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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. SOUTH BOSTON ST. PATRICK'S DAY PARADE -- DAY CUT TO: INT. L STREET BAR & GRILLE, SOUTH BOSTON -- EVENING The bar is dirty, more than a little run down. If there is ever a cook on duty, he's not here now. As we pan across several
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INT. M.I.T. CLASSROOM -- DAY The classroom is packed with graduate students and TOM. PROFESSOR LAMBEAU (52) is at the lectern. The chalkboard behind him is covered with theorems. LAMBEAU
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EXT. SOUTH BOSTON ROOFTOP -- EARLY AFTERNOON SEAN McGUIRE (52) sits, FORMALLY DRESSED, on the roof of his apartment building in a beat-up lawn chair. Well-built and fairly muscular, he stares blankly out over the city. On his lap rests an open invitation that reads "M.I.T. CLASS OF
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INT. M.I.T. HALLWAY -- LATER Lambeau, still in his reunion formal-wear, strides down the hallway, carrying some papers. A group of students have gathered by the chalkboard. They part like the red sea as he approaches the board. Using the papers in hand, he checks the proof.
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EXT. SIDEWALK --CONTINUOUS Will comes jogging up towards BOBBY CHAMPA, calling out from across the street, WILL (smiling, good naturedly)
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EXT. SIDEWALK (FULL SPEED) -- CONTINUOUS A crowd of onlookers have gathered. Chuckie addresses them. CHUCKIE Hey, thanks for comin' out. WILL
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INT. M.I.T. HALLWAY -- NIGHT Lambeau comes out of his office with Tom and locks the door. As he turns to walk down the hallway, he stops. A faint TICKING SOUND can be heard. He turns and walks down the hall. Lambeau and Tom come around a corner. His P.O.V. reveals a
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INT. BOW AND ARROW -- CONTINUOUS Chuckie is collecting money from the guys to buy a pitcher, all but Morgan cough up some crumpled dollars. CHUCKIE So, this is a Harvard bar, huh? I
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INT. BOW AND ARROW, AT THE BAR --LATER Will sits with Morgan at the bar watching with some amusement as Chuckie and Billy play bar basketball game where the players shoot miniature balls at a small basket. In the B.G. Occasionally we hear Chuckie shouting "Larry!" When he scores.
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EXT. BOW AND ARROW -- LATER Our boys are walking out of the bar teasing one another about their bar-ball exploits. Across the street is another bar with a glass front. Morgan spots Clark sitting by the window with some friends.
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INT. COURTROOM -- DAY Will stands before JUDGE MALONE (40) being arraigned. It is fairly unceremoniuous, the coutroom nearly empty, save Will and the PROSECUTOR. Lambeau walks in from the back. WILL
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INT. MIDDLESEX COUNTY JAIL, HOLDING AREA -- SAME A GUARD walks Will down a hallway toward a group of phones. GUARD One call, to an attorney. (beat)
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INT. FUNLAND -- DAY Will and Chuckie walk up to an enclosed trampoline. Billy and Morgan prefer to use it for their own version of "Wrestlemania." As Will and Chuckie approach, Billy is on top of a bloodied Morgan and has him in the "Cobra Clutch." Will and Chuckie watch
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INT. HALLWAY -- CONTINUOUS The Psychologist comes walking out, much to the surprise of Lambeau and Tom who have been waiting in the lobby. LAMBEAU Henry?
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INT. LAMBEAU'S OFFICE -- DAY Will sits in a chair across from Lambeau and the HYPNOTIST. Lambeau's assistant, TOM (33) takes notes. The Hypnotist makes small talk with Lambeau, who checks his watch. LAMBEAU
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INT. BUNKER HILL CAMPUS -- DAY This is SEAN MAGUIRE'S "Dying and Bereavement" class. Emblazoned on the door is "room 101." While the lecture hall could hold sixty students, there are less than fifteen here today. Sean Maguire lectures to the class in a resigned tone. Tired of
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EXT. HARVARD SQUARE -- NIGHT Will and Skylar on their first date. They watch a street MAGICIAN doing tricks with a rabbit. The guy's tricks are pretty good, but his on-stage persona could use some work. He is incessantly repeating the phrase "this is the rabbit, the rabbit
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INT. LOCKOBER RESTAURANT -- SAME Lambeau and Sean, having finished their meal. Lambeau has been pitching Sean. SEAN I've been busy, Gerry. I got a full
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EXT. BUNKER HILL CAMPUS -- MORNING Establishing shot of the red-brick campus. Planes land at nearby Logan airport. Will walks up the steps. CUT TO: INT. SEAN'S OFFICE -- DAY
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INT. HALLWAY -- CONTINUOUS Will walks out of Sean's office past Lambeau and Tom who are sitting in the hallway. WILL At ease, gentlemen.
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INT. SEAN'S APARTMENT -- NIGHT As we pan across Sean's small apartment, we find it strewn with dirty clothes and the sink full of dishes. Although, if it weren't for the clutter, the place would feel pretty bare. A framed SPORTS ILLUSTRATED cover featuring a screaming Larry Bird
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INT. CONSTRUCTION SITE -- DAY Will and Chuckie doing demo at the site. They throw cinderblocks out a window into a pile. They are filthy. CUT TO: EXT. SOUTH BOSTON STREET -- NIGHT
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INT. LAMBEAU'S OFFICE -- DAY Will and Lambeau work together at the board. They communicate non-verbally as they collaborate on a problem. After a particularly amusing series of numbers, they share a look and laugh.
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EXT. SKYLAR'S DORM -- AFTERNOON Will is waiting outside the door for someone to come out -- so he can go in. INT. SKYLAR'S DORM -- AFTERNOON The door to Skylar's dorm is partially open. Will stands outside
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INT. SKYLAR'S ROOM -- NIGHT Will and Skylar in her room, post coital. They are wrapped in a sheet. Will is absent-mindedly playing the memory game SIMON. The pattern grows increasingly complex. After a beat: SKYLAR
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EXT. L STREET BAR & GRILLE -- LATER Everyone is walking out, saying good-bye. Chuckie goes over to Will and Skylar. CHUCKIE I'm glad you came by, changed my opinion
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INT. FACULTY CLUB -- NIGHT A cocktail party is underway. Professors mingle with representatives from high tech companies. Lambeau stands holding a drink and surrounded by several RECRUITERS. Apparently he's the star of the show.
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INT. TRI-TECH LABORATORIES, OFFICE -- SAME Three well dressed TRI-TECH EXECUTIVES sit around a conference table, which is littered with promotional brochures. The executives exchange a confused look. One of them speaks. EXECUTIVE
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EXT. AU BON PAIN COURTYARD, HARVARD SQUARE -- DAY Will and Skylar sit in the open courtyard of this Harvard Square eatery. Skylar is working on another O-chem lab. Will sits across from her, slightly bored watching her work. WILL
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INT. CHUCKIE'S APARTMENT -- DAY Chuckie sits on his couch, watching cartoons in his boxers and a tee-shirt, eating cereal. The doorbell rings. He sits. CHUCKIE Get it, ma!
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INT. LAMBEAU'S OFFICE -- DAY Tom and Will are sitting waiting for Lambeau. TOM !!! ! WILL
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INT. SKYLAR'S ROOM -- NIGHT Will and Skylar lie in bed. Skylar watches Will sleep. She gets up and goes to the fridge. Returning to the bed: SKYLAR Will? Are you awake?
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EXT. SKYLAR'S DORM -- NIGHT Will leaves pulling on his clothes. CUT TO: INT. NATIONAL SECURITY AGENCY, OFFICE -- DAY Will sits across from two N.S.A. AGENTS, OLIVER DYTRESS and
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INT. SEAN'S OFFICE -- DAY Lambeau is scribbling away at work. Tom is taking notes. Will is tapping his fingers, waiting for him to finish. LAMBEAU I can...I'm almost there.
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INT. MAGGIORE BUILDER'S CONSTRUCTION SITE -- DAY Will and Chuckie take crowbars to a wall. This is what they do for a living. As they routinely hammer away, Will becomes more involved in his battle with the wall. Plaster and lathing fly as Will vents his rage. Chuckie, noticing, stops working and takes
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INT. SEAN'S OFFICE -- DAY Lambeau stands across from Sean, seething. LAMBEAU This is a disaster! I brought you in here to help me with this boy, not to
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INT. WILL'S CHILDHOOD APARTMENT -- FLASHBACK From a child's P.O.V. we see a man, partially obscured by a doorframe. The man turns toward the P.O.V. CUT BACK TO: INT. SEAN'S OFFICE -- DAY
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INT. RED LINE CAR -- DUSK Will rides the Red Line, above ground. He looks out over the landscape. Small back yards, laundry hangs from wire lines. Chainlink fences, overgrown with weeds. EXT. SOUTH BOSTON PARK -- DAY
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EXT. L STREET -- CONTINUOUS As they come out the door, rather tha beating Will mercilessly, they stop. Morgan goes into his own, personal rendition of "Danny Boy." No one joins in. CHUCKIE
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INT. SEAN'S OFFICE -- DAY Will sits across from Sean. SEAN Which one did you take, Will? WILL
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INT. HALLWAY OUTSIDE SEAN'S OFFICE - MOMENTS LATER Will comes out of Sean's office and sees Lambeau walking up. LAMBEAU (surprised) Will.
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INT. HALLWAY -- CONTINUOUS On their backs as they walk down the hall. LAMBEAU Sean, do you have any idea what the odds are against winning the lottery?

Good Will Hunting

A gifted but troubled young man from South Boston must confront his traumatic past and find his purpose in life with the help of an unconventional therapist.

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Overview

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Unique Selling Point

Discover "Good Will Hunting," a groundbreaking script that masterfully blends sharp wit, humor, and raw emotion to create an unforgettable journey of self-discovery, friendship, and love. This story takes you into the heart of South Boston, where a group of working-class friends navigate life's challenges with camaraderie and resilience. At its core, "Good Will Hunting" is a tale of an unlikely genius, Will Hunting, who struggles to come to terms with his intellect and past traumas. What sets this script apart is its unique combination of authentic character interactions, fresh humor, and thought-provoking themes. The writer's voice shines through in the natural, engaging dialogue that captures the nuances of each character's personality. From the gritty realism of the bar scenes to the intellectual depth of the academic settings, "Good Will Hunting" offers a captivating and original narrative that will resonate with audiences. This script's unique selling proposition lies in its ability to explore complex themes, such as the impact of childhood trauma, the importance of mentorship, and the struggle for personal growth, all while maintaining a lighthearted and relatable tone. With its memorable characters, engaging dialogue, and powerful emotional resonance, "Good Will Hunting" promises to be a standout addition to any film collection.

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Claude
 Recommend
Story Facts

Genres: Drama, Comedy, Romance, Thriller, Psychological Thriller, Action, Crime, Legal, Romantic Comedy

Setting: Present day, Boston, Massachusetts

Themes: Personal Growth and Self-Discovery, Friendship and Loyalty, Education and Learning

Conflict & Stakes: Will's struggle to come to terms with his past, his fear of failure, and his desire for a meaningful life, while also dealing with the pressures of his academic potential and the expectations of those around him.

Mood: Emotional and inspiring, with moments of humor and tension.

Standout Features:

  • Unique Hook: A coming-of-age story about a troubled young man with a brilliant mind and a difficult past, who must confront his fears and embrace his potential in order to find happiness and fulfillment.
  • Plot Twist: Will's unexpected discovery of his photographic memory and his ability to solve complex mathematical problems, which leads to new opportunities and challenges.
  • Distinctive Setting: The contrast between the prestigious academic institutions of MIT and Harvard, and the working-class neighborhoods of South Boston, highlights the class divide and adds depth to the story.
  • Innovative Ideas: The film explores the idea that education is not just about academic achievement, but also about personal growth, self-discovery, and the impact of childhood experiences on adulthood.

Comparable Scripts: Good Will Hunting (1997), A Beautiful Mind (2001), The Social Network (2010), Dead Poets Society (1989), Finding Forrester (2000), The Miracle Worker (1962), Stand and Deliver (1988), Rain Man (1988), Pi (1998), The Theory of Everything (2014)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 8.25
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.