Midnight cowboy
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: The, extracted, list, of, genres, for, the, movie, would, be:, drama, comedy, western, romance, thriller, and, tragedy, Note, that, each, genre, appears, only, once, in, final
Setting: N/A, N/A
Overview: The screenplay demonstrates strong originality and thematic depth, particularly in its exploration of masculinity, loneliness, and identity. However, there are opportunities to further develop supporting characters, enhance emotional complexity, and refine the narrative structure.
Themes: Masculinity and Sexual Demands, Poverty and Desperation, Friendship and Loneliness
Conflict and Stakes: N/A
Comparable Scripts:
Market Analysis
Budget Estimate:N/A
Target Audience Demographics: N/A
Marketability: N/A
N/A
N/A
Profit Potential: N/A
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Memorable Lines:
- Joe: Say it, lover boy! Then they bring some more dishes and I wash them and then I, uh, sleep some and then wash some more dishes and then I... Die. (Scene 5)
- Ratso: The two basic items necessary to sustain life are sunshine and coconut milk. That's a known fact. (Scene 16)
- O'Daniel: I warn you I'm gonna use you, I'm gonna run you ragged! (Scene 10)
- Anastasia: Say you love me. Just say it. (Scene 14)
- Shirley: Your name's Joe. Which is fabulous. Joe could be anyone. Kiss me, Joe, move over, Joe, go away, Joe. It's just perfect. (Scene 21)
Story Shape
Emotions Elicited
Engine: Gemini
Consider
Executive Summary
Midnight Cowboy is a powerful and evocative screenplay that offers a gritty and realistic portrayal of marginalized individuals in New York City. The character development is exceptional, and the use of symbolism and imagery is effective. However, the pacing can be uneven, and some elements of the story could benefit from further development.
- Vivid and realistic portrayal of the underbelly of New York City and the desperation of marginalized individuals. high
- Complex and nuanced character development, particularly for Joe Buck and Ratso Rizzo, whose vulnerabilities and desires are explored with depth and empathy. high
- Effective use of symbolism and imagery to convey themes of loneliness, alienation, and the search for connection. high
- Unique blend of dark humor and pathos creates a memorable and thought-provoking experience. medium
- Effective use of flashbacks and dream sequences to reveal Joe Buck's traumatic past and inner turmoil. medium ( Scene 10 Scene 11 Scene 22 )
- The pacing can be uneven, with some scenes feeling slow and others feeling rushed. medium
- The portrayal of the MacAlbertson party and the "bury love" theme feels somewhat underdeveloped and could benefit from more clarity. medium ( Scene 20 Scene 21 )
- Towny's character and motivations could be explored in greater depth to enhance the impact of his scenes with Joe. low ( Scene 24 Scene 25 )
- The ending, while poignant, could be strengthened by providing a clearer sense of resolution or closure. low
- Exploration of the social and economic factors that contribute to the characters' situations could provide additional context and depth. low
- The screenplay's unflinching portrayal of homosexuality and sexual exploitation was groundbreaking for its time and remains relevant today. high
- The use of music, particularly Joe's recurring love theme, effectively enhances the emotional impact of the story. medium
Engine: Claude
Consider
Executive Summary
Midnight Cowboy is a gritty and poignant character study that follows the journeys of Joe Buck, a naive Texan who arrives in New York City hoping to become a successful hustler, and his unlikely friendship with the sickly and cynical Ratso Rizzo. The screenplay effectively explores themes of loneliness, desperation, and the search for purpose and identity, while also providing engaging dialogue and compelling character relationships. While some narrative elements may be challenging for some viewers, the overall strength of the storytelling and the depth of the central characters make this screenplay a strong candidate for consideration.
- The opening sequence effectively establishes the theme of the story and introduces the main character, Joe Buck, in an engaging and visually compelling way. high ( Scene 1 (INT. TV STUDIO - DAY) Scene 2 (INT. HOTEL ROOM - DAY) )
- The use of flashbacks to Joe's past provides valuable context and insight into his character's development, motivations, and relationships. medium ( Scene 6 (INT. REMEMBERED BEAUTY PARLOR - ANOTHER TIME) Scene 8 (INT. REMEMBERED BEDROOM - ANOTHER TIME) )
- The interactions between Joe and Ratso/Rico are well-written, with strong dialogue and a compelling relationship dynamic that drives the story forward. high ( Scene 10 (INT. WEST SIDE HOTEL ROOM - DUSK) Scene 14 (INT. X FLAT - NIGHT) )
- The dreamlike and surreal nature of this sequence may be difficult to follow for some viewers, and the pacing could be tightened to maintain stronger engagement. medium ( Scene 12 (INT. ALL NIGHT MOVIE - NIGHT) )
- The shift between reality and fantasy could be better integrated, as the transitions may feel abrupt at times and disrupt the overall flow of the narrative. medium ( Scene 17 (EXT. EXCLUSIVE DRESS SHOP - NIGHT) Scene 18 (EXT. FLORIDA BEACH FRONT - FANTASY) )
- Some key plot points or character motivations may be unclear or underdeveloped, such as the significance of the Walter P. Box headline and Joe's attempt to contact Shirley. medium ( Scene 23 (INT. PHONE BOOTH - DAY) )
- The screenplay effectively explores themes of loneliness, desperation, and the search for purpose and identity, which are conveyed through the characters' experiences and interactions. high ( Scene 19 (INT. JEWISH CEMETERY - DAY) Scene 20 (INT. MACALBERTSONS' LOFT - NIGHT) )
- The poignant final sequence, with Joe's realization about Ratso's death, is a powerful and emotionally resonant conclusion to the story. high ( Scene 26 (INT. GREYHOUND BUS - DAY) )
Screenplay Insights:
Premise: 7.2, The screenplay's premise is effective in establishing a compelling and clear storyline. However, there are areas where the premise could be refined to enhance the screenplay's overall intrigue and engagement. See More
Structure: 8.1, The screenplay features a coherent and engaging plot structure, with events unfolding logically and effectively building tension. However, there are areas where character development could enhance the overall narrative impact. See More
Theme: 8.2, The screenplay effectively conveys its exploration of themes and messages, capturing the complex interplay between longing, loneliness, and the resilience of the human spirit amidst adversity. The screenplay's strength lies in its portrayal of the characters' emotional journeys, which resonate with the audience and drive the narrative forward. See More
Visual Impact: 7.0, The screenplay's visual imagery predominantly captures the mundane aspects of a male prostitute's life, with emphasis on the desolate urban landscapes of Texas and New York City. While there are moments of visual impact, the screenplay could benefit from a more creative and innovative approach to visual storytelling, which would enhance the film's overall emotional resonance and visual style. See More
Emotional Impact: 6.9, The screenplay effectively captures the emotional turmoil and desperation of the characters, particularly Joe Buck. It explores themes of masculinity, identity, and loss with poignant depth. However, there are opportunities to further enhance the screenplay's emotional impact by delving deeper into the emotional complexities of the supporting characters and exploring the emotional consequences of the characters' actions in greater detail. See More
Conflict: 7.0, The screenplay exhibits strengths in establishing conflict and stakes, but opportunities exist to enhance the narrative tension and audience engagement. Focusing on refining the clarity of conflict, escalating stakes, and exploring character motivations can significantly improve the screenplay's overall effectiveness. See More
Originality: 8.1, This screenplay exhibits originality in its raw portrayal of complex characters and their struggles within a harsh urban environment. The narrative's exploration of masculinity and the commodification of relationships is a refreshing departure from conventional storytelling, offering a unique and thought-provoking experience. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Joe Buck prepares to leave Texas for NYC as TV experts and women discuss the masculinity crisis in a humorous way.
- Joe prepares to leave town for New York after telling off his boss and reminiscing about his past in the small Western town he's leaving behind.
- Joe Buck rides a bus alone, reflecting on his past and interacting with other passengers.
- Joe Buck reflects on his past in Texas as he rides a bus to New York, interacting with different passengers and recalling memories with Sally Buck and Woodsy Niles.
- Joe Buck arrives alone in New York and settles into his new room while interspersed memories reveal his past relationships with Sally Buck and Woodsy Niles, and his struggles as a dishwasher
- Joe meets two women on the streets of New York - a rich lady who helps him with directions and a seductive blonde named Cass Trehune.
- Joe Buck spends his last night with Cass Trehune, a wealthy woman who he's been living with. What started as a fun and exciting fling ends in an emotional outburst by Cass when Joe jokes about asking her for money, leading to Joe leaving her and giving her money for a taxi.
- Joe Buck spends his last night with wealthy woman Cass Trehune, which ends in an emotional outburst by her. Joe leaves her after giving her money for a taxi.
- Joe and Ratso meet with Mr. O'Daniel for Joe's first job, but Ratso demands more money before Joe goes in.
- Joe Buck accepts his first job from O'Daniel after showing his eagerness to work and willingness to tolerate O'Daniel's beliefs.
- Joe spends his last night with Cass and jokes about asking for money, resulting in an emotional outburst and their relationship ending. He starts his new job with O'Daniel and then we see a montage of Joe struggling to find work and a place to stay. The scene ends with Joe reluctantly leaving the bus depot to an uncertain future.
- Joe struggles to make ends meet as a male prostitute in New York City.
- Ratso meets Joe at a diner and they reunite. Ratso tries to convince Joe to move in with him in a condemned tenement building that has no utilities due to it being condemned. Joe is angered by the suggestion, giving Ratso an ultimatum to stay away from him.
- Joe has a vivid nightmare filled with traumatic memories of sexual abuse and assault, waking up to find Ratso with his radio and demanding his boots.
- Joe and Ratso reunite, but tension arises as Ratso tries to convince Joe to live with him in a condemned tenement building. Later, Joe has a vivid nightmare about traumatic memories of sexual abuse and assault. The scene ends with Joe allowing Ratso to keep his boots.
- Joe and Ratso reunite and argue about living together. Joe has a traumatic nightmare before arguing again and allowing Ratso to keep his boots.
- Joe and Ratso both try to pick up odd jobs to make some money. Ratso suggests they scam rich women in a hotel, which Joe reluctantly agrees to. They proceed to try and pick up women and get some cash.
- Joe and Ratso turn to scamming women in hotels. They argue about living together but Joe has a vivid nightmare about sexual trauma beforehand. They later struggle to stay warm and acquire money.
- Joe and Ratso attend a funeral and receive an invitation to a party from two strange twins. Joe reflects on his journey from washing dishes in Texas to being in New York, while Ratso feels jealous that Joe might leave him behind.
- Joe and Ratso attend a party where they meet eccentric guests, experiment with drugs, and make new connections.
- Joe and Ratso attend a wild party and engage in various bizarre activities, with Joe becoming the center of attention and Shirley expressing interest in him. Ratso feels unwell and eventually they leave with Shirley, with Ratso trying to make some extra cash.
- Joe and Shirley engage in a passionate game of Scrabble that slowly leads to physical intimacy.
- Shirley tries to set up a date with Joe, who goes on a shopping spree. Joe returns to Ratso's deteriorating condition, and they discuss their future plans with each other to no avail.
- Joe goes on a date with Towny, a paper manufacturer, to make some extra cash, but ends up feeling disconnected from his surroundings. Meanwhile, Ratso's condition deteriorates, and Joe realizes their plans for the future may not work out.
- Joe needs money to take Ratso to Florida so he visits Towny, who tries to give him a Saint Christopher medal as a present for helping him become a better person. When Joe demands more money, Towny tries to resist, which leads to a violent altercation that leaves Towny badly hurt and Joe shaken. After leaving Towny's apartment, Joe and Ratso get on a bus to Florida.
- Joe and Ratso take a bus to Florida, contemplating their future and discussing Ratso's name change. Ratso wets himself and they find a moment of humor amidst their distress. Joe ditches his cowboy outfit, stops by a cafe where he has a brief, pleasant conversation with a waitress, and helps Ratso change. They continue their journey as they take in the passing scenery.
- Joe and Ratso are on a bus to Miami. Ratso dies on the bus and Joe is left to deal with his death.
Ratso - Score: 79/100
Aliases
Enrico Rizzo
Role
Supporting Character
Character Analysis Overview
Joe - Score: 84/100
Role
Protagonist
Character Analysis Overview
Cass - Score: 66/100
Character Analysis Overview
Shirley - Score: 61/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation |
---|---|---|
Masculinity and Sexual Demands | The TV moderator discusses the masculinity crisis and the increasing sexual demands on American men and women share their opinions. Joe Buck, surrounded by pinup girls, moves to NYC and struggles to find work and a place to stay, resorting to washing his feet in a public bathroom. He also spends his last night with Cass, which ends in a heated conversation when he jokes about asking her for money. Joe later becomes a sex worker and has a traumatic nightmare about his past. | The theme of masculinity and sexual demands is explored throughout the screenplay, showcasing the struggle of men and their pursuit of sexual desires, leading to Joe's descent into a life of prostitution which highlights the societal pressures on men and their struggles to conform to masculine norms. |
Poverty and Desperation | Joe Buck is a dishwasher in Texas who dreams of moving to NYC. However, he struggles to find work, accommodation, and meet his needs and befriends a con artist, Ratso. Together, they scam rich women at a hotel, sell blood, and attend a funeral before receiving an invitation to a party where Joe experiments with drugs. They later move to Miami, where Ratso dies during the journey leaving Joe alone. | The theme of poverty and desperation is showcased throughout the screenplay, highlighting the struggles of Joe and Ratso as they try to survive in a world that continually shuts them down and demeans them due to their social status. It reveals the harsh reality of living in poverty, facing desperation, and the lengths individuals will go to survive in America. |
Friendship and Loneliness | Joe and Ratso become close friends and depend on each other for survival. However, their friendship is challenged when Ratso suggests living together in a condemned building with no utilities, which Joe angrily rejects. They later face tensions as they argue while scamming rich women at a hotel. Ratso's health declines while Joe spends time with a man named Towny. Ratso dies during the journey, leaving Joe alone. | The theme of friendship and loneliness is shown throughout the screenplay, exploring Joe and Ratso's evolving relationship and how their dependence on each other shapes their journey in America. It reveals the importance of human connections and the impact of losing them, leading to loneliness and isolation. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
1 - Masculinity Crisis | "humorous" | 8 | 9 | 8 | 7 | 3 | 6 | 3 | 7 | 4 | 8 | ||
2 - Joe Leaves Town | "Humorous, Nostalgic" | 8 | 9 | 8 | 7 | 4 | 5 | 3 | 7 | 6 | 7 | ||
3 - On the Road | "Somber" | 6 | 7 | 5 | 6 | 3 | 3 | 2 | 4 | 4 | 6 | ||
4 - Memories on the Bus | "Humorous and reflective" | 9 | 9 | 8 | 9 | 3 | 5 | 4 | 6 | 7 | 9 | ||
5 - Joe's Arrival in New York | "Reflective" | 7 | 6 | 6 | 7 | 5 | 4 | 3 | 5 | 6 | 6 | ||
6 - Joe's Encounters with Women | "Sensual" | 8 | 7 | 7 | 9 | 5 | 6 | 4 | 7 | 8 | 8 | ||
7 - Joe Buck's Final Encounter with Cass Trehune | "bittersweet" | 8 | 8 | 8 | 9 | 7 | 7 | 6 | 7 | 9 | 8 | ||
8 - New York Nights | "Melancholic" | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 8 | ||
9 - Meeting Mr. O'Daniel | "tense" | 6 | 6 | 7 | 6 | 2 | 9 | 9 | 8 | 3 | 7 | ||
10 - The Job Offer | "Tense" | 7 | 8 | 8 | 6 | 5 | 6 | 5 | 8 | 5 | 6 | ||
11 - The Fall | "Despairing" | 8 | 9 | 8 | 7 | 6 | 7 | 7 | 8 | 9 | 6 | ||
12 - Joe's Descent | "Somber" | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 9 | 7 | ||
13 - Desperation | "desperate" | 8 | 6 | 8 | 9 | 6 | 9 | 5 | 7 | 7 | 7 | ||
14 - Joe's Nightmare | "Intense" | 9 | 8 | 10 | 8 | 7 | 9 | 9 | 8 | 10 | 8 | ||
15 - Tensions Rise | "Tense" | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 8 | 9 | 7 | ||
16 - Joe and Ratso's Dilemma | "Tense" | 7 | 6 | 8 | 7 | 5 | 8 | 6 | 7 | 7 | 7 | ||
17 - Scamming the Rich | "Tense" | 8 | 9 | 8 | 8 | 6 | 9 | 10 | 8 | 7 | 7 | ||
18 - Joe and Ratso's Hustle | "dark" | 8 | 9 | 8 | 7 | 6 | 7 | 7 | 7 | 9 | 6 | ||
19 - Funeral and Invitation | "melancholic" | 8 | 8 | 8 | 7 | 6 | 5 | 4 | 7 | 7 | 6 | ||
20 - The Party | "Lighthearted" | 8 | 8 | 7 | 7 | 3 | 4 | 3 | 6 | 5 | 7 | ||
21 - The Party | "surreal" | 8 | 8 | 7 | 8 | 6 | 7 | 5 | 7 | 7 | 8 | ||
22 - Joe and Shirley's Love Scene | "Passionate" | 8 | 7 | 6 | 8 | 6 | 6 | 5 | 5 | 9 | 7 | ||
23 - Joe and Ratso's Fraying Relationship | "tense" | 9 | 8 | 8 | 9 | 8 | 9 | 6 | 8 | 9 | 9 | ||
24 - Lost in New York | "melancholic" | 7 | 7 | 8 | 7 | 5 | 5 | 5 | 6 | 6 | 6 | ||
25 - Desperation | "Intense" | 9 | 8 | 10 | 9 | 7 | 10 | 9 | 10 | 9 | 8 | ||
26 - On the Road to Florida | "melancholic" | 8 | 7 | 8 | 8 | 6 | 4 | 3 | 6 | 6 | 7 | ||
27 - The Death of Ratso | "Somber" | 9 | 8 | 9 | 8 | 7 | 6 | 6 | 7 | 9 | 7 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Well-established characters and setting, humorous interactions between the characters, and an effective use of intercutting memories and present.
- The scene has a clear emotional arc, with several moments of humor and tenderness that make the ending much more impactful. The dialogue is witty and believable, with well-drawn characters and a clear sense of both the setting and the larger narrative.
- The scene showcases the avant-garde, counter-cultural scene of 1960s New York City. It highlights Joe's increasing comfort with experimentation and self-expression.
- Tension and conflict between Joe and Ratso, introduction of new character
- Effective locations and imagery capturing the city's harshness and loneliness. Highlights Joe's struggle to survive and succeed in New York City as a naive hustler.
Scene Weaknesses
- Lack of clear plot development or high stakes.
- Lack of significant emotional impact and character development
- The scene could have used a clearer sense of setting.
- The dialogue is not particularly strong or memorable, and there are no significant plot developments beyond the invitation.
- The scene is somewhat slow-moving and dialogue is limited.
Suggestions
- Develop character depth and emotional stakes to further engage the audience.
- Strengthen the dialogue to make it more impactful and memorable.
- Clarify the setting of each scene to provide greater context for the audience.
- Ensure significant plot development in every scene to maintain the momentum of the story.
- Experiment with different writing techniques to increase the pace and tension in slow-moving scenes.
Scene 1 - Masculinity Crisis
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Joe Leaves Town
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - On the Road
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Memories on the Bus
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Joe's Arrival in New York
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Joe's Encounters with Women
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Joe Buck's Final Encounter with Cass Trehune
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - New York Nights
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Meeting Mr. O'Daniel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Job Offer
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - The Fall
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Joe's Descent
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Desperation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Joe's Nightmare
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Tensions Rise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Joe and Ratso's Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Scamming the Rich
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Joe and Ratso's Hustle
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Funeral and Invitation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - The Party
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - The Party
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Joe and Shirley's Love Scene
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Joe and Ratso's Fraying Relationship
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Lost in New York
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Desperation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - On the Road to Florida
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - The Death of Ratso
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Consider
Explanation: Midnight Cowboy is a powerful and evocative screenplay that offers a gritty and realistic portrayal of marginalized individuals in New York City. The character development is exceptional, and the use of symbolism and imagery is effective. However, the pacing can be uneven, and some elements of the story could benefit from further development.
Engine: Claude
Consider
Explanation: Midnight Cowboy is a gritty and poignant character study that follows the journeys of Joe Buck, a naive Texan who arrives in New York City hoping to become a successful hustler, and his unlikely friendship with the sickly and cynical Ratso Rizzo. The screenplay effectively explores themes of loneliness, desperation, and the search for purpose and identity, while also providing engaging dialogue and compelling character relationships. While some narrative elements may be challenging for some viewers, the overall strength of the storytelling and the depth of the central characters make this screenplay a strong candidate for consideration.