Harold and Maude
Executive Summary
Screenplay Video
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USP: This script's Unique Selling Proposition (USP) lies in its ability to blend dark humor, introspection, and unconventional dialogue to challenge societal norms and expectations. The writer's unique voice creates a distinct tone that adds depth to the story and characters. The script stands out from others in its genre by exploring themes of mortality, individuality, and the pursuit of joy in life. Its target audience will be drawn to its thought-provoking and unconventional storytelling techniques, as well as its ability to balance humor with profound moments. Overall, this script offers a compelling and original piece of storytelling that will captivate its audience and leave a lasting impact.
Overview
Genres: Drama, Comedy, Romance, Dark Comedy, War
Setting: Contemporary, Various locations including the Chasen's den, Maude's apartment, a hospital, an amusement park, and a sea cliff road
Overview: The screenplay boasts strong character development, particularly with Harold's transformation and Maude's eccentric charm. The dialogue is witty and thought-provoking, effectively exploring themes of life, death, and societal norms. However, the pacing could be improved, and some secondary characters lack depth. The unconventional narrative may limit its broader appeal.
Themes: Death and Suicide, Mother-Son Relationship, Unconventional Love, Individuality and Self-Expression, Transience of Life, Mental Health
Conflict and Stakes: The primary conflicts in this story revolve around Harold's struggle with his own mortality, his unconventional interests, and his desire to break free from his mother's control. The stakes are his own happiness, freedom, and the potential for a meaningful connection with Maude.
Overall Mood: Darkly humorous and contemplative
Mood/Tone at Key Scenes:
- Scene 1: The scene where Harold sets up a hanging suicide has a dark and somber tone with a touch of black humor.
Standout Features:
- Unique Characters: Harold and Maude are unconventional and memorable characters that stand out in the story.
- Dark Humor : The screenplay's blend of dark humor and melancholy creates a unique and engaging tone.
- Exploration of Life and Death : The screenplay's exploration of existential themes and the meaning of life adds depth and resonance to the story.
Comparable Scripts:
Market Analysis
Budget Estimate:$5-10 million
Target Audience Demographics: Adults aged 18-45, fans of dark comedies and indie films
Marketability: The screenplay offers a unique blend of dark humor, romance, and philosophical themes, which can attract a niche audience and generate critical acclaim.
The screenplay's exploration of unconventional characters and its mix of humor and melancholy can appeal to indie film enthusiasts and fans of offbeat storytelling.
The screenplay's strong performances, unique visual style, and thought-provoking themes make it a potential cult classic and a favorite among film festival audiences.
Profit Potential: Moderate to high, due to the screenplay's potential for critical acclaim, word-of-mouth buzz, and a dedicated fan base.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Summary:The writer's voice is characterized by a unique blend of dark humor, introspection, and unconventional dialogue, creating a distinct tone that challenges societal norms and expectations. The narrative description is vivid and often contrasts mundane settings with shocking events, adding depth to the story and characters.
Best representation: Scene 3 - Harold's Unconventional Interests and Family Concerns. This scene is the best representation of the author's voice because it showcases the writer's ability to blend dark humor with introspective moments and create a contrast between the superficial and the profound, setting the tone for the rest of the story.
Memorable Lines:
- Harold: I love you. I love you! (Scene 38)
- Maude: Farewell, Harold. It's been all such fun. (Scene 39)
- Maude: To cry is to laugh. To laugh is to cry... a uniquely human trait. And the main thing in life, my dear Harold, is not to be afraid to be human. (Scene 34)
- Maude: Reach out! Take a chance! Get hurt maybe. But play as well as you can. (Scene 24)
- Harold: To pit your own life against another. (Scene 31)
Writing Style:
The writing style of the entire screenplay can be described as a blend of dark humor, unconventional storytelling, and exploration of philosophical and existential themes.
Style Similarities:
- Wes Anderson
- Charlie Kaufman
Story Shape
Emotions Elicited
Consider
Executive Summary
Harold and Maude is a darkly comedic and heartwarming screenplay with a unique premise and memorable characters. The strength lies in the contrasting personalities of Harold and Maude, their evolving relationship, and the exploration of life and death. However, the pacing could be tightened, some scenes feel repetitive, and further character development, particularly for Maude and in the aftermath of the climax, would enhance the narrative.
- Harold's staged suicides are darkly comedic and effectively establish his character and the dysfunctional relationship with his mother. high ( Scene 1 Scene 10 Scene 27 Scene 59 )
- Maude's eccentric and life-affirming character provides a strong contrast to Harold's morbidity, creating a compelling dynamic. high
- Maude's carefree disregard for rules and authority, particularly her car 'borrowing' escapades, add humor and highlight her philosophy on life. medium ( Scene 49 Scene 80 Scene 99 Scene 106 )
- The scenes exploring nature and growth, like the daisy field scene, provide moments of reflection and thematic depth. medium ( Scene 72 Scene 73 Scene 75 )
- The development of Harold and Maude's relationship, from friendship to love, is heartwarming and believable. high ( Scene 110 Scene 116 Scene 155 Scene 157 )
- The psychiatrist scenes, while providing some exposition, feel repetitive and could be condensed or replaced with more dynamic interactions. medium ( Scene 12 Scene 18 Scene 20 Scene 54 )
- The pacing in the middle section could be tightened, particularly during Harold's computer dates, to maintain momentum. medium
- While Maude's past is hinted at, further exploration of her experiences, especially her time during the war, could add depth and context to her character. medium
- The transition from the intimate scene to Harold's announcement of marriage feels abrupt and could benefit from a smoother bridge. low ( Scene 145 Scene 146 )
- Exploring the aftermath of Harold and Maude's relationship, how Harold copes with her death and applies her lessons to his life, would provide a more satisfying conclusion. high
Screenplay Insights:
Premise: 7.5, The screenplay premise, centering around the unlikely friendship between a troubled young man, Harold, and an eccentric elderly woman, Maude, possesses originality and clarity. The exploration of themes related to life, death, societal norms, and the search for meaning offers a solid foundation for a compelling narrative. However, the execution of the premise could be enhanced to strengthen its impact and long-term audience engagement. See More
Structure: 7.25, The screenplay's structure is largely character-driven, focusing on Harold's personal journey and transformation. While the narrative includes elements of conflict and tension, they are primarily used to explore Harold's inner struggles rather than driving external action. The plot leans towards a slice-of-life style, lacking a clear central objective or goal, which could be both a strength and a weakness depending on the intended audience and genre conventions. See More
Theme: 8.25, This screenplay effectively explores and conveys its themes and messages through compelling characters and a narrative that challenges societal norms. The themes of nonconformity, embracing life, and the acceptance of death are woven into the fabric of the story, resonating with the audience on an emotional and intellectual level. However, some areas could benefit from further refinement to enhance the depth and clarity of the themes. See More
Visual Impact: 7.5, This screenplay presents a compelling visual tapestry that invites readers to enter a world of eccentricity, dark humor, and profound life lessons. It effectively utilizes visual imagery to create a unique and immersive experience. See More
Emotional Impact: 9.25, The screenplay effectively draws viewers into an emotionally engaging narrative, especially through the character of Maude, whose eccentricities and life-affirming approach to life challenge Harold's cynical outlook. The script successfully elicits a range of emotions, leading to a profound and haunting cinematic experience. However, there are opportunities to enhance emotional depth and nuance by further developing the supporting characters and exploring inner conflicts within Harold. See More
Conflict: 7.75, The screenplay employs conflict and stakes effectively to maintain audience engagement and drive the narrative forward. The central conflict between Harold's morbid interests and his mother's desire for a normal life creates a strong foundation for tension and exploration of the characters' motivations. However, there are opportunities to enhance the stakes and deepen the conflicts in certain areas, which could further elevate the narrative's impact. See More
Originality: 8.0, The screenplay presents a highly original and creatively executed story that defies conventions and challenges societal norms. Its exploration of dark and unconventional themes through the lens of unique characters sets it apart as a refreshing and thought-provoking work. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In this scene, a young man named Harold sets up a hanging suicide in the Chasen's den. Mrs. Chasen enters the room and discovers the body, scolding Harold for his actions. She then leaves the room, instructing him to be more vivacious. The scene transitions to a dinner party where Mrs. Chasen entertains guests with stories while Harold sits silently, creating a stark contrast between their moods.
- Mrs. Chasen finds Harold's dead body in the bathroom, covered in blood, and reacts with horror. Harold listens to his mother's cries and grins. The scene then shifts to a psychiatrist's office where Harold casually discusses his past suicide attempts. The conflict of Harold's apparent suicide is not resolved in this scene. The emotional tone is one of shock, horror, and dark humor. The scene ends with the psychiatrist questioning Harold about his feelings towards his mother.
- Mrs. Chasen, dressed in a fashionable black bikini, crazy glasses, and a sun hat, walks by the pool without noticing Harold floating face down. Inside the pool house, Mrs. Chasen sees Harold drowned and bug-eyed through an underwater viewing window. She sighs, closes the blinds, and leaves. The scene then cuts to Harold in a psychiatrist's office, expressing concern about not being able to connect with his mother.
- In this scene, Harold is interviewed by a psychiatrist who questions his fascination with junkyards and love for useless machines. Harold admits to attending funerals for fun. The scene then shifts to a cemetery where Harold observes a funeral service. Meanwhile, Mrs. Chasen expresses her frustration to her friends about Harold's behavior and his recent purchase of an ugly hearse. She suggests that Harold should talk to his Uncle Victor. The scene transitions to Uncle Victor's office, where he tries to convince Harold to join the Army, implying that Harold has a little bit of Nathan Hale in him. The conflicts surrounding Harold's unconventional interests and behavior remain unresolved in this scene.
- Mrs. Chasen informs Harold that he should get married. In the church, Maude offers licorice to Harold and discusses the concept of moving on in life. She comments on the use of black at funerals and draws a smile on a portrait of the Blessed Virgin and Child. The scene ends with Maude remarking that the saints should be happy and leaving the church.
- In this scene, Harold and Maude have a friendly interaction at the church door. Maude questions the emphasis on the crucifix and takes Harold's pen. Quick cuts of the saints' faces with ridiculous smiles add a whimsical touch. The returning priest is shocked by Maude's actions. Maude and Harold continue their conversation on the church steps, where Maude introduces herself as Dame Marjorie Chardin. They exchange pleasantries and Maude offers to drop Harold somewhere, but he declines. Maude drives off in her car, leaving the mystified priest behind.
- In this tense and unsettling scene, Harold's mother presents him with forms from the National Computer Dating Service and fills out a personality questionnaire for him. Unbeknownst to her, Harold loads a revolver and points it at his mother. The scene ends with Harold pulling the trigger, resulting in a burst of blood and an explosion. This internal struggle and extreme action remain unresolved in this particular scene.
- Harold and Maude attend a funeral procession where Maude tries to get Harold's attention, but he is horrified. The priest notices Maude and she backs away. Later, the priest approaches Harold and asks about the old lady. Maude drives up in Harold's hearse and offers him a lift. The priest recognizes Maude as the person who drove his car and painted the statues. Maude drives off with Harold, resolving the conflict between them.
- In this scene, Harold sits in the front seat of his hearse while Maude drives recklessly. They discuss their shared interest in attending funerals, but Harold is more focused on Maude's driving. Maude talks about the circle of life and reveals her habit of taking cars for a drive. Harold expresses concern about upsetting the owners, but Maude believes ownership is absurd. The scene ends with Maude driving off, leaving the priest behind.
- Maude and Harold enter Maude's apartment, filled with eccentric memorabilia. Maude shows Harold her unique pulley device for feeding birds and waves at Madame Arouet gardening in the backyard. Harold declines Maude's offer of oat straw tea due to an appointment but promises to come back and visit.
- In this scene, Harold is in the psychiatrist's office and is unresponsive and daydreaming. The psychiatrist tries to engage him in conversation about his friends and school, but Harold remains unresponsive. The psychiatrist becomes frustrated and expresses his concern about the lack of communication. He then mentions that Harold's mother is arranging dates for him with young ladies. The scene ends with a stock insert of a giant steel ball crashing into a brick wall.
- In this scene, Harold discusses his desire to talk to his father and his fascination with his hearse and room with his psychiatrist. The scene then transitions to Harold's cluttered room, where he engages in various activities and examines his severed head prop. Harold's mother informs him about three girls coming for lunch as part of a computer dating service. Harold contemplates his situation and goes back into the closet to find something.
- In this scene, Mrs. Chasen welcomes Candy Gulf into her home and they have a friendly conversation in the den. Meanwhile, Harold, displaying his eccentric behavior, pours kerosene all over himself outside the window. The tone shifts from light to tense as Candy witnesses this shocking act. The conflict arising from Harold's behavior remains unresolved, and the scene ends with Candy collapsing in hysterics.
- Harold enters Maude's apartment and explores the various objects in the room. He then goes outside and asks Madame Arouet if she has seen Maude. She points him to the building next door. Harold enters Glaucus's studio and finds Maude posing as Venus. They have a conversation in Maude's apartment where Maude shows Harold her paintings and her odorifics. Harold hesitates but eventually touches a wood sculpture. The scene ends with Maude asking Harold about himself.
- In this scene, Harold and Maude watch as buildings are demolished and explore a junkyard. They have a picnic and discuss the thrill of destruction. They then lie on the ground and observe a plant growing. Later, they visit a flower farm and discuss the beauty of life and transformation. The scene ends with Harold expressing his desire to become one of the daisies in a large field.
- Harold and Maude stand by a daisy field, discussing the uniqueness of individuals. Maude picks a daisy to illustrate her point. They get into a car and Maude drives recklessly, scaring Harold. They talk about machines and music. Maude crashes the car into a telegraph pole. They notice a tree in trouble by the courthouse and decide to transplant it to the forest. They leave the scene as the police arrive to check the crashed car.
- Maude and Harold encounter a police officer outside the Continental. After a friendly conversation, Maude drives off with the officer's approval. Later, they find Glaucus asleep in his studio and cover him with a rug. They notice his unfinished ice sculpture of Venus melting, leaving them intrigued. The scene ends with Maude and Harold deciding to return to the studio in the morning to further explore the situation.
- Harold and Maude sit before the fire in Maude's apartment, enjoying a meal and conversation. They discuss Maude's past as a protester and her love for music. Maude teaches Harold to play the banjo, and they end the scene by playing together and enjoying their musical collaboration.
- Harold hides his banjo in a flower pot and joins his mother in the garage area. Mrs. Chasen reveals a green MG roadster as a replacement for Harold's hearse. She informs him about his upcoming second computer date and asks him to behave. Harold, feeling rebellious, takes off his jacket, wheels a large acetylene torch to the car, and puts on a welding mask, preparing to do something to the MG roadster.
- In Glaucus' studio, he chips away at a new block of ice while Maude asks about Harold. Glaucus engages in a conversation with both of them about the ice block and his artistic vision. He makes an incision with a pneumatic drill. Maude asks to borrow a shovel, but Glaucus suggests using a blowtorch instead. Harold and Maude leave the studio, leaving Glaucus to continue working on the ice.
- In this scene, Maude and Harold are driving a brown pick-up truck when they are stopped by a cop for speeding. They engage in a humorous conversation, explaining that they don't have a license or registration because they just took the truck to transplant a tree. Maude then speeds off, leaving the cop flabbergasted.
- Maude and Harold are being followed by a cop. Maude confuses the cop with a series of U-turns and they lose him. They plant a tree in a forest glade and discuss nature. Continuing their journey, the cop catches up and accuses Maude of violations. Maude distracts the cop while Harold and Maude escape on a motorcycle. The cop fires shots but they manage to get away. The scene ends with Maude and Harold successfully escaping on the motorcycle while the cop watches them disappear over the hill.
- In the studio, Glaucus, an old man, fights off sleep while struggling to finish an ice sculpture. Harold and Maude enter and engage in conversation with Glaucus. Eventually, Glaucus falls asleep, and Harold and Maude observe the melting sculpture, contemplating the fleeting nature of art.
- Maude and Harold relax in Japanese kimonos at Maude's place, smoking from a hookah and discussing their liking for the name Glaucus. They share stories about a wise man in Persia and a past explosion at Harold's boarding school. The scene ends with Maude suggesting they waltz and they begin dancing together.
- In this scene, Mrs. Chasen introduces Harold to Edith Fern, his second computer date. They have a conversation about Edith's job as a file clerk at Harrison Feed and Grain. Suddenly, Harold cuts off his own hand with a meat cleaver, causing Edith to become sick and collapse.
- Harold and Maude finish their picnic in a meadow and lie on their backs, looking at the sky. They engage in a playful and philosophical conversation about the vastness of the cosmos, communication with Life, and feeling like a kid. Harold does a somersault and laughs, while Maude yodels and Harold joins in. Their voices echo across the valley, creating a joyful and carefree atmosphere.
- Harold and Maude sit on a rock at the beach at sunset, engaging in a romantic and philosophical conversation. They discuss the sinking sun, the passage of time, and the importance of kindness. Harold notices a number tattooed on Maude's hand, suggesting a dark past. The scene ends with Harold still looking at Maude as the sun begins to sink.
- In this scene, Mrs. Chasen emphasizes the importance of Harold's meeting with Sunshine Dore, the last girl sent by the Computer Dating Company. Harold tries to impress Sunshine but eventually pretends to commit hari-kari by plunging a knife into his belly. Sunshine is impressed and recites lines from Romeo and Juliet before stabbing herself with Harold's dagger. Mrs. Chasen enters with drinks, sees Sunshine dead on the couch, and blames Harold for the disastrous date.
- In this scene, a military file is taken out of a cabinet and placed in an 'IN' box in a military corridor. It is then carried to a military office and placed on a desk. Uncle Victor opens the file in his office. Meanwhile, Mrs. Chasen confronts Harold in the Chasen den and informs him that she has arranged for him to be inducted into the United States Army. Maude, who is hoeing weeds in Madame Arouet's garden, is approached by Harold, who shares the news. Maude remains calm and suggests they work together. The scene ends with Harold seeking Maude's help and Maude expressing confidence in their ability to come up with a solution.
- Uncle Victor and Harold ride in the back of the General's military limousine, discussing the Army. They walk through a park, where Uncle Victor emphasizes respecting officers and shares his views on war. They sit on a bench overlooking a reservoir, continuing their conversation. Uncle Victor tries to convince Harold to join the Army, while Harold respectfully engages in a discussion about war. The scene ends with Uncle Victor mentioning his influential connections and they walk off towards the reservoir.
- Harold and Uncle Victor are seated under a tree near the dam by the reservoir. Uncle Victor tells a war story while Harold expresses excitement about killing. Maude interrupts, advocating for peace, leading to a confrontation with Harold. In the struggle over Maude's umbrella, Harold accidentally knocks her over the dam into the rushing water below. The General and Harold look down, realizing the tragedy that has occurred.
- Harold and Maude visit an amusement park at night and enjoy various activities. They ride a cart out of a haunted house, laugh, and discuss their lack of fear. They decide to get candy floss and continue having a great time at the fairway. At the penny arcade, they play a hand-operated soccer game and attract attention from others. Maude and an Italian grocer team up against a banker and his wife in the game, and the crowd cheers them on. The scene ends with the exciting soccer match.
- Harold admires Maude playing in the penny arcade before they walk to the edge of the pier. They discuss the possibility of life in the universe and the feeling of loneliness. Harold gives Maude a piece of metal with 'Harold loves Maude' written on it, which she throws into the ocean. They then walk off down the pier to see the fireworks.
- In this scene, Harold and Maude sit at the piano and play a duet of the Love Waltz. They discuss the absence of photographs in frames, with Maude explaining that she removed them because they represented people fading from her memory. Harold asks for a photo of Maude, and she retrieves an old photo from her American visa. They share a heartfelt moment, with Maude expressing her belief in the importance of being human and not being afraid to cry. They kiss, and the scene transitions to a night montage at a carnival with various rides and fireworks. The scene ends with the fire in Maude's apartment out and daylight outside.
- Harold interrupts Mrs. Chasen's phone call to announce his marriage. He shows her a picture of a sunflower instead of his fiancée, Maude, causing confusion. Eventually, he shows her the correct picture of Maude, but Mrs. Chasen questions his seriousness. The scene ends with Harold smiling proudly.
- In this scene, Mrs. Chasen expresses her concern to the psychiatrist about Harold's seriousness regarding his marriage plan. Uncle Victor confronts Harold and advises him against the marriage, while the psychiatrist analyzes Harold's attachment to Maude using Freudian theory. The priest expresses his disgust at the idea of Harold being intimate with Maude. These conflicts are not resolved in this scene.
- In this scene, Harold confronts his disapproving mother about his love for Maude. Despite his mother's attempts to dissuade him, Harold stands his ground and leaves. The scene then shifts to Maude's apartment, where Harold surprises her with a room filled with sunflowers for her birthday. The emotional tone transitions from tense and confrontational to joyful and celebratory. However, the scene ends with Harold discovering that Maude has taken pills and plans to die by midnight, leaving him in shock.
- In this scene titled 'Desperate Plea', an ambulance races through a downtown street with Maude lying down inside, holding a daisy. Harold, deeply in love with Maude, kneels beside her, crying and expressing his fear of losing her. They have a conversation about death, with Maude being calm and accepting while Harold is desperate. The conflict of Harold's fear is not resolved in this scene. The emotional tone is a mix of sadness, fear, and acceptance. The scene ends with Harold expressing his love for Maude and her encouraging him to go and love some more.
- In this scene, Harold and Maude arrive at the hospital emergency in an ambulance. Harold is frantic and pleads for Maude to hold on, while Maude remains calm and finds humor in the situation. They are greeted by a feisty nurse, a student nurse, and a gawky intern. The nurses ask for Maude's personal information and insurance details, causing frustration for Harold. The intern asks Maude to sign a form, and she compliments his hair. The doctor and two nurses arrive and take Maude away. She waves goodbye to Harold and the scene ends.
- In this scene, Harold waits in a hospital waiting room and witnesses various emotional moments. He sees a mother playing with her baby, but when the doctor shakes his head, Harold starts crying. He walks down the hospital corridor and observes scenes of parents with screaming infants, a woman in pain, and a family grieving a death. Overwhelmed by his emotions, Harold continues walking, still deeply affected by what he has witnessed.
- Harold drives his mini hearse with unrelenting purpose along a sea cliff road, dangerously close to the edge. He makes a sudden turn and drives out onto a promontory, causing the car to plunge off the cliff and burst into flames. As the fire dies down, Harold hears the fumbled pluckings of Maude's Song on a banjo and manages to play it himself. With a moment of reflection and determination, he turns away from the edge.
- In this scene, Harold, with a tear-stained face, gradually starts playing a song in its original upbeat tempo and gets better at it. As he walks down the road, a full orchestra joins in the playing. Eventually, Harold becomes a small figure in the distance.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Harold | Harold's character arc in the screenplay begins with his introverted and troubled nature. He stages his own suicides for attention and finds satisfaction in causing discomfort to others. However, as the story progresses, Harold starts to open up and embrace new experiences through his interactions with Maude. He gradually learns to find joy and meaning in life, challenging societal norms and embracing his own individuality. This transformation leads him to a deeper understanding of himself and a newfound appreciation for the beauty of life. | The character arc for Harold is well-developed and allows for significant growth and transformation. However, it would benefit from further exploration of Harold's internal struggles and the reasons behind his troubled nature. Providing more insight into his background and motivations would enhance the audience's understanding of his character and make his transformation more impactful. | To improve the character arc, consider delving deeper into Harold's past and exploring the root causes of his troubled nature. This could involve incorporating flashbacks or conversations that shed light on his upbringing and experiences. Additionally, providing more moments of vulnerability and self-reflection for Harold would allow the audience to connect with him on a deeper level. This could be achieved through internal monologues or intimate conversations with Maude. Overall, focusing on Harold's emotional journey and inner conflicts would strengthen the character arc and make it more compelling. |
Maude | Maude starts off as a vibrant and carefree woman who befriends Harold at a funeral. She encourages him to embrace life and challenges his perspective on societal norms. As the story progresses, Maude's impending death becomes a central theme, and she faces it with calm acceptance and wisdom. Her impact on Harold's life is profound, as he learns to appreciate the beauty of life and break free from his self-imposed limitations. In the end, Maude's legacy lives on through Harold, who carries her spirit of adventure and love for life with him. | The character arc for Maude is well-developed and provides a meaningful journey for both her and Harold. However, it would be beneficial to further explore Maude's personal growth and transformation throughout the story. While she serves as a catalyst for Harold's growth, it would be interesting to see how her own perspective on life and death evolves as she faces her own mortality. This could add depth and complexity to her character, making her arc even more impactful. | To improve the character arc for Maude, consider incorporating moments of introspection and self-discovery for her. Show how her encounters with Harold and her own impending death shape her outlook on life and deepen her understanding of the world. Additionally, explore her relationships with other characters in more depth, allowing her to have meaningful interactions and further influence those around her. This will enhance the emotional resonance of her arc and create a more well-rounded and compelling character. |
Theme | Theme Details | Themee Explanation | ||||||||||||
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Death and Suicide | Young man's suicide attempts, hanging scene, dead body in the bathroom, funeral procession, demolition ball knocking down buildings, transplanting a tree to save it | The theme of death is strongly represented in the screenplay, with the protagonist's fascination with funerals, suicide attempts, and the transience of life. It explores the concept of mortality and the human response to death. | ||||||||||||
Strengthening Death and Suicide:
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Mother-Son Relationship | Overbearing mother, mother filling out a personality questionnaire for her son, mother presenting her son with forms from the National Computer Dating Service, mother arranging dates for her son | The screenplay explores the complex and often strained relationship between a mother and her son, highlighting the mother's attempts to control her son's life and the son's struggle for independence. | ||||||||||||
Unconventional Love | Harold's love for Maude, a significantly older woman, Harold's decision to marry Maude | The theme of unconventional love is present in the screenplay, as the protagonist falls in love with an older woman, challenging societal norms and expectations. | ||||||||||||
Individuality and Self-Expression | Maude's eccentric apartment, Maude's unique pulley device for feeding birds, Maude's paintings and odorifics, Maude's kimonos and Japanese-themed evening, Maude's advocacy for peace | The screenplay highlights the importance of individuality and self-expression, as the character of Maude embodies a free-spirited and unconventional lifestyle. | ||||||||||||
Transience of Life | Harold and Maude watch a demolition ball knocking down buildings, Harold and Maude observe a junkyard operation and have a picnic, Harold and Maude discuss the thrill of destruction and the beauty of life | The screenplay touches upon the theme of the transience of life, as the characters engage with the cycle of destruction and creation, and the beauty of life's fleeting moments. | ||||||||||||
Mental Health | Harold's sessions with his psychiatrist, Harold's fascination with his hearse and room, Harold's mother's concern about Harold's behavior | The screenplay briefly addresses the theme of mental health, as the protagonist grapples with his fascination with death and suicide, and his unconventional interests. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goals evolved throughout the script, reflecting their deeper needs for connection, understanding, autonomy, and meaning. |
External Goals | The protagonist's external goals evolved throughout the script, reflecting immediate circumstances, challenges, and desires for freedom, independence, and self-expression. |
Philosophical Conflict | There are philosophical conflicts present in the screenplay, challenging the protagonist's beliefs and values, and exploring concepts such as conformity vs. individuality, societal norms vs. personal freedom, and nihilism vs. optimism. |
Character Development Contribution: The protagonist's evolving internal and external goals contribute to their development by challenging their beliefs, values, and worldview, pushing them to confront their fears and desires, and leading them towards self-discovery, autonomy, and growth.
Narrative Structure Contribution: The evolving internal and external goals provide a framework for the narrative structure, guiding the protagonist's actions and decisions, creating tension and conflict, and driving the story forward. They also contribute to the pacing and development of the plot.
Thematic Depth Contribution: The goals and conflicts in the screenplay contribute to the thematic depth by exploring overarching themes such as individuality, freedom, mortality, connection, societal expectations, and the pursuit of meaning and fulfillment in life.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
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Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - A Dark Encounter and a Morose Dinner | Dark, Melancholic, Sarcastic | 9 | 8 | 8 | 7 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | |
2 - A Shocking Discovery | Horror, Dark Humor | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 10 | 7 | 9 | 8 | 9 | 8 | |
3 - A Tragic Discovery and a Troubled Son | Dark, Satirical, Melancholic | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 6 | 6 | 7 | 6 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | |
4 - Harold's Unconventional Interests and Family Concerns | Dark, Satirical, Melancholic | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 8 | 7 | 8 | 9 | 8 | 9 | 8 | |
5 - Contemplation in the Church | Dark, Satirical, Whimsical | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 6 | 6 | 5 | 6 | 7 | 6 | 7 | 9 | 7 | 7 | 8 | 7 | |
6 - Harold and Maude's Whimsical Church Encounter | Dark, Quirky, Whimsical | 9 | 9 | 8 | 5 | 9 | 8 | 8 | 7 | 6 | 6 | 6 | 7 | 6 | 8 | 8 | 7 | 8 | 9 | 8 | |
7 - Harold's Disturbing Revelation | Dark, Quirky, Satirical | 8 | 7 | 7 | 7 | 8 | 6 | 8 | 6 | 7 | 9 | 5 | 7 | 8 | 6 | 9 | 9 | 7 | 9 | 8 | |
8 - Harold and Maude's Unexpected Encounter | Whimsical, Dark, Quirky | 8 | 8 | 7 | 7 | 9 | 6 | 8 | 6 | 6 | 6 | 5 | 6 | 8 | 7 | 8 | 7 | 8 | 9 | 9 | |
9 - Reckless Driving and Philosophical Contemplation | Whimsical, Playful, Philosophical | 9 | 9 | 8 | 8 | 9 | 8 | 8 | 7 | 4 | 7 | 5 | 8 | 7 | 7 | 10 | 8 | 9 | 9 | 9 | |
10 - A Visit to Maude's Apartment | Whimsical, Quirky, Melancholic | 9 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 5 | 6 | 4 | 7 | 7 | 7 | 9 | 9 | 8 | 9 | 8 | |
11 - Harold's Unresponsiveness | Dark, Quirky, Melancholic | 8 | 9 | 7 | 6 | 9 | 5 | 8 | 6 | 7 | 7 | 6 | 7 | 6 | 6 | 8 | 7 | 8 | 9 | 8 | |
12 - Harold's Fascination and Lunch Plans | Dark, Quirky, Melancholic | 8 | 9 | 7 | 9 | 9 | 6 | 8 | 6 | 6 | 6 | 4 | 5 | 7 | 7 | 7 | 7 | 8 | 9 | 8 | |
13 - Harold's Eccentric Behavior | Quirky, Light-hearted, Surreal | 8 | 7 | 6 | 3 | 8 | 6 | 8 | 6 | 4 | 5 | 3 | 6 | 4 | 4 | 7 | 7 | 7 | 9 | 8 | |
14 - Exploring Maude's Apartment | Melancholic, Whimsical, Reflective | 8 | 7 | 7 | 6 | 9 | 7 | 8 | 7 | 4 | 5 | 5 | 6 | 6 | 7 | 8 | 7 | 8 | 9 | 8 | |
15 - Contemplating Destruction and Growth | Reflective, Whimsical, Contemplative | 9 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 4 | 6 | 3 | 5 | 6 | 8 | 10 | 7 | 8 | 9 | 9 | |
16 - Harold and Maude's Reckless Adventure | Perturbed, Soft, Struck, Nonchalant | 9 | 9 | 8 | 6 | 9 | 7 | 8 | 6 | 4 | 6 | 3 | 6 | 7 | 8 | 9 | 7 | 8 | 9 | 8 | |
17 - A Whimsical Encounter and a Melting Sculpture | Whimsical, Playful, Light-hearted | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 7 | 6 | 6 | 5 | 8 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | |
18 - A Musical Evening with Harold and Maude | Whimsical, Reflective, Nostalgic | 9 | 8 | 7 | 9 | 9 | 7 | 8 | 6 | 4 | 6 | 3 | 6 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | |
19 - Harold's Rebellious Act | Whimsical, Quirky, Playful | 8 | 7 | 7 | 7 | 9 | 7 | 8 | 7 | 6 | 7 | 5 | 8 | 8 | 7 | 8 | 9 | 9 | 9 | 8 | |
20 - Chipping Away: Glaucus' Artistic Vision | Whimsical, Playful, Reflective | 8 | 7 | 7 | 6 | 9 | 6 | 8 | 6 | 4 | 4 | 3 | 5 | 5 | 7 | 8 | 7 | 7 | 9 | 8 | |
21 - Maude's Speeding Escape | Whimsical, Light-hearted, Quirky | 8 | 7 | 8 | 6 | 9 | 5 | 8 | 7 | 6 | 8 | 4 | 7 | 7 | 6 | 9 | 9 | 8 | 9 | 8 | |
22 - Escape in the Forest | Humorous, Whimsical, Light-hearted | 9 | 8 | 8 | 6 | 9 | 8 | 8 | 9 | 6 | 8 | 6 | 7 | 7 | 7 | 9 | 9 | 9 | 9 | 8 | |
23 - Melting Dreams | Humorous, Whimsical, Reflective | 8 | 7 | 6 | 6 | 9 | 6 | 8 | 7 | 4 | 6 | 3 | 5 | 5 | 7 | 8 | 7 | 7 | 9 | 8 | |
24 - Bonding and Dancing in Kimonos | Humorous, Reflective | 9 | 8 | 7 | 7 | 9 | 7 | 8 | 5 | 4 | 4 | 3 | 6 | 6 | 8 | 9 | 9 | 8 | 9 | 8 | |
25 - A Shocking Encounter | Humorous, Melancholic | 8 | 7 | 7 | 6 | 9 | 6 | 7 | 6 | 5 | 7 | 4 | 7 | 9 | 7 | 8 | 8 | 7 | 9 | 8 | |
26 - Harold and Maude's Playful Sky Gazing | Whimsical, Philosophical, Playful | 9 | 8 | 6 | 7 | 9 | 7 | 8 | 6 | 2 | 3 | 2 | 5 | 6 | 8 | 10 | 8 | 8 | 9 | 9 | |
27 - Sunset Conversations | Poetic, Playful, Reflective | 9 | 8 | 7 | 6 | 9 | 6 | 8 | 6 | 2 | 4 | 3 | 5 | 5 | 8 | 10 | 7 | 8 | 9 | 9 | |
28 - A Disastrous Date | Dark, Quirky, Absurd | 8 | 8 | 7 | 6 | 7 | 5 | 8 | 7 | 7 | 6 | 6 | 7 | 9 | 6 | 8 | 7 | 8 | 9 | 8 | |
29 - Harold Learns of His Induction | Whimsical, Reflective, Playful | 9 | 8 | 7 | 6 | 9 | 6 | 8 | 7 | 4 | 7 | 3 | 5 | 6 | 8 | 10 | 7 | 8 | 9 | 8 | |
30 - A Conversation on the Army and War | Serious, Humorous | 8 | 7 | 7 | 6 | 8 | 7 | 8 | 6 | 7 | 7 | 7 | 8 | 6 | 7 | 9 | 7 | 8 | 9 | 8 | |
31 - Tragedy at the Reservoir | Intense, Disturbing, Dark, Serious | 9 | 8 | 7 | 6 | 8 | 7 | 7 | 6 | 7 | 7 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | 9 | 8 | |
32 - A Night of Fun at the Amusement Park | Light-hearted, Playful, Whimsical | 9 | 8 | 7 | 6 | 9 | 2 | 8 | 7 | 3 | 6 | 2 | 4 | 5 | 7 | 8 | 9 | 8 | 9 | 8 | |
33 - Starry Night and a Gift of Love | Whimsical, Reflective, Hopeful | 9 | 8 | 7 | 6 | 9 | 6 | 8 | 7 | 3 | 5 | 4 | 6 | 6 | 8 | 10 | 8 | 9 | 9 | 9 | |
34 - Harold and Maude's Tender Moment | Sentimental, Reflective, Playful | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 3 | 6 | 4 | 7 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
35 - Harold's Surprise Announcement | Playful, Emotional, Intimate | 9 | 8 | 7 | 7 | 9 | 9 | 8 | 7 | 3 | 8 | 4 | 7 | 7 | 9 | 8 | 8 | 8 | 9 | 9 | |
36 - Conflicting Perspectives on Harold's Marriage Plan | Humorous, Sentimental | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 7 | 4 | 8 | 5 | 8 | 7 | 10 | 8 | 9 | 8 | 9 | 8 | |
37 - Harold Asserts His Love and Surprises Maude | Emotional, Whimsical, Serious | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 10 | 9 | 9 | 8 | 9 | 9 | |
38 - Desperate Plea | Emotional, Intimate, Serious | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 4 | 7 | 7 | 7 | 7 | 10 | 9 | 9 | 8 | 9 | 8 | |
39 - Harold and Maude's Hospital Emergency | Serious, Humorous | 8 | 7 | 7 | 7 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 6 | 9 | 9 | 8 | 9 | 9 | 9 | |
40 - Harold's Emotional Journey in the Hospital | Sad, Emotional, Reflective | 9 | 8 | 7 | 7 | 8 | 8 | 8 | 6 | 6 | 6 | 9 | 7 | 5 | 10 | 6 | 7 | 8 | 9 | 9 | |
41 - Harold's Determined Drive | Intense, Tragic, Emotional | 9 | 8 | 8 | 6 | 7 | 9 | 7 | 8 | 9 | 7 | 10 | 7 | 8 | 10 | 6 | 9 | 9 | 9 | 8 | |
42 - Harold's Musical Journey | Frantic, Calm, Humorous, Melancholic | 9 | 8 | 7 | 3 | 9 | 9 | 6 | 4 | 6 | 3 | 7 | 7 | 2 | 10 | 8 | 7 | 7 | 9 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Strong characterization
- Effective use of humor
- Thought-provoking themes
- Engaging dialogue
- Strong emotional impact
Scene Weaknesses
- Limited plot progression
- Lack of significant conflict
- Minimal character development in specific scenes
- Limited external conflict
- Some ad-libbing disrupting flow of the scene
Suggestions
- Try to add more external conflict to increase the stakes and keep the audience engaged
- Work on character development in specific scenes to ensure consistent growth and depth
- Revise dialogue to add more complexity and depth
- Ensure smooth transitions between scenes
- Minimize the use of ad-libbing to maintain the flow of the scene
- Physical environment: The physical environment in the screenplay includes various domestic settings such as Mrs. Chasen's house, bedrooms, den, poolside area, church, graveyard, car, junkyard, psychiatrist's office, cemetery, and various outdoor locations like meadows, beaches, and amusement parks.
- Culture: The cultural elements present in the screenplay include societal expectations of proper grooming and appearance, social gatherings like dinner parties and funerals, religious ceremonies, and the emphasis on finding a suitable partner through computer dating services.
- Society: The societal structure in the screenplay is represented through the presence of family dynamics, societal norms and expectations, hierarchical structures in military and medical establishments, and the influence of authority figures like parents, priests, psychiatrists, and Uncle Victor.
- Technology: The technological aspects in the screenplay are minimal but include the presence of record players, razors, computer dating services, acetylene torches, blowtorches, and medical equipment in hospital settings.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating contrasting atmospheres, highlighting their eccentricities and individuality, challenging societal norms, and influencing their perspectives on life, death, love, and rebellion.
- Narrative contribution: The world elements in the screenplay contribute to the narrative by creating a sense of tension, contrast, and mystery. They provide settings for significant events and interactions between characters, establish the characters' motivations and conflicts, and drive the plot forward.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth by exploring themes of life and death, conformity and rebellion, love and relationships, societal expectations and individuality, the cycle of nature, the significance of art and creativity, and the search for meaning and identity.
Voice Analysis | |
---|---|
Summary: | The writer's voice is characterized by a unique blend of dark humor, introspection, and unconventional dialogue, creating a distinct tone that challenges societal norms and expectations. The narrative description is vivid and often contrasts mundane settings with shocking events, adding depth to the story and characters. |
Voice Contribution | The writer's voice contributes to the script by creating a darkly comedic mood that contrasts with serious situations, making the themes and depth of the story more impactful. The unconventional dialogue and narrative description showcase the writer's ability to challenge societal norms and expectations, adding a layer of complexity to the characters' interactions. |
Best Representation Scene | 3 - A Tragic Discovery and a Troubled Son |
Best Scene Explanation | This scene is the best representation of the author's voice because it showcases the writer's ability to blend dark humor with introspective moments and create a contrast between the superficial and the profound, setting the tone for the rest of the story. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher Emotional Impact tend to have higher Overall Grades. |
Correlation between Dialogue and Character Changes | There is a moderate positive correlation between Dialogue and Character Changes in this screenplay. Scenes with more dialogue tend to have more character changes. |
Correlation between Tone and Concept | There is a weak positive correlation between Tone and Concept in this screenplay. Scenes with darker tones tend to have darker concepts. |
Correlation between High Stakes and Conflict | There is a moderate positive correlation between High Stakes and Conflict in this screenplay. Scenes with higher stakes tend to have more conflict. |
Correlation between Plot and Moving Story Forward | There is a strong positive correlation between Plot and Moving Story Forward in this screenplay. Scenes with a well-developed plot tend to move the story forward effectively. |
Writer's Craft Overall Analysis
The writer demonstrates a strong command of their craft, with a unique voice and style that effectively engages the audience and conveys the themes and emotions of the scenes. The writing style effectively balances humor, philosophical discussions, and character development, creating engaging and thought-provoking moments throughout the screenplay. However, there is room for improvement in certain areas, such as pacing, opposition, and character complexity.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Book | Save the Cat! by Blake Snyder | This book provides valuable insights and techniques for improving screenwriting craft, including character development, story structure, and pacing. It can help the writer refine their skills in creating engaging and well-structured scenes. |
Exercise | Write a scene with conflicting philosophical beliefs between two characters.Practice In SceneProv | This exercise can help the writer further develop their ability to create engaging philosophical conflicts and meaningful dialogue. It will also provide an opportunity to explore different character motivations and perspectives. |
Course | Screenwriting Masterclass with Aaron Sorkin | Taking this course can provide valuable lessons and techniques from a renowned screenwriter, helping the writer further develop their craft in creating compelling dialogue, character development, and storytelling. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Death Seeker | The protagonist, Harold, is fascinated with death and suicide, and often stages his own death in various ways. | This trope is commonly used in media to explore themes of mortality, mental health, and the meaning of life. An example of this trope can be seen in the movie 'The Secret Life of Walter Mitty', where the protagonist often daydreams about his own death. |
Overbearing Parent | Harold's mother is controlling and manipulative, trying to force him into a life he doesn't want. | This trope is often used to create conflict and tension between characters. A notable example of this trope can be seen in the movie 'Psycho', where Norman Bates' mother is overbearing and controlling, leading to his mental breakdown. |
Unconventional Love Interest | Harold falls in love with Maude, who is much older than him and has a unique perspective on life. | This trope is often used to challenge societal norms and explore themes of love and acceptance. An example of this trope can be seen in the movie 'Harold and Maude', where the unlikely romance between Harold and Maude is the central focus of the story. |
Dark Comedy | The movie explores serious themes like death and mental health, but with a humorous tone. | This trope is often used to make uncomfortable or taboo subjects more approachable. A notable example of this trope can be seen in the movie 'Heathers', where the dark humor is used to explore themes of high school politics and murder. |
Pygmalion | Harold's mother tries to mold him into the person she wants him to be, while Maude helps him discover who he really is. | This trope is often used to explore themes of identity and self-discovery. A notable example of this trope can be seen in the movie 'My Fair Lady', where Professor Henry Higgins tries to transform Eliza Doolittle into a proper lady. |
The Woobie | Harold is a sympathetic character who is often mistreated and misunderstood. | This trope is often used to elicit empathy and compassion from the audience. A notable example of this trope can be seen in the movie 'E.T. the Extra-Terrestrial', where E.T. is a lovable alien who is separated from his home and must navigate a foreign world. |
The Fool | Maude is a free-spirited character who often acts impulsively and without regard for societal norms. | This trope is often used to challenge societal norms and explore themes of individuality and freedom. A notable example of this trope can be seen in the movie 'Forrest Gump', where the titular character is a lovable fool who navigates life with a simple and innocent perspective. |
The Mentor | Maude serves as a mentor to Harold, helping him discover his true self and find meaning in life. | This trope is often used to explore themes of self-discovery and personal growth. A notable example of this trope can be seen in the movie 'The Karate Kid', where Mr. Miyagi serves as a mentor to Daniel, teaching him martial arts and life lessons. |
The Anti-Hero | Harold is a flawed character who often acts impulsively and without regard for societal norms. | This trope is often used to explore themes of morality and individuality. A notable example of this trope can be seen in the movie 'Fight Club', where the protagonist is an anti-hero who challenges societal norms and expectations. |
The Odd Couple | Harold and Maude are an unlikely pair, with different personalities and worldviews. | This trope is often used to explore themes of friendship and acceptance. A notable example of this trope can be seen in the movie 'The Odd Couple', where the mismatched pair of Felix and Oscar become roommates and learn to accept each other's differences. |
Memorable lines in the script:
Scene Number | Line |
---|---|
38 | Harold: I love you. I love you! |
39 | Maude: Farewell, Harold. It's been all such fun. |
34 | Maude: To cry is to laugh. To laugh is to cry... a uniquely human trait. And the main thing in life, my dear Harold, is not to be afraid to be human. |
24 | Maude: Reach out! Take a chance! Get hurt maybe. But play as well as you can. |
31 | Harold: To pit your own life against another. |
Some Loglines to consider:
A death-obsessed young man finds his zest for life through an unlikely friendship with a free-spirited octogenarian who teaches him to embrace the beauty of the world, even in the face of its impermanence. |
When a morbid young man falls for a lively 80-year-old woman, their unconventional romance challenges societal norms and forces him to confront his own mortality. |
Through staged suicides and stolen cars, a rebellious elderly woman helps a depressed young man discover the joy of living, leading to a heartwarming and unexpected love story. |
Harold and Maude is a darkly comedic exploration of life and death, where an unlikely romance blossoms between a death-obsessed youth and a life-loving octogenarian, teaching him that the greatest adventure is living itself. |
In a world obsessed with rules and conventions, Harold and Maude embark on a journey of self-discovery and love, proving that age is just a number and life's greatest lessons often come from the most unexpected places. |
Help & FAQ
Frequently Asked Questions
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Consider
Explanation: Harold and Maude is a darkly comedic and heartwarming screenplay with a unique premise and memorable characters. The strength lies in the contrasting personalities of Harold and Maude, their evolving relationship, and the exploration of life and death. However, the pacing could be tightened, some scenes feel repetitive, and further character development, particularly for Maude and in the aftermath of the climax, would enhance the narrative.