stunned -- Commodus is stunned -- Lucilla bolts
up --
Commodus immediately spins to Lucilla, his eyes burning --
His Praetorian are momentarily confused --
At Gallus' command the Felix Regiment archers let fly --
multiple arrows and bolts cut through most of the Praetorians
-- some confusing skirmishes as the remaining Praetorians
fire back --
Maximus leaps from his horse and begins cutting the prisoners
free --
Meanwhile, Commodus strides back down the platform toward
Lucilla in the Imperial Box, murder in his eyes --
She suddenly hugs Lucius quickly and kisses him --
LUCILLA
Remember your mother.
She pulls the ceremonial dagger from his little uniform and
pushes him to his attendant -- his attendant pulls him away
as --
115.
Lucilla spins to Commodus -- he grabs her into an embrace --
he turns the knife on her -- thrusting deeply as he kisses
her --
A long kiss as he holds her tightly to him. Then he gently
sits her down on her throne. Her eyes wide, dying.
One of Commodus' Body Guards grabs him:
CENTURION BODY GUARD
Caesar -- we must go -- !
Commodus' six Centurion Body Guards begin hustling him out of
the Imperial Box --
COMMODUS
GET THE BOY!
He grabs Lucius from his attendant and drags him off --
They try to escape out the back of the Imperial Box -- but
Felix Regiment troops are blocking their way -- racing up
toward them --
CENTURION BODY GUARD
THIS WAY, CAESAR!
Below, through the confusion, Maximus sees Commodus escaping
with Lucius down through a side tunnel.
Maximus cuts Juba and Proximo free. Juba immediately
snatches up a sword. Maximus quickly offers a sword to
Proximo.
MAXIMUS
Captain?
Proximo takes the sword.
MAXIMUS (cont’d)
(re: Commodus and the
others)
Where are they going?!
PROXIMO
This way!
They race across the arena and into a tunnel...
116.
Ratings
Scene 40 - Final Battle in the Catacombs
Proximo leads them through a series of catacombs -- damp
tunnels shoot off in every direction -- everywhere around
them the heavy machinery of the games rise like mammoth
creatures to the arena above -- a baroque network of ropes
and pulleys and counterweights and elevator platforms and air
shafts and blood sewers -- And they suddenly run directly
into Commodus, dragging Lucius, and his six Centurions coming
the other direction.
The final battle begins with no preamble --
Maximus launches himself forward -- instantly separating
Commodus and Lucius -- he slams at Commodus with his sword --
Commodus slams back --
Proximo and Juba race into the six Centurions -- a wild free-
for-all as they prove their worth as warriors -- Juba fights
with his usual elegant precision -- Proximo fights as a man
reborn, alive again --
Proximo takes cagey advantage of his knowledge of this
subterranean world -- spinning around machinery and leaping
over blood sewers and swinging heavy counterweights --
Maximus and Commodus hack at each other with all the fiery
passion in them -- Commodus is a perfect match for Maximus
and equally ruthless -- their swords thrust and parry and
slice at amazing speed -- one false move, one mistake, means
death --
Meanwhile, the battle is turning into a victory for Juba and
Proximo -- they are defeating the Centurions -- Commodus sees
this -- and sees Lucius crying in a corner --
He screams to one of his remaining Centurions:
COMMODUS
KILL THE BOY!
Maximus whirls to Lucius -- Commodus attacks -- slashing
Maximus' shoulders -- Maximus sees Proximo racing to try and
save Lucius as he spins back to battle Commodus --
A Centurion raises his sword to kill Lucius -- Juba kills his
final opponent, turns -- Proximo just manages to push Lucius
out of the way -- the Centurion's sword slices into him --
117.
Juba flings his sword across the room -- the final Centurion
falls -- Maximus sees Proximo collapse to a wall -- dying --
Proximo locks eyes with Maximus as he slides down the wall.
The old pirate shrugs. And is dead.
Juba races to Lucius and holds the boy, turning his face away
from the slaughter --
Maximus, his furious passion redoubled at Proximo's death,
attacks Commodus with every ounce of strength in him --
Commodus' eyes begin to flash with something we have never
seen before, fear.
Maximus strikes mercilessly -- forcing Commodus steadily back
until they are fighting atop one of the elevator platforms to
the arena above.
MAXIMUS
For my wife!
Maximus strike hard -- Commodus barely blocks the blow --
MAXIMUS (cont’d)
For my son!
He strikes harder -- Commodus is losing --
MAXIMUS (cont’d)
For my father!
He strikes with everything he's got -- slashing Commodus --
Commodus sails back -- his sword falling --
Maximus stands over him. Glaring. Commodus is panting,
defeated, glaring up at him.
A beat.
MAXIMUS (cont’d)
We who are about to die salute you.
Maximus raises his sword high -- Commodus raises an arm --
Maximus SMASHES the sword down -- and Commodus is dead.
A moment as Maximus stands over Commodus. Then he looks at
the series of counterweight ropes around the elevator
platform.
He slices through one of the ropes and the platform begins to
rise...
118.
Ratings
Scene 41 - Maximus Declines the Purple
A trap door springs open and the elevator platform rises to
the sand of the arena. Maximus stands above the dead
Emperor.
The crowd stares in amazement -- and then begins to cheer in
joy at the return of their hero. A chant begins... "Maximus
the Merciful... Maximus the Merciful... Maximus the
Merciful..." which then grows to a refrain of "Caesar...
Caesar... Caesar..."
Maximus ignores them, his eyes drawn to one sight: Lucilla.
He goes to the steps of the platform leading to the Imperial
Box. He slowly climbs the steps.
In the Imperial Box, Senator Gracchus is standing. So too
Juba and others.
Lucius is kneeling by his mother, holding her hand, his head
down. Lucilla is dead. Lucius mourns with quiet dignity.
Maximus looks at Lucilla and kneels. He takes her other
hand. A long moment. He looks at Lucius.
Then he slowly bends forward and kisses Lucilla deeply, the
ritual farewell.
He stands.
Senator Gracchus steps to him:
GRACCHUS
General, the purple is yours if you
so desire. The Senate will support
you.
Maximus looks at him. And then at the people. The chant of
"Caesar... Caesar... Caesar..." is like a powerful beating
heart.
Maximus moves to the edge of the Imperial Box to address the
people. The crowd grows silent.
Maximus looks around at the blood of the arena.
MAXIMUS
Rome... you are better than this.
Look inside yourselves. I
challenge you to find your true
voice.
(MORE)
119.
MAXIMUS(cont'd)
Help the Senate speak for you.
Make them your champion... And dare
to think what could be.
A beat.
MAXIMUS (cont’d)
I give you back the dream.
With that he slowly turns and walks down the steps to the
arena sand. The crowd is absolutely silent.
He goes to Titus:
MAXIMUS (cont’d)
When everything has calmed down,
lead an orderly withdrawal. Take
them home.
Titus salutes.
Maximus return the salute and then leaps onto his horse. As
he canters toward the exit he turns for one final look at
Lucilla.
He sees that Lucius is now at the foot of the stairs, on the
arena sand, gazing at him.
Maximus stops his horse.
He canters back to Lucius. The boy looks up at him. A
moment between them.
Lucius thrusts up his hand. Maximus grabs his hand and
swings him onto the horse behind him.
A look to Juba. Juba bows his head with respect.
Farewell.
Maximus spins the horse around and begins cantering out of
the Colosseum.
Juba disappears into the crowd.
Maximus and Lucius canter across the arena and through the
huge doors...
120.
Ratings
Scene 42 - A Glimpse of Hope Amidst the Ruins
From high above we see Maximus and Lucius riding out of the
Colosseum and disappearing into the streets of Rome.
FADE TO:
EXT. VINEYARD - DAWN
Maximus stands with Lucius at his old vineyard.
It is still scorched and dead, weeds overgrowing the
vineyards, the house ruined.
Maximus puts a hand on the boy's shoulder, this boy so like
his own son.
MAXIMUS
It doesn't look it now... but soon
we'll have it growing again... Next
year there will be vines, and then
there will be grapes... It will be
alive.
We leave them, dreaming of the future.
FADE OUT.
THE END
Ratings
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
commodus | Commodus starts as a manipulative and power-hungry Emperor, driven by his insecurities and desire for control. Throughout the screenplay, his actions become increasingly ruthless and tyrannical, leading to a climactic confrontation with Maximus where he is ultimately defeated, showcasing his vulnerability and fear in the face of defeat. | The character arc for Commodus is well-developed and effectively portrays his descent into tyranny and eventual downfall. However, there could be more emphasis on his internal struggles and conflicting emotions to add depth to his character. Additionally, exploring his relationship with other characters, such as his father and Maximus, could provide more insight into his motivations and actions. | To improve the character arc for Commodus, consider incorporating more scenes that delve into his inner turmoil and insecurities, showcasing the complexity of his character. Additionally, exploring his relationships with other characters in more depth could add layers to his motivations and make his eventual downfall more impactful. Adding moments of vulnerability and humanity to Commodus's character could also make him more relatable and compelling to the audience. |
lucilla | Lucilla starts off as a loyal and conflicted character torn between her family and personal desires. As the story progresses, she becomes more strategic and determined, willing to take risks to achieve her goals. Ultimately, she betrays her brother to protect her son and Rome, showcasing her courage and intelligence. | The character arc for Lucilla is well-developed, showcasing her internal conflict and growth throughout the story. However, there could be more emphasis on her emotional journey and the impact of her decisions on her relationships with Maximus and her family. | To improve the character arc, consider adding more scenes that delve into Lucilla's emotional turmoil and the consequences of her actions. Show more interactions between Lucilla and Maximus to highlight their complex relationship and how it evolves over time. Additionally, explore the aftermath of Lucilla's betrayal and how it affects her dynamic with her family and the political landscape of Rome. |
maximus | Maximus starts as a respected general, torn between his duty to Rome and his desire for a peaceful life with his family. After facing betrayal and becoming a gladiator, he transforms into a vengeful avenger seeking justice for his loved ones. Through his journey, Maximus learns the true meaning of sacrifice and redemption, ultimately becoming a selfless leader willing to lay down his life for the greater good. | The character arc for Maximus is well-developed, showcasing his evolution from a conflicted warrior to a selfless hero. However, there could be more emphasis on his internal struggles and emotional depth throughout the screenplay to further enhance his character development. | To improve the character arc, consider incorporating more scenes that delve into Maximus's internal conflict and emotional turmoil. Show moments of vulnerability and doubt to make his transformation more impactful and relatable to the audience. Additionally, explore his relationships with other characters in more depth to showcase different facets of his personality and motivations. |
quintus | Quintus starts off as a fiercely loyal lieutenant with a deep hatred for the enemy, but as the story progresses, he begins to question his beliefs and values. His internal conflict comes to a head during a pivotal moment in the battle, where he must choose between following orders and doing what he believes is right. Ultimately, Quintus sacrifices himself to save his comrades, redeeming himself in the eyes of both his fellow soldiers and himself. | The character arc for Quintus is compelling and well-developed, but it could benefit from more nuanced exploration of his internal struggle and moral ambiguity. Additionally, his transformation from a character filled with disdain and aggression to one seeking forgiveness feels slightly rushed and could be more effectively built up throughout the screenplay. | To improve the character arc for Quintus, consider adding more scenes that delve into his internal conflict and moral ambiguity. Show moments where he grapples with his loyalty to Caesar and his sense of honor, allowing the audience to see his transformation more gradually. Additionally, consider incorporating more subtle cues in his dialogue and actions that hint at his eventual redemption, building up to a more satisfying and impactful conclusion. |
marcus aurelius | Marcus Aurelius starts off resigned to the decline of the empire but still holding onto hope for the future. As the story progresses, he becomes more introspective and burdened by the weight of his decisions, ultimately coming to terms with his legacy and the greater good of Rome. | The character arc for Marcus Aurelius is well-developed, but it could benefit from more external conflict to challenge his beliefs and values. This would create more opportunities for growth and development throughout the screenplay. | To improve the character arc, consider introducing a rival or antagonist who challenges Marcus Aurelius' leadership and forces him to confront his own shortcomings. This would add depth to his character and create a more dynamic and engaging storyline. |
juba | Juba starts as a fellow slave who shows kindness to Maximus and evolves into a supportive and loyal companion, offering encouragement and friendship in the face of adversity. As the story progresses, Juba struggles with the loss of his identity and homeland, but ultimately finds strength in his resilience and empathy. He becomes a symbol of hope and camaraderie in the midst of despair, showcasing his growth from a compassionate observer to a brave and loyal fighter. | The character arc for Juba is well-developed, showcasing his evolution from a supportive companion to a symbol of hope and resilience. However, there could be more exploration of Juba's internal struggles and personal growth throughout the screenplay to add depth to his character. | To improve the character arc for Juba, consider incorporating more scenes that delve into his internal conflicts and emotional journey. Show moments of vulnerability and growth that highlight his resilience and empathy, allowing the audience to connect with his character on a deeper level. Additionally, consider adding more interactions between Juba and Maximus that showcase the strength of their bond and the impact they have on each other's lives. |
proximo | Proximo starts as a ruthless slave trader driven by profit, but as he transitions into a gladiator trainer, he begins to show a sense of honor and loyalty towards his fighters. Throughout the film, he faces internal conflict and struggles with his past, ultimately sacrificing himself for the well-being of his gladiators, showcasing his growth from a selfish opportunist to a selfless protector. | The character arc for Proximo is well-developed, showing a clear transformation from a ruthless trader to a compassionate trainer. However, to enhance the arc, more emphasis could be placed on the catalyst for his change, such as a significant event or relationship that challenges his beliefs and values. Additionally, exploring Proximo's internal struggles and vulnerabilities in more depth could add emotional depth to his character. | To improve the character arc, consider adding flashback scenes or dialogue that delve into Proximo's past and the events that shaped him into the person he is. This will provide a deeper understanding of his motivations and actions throughout the film. Additionally, focus on building relationships between Proximo and the gladiators to highlight his growth and transformation as he learns to prioritize loyalty and honor over profit. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
High Emotional Impact Correlates with Higher Overall Grades | Scenes with high emotional impact consistently receive higher overall grades. This suggests that the emotional engagement of the audience is a key factor in the success of a scene. |
Strong Character Changes Drive Higher Emotional Impact | Scenes with significant character changes tend to have a greater emotional impact on the audience. This highlights the importance of character development and growth in creating emotionally resonant stories. |
Suspenseful Scenes Often Feature Intense Conflict | Scenes with high levels of suspense are frequently characterized by intense conflict or high stakes. This suggests that creating a sense of urgency and tension can enhance the suspense in a scene. |
Reflective Scenes Offer Opportunities for Character Exploration | Reflective scenes, particularly those with an intimate or philosophical tone, provide valuable opportunities for character exploration and development. They allow characters to introspect and provide insights into their motivations and inner struggles. |
Scenes with High Stakes Drive the Story Forward | Scenes with high stakes, such as intense conflicts or moments of great importance, are crucial for moving the story forward and maintaining the audience's engagement. |
Scenes with Sarcasm or Humor Tend to Have Lower Emotional Impact | Scenes that rely heavily on sarcasm or humor generally have a lower emotional impact on the audience. This suggests that while these elements can be effective in certain contexts, they should be used judiciously to avoid diminishing the emotional resonance of a scene. |
Gritty or Dark Scenes Often Feature Strong Character Conflicts | Scenes with a gritty or dark atmosphere often feature intense character conflicts or moments of despair. This suggests that such settings can be effective in highlighting the struggles and challenges faced by the characters. |
Tragic Scenes Frequently Evoke Strong Emotional Impact | Scenes with tragic elements, such as loss or sacrifice, often elicit strong emotional responses from the audience. This highlights the potential of tragedy to create powerful and memorable moments in a story. |
Heroic or Inspirational Scenes Tend to Feature Strong Character Arcs | Scenes that showcase heroic or inspirational characters often coincide with significant character arcs or moments of growth. This suggests that such scenes can effectively convey the transformative journeys of the characters. |
Conspiratorial or Mysterious Scenes Often Feature High Stakes and Suspense | Scenes involving conspiracies or mysteries frequently incorporate high stakes and a sense of suspense. This suggests that these elements can be effective in creating tension and intrigue in a story. |
Writer's Craft Overall Analysis
The scenes demonstrate a consistent level of writing quality, showcasing the writer's talent for creating engaging narratives, compelling characters, and intense emotional moments. The dialogue is sharp and authentic, driving the scenes forward and revealing character motivations effectively. The pacing is well-controlled, balancing action, tension, and character development. However, there are a few areas where the writer can further enhance their craft to create even more impactful and memorable scenes.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Book | 'Save the Cat!' by Blake Snyder | This book offers a comprehensive guide to screenplay structure, character development, and storytelling techniques, providing valuable insights for enhancing the overall effectiveness of scenes. |
Exercise | Character Backstory and Motivation ExplorationPractice In SceneProv | Practice writing character backstories and exploring their motivations, fears, and desires to deepen their complexity and make them more relatable. |
Screenplay | Study screenplays by renowned writers in the historical drama genre, such as William Nicholson or Tony Kushner | Analyzing the work of successful screenwriters can provide valuable insights into crafting compelling characters, engaging dialogue, and effective storytelling techniques in historical contexts. |
Video | Watch video essays and analysis on scene structure and pacing in films | Visual examples and expert commentary can enhance the understanding of how to effectively structure and pace scenes, creating a dynamic and engaging narrative flow. |
Stories Similar to this one
Story | Explanation |
---|---|
Gladiator | An epic historical drama that follows the journey of a Roman general who is betrayed and enslaved, and his quest for revenge against the corrupt emperor who killed his family. |
Braveheart | A historical epic about a Scottish warrior who leads his people in a revolt against English rule. |
Spartacus | A historical drama about a slave who leads a rebellion against the Roman Republic. |
300 | A historical action film about a group of Spartan warriors who defend their homeland against the invading Persian army. |
The Last Samurai | A historical drama about an American soldier who travels to Japan to train the country's army in modern warfare, but eventually finds himself caught between two worlds. |
The Patriot | A historical drama about a South Carolina plantation owner who leads his militia against the British army during the American Revolutionary War. |
Kingdom of Heaven | A historical drama about a blacksmith who joins the Crusades and fights to protect Jerusalem from the Muslim invaders. |
Troy | A historical epic about the Trojan War, and the legendary battle between the Greeks and the Trojans. |
13 Warriors | A historical action-adventure film about a group of Viking warriors who travel to the Middle East to fight a band of ruthless bandits. |
The Eagle | A historical adventure film about a young Roman centurion who sets out to find the lost legion of his father. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Revenge Plot | Maximus seeks revenge against Commodus for the murder of his family and betrayal. | The revenge plot is a common trope in storytelling where a character seeks vengeance for a wrong done to them or their loved ones. An example of this trope can be seen in the movie 'Kill Bill' where the protagonist seeks revenge against those who wronged her. |
Betrayal | Commodus betrays Maximus by ordering his execution and killing his family. | The betrayal trope involves a character being deceived or let down by someone they trust. An example of this trope can be seen in the TV show 'Game of Thrones' where characters often betray each other for power. |
Gladiator | Maximus becomes a gladiator after being captured and sold into slavery. | The gladiator trope involves a character being forced to fight in arenas for entertainment or survival. An example of this trope can be seen in the movie 'Gladiator' where the protagonist becomes a gladiator against his will. |
Political Intrigue | There is political intrigue involving Lucilla, Gracchus, Gaius, and Commodus in the plot to overthrow the emperor. | Political intrigue is a common trope in stories involving power struggles, secret plots, and manipulation. An example of this trope can be seen in the TV show 'House of Cards' where characters engage in political machinations to gain power. |
Hero's Journey | Maximus goes on a journey of revenge, redemption, and ultimately sacrifice. | The hero's journey is a classic storytelling trope where a character embarks on an adventure, faces challenges, and undergoes personal growth. An example of this trope can be seen in the movie 'Star Wars' where Luke Skywalker goes on a hero's journey to defeat the Empire. |
Tragic Hero | Maximus fits the archetype of a tragic hero, facing a downfall due to his own flaws and circumstances. | The tragic hero trope involves a character who is noble but flawed, leading to their eventual downfall. An example of this trope can be seen in the play 'Macbeth' where the protagonist's ambition leads to his tragic end. |
Power Struggle | There is a power struggle between Maximus, Commodus, Lucilla, and other characters vying for control of Rome. | The power struggle trope involves characters competing for authority, influence, or control. An example of this trope can be seen in the TV show 'Succession' where family members fight for control of a media empire. |
Family Tragedy | Maximus experiences a family tragedy when his wife and son are killed by Commodus. | The family tragedy trope involves a character facing the loss of their loved ones, leading to emotional turmoil and motivation for revenge. An example of this trope can be seen in the movie 'The Lion King' where Simba experiences a family tragedy that shapes his journey. |
Redemption Arc | Maximus undergoes a redemption arc, seeking to right the wrongs of his past and make amends. | The redemption arc trope involves a character seeking forgiveness, atonement, or a chance to change for the better. An example of this trope can be seen in the movie 'Les Miserables' where Jean Valjean seeks redemption for his past crimes. |
Final Battle | The screenplay culminates in a final battle between Maximus and Commodus, representing the ultimate conflict between good and evil. | The final battle trope involves a climactic showdown between the protagonist and antagonist, often symbolizing the resolution of the central conflict. An example of this trope can be seen in the movie 'The Lord of the Rings: Return of the King' where Frodo faces off against Sauron in the final battle. |
Theme | Theme Details | Themee Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Betrayal | Quintus betrays Maximus and murders his family on Commodus' orders. | Betrayal undermines the foundations of trust and loyalty, ultimately leading to tragic consequences. | ||||||||||||
Strengthening Betrayal:
| ||||||||||||||
Revenge | Maximus seeks revenge against Commodus for killing his family. | Revenge is a destructive force that can consume those who seek it, blinding them to the true path of justice. | ||||||||||||
Redemption | Maximus finds redemption by overthrowing Commodus and bringing justice to Rome. | Redemption is the act of regaining one's honor or dignity after a time of wrongdoing or suffering. | ||||||||||||
Power and Corruption | Commodus' corruption and lust for power leads to the downfall of Rome. | Power corrupts those who seek it, leading to tyranny, oppression, and the decline of society. | ||||||||||||
Friendship and Loyalty | Maximus and Juba form a strong bond of friendship and loyalty that helps them overcome many challenges. | Friendship and loyalty are essential for overcoming adversity and finding strength in times of need. | ||||||||||||
Courage and Sacrifice | Maximus and Juba sacrifice their lives to save Rome from Commodus' tyranny. | Courage and sacrifice are essential for standing up for what is right and bringing about positive change. | ||||||||||||
Justice and Freedom | Maximus fights for justice and freedom against the tyranny of Commodus. | Justice and freedom are fundamental rights that all people deserve, and they are worth fighting for. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Voice Analysis | |
---|---|
Summary: | The writer's voice is commanding and captivating, characterized by rich descriptive language, powerful dialogue, and a focus on political intrigue, honor, and sacrifice. |
Voice Contribution | The writer's voice contributes to the script by creating an immersive and evocative cinematic experience that engages both the senses and the intellect, drawing the audience into the world of the story and the characters' inner lives. |
Best Representation Scene | 16 - The Arena Battle |
Best Scene Explanation | Scene 16 effectively encapsulates the writer's voice through its vivid portrayal of a gladiatorial battle, the clash of weapons and the roar of the crowd creating a visceral atmosphere. The dialogue is sharp and suspenseful, with Maximus and Juba's camaraderie and determination shining through. This scene showcases the writer's ability to craft intense and emotionally resonant moments that drive the narrative forward. |
- Overall originality score: 8.5
- Overall originality explanation: This screenplay features a unique blend of historical fiction and epic adventure, with a compelling protagonist and a complex and unpredictable plot. The film also features several unique and memorable characters, including the villainous Commodus and the noble Maximus. Overall, this screenplay is a highly original and engaging piece of writing.
- Most unique situations: The most unique situations in the screenplay include the following: - The opening scene, in which the protagonist Maximus is riding through a forest and comes across a group of Roman soldiers who are being attacked by German barbarians. This scene is unique in that it introduces the protagonist and the setting of the film in a very effective and engaging way. - The scene in which Maximus is captured by the Romans and sold into slavery. This scene is unique in that it shows the protagonist at his lowest point and sets up the rest of the film's plot. - The scene in which Maximus is forced to fight in the arena against a tiger. This scene is unique in that it is a very intense and suspenseful action sequence that also reveals the protagonist's strength and courage. - The scene in which Maximus leads the gladiators in a revolt against the emperor Commodus. This scene is unique in that it is a very large-scale and epic action sequence that is also very emotional and satisfying.
- Overall unpredictability score: 9
- Overall unpredictability explanation: This screenplay is very unpredictable, with several twists and turns that keep the audience guessing until the very end. The film's plot is also very complex and well-written, with several subplots that all come together in a satisfying way. Overall, this screenplay is a very unpredictable and engaging piece of writing.
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goal is to seek revenge and justice for the betrayal and loss he has experienced. |
External Goals | The protagonist's external goal is to reclaim his position and power within the camp and confront those who have wronged him. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around power, corruption, and the legacy of a bloodline. |
Character Development Contribution: The protagonist's goals and the philosophical conflict challenge his beliefs, values, and actions, leading to his growth as a character. Maximus evolves from a loyal soldier seeking revenge to a leader driven by justice and redemption.
Narrative Structure Contribution: The protagonist's goals and conflicts provide the driving force for the plot, leading to intense action sequences and emotional revelations. They shape the narrative arc and create tension and suspense throughout the screenplay.
Thematic Depth Contribution: The goals and conflicts in the screenplay explore themes of honor, loyalty, power, and justice. They delve into the complexities of morality and personal values, adding depth and resonance to the story's thematic exploration.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
- Physical environment: The screenplay depicts various environments, including ancient Germania, Rome, and battlefields, with distinct physical characteristics that reflect the historical settings and the characters' experiences. Dense forests, muddy roads, ornate wagons, and gladiatorial arenas contribute to the atmosphere of the story.
- Culture: The screenplay portrays the subjugation of German peasants by the Romans, the hierarchical nature of Roman society, and the importance of honor and loyalty among soldiers. The cultural elements shape the characters' relationships and motivations, influencing their actions and decisions throughout the story.
- Society: The screenplay presents a hierarchical social structure with the Praetorian Guards representing Roman authority, the Felix Regiment led by Maximus, and the oppressed German peasants. The societal structure influences the characters' interactions, power dynamics, and struggles for survival and freedom.
- Technology: The screenplay includes elements of technology such as wagons, armed guards, catapults, Scorpions, and flaming arrows, reflecting the military capabilities and advancements of the time period. These technological elements contribute to the portrayal of warfare and the challenges faced by the characters in a violent and unforgiving world.
- Characters influence: The world elements significantly shape the characters' experiences and actions. The physical environment of Germania and Rome influences the characters' journeys and battles, while the cultural elements of Roman subjugation and military hierarchy shape their relationships and motivations. The technological elements, such as weapons and armor, impact the characters' abilities and survival in combat.
- Narrative contribution: The world elements contribute to the narrative by providing context and setting for the story. They immerse the audience in the historical setting and create a sense of authenticity. The cultural elements, such as the conflict between Romans and Germans, drive the plot and motivate the characters' actions. The societal structure and technological elements shape the characters' interactions and influence the outcomes of battles and conflicts.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by highlighting themes such as power, loyalty, freedom, and justice. The hierarchical social structure and the depiction of violent warfare explore themes of power dynamics and the struggles for control. The cultural elements of honor and loyalty among soldiers and the oppression of the German peasants raise questions about morality and the complexities of human relationships.
central conflict
The central conflict is the political struggle between Maximus, a loyal general who seeks to avenge his family's murder and restore the Roman Republic, and Commodus, the tyrannical emperor who has seized power through deceit and brutality.
primary motivations
Maximus is motivated by a desire for vengeance and a sense of duty to his family and the Roman people, while Commodus is driven by a lust for power and a deep-seated insecurity.
catalysts
The key catalysts that push the narrative forward include the murder of Maximus' family, the betrayal by Commodus, and the subsequent events that force Maximus to join forces with rebels to overthrow the emperor.
barriers
The major barriers preventing character objectives include the overwhelming power of the Praetorian Guard, the treachery of those close to Maximus, and the formidable challenge of defeating Commodus in battle.
themes
Central themes linked to the story's engine include the importance of loyalty, the dangers of tyranny, the power of redemption, and the resilience of the human spirit.
stakes
What's at stake in the narrative is the fate of Rome itself, as well as the lives of Maximus and his allies. The outcome of the conflict will determine whether the republic will be restored or whether it will fall under the rule of a tyrannical emperor.
uniqueness factor
A unique factor that differentiates this story from others is its historical setting, which provides a rich backdrop for the exploration of themes such as power, corruption, and the struggle for freedom.
audience hook
The main audience hook that will keep viewers engaged is the emotional investment in Maximus' quest for justice, as well as the suspenseful and action-packed scenes that depict the battles between the rebels and the Praetorian Guard.
paradoxical engine or bisociation
The paradoxical story engine or bisociation in this film lies in the conflict between Maximus' desire for vengeance and his ultimate choice to spare Commodus' life, recognizing the importance of preserving the rule of law and the integrity of the republic.
paradoxical engine or bisociation 2
Another paradoxical story engine or bisociation is the juxtaposition of the brutal and violent world of gladiatorial combat with the themes of redemption and forgiveness.
Engine: Claude
Recommend
Executive Summary
The screenplay for 'Gladiator' is a well-crafted and compelling historical drama that blends epic action, political intrigue, and deeply personal character arcs. The narrative is anchored by a strong central protagonist in Maximus, whose journey from loyal general to vengeful gladiator is executed with nuance and emotional depth. The film's visually striking arena battle sequences, combined with the complex power dynamics within the imperial family, create a rich and immersive world that is sure to captivate audiences. While there are a few areas that could be strengthened, the overall quality and attention to detail make this screenplay a strong candidate for production.
- The arena battle sequence is incredibly well-executed, with Maximus demonstrating his military prowess and strategic thinking to lead his gladiator team to victory. The attention to detail in choreographing the intense and visceral combat is a major strength. high ( Scene 24 (Colosseum - Arena - Day) )
- The emotional confrontation between Maximus and Lucilla is a powerful and nuanced scene that delves into their complicated history and shared desire for vengeance against Commodus. Their dialogue is compelling and reveals deeper layers to their relationship. high ( Scene 26 (Proximo's Compound - Cell - Night) )
- Maximus' defiant stand against Commodus in the arena is a pivotal moment that solidifies his status as a hero to the people of Rome. The scene masterfully builds tension and drama as Maximus refuses to submit to the Emperor's demands. high ( Scene 30 (Colosseum - Arena - Day) )
- The climactic battle sequence in the Colosseum is a thrilling and visually stunning set piece that brings the screenplay to a satisfying conclusion. The interweaving of the various plot threads and character arcs is expertly handled. high ( Scene 39 (Colosseum - Day) )
- The final scene at Maximus' vineyard provides a poignant and hopeful conclusion to the story, as Maximus and Lucius look towards rebuilding and reclaiming their lives. The imagery of the scorched, yet soon-to-be-revived land is a powerful metaphor. high ( Scene 42 (Vineyard - Dawn) )
- The transition between the scenes in Rome and the events at the Colosseum could be strengthened. There is a slight disconnect in the pacing and flow as the narrative shifts between these two settings. medium ( Scene 17 (Rome - Wagon - Day) )
- The confrontation between Commodus and Lucilla could be expanded upon to further explore the complex dynamics and power struggles within the imperial family. The scene feels a bit abrupt and could benefit from additional character development. medium ( Scene 33 (Palace - Lucilla's Chambers - Night) )
- The opening sequence in the forest could be expanded to provide more context and foreshadowing for the events to come. The juxtaposition of the young boy's song and the arrival of the Roman soldiers is intriguing, but could be further explored to set the stage more effectively. medium ( Scene 1 (Forest - Day) )
- The preparation and training of the gladiators could be further developed to give the audience a deeper understanding of their motivations and the challenges they face. This could help strengthen the emotional investment in their journey. medium ( Scene 16 (Provincial Arena - Dugout - Day) )
- The scene where Marcus Aurelius confides in Maximus about his vision for Rome's future and his desire to have Maximus succeed him is a powerful and pivotal moment that sets the stage for the rest of the story. high ( Scene 7 (Marcus' Tent - Day) )
- Commodus' descent into madness and his delusional belief in his own divinity is a compelling and unsettling character arc that adds depth and complexity to the narrative. high ( Scene 25 (Palace - Throne Room - Night) )
- The montage sequence that showcases Maximus' growing popularity and the conspiracy to overthrow Commodus is a well-executed narrative device that builds momentum and anticipation for the climactic events to come. high ( Scene 28 (Colosseum - Holding Cells - Day) )
Engine: Gemini
Recommend
Executive Summary
Gladiator is a powerful and compelling screenplay that combines historical drama with action and revenge. Its strengths lie in its strong character arcs, particularly Maximus's journey and Commodus's descent into madness, as well as its exploration of themes such as honor, mercy, and the corrupting influence of power. While there are opportunities to further develop certain characters and tighten the pacing, the screenplay's overall narrative strength and emotional impact make it a highly recommendable project.
- The opening sequences effectively establish the world, introducing Maximus's valor, leadership, and desire for home, while foreshadowing Commodus's ambition and the political turmoil. high ( Scene 1 Scene 3 Scene 4 )
- Maximus's journey from General to gladiator to symbol of hope is compelling, showcasing his resilience, strategic mind, and unwavering commitment to justice. high ( Scene 22 Scene 28 Scene 41 )
- Proximo's character arc, from a seemingly cynical businessman to a man who rediscovers his honor and supports Maximus, adds depth and complexity to the narrative. medium ( Scene 6 Scene 19 Scene 23 )
- The theme of mercy, embodied by Maximus's refusal to kill in the arena, resonates with the audience and creates a powerful contrast to the brutality of the gladiatorial world. high ( Scene 27 Scene 30 )
- Commodus's descent into madness is portrayed with nuance, highlighting his insecurities, desire for approval, and the corrupting influence of power. high ( Scene 9 Scene 25 Scene 33 )
- Lucilla's motivations could be explored in greater depth, particularly her relationship with Commodus and her internal conflict between ambition and protecting her son. medium
- The scene where Lucilla discovers Marcellus's head could be more emotionally impactful, showcasing her despair and the crushing weight of defeat. low ( Scene 35 )
- The pacing in the middle of the screenplay could be tightened, particularly during Maximus's time in the provincial arena. low
- The political machinations of the Senate could be further developed to show the complexities of Roman power struggles and the challenges of restoring the Republic. low
- The hospital tent scene is a poignant reminder of the human cost of war and the sacrifices made by soldiers. medium ( Scene 5 )
- Juba's character provides a unique perspective on slavery, honor, and the importance of home, adding a philosophical layer to the narrative. medium ( Scene 13 )
- The brutal realities of the gladiatorial world are effectively portrayed, highlighting the desperation of the fighters and the bloodlust of the crowds. medium ( Scene 16 )
Memorable lines in the script:
Scene Number | Line |
---|---|
24 | Maximus: I AM MAXIMUS MERIDAS, GENERAL OF THE FELIX REGIMENT OF THE ROMAN ARMY AND SERVANT TO THE EMPEROR MARCUS AURELIUS! I AM FATHER TO A MURDERED SON AND HUSBAND TO A MURDERED WIFE AND LANDLORD TO A MURDERED WORLD -- AND I WILL HAVE VENGEANCE! |
17 | Commodus: I will give them death. And they will love me for it. |
41 | Maximus: Rome... you are better than this. Look inside yourselves. I challenge you to find your true voice. Help the Senate speak for you. Make them your champion... And dare to think what could be. I give you back the dream. |
35 | Maximus: I forgive you. |
42 | Maximus: It doesn't look it now... but soon we'll have it growing again... Next year there will be vines, and then there will be grapes... It will be alive. |